#which i really appreciate in this case

[indie-queer-movie-tournament]

Everything Everywhere All At Once

An aging Chinese immigrant is swept up in an insane adventure, where she alone can save what’s important to her by connecting with the lives she could have led in other universes.

Letterboxd:

[two seperate reviews, because they're short]

Started crying at the line about taxes and laundry and didn't stop until the movie ended this is one of the best things i’ve ever seen in my piece of shit life.

[la-pheacienne]

Y'all. Probably the most UNIVERSALLY ACCEPTED criticism against grrm is the abundance of gratuitous extreme sexual violence against women in asoiaf. GoT doubled down on that and is endlessly criticized for that. On the ONE (1) INSTANCE where sexual violence was NOT part of a female character's arc in grrm's work, HotD decided to introduce it as a means of giving "nuance" to a story and making a character more sympathetic. And now not only is this not considered a sexist narrative but on top of that you call this an inspired twist ffs I'm gonna eat my hair

[elcucurucho]

I’ve been trying to figure out how to phrase it but I love how willing cellbit is to engage with games on their terms. It doesn’t matter what the game is, he always approaches it with the same level of respect, like he’s working with the game to see what it’s trying to show or accomplish. It really speaks to a deep appreciation for video games as a storytelling medium

[the-judicial-assistants-notebook]

poor man.

[godsfavoritescientist]

well hold on, if we define a character flaw as any limitation a character deals with, regardless of whether it's something Morally Wrong With Them or not, then Ford's paranoia counts as a character flaw since it does in fact negatively impact him and the people around him. Let me use better wording here: I will die on the hill that Ford's paranoia is not a moral failing.

[not-poignant]

Hi Pia

Feel free to ignore if this is unwelcome, but have you ever thought about publishing traditionally to sublimate your income and draw in new readers? I know you've self published two books already and that you didn't feel like they did very well, but maybe the experience would be different if someone else was in charge of marketing and all the other business stuff?

Obviously everyone's experience is different but as an author myself who's published both trad and self, traditional publishing has been a completely different experience and has allowed me to focus more on writing because I'm not the one responsible for advertising/marketing/financing anymore.

There are a ton of literary agents nowadays that want to represent diverse and lgbtqia+ fiction, some of them even in Australia.

Websites like Reedsy, AgentQuery and Jerichowriters have extensive directories to find literary agents.

(This is lengthy folks so I'm putting the other two parts (and my response) under a read more! Also putting it under a read more so the anon can skip my response since it's very 'here's all the reasons I can't do this' and they just might not want to read that, lmao)

(continued -> )

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

Obviously most authors, unless they're really prolific, don't get a huge advance (the average is between $1000 - $5000) but getting your foot in the door or on the traditional publishing "ladder' so to speak can have a huge benefit for your serials. Because it gives you more exposure. Plus it's in the agent's best interest to find a publishing house that accepts stories that contain darker themes and negotiate the best deal for you.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses? I have no idea. But you could use this to your advantage. I think I remember you mentioning that writing novels felt quite isolating to you? But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

You already have a loyal readership and that's very attractive to trad pub houses and agents.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance. It could be just a landing page that says something about you and then has links to your tumblr and patreon where you're more active. That way you increase the chances of getting your serials found by additional readers and also come across looking more "professional". Not that you're not professional now. You are and I admire you greatly, but the unfortunate reality is a lot of people still judge by appearances and some will be more drawn to an author's website than a tumblr page, at least at first. So I think having a simple landing page would open up another door for you to benefit from.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

These are just suggestions and thoughts and like I said before, feel free to ignore. But I know you've mentioned wanting to grow your career in the past and I genuinely believe you can do so with some of these pathways.

~

Okay, my response. Posting this because firstly I think the suggestions could work very well for other authors reading this! And I hope they take the advice to note, and secondly because I haven't talked about this for a hot minute so let's talk about it again.

