#while actually liking an entirely different character that she never will be

[xaharadesert]

Super Chatty MC - Headcanon

Arcana Characters (Main 6) x MC

A/N: For another lovely anon! I wasn’t planning on writing 2 days in a row, but this was a super cute and simple one, so I had a lot of fun with it! Please let me know if there are any spelling or grammar mistakes (it’s 4am as I finish this, so I’m sure there’s plenty of errors) requests are open!

❤️Julian❤️

He’s undeniably verbose himself, so he’s in no position to judge

There may be moments where you’ll be in the middle of a rant and he’ll accidentally cut you off because you’ve reminded him of one of his own adventures

He will apologize of course, and encourage you to continue what you were saying, but he hopes he’ll get the chance to tell you the story later

Unfortunately he is prone to getting distracted while you’re talking, so while he would love to actively engage with all of your ideas, his mind is too busy making connections to other topics

But even if he struggles to pay attention, he’ll never grow tired of your boundless energy

🧡Portia🧡

As long as the topic is interesting, she doesn’t mind at all

She’s a big fan of gossip, so she’s always listening in to your latest rambles, even if they’re not directed at her

She has a way of needling her own thoughts into your rants and turning it into a proper conversation

You’ll hardly even notice since she matches your energy so well

It might be a bit of a pain for the people around you if you’re in public, but you two seem so happy in your own little world that no one has the heart to bother you

💛Lucio💛

This man has never been an active listener in his life, and as much as he loves you he is not about to start

He won’t stop you from rambling, but he’s definitely not paying attention to what you’re saying unless it’s directly related to him in some way

He’s mostly just thinking about all the things he’s gonna say when it’s his turn to talk again

It’s almost like a competition over who gets to speak; every time one of you pauses for too long, the other gets started on a topic that might not even be related

That being said, when you two are mutually interested in a topic (particularly drama), the conversation can last hours with full investment from both sides

💚Muriel💚

He’s really not a talker, so you’ll never be in competition with him for talking time

That being said, he’s not much of a listener either; he tries his best to pay attention to what you’re saying because he wants to show that he cares for you and your thoughts, but he gets tired quickly

He’s not really used to the constant noise, and it can stress him out sometimes, so he’ll not so subtly shoo you outside to go chat to the chickens

That does make him feel a little bad, and he hopes you understand that he doesn’t have any ill intentions

He just needs a bit of alone time to recharge so he can be the best version of himself for you

💙Asra💙

He loves to listen to the sound of your voice even if the topic isn’t interesting

After knowing you for years, he seems to have some sort of sixth sense that tells him when he actually needs to be paying attention to what you’re saying

You’ll never be able to tell if he’s actually listening though, because he always looks like he’s in dream land (whether he’s gazing at you with a dreamy look in his eyes, or staring off into the distance like he sees an entirely different world, Asra always looks like he’s got more going on in his head than he lets on)

Occasionally he’ll mention some obscure detail that you spoke of maybe once like a month ago just to throw you off track when you think you’ve got his listening patterns figured out

It’s really not something to stress over; he makes it clear that he loves you, and loves your chatty nature even if he seems distracted day to day

💜Nadia💜

She is perhaps the only person in Vesuvia with enough mental power to always pay active attention to what you’re saying

Being a politician has given her plenty of practice at effectively dividing her attention, so she can listen to you while still completing other tasks and even holding other conversations

Just when you think you’ve lost her, she’ll ask a relevant question to assure you that she’s invested in whatever you’ve been ranting about

It’s not always an easy task for her, and she does need a bit of quiet at the end of the day to recharge, but she understands that you have no ill will

In fact, she occasionally takes advantage of your chatty demeanour and sends you out to distract various important individuals who she doesn’t really want to talk to herself (with your knowledge and consent, of course)

[nemo-in-wonderland]

Today I kinda decided to start another BG3 playthrough, and do to a re-do with Aranea, and when the moment of creating the Dream Guardian (Halim, once again), I had to stop myself, because I actually realized that I never drew Halim properly, and I had to.

I had to draw the man for whom Aranea would sell her soul to avenge him, even centuries after his demise.

I had to draw the man that made her heart rush with blood and life, the man for whom she she would burn an entire city down.

He is such an important character in Aranea's life and story that I had to properly give him a face (while I adore the CC one from BG3, you know me. I need to put my own personal touch lolol).

So, I went into a deep dive today and just quickly design both him and Aranea (though here she is still Halim's Zil) during their Zakharan Nights. While for Aranea I went for a mix of Ancient Egyptian and Fantasy, for Halim I went straight to Old Babylonia and Assiria. I like to imagine that, while Zakhara is directly inspired by the Middle East, all the different regions within the Lands of Fate have specific regional garments that are inspired by our IRL counterpart of the Ancient Civilizations.

But, ohmy poor heart. It was like in a wrench while I drew Aranea so young and hopeful and innocent, devoid of any sufference, with her beloved husband still by her side...before everything went south.

I don't think she ever smiled so serenely and so happily after losing Halim. She had a good time in Cania with Mephistopheles, but her whole persona is always almost surrounded by melancholy.

And I have to say, I love Halim as I created him.

He is a kind man, level-headed, soft, kind but just. A man of exceptional intelligence and eloquence, with unweavering moral strength, a Sha'ir whose word would always be heeded, and the most loving of husbands to Aranea.

The satin shawls that Aranea is donning in this artwork is actually an enchanted artefact that Halim has imbued with powerful Nocturnal Magic that allows Aranea to walk outside during the scorching heat of the Zakharan sun (despite her having lived in Zakhara all her life up until that point, Aranea is still very much a Drow).

Also, do not let the differene of height in the artwork fool you. Aranea is still very much 183 cm tall here; It's just that Halim is 210 cm tall, since he has Desert Giant blood in his vein, and that render him much taller than a normal human. Let's just say he towers over everyone, whenever he walks around Huzuz.

Well, I hope you will like this!

--Nemo

[crazyexdirkfriend]

roxy always sweeps fave alpha kid polls largely because she is the most popular alpha kid among people who don't care that much about the alpha kids imo

[archduke-enver-gortash]

mmm essay about sally and kid gort in the tags (cw for child abuse, mentions of suicide, animal cruelty and a murder attempt. i always hope i don’t have to say this but just in case: i don’t excuse or condone any of her or gort’s behaviour at all.) this is literally not even touching upon everything i have to say because i hit the fucking tag limit lmao. NOBODY READ IT’S BAD BRAINSTORMING I JUST NEEDED TO GET IT OUT SOMEHOW

[mantisgodsdomain]

i just wanna say that you're 100% right about Vi, i also wish people wouldn't just toss her aside like that, she's just as important to the team. like, she has depth dang it! she's more than just Funny Bee Who Likes Berries! also you're super right about people trying to squish Team Snakemouth into little nuclear family shaped holes. that's all, just wanted to give you a high five for complaining about stuff that also annoyed me

We've been chattering about it for... more than a year now, we think? Not necessarily via public venues, since this fandom's close-knit enough that stepping on toes is a major issue, but Team Snakemouth is a TRIO, not a duo, and trying to squish the relationship down to just "two dads and their baby kid" really just seems... reductive. Exhausting.

Vi's one of our favourite characters in the game, and it gets really tiring to see her treated as a third wheel. Even beyond the infantilization that's utterly rampant in this fandom, Vi, more than everyone else, gets things... sanded off, or just ignored. Either she's a bratty little kid who doesn't know better, or she's a background object, and that's just... taking a big chunk out of the team dynamic. She's got complexity! She's part of the team, not some random kid that Kabbu and Leif are dragging along on their adventures! She's a valuable part of the team, and she should be treated as such!

