#yeah that one is a fast one

[linkyychan]

Secret stuff

[keferon]

So. I went online and bought this Transformers generations Blurr toy and holy shit nothing prepared me for the lore on the back of it’s box o_o

Also every time Blurr gets to be a sniper my soul ascends a little bit~

+ Bonus doodles

[r-aindr0p]

Part 2 of the descent to hell 30 gems only as a reward after 20+ battles is criminal, I'm out there with R rank Riddle and Azul cards and surviving

[foldingfittedsheets]

So one thing I’ve noticed is that people’s DnD characters may vary but there is usually an underlying thread that they all have in common. This thread is typically related to what that person struggles with the most.

For instance, my betrotheds DnD characters: a bitchy warlock we had to bust out of two different pacts, a sassy barbarian, a reformed drow cultist, and a sunshine fighter cleric.

All these characters were wildly different but at their very core struggle was them grappling with their self worth. My betrothed struggles with their worth a great deal and even with different facets showing their characters all have that too.

Mine all tend to contend with different themes of loneliness and acceptance. Surprise, surprise, the little autistic gremlin yearns to have been met with more love and lasting friendships.

So we’re at breakfast. I am meeting a new friend of my betrotheds for the first time. It’s been twenty minutes since I’ve met this man. I say my theory. He laughs. He starts to describe a few of his characters but specifies that he often has healing aspects. He gives a very broad overview of their character arcs.

I ponder for a moment then said, “Would you like to have my assessment?”

He laughed, “Sure!”

“We’ve just met. It’s gonna get real.”

“Bring it on.”

“I think your struggle is that you feel you must offer something of value or service to people to be worthy of their love.”

His jaw dropped. His fork froze midway to his mouth. A potato fell. He stared into space as this sank in. Quietly he said, “Oh.”

[beif0ngs]

everyone on tumblr @Buggy the 🤡 right now 

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[holmesunenthusiast]

Watson and Mary Morstans relationship in The Sign of Four is actually so fucking funny bc the whole time Watson is like "noooo wtf 😟 my crush is about to become a billionaire fuck my baka life 😭😭😭 she's gonna think I'm a gold digger 🤦🤦 time to isolate myself from her 😢" meanwhile Mary's like "*licks lips like freaky sonic* I'm going to sugar mommy this sad AO3 author SO hard- 😈🥵🥴🙏 why the fuck is he not making eye contact with me 😐" meanwhile Holmes is like "i wish theyd invent crack faster 🫩"

[factsilike]

Something that I personally appreciate in MDZS is how WWX's fear of dogs is shown and handled.

Like so many stories, irl and in fiction show dogs as totally harmless uwu beings that will only protect you and lick your face, so personally for me it's nice to see a story where it's acknowledged that some dogs can be very vicious and violent, that they can and will bite you at any provocation, and that they can be very dangerous, especially to a young child, and in the end it's completely fine if you don't like them.

And no one who truly cares for WWX tells him to just get over it either; LWJ goes out of his way to protect him from them, with or without WWX requesting it (and he never makes fun of him or ridicules him for his fear), JL too (begrudgingly but firmly) gets Fairy to leave the scene when WWX is shown to be near catatonic with fear around her.

Just something that I think personally validates my own fear of dogs.

[arolesbianism]

Oh god is that a comicfrin drawing where they have whimsy quick someone throw that guy into a decades long timeloop

[clarkthetimed]

They screwed you. Screwed all of you. You were never even on the list.

2 days late with it but here’s my little thing for lem/mina/sidereal lottery day for citizen sleeper january!

[painfulguess]

mspaint forsaken doodle pages

[keferon]

Was there any classes you had to take to be a storyboard artist? I’m thinking of going into a field like that!

I took an online course (Not telling which one because their whole thing significantly dropped in quality over time)

and that was pretty much it. But to be fair - I had decent amount of experience of drawing comics beforehand. It helped significantly because I was already familiar with the concept of visual storytelling through composition and expressions.

I was like. CRAZY passionate about learning to storyboard so I was doing all the homework and watching aaall the lessons and then they were giving optional homework for people who wanted to really lock in and optional-optional little things that no one even expected us to draw. But I was making ALL of them. All the time.

So when the course ended my teacher was like goddamn you got a lot of energy in you huh? And he contacted one producer he knew and basically went "hey I have one student who has zero experience but will work and learn really hard"

And that producer went "Okay I trust you" and hired me without interview haha

[methoughtsphantom]

halfas are the found family trope foster child

they all adopt each other. it’s the reason Vlad wanted so badly to have Danny as his son and the reason Danny immediately went with sure you’re my cousin now with Dani. it’s a survival mechanism from being so very few of their species. Sooo, halfa!Jason except he sorta isn’t yet cause Jason’s core is extremely ruptured from the lack of ectoplasm involved in his forceful resurrection. So when Danny finds Jason in his catatonic state he can’t quite tell the dude’s been dead and remains some, just that the guy for some reason seems very friend-shaped. Danny doesn’t mind his friend is braindead, and is also a john doe, he gives familiar vibes and that’s apparently enough for Danny to constantly find himself in the hospital doing his engineering homework on the room with the guy, and talking for hours about the updates on the absolute clusterfuck of the city and how he was from a freaking ghost town and he can almost even draw comparisons. he blabbers about how he’s not homesick enough times to even corner himself to talk about a ghost lore many times and how he’s just finding himself a little more prone to violence and in constant pain since none of the people he has adopted as his family are here with him and he can’t consider a place a lair if there’s isn’t someone of his in it.

