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ambrosiagourmet · 4 months

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I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.

#dungeon meshi #delicious in dungeon #dungeon meshi spoilers #laios touden #winged lion #dunmeshi analysis

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reidmotif · 10 months

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"Technically" Not A Student

Summary: Reader is Alex Blake’s TA, and after a guest lecture, Spencer seems to take a liking to her .

Prompt:You’re Alex Blake’s TA when a Dr. Reid comes to guest lecture. Things get heated quickly when you're alone.

Couple: Spencer Reid/Fem!Reader

Category: Smut

Content Warning: Reader POV, guestlecturer!Spencer , age gap (roughly 10 years), car sex, heavy making out, unprotected sex, slight female masturbation, Spencer is smart and that's HOT, heavy sexual tension

Word Count: 5.1k

Being asked to be Alex Blake’s TA was the opportunity of a lifetime, and when it was presented to me as a first-year graduate student at Georgetown, I took it eagerly and never looked back.

She had personally approached me after I’d finished a semester in her forensic linguistics class as a freshman, and commended me on my dedication to the material and my general work ethic, and then inquired if I’d ever consider filling out an application as her teaching assistant starting the next semester.

I immediately agreed. It was a no-brainer. Blake was a seasoned professional in the career field I wished to enter, not to mention she’d been one of the best professors I’d had whilst taking classes at Georgetown. Knowing I’d be working so closely with her absolutely thrilled me. It provided opportunities I'd have never gotten otherwise.

For example, getting to sit in on the class the famed Spencer Reid would be lecturing on.

She usually kept me quite busy, having me develop assignments and quizzes for her class when she had other responsibilities to attend to. I’d heard horror stories from other TA’s in which their supervisors would delegate ninety-nine percent of the work to their juniors, having them essentially teach the class for minimal recognition or pay. Blake wasn’t like that, and I was thankful. This time around though, she had very different instructions for me.

“You don’t need to prepare any material this time around.” Blake explained to me, and I nodded, listening diligently. “I’d just like you to sit in, and possibly take notes, as you see fit.” She added, and I flashed a polite smile, nodding.

“No problem whatsoever. I’ll sit in the back so as to not bother any students as I do.” I replied, offering her as much convenience as I could within my actions.

Secretly, I did want to catch more than a glimpse from the back of the room. I wanted to experience the esteemed colleague Blake had often spoken of with incredible fondness. I was aware he was slightly older than I was, and a bit socially inept from the way she described him in his stories, but I was also aware the man was a goddamn genius. She’d describe in precision the way Reid would pick up on patterns and leads faster than anyone else on the team, and his immense knowledge in multiple fields beyond criminal profiling. When she’d told me he had three pHDs, I had to hold back a gasp. I hadn’t even started my own doctorate, but the idea only exhausted me- and he had three?! Color me impressed.

Blake, being as brilliant as she did, could sense the hidden enthusiasm in my eyes in meeting this man.

“Honestly, I’d rather you sit in the front. If you’re taking notes for any student unable to attend, it’s more imperative that you know the contents of the lecture, rather than anyone else.” She said, smiling kindly.

“That’s absolutely alright with me.” I say, even quicker than before, nodding, thoughtfully. In reality, the only thing I was thinking about was how close I’d be near the man. I had no idea what he looked like, what he sounded like, but something about him made my stomach flutter.

“I’m sure Dr. Reid would be interested in meeting you, as well. He takes special interest in anyone pursuing our line of work.” Blake added. She didn’t mean for it to happen, but the words made my cheeks light up with a hint of embarrassment.

I don’t know why, but he intimidated the hell out of me. The idea of him taking interest in a conversation with me made my heart beat slightly faster, and I nodded. I tried to convince myself that my nerves came from a purely professional standpoint, but regardless of my intentions, I was absolutely exhilarated by our imminent meeting.

While I knew there'd be initial awkwardness when I'd meet him, given my idolization of the man, I didn’t account for how terrible it’d actually be when I realized how fucking attractive he was. It was almost unfair. I was already tripping over the words I planned on saying in my head, and now he looked like that?

It was cruel.

The soft, doe eyes paired with sharp cheekbones. The slope of his nose, and the mess of brown curls atop his head. Every word out of his mouth was made even prettier by the soft curve and pinkness of his lips, and I found myself wanting to lunge over the table and kiss the hell out of him.

Needless to say, not the right thoughts to have about your professor’s (older) coworker.

While I was initially going to introduce myself to Dr. Reid before his lecture, hopefully establishing myself as a serious individual regarding my studies and eventual career, I shied away, opting for Blake to introduce me instead, nodding politely when he made eye contact with me, exchanging a quiet “hello” and taking my seat in the front.

That was it. And probably how it should be, considering I genuinely couldn’t think straight around him. Students began filtering in, and I took my spot at the front of the room, crossing my legs and beginning to outline his lecture as he began to speak.

He was a brilliant lecturer, and it was honestly criminal he didn’t do this for a living. He gesticulated wildly throughout the whole of it, but every word of his was punctuated with a genuine passion that even some of the best professors on campus lacked. I did my best to diligently keep up with every point he brought up, but with how fast he spoke, it was difficult. Still, an effort was made.

If that wasn’t enough to deal with, I swear the man kept making eye contact with me for the duration of his lecture. At first I believed I was imagining it, that his eyes kept drifting to mine by coincidence, but by the third time, I’d realized that everytime my eyes left his figure to scribble something, I’d look up to see his dark eyes boring into my soul, almost as if he was trying to solve me with a glance. It was intense and made my stomach turn in a way which wasn’t entirely unpleasurable, but I forced myself to remain professional.

Blake did not need to see me absolutely lusting after her coworker, even if he was utterly fit.

Anyway, he was probably only making eye contact considering I was in the front, and probably in an optimal spot for his eyes to focus on whilst addressing the whole of the class. Still, the way his gaze was trained on mine, reaching the deepest parts of my soul didn’t help the growing heat between my legs.

I forced myself to focus on the board, my notes, anything but those godforsaken eyes for the rest of the lecture. Anytime we made eye contact afterwards, I’d quickly look down, like I’d been caught doing something terrible.

Was anyone else seeing this? Was I insane and made delusional by my unexpected attraction to this man? Was he seriously making me wet just by looking at me?

Yes.

Sooner than anyone wanted, the lecture period had completed and Dr. Reid was finishing up. The students were absolutely enamored, especially the girls, as expected. Of course it wouldn’t be just me who’d noticed that in addition to being accomplished in his intelligence, he was also ridiculously easy on the eyes.

Blake stood in the corner, watching her students vacate the space, while some held back to talk to Dr. Reid as he packed his things. He seemed a bit shy at all the attention, but didn’t hesitate in explaining concepts to seemingly eager students, giving them all a soft, shy smile.

God help me, he was adorable. How was I falling for a man I’d never even spoken a word to?

I’d never left the classroom before Blake did, so as she stayed, I did as well, until the three of us were the only ones left in the room. Blake smiled, walking up to Dr. Reid with her hands in her pocket.

“You worked up quite the fanbase, Reid.” Blake said, a little playful.