[buggachat]

im gonna be honest i think the "adrien being a sentimonster was randomly thrown in season 4 with no planning on the writers' part" theory is really funny. like the writers of this show are just so bad at their job and so stupid that they tripped and fell in season 1 episode mr pigeon and accidentally spilled "a strange relationship to feathers" all over adrien by accident. they stubbed their toe on the coffee table and accidentally set up a mystery surrounding emilie's relationship to a feathery miraculous in season 1 volpina before we even knew what its powers were. then they spilled coffee all over their favorite shirts and at the same time spilled more white feathers around adrien in season 2 episode gorizilla. while writing the same episode someone had a really nasty sneeze and got boogers all over the script that said "use the imagery of two twin rings intertwined as the opener for the film of adrien's dead mother". they forgot to look both ways before crossing the street while writing the season 2 finale and were struck by a truck labeled "the peacock miraculous gives life" and then by a second truck with the license plate "it does so using white feathers identical to the white feathers that surround adrien in his ads" at the same time. they plummeted down an open manhole and hit the ground with a loud whack that sounded like "sentimonsters like bugette are just as real as any human..... and isn't bugette so...... perfect?" in season 3. on their way to the hospital they slipped on ice that had frozen in such a way to perfectly resemble the sentence "the word 'perfect' is consistently used throughout the series and by the creator ominously to denote how characters like adrien and kagami are 'different from everyone else', ever since season 1 episode simon says". during season 3 someone on the team got food poisoning and when they threw up felix came out instead and started another whacky series of comedic errors. the answer to the mystery of "how and why did emilie die? what life did adrien's loving mother create that she was willing to die for?" was originally gonna be "idk maybe she just exploded or somehting" probably, but then there was a really painful rock in one of the writers' shoes while walking to work that put them in a mood so bad that they forgot their original plan and instead made some bullshit up that somehow ended up being something that made sense with what we knew and put all the puzzle pieces together and actually made the show even more interesting and impactful on a rewatch because it put a lot of shots that at the time seemed random into a new and logical perspective as clear foreshadowing. it's actually impressive how stupid these silly clown writers are that they put strangely specific things so consistently throughout the entire series that resembled foreshadowing while never actually having intended it a single time! like........... really.......... really impressive............... i think..............

[neo--queen--serenity]

This episode really highlighted how close Marcille, Laios, and Chilchuck actually are.

The viewer is used to seeing our main characters behave like coworkers up to this point—even friends—and they express normal, understandable levels of concern and fear when their other party members are in danger. But when the nightmare attacked Marcille, it brought out sides of Laios and Chilchuck that the viewer hadn’t seen before.

Laios immediately notices when something is wrong with Marcille, and he tells the others as soon as he’s sure of the problem. Chilchuck and Senshi then follow Laios’ lead as it becomes clear that he intends to make her get some rest.

We see Chilchuck’s hands lay out the bedroll and Senshi’s hands set up the pillow, working in almost perfect tandem as Laios physically wrangles Marcille into bed.

Senshi is in a similar perspective as the viewer, and mostly sits and watches the ordeal unfold. He doesn’t have a shared history, like these three do, so he helps in little ways, but mostly waits on standby for direction.

From here on out, it’s mostly Laios and Chilchuck who take over in planning how to help her.

It’s uncommon for Chilchuck to openly show such distress and worry for one of his party members. He’s used to Marcille being able to defend herself; he’s used to her being capable and strong. He immediately defers to Laios for instruction, (rightly) assuming he will know what to do.

This actually produces a reaction close to real fear from Chilchuck, who outright SMACKS her in a panic to wake her up before getting any further information.

Laios has to quickly stop him, explaining that he could truly hurt her if he interrupts the attack this way. He tells them how he’s going to wake her, and he doesn’t hesitate. He jumps straight in, explaining what he’s doing for the others so that they (Chilchuck) won’t be afraid.

Chilchuck doesn’t question him once. He just does what he can to hurry along the process. He tucks Laios in with his blanket as soon as he lays onto Marcille—an unnecessary action that betrays how much he cares for both of them.

And Laios succeeds in helping Marcille out of the nightmare’s grasp. While trapped in her mind, he reassures her, protects her, tells her how much she’s valued and appreciated. He isn’t embarrassed or sheepish about it, either; he openly declares these things like it’s the most normal and obvious thing in the world.

He gets her out, he saves her. He did the exact thing he set out to do, even though he’d never done it before, and only had Falin’s secondhand information to work with.

Once he wakes, Chilchuck immediately checks on him to see if he’s alright. Chilchuck is clearly still rattled, displeased with having to wait while both of his close friends were unconscious, fighting a battle neither he nor Senshi could see or help with.

Marcille wakes up shortly after Laios, but Chilchuck is still on edge, worrying that she’ll fall back asleep. Laios, too, has a moment of alarm when he makes sure she won’t close her eyes again.

Once he takes the subdued nightmares out of Marcille’s pillow, only then do Laios and Chilchuck relax.

Laios, for his part, remained calm and collected almost the entire time. He did not show panic or fear when it became clear that Marcille was being attacked, nor when he told the rest of the party what he’d be doing to help her. And once the nightmares had been collected from her bedroll, he gently explained what happened, to everyone else’s horror.

Seeing this, it’s not a huge surprise that the Touden party is so successful. We’ve seen Laios handle danger with a level head; we know he’s capable.

But it’s an entirely different kind of talent to face a threat that’s targeting one of your closest friends—which can make even the most competent fighter sloppy out of fear of losing them—one that requires a high-risk, specific rescue style that none of you have ever tried before. And then pull it off flawlessly. Like damn, these guys are lucky to have him.

[lastflowerofyourhouse]

i looove cytherea as a "nicest* person here was secretly the villain the whole time" reveal cause like. my problem with those is usually that they do a complete 180 in terms of personality and suddenly they're a totally different person. they absolutely do not give a shit about these people they just spent so much time cohabitating with. they developed absolutely no empathy or compassion or remorse for the people who worked with them, trusted them, confided in them, tried to help them. it just never seemed realistic to me. i always end up wishing for more nuance. it feels like the authors tend to go for shock value over the actual substance of the character, unless they're angling for a redemption arc.

cytherea, though.

cytherea is 10,000 years old and she's been inches from death the entire time. these people's lives mean something fundamentally different to her than they do to them. she kills jeannemary in a shocking and brutal and unnecessarily dramatic fashion, and then she offers gideon genuine compassion and comfort in the aftermath, and both of those things are true and authentic and both of them are motivated by the fact that lyctorhood is fucking terrible.

the way she was interacting with gideon was always a little weird and the fact that she does genuinely understand never goes away. she's fucking old and weird and bored and in pain and she will gore a 14 year old in front of you and then she will hold your hand and give you well-meaning advice while you process the trauma. she will tell you how terrible it is that people are taking advantage of you, she will cradle you and pet your hair and tell you that you're worth more than this, and then she will kill you like she killed all the rest of them. and it really is a shame that you don't understand how that's a mercy, too.

cytherea is scary because the kindness was never fake. and that's why i love her.

[erosrageclaw]

dammon is absolutely the funniest character in bg3 if your tav is with karlach because he immediately shows up before you even have the option to romance her and then proceeds to be so incredibly charming and handsome and important to karlach in so many different ways that there is absolutely no way your character could ever compete with him on any level whatsoever. every time you run into him with karlach in your party he's like oh hey ta- KARLACH YOU'RE HERE RIGHT IN FRONT OF ME I DREAM OF YOU EVERY NIGHT AND EVERY DAY I PRAY FOR YOUR SAFE RETURN. I HAVE SPENT EVERY WAKING HOUR WORKING OUT WAYS TO REINFORCE YOUR ENGINE, OPEN YOUR CHEST HOLE LET'S TOUCH INTIMATELY IN FRONT OF YOUR SPOUSE and ur like damn she never lets me touch her chest hole. and then when you reach the epilogue he literally sends you a letter that's like "hey tav. are you still alive? give this to karlach if you are. .....HI KARLACH I THINK ABOUT YOU EVERY DAY PLEASE COME OVER. love, dammon" and then the best part hits when you finally do a karlach origins run and discover that there is just absolutely no way to romance him whatsoever and so you both proceed to just pine after each other religiously for the entire game while whoever you actually romance is standing in the background like what. do you. do you guys want me to leave the room or

[fuckyeahisawthat]

Furiosa thoughts

About 48 hours after watching, I think my take on Furiosa: A Mad Max Saga is coalescing into: I enjoyed it as a Mad Max movie but found it disappointing as a Fury Road prequel.

