#writing is perfect for catharsis

[sakebytheriver]

*Gets on my soap box in front of the crowd ready to be pelted with rotten tomatoes and holds a megaphone to my lips*

If the CBS Ghosts writers had any guts the one who got sucked off would be Isaac

*I open my arms and close my eyes awaiting the tomatoes like christ on the cross*

[sarah-sandwich-writes]

debating whether to keep or cut the epilogue from blue

someone tell me what to do

[saccharinecoffee]

A few of my fave panels from Winter Soldier (2018), written by Kyle Higgins and illustrated by Rod Reis.

[zincbot]

rottmnt is trending?

[larrythefloridaman]

google :)

love u goog <3

[wurm-food]

*tears streaming down my face* anyway I’m going to continue rotating Suwa Rei in my mind forever

[m0r1bund]

Night Parade of a Hundred Ghosts

My comic for “Queer Compassion in 15 Comics,” a collaborative anthology that blends social science and art to illustrate LGBTQ+ experiences of compassion. You can read it online for free, or purchase a physical copy at that link :)

I was asked to write a statement about this piece, which I will share here:

There are some difficult feelings in the comic about estrangement, belonging, and cultural longing. The story didn’t click for me, though, until I started reading the stories of others in the community from the research. There’s a lot of beauty in there, but there’s also a lot of hurt. I wanted to squeeze everyone’s hands and somehow find the perfect words of comfort— and isn’t that all that anyone wants to do when they see family going through it? So I started thinking of it as a call-and-response between you, at your lowest point, and the ghosts of your ancestors. If they could talk to you, what would they say? “Look—you’re safe and fed.” “You’re alive.” “How magnificent!” “You can cry, but wouldn’t it feel better if you did it in the shower?” “Now hold my hand and walk with me.” “Take care of yourself.” “Brush your teeth.” “Text her back.” “We love you.”

It’s surreal to share this. I began working with the anthology crew in 2021, towards the beginning of my undergrad. In just under a week, I’ll be graduating. This project has been living in the back of my brain for the past three years, a source of comfort and catharsis. Now we get to inflict it on all of you, hahahaha…!! Sincerely, I feel so lucky to have been able to participate in it. Thank you, from the bottom of my heart, to everyone who leaves their touch on this anthology— scientists, artists, interviewees, readers, and beyond.

[bunny584]

OBSESSED: FUSHIGURO

A/N: OH. MY. GOD. Anon. I love you and hate you for this request. This was…hard. I told myself I wouldn’t publish it unless it was fucking perfect (you should see the scalpels I took to each goddamn sentence before this version).

SECOND: I will square up with Gege for writing the most enigmatic, LAYERED, complex, muddled character to exist. I wanted this to be Megumi. Through and through. His darkness, his light, his reservation, his crazy, all in one. And IDK. I think I did it? This one is purely to prove to myself that I can write for characters that are hard to write for (*cough* yuta im glaring at you *cough*)

THIRD: if you do read this (I get people feel things about aged up characters etc), I implore you to listen to this. Guys. I heard this at 0200 IN THE OR during a 6 hour case and the entire concept for this came to me. Meg is sophisticated and unruly, selfless and selfish, etc. So this has some NSFW but definitely probably more on the poetic, long ends of my works.

CW: Aged up characters (20+), college AU, fluffy/raunchy/dark romance-y because LOOK at him. He takes after Gojo AND Toji. Mature, 18+

“You like it when I’m rough.”

Megumi’s melody rings crystal clear.

Low.

Precise.

An F-14 Tomcat fighter jet, flying dark. Below enemy radar.

The piano keys float beneath his tone. His long, slender, deft fingers effortlessly execute the sheet music before him. It’s his GPS system, a personal flight map.

Little Beethoven, his advanced music theory professor calls him.

Truth is, Megumi is a prolific pianist and vocalist. He can tame any note, any melody, any harmony faster than any of his Shikigami.

Speaking of…

Megumi pulls off the piano and tortured love song in an instant. Just as the grade 3 curse creeps through the open door.

The part between his right long and ring fingers is automatic. His left hand grips the web space between his right thumb and index finger.

“Demon dog.” Megumi summons.

Low. Precise. Decisive.

“Eat it, boy.”

A small, approving smile tugs on the corners of his lips. Low level curses are the nothing more than chew toys to his divine dogs. With a tiny wave of his fingers, his technique buzzes inward.

Megumi’s eyes float to the ancient analog clock on the wall.

13:50

10 more minutes until you’ll meet him for your date.

No. Not date.

Study. 10 more minutes until you’re meeting him to study.

Your thought blooms within him like wildfire. It sets his normally cool, porcelain skin ablaze.

Megumi whips his body around to face the piano. To exorcise the feeling. The keyboard has always been his outlet. His life blood. Playing, singing, musing in and out of written songs is his catharsis.

Words don’t come easy. They never have. But lyrics do.

And when he gets to ride lyrics with his voice, his runs..?

The words he can never find on his own are suddenly out there. In the atmosphere. Coating empty rooms in a mist of his thoughts, his feelings.

No certain promise that the person the words are destined for will ever catch them. Or ever walk through the room and be kissed by the remnants of his musical trail. But Megumi has said (sung, played) them. And that’s enough.

“Sorry if I come across a type of way.”

“I’ve been trying to get out of my way…”

His fingers dive into the keys. Angrily. Earnestly.

“I know it doesn’t seem like I care, but you know I care—“

“Wow Meg, you sound incredible.”

You bring him to an abrupt stop. Your voice is maple syrup trailing down Megumi’s neck, leaving goosebumps in its candied wake.

Pitch fucking perfect.

A soft, ethereal C, gliding down Heaven’s staircase. You infuse sunlight into his name, whichever way you choose to say it.