So the TL;DR is yes I have considered traditional publishing. I have actually been traditionally published in short stories, poetry, and also had my art published on covers and re: interior illustrations. But my Fae Tales works got soundly rejected when I sent them to publishing houses that were doing open calls for that sort of material. I've never heard back from an agent and I never expect to, heh.

~

Now for a bit more detail

I have been traditionally published before (it's how I got my writing out there long before I ever wrote serials), and yes, I have approached publishers with my writing since then. In fact Tradewinds was written for the traditional publishing market, and it got soundly rejected, and then shelved. The reasons it was rejected ran the gamut from 'I don't like that these fae eat humans no one is going to relate to these people' (while the editor then went on to publish vampire books idk) to 'There's too much worldbuilding you can't expect readers to keep up with this' to 'Your stories are too long, no one wants to read characters talking all the time.'

Meanwhile in my online serials I was getting feedback like 'my favourite chapters are the ones where the characters just sit in a room and talk' lol.

The traditional publishing world is also not quite as utopian for most authors as you make it seem. I'm friends with a lot of authors who are traditionally published because that's the world I came from, and unless they're solely in KU and doing generic rapid release formula romances, none of them are making that much money. Certainly not enough to live off. It may have been that you were very fortunate, anon, but I know hundreds more traditionally published authors that left trad pub to make money, and I know about 5 in trad pub personally who are making enough to live off of.

Only one of those is really writing what she truly loves to write, and even then, publishing houses have refused to commit to her entire fantasy series (and she's regularly in 'Top 10/20 Women Fantasy Authors in the World' lists) and forced her to finish the series prematurely. Something I never ever have to worry about in self pub.

The reality is that in trad pub these days, you're still in charge of most of your marketing unless you're one of the big earners for the publishing house. In fact I'd be expected to keep even more of a social media and marketing presence than I do now. I don't do almost any of the things you're supposed to do as an author in marketing to be appealing. I don't have a Facebook author account. I don't have an Instagram author account. I don't maintain or regularly send out newsletters (which automatically puts me in the like 0.05% of authors who make money doing this lmao).

I don't know if you ever have looked that closely into what m/m publishing houses expect from most of their authors, but the newsletter swaps, cover releases, review circuits, interview circuits and more are fucking grueling. We're expected to be responsible for our advertising and our marketing to a fairly massive degree. Some traditionally published in m/m still have to pay for their release blitzes out of pocket. These publishing houses, by and large, do not offer advances. You say most authors don't get large advances. I don't think most authors in this arena get offered advances at all unless they're somehow miraculously acquired by a Big 4.

We're expected to have an already established social media presence because of that (that's why it's so appealing to publishers that we have social media presences already, anon, so we can market, they can save money, and we still see only a minimal cut from the royalties).

And you still have to focus on your finances, because publishing houses like Dreamspinner straight up didn't pay a whole bunch of authors for so long they destroyed careers. They still haven't paid some of their authors. And they're still running a business and people still buy their books.

Trad publishing houses have better resources for marketing and helping authors get more attention than any self publishing website could.

This is true if a) they're a big publishing house and not an indie publisher of which most LGBTQIA+ publishing houses are and b) they're willing to use them on you.

The authors that make the most money get the most resources. If they believe you're going to earn back your advance and move thousands or tens of thousands of units per book, then yes, you will get those resources.

I have been told so many times now - even from friends who run publishing houses, including one who works at HarperCollins - that my work will never be mainstream enough to have broad appeal. They literally told me not to keep trying re: trad pub, because that was my dream for a long time. These folks have given me rock solid advice in the past, it's one of the reasons I'm doing so well now via Patreon + Ream. But they were like (paraphrasing) 'you don't write 60-80k romances and you don't want to and that's not your strength anyway, you're multi-genre which makes you hard to market, you write psychological and literary trauma recovery which is hard to market, you write character studies which are hard to market, publishing houses often don't commit to series anymore if the first two don't move units and if they pulled the plug you'd be contractually obliged to never finish that series until your contract was up.' I could go on, but it was like yeah...actually. Fair.