Any Mad Max movie made after Fury Road was always going to suffer the fate of being compared to Fury Road, which is the best action movie ever made. So like, compared to any other action movie you can think of, Furiosa: A Mad Max Saga (we'll call it FMMS going forward) is very very good! It just isn't Fury Road.

The rest is under the cut for spoilers:

The action sequences were compelling. (I was aware I was hunched forward in my seat in tension/anticipation almost the entire time.) Some of them were even brilliant. That long sequence where the Octoboss and the Mortiflyers (yes those are their names) are attacking the War Rig with all kinds of airborne contraptions? Phenomenal. I was like yes okay now we are in a Mad Max movie! Other than that one sequence, though, in which we see Furiosa and Praetorian Jack begin to trust each other, I thought they rarely achieved the kind of wordless advancement of character relationships through action beats that is the lifeblood of Fury Road. So the action was good, but it was just normal-good, not Fury Road transcendent.

I did miss John Seale's cinematography. While I thought the action choreography was great, the shot selection was just not as dynamic and interesting as in Fury Road. I also really did not vibe with so much of the musical themes being recycled from Fury Road. The Fury Road score is SO memorable and the music is such an integral part of the momentum and feeling of every scene in the movie; I can play that score and see every beat of the action unfolding in my brain now. I wanted new score that felt like it was a part of this new action that we were seeing.

I loved all the new worldbuilding details and finally getting to see inside Gastown and the Bullet Farm. Those locations and their unique features were utilized really well for the action that took place in them. Loved the new details we got about the Citadel. The grappling hooks just dipping down to yoink people's vehicles during battle? Fantastic. The hidden Citadel ledge with the little pool of water?? That was such a fanfic-ready location. Pretty sure I already wrote at least one fic set there back in like 2016.

The Green Place! Very different from what I imagined but so much worldbuilding in just a few shots.

In general I thought the new cast rose to the challenge. Alyla Browne who played little kid Furiosa I thought was phenomenal actually. That's a tough role, both emotionally and physically, for a child actor and she slayed it. Casting Indigenous model and actress Charlee Fraser to play Furiosa's mother certainly made the Stolen Generation parallels more obvious. I'll have a lot more to say about Dementus down below, but Chris Hemsworth brought a great combo of bonkers and menacing.

I never doubted that Anya Taylor-Joy could bring the emotional intensity needed to the role--she can do crazy eyes like nobody's business, and with the growl she put in her voice she really did sound like Charlize Theron a bit. I found her physicality convincing for a young Furiosa. But she is not Charlize, through no fault of her own. Charlize is tall and she has broad shoulders and she just takes up so much space when moving and fighting as Furiosa and I think it was always going to be hard to replicate that. As long as they didn't try too hard to bridge the gap between the characters I was fine with it. But that one scene at the end where she's bringing the Wives to the Rig I was very viscerally like that is NOT our Furiosa. (I almost wish they would've used Charlize's stunt double for that scene the way they popped Jacob Tomuri into Max's place.) They could have simply left a time gap--based on the "15 years" she says to Dementus and the 7,000+ days we hear about in Fury Road there should be at least a 4-year gap between the film timelines, although in terms of bridging the look of the two actors it feels like it should be more like 10 years.

If FMMS had been a self-contained movie about a character named Furiosa in the Mad Max universe, I think I would have found it very satisfying. But as a prequel to Fury Road there were a bunch of ways I thought it was lacking on a story level.

I think it's pretty clear that this is not the backstory, or at least not the complete backstory, that Charlize Theron was imagining while playing Furiosa. Which...there's nothing objectively wrong with that; word of God and what actors think about their characters doesn't supersede what's on film for determining what is canon. However, Fury Road positions Joe as Furiosa's main antagonist, and while we don't get the full story behind the incandescent rage she directs at him, we know that rage is there and is a big part of her motivation. In interviews at the time, Charlize talked about the idea that Furiosa had been stolen to be a Wife but then was discovered to be infertile and discarded, how she survived by hiding in the Citadel and eventually rose to a position of power, how she saw her actions not as saving the Wives but as stealing them, and that her motivation at least starts out as more about hurting Joe than helping these women.

We get only the tiniest suggestion of Furiosa's backstory in Fury Road ("I was taken as a child, stolen") and the rest we piece together by implication. She is a healthy full-life woman working for a man who keeps healthy full-life women as sex slaves, hoping one of them will produce a viable male heir for him. She is effectively a general in his army, projecting his power on the wasteland, a position no other woman seems to occupy. She tells Max she is seeking "redemption." Redemption for what? She doesn't say. But "whatever she has done to win a position of power within this misogynist death cult" seems like a pretty obvious answer.

And that's interesting! That's an interesting backstory that engages with some of the core themes and moral questions of the Mad Max universe. These movies deal a lot with the tension between self-preservation and human connection. Do you screw someone else over to protect yourself? Even if it means putting them in the terrible position that you yourself have clawed your way out of? Even if it means enforcing your own oppressor's power over them? Or do you take the risk of helping people and caring enough to connect with them, even though this carries an emotional and physical risk?

FMMS doesn't really engage with Furiosa's relationship to Joe like, at all. It's not like Joe comes off looking like a good guy. He's just hardly in the movie. I don't know if this would have been different if Hugh Keays-Byrne were still alive. I don't know if there was pressure from the studio to cast an A-list male lead actor alongside Anya Taylor-Joy (who's a hot commodity now but wasn't what I would call an A-lister when she was originally cast). I don't know if, once Chris Hemsworth was cast, that affected how central his character's role became, since he is certainly the biggest name attached to the film. I would have actually been fine with Chris Hemsworth or another actor of his ilk playing a younger Joe, and us getting to see some of the charisma that attracted followers to him.

But the end result is that we have Dementus, who is a perfectly fine Mad Max villain, and quite entertaining at times! But not the most compelling antagonist you could give Furiosa.

The four Mad Max movies that feature Max go through an interesting evolution. In the first two movies, the villains are people "outside" society--criminals and roving gangs--and the people Max is defending are "civilization." So we have Mad Max where Max is a very fucked-up cop, and Road Warrior where Max is the prototypical western gunslinger, riding in to town to protect the settlement from an outside threat, but ultimately unable to accept any of the comforts of civilization for himself.

Then in Thunderdome and Fury Road, the dynamic switches. Now the antagonists are warlords and dictators. They are civilization. And the people Max ends up helping are trying to escape them.

To me, Dementus feels much more like the earlier kind of Mad Max villain. If there's another Mad Max movie I can most compare FMMS to, it's the first one. Dementus is Furiosa's Toecutter. (Kills her family, gives her her signature disabling injury, movie ends with her seeking revenge on him but it doesn't feel heroic or triumphant.) The whole end of FMMS when Furiosa is implacably hunting down Dementus? Extremely Mad Max 1.

But violent revenge holds a different symbolic place in Furiosa's story than it does in Max's. The end of Mad Max is a tragedy because Max tells us it is. He explicitly states, early in the movie, that he needs to stop being a cop or he'll become no different than the violent criminals he's pursuing. So he leaves his job and goes on an extended weird vacation with his wife and child, trying to get away from the violence of a collapsing society. But that violence finds him anyway, and by the end of the movie, Max has become the exact thing he said he didn't want to be. It's a tragedy not because the people Max kills in revenge for killing his family don't deserve it, but because seeking violent sadistic revenge is damaging to Max. That is not what he needs in order to heal from the loss of his wife and child. What he needs is to take the risk of human connection again. This is what he starts groping toward in the following two movies and fully realizes in Fury Road.

But Furiosa doesn't have the same arc. Her story in Fury Road is about how a few people struggling against their oppressor can be the catalyst that brings down a whole regime. Furiosa getting to rip Joe's face off is fucking satisfying, and it's supposed to be! So it's a bit weird, then, to spend an entire movie giving her a backstory that not only is not about Joe at all, but implies that seeking and getting revenge against Dementus for killing her mother and Jack is what made her into the person we see in Fury Road.