And it’s hell. It’s cruel. To have as keen hearing as he does. To listen to you sing his name and have nothing else follow.

“Fushiguro.” Megumi shoots up from his seat, slinging his backpack over one shoulder.

“What?”

“Fushiguro.” He repeats, eyes briefly meeting yours before settling above your head. He’s at least a head and shoulders taller.

“Nobody calls me Meg.”

You throw your head back. Feather light crescendo in your laughter. It’s pretty. Tantalizing in the way chandeliers twinkle when they capture a beam of light.

His eyes dart down to catch the feminine column of your neck. Curving into your delicate collar bones. How are your lines so seamless?

So cinematic. Like he’s watching a figure skater land a triple axel. Or a prima ballerina en pointe. It’s not fathomable.

Gorgeous.

You are gorgeous.

“I call you Meg.” You retort with a smile that liquifies all of his joints.

You double your walking speed to keep pace with Megumi’s long strides. Both of you exit the sound engineering building. Heading straight for the campus library a couple blocks away.

“Who were you—oh,” Megumi’s glacial hand along the small of your back steals your voice away.

Your eyes and feet follow his gentle push, shifting you to the other side of him.

“Walking on the wrong side.” He mutters, monotone. Matter-of-fact. Obviously.

He’s a gentleman. Of course he is going to walk on the traffic facing edge of the sidewalk.

Of course he didn’t feel the electric currents wire through his fingers to clench — suffocate — his heart.

No, he didn’t hear that punched out, falsetto gasp when his hand cradled your perfectly tapered waist.

Or notice how well you fit into his hand. How light you are under his touch that had none of his real strength behind it.

You’re made of alluring lines. Intoxicating sounds.

What would it take to coax a pretty melody out of your pouty lips?

His fingers?

They’re long. And smart. Cold. Remarkably patient. You’d like them.

He could make you love them.

Crave them. Need, whimper, whine, and cry out for them.

“So who was it?” You tether him to reality.

“Who was what?” Megumi counters, leading you to a private study room.

“The way you were singing earlier.”

Hairs along the back of his neck stand at attention. Blood runs Siberian cold. Megumi’s gaze on you is subzero.

“It had to be for someone.” You lower down into a seat in slow motion.

The sweetheart neckline of your sundress is mean. Your supple mounds tilt and ripple with every micro movement. Megumi has forgotten why he’s glaring at you.

“You sound too…pretty. It can’t be wasted on thin air.” You continue.

“She must be—“

“Let’s just get started, okay?” He sharply redirects the conversation.

And promptly shifts gear to low autopilot. He’ll speak when spoken to, answer questions intermittently. But his mind’s true coordinates are a galaxy away.

Megumi retreats to his shadow garden.

Watching you.

Drinking you in.

Savoring each detail on his tastebuds like dessert.

The pencil eraser leaves an indent on your bottom lip where you’ve been pressing too hard.

Megumi wants to roll your bottom lip under his teeth. Until it flushes rose and swells beneath his relentless pull.

His eyes fall to your bracelet, far too big for your dainty wrist.

He could hold both of your wrists in one hand above your head or behind your back for hours. Without breaking a sweat.

His other hand would take its time.

To stroke you. Pet you. Learn your sheet music. Then play your body like a harp until you’re a chorus of beautiful, soprano whimpers and moans. Begging and pleading so prettily, enticing him to give in.

But he won’t.

Not until you’re soft enough. A babbling, warm, ruined brook beneath his fingers.

Then he’ll take you, gorgeous.

Searing pain from his sharp swallow and nails digging into his thighs rip him down to the present.

Vision a little fuzzy. Head a revolving door of vulgar scenarios. A dull, demanding ache between his legs draws his eyes to his lap.

Fucking hell.

His jeans are uncomfortable. He’s stiff and needy. Not nearly enough strength in his pants to hold back his drunken arousal.

Not to the mention, the—

swarm of shadows growing at his feet?

Is his…innate domain materializing around him right now?

Megumi aggressively slices through the air at his hip level. Below the table, but you don’t miss his sudden stirring.

“Meg? You okay over—“

“Going to the bathroom.” He gruffs through a clenched jaw. Megumi places his forearm over his crotch before hurrying out of the room.

He can barely recognize the man in the mirror. Flushed to his ears. Volcanoes threatening eruption in his eyes. Api Biru. Pure, triple distilled, blue lava coursing through his veins.

Snap out of it, Fushiguro.

The splash of cold water does nothing for his internal heat. But his milky complexion returns to its effervescent state.

But then he turns a little too quickly to leave. And his painfully hard length drags along his fabric. It’s blinding.

A feeble moan tumbles out of his tight lips.

“Fuck.”

Megumi slams his eyes shut. He needs to readjust. But if he touches himself now, he might not be able to stop.

A slow, steadying breath fills his lungs.

“Just adjust, don’t…” His voice trails off. Icey fingers around his hot, angry base is enough to rip the carpet from beneath his feet.

“Oh, fuck.” Megumi mumbles through one quick pump up his shaft.

He shakes his head as if to tell himself enough. He rests his erection along his thigh before zipping up. Still painful, but tolerable.

A tornado obliterates any remaining resolve in Megumi’s mind on his walk back to you.

You are a dream.

Or a nightmare? A curse?

It doesn’t matter. He couldn’t care less.

Megumi would follow you. Deeper than the crypts of his 10 shadows. Into hell if it meant he could have you the way he wants you.

The way he craves you.

Because fuck the cost.

He’d pay anything.

You’re working on an elaborate concept diagram on the white board. On the tip of your toes. Lip curled under your teeth. And you are just irresistible.

So, he won’t resist.

“Meg! Took you a bit, you okay?”

Megumi is silent. Unblinking. Sauntering toward you.

