#you are AWESOME and very fun to talk to we have similar vibes except also opposite we are just so silly

[detective-piplup]

i will ask are your mutuals cool

yesss YES I shake all my mutuals around like bricks

[a-star-that-burns-brightly]

EVERYONE I just saw the new DRDT twitter post, and I have some things to SAY /pos (if you don't know what I'm talking about, you should probably view this post https://twitter.com/DespairTime/status/1703105596134654210 before continuing on reading this one) ... ... ...You back? Awesome !! First and foremost, gonna take a look at the synopsis

This concept is giving major 999 vibes, I love this already I also really like the shorter number in cast, I don't actually see a lot of fangans with shorter cast and I think that's a shame because I think there is a lot you can do with a shorter cast of 10-12 participants (see Danganronpa Lapse). > eleven students are forced to continue a killing game that they’ve supposedly already started. However, no one can remember the past trials, nor the deaths of their missing classmates. This is the main thing that caught my eye, and it definitely explains the shorter number in cast. And with their memory erased and the way this is worded, it feels almost like this death game that these characters are in has restarted. Like, something went wrong with it, and that resulted in the death game restarted using the eleven students still left. And if that is the case, that makes me wonder about the possible connection this death game could have with DRDT. But I will get to that later. > Between the killing game, their lost memories, and the “NG codes” that restrict their actions, how could anyone escape unscathed? So this is also using the NG Codes from Danganronpa 3? Yet another thing I find very interesting. I so badly want to know more about this cast. Which is why they are the next topic of my insane ramblings !!

Okay before I even get into anything, I just want to say mad fucking props to DRDT Dev for these designs and for their art in general. They have genuinely improved so much since the start of DRDT, and it's so cool to see Second of all

> That is to say, this is a story about a person who wants to become the perfect teacher. So hi, I love you very much first of all Go to a damn barber second of all I am very worried for you third of all /lh (Also my first thought when I saw him was that he reminded me of Enju from Ayakashi Akashi, and I think that's funny)

DRDT-Dev has confirmed that this is the protagonist, so I am already very intrigued with him and what his deal is even though we won't find out for a long time Another fun little thing I noticed was that in all of the art so far out with him has him with his eyes closed. I wonder if that means anything Anyway, I love him, and I am also concerned for his safety for something I will talk about later

As for some smaller observations, given how closely these two are depicted, their fire and ice motifs, and their general simialr appearences. I don't think it's a stretch to say that these two could be sibling, or related in some way. I think that's cool

I've seen a few people say that this person could be Elliot Cuevas, Charles' older brother, and I definitely think that's a fair theory to have. Not just because of the purple hair, but also because of the collar around his neck. What is one of the only details we know about Elliot?

His favorite animal is dogs. And that collar (to me at least, looks very similar to a dog collar. Just something to think about

I have nothing insightful to say, this person is precious and I want to give them ice cream If people start theorizing them to be "secretly evil" istg... /lh /hj The rest of the cast (except one) I have nothing to comment on, so let's get to the main question I am thinking about at this moment Does this project have any connection to the lore of Despair Time?

This wasn't something that was confirmed, nor denied by DRDT Dev, so everything I'm about to say could age awfully. But I think there are a few pieces of evidence that could hint to this project having more relevence to DRDT than it comes across at first glance. Three to be exact. Let's start with the first and most obvious one

This man who is looking very smug at me is wearing a jacket with an XF-Ture Tech logo on it, or at least something that looks the part.

We do not have much information on what XF-Ture Tech as it stands right now. All we know at the moment is that it is a profit tech company that sponsored Min's family when she was younger at the promise that she would become the Ultimate Student in 12 years time, and that they also do "a lot of other things"....whatever the hell that shady sentence means. Due to the lack of information about XF-Ture Tech, there is not much else I can analyse at this moment. But this fact alone does seem to connect this project and DRDT in some way. But obviously that's not all For my second piece of evidence, we go back to that teacher character. Because I swear...there was another, albeit hidden, place where a teacher character was mentioned... Oh yeah !