Aside from questions of revenge, what I thought Furiosa's goal was going to be is set up in the beginning of the movie. "No matter what happens, find your way home." Very clear objective there. And then we see her try to get home like, 1.5 times. I thought we were well set up to follow the tried and true film story format of "simple goal, big obstacles, high stakes." I wanted to see her trying over and over again to get home, and being thwarted in different ways every time. I wanted to see grief and guilt over her mother's death turn her mother's last command into a mission for which she would sacrifice anything (and anyone) else. I wanted to see her justify working for Joe and accumulating power in the violent world of the Citadel as what she has to do in order to get home. I wanted to see "Have you done this before?" "Many times." But we didn't really get that either.

Ultimately, I think the least frustrating way to think about the film--which the film itself encourages--is as one of many possible Wasteland legends about a character called Furiosa. Maybe it happened this way. Maybe it didn't. Maybe this is the Furiosa we see in Fury Road. Maybe it isn't. It all depends on how much you believe of the History Man's tales.

[fizzlo-and-the-cubes]

uoghoughghg bloodbender au follow-up

(idk if any of you watched rottmnt and caught the reference here but i'm making this phil act more like a draxum-type character. there will be more references to draxum in the future. this is a threat.)

extra notes under the cut vvvv

phil wont get attached to these kids, he's a warrior after all (he gets attached after like a month lmaoooo)

missa first only came to the human world for it's music - he hates humans actually. after chayanne and tallulah showed him kindness though he started street performing and gave his earnings to the two of them

missa doesn't pull the wet cat act with phil here he gives that man passive aggressive hell

maybe phil disturbed something in the spirit world and it pissed missa off?

phil's plan is to move around unpredictably in order to evade someone and the kids follow him (to his irritation)

if i ever make this into a full on story i imagine they'd go to the earth kingdom first, where foolish and tubbo are building a city of their own that phil wants to seek refuge in

they go undercover most places (hence the different outfits) because phil is wanted in literally every country

cellbit is being held in a prison in the fire nation for bloodbending. while scouting ways to break him out, roier found pepito and brought him back to foolish

bagi is also a bloodbender but she barely uses her abilites. chayanne might seek her out later on in the story

roier carries a spool of metal rope and uses it to swing between buildings

charlie is a water bender and lives in the foggy swamp with juanaflippa

vegetta and willy are combustion benders

jaiden baghera and carre are air benders

etoiles can bend lightning

pepito is taught earth bending by foolish and roier, water bending by cellbit and juannaflippa (sometimes), air bending by carre and fire bending by leonarda

no dead eggs there will be no sadness (there will be sadness but i like the dead eggs and they cant bend if they're dead)

tallulah thinks chay wants to meet cellbit to learn blood bending, but in reality he wants cellbit to remove his bending entirely

if you've read this far you're being perceived YOU'RE BEING PERCEIVED OOGABOOGABOOGA NIGHTMARE NIGHTMARE-

please bear in mind I'm not an expereinced writer in the slightest and i've never had the balls to make an au before so please bear with me as I get a better understanding of the qsmp characters. there are dozens of people to account for and i want to be fair and accurate with who i portray. k thx luv u all /platonic BYEEEEE

[mmani-e]

Hello! After all this effort, behold:

DANGANRONPA DEMIX, THH EDITION!

Dr Demix 2

Finally got the talentswap designs I have for the THH characters one and done with! You can click through the read more section for some fun design insights. I'm intending on uploading a doc containing short lore bits about them eventually.

Kyoko Kirigiri - Ultimate Affluent Progeny

So Kyoko's design was both kinda simple, kinda not, wanted to give her a very fine and regal kinda attitude to her but not arrogant as that's very much Byakuya's thing. Her story is that she loves her dad more than the family business and her grandpa so she abandons detective work and just uses her brain to help her dad out.

Makoto Naegi - Ultimate Novelist

Makoto is a wonderful guy, just great all around. He loves writing children's books and happy stories. This is his main coping mechanism so he doesn't have to process any negative emotions he gets, the rest he can't process… well they go into a murderous psychopath alter.

Aoi Asahina - Ultimate Lucky Student

Shoujo protagonist Aoi. Cute, headstrong, affective, competitive, these are all the traits that make her fight for her friends and clash with Kyoko (and more often than not Byakuya) in the killing game, even when all hope seems lost… she pushes through, unafraid to let tears spill from her eyes for all those lost, but pushing all the same.

Byakuya Togami - Ultimate Detective

This one, I wanna go into more lore territory, cause I kinda memed around his last desc I gave him so here goes:

"A disgraced heir of the Togami household, Byakuya lost the competition that would've secured his riches. Disdainful and bitter, he sought out to get to the bottom of why he lost, uncovering a rabbit hole in the process. By the end, he proved his sibling a cheater, but it didn't matter because by the end as he found the sweet satisfaction of uncovering secrets and crushing liars and cheaters under the weight of their hubris far more satisfying than any inheritance."

Sayaka Maizono - Ultimate Spirit Medium

So Sayaka isn't a clairvoyant at all like Yasuhiro, in fact her entire skillset is completely different, first of all she is like an actual psychic, and I based her design off of the japanese Itako, quite loosely. Very interesting group, look it up, also she'll never use these powers in the killing game because I dunno how to even approach these rituals or what they look like or how to write them while remaining respectful, so she won't do it in a killing game for the express reason of her not having the right tools available and not wanting to disrespect her traditions.

Leon Kuwata - Ultimate Swimmer

I really wanna draw him again, all these characters again tbh, and I wanna show off the patterns on his wetsuit. It's a whole coral reef under there, that anemone and clownfish bit is only one part of a whole reef stretching his midline.

Sakura Ogami - Ultimate Programmer

Sakura has installed chips into her body to help optimize her body processes and also cause why not. As for the muscles, she's an Assembly programmer, the programs she's made can run on calculators she loves it.

Chihiro Fujisaki - Ultimate Martial Artist

Chihiro's design here with the two belts is an explicit nod to his preferred martial art - Brazilian Jiu Jitsu, so unlike Sakura in canon who'd be easy to imagine cracking someone's skull in half with a chop, Chihiro's approach is more crawling onto someone and bringing them down to the floor with grappling like an angry halfling monk. As for the belts themselves, on his head is his final junior belt, while around his waist is his current belt, he's not a black belt yet because he's still too young for it.

Celestia Ludenberg - Ultimate Baseball Star

Celestia actually isn't a legend in this AU, Taeko is. Celestia hates that and wants to start a baseball career going international, whatever the hell that means is up to her own definition, but she wants to be remembered forever as Celestia, not Taeko. Also extra sentence, but this is the SINGLE hardest design I've ever had to deal with here, I think in the future I'll be drawing all her little accessories and I have an alt costume for her I have in mind.

Hifumi Yamada - Ultimate Pop Star

So I changed Hifumi's story as I originally outlined in the OG post with him. He was friends with Aoi all his life, pretty much his only friend at all, and ever since he was little he had an obsession with writing songs, because he was obsessed with stuff like anime openings and was content to just keep the songs to himself. It wasn't till Aoi convinced him to share some of his songs that he started his journey to success, but bc he's not traditionally attractive, his first hits were literally just… his voice being played over other more attractive singers and it wasn't until very very recently that he even performed a song of his for the first time.

Toko Fukawa - Ultimate Fanfic Writer

So while Hifumi was clearly a Doujinshi but due to weird translation, ended up as fanfic creator, Touko is straight up a FF then Wattpad then AO3 girl, who would get obsessed with this really shitty, tripe manga that she didn't even like reading. It did however have super hot dudes in it, so she wrote good stories of those characters when she got frustrated with the actual authorial content - which was always.

Yasuhiro Hagakure - Ultimate Gambler

Quite LITERALLY the never stop gambling meme personified into a guy. He can lose 3 mil on slot machines but always comes out fine because it means if he keeps gambling he'll eventually run into his 1/3 and win giga millions, what he needs to pay off his debts. It isn't just with luck though either because his personality and lack of intelligence or understanding of most the rules of the games he plays means he'll never react the way he should when getting a good hand in poker or a bad draw in blackjack, so he wins those games almost always through just… stupidity.

Mukuro Ikusaba - Ultimate Biker

She's number 16 in her gang, and is easily the most loyal enforcer and taskman of the gang. She does anything she's told, to a grim and disciplined degree not typical for hooligan bike gangers, she doesn't really desire a seat as top dog of the gang though, after all she's got school to worry about, and her sister.