Reid replied somewhat bashfully. “You have a great bunch of students.” He flashed a small smile at her as they spoke, still packing up his things.

The dynamic between my superior and the man was obviously sweet. They almost looked familial, which made sense. Blake had commented here and there that she managed to spend more time with the BAU with her actual family. I’m sure the latter was the same for Spencer. He probably had a doting girlfriend at home, ready to welcome him in her arms and I mentally kicked myself again for being so attracted to him.

He was nearly ten years older, for god’s sake! Enough! I screamed at myself.

I was brought out quite suddenly from my thoughts when Blake spoke in my direction. “This is (Y/N), my teaching assistant.” Reid came in my direction as I got up and approached him, offering a hand to me. “I’m Dr. Spencer Reid. Blake told me who you were, but we weren’t properly introduced.”

I gave a firm shake to his hand, which I noticed was calloused and smooth at the same time. God, even his hands were pretty. He had long, slender fingers with short-kept nails. They were veiny, and looked strong. I couldn’t help but imagine what they’d feel like inside of me, buried in the heat of my core as I begged him for more.. more..

I forced the thought out of my head, only nodding again at the handsome man. “Nice to meet you, Dr. Reid.” I say, forcing myself to be professional.

Stop thinking about fucking him!

“Spencer works just fine.” He says, imparting a kind smile that nearly made my knees weak. Did he have any idea the embarrassing effect he was having on me?

Out of the corner of my eye, I saw Blake looking at the two of us with a bit of a strange expression on her face. I let go of his hand and took a step back. Oh god. Could she tell? If she could, she said nothing. She gave us both a kind smile, before grabbing her own things.

“(Y/N)?” She called out, starting to walk to the door. “Mind locking up for me tonight?” She said, already throwing her keys to me.

“That’s fine by me.” I say, grabbing her keys mid-air. I was used to this. Blake often wanted to leave a bit quicker than I did, and I was more than happy to assist in any way possible. What I didn’t realize, was that this left me and Spencer in the room alone, something I wanted to avoid, considering how fucking awkward this man was rendering me with so much as a glance at me.

I heard Blake leave, and as she quietly closed the door behind her, I leaned against a desk, keeping my eyes down as Spencer continued to pack his own things. I tried to not let my gaze drift to him, as I waited for him to finish up.

I let my thoughts wander to the lecture, and couldn’t shake the feeling he’d evoked in me when he looked at me like that. This was honestly ridiculous. The man had barely spoken ten words to me, and here I was, absolutely mooning over him. It was a new low for me, but in my defense being a graduate student meant I didn’t have much time to get my .. needs fulfilled.

“That’s why” I convinced myself. I just hadn’t gotten laid in a really long time. Nothing more, nothing less.

“So, you’re a criminology student?” Spencer says, suddenly, breaking me out of my trance.

I looked up, nodding. I responded on pure habit and instinct. ‘Yes, I’m in the process of getting my Masters in Criminology.” I said, nearly robotic.

“That must be interesting.” Spencer replied, flashing me a sweet smile that caused an entirely new slew of butterflies to erupt in my stomach. “I never studied criminology specifically, but the classes I took interested me.”

“Blake told me you had three pHDs.” I acknowledged, trying to return his smile, but in all honesty, I probably looked like an idiot. I was nervous as hell, and hoped he couldn’t tell. It wasn’t my fault. He was awe-causing. A sight to behold, if you will, in intelligence and appearance.

He laughed good naturedly, “Yeah. Three.” He must’ve noticed the stars in my eyes, because he continues. “As well as a Bachelor of Arts in Psychology and Sociology. And I’m working on another in Philosophy.” He finishes with a smug, boyish type of smile.

What was previously stars in my eyes, was now full blown shock all over my face. “Wow, Spencer.” I said, a little dumb-struck. “That’s.. a lot.” I add, a little stupidly, giving him a little laugh.

He sweetly scratched his neck, revealing his self-consciousness. “Yeah? You think?” He says, a small smirk in his voice, and I laughed again. “You think I should stop after Philosophy?”

“Totally. Save some knowledge for us.” I teased. It was comfortable. He was surprisingly easy to get used to. He was affable, despite how daunting his knowledge was.

“Hey, you try graduating before you’re a teenager.” He defends himself, playfully. “Not much to do, really.”

I laugh. “I don’t know.” I say, throwing my hands up a little. “Play ball? Run around?” I joke, and he makes a face at that, scrunching up his nose.

“Not my thing.” He replies, smoothly, and I laugh.

“Alright, fine. Keep your degrees doctor man.” And he laughs at my joke. Like, a real laugh. I didn’t even find my own rhetoric particularly humorous, but knowing that I’d gotten him to react like that made my cheeks glow.

He finished packing the last of his things and slung his satchel bag over himself, starting to walk over to the door. I made sure to gather all my things, and walked to the door with him. He held it open for me, and I nodded my head in thanks, and he let it shut behind us. I turned around to lock it, using Blake’s keys and placing them in my bag securely, before looking at him.

“Well, Spencer. It was nice meeting you, thank you for the lecture it was-” I start, but he interrupts me.

“Can I walk you to your car?” He interjected, looking a little shy as he did. I smiled a little confusedly, wondering why he’d want to do so, but I gave him my answer, nonetheless.

“I don’t have a car. I usually take the bus back to my apartment.” I explained, smiling softly.

“The bus?” He says, quirking his mouth to the side. “Isn’t it a bit late for that?” He replies, a hint of concern in his voice.

I gave a little sigh, “I mean, it’s fine.” I say, trying to laugh a little. “I’ve done it before.” I add, attempting to ease the worry out of his voice. “It’s not that late.” I say, but he simply shakes his head.

“No way.” He says, still adamant on this. “I.. I can drive you home, if you’d like?” He says, his words going slightly on the higher pitch as he rolled out his proposal, and I gave a small grin at that.

“Really? If it’s a hassle I can seriously just take the bus. I wouldn’t want you to keep anyone waiting at home or-”

He interjects again. “No hassle. I promise. I want to.” He pauses, before adding, “No one at home. You’re probably going to be the last person I see today.” He seems to blush at his final admission, and my eyes widen in interest. No girlfriend? Score.

“Alright, Spencer.” I say, smiling again. “Lead the way.”

He led me to his car, an old-fashioned Volvo and I couldn’t help myself from gawking at it.

“God, you have a cool car too? Is there anything about you that isn’t interesting?” I say, aware I was probably stroking his ego a bit, but honestly I wanted to. The man was just so damn intriguing, and every new bit of information I learned about him only made me want to unravel the whole of him. To truly know him, in and out.

He laughed, using his keys to manually unlock the door. “Oh, trust me. I’m plenty boring. The car is probably my only saving grace.” He joked, and I laughed again as I got into the car.

“Oh, I highly doubt that, but if you say so.” I say, sweetly, and adding a light tone of flirtatiousness in my tone. He seems to blush at this again, and I begin to think about the events of day. The stares in class, the perpetual rosy tint on his cheeks that had been there since we began our conversation, the way he joked and laughed at my (admittedly, unfunny) jokes.

Oh god. Did he like me?

