#yet his friends and allies

[backwardscigam]

Morpheus is just Vertigo’s version of Eeyore, it’s gotta be said. @neil-gaiman

[victorie552]

Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).

It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.

Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.

And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!

So, Point 1: Many, Many Parts, basically Maglor's FA WIP

My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.

(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)

Archived.

My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.

Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.

(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)

(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)

(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)

So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.

(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)

Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included

This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.

But the Siege started. And the Noldor kept dying.

It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.

Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.

The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.

(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)

Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.

It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.

After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.

Lament for Maedhros was sung repeatedly. There was no one to hear it.

Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.

[red-dead-sakharine]

"I can't do it without you."

[moeblob]

Look, I just think it's VERY funny and on brand that I thought of an entire premise of colorful characters for half the cast and immediately drew the only one void of color.

[cienie-isengardu]

MK1 Sub Zero vs Kitana and Mileena Intro Dialogues <<&>> MK11 Noob Saibot vs Jacqui Briggs

[that-spider-fan-over-there]

So uh, do you guys ever think about how Tenko grew up with a man who had the capacity to take away his Quirk - the thing that ruined his life, took away his family - yet seemingly never once took his? That was probably a way to make him internalize he truly wished for destruction the moment he was born?

And Tenko probably questioned it but never dared ask because he was the one who accepted him, and sure he gives you a sinking feeling in your guts to the point you scratch your neck at the mere idea of talking to him (when was the last time you've had a doctor's consult? Or a simple ointment to relieve the pain? Isn't he friends with a doctor?), but he picked you up from the streets (because you don't deserve gentle touches when you're followed by the dust of death. your name is defined by it how do you know the name of that kid who wanted to be a hero) he gave you a place to stay (because your home was based on silent rejections and lies on the very ground you decayed), he accepted you even though you're only an individual born for destruction (and so is the crafted garden you're rooted on, but you could've thrived in another garden, another life.)

And maybe, you're just ungrateful. Your sensei is the only one who can understand the lonely traces of death that follows you, unnervingly so. Even though he's the one who can take that away from you with a mere touch.

(just like you can. just like you did. why can't you feel joy with that? you were born in from for destruction.)

(you could decay your allies with one single touch. they're irrelevant to your goals. why does your heart stop you from fulfilling that now? you had it in you back then. it never mattered before.)

(you tried to help someone ungrateful, once. he was killed by his your hand. they've helped him. why weren't you offered the same?)

(isn't this why you reject the hand that wants to save you? you could've killed him. and he still held your hands. the denied reality you had since you were a child.)

(do you still want to be a hero, shimura tenko?)

(... why can't you start now?)

But then again, how do you know you deserved better when you were nothing but a puppet- and now, with his goals destroyed, a very useless one?

Just thinking about Shimura Tenko.

[tricoufamily]

the villareal's butler, lawrence fakhoury, and driver, dan freeman

[eo-star]

Liam my beloved

[genspiel]

would. would it really have been impossible to just. substitute the tofu with something else. the rest of the dish could be the exact same and they wouldn't even have to tell itto they changed anything if they really didn't want to. would've saved everybody a lot of work trying to fucking trick itto out of eating at all. he's hungry!!! let him eat!!! just stop serving him things that could kill him!!!!!!! god

[swordmaid]

tav shri’iia is THE canon for me obvi but I also really like the idea of tav wren with yves still being part of the dead three as bhaal’s chosen. the thing with wren is that he was yves’ childhood friend who was pursuing his bard career and severely flopping. one night when he was supposed to escort yves home from the graveyard he chose to perform in some tavern instead, and that night is when the bhaalists came and killed her. for him, one of his closest friends just went missing the night he was supposed to look after her, and when she returns 2 weeks later all beaten up and bloody with no memory of herself ofc he felt guilty….! and he couldn’t even bear to look at her because it’s all his fault u know … if only he didn’t ditched her maybe this wouldn’t have happened so one night he just decides to leave bc he couldn’t take it anymore. it’s always been his dream to be a travelling bard anyway and maybe his career will pick up in some other city than baldur’s gate, so he leaves her and his home and sets out to salvage what he can of his career. and in the most part he was mildly successful. he also ends up making a pact with some fae and they help with his bard career too lol but the guilt of yves is still in his mind- he just got better at ignoring it.

SO. imagine his surprise when he gets tadpoled and goes to moonrise to find a cure and he sees his friend - the girl that’s been haunting his dreams and the source of his guilt and shame - a part of the evil cult that’s been enslaving people with parasites. and now he’s meant to kill her? but how could he when he’s the one who left her behind and maybe it’s his fault that she turned out like this … but anyway I love the idea of wren being like noooo that’s NOT yves she would never do that!! and they’re just like girl ur delusional ur friend is literally chopping people up forcing us to find the parts like some treasure hunt

[hauntingblue]

Unless they were AN IDIOT.

[catboyolli]

can I please stop having weird dreams? thanks

[navree]

it's fodder for excellent drama but let's admit it, hush and war games and identity crisis and under the red hood all happening in relatively close succession is insanely funny. just bruce speedrunning the worst fucking 365 days of his life. they should release a compilation book of all four and just title it 'batman and the terrible horrible no good very bad year'

[myhouse-pk3]

when scott tibb haters + trans adam truthers for some reason wanna argue that scott doesnt support adam and his gender identity and thinks hes still a girl (in the situation of ftm transness) and is transphobic to him; they better know that im putting nails in their shoes and putting a jar of acid on top of a slightly ajar door so that when they walk in acid falls onto them

[succubi-tch]

How to I inform my scarcely-online (vs terminally online) non-cis friend that the author of his beloved book series, JKFuckjng is a massive transphobe. He just bought the game too

[takkamek]

People are always saying they’re allies or even part of the community yet demand others to come out.