Rev. Dr. William J. Simmons was born a slave in Charleston, South Carolina, to Edward and Esther Simmons on June 29, 1849. While William was young, his Mother fled slavery with her three children, William and his two sisters Emeline and Anna. They initially landed in Philadelphia, PA, and was met by an uncle named Alexander Tardiff, who housed them, fed them and educated the children. Due to stemming pressures from slave traders, Tardiff relocated his extended family to Roxbury, Pennsylvania, Chester, PA, and ultimately settled down in Bordentown, New Jersey. Tardiff had received an education from the future Bishop Daniel Payne and undertook to give Simmons and his siblings an education on that basis. From 1862 to 1864 William served as an apprentice to a dentist. He served in the Union Army during the US Civil War, enlisting September 15, 1864 and serving a one-year term. He took part in the siege of Petersburg, the Battle of Hatcher's Run, and the Battle of Appomattox Court House and was present at the surrender of Confederate General Robert E. Lee. After the war, he returned to dentistry. In 1867, he converted to Baptist and joined a White Baptist church in Bordentown that was pastored by Reverend J. W. Custis. The congregation helped him through college. He attended Madison University (now Colgate University, graduated in 1868), Rochester University, and Howard University, from which he graduated with a bachelor's degree in 1873. As a student, he worked briefly in Washington D.C. at Hillsdale School. In Hillsdale, he boarded with Smithsonian Institution employee, Solomon G. Brown. After graduating he moved to Arkansas on the advice of Horace Greeley to become a teacher there, but returned to Hillsdale soon after where he taught until June 1874.
The following summer, he married Josephine A. Silence on August 25, 1874 and moved to Ocala, Florida. The couple had seven children, Josephine Lavinia, William Johnson, Maud Marie, Amanda Moss, Mary Beatrice, John Thomas, and Gussie Lewis. In Florida, he invested in land to grow oranges, became principal of Howard Academy's teacher training program and served as the pastor of a church, deputy county clerk and county commissioner. He campaigned for the Republican Rutherford B. Hayes. He served there until 1879. He was ordained that year and moved to Lexington, Kentucky where he pastored the First Baptist Church. The following year, he became the second president of the Kentucky Normal and Theological Institute, which he worked for a decade. The school was eventually renamed the State University of Louisville and later to Simmons College of Kentucky after Simmons due to schools progression under his tenure. He was succeeded in 1894 at Simmons College by Charles L. Purce.
In Kentucky he was elected for several years the chairman of the State Convention of Colored Men. On September 29, 1882, he was elected editor of the journal, the American Baptist where he criticized the failures of both political parties to support blacks in their civil rights and progress. He was also president of the American Baptist Company. in 1886 he was elected over T. Thomas Fortune to president of the Colored Press Association, having lost to W. A. Pledger the previous year. In 1883, Simmons organized the Baptist Women's Educational Convention, and in 1884, Blanche Bruce appointed Simmons commissioner for the state of Kentucky at the 1884 World's Fair in New Orleans. In 1886, he organized and was elected president of the American National Baptist Convention. The convention was a call for African American Baptist unity and was also led by Richard DeBaptiste and featured notable presentations by Solomon T. Clanton and James T. White. In 1889 in Indianapolis, Simmons was a leader at the American National Baptist Convention and wrote a resolution to provide aid for blacks fleeing violence in the South and moving to the North.
Simmons received an honorary master's degree from Howard University in 1881 and an honorary Doctorate degree from Wilberforce University in 1885. In 1887, he published a book entitled Men of Mark: Eminent, Progressive and Rising, which highlights the lives of 172 prominent African-American men, while serving as the school's president. He was working on a sister edition of the title that would highlight the lives and accomplishments of prominent pre-1900 African-American women, but unfortunately died before its completion. He died on October 30, 1890, in Louisville, Kentucky.
I could not believe I had never seen or heard of this movie before. I loved it! There really aren’t many movies that I want to rewatch as soon as it’s over, but this was one of them. It’s such a sweet story. Apparently, it’s a remake of a German movie, one that’s much better than this one. But having never watched the German original, I really liked this one. It did have some bad acting at some points, but I think that was more due to dialogue than anything else. Overall, it’s a really great film.