Mondo Owada - Ultimate Warlord

So his relationship and Kiyotaka's is gonna be interesting, because I don't want him to be exactly like Mukuro at all, who was just sort of an all-obsessed Yandere. It's more like he's always chafing under Taka, who is less than friendly with him in this AU, really the main way he even lets Taka boss him around is because he pays incredibly well and helps keep his gang members from devolving back into the unstructured, chaotic criminal life, the same that took his brother years ago.

Oh and yeah, he still looks like Guile, as he should.

Sparkling Justice - Ultimate Killer Killer

Yeah it's a reference to Killer Killer, sue me I love the manga. He has Hajirahara's ahoge, and I thought it'd be cute to also give him a mask just like the other Makoto from a Kodaka game series (Raincode.) Also, while Genocide jack stuffs all her scissors in her skirt, Makoto keeps a truth gun with "truth bullets" as his main weapon, the gun he stores inside the big book in the chibi of just Makoto, and the bullets kept on his person as the red buttons all over his body, which he pulls out when he needs to reload.

"Kiyotaka Ishimaru" - Ultimate Fashionista

Unlike Mukuro and Junko, Mondo absolutely cannot hide the fact that he acts nothing like Kiyotaka, though this is surprisingly fine to everyone else, because unlike Junko who plastered herself onto literally everything, Mondo always obfuscated himself from the public spotlight, at most showing only his suits while he hid his face behind something conveniently placed. Which played primarily to his vision of an ultimate fashionista, who was above everyone and catered to the rich and powerful.

Junko Enoshima - Ultimate Moral Compass

This was a fun one, I decided to let her have her red hair because I believe it to be the "natural" look of her hair, while attaching little clips of dyed hair to her buns as a replacement to keep her shape sorta and keep the strawberry blonde somwehere on her. Understand that while she is the "moral compass" she is still pretty deranged, and the only reason she focuses so much on keeping everyone on their best behavior is because it's endlessly entertaining to her to make her fellow moral committee members upset when she blatantly makes a mockery of the rules while still keeping kids on their best behavior to make a point.

Kiyotaka Ishimaru - Ultimate Fashionista and Tyrant, the Iron Hand of Despair

Taka's design I wanted to sort of focus on this sort of, holier-than-thou idea, where I wanted to make him look a lot fancier and upper-class than Junko does in his standard highschool fit compared to him. I wanted him to have an upper-crust sort of look

If you're reading this after reading this all, thanks! You're a wonderful person :) Signing off...

Mani

[maximumqueer]

Yamato, Transness, and "Passing"

Now that we're nearly a full arc removed from Wano and Yamato's introduction, I want to talk about the reaction that a subset of the one piece fandom had to his reveal as a trans man/transmasc person, the transphobia behind that reaction, and how the concept of passing plays into that reaction. I'm not going to be arguing that Yamato is a trans man, as I think it is very obvious that he is given how he is referred to in the canon text. This is instead going to be more of a fandom dissection of why (in my personal opinion) so many people refuse to acknowledge Yamato as a man.

When we are first introduced to Yamato, he is dressed in a way that gives him the appearance of a flat chest, and is wearing a mask to hide his face. He looks like a man in a cis-heteronormative way

When Yamato was depicted like this, he was (from what I can tell) mostly referred to with he/him pronouns by the fanbase. This is based on comments underneath his chapter debut and episode debut. There are comments under his episode debut that do use she/her pronouns and refer to him as a woman, but because these episodes have been out for a while, it would make sense that these kinds of comments would be left on his debut after his second design was revealed.

Then, when he removes his mask and outer layer of his outfit, he is depicted like this

After this reveal, more people began to refer to Yamato with she/her pronouns, and refer to him as Kaido's daughter, despite him referring to himself as Kaido's son, as well as the people around him using he/him pronouns exclusively for him. What changed? Well, Yamato went from having a design that looked traditionally masculine to having a more traditionally feminine one. As such people who associate only women with having breasts and more "feminine" features began to insist that Yamato was a tomboy, or a delusional woman, anything but accept that fact that he is a man.

There is a phenomena with trans "acceptance", where a character is accepted as trans only if they look like their gender according to the cis-heteronormative ideal, and questioned and denied if they don't. Kiku, a trans woman who "passes" as a woman did not receive nearly the same level of speculation and denial of her trans identity. (This is not to say that Kiku received no hate or transphobic comments, but that because she looks like a woman to the average cis-het viewer, she was treated as a "real" trans person, whereas Yamato was not).

Yamato has been repeatedly referred to as mentally ill for being a "non-passing" trans man. He has been called bad representation (despite large numbers trans men/transmasc people, myself included, saying that his IS good representation). People have made claims with no canon backing in an attempt to hand wave away his transness because he "looks like a woman", a popular one being that Kaido some how forced Yamato into being a man, despite his backstory telling us the exact opposite.

And the reasoning for all of this speculation is that trans people are held to such high standards in terms of appearance and presentation, even in fictional media. A trans man must have a flat chest, deep voice, facial hair etc. or he isn't actually trans. A trans woman must have breasts, a high voice, a lack of facial hair, etc. or she isn't actually trans. Non-binary people are dismissed entirely. This denies the many different and diverse ways that a person can be trans. Sure, some trans people wish to medically transition, get the "surgery" and go through life as if they were cis. But not all trans people want that. Gender is messy and complicated, its not nearly as black and white a we have been taught to believe. There are many trans people (both binary and non-binary) who will never medically transition. That does not make them less trans, it does not make them delusional. Yet because we have this black and white thinking ingrained in us from childhood, any deviation from the strict boxes of "man" and "woman" are immediately questioned, and that includes gender non-conforming people - both trans and cis.

This type of transphobia is not talked about enough, as the people doing it will so often hide behind the idea that they are protecting "real" trans people, and just want to make sure that they are respected and taken seriously. But, respect for a persons gender identity CANNOT be conditional. It does not matter if they "don't pass". It doesn't matter if they are a good person, a bad person. The second you start dictating who gets to have their gender respected is the second you stop being an ally. And that includes fictional characters like Yamato.

[joequiinn]

The Dos & Don'ts of Fake Dating | E.M. x reader | pt. 1

[chap two] | [all chapters here]

summary: You propose a crazy idea to the resident freak of Hawkins, Eddie Munson. But maybe he was even crazier for agreeing to it…

notes & tropes: fem reader, faking dating, opposites attract, bratty rich bitch reader, super minor revenge plot, not-quite-enemies-to-lovers

a/n: Was I the only one who turned 18 a month into their senior year and then proceeded to spiral and become The Worst version of themself possible?? Well, this fic is semi-inspired by that shitty part of my life lmao. Reader figure skates though. I can’t figure skate, hurts my feet lol. I never expected to write a fake dating story, but Eddie Munson has had me bewitched for nearly 2 years now, so here we go.

(if you'd like to be added to a tag list, pls let me know!)

wc: 3.9k

Chapter One

The idea came to you during a student council meeting as the class president was droning on about the ‘85 homecoming preparations: you needed to do something crazy, something completely and utterly out of character.

Maybe it was because of your ex breaking up with you just weeks before school started. Maybe it was that senior year itch. Maybe it was the realization that you were turning 18 next week. Hell, maybe you just woke up that morning with a strong sense that the things in your life were no longer satisfying you.

Whatever the cause, since the start of your senior year, you’ve just felt so off.

Your ex, Duncan, breaking up with you right before school started was a low blow, and an absolutely shitty feeling - you didn’t date much, but when you did, it was never the guy that ended things. It wasn’t shitty because you were in love and oh so heartbreak, it wasn’t shitty because you saw a future with him. It was shitty because of how goddamn embarrassing it was.

To your peers, you were a couple that made sense, and in fact people had been urging you to go out for a while. And, obviously, you had grown to like him, considering that you were in a relationship for six months - you never would have put up with him for that long if you didn’t actually like him. But the fact that he broke up with you, and not the other way around, left a sour, spiteful taste in your mouth.