“Megumi?”

You lower to the soles of your shoes. Neck craning to look at his face. Your eyes widen at his persistent silence. Rosy heat dusting your cheeks.

Pretty little doe, rooted in place by his wolfish glare.

Megumi takes the marker out of your hand and tosses it behind him in one swift motion.

“Hmm,” a tiny acknowledgment of his name. Just because it sounds so sweet rolling off your tongue.

Megumi corners you against the wall. Both of his hands casually in his pockets.

He watches you shift. Flicker your eyes in every direction. Fiddle with your thumbs.

His quiet.

His presence.

It flusters you. Well before he’s gotten the chance to run his hands along the lazy curve of your waist and hips.

“So…so blue.” You stammer. Your warm eyes metronome between his.

“They are.”

Megumi steps impossibly closer. His eyes drop to your chest. Dainty, nervous heaves. Up and down. Up and down.

“You are so,” you swallow thickly, dropping your gaze. “hard to read.”

Megumi snakes his large, graceful fingers into your nape. The temperature difference between your warmth and his cold startles you deeper into his grasp. Your head evanesces into his pull.

A beautiful, shocked gasp escapes you. Just as Megumi’s lips trace the shell of your ear.

“I want you.”

His breaths collide with yours, now. Heat welling deep in his groin. His cock thunders against his thigh.

“Can you read that?” Megumi rasps. Ensuring his voice vibrates down your spine.

A new sound tumbles from your lips. Like you choked on your last swallow. How pretty. You gurgling and gagging like that.

“W-want me? Megumi wh—“

“I.” Megumi nudges his thigh between your legs. His steel pipe erection digs into your dewy, hot core. He angles his leg slightly upward, inching you on the tip of your toes.

His prima ballerina, en pointe.

“Want you.” His lips ghost against yours. Free hand cups the flesh beneath your thigh. Pads of his fingers twitching to dig in.

The two of you drink in this lock-in-key fit. Megumi revels in you. Like this. At his complete mercy.

The prodigal son, born with more power than he knows what to do with.

Ten shadows. Ten Shikigami. It’s been centuries since the last head of his bloodline had power buzzing beneath his fingertips like him.

And somehow he’s never felt more powerful than this.

With you, heaven’s most precious angel, cradled in his arms. Drowning in sinful ecstasy. He brands this freeze frame into the most permanent part of his memory.

Then, he free falls off your cliff edge.

Megumi takes your lips with unfettered greed. Hunger woven into the way his tongue traces every corner of your delectable, soft mouth. His fingers push your head deeper into him. Sucking and nibbling on your warm muscle.

You shower him with airy, choppy little pants. Moans and whines so light they crescendo to fairy dust. You can’t keep up with his bruising kiss. His other hand palms your thigh, kneading little bruises into your silky smooth skin.

Marking what’s his.

“Oh my god.”

You breathe into his mouth when he lets you up for air. Megumi’s eyes dart down to the meeting point of your sex and his muscular thigh.

Did you really think he wouldn’t notice how you’re rutting your pretty little cunt against his leg like that?

Crimson high on your cheeks. You look away when he tries to catch your fucked out gaze.

“Don’t hide from me, gorgeous.” His hand traces up to your hips. You preen into his firm grip.

“Megumi.”

“Don’t stop, pretty girl.” He forcefully moves your hips in more dramatic, languid, deep rolls against his thigh. He’s not paying any mind to the pool of his precum soaking through his pants.

You bury your head in his neck. Fingernails digging pretty crescent moons into his back. You take over the pace. Undulating against him. Shameless. In complete heat.

“You feel s-so…so good.” Your lips smear against his dampened neck. Megumi responds by circling your puffy, slick bud with his fingers.

And fuck. The slurred, broken whimper that rings in his ears.

The way you hump him even more sloppily.

He could finish from that alone.

Your hand flies to your mouth. Empty huffs spilling. Whines ascending in pitch. You are close.

“Such pretty sounds, baby.”

“Megumi…meg..I-“

“Let it out.” He grips the back of your neck. Feeling dangerously close to his own nirvana. Drunk off your precious melody.

“Sing for me.”

“F-fuck, GOD.”

You bite down on his neck. Waves of pleasure crashing into you like hurricane winds. He grips your waist steady. Feeling every involuntary twitch and jerk of your doll-like frame.

Blessing or curse?

He doesn’t know.

But he will follow you to the end of his lifetime and the next.

“God, Fushiguro. That was…” The lusty haze from your peak settles around you. The once shattered world, slowly pieces itself back together.

“No.” Megumi pulls you out of his neck. Dropping his lips to yours, so he can breathe the air directly from your lungs.

“Meg. You call me Meg.”

[writingwithcolor]

Author with cultural disconnect: How do I write without making it seem as if I hate my own heritage?

Anonymous asked:

I’m a white-passing Asian author, and I’ve never felt all that connected with my heritage. My current story centers on a fairy (re: fantasy-world POC) child and ends with her realizing that her parents are toxic af and her human best friend’s family takes her in. This is the perfect opportunity to sort through my own issues with my heritage and finally convince my monkey-brain that it’s okay to not know how to cook Vietnamese food or celebrate tet or speak Vietnamese… But I also realize that if I’m not careful, this could easily slip into “Hey, I hate my heritage and so should you!” So how can I stop that from happening?

Writing for yourself first, not an audience

I ask you a simple question: why put pressure on yourself to have any sort of non-offensive messaging for a story that hasn’t been drafted yet and is to convince your monkey brain it’s okay to exist as yourself?

That seems like the fastest way to stop the story from being actually cathartic and instead a performance art piece when you already feel hung up on performing as “properly” part of your culture.