But Danny could never drag someone with him just because of some it, after all it was Danny’s choice to come to Gotham to collage and not stay where at least his parents (good parents Jack and Maddie) were in Amity.

Ironically, Danny essentially can’t feel that his core has been spoon feeding ectoplasm to Jason. As months go on, the little ball of energy builds in anticipation practically vibrating in the waiting pulse of something (Danny doesn’t know but more often than not has he found himself laughing in happy confusion. it weirds him out in a good way) It’s really that he’s feeling the slow healing process of his friend (brother brother brother) ‘s core.Imagine it’s just about to properly, correctly heal when canon strikes back and Jason gets snatched by League assassins. Danny is left feeling like his core got torned out. His core had spend months helping another’s only to feel the other’s imprint and to not be able to protect it in return is— forget it being an obsession; thats like having your newborn baby being ripped out of your arms. An all assuaging feeling of helplessness that is devastating. Danny just beginning to feel like home lair when out of nowhere the rug is swept under him. Danny suddenly struggling to not flunk all his classes and beat every single liminal that he can feel crossing paths with him to the ground. Danny suddenly having his chronic pain (that hadn’t been so bad lately) dialed up to the point that there are just bearable and bad days.

The worse thing is he doesn’t know why.

Jason had only been a guy.

…

It’s only a three weeks before Jazz tells him she accepted a job offer in Gotham.

(and the guilt only makes him feel worse when he can feel himself feel better because of it)

…

now

whimsical time skip ✨

Danny is now on his feet again and friends with a Wayne of your choice (or maybe they were friends a little before Jay dissapeared and it was badTM cause Waynes? liminal 🥲) Danny definitely didn’t enjoy snapping off to his friend like that. anyways it’s been a year since that and he and his friend are having a grand time playing civvies, uhh let’s say dick because I want them to meet while ice skating, Also Dick because he definitely turns a blind eye when Danny goes airborne for a second there yep. He’s just having too much fun.

anyways as alwaysTM Danny doesn’t clock celebrities and like why would he, Dick is just the random guy who’s was fast to turn Danny’s slow day in the ice ring into a competition one day and brighten when Danny matched up his puns. So he totally doesn’t get why the guy’s so gloomy one day, anyways as you can figure, it’s Jason’s deathday and Dick is a deprecating bean, Danny tries to cheer him up by having him remember his brother instead and Dick attempts to, but even skipping through some photos in his phone make his eyes burn.

It is because of that that he doesn’t notice Danny absolutely freeze up at the photo of his friend Jay (Jay because he’s a John Doe, but that’s just too impersonal and so the first letter is J *wink wink*)

Danny absolutely doesn’t know what to do with this information, barely catches himself from asking Dick how did his brother die. Most importantly when because Danny just saw Jay—Jason less than a year ago, and this somehow doesn’t feel too recent.

Annd that how we find Danny digging into the Wayne second son tragedy. Staring at the date of death while the knowledge that they met almost six months after burns his forefront of his mind. Danny spends a day going over all the questions running through his mind over how the fuck he couldn’t sense Jay was a ghost—err was… in past tense?? what the fuck?? Danny would really like a refund on his ghost sense.

Anyways Danny goes check out the grave (now that he knows there is one) and boom although intangible he somehow triggers those shitty ass sensors/alarms that somehow didn’t go off when jason was literally digging himself out.

Obviously the bats get in the case immediately. And boy are they absolutely enraged that someone would steal Jason’s body.

[asundayasundaykeepsthedoctoraway]

First Sunday of the year, have a Sunday!

[skadoodle-with-extra-ification]

Tango from @watcheraurora's fic: King's Tide!

HIGHLY recommend this fic!!! Honestly WatcherAurora is one of my favorite ranchers writers EVER!!!

Tango's showing off his amazing swimming skills for his pretty human lol wheeee backflips!

[randomwriteronline]

btw still not over @crystaltoa 's whole post on narrative and destiny and bionicle characters being aware they're characters but not in a common fourth wall breaking way. Random thinks too hard two electric boogaloo

Like. The Matoran Universe is a fictional universe within the already fictional universe of Bionicle. Like the more realized version of a book in a book. It's a completely artificial manufactured cosmos where essentially nothing is real - most elements are replaced by protodermis, animals and plants are produced, the inhabitants are engineered and built via assembly lines, their sapience was installed post-completion - and the awareness of this is None. Like Crystal mentions in the original post, the characters know they're following Destiny like it's the rough draft of a play and they're actors of the Commedia dell'Arte, taking on certain archetypical roles and adhering more or less closely to their traits and clichés, but that's where the self-awareness ends because to them this is a performance of life, not a pantomime. The nature of the Matoran Universe naturally prevents any knowledge of or contact with the wider "real" universe, so they remain ignorant to how fictitious their existence is and continue to perceive their own reality as the only possible one (ITS THE FUCKING CAVE AGAIN).