.....Ohhhhhhh righttt... Teacher man, you're in big trouble. In all seriousness, considering how intricate DRDT-Dev's writing is, I just don't think this could be a coincidence at all and if it is I'll be genuinely surprised. I think this teacher character and the teacher mentioned in the about page's hidden text are the same person. Now that does not exactly answer the big question of who is saying this text. It could be the mastermind of this project's death game, could be another participant in this project's death game, hell the possibility that this is the mastermind of the DRDT cast's death game still isn't really ruled out. But the main point is that I think it's a very big possibility that this teacher and the teacher in the about page's hidden text are the same person. And lastly, I would like to go back to what I said in the beginning: > it feels almost like this death game that these characters are in has restarted. Like, something went wrong with it, and that resulted in the death game restarted using the eleven students still left. If we're following the idea that this is a restarted death game, that honestly gives me the same vibes as a reboot of a television show. Which brings me to my point: What if this death game is also being broadcasted? I feel as though it is definitely a possibility given the summary, but for right now there doesn't seem to be much proof of this idea. _ That's basically all of my current thoughts on this project that DRDT-Dev has shown us. If this does end up becoming the next fangan DRDT Dev releases after the completion ot Despair TIme, I am very excited to see in the future what has been cooking

[echoesofwisdomcountdown]

27 Days until Tears of the Kingdom Release. More trailer analysis today for y'all. I have watched it an unhealthy amount of times but like the music slaps so hard that rewatching it is not a chore at all. I'm sure most of you by now have heard that the main lead in instrument is a Saxophone which is sick imo.

Spoilers under the cut for those avoiding things.

Picking up where we left off yeasterday, we know have giant sinkholes in the desert. They could be quicksand or pits of death but they could also grant access to an underground section beneath the desert. Considering this is Arbiter's ground, these things might be related to the rising structure earlier in the trailer. Whatever the case, I know that one of my first courses of action will be to walk right into one of these to find out just what they are.

This part to me really hammers in that the underground sections of the game are no joke. They seem to be large and extensive and I'm so ready to explore them. Of course this place is also giving me dungeon vibes which is awesome. Also interesting to see the fire resistant armor mostly unchanged (from what I can tell at least.)

FLYING BOATS!! Are they ghost boats? Magic boats? Zonai tech boats? Who knows but I like the way they look. I think I made it very clear in the first trailer analysis that I needed to explore the giant tornado in the sky. Thank you Nintendo for showing more of the stormhead (although I'll get to the similarities with Skyward Sword another day.) You can see that this boat the trampoline that we see later in the trailer. Its going to be fun to use those.

Now this construct is fairly massive and it isn't the same as the minecraft looking one from the previous trailer. However, I wonder if this one will actually fight us or if its a larger construction construct (hehe). Either way it looks very cool and I am leaning towards fightin given the amount of boss fights this trailer highlights.

My jaw dropped the first time I saw this (although tbf it might have been dropped lower since so much of the trailer had me in shocked awe.) I love the new jump animation Link has (its shown much better later on) which as far as I've seen is only used in gravity manipulation sections. Also yeah gravity manipulation. I've seen several reactors look at this and the weird steps later on and talked about slowing time. Nah its gravity. The little green circle is keeping the water orbiting it at the center. Although, I wonder exactly how common this will be. I hope its used more than once.

Look at that flight suit!! It reminds me of a flying squirrel and I love it. Also mission impossible style laser dodging is not what I had on my totk bingo but I'm not complaining. However, if this section is motion controlled I think I can confidently say that many of us will need several tries. Still a cool use of the new diving mechanics. After this is the shot in the orb but I don't really have anything to say about it except the thing in the background looks like a gumball machine.

If this isn't one of the labyrinths in the sky, I will eat my shoe. In fact, I'm willing to bet that this is in that cube that haunted me in the past trailer.