Only one way to find out.

As Spencer got in the car and began driving onto the main road, I looked at him, trying to put on my best, innocent smile. “So, you said you’re not going home to anyone?” I say, a softness to my tone, but an undeniable hunger in it as well.

“Uh.” He responds, that damned blush coming on, strong. “Yes.” He replies, nodding as he keeps his eyes on the road.

“So, you don’t have a girlfriend?” I ask, a bit forwardly.

Now he’s really blushing, stuttering a bit. “Oh, no. No girlfriend. Not much time, given the BAU and our schedule.” He said, almost clinically, and I nodded.

“I mean, Blake has a husband.” I point out, a little smugly.

“I guess.” He says, sighing a bit. “But, you know.” He says. He vaguely gestures to himself, and I look at him a little confused, tilting my head at him.

“Spencer, I have no idea what you’re trying to say.” I say, with a little giggle. “But trust me, you’re absolutely gorgeous.” I continue, before I can stop myself.

He looks at me, giving me a soft smirk, and a raise of his eyebrows. He didn’t look uncomfortable, and honestly looked just as thrilled as I did, and I knew that this night had a good chance of going the way I wanted it too.

“Ah, you’re sweet.” Spencer replies, “But no. I just mean, I’m.. me. You know?” He says, trying to explain his (non-existent) shortcomings, but I just shake my head.

“You don’t give yourself much credit, you know?” I attempt to say with that amorous tone from before, but it was more overcome with genuine respect and admiration. “You’re smart, funny and nice to be around, I mean.” I pause. “Did you not see the absolute crowd of girls around you after the lecture? Trust me, Spencer. I bet you’re more than easy to be with, even easier to like.” The words rush out of me, and I watch him tentatively for his reaction to my words.

Instead of the sweet side smile he’d been offering me all night, he finally looked at me. The car had come to a stop at a red light, and his face was dangerously sexy as it was illuminated by the colored glow around us.

“And what do you think?” Spencer says, in a low tone, making direct eye contact with me.

I feel my stomach turn at the sudden directness in his words, his gaze nearly devouring me whole. I felt my mouth go dry and I swallow, trying to keep my tone steady.

“What do you mean?” I ask, my voice having a slight shake to it.

“I mean, what do you think about me? Do you.. like me?” He says, licking his lips slightly, and the action causes the previous heat between my legs to come by in full force.

“Oh, I mean.” I say, my previous confidence dissipating in an instant. “Well, yes, Dr. Reid. Everyone liked you today.” I say, trying to give more of a conservative answer now.

The man had a way of making me feel totally comfortable around him, and then flipping the switches, rendering me dumb and stuttering. Like I was now.

“Oh, so I’m Doctor Reid now.” He says, clicking his tongue and saying the words with an air of lighthearted teasing, but I only bit my lip, hurriedly trying to explain myself.

“I mean, it's your title.” I say, quickly, trying to justify myself. “I mean, you said it yourself- three pHDs. It’d be pretty shitty to just discard the years taken to achieve that. Um. Well. You’re a genius so probably not as long, but still! Calling you doctor is a sign of respect for your accomplishments and-”

“You're cute.” He interrupts, and I look back at him to see his eyes back on the road, a cocky smile plastered on his face.

The light around us turned green, and he started the car. I picked at my nails slightly, trying not to display any more signs of nervousness around him. I wanted to do something with him, at least, and that couldn't happen if I was a bumbling mess.

We drove in relative silence for the next few minutes, as I tried to gather my thoughts and possibly continue what we’d been building up to these past few hours, but a quick glance at the windows and the road we were on caused me to furrow my brows.

“Oh, this isn’t the way to my apartment.” I remark absentmindedly, looking at the window beside me, then in front. “I live near the train station, off east?” I offer, expecting him to fully make a turn back towards the direction I’d prompted him towards, but he didn’t even flinch, continuing on the more secluded road we’d entered.

“I know.” He said, glancing at me once more, actually applying more pressure to the gas pedal, causing us to go faster down the terrain.

Okay, fuck. He was an FBI agent, so I didn’t have to worry about him murdering me, right? Wait, no, that’s stupid. He could probably get away with it. No! He’s Blake’s friend. Her coworker. For the goddamn FBI. He wouldn’t murder me. What the fuck was going on?

I watched as Spencer pulled off to the side of the road, darkness surrounding us entirely. There weren't any other cars around, and it was silent in the car before I bit my lip, and started to speak.

“Did I.. offend you?” I ask, cautiously. No reply. I try again. “Why did we stop?” I add, trying to test the waters with him to see what he was thinking at that moment.

“I thought I could wait before we got to your place, but I need to know now.” He replied, a sudden urgency in his voice. He turned towards me, watching me with a dark, intense gaze, similar to the one he'd given me in class that day. “Do you want me? Am I reading this wrong with you? Because if I am, we can completely forget it and I can drop you home but (Y/N)..” He paused. He made direct eye contact with me and once again I found myself wanting to swim in those dark eyes of his. “I want you.” He said, his voice low and raspy.

I didn't give it much thought as I gave into my urges and surged towards his lips the best I could in the car. He responded immediately, bringing me closer with his hands and placing them on either side of my face, moving his lips against mine in a perfected rhythm. I used my fingers to quickly undo my belt, before climbing over the console to sit in his lap, getting closer without our lips disconnected once. He understood my actions and intentions immediately, pulling the seat back so I could rest more comfortably in his lap as we continued to kiss.

I knotted my hands in his hair, giving an experimental tug which elicited a low moan from his mouth. I grinned against his lips and his hands moved from my face to his hips, bringing my clothed core to rest right against his growing bulge, which I immediately moved against. He let out a sharp breath as I did and broke the kiss.

“Oh god. I’m sorry.” He said, breathlessly, hands on my hips. “I don’t know what came over me and-”

He looked almost frantic, and incredibly guilty, so I quickly leaned in for a peck, stopping him mid sentence. I brought my hands to his shoulders to rub them soothingly, and he seemed to relax in my touch.

“Spencer, calm down.” I say, nearly purring. “I want this.” I continue, rubbing patterns into his arms now. “Please.”

“You’re Blake’s student.” He murmurs, using one of his hands to run through already messy brown curls. “What am I doing?” He says, almost to himself, looking ready to stop our tryst.

I realize he was attempting to backtrack from this, and before he could continue his train of thought, I quickly leaned in from my position on his lap to start kissing his neck, trailing wet hot kisses down the column before whispering. “I’m not her student.”

He pulls away to look at me, biting his lip. “What?”

“I was her student last semester. I’m her teaching assistant now.” I smirk a little, licking my lips. “Technically not a student of hers.”

He seemed to take in my words for a moment, and then something in him shifted, and he lunged at me again, kissing me with even more ferocity. He absolutely devoured me, his hands everywhere at this point. Caressing my sides, in my hair, on the small of my back. He brought me closer to him in any way he could, pressing our bodies against each other in a frenzied manner that caused the wetness between my legs to increase tenfold.

“Wanted you.. as soon as I saw you.” He murmurs against my lips as we caught our breath in between kisses. “Knew it was wrong but..”

