#while also creating and selling my artwork

[mycological-mariner]

“God why do I feel so stressed and tired all the time?”

*has 15 different things going on at once, none of which are related

[chillentertainer]

Archive Classics: Typesetting Fics

TL; DR: the internet is temporary!!! printed books (for your own private amusement) are forever!!!

What I do:

Basically, I choose fics that I think deserve to be printed and typeset them using a software called Adobe InDesign. InDesign is the professional standard in the industry, but there are definitely easier (and cheaper!) options for formatting.

Once I've chosen a fic, there a few different things I have to decide: the font, glyphs, book size, and the hors-texte (title page, contents, etc).

Then, I go about copy + pasting the text into the software, and formatting them. Usually, that just means deleting the blank space of lines that for some reason appears between paragraphs.

Every element, and I mean every single element, is designed for the reader's comfort. At no point should the reader feel lost or unable to continue because of the way the text is formatted. This means using serif fonts instead of sans-serif fonts for the body text and making sure that there aren't any widows/orphan lines. I have specific justification settings so that the spacing between words and letters are even and smooth to the reader's eye.

I also think about headers and page numbers more than you would expect. Should the page numbers be on top or bottom? Centered or at the corners. Should I have headers at all? And if so, what should they say?

When I began, and I still do this occasionally, I grabbed books off my shelves and examined their formatting. Then I'd question why they made this design choice or that. All publishers have their special little quirks and features, and if I spotted something I liked, I would incorporate that into my own works. For example, Penguin Classics love their classic serif fonts and headers. Barnes and Noble Classics have a feature in their hors-texte that is their "From the Pages Of" section.

My favorite part is creating the cover. If you couldn't tell based off the title "Archive Classics," I *borrowed* Penguin Classic's grid. I love to use paintings or other kinds of artwork (like Étienne-Louis Boullée's architectural drawings for Fractals)

Why I Do This:

While there are many amazing and necessary reasons to read e-books, I enjoy the physicality of a printed book. Nothing can beat the sensation of turning the next page, the smell of paper, or the weight of your next great adventure in your hands. Fanfiction more than deserves to be experienced in that way too.

But also, I've always had a lingering suspicion regarding the temporal nature of digital media and of the internet in general. Fanfiction, in particular, are at risk of disappearing forever, and while you can obvs download it (which I always always do), there's a slight chance that you may not be able to access the technology in order to view it. Books don't require laptops or phones or internet service.

It's a silly movie, but Leave the World Behind (2023) showcases this perfectly, albeit with streaming services and dvds.

Finally, with the ever-changing landscape of the internet and technology, who knows if say archaeologists would be able to access ao3 in a 100 or even 50 years. Look at USB-As, and how quickly they're going out of use. Physical media like printed books will certainly last for decades longer. My ultimate (and idealistic) goal is to have a physical, printed library of fanfiction for both private enjoyment and for the academic study of fanfiction in the anthropological and literary fields. The latter will most likely not happen in my lifetime (if ever at all), but a girl can dream!

Copyright

This is slightly sketchy but from what I can tell from my research is that most sites don't give an af if you print like one copy for yourself and you do not print en-masse or start selling them. So like Manacled. Don't do what those kids did and put up your copies on etsy. I don't. I print this for myself and myself only. And I've never gotten a cease and desist letter or anything like that.

Requests are open: if you have a fic you think deserves the archive classics treatment, lmk! I do not accept payment. This is all free.

Examples!

A Current Cover I'm Working On:

This one is a linen wrap, which means it has flaps!

[rowanclair]

Discomedusae - Purple-striped Jelly (chrysaora colorata) / Moon jellyfish (Aurelia aurita) 🪼

Earlier this year, I delved into the world of cyanotype prints for the first time, and these are the fruits of my labour. I'd wanted to try out the cyanotype medium for a while, and to make some artwork inspired by the ocean. I found this to be the perfect medium for capturing the ethereal nature of jellyfish, and representing the deep blue of the ocean.

Creating cyanotypes involves working with elements of nature - the light of the sun to expose the prints, and water to wash them, which also felt appropriate here.

Both of these original prints are available for sale in my shop here! I don't usually sell originals of my work and don't currently have plans to make more of these prints, at least not for some time, so it's a rare opportunity to get something unique.

[charmac]

hi! i saw your post talking about the sunny merch, it was super interesting! i was curious what the merch used to look like and what the problem with it is now. i thought some of the stuff was cute but idk lol! love your account<3

Heyo, thanks for the ask!

So, Sunny's merch used to be made in part by Suburban Riot, a small company in which the founders were friends of Rob's (of Mac's famous RIOT shirt fame and many other of his iconic shirts, which they used to sell as merch), and in part by FX's own design team, which modeled merch off the clothes or events from the show. (For example, when The Gang Broke Dee aired, you could go to Fox's website and buy one of the "Jokes on Dee" shirts that looked identical to the ones they wore on the show.)

Here's some idea of what their merch page used to look like (Screencap from ~2015):

Around the time of the Disney acquisition, the merch was all moved to Disney's control (and I understand Suburban Riot has now been assumed by another Company anyway...but they seem to still be selling Dick Towels, lol) and IMO you can see the shift in quality and the kind of merch they're inclined to make...

I did not mean to say/imply that all of the Sunny merch now is bad, I actually really like some of the designs (the Christmas sweaters especially), but it's clear a lot of the merch is a formulaic design made to be reprinted across different products. Aside from the stuff that's just pulled off the Season artwork (that has no connection to the season, anyway), my gripes about the merch really lie with how it's clearly designed not for fans of the show, but to appeal to the widest market:

I think the most egregious and obvious example of this is the "bowling" shirt they put out after The Gang Goes Bowling. In the episode, the girls have their team jerseys:

Awesome. Kind of a no-brainer to sell these as merch, right? Well, sure, but statistics say Sunny is a boys show and boys like blue and the numbers also say t-shirts sell best, so let's make it a $70 blue t-shirt that looks like a bowling jersey to sell to the boys instead:

(Why!!!! (Money))

And while they still sell some t-shirts "from the show," it all looks like bootleg merch for some reason..? Like, it is your show, why are you altering the design slightly as if you're afraid to get copyright sniped??

Just make and sell the ACTUAL DESIGN.

This is a design created for It's Always Sunny in Philadelphia! Why is the official merch for It's Always Sunny in Philadelphia weird rip off designs of the designs created for and featured in It's Always Sunny in Philadelphia!? It's your show!!!

I don't wanna be looking at this through rose-coloured glasses, though, I'll admit some of the 2010s merch was.. well:

lmao

So my dig at the merch is not to say "all the merch looks bad/cheap now and it didn't use to," but really more-so a point about how FX/Sunny lost the ability to creatively direct the merch, and we're seeing that clearly via the formulaic design and products coming out after the newer seasons that disregard the years long plea from fans just wanting shirts (and products! they used to sell Kitten Mittens!!) that are in the actual show.