Sick new spear, same animation, horse that looks very similar to Epona (oh I hope), and most importantly NPC's FIGHTING ALONG SIDE US!! I'm very stoked to see the other members of Hyrule fighting in groups against monsters. It's not just Link. Hyrule is everyone's home and I'm so happy that Nintendo is letting regular the NPC's fight to defend it. Even if their equipment is a little haphazard.

I love Link's expression so much. A little guy. But also he has the shiekah slate and it's got a usb connection into the spool of wire. I'm guessing this is right after/before the little robot arms shot in the past trailer. I have no idea what this is about but I'm curious. Maybe they are viewing more memories stored in the slate? Either that or plugging the wire into the slate is for upgrades or it accesses a specific area.

I have no clue who this person is but I am intrigued. They kinda look like the wall painting showed off in a past trailer but I have no idea what that means. I give this figure props for being mysterious and interesting looking. (Some people said this was in the art book but again I avoided that.)

This part of the castle is very pretty but I don't believe for one second that Link is actually there in the present. He is either reliving a memory or has time traveled because the throne room for sure hasn't been fixed in his time. Magic is involved here.

Zelda looks like she is at an altar. I'm very much reminded of Skyward Sword. I don't know what this means for her but maybe it has something to do with the Master Sword or her goddess powers.

Hmm I mean the random figure saying Link is the last line of defense is cool and all but this shot confuses me. Link's hand should be damaged/be the ancient hand. Is this even Botw Link? Also why is he pulling out the Master Sword again? We know it was damaged so did Zelda stick it back in the pedestal to recharge? So many questions.

Random figure talking to Zelda (who I think might be related to the Owl/the Sage in OOT that talks to Link in the sacred realm) has a similar looking hand. Maybe it's the same one that Link gets or maybe several Zonai have arms like this. Either way we get the first look at the tears part of Tears of the Kingdom but I'll talk about them more the next time.

That's it for today. The only other news I have is that Nintendo has apparently confirmed we will be starting the game in the sky. I'm assuming we either have a very long starting cutscene before they let us have control of Link or we do Great Platau 2.0 first and then we descend to the ground and have to explain what happened to someone like Impah and then the game gives us the explanation cutscene. Anyway, bye for now.

[basedkikuenjoyer]

Jojolands - First Impressions

That’s what we’re doing here. I know I haven’t really delved into Jojo’s much before, but I know several of my mutuals are big into it and I am at least a fan of this bizarre multi-generational adventure. Still need to finish Part 8 but honestly...I’ll probably just wait for the anime. It’s too confusing for me to properly binge the manga. I’ll keep any actual spoilers under the cut, but first...

I’m sold. This intro chapter hooked me more than Stone Ocean. I’ve never really been into JJBA for the plot, I like what my boyfriend said when I got him to watch the dub. “This is one where you’re just here to enjoy the experience.” If I put it in art terms, something like One Piece is a very traditional story. It’s not exactly breaking a lot of new territory, more perfecting an established style. Jojo’s? That’s abstract art. Sure there’s an overarching story to each part and how they tie together, but you’re mostly just enjoying the vibe. And oh my god do I love everything about this vibe in Part 9. First and foremost though...

My newest beloved blorbo Dragona. Just gonna say this now and get it out of the way; it’s as worth getting hung up on pronouns as it is that clip of Izo referring to Kiku as his “brother.” Differing norms are going to make this finicky, especially when we’re talking about a Japanese author writing about Hawaii as a setting through the viewpoint of a 15yo younger brother. Little different, but I live in an area with a lot of Marshall Islanders. You sorta get used to it. We could ultimately find out Dragona is as much a “woman at heart” as someone like Kiku and referring to him as such still makes sense in context. Especially with an older Japanese author and there still very much being a mindset of like, not using “transgender” to refer to anyone except someone who has fully transitioned and treating it like a man becoming a woman there. Make sense?