I nodded. I understood. I was the same.

“Fuck.” I moaned, as I felt the bulge resting below me get even harder. “Spencer, please. Don’t make me wait.”

“Impatient.” He remarked, smirking, now beginning his own line of kisses down my neck, making me moan in pleasure.

“Please.” I breathed out, my words being reduced to a squeak as he bit my neck gently, and my eyes fluttered shut. I was melting right in his damn hands, just like he wanted.

His hands started to work at the buttons on my jeans, and I sighed in relief, lifting up my hips to allow them to be tugged off, leaving me in my underwear. His slender fingers traced the seam, leaving me shuddering with pleasure for the man in front of me. I tried once more, breathlessly murmuring at him.

“Please. Please.”

“Use your words, baby.” He whispered, a devilish smirk on his face. I was too far-gone to care about what I looked like. I needed him so badly.

“I need you to fuck me, now.” I say, clearer. “I need it, Spencer.”

Something about me using his name, nearly moaning for the man when he’d barely touched me stirred something in him, and he started to undo his own slacks, freeing his cock from the confines of his briefs. I watched in fascination as it sprung out, and took in a sharp breath of air. I licked my lips before making eye contact with him, begging for us to get on with it at this point. He nodded, understanding my desperation and I smiled dumbly, beginning to lift my hips. He guided his cock to my heat and placed his free hand on the small of my back, slowly guiding me down his member.

I moaned softly as I felt him enter me, providing me with the most delicious stretch. I threw my head back in pleasure as he brought both his hands to my hips urging me down.

“That’s it. God, fuck. You feel so good.” He moaned, which only made me want to take more of him. I lowered myself down a bit faster, and he released a heavy groan as his hips met mine. I whimpered slightly, his length filling me up perfectly. A thin sheen of sweat had gathered on my brow and I leaned my forehead, adjusting to his size.

“You good?” He breathed out, using his hand to brush a piece of hair that had stuck itself on my brow, and I nodded.

“Yeah, just.” I took a deep breath, before licking my lips, looking up before nodding.

I slowly lifted myself off, letting the head of his arousal nestle in me before I slammed back down, eliciting moans from both of us. He began to match my movements in tandem, thrusting up into me wildly. I held onto his shoulders, burying myself in his neck as we went faster. I could feel his tip hitting my cervix every time, causing me to cry out with pleasure every single time.

I felt my orgasm rapidly approach, and Spencer seemed to sense this as well, considering the involuntary clenches I was giving around his cock. He let his hand slip down to where our bodies met and rubbed tight, fast circles around my clit, encouraging my release.

“Come on, pretty girl. Come all over my cock. You can do it.” He breathed out, watching my every move with a hunger I'd never experienced before.

It took a few more thrusts from him, combined with the insistent fingers at my bundle of nerves before my thighs began shaking, and I let out a chorus of moans, most of them sounding like strangled versions of his name as I coated his cock in my wetness, spurring him on to go faster inside me, bucking into me like a man possessed.

He continued to jut into me wildly, until I felt him finish inside me, coating my walls with his release. He breathed shakily, holding me close to him as I slumped over his shoulder, my chest heaving up and down as I came down from the intensity of the previous moment.

He affectionately removed me from his shoulder, pressing a soft kiss to my lips, the tenderness and gentleness in his actions contrary to what we had just done. I pulled back with a dazed smile, taking in how pretty he looked.

“If it’s alright, I’d love to take you out for coffee sometime.” He said, still a bit breathless, and a shy smile appeared on his face.

I giggled. He was literally still inside me, and was asking me out on a date with a boyish nervousness that made him even harder to resist.

“For you Dr Reid? Anything.”

ahh! writing this was a beast, and i imagined it to be longer but i got what i wanted in less words haha. i hope you guys liked this. any reblogs, comments, likes are so so appreciated i know it sounds totally stupid, but your guys' support means a lot lot lot!! thank you!!! <3

#spencer reid #spencer reid fanfiction #spencer reid fanfic #spencer reid imagine #spencer reid self insert #spencer reid smut #spencer reid x reader #spencer reid x y/n #spencer reid x you #criminal minds fanfiction #criminal minds self insert #criminal minds #criminal minds smut #criminal minds fanfic #criminal minds x reader #criminal minds imagine #smut #spencer reid prompt #writing prompt

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klemen-tine · 5 months

Text

Glass Bones and Paper Skin

Platonic! Bruce x Model! GN! Reader

More Platonic Bruce x Reader than Batfam, but they are mentioned and will have a bigger role in the future.

Trigger Warnings: Hint at suicide, Body Issues, Eating problems (not a disorder), Child Neglect

Just a reminder for everyone, your bodies are perfect and beautiful! Don't let anyone else tell you otherwise.

Part 2

Part 3

Blinding lights and hundreds of eyes are enough to thwart people from the runway. It makes people stumble, trip, or even run from it. Their mind focuses on if they mess up, the world will see. Their managers, agencies, everyone will forever refer to it when they ask them to walk for them again.

They focus on their walk, the way the clothing either hugs or drapes off their bodies, how the shoes don’t fit, the way their hair is styled, and how the makeup can burn. They try not to focus on how their stomachs ache, how the heels cut into the thin skin on their feet, and that everyone in this room that is dressed and prepped, are equally or more or less beautiful than them.

Y/N L/N seemed to be the topic of conversation at all of these events. A newer runway model who has been eating it up. From their first runway debut to this one, they have always left people in awe and dropping to their knees for more. It is hard to believe that they are only 18. Y/N has been a photoshoot model since 15, but on their birthday when they turned 18, they finally agreed to their agency’s desire to make them take on the runway.

It was the best choice for their career. Y/N’s manager was the daughter of their mother’s manager, back when she was alive and used to do modeling. Her manager threw her own daughter at Y/N, and stated that they were the best people to work with because they know Y/N. Whether Y/N was cursed or not –they have yet to figure that out– has nearly the same exact features as their mother and the same ‘air.’ One that demanded everyone to pay attention to them, and is a natural for posing and had a natural strut.

They’ve been right, and Y/N doesn’t know if it is because of them that they all made it this far. They knew what looked best on Y/N and what wouldn’t work. They knew which designers would adore them and which designers wouldn’t fit.

Those who know Y/N though understand that the ‘air’ was only on the runways and photoshoots. Y/N is actually a very demure person, while not a wallflower, they were someone who could blend in the crowd.

Alfred once told them that every country should be grateful to not have Y/N working against them, because Y/N can just disappear.

“Y/N, are you ready?” They smiled at their fellow models, slipping into the person of Y/N L/N, child of M/N L/N and Bruce Wayne, and nodding, “Of course. When am I not?”

Cheryl whistled, a fellow model that has been Y/N’s mentor in some way, walking around Y/N and smiling, “Designers sure know how to dress you up. I think almost every runway walk has had your hips on display” Y/N chuckled at her, “It’s because of these hips dips. You can probably drink soup out of them.”

“If it was ice cream I’d be down, but not soup.” Jon was another model who has been in the scene for a long time. He was a handsome man with a diamond face.