And, personally... this is the one that got away... I would pay anything for this one...

[acesw]

UTTU Part 1: The Magazine

Welcome back to A.D. doing mega lore posting because good god this will never get old. But anyways, this post will be about UTTU and not only about their magazine, but also about their Flash Gathering. (This also counts as my birthday gift for Sonetto since she likes being info-dumped, probably. Happy Birthday Sonetto!)

“Standing in the shadow, we tell all the stories which were once unknown, like a weaver in silence, or a moth light trap in the dark night.” - Pandora Wilson, UTTU Journalist

First, who even is UTTU?

UTTU Magazine is an arcanist magazine organization that releases stories about notable arcanists. According to Blonney, they are "the greatest fashion and arcanist information magazine." They operate globally as well as privately, going so far as to hide the physical identities of their reporters and their main headquarters.

There’s not a lot of things known about how UTTU works, but what we do have is information about their magazine and their Flash Gathering event, which we can start off from there. But first, what does the name mean?

The name ‘Uttu’ comes from the Mesopotamian goddess of the same name, one of Sumerian origin. She was associated with weaving (and spiders but the claim of Uttu being envisioned as a spider is limited).

They sell their magazines in the form of seasonal subscriptions, advising to only purchase the subscription and not much else. From there, they create the articles and send out monthly updates.

UTTU also hosts “Flash Gatherings” for the game’s events as a reading club, where the arcanists are invited to see the UTTU market situated in the area of where the in-game event takes place; they can read the Flash Journal and FLASH:FAME, obtain FAME cards from retails, and get rewards. I’ll get into this in Part 2.

First, we'll explore the magazine since there's so much questions surrounding them.

UTTU Magazine

Of course, the magazine is the main brand of the organization. The magazine has properties in which only arcanists are able to read it (speculation), and it has a scheduled self-update to release new articles/artworks.

The reason why we are able to see such a large amount of information is because from what can be told, Vertin is an avid collector of this media, even being titled “Top Collector” in the introduction of the Green Lake Flash Gathering.

Anyway, the magazine has a very interesting way of how it works, and they even have their own reading guide, including instructions of how to manage the magazine and activate the self-update.

Reader’s Guide and Self-Updating system

Welcome to UTTU. This is a magazine.

Don’t skip this page. Unlike those useless prefaces filled with boring platitudes, this one is important.

1. Don't doubt the truth of UTTU. We only tell true stories that happened to real arcanists.

2. You only need one copy of UTTU. After you make the seasonal subscription, the copy will update itself on 15th every month.

3. Whenever the copy updates itself, please place it below a cupboard or the firewood in a fireplace, but do not leave any fire or light. Then step back to 8.8 feet away and wait for 10-15 minutes. It is normal to hear the sounds of sewing and crawling during the update.

4. Don't be confused about the interviews of the artworks. Please note that anything can be an artwork: they can be alive, or dead. Whoever has a story to tell can be deemed an artwork.

5. You might smell a fine aroma from the pages while reading an interview. This is normal.

6. Do not be shocked by live photographs, and do not let any of them come in contact with dark coffee or matches.

8. Keep UTTU away from fire. This is an arcanum magazine and is definitely not fireproof.

9. Although it's not fireproof, UTTU is waterproof, but please do not soak it in water for too long. If you do so by mistake, please prepare enough insect repellent.

10. Don't ask where article 7 is. (lmao)

11. If you see any ads about nightmare recycle on the attached pages, do not call the number on it or make any attempt to catch those monsters. If your children report strange goings-on to you, comfort them with one extra milk candy before bedtime.

12. Try to enjoy reading UTTU.

The way one could get the magazine is buying a seasonal subscription, and upon receiving it you’d have to take care of it regularly since it is delicate. When updating, you put it in a place where you’d most commonly find spiders. That way, these arcane weavers can multiply and add to the tapestry. Additionally, this magazine seems to be a live and interactive type of media, which does explain the “live photographs” and the spiders.

Magazine Contents

Now, what are the contents of the UTTU Magazine?

First, we look at our Role Atlas. Yes, the Role Atlas is involved in this too.

There are categories of our roster that classify them by what they are: Beyond, awakened, arcanist, mixed, and infected. Now, what are each of these?

Beyond: an Arcanist with unexplainable origins not found within Arcanum (Ex: Voyager and aliEn T are aliens born of supernatural causes rather than arcanum. Jessica is a hybrid species of a deer woman (a spirit in Native American myth) and a changeling (a supernatural creature in European folklore) )

Awakened: an Arcanist who was once an object and has been given sentience one way or another (Ex: Sputnik was a regular space probe as the real Sputnik 1 who gained sentience when entering orbit).

Arcanist: A general term for those who are born with a different physiology that makes them able to sense and use arcanum, this is not limited only to human arcanists. (Ex: Door was born of arcanum on Earth and was always sentient thus is not a Beyond nor Awakened arcanist)

Mixed: People who both have the genetics or blood of a Human and an Arcanist. (Ex: Pavia and Satsuki were implied to be born of a human and an arcanist)

Infected: Currently unknown, no arcanists within this category.

They also have a “Bound Volume”, which serves as a gallery collection of arcanists that Vertin has and has not met. Those she (and we) haven't met will be obscured.

The “Artwork”

Artworks in this game are basically the arcanists that UTTU chooses to write about. As long as there is one to tell, they will conduct an interview and report on it. For each artwork they contain: Exhibition details, Item Collection, and Story/Interview.

First, the cover. Made by my friend and fellow lore chat dweller Rabies En., this is what can be made out of what each part of the exhibition details mean:

And of course, the “Completion” date is their birthday.

When it comes to describing their inspiration, it tends to be left on a vague note and left for speculation. While concluding that the first half is the title of the arcanist’s afflatus, the second half has left most people confused. My speculation is that this latter half is something that is related to their job, hobby, skill, or interest.

For example, Balloon Party’s inspiration is quite straightforward: “Remains of a Rock Formation [Mineral] Bones Balloon.” It directly showcases her afflatus and what she is inspired by, which also goes hand in hand as to what her arcane skill is. Meanwhile, Sonetto’s is more vague and unique: “Trained Loyal Dogs [Mineral] Foreign Affairs.” These reflect her upbringing and main interest respectively. With this theory, I concluded that the afflatus and inspiration boost one’s arcanist’s medium, which in turn helps fuel their arcane skill.

Second, the items. All arcanists have a section that lists personal items that closely pertain to their character, usually, these things would be visible on their person. The author analyzes them and relates them to their story and character. And depending on the item, they are priced by clear drops.