Sex/nudity: 3/10 (quite a bit of sexual dialogue but no sex on screen, implied sex, kissing)
Language: 4/10 (one f-word, quite a bit of pretty much everything else)
Violence: 2/10 (a couple fights where people did get hurt)
Below the cut, you will find our list of face claims featured on our canon list. Enjoy this sneak peak at what is coming your way when the canon lists start being released this week!
FC List:
Abigail Cowen
Aishwarya Rai Bachchan
Amita Suman
Amy Adams
Ana de Armas
André De Shields
Andrew Garfield
Angela Bassett
Anna Kendrick
Anne Hathaway
Anthony Anderson
Anthony Mackie
Anya Chalotra
Anya Taylor Joy
Aja Naomi King
Avan Jogia
Avantika
Audra McDonald
Austin Butler
Beanie Feldstein
Ben Barnes
Beyoncé
BD Wong
Bette Midler
Caleb McLaughlin
Camila Mendes
Catherine O'Hara
Charles Melton
Chiwetel Ejiofor
Chloe Bennet
Chloe Bailey
Christina Hendricks
Christina Nadin
Chrissy Metz
Cody Christian
Constance Wu
Courtney Eaton
Dakota Johnson
Danai Gurira
Daniel Ezra
Daniel Wu
Danny Trejo
David Harbour
Deepika Padukone
Denzel Washington
Dev Patel
Diana Silvers
Diane Keaton
Dianna Agron
Dove Cameron
Dylan O'Brien
Eddie Redmayne
Eiza González
Emily Alyn Lind
Eva Longoria
Ewan McGregor
Fan Bingbing
Felix Mallard
Florence Pugh
Froy Gutierrez
Gabrielle Union
Gemma Chan
George Takei
Gillian Anderson
Gina Rodriguez
Gina Torres
Hailee Steinfeld
Halle Bailey
Harrison Ford
Harry Shum JR
Harry Styles
Henry Cavill
Hero Fiennes Tiffin
Hunter Schafer
Hugh Jackman
Idris Elba
J. Cameron-Smith
Jacob Artist
Jacob Elordi
Jameela Jamil
James McAvoy
Jamie Chung
Jamie Lee Curtis
Jasmin Savoy Brown
Jason Momoa
Jason Sudekis
Jean Smart
Jeff Goldblum
Jeffrey Wright
Jenna Ortega
Jensen Ackles
Jesse Williams
Jessica Chastain
JK Simmons
Joe Locke
John Boyega
John Cho
John Krasinski
Jon Hamm
Jonathan Bailey
Jordan Connor
Jordan Peele
Julianne Moore
Justice Smith
Kate Winslet
Kathryn Hahn
Kathryn Newton
Keanu Reeves
Keith Powers
Keke Palmer
Kerry Washington
Kit Connor [1]
Kit Connor [2]
KJ Apa
Kristen Bell
Kumail Nanjiani
Lana Condor
Laura Harrier
Lauren Ridloff
Leonardo DiCaprio
Letita Wright
Lili Reinhart
Liv Hewson
Logan Browning
Logan Lerman
Loretta Devine
Lupita Nyong'o
Mädchen Amick
Madelyn Cline
Madison Bailey
Mahershala Ali
Manny Jacinto
Manny Montana
Margot Robbie
Mark Consuelos
Mark Hamill
Mario Lopez
Mason Gooding
Maude Apatow
Megan thee Stallion
Melanie Lynskey
Melissa Barrera
Michael Cimino
Michael Evans Behling
Michael Fassbender
Michael Peña
Michael Shannon
Michelle Yeoh
Morgan Freeman
Naomi Scott
Natalia Dyer
Natasha Liu Bordizzo
Nina Dobrev
Noah Centineo
Normani
Octavia Spencer
Olivia Coleman
Olivia Rodrigo
Oscar Isaac
Paul Rudd
Pedro Pascal
Phoebe Deynover
Phoebe Tonkin
Phylicia Rashad
Priyanka Chopra
Rachel Weisz
Rachel Zegler
Rahul Kohli
Reese Witherspoon
Regé-Jean Page
Renee Rapp [1]
Renee Rapp [2]
Riz Ahmed
Robert Pattinson
Robert Downey JR
Rome Flynn
Rosamund Pike
Rose Byrne
Rudy Pankow
Ryan Gosling
Ryan Guzman
Ryan Reynolds
Sadie Sink
Sam Claflin
Samantha Logan
Samara Weaving
Sandra Bullock
Sandra Oh
Sara Ramirez
Sarah Jeffrey
Sarah Paulson
Sebastian Stan
Selena Gomez
Sigourney Weaver
Simu Liu
Shawn Mendes
Skeet Ulrich
Sophia Ali
Sophia Bush
Sophie Turner
Sonam Kapoor
Sophie Thatcher
Sterling K. Brown
Steve Martin
Steven Yeun
Storm Reid
Sydney Sweeney [1]
Sydney Sweeney [2]
Taika Waititi
Tati Gabrielle
Taraji P. Henson
Taron Egerton
Taye Diggs
Taylor Zakhar Perez
Ted Danson
Timothée Chalamet
Thomas Doherty
Tom Blyth
Tom Ellis
Tom Hardy
Tom Holland
Tony Goldwyn
Tyler James Williams
Tyler Posey
Uzo Adubo
Victoria Pedretti