All that to say, use your eyes and common sense over getting hung up on specific words. I’ll probably casually use she/her most of the time because it’s hard not to. Everything I see so far suggests Dragona also acts pretty girly and hell...I’ve known 18yo trans folk existing in a space like this while they sort themselves out. We’re clearly going for something in that bubble, I’m sure Dragona will have more room to clarify...it’s Jojo’s, just roll with it. Because by all accounts we’re looking at the sane, reasonable one in the group. And that’s cool, I’m definitely keeping an eye on this pair from the perspective of wondering if maybe, just maybe Araki was a little influenced by a certain pair of samurai “brothers” who like to play with similar territory. If nothing else, our introduction does show, not tell that absent being informed most people are going to read Dragona as female. Curious about those “cosmetic injections” as well.

With that out of the way, I adore our introduction to these new Joestars. Sets the time, locale, everything so well. They’re rocking out to Dua Lipa, hassled by dickhead cops, name dropping covid, cops one up the racism with transphobia. Then our best bros fuck em up. Awesome. These parts since Stone Ocean all track with an AU version of a previous part, and I love that we don’t waste time showing off our new cast as a twist on Passione from Vento Aureo. Though this time we aren’t screwing around with noble intentions. This is all about getting filthy rich and I’m here for it. Especially with my second love from this first chapter.

This bitch. Who is, without a doubt, 100% that bitch. If she has a Stand please let it be Lizzo inspired. Speaking of Stands, Jodio’s November Rain is cool looking and I like the reference...but of course Dragona is the better one with a nod to the absolutely legendary slow jam Smooth Operator. Given the similarities I love the jokes about “Sex Reassignment Pistols” Fun fact, 80s wrestler and guy who looks like he walked straight out of a porno “Ravishing” Rick Rude would sometimes use that song as entrance music. Does it sound like fight music? Nah, but he made it werk. Where the hell was I?

Right, let’s steal this diamond! Good hook, I’m invested and we have the gang together. Although I know this series well enough to know we’ll probably find a better motivation along the way (please be nice to momma and Beach Boy’s reference Barbra Ann Araki, she’s so loving) for now I love focusing on a gang of scrunkly criminals who make no bones about it. Jodio’s going to school solely to sell drugs, Dragona and Boss Bitch Meryl seem to have a lovely bond. Like I said, a part hasn’t hooked me this well since introducing Jolyene ashamed to have been caught paddlin’ the pink canoe. Part where I just died though...

Two words were all I needed to see to know Araki did his research on the islands. Spam Onigiri. It makes sense if you know the history, soldiers in WW2 brought Spam with them to a lot of these islands because it’s easy meat to ship and stockpile. It became popular trading fodder with locals, they still very much consume a lot to this day. Because it’s also something you don’t have to worry about taking a while to ship. And there are some dope Polynesian recipes built around using it these days. I’ve just personally always found that a fun quirk from the Marshall Islanders I know and past experience with people from Hawaii, Guam, etc. Will never forget a lab partner from Guam in college, said something about it and he was just gobsmacked. Had been going his whole time here wondering why it was so hard to find certain flavors on the mainland. 

Anyways, that was a lot of disjointed rambling to say I’m very excited about Part 9. Disjointed rambling is on theme though because it’s Jojos. Nothing bad is allowed to happen to Dragona or Barbara Ann. Paco and the weird guy? Meh. Jodio’s great because he’s a scruffy no-goodnik and proud of it.

[chao-chachaslide]

I watched all of Prime on Thursday here's commentary

It's fun! it's definitely more aimed at actual kids unlike the last two shows but it's still good. It was pretty funny most of the time, definitely not on Boom level but that was a designated comedy show, but it's not preschool show comedy either. The plot was intresting and gives me satam/X s3 vibes (not that i've watched either of those)

shadow the hedgehog! he breaks the fourth wall!

at one point sonic does the "so you're probably wondering how i ended up in this situation" and it killed me. i am dead. my ghost is typing.

the pacing was a bit weird, esp with shadow's subplot-thing. like in some episodes he gets a few minutes of screen time, some he gets seconds and some he gets none. it was all over the place. i understand why but it could've been a bit more even.