Additionally, if a character has a garment that isn't their I2 (e.g. event garments), they will have a special section for a new set of items. (Ex. Sonetto's Parade Anthem garment isn't exactly her I2 outfit, thus she has another set of items that relate to the uniform.)

Lastly, the Story and Interview; Each and every arcanist is interviewed by Pandora Wilson, another fellow arcanist and one whose face is obscured to the world other than a pair of lips.

The first story is a retelling of their background and upbringing, the second is a story about their daily life or lifestyle, and the third is a transcripted segment of their interview. The interview segments usually starts with Pandora greeting and/or asking a few questions towards the interviewee, but occasionally they also include the end of these interviews.

They highlight parts that make the interviewee unique; It exhibits their distinction, their personality, and most importantly, their overall character and the life they lead. These help us learn about the arcanists in a more deeper level the more we bond with them, as well as learning about the world they live in considering how all of them come from different times.

Now, our magazine analysis ends here. Feel free to ask questions and Part 2 is linked below!

Part 2: The Flash Gathering

[jojo-oliver]

How to tumblr for artists… my own version

A collection of things that have been working for me, but may not work for everyone

~~~ your posts ~~~

!!!reblog your own stuff!!! you need to reblog your own stuff, there is nothing morally wrong with reblogging your own stuff regularly. in fact, it is morally right to allow the chance for more people to see your artwork.

~~~ queue it!! ~~~ my queue is 500 posts strong. maybe don't try to make your queue hundreds of posts strong in the same day omg but like… once every month or two i'll go through my whole blog and just scroll and "add to drafts" to every one of my own posts i have. then i'll use the "mass post editor" to add content warning tags. and add to queue, and shuffle. and then I write down what the date was for when I last added my posts to be reblogged on queue. this is helped by turning on timestamps for posts in tumblr "dashboard preferences" settings.

queueing is necessary and life saving for me. It takes out so much work with decision fatigue and the anxiety around posting. It also guarantees that even if I suddenly need time off or away from my phone, I don't just disappear and lose all traction. It also breaks the instant-gratification cycle that you expect when you finish an artwork. It's hard to keep creating when you post something and, when you're expecting to get that gratification, you get none... If you queue your new artwork to come out at a later time, you've separated that expectation - with time. It hurts less and contributes to a more consistent gratification thing instead of peaks and troughs.

~~~ tag ya stuff ~~~ when you're making a new post, the first 20 tags are what gets put into the searchable tags. do not feel shame for using lots of tags. shame is the mind-killer. tags are hard. hard to know what to tag a post with. hard to remember the tags. so I found some ways to help myself. maybe they'll help you too. dedicate some time towards just figuring out what tags you want to use. i have a list in my phone notes that i add tags to and reference whenever i'm making a new post. i have the phone right beside the laptop while i'm tagging so that i can just look at it and scroll. tags are the only way for people to find your artwork, other than people manually coming to your blog because they saw you somewhere. there is no algorithm. posting without tags, until you have an established fanbase, is throwing something into the void.

When I'm doing tag research, I look at what people seem to use - when you put something in the search bar, tumblr recommends you some that have a higher following, typically. Looks like this on desktop:

if you like one tag, look at what other people who use that tag also tag their posts with. Observe and learn how this tag is used. search through a bunch of them and write them down.

here's what i got in my notes, for the specific kind of art I post and look for:

these tags are sort of specific to me and the kind of art I make. You'll want to research your own tags, but this is an example of how I keep them organized to make posting more effective. I generally only write down a tag when it's got more than 2k followers. You might be tempted to use the tags with millions of followers, but I've actually found those a lot less functional for small artists. If your stuff doesn't immediately get a bunch of notifications, you're drowned out and pushed to the bottom much faster. But the bigger tags are better than no tags, so I keep them if I can't think of anything else to tag something with.

~~~ post at the right times….? ~~~

fridays and saturdays is when I post fresh new things... usually. every website has it's own peak hours, and you can find those hours in many different online articles that try to sell you social media growth services. tumblr is unique in having later hours.

here's some random graph from google images:

please don't over think this. please don't let this consume the idea of when to post, preventing you from posting at all. it doesn't mean too much - if you post during very active hours, maybe your art would just be pushed down the feed faster. if you post at the end of hours, maybe everyone's going to sleep… if you post at inactive hours, maybe there's less 'competition'… if you post at the beginning of active hours, maybe that's just more time for your post to circulate for the day, if you have enough people reblogging it once it drops....

this also is in EST. So fuck the other time zones, I guess. I'm over here in europe knowing that the "best" time to post would be like 2-3am or something. It's like this for most english-speaking majority sites - higher traffic in north american time zones.

it's also worth mentioning that this is scattered as heck, compared to other social media sites. and it's not like, the activity times of your followers. it's not the best time to post for your niche. this is just tumblr, broadly. all of tumblr.

~~~ Plan ahead for annual dates ~~~

Your artwork will get more circulation if it's posted on a celebratory day. You could just put them on your calendar and if you're wondering what to make, look on the calendar for what's coming soon. For example, asexual awareness day, trans day of visibility, location-specific holidays, etc. Here's my phone notes thing with my own recorded annuals:

I got these dates from googling and reading different articles, but I find that I still miss dates, and then I add them for next year. If you know of some I missed, tell me and I'll add them please <3

~~~ reblog other people's stuff ~~~

tumblr is sorta about ecosystems. things get passed around within groups of people that are all following eachother. to enter this ecosystem, you must engage and reblog other people's stuff too.

if you reblog other artists' stuff, sometimes they'll come over and reblog your stuff too. sometimes they'll follow you back. this is called becoming a mutual. I'll search specific tags for the kinds of people I want to follow and the kind of art I like - those are listed in the screenshot of my tag note under "Tags for finding new people".

I see a lot of blogs out there that are very clean, posts are tagless, and are only for the artists' content. like scrolling through a portfolio. I imagine this is good for people who are migrating to tumblr but already have their own established fanbase from elsewhere.

you don't need to do reblog other people's stuff on your art blog, you can do this on a separate blog. but if the two don't look very closely correlated, it's hard to tell who you are when you're interacting. and hard to make sure people know that you are the same person as your art blog. and you gotta remember to promote yourself on your personal blog.

~~~ have an art tag ~~~

make your blog easy to search!

if i go to your blog, and you've written 'artist' or 'sometimes art' in your bio, i wanna see it… it make me so sad when i don't get to see it. i want to reblog it. please let me reblog it :(

to make a tag on your own blog searchable, you don't need to repost it to add a tag. you don't even need to reblog it. you can actually just go back to the original post and edit it to add your tag. I've seen post people just have their art tag be something like #(blogname)art . you can see my own in my tags image above. if it's very unique, then it'll work tumblr-wide. I think that's good, since the tumblr search function is really weird. Otherwise it should still work if it's not entirely unique, people just have to make sure they're searching specifically your blog to see only your stuff.

I like to have a link in my pinned post where people can click to have immediately searched for my art tag. Convenience is king. Keep in mind that most people are on mobile, and if something isn't immediately clickable, they often won't find it.