Viola Davis
Whoopi Goldberg
Wolfgang Novogratz
Will Smith
Willem Dafoe
William Jackson Harper
Winona Ryder
Winston Duke
Yasmin Finney
Zayn Malik
Zendaya
Zoey Deutch
Kemper Hall was an Episcopal girls school for day and boarding students which recognized 1870 as the year of its official founding. The predecessor to Kemper Hall, the Kenosha Female Seminary, was chartered by the rectors, wardens, and vestry of St. Mathews Episcopal Church in 1855, but the school did not open until 1865. Mrs. H.M. Crawford operated the school as St. Claire's Hall for a short time. The school's founders purchased the home of Senator Charles Durkee and nine surrounding acres of land on the Lake Michigan shore in Kenosha. The Durkee mansion served as the school's central classroom and administration building throughout the school's 105-year history.
Bishop Jackson Kemper was elected trustee of the female seminary in 1866. Following Kemper's death in 1870, his successor, Bishop William Armitage, made an urgent request to the Milwaukee Diocesan Council to redeem and secure the school as a living monument to Bishop Kemper. At that time, the school was renamed Kemper Hall. The Reverend George M. Everhart served as the school's first headmaster from 1870 until 1878. The first graduating class celebrated commencement in the school's new chapel in 1876.
In 1878 a group of women from the Sisters of St. Mary, an Episcopal women's order located in Peekskill, New York, arrived in Kenosha to administer the school and to return it to financial solvency. Among the sisters was Mother Mary Clare who became the first headmistress in 1883 and served in that capacity until 1918. Mother Mary Ambrose, who joined the school in 1911, served as headmistress from 1931 until 1967. Other headmistresses included Sister Sarah, 1878; Sister Edith, 1879-1883; Mother Mary Maude, 1918-1920; Sister Celestine, 1920-1922; Sister Flora Therese, 1922-1931; and Sister Margaret Jane, 1967-1969. Anna J. Morse was influential in shaping the curriculum and academic policies of the school, serving as director of studies from the early 1930s until the early 1960s. A lay Board of Trustees assisted the Sisters of St. Mary with the school's administration and most of the teachers were lay persons. Several wealthy benefactors contributed to the financial support of Kemper Hall including Zalmon G. Simmons, who donated eleven acres of land to the school; Charles W. Nash, president of Nash Motors Company, who donated his home to the school in 1938; and James T. Wilson, banker and Nash Motors Company executive, who donated Wilson House, a mansion across the street from the school.
In 1969 the Sisters of St. Mary turned the school over to a Board of Trustees and the Reverend Raymond Gayle became the second headmaster. In 1970 a co-educational program for students in grade one through grade nine was initiated, accepting boys as day students only. The Reverend Russell Ingersoll succeeded the Reverend Mr. Gayle as headmaster in 1972. Kemper Hall closed in June 1975 due to financial problems. During the school's 105-year history, 1,625 students attended. A peak enrollment of 140 students was reached shortly after World War II.
After the preliminaries and days of deliberating, here are you VOICE ACTORS COMPETING! One will take home the spot of Tumblr's Favorite Voice Actor!
A note before they are introduced! If you would like to support any of them send in an ask or make propaganda, any propaganda you make and post yourself should have me tagged! As well using the tags #favevabracket or #favevabracket2023!