“Models get ready.” A shuffling of feet and high heels clip clopping sounded in the backstage, and Y/N took their place in front of everyone. They will be the one opening the show today, an honor that the 18-year-old took gratefully.

Opening a show was a big deal, setting the tone for the show in general and also the tempo. Y/N took a deep breath, and at the cue, their mind went blank as they began walking. Their eyes focused on the end camera, and the walk on beat to the music. Once at the end, they looked directly into the camera and struck a pose. Highlighting the slit hips and underboob design, showing off the almost sheer fabric that had the slightest hint of shimmer in them. A statement piece.

Turning around they walked back to where they emerged from, making sure they kept their face in control for the last camera. However, a sight at the corner of their eye momentarily broke them out of their blank space. Five familiar people that should not be here. Sitting in the front row, wearing nice tuxedos, and almost making Y/N stumble.

Almost. Controlling their features, Y/N returned their focus to the camera and disappeared in the entrance they emerged from. Smiling at all the 'congratulations’ ‘you looked great,’ ‘you look beautiful,’ they went back to their manager, Maya, and whispered, “I need you to confirm five people in the front row on the left side. They are four chairs down from the camera.”

Maya nodded, scurrying away and without a doubt checking it out. Y/N could feel the curiosity and dread build in their stomach. If they are who Y/N thinks they are, then the after party is going to be interesting.

“What’s wrong?” Jon wrapped an arm around Y/N’s shoulder, bringing Y/N out their thoughts, “Nothing really. Just thought I saw some familiar faces.” Jon made a weird face, but dropped the issue when another model, Logan, strolled on over.

“Did you see them?”

“See who?”

“The Wayne family! They are in the front row!” Y/N closed their eyes in misery and a headache began forming. They saw Maya running back, her face pale and a large frown on her face. Jon glanced at Y/N, taking in the annoyed expression and scrunched nose, “Hmm, no I didn’t. I was too focused on looking at the camera, Logan.” She rolled her eyes, “Oh, it was only a second.”

Jon and Y/N gave each other a dry look, remembering the last time Logan had said that and somehow the camera managed to snap a photo when she was oggling at someone. Y/N shook their head, “I momentarily saw them, but I didn’t think it was them. Do you think I can get the oldest son’s number?”

‘You’re not his type.’ Y/N thought but didn’t say, shrugging and smiling in amusement, “Logan, what would your girlfriend say?” The model stuck her tongue, “She’d ask to join.” Before Logan could say anything else, Cheryl waltzed over, “Stop being inappropriate, there’s a kid present.”

“Hey!”

“Sorry, if you can’t drink yet you can’t have this conversation.” Y/N made a face, “That’s the stupidest sense of logic I have ever heard.” Everyone laughed at them, clapping Y/N’s shoulders and helping each other fix their wardrobes. Some stylists came over to fix their makeup and hair just in case. Everyone was getting ready for the last walkthrough, and honestly, Y/N was dreading it.

As the front runner of it all, Y/N’s face will be seen by the now confirmed Wayne family and Y/N isn’t confident in themselves enough to not make a face.

The show will be closing soon and then there is the afterparty that all models are expected to attend. It's a networking place, where other designers, brand ambassadors, and just people who are rich enough to get a ticket can talk to the models and try and recruit them. Its a place and time to mingle for those who have an open schedule and unfortunately, Y/N has an open fucking schedule.

This was their last show in Paris, and then they have one destination and then it will be done. Runway season will be officially over and then it will be smaller gigs and back to the every now and then runway.

“Models get ready!” Y/N took a deep breath and fixed their face, eyes forward and chin up.

‘I’ll call Alfred when I get home.’

+++

‘I want to go home.’ Y/N nursed the drink in the flute, filled with sparkling cider instead of champagne. They stood off to the side, changed out of the clothes they wore on the runway, and instead in a deep-v top and leather pants. Still dressed to impress, but at the moment they just wanted to curl up and go away. Y/N’s hotel room has a bathtub in it and Y/N really wants to just sit down in hot water and relax.

Y/N was constantly scanning the crowd, moving further against the wall whenever they saw black hair and blue eyes.

Maya said one more hour, then it will be acceptable to leave. She was doing all the talking and networking for Y/N, trusting that when it came to meet the designers Y/N will charm them enough to want to have them keep coming back. Sighing once more, Y/N took a longer sip and wished to be home.

Something moved the hair near their ear, and Y/N almost threw their glass at whoever it was until they caught sight of blue eyes and black hair, staring at and analyzing them.

“Tim…”

“Hello, Y/N.” Y/N gave a practiced and polite smile, “Odd to see you here.” Tim shrugged, “Seeing that the designer is friends with Bruce, and told us of your show and that you will be leading the walk, of course we had to come.” Y/N nodded, “In Paris?”

“Where else? You’re next one is in New York right?” Y/N gave a polite chuckle, “Since when did you pay attention to fashion week?” Tim took a sip of champagne, “Since my younger sibling decided to run off and become a model.”

Y/N took a sip of the sparkling cider, not missing the way Tim was eyeing them with interest and curiosity. They smiled against the rim of the flute, “ ‘Run off’ huh. I don’t think those are the words I would use. I never hid it and I didn’t pack my bags in the middle of the night and sneak through a window.” Y/N set the empty flute down, still smiling politely at Tim who was still watching them, “I simply walked out the front door and no one stopped me.”

“Y/N–”

“Y/N! There you are!” A tall woman, hair dyed a shade-off from white gray and wearing the crispest red suit, strolled over. Y/N gave a larger smile, opening their arms and welcoming the hug, “Ms. Gabbana, you look lovely as always.” The woman laughed, “That’s the botox. Anyways, you looked so amazing opening the show!”

Tim was quickly forgotten as Francesca Gabbana, an Italian high-end fashion designer and luxury brand owner, chatted away with Y/N. Her presence called forth other designers and models and soon enough, Y/N was entrapped in a small group talking about the next runway show next week.

They talked about the dreaded flight to New York, and where they will be staying. It will be Francesca’s show next week, along with some other high end designers. Francesca seemed particularly excited for Y/N’s, and when Y/N first saw the design, they had to hold back the shivers.

“Right, Y/N you’re from Gotham aren’t you? Will you be visiting your family?” With the attention all on Y/N, they smiled tightly and shrugged, “We’ll see. They are always so busy so I think it's best if I don-”

“I hope Y/N visits, it’s been a while since we last saw each other.” A large hand clapped Y/N’s shoulder, and from the facial expression everyone was making, Y/N knows who it was. Peeking up through their lashes, Y/N could see Bruce’s smile on his still handsome face.

Cheryl was the first to recover, her eyes narrowing slightly, “How… how do you know each other?” Y/N glanced at Bruce, who right now is Brucie, and before he could say anything Bruce gasped, “Y/N, you haven’t said anything?” The young adult shrugged, “It never came up. Bruce Wayne is my father.”

The room erupted, and Y/N actually wanted to go die in a hole. What proceeded afterwards was the most intense questioning for the next two hours.