So, perhaps it was that break-up that made you feel different this entire month. Or maybe it was your impending 18th birthday, which made you realize just how close you were to legal adulthood. Whatever the cause, every single aspect of your life up to this point suddenly came under your deep scrutiny. You just weren’t… happy?

That made it sound bad, but what were you enjoying right now? What got you excited every day? As you sat in the student council meeting, zoning out since the very start, you came to think that maybe you had nothing going on right now that you genuinely wanted in your life.

Hell, you weren’t even on the student council because you enjoyed it, Janet just dragged you into it back in your sophomore year. You figured she loved the sense of importance it gave her. She and everyone else in the council probably got off on how important they felt, the dictators of Hawkins High School.

You always ran in this crowd, and before you never questioned it. The popular kids, the rich kids, the successful kids. You don’t remember ever choosing these friends and acquaintances - if anything, it seemed that these peers were all a constant, as if they’d always been there from the very start. You figured it was the natural state of the world - as the daughter of one of the richest men in town, you were predestined to end up here. Not here as in the student council, surrounded by other spoiled rich kids debating the difference between turquoise and cyan. But here in an even broader sense - in a finely curated life, in all the “right” circles, on the path to either greatness or becoming the trophy wife of greatness.

Up until now, you’d never questioned it. Yes, mom and dad, you were a popular kid whose free time was fully booked between college prep, figure skating, student council, dates with a cookie-cutter boyfriend, and everything else under the sun. Yes, mom and dad, you were doing everything they all told you too because it would look great on your college applications, because that’s what you’re supposed to do, because that’s how things have always been done.

It started to dawn on you maybe a week or so into the school year just how mundane you were - you never questioned your time spent skating or on extracurriculars, you never went against the order of things as dictated by only the most popular of your peers. That’s just what was done, what was always done. But after your ex dared to break up with you, you came to realize recently that maybe all of this wasn’t what you wanted - maybe it was time to start making some choices for yourself instead of worrying what your parents told you or what your peers thought or what to do to keep your boyfriend semi-happy.

So, you started to consider what exactly it was that you wanted. And that proved to be more challenging than you anticipated, which probably would have sounded extremely pathetic if you had said it to any of the people sitting next to you.

Did you like figure skating? Of course, it was your idea after all. What you didn’t like was the pressure from your mother to train and become an Olympian, a feat that was never your intention when you took up the sport at six years old. Besides, you told her, you were way past the age for trials, you’d never get in (or, at least, that’s what you told her, because how the hell would you know whether or not there was a cut off age).

Did you like your friends? You thought so - you’d known them virtually your entire life, so you never questioned your relationship with them. But proximity didn’t necessarily go hand-in-hand with likeability. Maybe some of them you actually liked, but the rest? No, they were just around because they always had been.

Did you like your relationship before Duncan broke up with you? No, probably not. Of course, your opinion of him and that entire relationship was soured now, but even at the time, you were probably just going through the motions, doing things that couples do without any real heart in it.

So… What did you want? What did you actually like?

It was jarring to realize that your entire life had been dictated and finely tuned for you from the moment you were born, that even the things you wanted had been molded into new shapes by your parents or your peers or your teachers.

Once you realized how little of your life was in your own hands, you couldn’t get it out of your head. You always saw yourself as someone who was in control, as someone who couldn’t be told shit. And yet, you came to realize that that was far from the truth. It was as if suddenly everything about your life was something you hated. You hated your classes, you hated your friends, you hated running in the same circle as your ex, you hated all your obligations. Through the first few weeks of senior year, all you felt was frustration, disinterest, and absolute boredom with everything around you. Something had to change. And during the bullshit student council meeting, you became determined to make it happen.

So, over the course of that boring as all hell meeting, you tried to figure out what you wanted, and how you were going to get it. You set a goal for yourself, silly but helpful considering the structure you were so accustomed to: you’d set your plan in motion on your birthday. New year, new you, right?

Once you gave yourself that deadline, you then had to think about what exactly you were trying to accomplish - yes, you wanted to make some major changes, you wanted to, in a way, become a new person, but how were you going to do that?

You settled on four key things to keep in mind:

You wanted to piss off your parents big time - your dad barely acknowledged your existence and your mom coddled you, so actually upsetting them would be a feat unto itself. You had to become so awful that even your mother would stop making excuses for you.

You needed to drop your friends - the more you thought about all the people you grew up alongside, the more you realized that you weren’t particularly interested  in relationships with any of them. Whether you made new friends or not wasn’t a priority, in fact you kind of liked the idea of just being left alone.

You had to figure out what you actually enjoyed - outside of skating, you had no idea what really interested you, what you would like to do with your life and your free time. You figured it was time to do some self reflection and focus on finding things that you’d actually enjoy.

And, most importantly, you had to get back at your ex. Yeah, it was stupid to be motivated by a boy, but nothing would make you happier than seeing him worked up and frustrated. Your focus wasn’t on trying to win him back or anything like that - you wanted to piss him off, to exact some kind of revenge for making you look like an idiot when he broke up with you at a party that all your friends had attended.

How you were going to accomplish these, however, was yet to be determined. But they were a damn good starting point, and they got you motivated to become an absolute nuisance to everyone around.

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The Friday following the student council meeting, you decided to first experiment with a little something, satiate a mild curiosity. To anyone else, it was probably the most mundane thing in the world, but to a high schooler who thought graduation was life or death, doing anything out of the ordinary felt nail-biting.

You were going to sit at a new lunch table.

You had just two days left until your birthday, until you’d officially set your plan in motion, so you still had a little more time to come up with something. So far, you couldn’t think of shit. You were already someone who was blunt and commanding and mean, whose thoughts and feelings were always on your face, so people were used to you being bossy and a little miserable - you couldn’t start being meaner or blunter, you just knew that wouldn’t be enough. Maybe you could start skipping class, maybe you could start flaking on friends, but somehow none of that felt like enough, like it wouldn’t make a statement. You had to really make an impression, to really set yourself up for a total ruination of your social status, you just hadn’t figured out how.

But a new lunch table was as good a starting point as any, right?

You chose a table at the far end of the lunchroom; customarily your group of friends, acquaintances, and ex sat centrally, surrounded by the jocks on one side and the academics on the other. The new table you chose was only occupied by two other people, a dorky little couple who looked at you funny when you sat as far from them as possible. In turn, you gave them an icy cold glare, prompting them to look away quickly, like you were a Medusa who could turn them to stone.

Your stupid little lunchroom plan was a bust, though. Five minutes into your peaceful lunch, your two closest friends, Amelia and Janet found you, each looking perplexed and put-off by your seat of choice. They looked around before lowering into the seats around you, their expression full of something akin to disgust, as if sitting at a different table was that offensive.

“What are we doing over here?” Amelia asked judgmentally, eyeing the couple at the opposite end of the table. Across the lunchroom, a few people (including Duncan) from your usual lunch table looked at you funny, “It’s like we’re exiled or something.”

So dramatic, you thought while staring harshly at her.

“Change of scenery.” You answered plainly, stabbing at the food in front of you. Amelia hummed in acknowledgement, but still made it quite clear that she didn’t agree with the decision.

“What, does this have something to do with Duncan?” She jabbed, receiving another nasty look from you, “So, he’s a jerk? Get over it.”

You should’ve known this idea was too simple to work. Of course they’d just follow you like the lemmings that they were, just as unable to make their own decisions as you were. Yeah, you definitely needed to try something bigger to scare them off.

Briefly, you thought that you could maybe tell them, just say point blank, “Amelia, Janet, I hate being around you and this friendship is done.” But, again, you figured that wouldn’t be good enough, that they’d laugh at your mean sense of humor even if you reiterated yourself. In this crowd, being mean was never enough to make your point, because all of you were nasty, not only to each other but to virtually everyone you met.

And despite your well-known attitude problem, you still cared about Amelia and Janet, flaws and all. These were the girls that you’d known since you were five years old, of course you worried about their feelings at least a little bit - nearly 13 years of friendship would do that to anyone. Guess you had more of a heart than you gave yourself credit for.