And a quick reminder about the two rules that will be staying active!
No harrassment, hate, or vitriol will be tolerated. We are here to celebrate the work of voice actors not tear each other down
This is all for fun! Do not take it super seriously!
CHRONOLOGY OF AMERICAN RACE RIOTS AND RACIAL VIOLENCE p.3
1911
National Urban League founded.
1914
Marcus Garvey establishes the Universal Negro Improvement Association (UNIA).
November William Monroe Trotter confronts Woodrow Wilson in the White House over the president’s support for segregation in federal offices.
1915
Debut of the D.W. Griffith film, The Birth of a Nation.
Failure of African American lawsuit against the U.S. Treasury Department for compensation for labor rendered under slavery.
CHRONOLOGY OF AMERICAN RACE RIOTS AND RACIAL VIOLENCE lvii
November William J. Simmons refounds the Ku Klux Klan at Stone Mountain in Georgia.
1916
Madison Grant publishes The Passing of the Great Race, detailing his drastic prescription—including eugenics—to save the white race from being overwhelmed by ‘‘darker races.’’
May Jesse Washington, a seventeen-year-old illiterate black farm hand, is lynched in Waco, Texas.
1917
May–July East St. Louis, Illinois, riots.
August Houston, Texas, mutiny of black soldiers at Camp Logan.
1918
After protesting the lynching of her husband, Mary Turner, then eight months pregnant, is herself brutally lynched in Valdosta, Georgia.
April Congressman Leonidas C. Dyer of Missouri introduces an anti-lynching bill into Congress (the Dyer Anti-Lynching Bill is defeated in 1922).
July Chester and Philadelphia, Pennsylvania, riots.
1919
NAACP publishes Thirty Years of Lynching in the United States: 1889–1918 by Martha Gruening and Helen Boardman.
May Charleston, South Carolina, riot.
Summer Known as ‘‘Red Summer’’ because of the great number of people killed in various race riots around the country.
July Longview, Texas, riot.
Publication of Claude McKay’s sonnet, ‘‘If We Must Die.’’
Chicago, Illinois, riot.
Washington, D.C., riot.
August Knoxville, Tennessee, riot.
September Omaha, Nebraska, riot.
September–
October
Elaine, Arkansas, riot.
1920
Founding of the Commission on Interracial Cooperation, a major interracial reform organization in the South.
1921
April Tulsa, Oklahoma, riot.
1922
Anti-Lynching Crusaders are formed to educate Americans about lynching and work for its elimination.
Chicago Commission on Race Relations issues its influential report on the 1919
Chicago riots.
lviii CHRONOLOGY OF AMERICAN RACE RIOTS AND RACIAL VIOLENCE
1923
January Rosewood, Florida, riot.
February U.S. Supreme Court decision in Moore v. Dempsey leads to eventual release of
twelve African Americans in Arkansas who were convicted in perfunctory mobdominated trials of killing five whites during the Elaine, Arkansas, riots of 1919.
1929
Publication of Walter White’s Rope and Faggot: A Biography of Judge Lynch.
1930
Nation of Islam (Black Muslims) is founded in Detroit, Michigan, by W.D. Fard.
Formation of the Association of Southern Women for the Prevention of Lynching, the first organization of white women opposed to lynching.
October Sainte Genevieve, Missouri, riot.
1931
Scottsboro Case occurs in Alabama; the case comprises a series of trials arising outof allegations that nine African American youths raped two white girls in Scottsboro,
Alabama.
1932
Supreme Court renders a decision in Powell v. Alabama, a case related to the Scottsboro, Alabama, incident of 1931.
1934
Elijah Muhammad assumes leadership of the Nation of Islam.
1935
March Harlem, New York, riot.
1936
First Lady Eleanor Roosevelt addresses the annual conventions of both the NAACP and National Urban League.
1939
Billie Holiday’s first performance of the anti-lynching song Strange Fruit occurs at Cafe´ Society, New York’s only integrated nightclub.
1941
Supreme Court decision in Mitchell v. United States spurs integration of first-class railway carriages.
1942
Congress of Racial Equality (CORE) is founded as the Committee of Racial Equality.
February Double V Campaign is launched to popularize the idea that blacks should fight for
freedom abroad to win freedom at home.
1943
May Mobile, Alabama, riot.