goddamn cliffhanger

it definitely would've benefitted from being released weekly or Anything other than 8 episode increments. it felt like there was too much filler. none of the episodes were pure filler like they all developed the plot/character arcs to some degree, but there were a couple episodes that really didn't do anything except a few minutes of actually pushing the plot forward. overall it ruined the flow a bit, especially since we weren't given many episodes to start with.

oh the voice acting is bloody amazing. also the animation is awesome it's so squishy

also there's WAY too many flashbacks like jesus christ you could use dialogue it's a more effective way to make up the time requirement rather than flashing back to the same footage over and over. Like I was getting so tired by the end of it when Sonic was explaining to the new AU cast how he got there then it quickly cuts to footage from previous episodes. Just let him talk. Also applies to when the redid scenes from a different perspective they were still using so much reused footage just to remind you that the two scenes were occuring at the same time, like holy shit no way I would've known without the obnoxious amount of reused animation.

lastly i have some gripes with the canonicity of the show. supposedly it's canon canon. like in the universe of the games canon. some show staff confirmed it. not only is it really hard to fit this game into the timeline because it would mess up character arcs (mainly sonic's) a little bit, a lot of the characterisation is. off, to put it nicely. which i wouldn't mind if this were a separate thing, i like how sonic and rouge are written in this show, but it's not game!sonic and rouge. ygm? i prefer to view it as a separate canon, but one that takes place in a very similar universe to the games/idw. also another reason why prime being canon doesn't make sense is that there are minor lore inconsistencies regarding tails living in green hill and sonic living anywhere

i want teen eggman to say poggers

[nattikay]

So I saw this post while browsing toa tags the other day. While I don’t think being obsessed with the school mascot automatically makes Toby a furry (though it is funny to joke about lol) since “being a furry” actually just means “being a fan of anthropomorphic animals” and doesn’t necessarily require any form of costuming or interest in such, it did get me thinking, hmmm...if he was a furry, what would his fursona be? 🤔 And from there I started wondering what Jim’s and Claire’s would be as well because y not ¯\_(ツ)_/¯  

BUT WAIT, I hear you say--haven’t you already drawn the trio as werewolves and wolfwalkers etc.? Wouldn’t those be their fursonas??

Well yes....but actually no.

I guess it’s a little hard to explain, but there’s a nuance between “[person] but as an animal” and a proper “fursona”. While a fursona is an animal character used to represent its person, it doesn’t have to physically resemble them at all as you would expect [person]-but-as-[animal] to. For example, if you were to design me but as a cat, you’d probably give it light brown fur and green eyes like I have irl. But my fursona, unlike my human self, actually has blue fur and purple eyes. You can give your fursona matching physical traits to your own if you want to, and some people do, but most use only a pinch of their irl appearance, if any at all.

The choices people make when designing their fursonas vary wildly from “it looks like me irl” to “it looks like who I want to be”  to “I just really like this color scheme” to “this particular color/marking holds deep personal meaning to me” to “this particular pattern represents a particular defining moment in my life” to “idk it looks cool and i vibe with it” etc. etc. etc. Everyone has different reasons of varying depth for the decisions they make in designing their fursona.

Therefore, to design a fursona for Toby etc., it’s less a question of “what would this character look like as [insert species here]?” and more of “how would this character choose to present himself with his own [animal] character?”

And that’s a much trickier game than just transferring a character aesthetic to a new species. ^^; We have to kinda dive into the characters and makes some guesses about how they, if given infinite creative freedom to design an animal avatar with no rules or limits, would choose to present themselves.

So all that said, here’s what I came up with:

Starting with Toby because he’s the one who inspired the post. I think Toby might choose a wolfdog fursona. A lot of people who choose wolves as fursonas consider themselves to be overwhelmingly loyal to their friends, a trait that fits Toby very well. However, while Toby likes to be “cool”, I don’t think he really thinks of himself as much of an “alpha” type--he’s more of a sidekick, and he knows that, and he’s ok with that. He’s the wingman. So what better way to incorporate that than to add dog into the mix? Man’s best friend=Jim’s best friend. Sociable, humorous, and unwaveringly loyal. Wolfdog it is!