As I said in Working Through Identity Issues and Other Pitfalls of Representation, not all stories you write need to be for public consumption. Especially stories you’re using for your own self-processing and therapy, because you’re trying to get a cathartic moment that is rewriting your own story.

At what point does the public need to be involved in that?

I do understand the compulsion to want to post—I have definitely posted some Questionable™ material in my drive to get validation for feeling the way I do, wanting people to witness me and say “same.” It’s a powerful urge. Sometimes it’s worked, but most of the time it’s just made me feel horrifically exposed.

But you really do not have to post in public to get any sort of validation. Set up a groupchat with friends if you want the cheerleading and witnessing—people who will know your story and give you good-faith interpretations and won’t accuse you of anything. Honestly I’d suggest setting up this groupchat anyway; as someone who just got one again after quite a few years without it, my productivity has skyrocketed from being around supportive people.

Let the monkey brain have its monkey brain moment and shut off the concept the story is for the public. Shut off the concept of performing for an unknown audience. It’s for you. Be authentic, no matter how bad it would look to outsiders. They’re not reading it. Part of getting catharsis, sometimes, is being the worst version of yourself, somewhere nobody else can see it.

Deciding to publish the work

If, after you do write it, you find that you actually do want to polish it up and put it somewhere… edit it. Rewrite it entirely if that’s what it takes. Take the story through the same drafting process every story needs to go through, ripping out the unfortunate implications as you go.

Editing can be its own form of healing, as you try to figure out what this character would need to not be hateful. As you realize, once this longform journal entry is out of your head, what was bothering you now that you can see it pinned down on a page. But you absolutely do not need to write with the intention of editing in that healing. When I’ve tried, it’s fallen flat.

The healing will come from being yourself, no public involved, and writing about your feelings in their rawest form. Anything else is extra.

There’s no point in trying to put guard rails on the drafting process, not for a deeply personal piece. And by the time that drafting process is done, you’ll likely have specific scenarios and contexts that you can ask about, and you might even have ideas on how to fix it yourself once the story has a shape to it.

This is 100% a situation where there’s no real sense in idea workshopping something in the plotting stage. You’re doing something for you. Decide if it’s for public consumption later (while acknowledging “no” is a perfectly valid answer), and only figure out how to make the story not overtly harmful if you decide to put it out into the public.

~ Leigh

[cerezzzita]

— aesthetic words to fill up your vocabulary ♡

✦ if you're tired of using the same repetitive words to describe feelings or actions on your writing, here are some aesthetic words that are not frequently used to help you evolve your vocabulary better and also maybe help you with creative titles <3

ABENDROT: the color of the sky while the sun is setting.

ABIENCE: the strong urge to avoid someone or something.

ACHROOUS: colourless.

AEQUOREAL: marine, oceanic.

AESTHETE: someone with deep sensitivity to the beauty of art or nature.

ALIFEROUS: having wings.

AMITY: warmth and heartfelt friendliness in a friendship; mutual understanding and a peaceful relationship.

AMORIST: someone who is in love; someone who writes about love.

AMBROSIAL: fragrant, delicious.

ANTHOMANIA: great love for flowers.

AQUAPHILE: someone who is an enthusiast of all things related to the water.

ARENOCOLOUS: living or burrowing in sand.

ASPERSE: change falsely or with malicious intent; attack the good name and reputation of someone.

ASTERISM: agroup of stars; a constellation; a cluster of stars.

ATTAR: essential oil or perfume obtained from flowers.

AUREATE: golden or gilded; brilliant, splendid.

AURICOMUS: with golden or yellow colored foliage.

AVIOTHIC: the strong desire to be up in the air or to fly.

BALTER: to dance artlessly, without particular grace and/or skill but usually with enjoyment.

BATHIC: pertaining to depths, especially of sea.

BELAMOUR: the one who is loved; a beloved person.

BELLICOSTIC: aggressive, belligerent, warlike.

BENEFICENCE: the quality of being kind or helpful or generous.

BERCEUSE: a quiet song intended to lull a child to sleep.

BLÁFAR: indicating the freshness and beauties of youth or health; attractive and possessing charm.

BRONTIDE: the low rumble of a distant thunder.

BURBLE: to speak in an excited manner.

CAELITIS: the divinities who dwell within the celestial planes.

CATHARSIS: the release of emotional tension, especially through kinds of art or music.

CELERITOUS: swift, speedy, fast.

CERAUNOPHILIA: loving thunder and lightning and finding them intensely beautiful.

CHEVELURE: the nebulous tail of a comet.

CINGULOMANIA: a strong desire to hold a person in your arms.

COCCINEOUS: bright red; scarlet.

COCKAIGNE: an imaginary land of luxury and idleness.

CONSTELLATE: to eluster; to compel by stellar influence.

COSMOGYRAL: whirling around the universe.

CORDOLIUM: heartache; heartfelt sorrow.

CORUSCATE: to reflect brillantly, to sparkle.

CRAMOISY: of a crimson color.

CREATURELY: a person who is controlled by others and is used to perform unpleasant or dishonest tasks for someone else.

CRYSTALLOMANIA: an obsession with crystals and other crystalline objects.

CHRYSALISM: the amnotic tranquility of being indoors during a thunderstorm.

CLINQUANT: glittering with gold and silver.

CLYSMIC: cleaning, washing.

CUPIDITY: greed for money or possessions.

CYANEOUS: a sky-blue color.

CYNOSURE: guiding star; a object of common interest.

DARKLING: of or related to darkness.

DÉCLASSÉ: having fallen in social status.

DEIFORM: god-like or divine in nature.

DEMERSAL: that lives near the bottom or a body of water.

DESIDERIUM: an ardent longing, as for something lost.

DISPITEOUS: cruel and without mercy.

DOUX: sweet, soft, mild, gentle.

DRACONTINE: belonging to a dragon.