~~~ be consistent and be patient ~~~

!!!this time will pass anyway!!! how many notes you have is not correlated with how good you are as an artist. wanting to earn something from your art means you essentially have two jobs. two potentially full time jobs. this shit's difficult. most of the job is promoting yourself. don't undersell how hard it is to do… don't feel bad for not immediately succeeding. I would write about how hard it's been to promote myself, but it would just be long and sad I think.

This isn't a full guide, please feel free to add more!!

I'm sure in another year I'll disagree with a lot of this, it will become irrelevant with time, and I'll have a lot of different opinions. Chip in and share what you've been doing? Teach me? This is very overwhelming. Don't do it all at once, just like, try one thing at a time, and see how it works for you. Your niche might be different. One size does not fit all. If you're confused about some of the things I talk about in here, you might be on mobile. I do most of my queueing and posting from the desktop browser version.

I will update this with more as things change, but I think you'll have to click through to see the updated post

[swisccfinds]

Black Art Painting Mod by Simmazsims

Im honestly gonna have Johanna paint some of these and maybe put them in her office! But how cute is this override mod?!

creator's notes-

I created this mod because I wanted my sims to be able to create art that is more of a black art aesthetics, cultured and of this generation instead of the bland boring ones in game if you get what I mean lol.

About The Mod:

This mod overrides the default paintings in game with 300+ NEW paintings that adds more of a "black art aesthetics."

This mod is functional via the Easel and the "Digitalistic Sketchpad" found in Build Buy.

This mod is base game compatible.

New paintings will unlock based on your sims Skill Level. As your sims gain skill levels in painting they will unlock and be able to paint masterpiece paintings.

Sims can also paint based on Emotions and Moods such as Confident, Focused, Playful, Flirty, Sad, And Angry. If your sims are feeling tensed or uncomfortable they won't be able to paint.

Overrides the following art categories: Classic, Pop Art, Surreal, Abstract, Realism, Impressionism, Emotional, Landscape, Figure

Functional Paintings:

Frame Your Paintings

Name Your Paintings

Sell To Collector

List On Plopsy or Etsy

Place Paintings On Walls

Place Paintings In Your Sims Inventory

Use keys "[ and ]" to resize paintings

Recommended Mods (Optional):

Faster Painting Mod

Better Paint Brush Override

This mod has been tested in game numerous times and it does work on my end. If you have any problems or questions please reach out and let me know. ENJOY! ♡

Some of the art paintings in each category might not be an accurate representation but I tried my best to match the art to each category while also adding my own twist.

I tried my best to replace all of the paintings in each category but if you find any paintings that I may have missed and hasn't been replaced please reach out to me and let me know so I can fix it!

CREDITS: Artwork found on Google, Pinterest, Instagram, Twitter, Tumblr, etc. All credits belong to the rightful artist. Thank you for your creations!

TIKTOK | TUMBLR | YOUTUBE | TWITTER | TWITCH | PINTEREST | LINKTR.EE

Tag me in screenshots on any of my socials I’d love to see!

Thank you to Simmazsims for this cute override! show them some love and support to their patreon and their socials located in above in creator's notes!

download

[nemo-in-wonderland]

Today I kinda decided to start another BG3 playthrough, and do to a re-do with Aranea, and when the moment of creating the Dream Guardian (Halim, once again), I had to stop myself, because I actually realized that I never drew Halim properly, and I had to.

I had to draw the man for whom Aranea would sell her soul to avenge him, even centuries after his demise.

I had to draw the man that made her heart rush with blood and life, the man for whom she she would burn an entire city down.

He is such an important character in Aranea's life and story that I had to properly give him a face (while I adore the CC one from BG3, you know me. I need to put my own personal touch lolol).

So, I went into a deep dive today and just quickly design both him and Aranea (though here she is still Halim's Zil) during their Zakharan Nights. While for Aranea I went for a mix of Ancient Egyptian and Fantasy, for Halim I went straight to Old Babylonia and Assiria. I like to imagine that, while Zakhara is directly inspired by the Middle East, all the different regions within the Lands of Fate have specific regional garments that are inspired by our IRL counterpart of the Ancient Civilizations.

But, ohmy poor heart. It was like in a wrench while I drew Aranea so young and hopeful and innocent, devoid of any sufference, with her beloved husband still by her side...before everything went south.

I don't think she ever smiled so serenely and so happily after losing Halim. She had a good time in Cania with Mephistopheles, but her whole persona is always almost surrounded by melancholy.

And I have to say, I love Halim as I created him.

He is a kind man, level-headed, soft, kind but just. A man of exceptional intelligence and eloquence, with unweavering moral strength, a Sha'ir whose word would always be heeded, and the most loving of husbands to Aranea.

The satin shawls that Aranea is donning in this artwork is actually an enchanted artefact that Halim has imbued with powerful Nocturnal Magic that allows Aranea to walk outside during the scorching heat of the Zakharan sun (despite her having lived in Zakhara all her life up until that point, Aranea is still very much a Drow).

Also, do not let the differene of height in the artwork fool you. Aranea is still very much 183 cm tall here; It's just that Halim is 210 cm tall, since he has Desert Giant blood in his vein, and that render him much taller than a normal human. Let's just say he towers over everyone, whenever he walks around Huzuz.

Well, I hope you will like this!

--Nemo

[snippydippy]

While I'm still on this Tiktok thing

It is also worth noting that alongside Facebook creating a verified Tiktok page after six years of being staunch competitors, Tiktok got a few UI updates that look suspiciously similar to Facebook/Meta's features. Instagram also reformatted to make your page look like a Tiktok account a few days ago.

Meta is 100% the company who either merged with, or bought Tiktok to "save the app", and only right on time to make Trump look better.

TikTok was only down for 10 hours. Which, suspiciously again, is the amount of time it would take for a highly trafficked app to switch over servers if company hands were changed.

It did not go down because of the ban deadline. It happened early, and lasted as long as it did to distress its American users and give time for server maintenance while these changes took place.

FB's algorithm is known to have been designed to enrage you, rather than show you things you enjoy. Research has shown that being angry keeps a user engaged with an app more so than being happy.

Meta has taken this and ran with it to make sure their engagement is as high as possible.