++++

“Bruce, why are you here?” Y/N asked over dinner. He tossed the crouton around in his salad, waiting for his father’s response. They have never had a 1 on 1 meal together. It was alway family meals, and even then Y/N rarely showed up for those. There was no need too. They never noticed when Y/N was there or not.

The Billionaire playboy shrugged, “Is it wrong to see my child open a highly sought after show?” Y/N chuckled, “No, but you have never shown any interest in this before.” Y/N never hid his modeling gigs. Often using the family weight room to keep in shape and also turned one of the unused offices into a strut practice room when Y/N lived in the manor. Hours and the amount of money spent to ensure their skin was perfect and their hair was nice, and that they looked beautiful.

Y/N never hid their modeling job, even as a teen, and yet the only one who seemed to notice was Alfred.

“You never said anything.”

“I didn’t think I had too.” Y/N can recall trying to show Bruce, Dick, Jason, anyone that would bother to look, a photo of them making it onto Vogue. Not the cover, not yet, but as a newer model within the prestigious magazine. They made it at 16. 16, and only modeling for a year! Francessca had them in a piece that was first page worthy, and it fit Y/N like it was meant for them.

Alfred was the only person to look at the magazine Y/N held open with their trembling hands, and ruffle their hair and congratulate them.

“You didn’t even tell Alfred where you are living.” No, because Y/N doesn’t want Alfred showing up unexpectedly and seeing the almost empty fridge. The thought of the older man’s disappointed look and inquisitive questions would have Y/N breaking down crying.

“Hmmm, I’m always moving around so I didn’t want him showing up when I am not there.” Bruce nodded, taking a bite of his lobster, and watching Y/N take a small bite of the salad. Y/N swallowed with great difficulty, “Bruce-”

“Since when does a child call their parents by their first name?” Y/N sucked their teeth, “The only one who calls you ‘father’ is Damian.”

“You used to.” Y/N shrugged, “You never seemed comfortable with me calling you that.” Bruce rarely answered when Y/N called him ‘dad’ or ‘father,’ and yet he alway responded when someone else called for him. Y/N would watch from afar as Bruce came running to them in need, but when Y/N needed help they had to figure it out on their own.

At some point Y/N stopped calling for Bruce entirely, running and calling only to Alfred.

Y/N is not mad about it. They never were. Dull E/C eyes accepted it and pushed forward, watching the explosive fights, the angry words, and the silent apologies. Alfred’s words affirming that they all loved each other, despite everything saying otherwise. Y/N watched, and continued to watch as they focused on themselves when Y/N began making a name for themself.

They’re not mad. Y/N never was. Hurt? Maybe, but not mad. That is just their hand in life. Besides, it made the modeling career easier. No need to worry about missing any events, Y/N wouldn’t be invited even if they had lived there. Holidays weren’t huge, nor were birthdays. The only one Y/N sent a card to was Alfred.

It made traveling easier. There was no such thing as homesickness. It made taking more gigs easier, more destructive behavior easier to handle.

“Y/N,” Bruce called to him and Y/N paused while eating. Raising an eyebrow in question as Bruce set down his own eating utensils. Ocean blue met E/C, and Y/N tried to place the emotion in those blue eyes.

“For what it is worth, I… I am sorry about the neglect you have faced within our home.” Y/N’s mind stopped functioning and they stared at Bruce in shock. The man either ignoring him or not realizing that Y/N was staring at him continued.

“You… you didn’t deserve that, especially when you were grieving and that fact that I could not see that shows my fail–”

“Wait wait wait!” Y/N held their hands up, cutting off Bruce, “What are you talking about?” Bruce stared at Y/N with questions in his eyes, and blinked in shock when he saw the genuine confusion in his child’s eyes. Y/N looked floored, “Bruce… I-I… what?”

Bruce knows he’s not a good parent. He is intimately aware of his failings and shortcomings, and how some of them haunt him. They claw into his skin, his mind, and chest as a reminder of all the times he has failed his children. He and Dick barely started talking, Jason and him are slowly mending that bridge, and Tim and Damian seem to hate each other and Bruce doesn’t know what to do about that. It seems the only children he hasn’t officially fucked over are those that aren’t even his.

Then there’s Y/N. A child of his genetic makeup, just like Damian, only Y/N’s mother was a model Bruce had treated as a hookup whenever she was on the east coast. Y/N was 13 when they came into Bruce’s care, older than Damian and a few years younger than Tim. Their mother was caught in a drug-use scandal, one that cost her her career and then her life. Her choice left behind a traumatized child, walking in on the body as she decomposed in their bathroom. They had been forced to pack up their bags and move across the country to live with a parent that they only heard about once or twice.

Bruce somewhat knew of Y/N. He knew that Y/N’s mother had been pregnant, but when he asked if she wanted child support, the woman huffed and said ‘no thank you.’ Her income was enough, as a high in demand supermodel, and she didn’t need Bruce’s ‘pity’ money.

So, he never sought after her and she never phoned him.

Until CPS called and told him of the news and the now homeless 13-year-old child he was now in charge of.

Y/N and him never really connected, and Bruce wonders if some of that is his own fault. He was always too busy with Batman, then his drama with Dick, and Jason’s whole dying thing, the persona of Brucie Wayne, then there was Tim, then Jason coming back from the dead thing, then Barbara’s whole Joker incident, then Damian….

Okay, so maybe he wasn’t too busy, he just never made time for Y/N. Which, the other never seemed to complain about. If they did complain to Alfred, the butler never said anything, and neither did their brothers. Y/N was just a ghost living in the manor that showed up for meals because it was expected, and then… left.

Now he sits here, across from his child who doesn’t seem to understand the wrong done to them by not only Bruce, but the rest of the family.

“Where did this come from?” Bruce doesn’t have the heart to tell them that it was because of Alfred that Bruce and the family finally realized what was wrong. The tour of Y/N’s old room, still kept clean due to Alfred’s insistence, but instead of clothes on the ground and signs of life within the room, it had photos of Y/N's past modeling gigs. Hundreds of photos, some framed, some not, as they covered the walls. Magazines that had Y/N on the front cover, magazine pages that had Y/N taking up the entire page.

The tour of the room-turned-practice room. Full of mirrors, and a 4 inch wide ply board used to practice walking. The shoes that were hidden in the closet, some too big and some too small. Blood staining the heel area of most of them as the image of Y/N practicing until and through the blisters filled all their heads.

The meal regime, still written hastily down on the post it notes, and the exercise routine that didn’t match the calorie intake. The broken mirrors in Y/N’s closets and the clothes that now looked like they would be too big on the present-day Y/N that is sitting in front of Bruce.

The written blogs, printed and folded in one of their drawers, relating them back to their mother. Accusing them of the same thing they accused M/N. Highlighting Y/N’s faults, Y/N’s mistakes, Y/N’s features, and Y/N’s heritage.

‘Child of drug-abuser model M/N L/N, Y/N L/N using the same drug?’ A 15-year-old Y/N posed in a way to show their figure was the picture that was used.

‘Child of famous model M/N L/N able to hold up to the heat?’ Another photo of a 16-year-old Y/N looking exhausted as they walked out of a building. Eyes red and bags under their eyes.

‘Beauty genes skipped a generation.’ Y/N is 17 in that photo.