DYSANIA: the state of finding it hard to get out of bed in the morning.

ECCEDENTESIAST: someone who fakes a smile.

EFFLORESCENCE: a period or state of blooming, blossoming.

ELEGY: a poem of serious reflection, typically a lament for the dead.

ELEUTHEROPHILIST: someone who advocates free love.

ELYSIAN: beautiful or creative, divinely inspired; peaceful and perfect.

EMACITY: desire or fondness for buying things.

EMPYREAL: pertaining to the sky; celestial.

EPHIALTES: a nightmare; the demon Incubus that supposedly causes a nightmare.

EPICARICACY: the joy that results from others misfortune.

EREMOPHOBIA: the deep fear of stillness, solitude, or deserted places.

ETHEREAL: extremely delicate, light, not of this world.

EUMOIRIETY: happiness due to state of innocence and purity.

FLORENTIS: abounding in flowers; being in bloom and adorned with plentiful flowers.

FREICEADAN: guard, garrison, watch, sentinal.

FULMINATE: cause to explode violently and with loud noise.

FURCIFEROUS: brat; rascally, scandalous.

GLOAMING: twilight, dusk.

GRAME: anger, wrath, scorn; sorrow, grief, misery.

HALCYON: calm and peaceful; happy, prosperous.

HELLION: a rowdy or mischievous person.

HELIOPHILIA: desire to stay in the sun; love of sunlight.

HEAVENIZE: to render like heaven or fit for heaven, to purify and make a holy place or a person.

HENOTIC: promoting harmony or peace.

HIRAETH: a homesickness for a home you can't return to, or that never was.

HOLILY: belonging to or derived from or associated with a divine power.

HYPNAGOGIC: the state immediately before falling asleep.

IGNICOLIST: a worshiper of fire.

ILLECEBROUS: attractive and alluring.

IMPLUVIOUS: soaked with rain.

INCANDESCENCE: light produced by high temperatures.

INCALESCENCE: the property of being warming.

INCENDIARY: designed for the purpose of causing a fire, likely to cause anger or violence.

INEFFABLE: too great or extreme to be expressed or described in words.

INSOUCIANT: free from worry, concern or anxiety.

IRENIC: aiming or aimed at peace, promoting peace.

IRIDESCENT: producing a display of rainbow-like colors.

INVIDIARE: to envy.

ISOLOPHILIA: a strong preference and affection for solitude.

KALOPSIA: the delusion of things being more beautiful than they really are.

KALON: beauty that is more than skin deep.

LACONIC: expressing much in a few words.

LACUNA: a blank space; a missing part.

LATIBULE: a hiding place, a place of safety and comfort.

LAMBENT: to glow or flicker softly. Luminous, light or brilliant.

LIMERENCE: the state of being infatuated with another person.

LONGANIMITY: still suffering while planning revenge.

LOUCHE: disreputable; morally dubious.

LUCELENCE: the state of being fine and beautiful; shining, brilliant.

LUCIFORM: resembling light in appearance; having, in some respects; the nature of qualities of light.

LUMINESCENCE: light produced by chemical, electrical or physiological means.

MALTALENT: the negative emotions of wanting injury or harm to befall someone; a hostile behavior or attitude towards someone considered an enemy.

MARMORIS: the shining surface of the ocean.

MAZARINE: a dark blue color; rich blue or reddish-blue color.

MELIORISM: the belief that the world gets better; the belief that humans can improve the world.

MÉLOMANIE: an excessive and abnormal love and deep attraction to music and melody.

MERCURIAL: subject to sudden or unpredictable changes.

MESMERIC: appealing; drawing attention.

MORDACIOUS: biting or given to biting; biting or sharp in manner; caustic; capable of wounding.

MORPHEAN: of or relating to Morpheus, to dreams, or to sleep.

MOXIE: courage, nerve, determination.

NEBULOCHAOTIC: a state of being hazy and confused.

NEFARIOUS: wicked, villainous, despicable.

NEMESISM: frustration, anger or aggression directed inward, toward oneself and one's way of living.

NERITIC: pertaining to shallow coastal waters.

NOETIC: of or associated with or requiring the use of mind.

NOIRCEUR: the state of being pitch black in color; a state of lacking illumination.

NUBIVAGANT: wandering in the air, moving through the air.

NUMINOUS: spiritual or supernatural; surpassing comprehension or understanding; mysterious.

ONEIRODYNIA: restless, disturbed sleep, characterized by nightmares and sleepwalking.

OPHIOMORMOUS: snake-like.

ORPHIC: mysterious and entrancing, beyond ordinary understanding.

PAVONINE: characteristic of a peacock; resembling the tail of a peacock; as in colors; iridescent.

PETRICHOR: the scent of rain on dry earth.

POIESIS: creation; creative power or ability.

PORPHYROUS: purple; of purple hue.

PLAXONDRY: the mix of introspective nostalgia, sadness, and calmness felt when listening vaporwave and its related genres.

PRATE: to talk excessively and pointlessly.

PROCELLOUS: tempestuous, stormy.

QUIDDITY: the essence of something.

QUIXOTIC: extravagantly chivalrous or romantic; visionary, impractical or impracticable.

RANTIPOLE: a wild, reckless young person; to be wild and reckless.

REDAMANCY: the act of loving the one who loves you; a love returned in full.

REDOLENT: having a strong distinctive fragrance; serving to bring to mind.

REMEANT: coming back, returning.

RESPLENDENT: having brilliant or glowing appearance; dazzling and impressive in appearance through being richly colorful or sumptuous.

REVERIE: a state of being pleasantly lost in one's thoughts; a daydream.

RODOMEL: juice of roses mixed with honey.

ROSEATE: rose-like; overly optimistic.

RUTILANT: glowing or glittering with red or gold light.