For some reason places like Amazon and the like accept and keep up more "dark" books that are traditionally published than they do with self pub ones. Maybe because they have more respect or leniency for publishing houses?

They do, but most publishing houses want very formulaic dark romance which is not what I write.

I have a 300k omegaverse slowburn that still hasn't had any penetrative sex in it, anon. Publishing houses don't want that. They don't expect anyone will wait 4 full length novels to get to literally a single penetrative sex scene.

But you already have 2 completed novels (3 if you count the fae one) that you could potentially revisit or rewrite to your liking and get them represented by agents.

If I rewrote them to my liking, trad pub wouldn't want them. They'd be too long! I think agents etc. take one look at me and go 'oh god, no thank you!' I'm not an easy sell, by any means.

Plus I'm very e.e about all of that with the knowledge that they then give me only about 10-15% of the royalties on the sales, vs. self-pub where I get around 70%, or subscription where I around 80% of it. When someone subscribes to me, they don't have to worry about 85-90% of their subscription fee going to a publishing house. I don't have to think about how many thousands and thousands of books I'd have to sell to make the same amount that I do now via subscription.

As well as trad publishing, you could also make s simple website that doesn't require much maintenance.

If it was that simple, I'd be doing it. I don't mean this in a facetious way, I mean it in a: I've made a lot of websites, in fact I run one at the moment not connected to my writing (I've been running it for so long it's now in its 20s and can probably has a driver's license). I find it so tedious that I barely remember to check in on it. But forgetting about it means there's always maintenance to keep up with when I get back to it.

Running websites is simpler than it used to be, but it's still not simple. There's hosting and hosting costs, there's server changes, there's back-end maintenance etc. I'm considering it for down the track, but there's a reason I decided to go the route of Patreon over my own site. There are authors (like Christopher Hopper) who actually do subscription through their own domain, but it's a lot of work.

Even placeholder sites are still work. They need updating, details change, story titles changing etc. Maintaining my Patreon + Ream About pages is enough, they're always both a little out of date, lol.

Not that you're not professional now.

Oh no, I mean from a 'traditional publisher looking at me to see what kind of candidate I am' I'm really not though. Like I said, I don't have the newsletter (100 subscribers who get one newsletter a year is not really a newsletter), I don't have the Facebook/Tiktok/Insta/Twitter/Bluesky/Threads accounts, etc. I write multi-genre across multiple steam levels, and I'm allergic to writing serials shorter than 150k. One of my best performing original serials was an 800k contemporary story with no sex in it but a lot of BDSM. It can't be marketed as clean or sweet, it's not high steam, an entire chapter is 'boy saves snail from rain.' Also he was cruel to animals, so not exactly what I'd call a sympathetic main.

And yet that story did so well for me via Patreon + Ream, because people want the kinds of stories that publishing houses generally don't want and I happen to be writing them.

Trad publishing is work but definitely not as much as self publishing, and you can continue on with your serials. Getting an agent can be time consuming but I personally believe the pros outweigh the cons and I also believe that your stories would be a huge treasure to the growing lgbtqia+ market. Seriously there needs to be more!

Anon I just literally do not believe an agent would want to represent me. I have 0% belief in that. Not from a self-deprecating angle but from a 'I am not a good bet for the trad market' perspective. From a 'I have so many friends who are trad pubbed authors who stare at me like I'm insane for writing serials as long as I do' perspective. From a 'professionals in the industry have told me it's amazing I'm doing so well in serials because there's no way they'd take a risk on what I'm doing' perspective. From a 'just because it's queer and diverse doesn't mean it hits literally any other thing a trad pub is looking for' perspective. I've been doing this for 10 years. There are agents who represent work similar to mine who know what I'm doing and wouldn't touch me with a ten foot pole. They're not missing out on a trick, they know I'm not broad appeal, and they're right.