Personal anecdote on this; I only use Facebook once every other week or so for this exact reason. The moment I go onto my timeline there, all I see are posts from the opposite political party, bad faith opinions on art I enjoy (music, shows, movies, etc), and blatant bait looking to make people argue. It's been this way for years, and why I stopped going there except to drop a drawing and life update here and there. I don't engage with my timeline because I recognized the damage it was doing to my mental health (and my blood pressure lol) a long time ago.

TikTok has worked on the opposite principle. Their algorithm is based on dopamine. It shows you things you find funny, interesting, or is related to the things you already enjoy. It keeps user retention based on enjoyment. This comes with its own set of problems, of course. Addiction and dependency can stem from this, but imo it's less damaging to a person's psyche overall than rage bait.

With Meta taking over (and I will absolutely eat my shoe live on camera if I'm wrong about this), I fear Tiktok's algorithm will change to fit what Meta does. I feel it may already be happening, with my FYP today being almost entirely about the ban/return rather than my usual artwork, edits, gaming clips & funny sketches.

We may have effectively lost Tiktok anyway with all of this.

170 million Americans is a demographic any politician of any party would literally ki11 for. If anyone doubts that everything surrounding Tiktok's ban was anything other than an elaborate plan from the beginning...idk what to tell you. It may not have gone exactly the way it was intended, but the result is the same regardless.

It's my belief that those who voted for this ban, the vast majority of which having shares in Meta, did so because it was a threat to one of their biggest financial investments. They wanted to back TikTok into a corner and force them to make a move that benefited THEIR wallets, all the American people they screwed over in the meantime be damned.

While it looked to us like Tiktok wouldn't budge and would call their bluff, taking the ban rather than selling out to an American company only to find a solution in the last moments, this was obviously not the case. They did sell. They sold to the very company most threatened by its success to Zuck's benefit, the senators and representatives with shares in his company, and to the benefit of a politician with the absolute most to gain with an abysmal approval rating, and an audience of half the country who just got a notification expressing gratitude to him for "saving" an app he actively campaigned against for four fucking years.

Taking away something you enjoy, and giving it back to earn your praise is textbook psychological manipulation.

This whole thing just fucking reeks to me, and I wish billionaires would keep their fingers out of politics, and that politicians of all kinds would stop meddling in every single fucking thing that we do.

This country is run by money, and money alone.

I'm so mad about this whole thing, man. Angrier still at the "it's just an app, stop being dramatic" takes I'm seeing on my FB timeline (aforementioned rage baiting in action lmao). It's NOT just an app. It's a platform of One Hundred and Seventy Million God Damn People that, up until this point, has been an unprecedented tool in connection and information accessibility. A platform that now runs the risk of showing half the country only what one company wants to show them based on its ideas for how the app should work, and with a bias towards political ideals like funneling content that only pushes you harder to one side or the other, maintaining and deepening the rift between political parties that benefit Meta and the reps/senators invested in it.

Yeah it's an App that shows you funny videos and dances but PLEASE I'M BEGGING FOR ONE CRUMB OF CRITICAL THOUGHT ON THE SIZE OF THIS FUCKING THING ALONE

[hello-vampire-kitty]

Servamp online kuji: how to get the merchandise

There are new Servamp merchandise that can be obtained through online kuji (lottery)

(h)ttps://kujibikido.com/lp/servamp/?utm_source=twitter&utm_medium=social&utm_campaign=twi

Tumblr has a problem with links, remove the () from the adress to go on the kuji website.

I'll try to provide some help if you would like to obtain them, based on my experience ordering stuff from Japan.

To start off, the kuji will start on December 1st and will last until December 29th (Japan time).

One draw costs 770 yen.

Estimated shipping time: Ships around early March to early April 2024

Alright, so how kuji works is that you have categories, this one having from A-D and another one called S. Each category has different merchandise and you cannot choose the item you want, so if you wanted an item with a specific character within the category and you don't get it on the first draw, you'll have to try again until you get it.

From what I have seen on the official website, if you only get the S category, you can select between these two framed artworks.

Category A- Acrylic stands

Category B- Half tapestries

Category C- Acrylic charms

Category D- Can badges

Okay, so like I mentioned, it's been a while since I bought things from Japan and only once did I get stuff from kuji.

If you never bought from Japan before, you're gonna have to look into a proxy or forwarding service. They're middlemen basically that will ship items where you live because most shops in Japan do not have international shipping.

A proxy service is where you will have everything handled by the service, from buying until shipping your items.

This method is for those who are not confident to handle part of the processes themselves because they don't understand Japanese.

Proxy might also be the only option if for some reason, you want to order stuff within Japan to be delivered to the middleman's warehouse, however your debit/credits cards might be rejected. (not many online stores offer Paypal or Google Pay. Animate Japan has Paypal, I got Servamp merchandise from there).

So if you try various cards and none of them will work, then you have to use proxy service because some shops might reject foreign cards.

If there are stuff that you want from online stores that sell second-hand items (such as Mercari) or you want something from auctions, you have to use proxy because you need someone in Japan to discuss with the sellers.

You need to look into services and see which ones will be best for you, based on their handling fees and what things they can do on your behalf, like the stuff like I mentioned above.

So, I summarized the proxy service and there's another one called forwarding service that I mainly used in order to reduce costs, because shipping isn't cheap...

The main difference about forwarding service is that you handle the buying part. You make the necessary accounts on the websites where the merchandise is sold, maybe even have to reply to messages...

If choose this option, when you create accounts on websites, you have to use the shipping adress provided by the forwarding service.

Once you set up the accounts and succeed in making purchases, the items will be delivered to the warehouse in Japan, to the middle-man.

So, this is the option if you want to save a bit of money. You can't do auctions or buy from second-hand shops because they are bit more complicated and you would need the help of someone living in Japan.

I hope this helps! You gotta look into these services and see their offers. Wish you good luck if you will try getting the merchandise!

[just-a-carrot]

carrot as someone who downloaded arc 2 remaster as soon as it dropped, I have zero clue how it performed poorly. The JUMP in quality is extremely noticeable and enjoyed how their expressions constantly changed during the CG scenes to go along with the dialogue. I know it is very easy to crumble and is extremely discouraging to see a low download rate, but know that the people that DID download it see your hard work and admire it immensely. Honest to god the only thing me and my friend were saying by the end of it is “oh they’re gonna COOK with arc 3 if this is the standard now” dude we’re so excited !!!!!!!!!!!!!!

Never give up, Carrot. You have a genuine talent. I understand being hesitant to ask for money or sell merch, but you have many fans and people willing to put a lot of money to keep you afloat or at least to help out a bit while you search for another job. It’s not a bad thing to do, I promise. Many artists and game devs do it and it is perfectly respectable.