SANGUINEOUS: accompanied by bloodshed.

SASHAY: to strut or move about in an ostentatious or conspicuous manner.

SCIAMACHY: a battle against imaginary enemies; fighting your shadow.

SEQUACIOUS: lacking independence of originality of thought.

SERAPHIC: beautiful and pure; having a sweet nature befitting an angel or a cherub; of or relating to an angel of the first order.

SERENDIPITY: finding something good without looking for it.

SKINT: having little or no money avaliable.

SOLIVAGANT: someone who wanders or travels the world alone; a solitary adventurer.

SOMNIATE: to dream, to make sleepy.

SORTIGER: delivering prophecies of the future; having the qualities of being oracular.

STELLIFEROUS: having or abonding with stars.

STELLIFY: to transform from an earthly body into a celestial body; to place in the sky as such.

SUCCIDUOUS: ready to fall, falling.

SPUME: a white mass of bubbles or froth on the top of a wave.

SYNODIC: relating to or involving the conjunction of stars, planets or other celestial objects.

TARANTISM: the uncontrollable urge to dance.

TEMENOS: a sacred circle where no one can be oneself without fear.

THANATOPHOBIA: fear of death.

TYYNEYS: the state of peacefulness; absent of worry or fear, being composed and at ease.

ULTRAMARINE: beyond the sea; greenish-blue color.

VELLEITY: a wish or inclination not strong enough to lead to action.

VENERATION: a profound emotion inspired by a deity.

VESPERTINE: in or of the evening; setting at the same time as, or just after, the sun.

VERDANT: with plants and flowers in abundance.

VERMEIL: a liquid composition applied to a gilded surface to give luster to the gold.

VERTICORDIOUS: to turn the heart from evil.

VIOLESCENT: tending toward violet color.

VORFREUDE: the joyful anticipation that comes from imagining future pleasures.

WANDERLUST: a strong desire to travel and explore the world.

WHIST: to hush or silence; to still, to become still.

cerezzzita©, 2022 · all rights reserved

[avelera]

Ok, I feel like there's three writing concepts that Tumblr needs to get reacquainted with when it comes to understanding fiction:

Catharsis - Sometimes, fiction engages with horrifying, disgusting, painful, or scary concepts in order to bring about a positive experience for the reader. This can be through the hero defeating a disgusting evil, like defeating an abuser for example. One might also get catharsis not out of the defeat of something bad or uncomfortable, but simply from the experience of living it vicariously, such as joy at successfully hiding the body of a murder victim. There are literally countless examples of catharsis in fiction, but most importantly it must be understood, it is completely harmless to real people whether you're experiencing catharsis at something good happening or something bad happening that you get to live vicariously because it is literally fiction. Indeed, there's a lot of evidence that getting to experience catharsis through fiction at evil things, say, living vicariously through a fictional character committing adultery, even if you would never want to cheat on your own partner, actually helps purge the desire to do evil things oneself.

Pleasures of the genre - some genres have expectations that go with them. If you, as a writer, don't include those pleasures, you might turn off the audience. For example, the Western genre has a certain expectation of being set in the 19th c American West. There's usually cowboys and horses involved. If you write a story that's advertised as a "Western" that takes place entirely in a New York City apartment, it might be novel for the genre, but it might also piss off a bunch of readers who were expecting horses. You can do it, obviously, but don't be surprised if readers are confused and perhaps disinterested in the work. More salient to Tumblr perhaps - Marvel believes it is creating action/adventure superhero stories. If a Marvel movie suddenly became a psychological exploration of the internality of a character's relationships, without a single laser beam or fight scene in sight, Marvel expects its audience to be confused and unhappy. We, as fanfic writers and readers might be dying for that story, but that is not the pleasure of the genre that Marvel thinks its audience wants when it walks specifically into a superhero film.

Power Fantasy - this might be one of the most misunderstood or perhaps narrowly applied terms. Yes, sometimes a power fantasy is a 16 year old boy watching a superhero dude with 8 pack abs destroy the bad guy, get the girl, and save the day. Living vicariously through that character is definitely a power fantasy. BUT, a power fantasy can also be fantastical things that the audience wishes would happen in a way that would empower an audience member or make them happy. For example, a billionaire industrialist merchant of death like Tony Stark getting hit by his own weapons and deciding to become a crusader for justice in a way that actually helps normal people is, in fact, an audience power fantasy. We want to believe that if the right bad guy like a billionaire got the right comeuppance like a near-death experience at the hands of their own evils, they'd learn their lesson and become a better person. This is a power fantasy. This is not a thing that actually happens. It's honestly not that different from the power fantasy many gun owners have that if they own a gun, they're more likely to stop a crime in progress with their perfect marksmanship, rather than that they're more likely to kill or be killed by a member of their own family. Understanding the application of power fantasies in terms of good things you hope would happen happening in fiction is not only important for dissecting fiction as an intelligent viewer, it's also important in terms of recognizing when you're being influenced by certain stories and choosing what lesson you take away from it and what lesson (if any) you want to take away from it.

I just feel like these 3 terms are what I see most lacking in a lot of "discourse". Fiction is trying to engender emotion in the audience. Great fiction engenders a wide range of emotions in the viewer, not simply good emotions. Thoughtful fiction might (but not always!) try to impart a lesson. But great fiction can also just want to give you great emotions and make you think outside the usual box of your usual experiences. It's also completely fine for great fiction to just want to give you a great emotion experience like catharsis, or the thrill of a power fantasy. And I really wish these three separate but interrelated concepts were discussed more when it comes to dissecting fiction here on this site.