Also the only way I'd have the energy to manage trad pub is by quitting serials. And honestly, I never found trad pub all that much fun while I was doing it for non-novel stuff. It was fine, and it is nice to have my stuff out there, but it was a ton of admin and a lot of going back and forth between people who really only care about marketing a product, and that's great and what they excel at! But I'm too disabled to turn this job into something crushing just to potentially make more money, I'd rather just quit and go back onto a full Disability Pension. I can't see any way I still get to write the stories I want to write, in the way that I write them, and be remotely appealing to a single reputable trad pub or agent.

Also *gestures to everything in this article*

[formerheroeswhoquittoolate]

okay okay okay but I headcanon (firmly believe actually but whatever) that cass considers herself to be dick/jason/tim/damian's brother.

because. okay. gender and language are extremely interconnected. and without gendered language, it's difficult to explain gender and why you would use one term over another. and cass doesn't really have a language with which to understand gender. and when you're learning words, especially if you're starting from scratch, it's way more important to understand that different words mean different things. "brother" and "sister" are different words. even "brother" and "sibling" are different words. and you and I, who have been using language for a while, can argue all day about the denotations and connotations of the words, but to cass, who didn't have language for a good chunk of her early life, those semantics don't matter.

dick is her brother. jason is her brother. tim is her brother. damian is her brother. just like they are all each other's brothers. and calling herself their "sister" instead communicates a different meaning. it sets cass apart from them. she doesn't really know or care about the complicated history of gendered language. the word "brother" and the word "sister" are not the same thing. the other legal(ish) children of bruce's are all brothers. she would consider herself one, too.

[heybaetae]

hi

[plushie-rater]

Can we send requests of our own plushies for you to rate? :)

Thanks so much for asking first of all. I’ve been thinking about this a whole lot (even before I drew the first plushie here) and I think I’ve finally decided that at least for now, I won’t be taking submissions for plushie ratings. Without getting too serious, the main reason is that I’m afraid that it will stop feeling as fun as it does now. I also really enjoy how happy people seem to be when they see a surprise rating that they weren’t expecting, which would happen much less often if I was spending time drawing submissions, too. I really hope that everyone understands

[statementlou]

i’m sorry to bring this up again, but i wanted to ask how are you making sense of harry having his former girlfriend’s name tattooed on his thigh if you don’t think they were really together? i’m not a larrie and i follow you for your louis content, but i respect your opinions, so i guess i’m coming more from a place of curiosity rather than seeking reassurance. do you not even entertain for one second the idea that you might’ve been wrong about things? that harry was really in a relationship with olivia? that he might actually be attracted to women? that he might’ve been with louis once upon a time but not anymore? have you ever challenged your confirmation bias? again, i’m not trying to attack you, i really just want to understand where you stand. i hope u don’t take this the wrong way.