With the species decided, we can move on to the design itself.

I can’t imagine any form of Toby in anything other than warm colors. This is extra emphasized by the flamelike patterns on his legs and tail, which both speaks to his desire to be totally awesome-sauce as well as acts as an allusion to his flaming warhammer. It’s fairly common (not universal, but common) for people to give their fursonas a more “ideal” physique than the person actually has as a sort of way to live by proxy physical goals or fantasies they’ve been unable to attain irl for whatever reason. Given that we’ve seen Toby struggle with fitness from time to time, it wouldn’t shock me to see him take this route. His wolfdog self is still relatively short and stocky, but it’s all muscle, babey. 

This fursona is strong, fun, boisterous, and generally just kicks butt. Concentrated awesomesauce flows through his veins. Just don't mess with his friends, or you’ll feel the flames!

.

Moving on to Jim. Jim was the hardest to nail down, and most definitely the hardest to keep my personal biases out of oof. Which I may have failed to do anways because yes, ok, I made my favorite character a blue feline, sue me ¯\_(ツ)_/¯  But hear me out first!

For Jim I ultimately settling on a cheetah/lion hybrid.

Cheetahs, in a way, are sort of the underdogs (er...cats?) of the feline world--at least, in their local ecosystems. They are built wholly for speed, not strength--and as such, just about every other large predator in their environment has them beat when it comes to raw strength. Remind you of a certain Trollhunter? plus the long lanky legs. don’t forget those lol

However, because of this disadvantage, cheetahs...usually surrender. They know it’s not worth it to defend their kill from larger, stronger opponents, so they’ll give it up and just catch something else. This aspect doesn’t quite fit our protective, selfless protagonist all too eager to risk everything to save his loved ones--so a pure cheetah may not be the right choice.

So what animal is brave and protective? That’s where the lion part comes in, of course!

Why not just make him a pure lion? Well, a little similar to making Toby a wolfdog instead of a pure wolf. A straight-up lion feels a little too “chad” for our sweet Jimbo. Too much of a jock. 

Jim has the humble underdog nature of a cheetah as well as the bravery and fierce protective drive of a lion. Cheelion? Leetah? idk, but let’s design it!

Like Toby and warm colors, I don’t think I can possibly associate Jim with any color but blue. While it’s never directly stated, given that we’ve never really seen him wear any other color (with the exception of the Eclipse armor), I think it’s pretty safe to assume that that’s his favorite. Blue sweater, blue jeans, blue shoes, even his backpack and bedsheets are blue. So naturally, his fursona would be predominantly blue as well! Plus some yellowish accents to (somewhat) match the natural colors of his chosen species(s).

I imagine he originally designed the character without horns, but then added them after becoming the Trollhunter, since it became such a major and impactful aspect of his life.

His lion’s mane also continues down his back in imitation of the “mantle” found on baby cheetahs. This youthful feature could subtly represent the fact that he’s been forced to grow up too fast and take on so much responsibility so young--so his fursona can still be young and carefree as long as he likes even while his real self struggles with the weight of the world on his shoulders.

This fursona is relaxed, calm, and confident. He’s not just cool--he’s crispy!

.

Lastly but not leastly, we have Claire. Out of the three, I think Claire was actually the easiest to choose--or at least, I had the clearest idea of what I thought she might go for.

Claire is a bit of an interesting duck, because while she’s shown to be fairly popular at school, she’s definitely far from the stereotype of The Popular Girl™. Yes she’s smart and pretty, but she’s also a little spunky or even a bit quirky--she’s a theatre kid, she’s a huge fan of hard rock band Papa Skull, and while I wouldn’t quite call her “rebellious” per se, she’s certainly willing to bend some rules if she feels the situation calls for it (not telling her parents that she was going to the concert with Steve, literally sneaking into Jim’s basement to try to find out what was up with him, etc).