[lully-jo]

I think a creative choice I really like about The Fall of the House of Usher is that it FEELS more like a play than a television show. And that's PERFECT for adapting Poe's works. His writing is theatrical, overwhelming, flashy! If you go into the show expecting something more like Hill House or Midnight Mass, you'll be disappointed because TFOTHOU is not some emotional piece that asks you to be still in melancholy or human pain, it instead asks you to enjoy the spectacle.

The entire series, from the actors and their dialogue to the sets, is reminiscent of early theatre where the audience gets to laugh at the "plight" of the idiot, gluttonous elite. This is morbid catharsis, just as Poe would have wanted it.

[barrenclan]

you dont have to publish this ask if you don't want to. but i just wanted to say that im not sure how i really feel about ranger becoming disabled and how it could kinda be read as for audience catharsis. youre a good writer and i dont want to interpret your writing in bad faith, and obviously i dont know your full intent behind the choice to blind ranger. but a lot of the audience reaction in the replies and such made me a bit uncomfortable as a visually impaired disabled person myself. disability as a punishment for evil is a pretty common (and ableist) trope. i dont think you really did it to the extent its done in other media (especially with a character like daffodilpaw as a good guy. like death, disability affects everyone, good and bad) but yeah the audience reaction made me a little uncomfortable that they were viewing it as deserved or cathartic or punishing. it especially didnt sit very well with me when paired up with hacksaw, his partner and another very evil character having lost a chunk of her wing just before. like i said at the start you dont have to publish this ask if you dont want to. i dont know how the story is going to go, and pinepaws injury could very well impact him in the future for example. but i figured i should voice my current in-the-moment discomfort, especially if it helps you in your future writing endeavors. otherwise, i really liked the new issue!

Since this was asked about twice I will go ahead and publish it; and say that firstly, I really appreciate you both bringing up your concerns and going about it in a very polite way. I don't want anyone to feel afraid to bring things up about the story or put me on a pedestal, I'm not a perfect person just because you like my stories.

And in terms of your asks themselves - I honestly do apologize that it came off that way, I didn't intend at all to play into the trope of disability as a karmic punishment for evil. I'm not disabled myself, or at least not in the visual or mobile way, so it is likely just an actual blindspot for me in terms of my writing. Disability is absolutely not a punishment for anything, and if you're blind or missing a limb there is nothing wrong with you at all.

If knowing my thought process helps at all, here's how I came to that story decision:

I want Ranger and Hacksaw to try to attack Pinepaw but both have their arrogance that's been building for the whole story checked. Also, it needs to be in some way that actually hinders them so they don't just keep attacking. -> Well, I don't want them to die, because I have things I want to do with their characters after the event ends. So, what would be an interesting and symbolic injury that takes them off the table? -> Hacksaw's main source of attacking other people is by divebombing them, so losing a wing would really impact her sense of strength. And, Ranger relies on outward control so much that losing his sight would damage a lot of his ego as well. There are some things about the characters I can't talk about just yet which, depending on your opinions, might change how you feel, but those were my general ideas.

I completely didn't realize how easy it to fall into that trope and I'm very sorry that it made you uncomfortable, that was very much not my intention. Like you said it's so normalized in media that most people don't even think about it - and certainly something I'll be more aware of next time I write anything like this.

[lizardmonet]

see another thing about twilight being written by a woman who grew up in a culture that demonizes female sexuality is that edward being so chaste is the perfect catharsis. in a culture where women are expected to be the ones in charge of stopping sexual advances, she writes a story where the female lead is allowed to feel those feelings to their full intensity without fear of crossing a boundary, because it’s the man who prevents it from going further. bella can cuddle in bed with edward every night, have passionate make out sessions, even try to take her own clothes off and beg for sex. she can just be a horny teenager and rely on edward to, unfailingly, not give in.

[circle-with-me]

sunshine in my eyes

pairing: nicholas ruffilo x reader

tags/cw: domestic nicky, lots of fluff, very mild nsfw conversation, swimming

word count: 1k

tag list: @malice-ov-mercy @baddestomens @sitkowski @somebodyels3 @broken0mens @tearfallpixie @cookiesupplier @meekahy @lacktoesandtoddlerants @sammyjoeee @collective-heartbreak @agravemisstake @catharsis-in-darkness @to-be-written @collapsedglasshouses @itsafullmoon @lma1986

author’s note: after i posted my cute beachy Will blurb yesterday it got my wheels turning. i’ve been wanting to write something fluffy for my beloved @deathblacksmoke so i thought why not continue the summer trend? also, the cringe is intentional bc they’re cute and in love thx 🫶🏻

The lawn mower roars outside while you get a large glass of ice ready. You look outside the kitchen window and see Nick hard at work in the yard. Sighing, you grab the pitcher of lemonade from the counter and pour some in the glass. He had been working outside all day in the heat while all of your chores were inside and air conditioned. You figured the least you could do was bring him something cold to drink.

It wasn’t all for nothing, at least. This is the first summer in your new house. You had brazenly planned a get together with the guys and a few others later that evening. Both of you wanted to make sure the house looked perfect for your guests.

You fill your own glass and push your way onto the back porch, carefully sitting them on the table. Yelling at Nick, you realize it’s useless as the mower is far too loud. You wave your arms around and finally he looks up. He gives you a confused smile and turns off the machine.

“What is this?!” He yells, waving his arms around in a mocking manner. You roll your eyes at him as he laughs.

“Come get your lemonade, jerk!” You yell back playfully.

Nick accepts the drink with a smile and a kiss on your cheek. He doesn’t need to say much about the taste—the smacking of his lips and soft mmm’s as he drinks serve as a positive review. It’s impossible to say no to him when he asks for another glass… not that you would ever say no to him in the first place.

“How much more do you have left, Nicky?”

He sits his drink down, scanning the yard and considering your question. If you said you thought the boy you met seven years ago in a cramped venue in Richmond would be sitting on a porch with you now gauging how much yard work he had left, you would definitely be lying. Domestic bliss wasn’t even on your radar then, but now, you can’t imagine life without it.