‘Y/N M/N will never be as beautiful as M/N L/N without extensive work.’ Y/N is 15 again in this photo. They had kept every critique, every mean and poorly written article about them, and kept them. Some of them were tweets, printed instagram photos, and magazines.

Bruce could see the drastic changes in Y/N throughout the photos. The strict lifestyle changes affected their appearance and made them look even more like M/N. The Y/N in front of him, still beautiful, but Bruce knows the thoughts behind the perfect skin and perfect hair.

It would seem that one of the things Y/N inherited from Bruce would be the internalizing of every little bad thing to happen, and deny that it has affected them while they wore the scar of it on their sleeves.

“Bruce, you didn’t neglect me. I had food, clothes, a manor… where did you get all of that from?”

“Emotional neglect is still neglect.” Y/N still looked confused, setting their fork down and controlling their expression as they processed that. Okay, so yeah maybe Bruce wasn’t an attentive father, but the man never hit Y/N. He never said anything about Y/N that Y/N would have to go to therapy for. Besides, Bruce’s lack of attention paved the way for Y/N to do this!

Y/N’s lips formed a serene smile, “Bruce, I’m not mad that you didn’t pay attention to me. You were busy with your company, you are legally a dad of five kids, not everyone is going to get the same attention.” They took a sip of the water, hoping the conversation would end there.

“It wasn’t that I was busy, I just never made time Y/N… and for that I am sorry.” Y/N hates this. Absolutely hates this. All of their excuses for Bruce are being shot down by Bruce himself and it was leaving Y/N feeling a little raw. Wounds they didn’t even know about now being rubbed with salt.

Y/N stuck their tongue in their cheek and looked around, before smiling once more, “Bruce, I am literally giving you a way out for your guilt, which I still don’t understand why you’re feeling guilty, so why aren’t you taking it?

“What are you hoping to do?” Bruce stared into E/C eyes and he could see the irritation in them. He set his fork and knife down, and leaned forward, “Is it wrong to try and mend broken bridges?”

“The bridge was never broken in the first place.”

“You’re right, and that’s because there was never a bridge in the first place.” Y/N cocked their head to the side, watching with an intense expression. Those E/C eyes flickering around, taking in the restaurant and narrowing their eyes, “I’ve been meaning to ask you, but did you rent out the entire restaurant?”

“I did. So we can talk freely.”

“The other ‘customers’ are Dick, Jason, Tim, and Damian.” Bruce nodded, “Family dinner.” Y/N’s smile held no amusement, “You know, if you were anybody else I would be thinking this is a way for you to slide back in my life in hopes you could get some of my paycheck. But what is a model’s paycheck to Bruce Wayne’s?” Bruce chuckled, “You are making quite a bit. I’m happy you're conscious of your position now.”

Y/N sipped the water, “How do you know how much I’m making?” Bruce only smiled and continued eating. He watched his child contemplate asking the question again, but then decided to drop it.

‘Smart.’ Y/N continued to watch him, no longer touching the food and seeming unwilling to even look at the dessert menu.

“You’ll visit when you’re back in the states, right?” It didn’t feel like a question. In fact, it felt more like a demand poised as a question to keep intentions hidden. Y/N gulped, “I’ll try.”

“You should, Alfred misses you. Besides, Manhattan, New York isn’t too far from Gotham.” It was such an innocent sentence. One spoken with a smile on his lips and kind sky blue eyes. An innocent sentence, except Y/N has never once told them where they live.

“A beautiful place, I can see why you wouldn’t want to leave. With windows like those and that giant skylight, it is truly a wonderful place befitting a top model such as yourself.” Y/N’s mouth went dry, and they could feel the sweat on the back of their neck as they continued to stare at Bruce. Their instincts implore them to go along with this.

Urging them to carry on the conversation as they felt the gazes of four others on their back. They gave a wobbly smile, “Ye-yes. I really love it, I am super lucky that I managed to have enough saved up, and that I make enough to own a beautiful home such as that.” Bruce nodded, “As an apology for all the missed birthdays and Christmases, I decided to help out a bit.”

“...Excuse me?” Bruce ignored them, and instead looked at their plate that was still untouched from when Y/N had put down the utensils. He took a bite, “Do you not like your food? I can get something else made for you.”

“N-no, I’m-I’m just full.” Bruce’s eyes narrowed before making a show of shrugging it off, “If you insist. Do know Alfred will want to feed you when you visit.” Y/N’s smile was becoming hard to maintain, “It was a pleasure to have dinner with you, Bruce, but I have to go. Long flight tomorrow and I need to be ready for next week.” Y/N fished out their credit card, but Bruce stuck his hand out, “Don’t worry about it, dinner has been paid for.”

Y/N didn’t fight, only nodding and smiling pleasantly, “I suppose I will see you next week?” Bruce stood up, and brought Y/N into a tense hug. Feeling the bone and sinewy muscles in his rough hands. Y/N’s top is open back, exposing the shoulder blades and some of Y/N’s spine. Each one a small knob against skin, looking like the Rocky Mountains.

“Safe flight, Y/N. See you at the shows next week.” Y/N gave a tight smile and quickly left. The four other pairs of eyes never left their back, and when finally in the safety of the streets, Y/N pulled out their phone and checked their Mortgage app.

‘Successfully Paid!’ In bright green letters, bolded as if it were a game.

It’s been paid off. Y/N now owed nothing on that house, and while that might have been freeing, it meant someone could now have access to their mortgage account. An alert sounded on their phone, and when Y/N saw that it was their bank account, notifying them of a deposit Y/N felt the breath leave their lungs.

A large sum, one that had Y/N blinking at the amount of 0’s, was just deposited to their checking account. Right under their bill for walking on that runway.

‘Shopping money, for when you visit.’ - Dick

They have access to their bank account. Y/N’s family, because while Bruce was a solitary kind of guy he never was one to withhold information from his former Robins, now had access to their account. They could see what they were spending money on.

They know where Y/N lives. From the sounds of it, Bruce was even in the penthouse. Y/N covered their mouth and tried to stifle a sob, the feeling of an invasion of their privacy weighing heavy in their chest.

++++

Y/N stared at the article of clothing with anxiety. When Francesca had first shown them the clothing, it had only caused slight discomfort. Now, now that Y/N knows that their family is here, and watching, the clothing had felt like it was a metal ball. Francesca stood next to them, admiring Y/N’s hair and makeup, and how it all looked with clothing item.

“I knew this would look great on you. As a Gothamite, this must feel great right? To be wearing the symbol of your City’s greatest vigilante.” Y/N swallowed down the bile, “He’s typically seen as the boogeyman, but yes. I suppose it does feel odd wearing the symbol.”

The piece of clothing was quite scandalous, a bat symbol made out of gold rest across their chest, attached to a black silk fabric and lace. It hugged their body, bringing out the hip dips and long legs, as well as exposing their toned stomach.

“Why didn’t you say anything about you being Bruce Wayne’s kid?” Francesca asked, and Y/N could only shrug, “Just… it just never came up.” Y/N loves that Francesca drops that. There are tons of models who have family issues. Y/N’s are minor.