well first of all you bring up the very good point that there are actually multiple Qs at play and not just one, despite the fandom's (and my) attempts to simplify things. I personally am open to the possibility that Harry and Louis are no longer together- we don't have enough info to say for sure either way about that, and I am constantly recalibrating and considering and I'm going to be totally honest, getting flat out ANNOYED at how often I find myself being like oh damn they ARE still (or again) together ARE YOU KIDDING ME?? Because it seems so improbable and illogical! You think I don't KNOW I sound fucking crazy?! Absolutely infuriating, and yet there are just all these little Things all the time. Plus ofc the fact that they both constantly wink wink larrie stuff to the fandom which could just be playing to the crowd... except then they both continually take it that little extra way that makes me go oh but... you really didn't NEED to go THERE that seems VERY pointed?? But also sometimes I go well. Okay, maybe not. Since they both seem super happy at this point, it doesn't stress me out to think they might have split, the way it would if they seemed miserable and were still churning out heartbreak songs, but it's schrodingers relationship and with all the savvy they've acquired around this stuff and all the balls they're keeping in the air wrt to fandom etc that's unlikely to change in favor of us knowing anything for sure for a very long time, if ever. But I do not doubt that they WERE together, it's simply not realistic. The evidence of it is overwhelming and imo undeniable when taken all together. And the thing is that knowing one thing with certainty (that they were together back when), having really looked at the things that happened during that time, does actually have a lot of bearing on the rest of it even if they aren't together anymore. Because knowing that and having seen the way fake relationships to make them seem straight were managed back then means that when I see the EXACT SAME things being done in the current day, like they are working from a fucking blueprint, no, I don't look at that and think it might be real. I know that Louis and Eleanor wasn't real in... whenever they allegedly got together lol, that story still isn't even quite straight, so why would I believe they were together in 2020? And if I know Louis has a tattoo for a fake girlfriend why would it change my mind about a million things I can see with my own eyes if Harry did the same (if indeed he even has who tf knows)? So despite what I said at the beginning, in the end it kind of does just come down to the one question people are always asking, are you a larrie? Because when you've actually been down the rabbit hole of details that ends up with you saying yes to that question, it's like acquiring a rosetta stone that unlocks the ability to read everything else, like putting on xray glasses, and I look at what is so obviously a publicity relationship (holivia) and whether H and L are still together has nothing to do with why I don't think it's real. Like could a celeb relationship be both used in typical ways for publicity and be or become real on some level (looking at you Liam, heyyy), sure, but for this question the fact that I have never seen Harry show the slightest sign of attraction to a woman in his whole life and he so clearly embraces and identifies so strongly with gay male culture in every possible way and never shuts up about how much he loves cock does play into my thinking; I simply do not think he is attracted to women, no, and I have yet to see him do anything that doesn't seem consistent with things a closeted pop star might chose to do. So in conclusion yes I have challenged my bias and decided I'm right lol! But for real- all the time I consider that they perhaps aren't together but that isn't really the point when it comes to believing they are gay.

[moe-broey]

Like also about that Ryoma "Hinoka and the others (Takumi/Sakura)" moment like. Like esp given the circumstances you might not think to list everyone by name but like . There's. A word you can use. "Everyone". Why are you singling Hinoka out??? Or am I just reading into that as well (esp out of context like, the reason I didn't rb those isn't a huge one it's just been so long since I've done a full Fates run that I didn't have the context on hand/in my memory, so. Felt maybe it could have been an unfair reading?? Idk idk the most impactful thing Ryoma has done to me is going "I'm gonna kill you. Badly. Right Now." [Ryoma will wait 25 turns])

[kohakhearts]

theres a really. special kind of despair in the uncertainty brought about by moments of success and achievement. the inevitable “what now” of reaching your goals. and i kind of wish someone had warned me how hollow graduating university would feel, tbh

[velvetjune]

Spoilers for Alan Wake/Control games and DLCs: one of the things I really like in Alan Wake 2 is the confirmation that, no, Alan can’t create something out of nothing. There were implications in-story that supported that, but it was good to have that be a big part in the sequel. The AWE control dlc easily made it seem like Alan himself had a role in the events of the game and the formation of the FBC, and, personally, seeing it through that lens cheapened a lot of the game and Jesse’s story. Instead, having his writing influence the Hiss and try to manipulate (even out of desperation) Jesse/the FBC to end Hartman and get help, fit right into plot and conflicts of Alan Wake 2, with Alan being sympathetic, but also an asshole for trying to change and control people’s lives in his writing.

[boag]

I mentioned this briefly yesterday but basically my mom lost her little purse while walking the dogs and we’ve looked everywhere in our neighborhood and someone definitely took it bc it’s nowhere to be found. We have no way to track the location of anything in it bc she still has her phone, but the purse contained literally everything else we had. All of our money and all of my mom’s cards and important items were in it and now we have absolutely nothing. So if anyone could help us out so we can pay for food and bills and stuff while we sort this out it would really be SO appreciated like we’re just completely screwed rn 😭 Anything any of you could spare would really help us so much like we’re currently just penniless with no backup plan or anything and we used the rest of the little food we had to make dinner tonight and now we have nothing left