“I’m almost done with the back. I just have to do some shaping around those trees over there,” He says, pointing. “I gotta make sure I didn’t miss anything in the front. I should be good after that.”

“God, you’re so hot when you talk about yard work.” You tease, fanning yourself. Nick whips his head to face you, smirking.

“You think so?”

“Mmhmm… It gets me all hot and bothered.” You lean across the table, touching his arm and winking.

“What are you going to do about it?” Nick responds teasingly.

“Probably go take a cold shower. All by myself.” You dramatically drag out the last few words and stand up to head for the patio door. The chair screeches behind you as Nick scrambles out of it to catch up to you. He grabs you by the arm and turns you around, pushing you against the door. All attempts at being serious are gone now as you can’t stop giggling at him.

Nick pins your arms above your head, planting quick pecks all over your face. His face is slimy and covered in sweat. You try to squirm away from him but he holds you tight—committed to making you miserable. He whispers filthy comments in your ears as his hands roam and you quickly realize you’re losing control of the situation. You manage to sneak out of his grasp, opening the door behind you and slamming it shut.

“Don’t you dare take a shower without me!” He groans.

“Sounds like you better hurry up and finish that yard work then.” You giggle.

The party goes off without a hitch. The guys took it upon themselves to handle the grill so you didn’t have to. You sat and listened to them argue over whose technique was best for what seemed like an eternity before you announced your famous jalapeño poppers were ready. They all swarmed the table, picking the plate clean and thanking you in their individual ways. Nick stayed at the grill mouthing a silent thank you. You winked at him and brought him a special plate you had saved just for him.

Later on, everyone decides to go swimming once their stomachs have settled. You lose count of how many times Noah throws you in the pool, but you get your revenge in a heated game of chicken and a devastating pool noodle attack. Looking around to share in your victory, you catch Nick laid out on a pool chair. His head is lulled against the top of the chair. He’s chuckling at all of the chaos—the arm lazily draped across his bare stomach jumping as his soft belly shakes. The happiness radiating from him makes your heart flutter.

He’s alone though, and you can’t have that.

Nick keeps his eyes on you as you step out of the water and pad over to him. You grab the towel placed over the other chair and dry off with it. When you’re done he coaxes you into his lap and you happily oblige, curling into his arms with your head on his chest.

“You okay, Nicky?”

All he does is hum in response and the vibration you feel through his chest is bliss. His entire body is warm from laying in the sun and he wraps the towel around you tighter, kissing the top of your head.

“Then what are you doing over here all by yourself?”

You feel him take a deep breath but it’s not from anxiety or discontent. His heart beats next to your ear calmly. You know there’s nothing to worry about.

“When we first met,” He starts, dragging his hand up and down your arm. “Did you ever think we’d have all of this?” He waves his arm and you look around. You see a backyard you’ve both worked so hard for full of friends that you would trust with your life. Memories of younger versions of the people you love so much creep into your mind. It’s all a little overwhelming how far you’ve all come.

Seven years. Seven summers. This one might just be your favorite of them all.

[intermundia]

I'm a different anon, but your answer to that person, about how we all have our own perspectives and such, got me curious if you wanted to talk about your favorite things about Anakin? I really like how he has this earnest passion in everything he says and does, no matter what the consequences are. He lets his instincts and heart influence what actions he takes. I think you could say the same about Obi-Wan too to a degree, but I think Obi-Wan errs to keeping his emotions/intentions concealed until he has the best advantage he can get. And I think that this sort of "two sides of the same coin" contrast between them is part of what makes the ship appealing. Anyway, yeah, I wanted to know what you enjoy about Anakin ^^ And that other anon too, if they want to send another ask about their feelings/thoughts

Oh man, what a question. You've activated my trap card. Anakin Skywalker is possibly my favorite character of all time. It's endlessly fascinating to read stories about him, and writing him allows me to articulate the messy, painful, thwarted parts of myself. He's half my brain, and Obi-Wan is the other half, and resolving their differences brings me deep catharsis.

Everything you said about him is so true, his earnest passion is so deeply appealing. Obi-Wan called him passionate, fearless, forthright, and he is the embodiment of those traits, but he's flawed too, and flawed in ways I feel in my bones, and regrets the same things that I regret. He's so beautiful and so damned, a fallen and risen angel, you know?

Stover wrote that the brightest light casts the darkest shadow. He ends up at just the nadir of cruelty and violence, but he begins from a place of pure generosity and light. His intentions were so good, and he was so impossibly brave. It seems like arrogance, that cocky assurance of what he was capable of, but the universe bends around him to fit his will.

He's more than human, he's half-divine, a mirror and barometer of the entire galaxy's mood. His life is coextensive with the rise and fall of an empire, his personal tragedy from greed is both archetypal and relatable, and he is the scaffolding the narrative rests inside. Luke is the hero of the story but Anakin is the embodiment of the world he strives against.

He is painfully earnest and a liar, a villain and a victim, naive and jaded, brilliant but foolish, perfect and deeply flawed. It's so easy for me to understand why he was so beloved. He's absolutely the other side of Obi-Wan's coin, the heart to Obi-Wan's head, the passion to his reason, the instinct to his experience. The Team together is one complete and fully realized being, separation means incompleteness and disaster.

Vader is just one of the most iconic villains of all time, and Lucas defied all expectations in the prequels. He used his character to tell a cautionary tale about greed rather than give excuses for why he became such a monster. He is intentionally shown to be so generous and kind as a boy, handsome and daring as a man, with infinite wasted potential for good, it's incredible.

Idk man, I like him and I love him, I hate him and I want him; he's one of the best characters of the modern age.