You definitely needed a foolproof plan to get out of this friendship, this social circle, this popular bubble that you’d always been trapped in. The friendship had to end without you saying so. You had to push them out until they finally gave up on you. Make it seem like it was their idea, that would definitely work on them.

As you schemed, Amelia and Janet chatted around you. Various acquaintances stopped by the table, all with the same question: what the hell were you guys doing sitting all the way out here? Even Duncan was amongst those that asked, trying to ignore the way you glared daggers at him. Amelia and Janet gave various responses, all of which put blame on you as if this simple little decision meant their utter ruination.

As Duncan was preparing to walk back to your usual lunch table, a commotion rose out in the hallway, the echo of rapid footfall drifting in through the doors. Multiple heads turned to face the cafeteria doors with curiosity, some people peeked out into the hall to check what the yelling was about, scurrying back to their friends to report what they’d seen. You, Amelia, Janet, and Duncan all waited silently, sharing raised brows and curious looks.

Not even a minute later, Eddie freaking Munson came crashing into the lunchroom, a look of total glee on his face as he cackled, not even remotely fazed by all the eyes on him. As he tumbled through the cafeteria doors, you jumped a little at the burst of sound. Eddie’s disruption turned everyone’s heads now, the lunchroom silent in shock and loathing as the resident outcast ran between tables, heading for the set of doors at the opposite end of the room. Your gaze was locked on the shit disturber as he blew past your table, carelessly running into Duncan in the process, but even that collision didn’t slow him down. Duncan yelled at him, but Eddie was focused on one goal, and if this were a cartoon you definitely would have seen dust kick up behind him from how quickly he was moving.

Not too far behind was Coach Miller, a look of absolute rage marring his puffy red face as he pursued Eddie. It didn’t even seem to cross his mind that he was making a fool of himself in front of the entire student body - his only focus was stopping the offender of whatever shenanigans currently pissed him off.

Your gaze turned back to the excited Eddie, an undeniable curiosity rising in you - what the hell did he do to piss off Coach Miller this bad? Sure, the coach was always pretty damn temperamental, but you couldn’t recall ever seeing him look quite this upset before.

Eddie paused at the cafeteria doors to turn and pull a mocking face at the coach before darting from the room, as if nothing in the world could touch him and he was unstoppable.

As Coach Miller disappeared after Eddie and students returned to their usual conversations, albeit with an air of awkwardness, you stared at the cafeteria doors thoughtfully.

That’s when an idea began to form.

You needed to take a page out of Eddie Munson’s book. If anyone in this school knew how to be a thorn in everyone’s side, it was him. So, you spent the remainder of your lunch brainstorming, trying to figure out how to channel even a sliver of Eddie’s energy; you only chimed into the conversation when someone spoke to you directly.

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In the middle of fifth period, you still weren’t quite sure what your game plan was, but you at least had a vague starting point. While your history teacher rambled on about some significant European war that you couldn’t begin to care about, you tapped your pencil as you thought about Eddie Munson (a sentence that very nearly grossed you out).

You’ve known about him since your freshman year - at the time, he was a year ahead of you, but since then he’d been held back. People always sneered when talking about him, as if Eddie was the most offensive thing they’d ever encountered, as if he was some kind of plague. He went against all social norms you’d learned up to that point, he was contradictory to everything you’d ever been taught about social conduct and likeability - he wore ratty clothes, listened to scary music, acted out in the most theatrical ways possible, and never seemed to give a shit what anyone thought.

You had never spoken to Eddie personally. Through the years you’d had a few classes together, including your math class this year, so you’ve witnessed some of his antics. But really, you knew nothing about the guy. Just the things that everyone else told you, and those things were nothing good. Whether or not Eddie was as bad as people said didn’t matter to you. His reputation was shit, and in this instance that’s exactly what you needed.

So, how were you going to ruin your senior year with the help of Eddie Munson? Well, at the very least, maybe you first had to have a conversation with him. It would be pretty stupid to walk up to him and go “hey, Munson, I know everyone here hates you, how about we chat and you make them hate me, too!”

Maybe you needed to find a way to hang out with him? Pretend to be friends long enough that the rest of the student body begins to ostracize you? With a little amused huff, an even worse thought crossed you: maybe you needed to pretend you were interested in Eddie Munson for a while, that was sure to piss just about everyone off. Especially Duncan.

But then the idea gave you pause.

You could not pretend to flirt with, or even date, Eddie fucking Munson. No chance in hell that would work. No way he would go for it, and no way you’d be able to tolerate him long enough to convince anyone that you were even remotely into him.

But… maybe?

Shit, what a stupid idea.

Or maybe it was a brilliant one.

You mulled it over a few minutes longer - if you were going to, somehow, convince Eddie Munson to pretend to date you, you needed to offer him something in exchange, that was obvious. You needed to give him a good reason to help you out, or this plan was never going to work. Its chances of success already seemed slim to none.

You had one idea, though you weren’t entirely certain if he’d go for it.

Your Uncle Tom was a cop, had been with the force your entire life - and you’d bet he’s probably had at least one run-in with Eddie. Maybe you’d tell Eddie that you could get cops to leave him alone, to stop watching him wearily whenever they were around. You couldn’t promise him too much, of course, but you knew at the very least that you could get your uncle to leave him alone. Or you could even take the fall here and there for whatever trouble Eddie inevitably lands himself in - what cop was stupid enough to arrest the niece of a cop and the daughter of a man who owned half of Hawkins?

It wasn’t foolproof, and you knew there were flaws to be found, but it just might work.

So, with your mind made up, you rip a scrap of paper from your notebook and scribble out a quick message:

Let’s make a deal. Sunday. You pick the time and place. Locker #436

You’d hoped that Eddie would be smart enough to realize that you wanted him to write you back, to drop his own stupid note in your locker so you could meet up and tell him your stupid, crazy idea. God, this better work.

You swiftly raise your hand in the air, giving a small impatient wave when your teacher didn’t acknowledge you right away, instead trying to focus on his lecture.

He rolled his eyes when he spotted your hand in the air, pointing at you and saying in an annoyed monotone, “What’s so important that you’re interrupting?”

Without any hesitation, you state bluntly, “Lady troubles.”

The teacher looks shocked by how plainly you stated it. But because it was you that said it and not someone else, your peers didn’t dare laugh, although a couple boys seemed to choke in surprise or amusement.

“Go, go…” Your teacher waved you off before continuing his lecture, wanting to forget the small interaction entirely.

You exited the room and roamed the halls confidently. Eddie’s locker wasn’t hard to miss - he was one of the students that decorated the metal with crude permanent marker sketches, and the school was too cheap to care about replacing or painting over it. As you approached Eddie’s locker, you checked around to make sure no one spotted you; it wasn’t as if you were committing a crime, but you didn’t need anyone wondering what you were up to in case this plan didn’t work.

So, you slipped the note into his locker, returned to class, and waited impatiently for the final bell of the day to ring, hoping that Eddie would actually stop by his locker and not just leave school without ever seeing your note.

When the end of the day came, it took everything in your power not to rush back to your own locker - just in case, you didn’t want him spotting you there. Why all the secrecy, you sure as hell didn’t know, but you nonetheless continued it.

So, you waited, stopping into the bathroom to check your makeup, walking with Amelia and Janet as they stopped at their own lockers. As the three of you exited the building and walked into the parking lot, you pretended to remember something, telling them that you needed to run back inside. You said your quick goodbyes and went back to wandering the halls, finally opening up your own locker.

It was stupid that your heart leapt when you saw a crudely torn piece of paper resting on top of some of your belongings.

You opened it quickly, eagerly reading the metalhead’s response:

Picnic table behind the football field, 4.

God, what were you getting yourself into.

[mylight-png]

A while ago I was listening to Dara Horn's podcast relating to her book, People Love Dead Jews. Within this podcast she discussed the fact that Holocaust museums tend to center stories that highlight ways in which Jews were just like anyone else, putting secular Jews on a pedestal of sorts.

The podcast went on to make the point that we shouldn't have to be like them to be liked. A Jew in a kippah is just as worthy of being accepted as a Jew in a baseball cap, and to position one, the more assimilated one, as "better" is antisemitic.

This made me think of how movies and shows portray Jews, and I realized a similar pattern of idealizing assimilation is deeply prevalent.