That said, I think Claire might go for a hyena fursona--something a little out of the box, but not totally out of left field. (she also shows a slight Gurl Power™ streak here and there “the staff was not meant to be wielded by man--” “I am not a man!!!”) and if you know anything about hyenas...well, yeah lol)

I think Claire would lean into her punk-rock “rebellious” side with her fursona design. This character is completely free of the pressure of being the councilwoman’s daughter and having to maintain her mother’s public reputation, and thus allows Claire to express a less restrained side of herself. She has a bold semi-edgy color scheme with bright accents (and some earrings to match her person’s hair clips) while still remaining feminine and (her own brand of) fashionable. 

This fursona is spunky and sassy; she’s spicy and sweet all rolled up into one. She knows what she wants and she’s not afraid to chase it down. She lives her own life and she’s dang proud of it.

.

....sooooo yeah there’s my take on what Toby’s, Jim’s, and Claire’s fursonas could hypothetically be. And I guess since this post was inspired by a joke about Toby’s infatuation with the school mascot, here’s just some quick thoughts on how they might approach fursuiting to end us off:

Jim I don’t see as much of a suiter. He might try it once or twice if given the opportunity, but at the end of the day it’s not really his cup of tea--he’d rather act as the “handler” for his friends, if anything.

Toby and Claire, on the other hand, I could definitely see as suiters. In fact, with her interest in acting, Claire would probably particularly enjoy it--she’d be one of those suiters who really gets into character, absolutely refuses to break the magic publicly (outside of any actual medical emergency), and popular at cons because she just performs so well. 

Toby, meanwhile, would be the more chill type--uses his normal voice in-suit, isn’t really too stressed about “breaking the magic”, just kinda hanging around like he would normally except “look I’m a talking dog, cool right?”. 

also while I was typing this it occurred to be that since Eli is canonically a cosplayer then he could be a fursuiter as well; in his case i imagine he actually made his own suit it’s a protogen and it’s full of little LEDs and other electric gadgets, it’s not the prettiest thing ever as sewing is not his forte but boy did he try!! good for him. good for him

[arvandus]

Hi! It’s been a while! So remember my request for the 750 followers event about the singing quirk and the insomnia? I actually made a TikTok account centering around that OC and it’s pretty popular! I just wanted to say thank you so much for answering my request because that really helped me flesh out the character!

Also, this is unrelated, but do you think the LoV would be like a tight-knit found family type situation, or a coworkers type deal? I feel like they would have game/movie nights or something like that maybe with a darker spin cuz they’re reckless and chaotic. I just love your ideas and how you provide lots of depth to characters that don’t get a lot of attention.

Love you and thanks for everything!

That's so awesome that your OC is so well received on Tiktok! I'm so happy for you! It's always a great feeling when your creative content is valued.

As for the LOV... well, you know I tend to ramble, so I'm gonna continue this below the cut... I really get in depth with this, because I love LOVE psychoanalyzing fictional characters and relationship dynamics.

I think each character is different in their own way, and some will be more social than others. So you'd probably get some members hanging out and doing 'normal' things together more than others. Like for Dabi, I see him as often separating himself from the others, even when he's in the same space as them. We all know he's a bit of an ass, and it's my headcanon the he does that on purpose to keep others at arm's length. He's not interested in forming attachments, so he'd be less likely to engage in things like game nights and stuff. He's very goal focused and sees the others as a means to an end; it's all about how useful others are to him. That doesn't mean he doesn't form attachments though; I think he'd just be in denial about it. He might loosen up with a few drinks, or have some late-night one-on-one conversations with some members, depending on how he's feeling. But his motto is always "me first" and he tries his damnedest to stick to that (which is why writing him with conflicting emotions is so damn fun!).