Keep this in mind for later.

Now back to Destiny. MU beings seem to have a tendency to conflate or heavily associate it with Mata Nui ("the will of Mata Nui" being used as a synonym for it, the Order of Mata Nui working to ensure it), to the point where it would be fair to assume that the two are one and the same, or that at least Mata Nui has some agency on Destiny; however, while it's true that Mata Nui is heavily tied to Destiny to the point of seeming its incarnation, he just as submitted to it as the rest of the MU beings are, if not possibly more.

In the narrative of Destiny, Mata Nui is at once playing both the Objective and the Ultimate Hero - not in the sense that he's the platonic ideal of the role, but that at the end of the day he is the proper main character, if not the ONLY proper character for it. The concept of Destiny with a capital D is after all a creation of the Great Beings, whose principal concern and endgame is eventually* healing Spherus Magna: since Mata Nui is made for this specific purpose, Destiny exists to ensure he actually follows through with it; since Mata Nui needs to be functional in order to succeed, the narrative of Destiny converges around him and works to compel the MU beings towards keeping him alive. Thus, as mentioned, he is both hero and objective, protagonist and macguffin.

*dont fuckin talk to me abt the great beings and how they provoked the entire plot of bionicle through their tendency towards inaction and apathy. perhaps ill elaborate one day but the jist of it is that i need to bite them in the ass

This duality intrinsic to his character is made explicit by the constant if sometimes faint separation between his soul/spirit/essence ("him" proper) and his body (a "thing" he only inhabits) - causing him to oscillate between being a person and being an object, with the latter often winning over the former especially while he was commanding the Great Spirit Robot. His exile from this incarnation of fiction into the "real" world doesn't unshackle him from the narrative, which is too far above him from him to be escaped just like that, but it does allow him to take a detour outside of it and come into his own self in a way he's been unable to experience until now - because he hasn't exactly been a character at all, let alone an active player. He is first and foremost a tool, a means to an end; he's less reciting/living a part and more doing the job he's been built to do, and this singleminded and utilitarian approach to his identity seems to have been at least part of the problem in how effectively he could perform his task as it prevented him from noticing the problems which then led into the main conflict of Bionicle. By being forcefully exiled from fiction and having to become "real" he finally surpasses this obstacle and gains the mindset and skillset of a proper protagonist, finally realizing his heroic potential to a point where he can put it in practice.

Teridax, on the other hand.

Crystal has said it before because it is true and correct and right, so it's worth saying again: Teridax loves being the Villain. He's enamored with the role to such a disgusting degree that he essentially hoarded it for himself the moment he found out it was an option and nearly everybody else had to be declassed to Lackey or Antagonist in comparison. It's more than a role or a calling - it's a lifestyle. He makes it his whole personality and reason of being, completely abandoning his original purpose as a Makuta (in direct contrast with Mata Nui, who instead focused exclusively on his purpose at the cost of neglecting his role). He revels in the clichés, the monologues, the manipulation, the cruelty, the ominous laughs, the stark shadows, the drama and theatricality of it all. He likes it so much that it literally makes him stupid.

Teridax runs The Plan in tandem with Destiny in order to usurp it, replacing it with his own design in the same way he aims to replace Mata Nui with himself in the role of Great Spirit. In his mind, these are equivalent pairs: Mata Nui coincides with Destiny just like Teridax coincides with The Plan, so by replacing one you replace both, and he gains power not just over the universe but over the story itself.

Of course, as explained above, this is completely wrong: while he can and does run The Plan as parallel to Destiny in a way that makes them effectively overlap, and he does succeed in gaining Mata Nui's power, he remains a character subjugated by a narrative which is completely out of reach for him and continues to influence how the consequences of his actions will ultimately play out. This is immediately obvious to the reader the second he decides to get rid of all his problems by shooting them into space, completely unaware of the fact that the narrative has already made it so that Mata Nui will have the means to reach his objective, get another physical form, and eventually find a replacement for the body he needed for his quest, rendering the Great Spirit Robot mostly obsolete (which will be part of the reason why, again in tandem with Teridax's need for gratuitous cruelty, it will eventually be bested by the technically much worse Prototype Robot), all while Teridax is too busy learning the commands and terrifying his blood cells to realize his genius idea is going to get back at him and curbstomp him into the surface of a moon in roughly a couple of weeks.

But there's more!

Because the Great Spirit Robot is in and of itself a sort of physical manifestation of fiction as the container of the fictional Matoran Universe, it's effectively the most gargantuan vessel of Destiny available in the Bionicle Universe. As such, it is intrisically tied to the rule that dominates both of the stories centered around it: in Destiny's case, that Mata Nui will always succeed; in Bionicle (a story for kids)'s case, that the Villain will always fall to the Hero.

Teridax proudly, confidently and without doubt turns himself into the embodiment of his inevitable defeat.