Take things day by day and I promise it will all be okay. Rely on the people you trust. Lean on those you know will support you, and know you have an entire community to back you up too :)

thank you for the kind and encouraging words... they mean more than you know 💕 and I'm really happy that you're enjoying the remaster. I was really excited to hear what people thought about everything so reading that means a lot

admittedly I'm somewhat scared as the majority of reactions I've gotten from anyone about arc 2 is simply that they're excited for arc 3...... 😅 and I don't plan to do nearly as much for arc 3... so it's giving me some stress LOL like the additions and such I did for arc 2 pretty much exist already in arc 3, by adding them to arc 2 (and 1) I was trying to bring those two arcs up to the standard of arc 3 and beyond (like arc 3 already had twice as many CGs than Arc 2 even in the pre-wonderland section) so my efforts will mostly be in redrawing some of the still-wonky artwork present in some of the CGs and a lot of consistency stuff, and MAYBE a few new ones if there's a spot I really think could benefit from it... and ofc the Iggy sprite... so I'm worried whenever I finish Arc 3 people will be disappointed because of too-high expectations 😅😅😅

I guess we shall see lol

ahhhh... unfortunately my financial situation is not so simple 💦 I cannot even use sites like kofi because I live in Germany. and anything else would require me to register a business apparently (even just accepting my spooktober winnings a few years back put me through so many panic attacks I was desperately trying to see if I could check myself into a clinic because I was 100% sure I was going to go to prison because I was doing something wrong for either the IRS or finanzamt and I got scary letters because I'd done the german side wrong and they told me I needed to have a business and it was a whole big thing and I never want to do that again lol). Germany really seems to hate hobbyists and small creators when it comes to taxes and bureaucracy 😅

but it's honestly ok. I don't want to ever be in a position where I have to rely on my creative works to survive as I think it will kill my love of what I do. I just want to create because it makes me happy and see other people enjoying my creations too. unless like some big publisher was like "omg we'll publish your work and make no changes to it and just give you the money" LOL WHICH WOULD NEVER HAPPEN

anyway this answer is so long now LOL

I just want to reiterate my appreciation for your kind words. It really means so much to me right now. And I'm truly thankful you both took the time to write this and that you also have enjoyed the remaster so much 💕 your words really helped me today 💕💕

[ahedderick]

Deck the walls

I haven't been creating that much new art the last couple years. Unfortunately, I also haven't been selling as much the last couple of years. Commissions are nice, because I know they're going out the door to their new home as soon as I finish them, but my original pieces? There has been a real slump. Even with a friend in town offering me space to hang pieces, and a bunch of pieces hung in another house . . I just have too much.

Yesterday, K was continuing a large re-organizing project in her room. I got the step ladder and some framing/hanging tools, and we added a bunch of hangers to the walls of her room. I also put up a bunch in my work room, far more than would be appropriate for 'display' but enough to let me store more on the walls.

While there is still work stacked on top of the bureau, and tons of unused painting panels and frames stashed on the floor between pieces of furniture . . it is a slight improvement.

I found that a new frame I bought just before my last show had been dinged on two corners while at the gallery. I know how carefully I packed them in blankets while I was transporting them, so I'm certain I didn't ding it up. That's going to take a bit of careful fixing, and just one more reason to be unhappy with that unpleasant lady who hung the artwork prior to the show.

I also decided to take a wooden cabinet panel and put it up beside the front door as a keychain and leash hanger. I had a few hooks up for that, but they were small and not terribly secure.

I got two sawtooth hangers attached to the back and a new coat of varnish on. One more coat of varnish and some cuphooks and we'll be good to go.

I do love the cordless drill. Devotedly.

[tyrantisterror]

No Small Feat Art Pt. 6 - Chaos at the Menagerie

By request, I’m gonna show off some of the artwork for No Small Feat, a Midgaheim story my friends and I told through the TTRPG system Fabula Ultima. I drew a lot of characters and monsters for it, and my friends - in particular, @dragonzzilla, @scatha5, and @dinosaurana - helped line and color them so we’d have cute little sprites to use on our online battlemaps, which really helped sell the whole “we’re playing an oldschool turn based RPG” vibe that Fabula Ultima’s system is going for.

In this part, we’re gonna look at the many NPCs introduced in the campaign’s fourth arc, Chaos at the Menagerie!

All the way from session 0, my player characters had heard rumors of a fabulous menagerie of arcane beasts kept by Sir Peter Hammerschmidt, a merchant who possessed so much wealth and influence that he was knighted and made part of the nobility for it. Some of my players, being nonhuman (or transformed into nonhumans at any rate), were almost poached for the menagerie, in fact, so when they finally got to the town of Sumerlie, they had some idea of what they were getting into when asking Peter whether or not he had a crown jewel in his possession too.

They came on an auspicious day, as Peter was finally opening up his full menagerie for visitors from the creme de la creme of Engelsex, including Prince Huxley Monbatten, the eldest son of the previous king of Engelsex who would be the frontrunner in the competition to become the new king if the crown hadn't been destroyed. Peter was also assisted by Clara Saddel, his trusty chief maid and assistant, as well as Ranzacor, the wizard who designed all the magic safeguards meant to keep the menagerie safe and secure.

The first floor of the menagerie did contain several arcane beasts, but most weren't particularly noteworthy as menageries in Midgaheim go - a couple designer griffins (very trendy, but everyone rich enough to have a menagerie can afford them), some drats (cat/puk dragon hybrids that are heavy on the feline and light on the dragon), flederwyrms (bat/lizard chimeras), one very ill-looking bonnacon (fire breathing and/or shitting oxen), a hoogah (related to dragons but far less vicious), a grotesque (arcane agamid lizards that superficially resemble dragons as a defense mechanism), a hunkypunky (big nasty-tempered arcane tegu lizards), an amphibaena (arcane serpents that are born as conjoined twins), and some sprinting basilisks. Impressive to commoners, sure, but nowhere near the show Peter promised.

But then, in the center of the first floor, there was the first true wonder: a truly wild catoblepas, one that had never been domesticated and subjected to years of selective breeding for docility by human beings. Enormous and magnificent, it was a taste of the wonders that lay below.

While the cockatrices nearby, with their quick two-legged sprinting and devious minds, were a preview of how it would go wrong.

The second floor contained far more dangerous beasts. They spanned different countries, from a knucker wyrm with hydra syndrome from Mediterra to a waterhorse from Celpict. There was a bonafide Chimaera, which Peter had been assured was made to be a perfect replica of the first Chimaera created by Typhon and Echidna in the times of antiquity, and a largemouth wyvern dragon with talons capable of crushing a man in their grip.

But perhaps most telling on this floor were a trio of beasts denied their purpose: a gorgon whose eyes had been gouged out to deny her the ability to turn men to stone, a unicorn whose horn was shattered in its capture, and a Questing Beast - a creature whose entire existence is built on being impossible to catch and imprison - that was born in captivity and never knew life outside the menagerie walls.