There are two main ways Jews are portrayed in movies/shows that I've noticed that are problematic. (For a narrower scope I'll be discussing American media as I am more familiar with that than most other countries.)

The first kind of Jewish representation is the token Jew. This is the character that the viewer wouldn't even have known is Jewish had the show not casually mentioned them celebrating Hanukkah in passing. This is the character who is entirely the same as any other character. An example of this would be in Ginny and Georgia, where a few side characters are revealed to be Jewish. This reveal occurred only for the purpose of making a Hanukkah episode, and immediately one of the characters says the beginning words to most of our prayers, adding "bitch" at the end. This sort of absolutely blatant disrespect towards the words many of us wouldn't even speak fully in casual conversation is meant to indicate that it's okay to poke fun at our religion. (By the way, it isn't okay. Don't disrespect our religion, thanks.) (And no the actress wasn't Jewish.)

Then there's Ben Gross from Never Have I Ever, a similarly extremely assimilated Jewish character. Instead of making fun of Judaism, however, the show plays into Jewish stereotypes. Ben's dad is a wealthy influential lawyer who works with Hollywood. Come on, there's three in a row there. Ben himself is frequently made fun of for being very short (to an extent not befitting the actor's actual stature), and some of his mannerisms could be described as effeminate. All of these traits play into anti-Jewish stereotypes. The protagonist even says she wishes Ben was killed by Nazis and other than a scolding this isn't made to be the big deal that it is.

These sorts of characters are meant to show how Jews are "just like you!" and pokes cruel fun at the few remaining things that do occasionally set them apart. Yes, secular Jews exist, but the way these shows make fun of their Jewish identities is where the issue arises.

The second problematic representation is meant to make goyim feel good about being goyim. This is specifically done through how Judaism is portrayed in these movies.

A major example of this is the show Unorthodox, in which the plot centers a young girl trying to escape her very observant community. This show directly demonized the Jewish religion, making it appear inherently oppressive and twisted.

While some may argue that the show was merely trying to portray the social issues within the community, there are better ways to achieve this.

The book An Unorthodox Match takes on a similar task with a vastly different tone. The book centers a protagonist joining an equally observant community, but not for a moment does the book, author, or protagonist blame Judaism. The book is very clearly written by a Jew who loves Judaism, and yet it manages to highlight similar social issues to the show without blaming Judaism. In fact, Jewish traditions have a fair share of appreciation in the book!

This sort of media is meant to make the goyishe viewers be grateful they aren't part of those communities, but as a Jewish viewer I felt deeply uncomfortable with the positioning of religious Jews as a negative part of society. This media makes the characters seem like they have nothing at all in common with the goyim around them or the goyim watching the show. It's the polar opposite of the previous example.

The first example is showing Jews as "just like anyone else" until they aren't, while the second example portrays Jews as entirely other. Never have I seen an Orthodox Jewish character side by side with the non-Jewish characters in any other context than the Jewish character envying their non-Jewish peers.

Why is the choice either to be assimilated or othered? Why can we not have an observant Jewish character remind their friends that they can't hang out on Saturday, or maybe they bring their own kosher snacks? Maybe a Jewish character muttering a bracha over their food? Why not make being Jewish an important part of their character without making them self-loathe because of it?

Media almost only ever shows two extremes and neither of those extremes has a positive impact on the perception of Jews.

(There is also a pattern I've noticed with Jews and goyim being cast in Jewish roles and how that corresponds to the character, but that's probably another post for another time.)

[jennifer-jeong]

[Fluff + Angst] [Boothill x GN!Reader] Homecoming

SUMMARY He thought he lost everything, but you were always here, waiting for him to come home

CONTENT Angst to fluff, happy ending implied basically, mentions of past traumas, ALL CHARACTERS ARE 18+

AUTHOUR NOTES Just read Boothill’s character stories… I am unwell… So I wrote this LMAOO enjoyyy GUH I just started playing the game but alas the hyperfixation is already here Also, Boothill, please actually come home please I have soft pity soon

WORD COUNT: 921

Boothill was visiting the Aeragan-Epharshel reserves, seeing what was left of his tribe, his distant family, and because honestly it was just one of those times where he was really missing home. It just hurt because home no longer existed for him. The memories still pop up sometimes. How he searched the entire burnt house for anyone, anything to rescue. It was years ago, but still haunts him, it always will. So that’s why he’s here. Just visiting because why not. No one quite knew him here, but it felt fairly cozy. The few buildings around the area were lively with families and they had farmland and livestock like he always did when he was younger. The sun was setting, lighting everything in golden and orange hues. He enjoyed the warmth on his skin, well, the skin on his face at least. A few of the townsfolk offered him some food since he was just passing by and because the town was so small, everyone knew when there was an unfamiliar face. They also wanted to help him because he helped where he could during the day, just helping people lift and move things, even catching a loose chicken. It was actually pretty nice and for the first time in a while, he smiled, just genuinely enjoying life, watching the sunset, sitting on a bench, eating his food.

It was peaceful and the warm breeze tousled his hair and brushed his face. But he also heard something insane, the name he hadn’t heard in years. It felt like it wasn’t even his name anymore but rather from a previous life in a different body. Worst or maybe best of all, it was your voice.

His eyes were blown wide, mechanical heart somehow racing. Was the robot body driving him insane? The doctor was pretty shady honestly, he wouldn’t have been surprised if she fudged his brain up too.

But still, curiosity made him look around for the source of the voice, even if it didn’t exist.

You watched him look around before shifting on the bench to fully turn to see you. Both your hands were hovering over your mouth, eyebrows upturned as your eyes couldn’t believe it.

When he turned, his eyes locked on your figure. Maybe you were just a hallucination, but hallucinations don’t age, don’t get more mature or taller. You look the same but different, and maybe that was enough evidence for him to believe he wasn’t psychotic.

He stood up slowly, taking careful steps towards you as your hands shook, adrenaline pumping through your body. It felt like it took hours for him to close the few meters between you but once you saw his eyes, you knew. It was him.

“Lord… It really is you,” you breathed out as you reached out slowly, not wanting to spook him but also barely believing that he was actually there. Your hands slowly cupped his face and he forgot how warm things like this felt. Tears pricked at his eyes. At this point he didn’t care if this was a hallucination or not, he just wanted to indulge himself for once. Just believe that he didn’t lose everything. That maybe he could still have you, one of his only friends outside of his family that he had while growing up. His first love that he never had enough time with, not even enough time to confess.

It was almost cruel how you felt the same and how much your heart ached upon seeing his teary eyes, frozen in disbelief, staring into yours. You brushed your thumbs over his cheeks trying to comfort him and show him you really were here.

He started to question himself. Why did he never check out the towns whenever he came back to investigate the IPC on Aeragan-Epharshel? Your house had been destroyed but he never confirmed your corpses, only those of his own family. It was too much, he just assumed the worst at the time.

But now here you are, tears streaming down your face, looking as beautiful as the day he first laid eyes on you.

“Darlin’… what happened to ya fer all these years?” You asked, questioning where he had been but also what happened to his body. You closed your eyes as your eyebrows scrunched together, unable to control your emotions and crying at this point. You quickly pulled him into a hug, arms wrapped around his neck. Reflexively, his arms wrapped around your waist, pulling you in tight. Your chests flush against each other.

God how he wished he wasn’t cold metal right now. He wanted to feel you with his own skin, feel your warmth, how soft you were. But he could only barely make it out with the sensors on his body. Maybe he could get some upgrades? Link some more things to his brain?

He quickly snapped himself out of his own thoughts to finally respond to you. You shivered hearing his voice again.

“It don’t matter now sweetheart. All that matters is that I’m home,” he said slowly and shaky. You squeezed him harder as you started to sob into his shoulder. It made his own tears fall as he started to stroke your back.

“I thought I’d never see ya again,” you choked out.

“Same here darlin’,” he said, voice cracking.

“I’ll tell ya all about it, and ya tell me about yerself too,” he says between breathes, his throat closing from needing to cry. “I ain’t goin’ anywhere this time…

promise.”

Thank you for reading!

|| MASTERLIST ♡ ||