My Cashapp, PayPal, and Venmo are all karmabauer

[everymadara]

Chapter 622

[voiceofsword]

every1 that voted rinne as worst husband is so wrong... its literally canon that he cares SO much and fakes his insane persona hes just awkward and embarassed when he gets noticed

i have so many things i can say about this but im really bad at words but theyre stewing around in my brain explodes

what were your thoughts?

i do agree with the ones that mention niki haha those are true rinne is absolutely smitten but the ones that say its like. because hes rinne amagi. and others thay were probably filtered out by the OP... people that either didnt read the main story or just dont want to look further lmao

(cracking my fingers) okay. this may or may not be long. i fear you have struck a bit of a nerve with this (NOT YOU but just as like. a general statement. i feel like u dont know what ur asking. but that is ok)

this whole thing might seem really aggressive at times bc this situation did get me a little heated... plz keep that in mind going in! AGAIN IM NOT ANGRY AT YOU ANON ILY AND THANK YOU FOR ASKING you just happened to ask abt smth i feel very sourly about – not the poll itself but the answers to it – but i tried to be as. tactful as i possibly can while talking abt this

overall im very disappointed in a lot of the answers given for the voting so ive stayed off twitter almost all day today and yesterday. i fear like with stuff like this a very silent population of eng side shines through, the one that specifically Doesnt actually engage with the story and goes off fanon interpretation. look, im not saying its necessarily a bad thing. but when it comes to stuff like this, where people grossly mischaracterize a grand majority of charas or narrow them down to be the butt of a joke, or use it as an excuse to be plain racist/ableist, i feel like people really need to reassess where all of this is coming from. like. not rinne, but KANAME couldnt even be included because the answers used for his votes were, in their majority, apparently ableist, and op (definitely in the right, i think this was the right choice to make) chose not to post at all because they feared the qrts would be just as bad. because for some reason people seem to think that because they're fictional characters that being ableist is somehow ok, that saying they would "pull the plug" on charas like him and eichi is fine because theyre not real people – as if there werent disabled or chronically ill people in this fandom, in every fandom, or hell, around you?

and lets not mention tatsumi and people blatantly misinterpreting his christianity as something he would force upon others – first of all, western christianity does not apply to tatsumi. at all. i understand that people might find it easy to just associate him with that and make "haha, he would make me convert" or "haha he would be a homophobe" quips, and obviously its not necessary to have extensive knowledge on kirishitan history in japan and how they are, to this day, a minority that was persecuted for a lot of japan's modern history. LIKE, EVEN FROM HIS DIALOGUE IN ANY STORY.. when has he given off that impression? cite your sources, he's literally one of the most inclusive and accepting charas in the whole cast! not a prejudiced white christian middle aged mom...

i think that if you absolutely must reduce a character to tasteless jokes, stereotypes that arent even funny to begin with, and you refuse to even read the source content at all to correct yourself, you really need to think about how you engage with any media, not just enstars. if you want to look at the pretty characters just say that! but dont be like this, and don’t speak on things you don’t fully understand as if you did just to make a point or be funny! 

OKAY RINNE SORRY LOL i hate it. i hated all of it and judging by the ratio many people seemed to dislike it as well (god bless!). if you havent seen it i wont link it bc tbf i dont feel like looking at it again (peace and love) but the answers summed up are like "oh he would steal my money" "hes selfish and would take stuff from me and not gaf about my wellbeing" "hes married to niki already" the last one being the only one i agree with. and it makes me think about a lot of issues with how a good portion of the fandom sees rinne. ive seen a lot of people read rinne in bad faith, regardless of whether theyve read main story, hot limit or any story rinne is in. and i dont get it, genuinely. YES he can be upsetting! he can be an asshole, he can be rude, he DOES steal money from niki! but these people neglect to see or mention that he gives it back and then some. they fail to talk about how he spends a lot of his time trying to make niki see his self worth!! since hiiro was BORN he's been trying to get him to understand that he's deserving of love!! that YES he can be a dick but ultimately treats crazy:b and his friends with love and wants what's best for them! these are the same ppl that think he's abusive or something idk i can only assume. like yeah rinne has a carefully crafted persona where hes a complete dickhead and ig some players cant really bother to see past that act