The third floor had fewer residents, but for good reason, as it held not only the most valuable creatures, but the most deadly as well. There was an Afanc, an enormous crocodile whose mastery of water magic allows it to create deadly sea storms and floods. There was the Ox Dragon, an enormous and powerful greater drake with a notorious temper. There was a peluda, a lesser drake whose armored hide was covered in thick, sharp spikes.

But they weren't the deadliest beasts in the menagerie.

The most valuable creatures imprisoned in Hammerschmidt's menagerie were, oddly enough, local finds - tatzelwyrms, specifically, a variety of two-legged dragon that normally doesn't get particularly large by dragon standards. The clever tatzelwyrms that lived in the first paddock of the third floor illustrated this well, with each being roughly the size of a wolf. But there were a few exceptions, and one of them was the aptly named Terror Tatzelwyrm, a fifty-foot long dragon with powerful jaws and an astounding running speed for its size. One such tatzelwyrm was a local celebrity in Sumerlie, and Peter had caught the creature in a moment of weakness - namely, sleeping in her den over a nest full of eggs that she had been guarding for weeks without finding food for herself. He caught her and imprisoned her while she was too exhausted to fight back, and sold her eggs to make the funds to get the rest of his prized specimens.

The Terror Tatzelwyrm was, mechanically speaking, the Villain of this arc, though like some of the previous Villains, she was far from unsympathetic.

I imagine by now you've figured out the "joke" of this arc. It's Jurassic Park. Which, of course, is not a fairy tale, but listen, we had to make sure 100 monsters appeared somehow, and isn't Jurassic Park a modern day fairy tale in its own right? A rich merchant, believing his wealth gives him power over nature itself, employs the best wizards he can find to bring impossible nightmare monsters to life so he can show them off as prized possessions, only for the monsters to break free and tear him to pieces. There's a nice tight little moral in there, tell it to your kids!

Gonna post the sprites in a followup since tumblr has an image limit per post.

[wutheringheightsfilm]

interview with the vampire art history lesson part 2:

Three Studies for Figures at the Base of a Crucifixion, Francis Bacon, c. 1944. Held at the Tate Britain in London. Here is its catalog listing.

So! This is the painting that has been on the wall of Louis and Armand's apartment, and that Season 2 makes a point to emphasize that they're selling. Full disclosure, modern British art history is not my forte, but I have covered this in a British art history survey class, and this is arguably one of Bacon's most famous works, so there's a lot of literature you can find on this. Let's discuss!!!

Now, one claim that you can try to make here about the relationship of this painting with Armand specifically is that Armand is now connected to two 'Christian' artworks (see my post on The Adoration of the Shepherds with a Donor here): one that marks the beginning of Christ's (semi)mortal life, and one that marks the end of it, which is definitely interesting, but the thing is with this Three Studies piece is that Francis Bacon put a lot of emphasis on the fact that this is a crucifixion, not the Crucifixion. Francis Bacon was an atheist, however, a lot of his work does revolve around either critiquing or dealing with Christianity (this is not his only work to reference/allude to or show the Crucifixion, as well as his other very famous work, Study after Velázquez's Portrait of Pope Innocent X). It was a very nuanced, complex topic for him that is way beyond the scope of this post.

Interestingly, though, Bacon has made a point to say that "faith is a fantasy" [1]----which is definitely something interesting in relation to Armand...

What Three Studies is definitely associated with, though, is World War II and Greek tragedy.

The catalog entry from the Tate spends a while discussing the process of this painting, and how Bacon may have drawn from his various experiences during World War II (he was in the ARP during the London Blitz), as well as other works made around this time (namely, Figure Getting Out of a Car and Man in a Cap) referencing various Nazi imagery that Bacon had seen impacting his process for creating this triptych. Various scholars have cited Bacon as interested in the dynamics of power and violence, and the imagery of the triptych can be interpreted as either the perpetrator and/or the victim [2]. Bacon has also confirmed that this painting references the Eumenides (the Furies who are responsible for enacting revenge in Greek mythology) [3 + 4].

Now that we've covered the very basics of this work, let's discuss how this might relate to Louis and Armand. This work being present in the show has raised some interesting points for me, and some questions:

The show makes a point of emphasizing that they're selling this work. Since this work is so closely related to World War II, and Louis and Armand are currently trying to relay their experiences during World War II, is the selling of it symbolic of either 1) 'selling' their story to Daniel or 2) finally closing out that chapter in their lives?

It is interesting that in their apartment, there is only modern and post-modern artwork and architecture. I wonder how deeply this ties to Armand's trauma, since he himself was modeled (whitewashed as he was) in Late Renaissance/Mannerism artwork from the 1500s. How much of that experience drives his taste in art?

Bacon's juxtaposition and struggle with violence, power, and the dynamic of the perpetrator/victim is extremely interesting... the thoughts are still cooking about this one.

What do u guys think.... i've been microwaving this in my head all day along with the other painting!

Works Cited + Referenced:

[1] D. Farson, The Gilded Gutter Life of Francis Bacon, London, 1994, p. 134. [Taken from this JSTOR article, further cited below] [2] Referencing the catalogue here, which cites: Ziva Amishai-Maissels, Depiction and Interpretation: The Influence of the Holocaust on the Visual Arts, Oxford, New York, Seoul and Tokyo 1993, pp.189-90, 225-6, 354. [3] M[ichael] C[ompton], letter to Francis Bacon, 6 Jan. 1959, Tate Gallery cataloguing files. [4] Francis Bacon, letter to Tate Gallery, [9 Jan. 1959], Tate Gallery cataloguing files. [5] Arya, Rina. “The Primal Cry of Horror: The A-Theology of Francis Bacon.” Artibus et Historiae 32, no. 63 (2011): 275–83. http://www.jstor.org/stable/41479747.

[taehyungday]

𝗦𝗔𝗦𝗔𝗘𝗡𝗚 - 𝚖.𝚢𝚐.

𝗉𝖺𝗂𝗋𝗂𝗇𝗀…𝗒𝗈𝗈𝗇𝗀𝗂 𝗑 𝖿𝖾𝗆!𝗋𝖾𝖺𝖽𝖾𝗋

𝗀𝖾𝗇𝗋𝖾…𝗒𝖺𝗇𝖽𝖾𝗋𝖾 𝖺𝗎

𝗐𝗈𝗋𝖽 𝖼𝗈𝗎𝗇𝗍…998

I'm still not sure how I ended up here, but I was tethered to a chair in a basement of a building. My lips was also taped, so I couldn't shout for help. I just remember walking back to my apartment after a successful concert a few hours ago when I suddenly felt a great deal of pain in my head region. I turned around to find a masked man with a baseball bat smeared with blood, most likely my blood. I awoke here after that. My head was still aching, therefore I got a headache. I could only hope that my fellow members of my group would come here to look for me. But I knew they didn't call me often because our group didn't have a strong bond. And since this was our final show of the tour, and our record label granted us a two-month vacation thereafter, the chances of my members or managers looking for me were little to none.