Not worthy of anything.

“Y/N, for what it is worth, I do think you are a one in a century model. No one has taken to the runway quite like you have. I think if you had started the runway earlier you would already be a supermodel.” Y/N smiled at Francesca’s kind words, and they wondered just how they got so lucky to have befriended her.

“Thank you.”

“Models get ready!” Y/N took to the back of the line, being offered to close the show just after they had opened one. Another prestigious offer that Y/N gratefully took. Sighing heavily, they watched as the line grew shorter and the sound of cameras flashing and grew louder.

Taking a deep breath, they steeled their breathing and controlled their expressions. Blocking out the world in the way they do best, strutting. The intensity of the flashes increased, and Y/N made a show of keeping their face neutral.

Just how Batman does.

They made a point to not look at the people in the front row. When they made it back behind the entry way, there was no time to catch their breath. They were ushered back into line for the final walk out, and Y/N wonders if they can all see how pale Y/N is. Can they see the sweat on their brow or the fact that their E/C eyes are terrified?

“You did great Y/N!”

“Looking beautiful Y/N.”

“C’mon Y/N, after this its a party!”

No, no they can’t see it because they are all focused on what Y/N wants them to be focused on. Y/N has spent countless hours into ensuring they loook beautiful without makeup, and ethereal in it, no one will care about their inner thoughts and turmoils.

Y/N strutted to the music one last time, focusing on the flashing light and hoping that the photos they captured showed exactly what Y/N wants them to see. Once they were in the back, the models stripping and changing into comfortable clothes and all of them getting ready for the afterparty, Y/N stayed seated. The pads of their fingers running against the cold metal that was in the shape of a bat across their chest as their makeup artist and hairstylist undid all of their work.

Francesca smiled, “You were great Y/N, I knew you would be the right person to pull this off.”

“Thank you, what inspired this piece if you don’t mind me asking.” Francesca smiled, “Oh, I got a call actually. It was just a call to run the idea by me, but I loved it so much that I accepted it.” Y/N furrowed their brow, “A call?” They began to strip out of the clothing, but Francesca’s startled look made them pause.

“...What?”

“You’re not going to keep it on?” Y/N gave a confused look, “We don’t keep clothes, Francesca.” The stylist smiled, “Well, no. But Y/N, that was a commission for you.” Y/N stared at Francesca with a new found fear, and their mouth going dry as they processed it all.

“Who… who did you say the call was from?” Francesca beamed, “Your father, who by the way I am offended you didn’t say anything about, Bruce Wayne.” Large hands clapped their shoulder, and Y/N would have shouted if it weren’t for the familiar smell of cologne.

Turning around, they met Bruce’s blue eyes, and the blue eyes of their siblings. All of them dressed to the nines and eyeing the clothes.

“Truly a wonderful piece, Ms. Gabbana. I could not thank you enough.”

“Of course! Thank you for the idea!” Y/N felt their breath quicked when Dick’s hands gripped their wrist, and gently tugged them in his direction, “C’mon Y/N, you’ll be late to dinner. Alfred is making your favorite.”

“At least let them change, Dick.”

“Todd is right, a drive in that would be difficult. Not to mention that it is snowing outside.”

“Y/N, we have some clothes for you. They should be more comfortable then the clothes you came in.” Y/N couldn’t even say anything as they were dragged away, Bruce keeping Francesca busy while their brothers pushed them into a changing room. Dick smiling gently as he passed the bag of Y/N’s clothes, taken from their penthouse, into Y/N’s trembling arms.

“Bruce paid for that outfit, so try not to ruin it, okay? We’ll be waiting out here for you.” Dick booped their nose, and left Y/N alone in the changing room taht only had a curtain for a door. With trembling hands, they searched the bag for their phone. They have to call someone. Cheryl will help them. So would Jon. Maybe even Maya! Y/N just needs to call–

“Y/N, we have your phone out here, so don’t panic.” Y/N bit their lip to stop themself from sobbing. One thing. They just want one thing to go right today.

A knock sounded on the wood that was hoolding the curtain, “Y/N, do you need help?”

“N-no! No, I’m just try-trying to be gentle with the piece.” Bruce hummed, “Well, try and hurry. Alfred is excited to see you and is expecting us for dinner in three hours.” Y/N gulped, carefully stripping and putting on the sweats and hoodie. Clothes that still smell like their laundry detergent and shoes Y/N knows were in their closet.

‘Dear God.’ They whimpered as they slipped on the comfortable pair of shoes, and bagged the shoes from teh show, and carefully picked up the article of clothing. The gold bat symbol shining mockingly at them.

The curtain pulled open, and like a horror photo, the light from behind them casted and eerie shadow. Bruce’s face hidden in teh darkness as he reached his hand out for Y/N, knowing full well his child cannot run.

“C’mon Y/N, time to go home.”

______________________________________________________________

A Part 2 will definitely happen! Kinda has to, to be honest.

#batfam x reader #yandere dc #yandere batfam #platonic yandere #batfam #batman x reader #bruce wayne #platonic batman #platonic batfam #yandere imagines #gender neautral reader #batman x gn reader #stalking

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felikatze · 7 months

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ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool

Or: How Siffrin is stuck in the endgame grind, forever

Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.

Spoilers for.... all of ISAT! Especially Act 5!

(image to show how i feel posting this and as an attention grabber over my wall of text)

To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:

Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).

It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.

So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.

Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.

Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.

To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.

Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.

Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"

Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.

Siffrin's skills are all puns.

You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.

This is only the baseline of the way the combat system feeds into the story, though.

The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).

You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).

At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.

Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.

I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.

Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.

(Is it still fun? Playing it over, and over, and over again? Is it?)

You and Siffrin are in sync, your experience making everything trivial.

As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.

It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.

(Just attack.)

No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).

Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.

Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.

The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.

The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.

I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.

What do I even need to say, really.

Your party doesn't stay static forever, though.

By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.

These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.

But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?

Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!

I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.

Siffrin also has one skill with associated art.

Yeah, you guessed it, it's (Just attack.)

At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.

Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.

As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."

The final boss just takes that one up a notch.

Spoilers for Act 5 ahead boys!

In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.

This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)

To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.

Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!

...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.

In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.

Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.

And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.

So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.

First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.

You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.

(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)

This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.

And, then, a void.

Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.

Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.

Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.

You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.

But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!

and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.

So of course this ends with Siffrin giving up. What else can you do?

And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:

A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin

B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music

C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.

It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.

At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.

Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.

Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.

Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.

Siffrin goes totally ballistic, to say the least.

As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.

Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.

Siffrin is the final boss.

In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"

This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.

You have two options for combat: Attack your friends, or attack yourself.

And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?

Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...

(Your friends don't know what to do.)

None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.

Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.

It's a happy ending. But... what does it mean?

Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?

After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.

And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.

Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.

The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.

For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.

There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?

Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.

Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.

All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.

In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.

But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.

Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.

A circle within a circle indeed.

To summarize:

The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.

Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.

Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.

#feli speaks #in stars and time #isat #isat spoilers #lays down on floor. it's done. it's done #i actually narrowed down in scope to just focus on the combat by the way. and this is like. several thousand words

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