unfortunately rinne himself is built on a few harmful stereotypes of ainu culture irt the drinking, being portrayed or viewed as more 'uncouth' by other characters, etc which is why the initial more explicit ties to ainu culture were removed altogether from his and hiiros design and background. it is understandable, which is for example why it's not really my place to say whether he can be interpreted as ainu or not, and even so, i try not to rely on those aspects of him because it still veers into sensitive territory. and its an unfortunate part of his character, but undeniably, rinne amagi DOES drink, (he's one of the only characters in main cast of drinking age anyway) does partake in harmful behaviors, but fsr suddenly that means hes nothing but a drunkard, to a lot of people. when reading rinne you really have to take these things and ofc, consider that theyre relevant to his character, but it's not all there is...? in the slightest..? there used to be a tweet thread explaining this link further but it's either been taken down or the account has been locked. either way, just a bit of googling goes a long way. i'd rather not go into too much detail here because i don't feel informed enough beyond pointing these issues out, and i personally feel like it's not really my place. if anybody wants to add onto this post to cite more specific sources please feel free

he's such a fun loving, cunning, caring guy who helps people get jobs (dance of the white tiger), who volunteers to play with kids at a daycare (asobi), and wishes so badly to become an idol and grant everyone the same opportunities if theyd like to be, as well (main story, sudden death SUDDEN DEATH IS MY FAV STORY AFTER HL BUT THE TL IS DOWN....SORRY. but i really really think it's one of the most important ones when it comes to rinne's character and motivations. also if u can read it in app it's even better bc it's voiced and theres a line where he's like "oh this guy's [niki] is engaged to me" when talking to kohaku's sister AND HE SOUNDS FULLY SERIOUS TOO....)

don't get me started on people who dumb him down as if he wasn't one of the most clever characters in the game. and unknowingly, people that continue to make rinne's character out to simply be a gambling flirty drunkard who doesn't know how to control himself, as if there weren't other facets of him – they lean into stereotypes, bordering on racism, even if its not malicious or theyre not aware. and it makes me so sad. a lot of the time these interpretations are spread around and then liking characters like him becomes some sort of moral debate, esp in current fandom (which is one of the reasons i think this stereotyping? happens? b/c ive found that fandom sometimes has the tendency of grabbing characters and mischaracterizing them so BADLY that liking them makes you a bad person..? not necessarily villains either! i promise it's okay to just dislike characters without making stuff up!)

that aside also suggesting he'd be an awful, neglectful spouse is simply incorrect. i very firmly believe that if rinne is devoted, he will drop every vice, every pretense, to make the other person happy. he's Like That in the story and towards niki because they keep tiptoeing around the subject but the second he gets an inner monologue, or is truly being genuine, you can tell he would do anything for him, if niki would just let him. to say that rinne isn't capable of being a good partner because he'll treat you badly or not care about you just proves to me that you're not reading any scene he is actually in. if rinne loves you, romantic or not, he will go big or go home. read hot limit btw

im not about to pull the story caps out no wait yes i am lol rinniki4ever ✌️

these arent in order bc i had to scroll up like 2k pictures because i take caps of this game every time i blink. i was considering adding hiiro caps, to show his dedication to him as well, but given that this is for like a marriage poll id rather not. either way he cares about his family and loved ones a lot. read chapter 155 if you want to know the exact scene i was thinking about/referring to while typing this

um ok (breathes out) im fine now. theres things i didnt address because it's 1 am and i want to go to sleep. congrats kuro on getting #1 most marriageable tho u deserve it KURO NUMERO 1 CAMPEAO DO MUNDO 💯💯💯🔥