Then I heard a pair of footsteps approaching. The cellar door was suddenly opened, showing a really gorgeous man with a poker face staring at me. There were also some other men with him who appeared to be his bodyguards. The man with the poker face approached me and pulled the tape from my mouth.

"I'd been looking forward to this moment for a long time." He stated.

I had no idea what he was talking about, so I began pleading with him to help me escape out of this cellar.

"Please, sir, I have no idea who you are, but don't harm me. Please let me go because I have done nothing wrong. Sir, I beg you."

"Unless you disobey my commands, I will not harm you." You'll be living in the basement until you figure out what your role is in the house. I intend to move you from this basement to my room as soon as you start behaving good. You must sign these papers until then." He remarked this as he threw some papers at me.

"Can you tell me what these documents are about?" I stated.

"Sweetheart, don't ask questions; just do what I say or you'll finish up with a bullet in your skull." He remarked this as he drew his weapon. I was terrified.

"Untie her from the chair, Jason, and provide her a pen." He told his men.

I've never been a big fan of music. Despite the fact that I had a girlfriend who was a member of a Kpop group. Because I was in a mafia gang, I told her to keep our relationship a secret. She didn't even tell her group mates about our affair. She asked me to one of her concerts after that. I opted to go because I didn't have any plans or task. I'm not sure what occurred to me after seeing her. She was simply hypnotic. The way she sang, danced, and laughed was fascinating. I couldn't understand it, but when she walked, everything began to look prettier. Because of her, my cold, dead heart began to beat again. That night, I returned home while just thinking about her, and I slept while her lovely voice echoed in my mind.

I began stalking her from that point on. I began collecting her photographs and glueing them to the wall. I created a room particularly for her, complete with her photographs and artwork. I purchased everything that featured her in a commercial. I even purchased some makeup accessories because she was selling it. My girlfriend began to notice that I was ignoring her. One day she arrived at my mansion and discovered Y/n's room, she was astonished and immediately began wrecking the place. I tried to stop her, but she was deafeningly deafeningly deafeningly deafen After she started spewing nonsense about y/n, my mind became agitated. HOW DARE SHE. That's when I grabbed a nearby wire. Then I strangled her as a result of it.

I alerted the police about her death after she died, and I urged them to cover it up by claiming she had committed suicide. The cops didn't question me because I had power over them.

When the world learned that their beloved idol had committed suicide, they were devastated. They began to lament her death. My darling Y/n was inconsolably wailing. I wanted to wrap my arms around her and comfort her, but I knew it wasn't the proper time.

I couldn't wait any longer after a few months. I couldn't figure out how to love her. But, my God, how much I loved her.

I told my men to kidnap her after a few weeks. That guy, on the other hand, hurt her by striking her in the head. That jerk deserves to perish slowly and painfully. I approached my Y/n after killing him, and just by glancing at her, I could tell she was terrified. What a beautiful young lady she was. I forced her to sign papers transferring her entertainment label to me. Because the ceo was afraid of a mafia, he didn't ask me any more questions regarding the paperwork or the weather-about y/n.

Despite the fact that the fanbase and group members were perplexed as to why y/n departed the group. But I was too engrossed in my alone time with y/n to notice that.

She was a thorn in my side at first, refusing to obey my orders. I began giving her less food and left her completely alone. I didn't even pay her a visit since I wanted to make her feel lonely so she would develop Stockholm syndrome and cherish my company. And that's exactly what occurred; she was pleased to see me. She began pleading with me not to leave. That's how my Y/n figured out her place in the family and began to love me.

[scarletsinnerz]

FREE MLP COMMISSIONS.

EXAMPLE OF MY ART BELOW:

[I did not draw the background, it's a screen shot from the MLP fim series]

Howdy guys!

I'm opening a Instagram store for LPS and MLP commissions, adopts, pfps, and more! It's still a wip so nothing is for sale yet. And because I don't have too many MLP drawings to show for example, I thought I would open a few FREE commissions!

Instagram store link here.

[I'd also like to sell LPS clothes, stickers, customs, etc. eventually as well, but it'll be a while before that happens-]

I can draw an original character of yours, whether that be a random MLP OC or I can draw your pony sona/self insert. I can also draw any of the canon/fandom ponies from the My Little Pony: Friendship Is Magic series.

Or if you'd rather, I can make/design an adopt for you! You can give me some details/ideas you'd like included, or I can make the character from scratch and completely surprise you! I can also make a pony sona for you if you don't have one already. You can give me some details about you (things you like, fave colors, etc). And again, I can surprise you or you can tell me what/how you want to look like and I can draw it for you! (coat color, mane and tail color, length and style, cutie mark, whether you want to be a pegasus, unicorn, or Earth pony).

And if you don't know, I can choose for you on which I think best suits you out of the three! Whichever you'd like. We can go over and discuss more details if you want as well.

Don't be afraid to ask me any questions you may have!

The commission will be done digitally by me on procreate. It'll probably take me a week or a few to complete as I can be busy irl and I'll have multiple comms to do. So I ask you for your patience as I make this for you. Thank you.

I will be taking a total of 3 FREE commissions for now. But I may take more in the future. I'll make an edit on here and on my profile once all of the slots are taken. It is first come first serve, to make it fair.

Now for commission rules:

You can post it anywhere you want, but you MUST give me credit.

You cannot remove or alter my watermark/signature in anyway. This includes if you're using it as a pfp.

You cannot claim the drawing as your own creation, even if it is your OC, as I was the one who created it. Especially because the drawing is free, I think it's only fair that I receive credit in exchange.

I have every right to decline your comm for whatever reason.

I will only draw one character per commission. And it will be with a plain background only, as I don't have the time to draw backgrounds for everyone.

This comm is rather simple it won’t have lots of details and accessories and such. It’s just a single character comm with a plain background.

Please give me everything you have on your character that you want me to have in mind when drawing them.

You can print the artwork, but you cannot claim the drawing itself as your own creation. Again, please give me credit.

I reserve full rights to the image and it's use unless otherwise agreed upon.

I will do everything I can to make my customers happy! If you have a problem with anything, please let me know. I'm sure we can figure it out together.

That is everything for now, sorry for writing so much. ^^

REMEMBER THE COMM IS COMPLETELY FREE. 3 SLOTS OPEN ONLY!!!