June Beaumont, Texas, riot.
June ‘‘Zoot Suit’’ riots in Los Angeles, California.
July Detroit, Michigan, riot.
August New York City (Harlem) riot.
1944
Publication of Karl Gunnar Myrdal’s An American Dilemma: The Negro Problem and Modern Democracy.
2017 Napa Valley A Cappella Extravaganza — VoicePlay live performances
VoicePlay on stage in Napa — photo by Haley Olson
Three years after their previous appearance, VoicePlay returned to northern California as the professional headliners for the annual high school and collegiate vocal festival in Yountville.
J.None was excited to hit the road with the guys after performing with them at Disney World for the previous two months.
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youtube
When you're singing for other a cappella singers, it's hard to go wrong with a little musical theater. VoicePlay has plenty of Broadway material in their repertoire, and this was the most recent addition at the time.
Details:
title: Seasons of Love
original performers: cast of Rent (1996)
written by: Jonathan Larson
arranged by: VoicePlay & AJ Rafael
performance date: 28 January 2017
My favorite bits:
J.None's smooth timbre on the opening lines
the way they seamlessly pass the lead vocals around (But why doesn't Layne get a turn? 😞)
that momentary silence before they start the first chorus
when the rhythm section really kicks in 🥁🎸
Earl's crystal clear high tone on the second verse
that jazzy harmonized riff from Eli, J, and Earl
the layers of sound in the final chorus
such a lovely ending chord
Trivia:
As Geoff mentions in the intro, the guys had recorded this song as a collaboration with AJ Rafael in October, and the video premiered on his YouTube channel a couple weeks before this performance.
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VoicePlay refuse to be confined to any one genre of music. They've tackled everything from barbershop to hard rock, country to sea shanties, pop ballads to orchestral pieces. So why not revisit the rap hits of their youth?
Details:
title: Aca Top 10 – Old School Rap
original songs / performers: "La-Di-Da-Di" by Slick Rick & Doug E. Fresh; [0:16] "Going Back to Cali" by LL Cool J; [0:32] "Push It" by Salt-n-Pepa; [0:56] "Parents Just Don’t Understand" by DJ Jazzy Jeff & the Fresh Prince; [1:09] "Bust A Move" by Young MC; [1:32] "It's Tricky" by Run-DMC; [1:49] "Just A Friend" by Biz Markie; [2:12] "Ice Ice Baby" by Vanilla Ice; [2:21] "The Humpty Dance" by Digital Underground; [2:44] "Rapper's Delight" by the Sugarhill Gang; [3:10] "Walk This Way" by Run-DMC & Aerosmith
written by: "La-Di-Da-Di" by Douglas "Doug E. Fresh" Davis & Richard "Slick Rick" Walters; "Going Back to Cali" by Rick Rubin & James "LL Cool J" Smith; "Push It" by Hurby "Luv Bug" Azor & Ray Davies; "Parents Just Don’t Understand" by Pete Harris, Will "Fresh Prince" Smith, Jeffrey "DJ Jazzy Jeff" Townes; "Bust A Move" by Marvin "Young MC" Young, Matt Dike, & Michael Ross; "It's Tricky" by Joseph "Rev. Run" Simmons, Darryl "DMC" McDaniels, Doug Fieger, & Berton Averre; "Just A Friend" by Marcel "Biz Markie" Hall; "Ice Ice Baby" by Robert "Vanilla Ice" Van Winkle, Mario Johnson, Queen, & David Bowie; "The Humpty Dance" by Earl Humphrey, Gregory "Shock G" Jacobs, & George Clinton; "Rapper's Delight" by Bernard Edwards, Nile Rodgers, Sylvia Robinson, Henry "Big Bank Hank" Jackson, Michael "Wonder Mike" Wright, Guy "Master Gee" O'Brien, Curtis "Grandmaster Caz" Brown, & William Hankshaw; "Walk This Way" by Joseph "Rev. Run" Simmons, Darryl "DMC" McDaniels, Steven Tyler, & Joe Perry
arranged by: Geoff Castellucci
performance date: 28 January 2017
My favorite bits:
Layne kicking things off with some old school beatboxing
Earl recreating the breathy part in "Push It"
Eli handling the scratching in the back during "Parents"
the middle three busting some lowkey moves as the lyrics instruct them to do
everybody bouncing to the beat during "Tricky"
Geoff continuing the "Ice Ice Baby" bass line under "The Humpty Dance" after the other guys leave him hanging
Eli showing off some slides in "Rapper's Delight"
J's little wave in response to the "hello" in the lyrics
the record skip effect at the end of "Walk This Way"
Trivia:
The guys originally recorded this countdown live in the studio, where they could do as many takes as they wanted. It's even more impressive seeing them perform it in front of an audience.
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youtube
This video is missing the very beginning because the fan who recorded it got over-excited about them actually performing the song live. But how could they possibly resist singing the theme to one of the most beloved TV shows set in San Francisco when they were just north the city itself?
Details:
title: Everywhere You Look
original performers: Carly Rae Jepsen & Butch Walker for Fuller House (2016)
written by: Jesse Frederick, Bennett Salvay, & Jeff Franklin for Full House (1987)
arranged by: Layne Stein
performance date: 28 January 2017
My favorite bits:
the bouncy descending bass line leading into the chorus
Eli and J grooving along to their own harmonies
Earl's scooping crescendo as a transition into the second verse
the call and response of ♫ "never go away" ♫ "like the Olsen twins" ♫ 👭
that quick crisp diction of the ♫ "how do you know… " ♫ section
hearing a few audience members shout "Hey!" in time with the guys
that big coordinated descending riff at the end
Trivia:
This song was the second entry in VoicePlay's PartWork series, performed entirely by multiple versions of Earl and Layne.
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Additional photos
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Before they flew out of San Francisco the next day, J.None took a side trip to meet up with a friend, see a bit of the city, and get some fresh air.
3) Top 5 books of the year? (ah shit I actually read a ton of very good books this year, going off my 5 star ratings)
1- Lone Women by Victor Lavalle
2- Summer of Night by Dan Simmons
3- House of Leaves by Mark Z Danielewski
4- The Butchering Art: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine by Lindsey Fitzharris
5-The Stepford Wives by Ira Levin
Honorable Mentions: Elantris by Brandon Sanderson, Empire of Silence by Christopher Ruocchio, Let's Go Play at the Adams by Mendal W Johnson
12) Any books that have disappointed you?
There were a few horror books I read this year that felt way over hyped for the quality of writing/story actually given.
The Rust Maidens by Gwendolyn Kiste won the Bram Stoker award, but to be honest I have no idea how. The story felt confused in how it wanted to deliver information. Either the main character (who is supposed to be the bystander POV) would always learn information second hand word of mouth or come to conclusions without anything to back it up but still treated as fact (is: Rust Maidens motivation despite never having a proper conversation with them). I feel like the story was not in its final draft upon publication and the main character was the wrong choice for POV.
Plastic Monsters by Daniel J Volpe. It's my first attempt at reading extreme horror and likely will be my last. The misogyny in this book made me roll my eyes so hard at parts. It wanted to be something adjacent to the plastic surgeon in BioShock but fell flat. It villainized and punished the female lead but completely ignored her surgeon who has arguably done worse things than she did. Female lead was obviously written by a man, and his perspective in the pressure of looking perfect heavily tainted the message I felt he tried to portray about vanity. I feel like in theory, especially the summary concept, the story could be a great over the top interpretation about the horrors of societal pressures when it comes to appearances but he was not the person to do it.
(And both books had a tendency to write sentences like 80s horror blurbs as emphasis when it came across as silly to me).
If you want a well written fucked up book with a message attached, Let's Go Play At the Adams is a better pick. It explores biases (both age and race), says ACAB, and is unapologetically grim. Not for the faint hearted and cw for practically everything tbh (I added it in for Does the Dog Die).
Edit: I forgot the Exorcist by William Peter Blatty. I got Freuded out by the time I got to it in my list of horror classics, and I am not very interested in detective-related horror, so it was more of an incorrect target audience than anything else. The best part of it for me was the slow decay of my book's cover as I read it (I got it second hand and by the time I finished it had no cover left).
THE 100 MOST POPULAR AMERICAN ACTRESSES OF ALL TIME ! (BASED ON INDIES SUBCONSCIOUS ASSESSMENT OF THE HIGHEST INFLATION-ADJUSTED WORLDWIDE GROSSING AMERICAN FILMS OF ALL TIME !) (1900-2022)