Shigaraki is interesting, because he literally wants to destroy everything, but still seems to value his comrades. It's like he's in conflict with himself where he says he loathes the world and wants to watch it all fall apart.... except for these few people, cuz they're pretty cool. Something to note is that at the beginning of the series, he seems a bit bratty, a bit hot-tempered. But obviously there must be something about him that makes the others stay, and it's not just his power or his connections to AFO - we slowly get to see his personality unfold as he gains confidence in himself, and we start to learn that he can be charming, level-headed, and understanding to his comrades. And really not a huge surprise, considering he had All For One as his mentor, who's ability to manipulate and win over others has probably been his greatest weapon aside from his quirk. I'm not saying Shigaraki is manipulating the League... in fact, I think he's genuine, and it's his genuineness that has won each of them over. But he's learned how to talk to others in a way that has them feeling understood and trusted, and in return they trust him.

That being said, I still think that at first, Shigaraki would struggle with larger social groups, like when all of the league is together. I don't see him liking a lot of noise and rambunctiousness, it'd be a little overwhelming for him. It's not about sensory sensitivity. It'd be overwhelming from a psychological standpoint. He's not used to being around others like that, and he finds it draining. But over time, he would learn to enjoy their company. It would start on a more one-on-one basis or a small group basis. And the more comfortable he gets, the easier it is for him to be around more League members at once, until it's no longer something he worries or thinks about - it just is. It's almost as if he no longer sees it as him vs. them; instead, he almost considers them an extension of himself, and he sees them as his responsibility and something to value. That's a difference between him and Dabi - while Dabi fights attachments tooth and nail, Shigaraki is like, "*shrug* didn't plan for this, but here we are." and now he's valuing and supporting his teammate's dreams like he does his own.

I see Toga, Twice, and Spinner as the more social butterflies while others may drift in and out depending on how full their social meter is. Those three would be the glue holding the rest together; if the league is to develop a sense of "family," it comes from those three. They're the ones that scream "fun" to me, but in different ways. Like, Spinner is just a cool, chill dude. He's that really close friend you can just hang with and not feel any pressure. Wanna watch a movie? Cool. Wanna play games? Awesome. Wanna go grab a bite to eat? Let's go. And he'd be a great listener and super easy to talk to. Twice is all about 'family' and would be big on doing things together. Don't plan something social without inviting him. Toga would be all about having fun and living life to the fullest (although for her, that'd probably include some violent stuff...).

Kurogiri is 100% dad vibes (in a reserved sort of way), while Compress is the cool uncle; I see both of them as more mature than the rest. Compress would join in for things like movie nights and card games, but I don't see him playing video games with the others (although he'd probably watch) or doing late-night shenanigans the way young people tend to do; although like Shigaraki, he'd probably follow along in case their reckless butts need saving.

I also think it's worth noting that all of their relationships with each other would likely evolve the more time they spend together and the more battles they fight together; it creates a sense of camaraderie that might not have been there in the beginning. In the beginning, they were all strangers to each other that were brought together for a common goal, or at least very similar goals. It felt more like an alliance, than a team. But I think as time passes, they learn to value each other more as individuals, and it'd become more and more difficult to separate the work from the emotional attachments.

[winxlava]

Where Fate: the Winx saga fails

As a winx fan of 14 years (in and out), this fate thing is really scandolous. I’ve seen lots of ups and downs the winx fandom. As I’ve watched all of the development that fate had, I've had some thoughts, but I’ve waited until I watched everything.

This is going to be a reaction to all 6 episodes of Fate the Winx saga. This is coming from a fan of the og show so expect lots of comparisons.

If this bothers you, please don't keep reading. A lot of this is only my opinion. If you like it and think its great, that’s good! I’m not here to ruin it.

There is a list of what I liked most near the bottom of this post. Spoilers Ahead!!

Anyway, back to the post.

What made the Winx work

Lets start with the basic idea of Winx. Bloom, a normal girl, finds out that she has magic powers and is from another dimension. Seems like a simple concept? Well, Seasons 1-3 (and 4?) expanded this idea to the max.

Likeable characters galore and lots of fun, fashion, and magic.

For a lot of us that’s what sold the show. 

So lets talk about tone and why its so important 

The idea that teenage girls were exploring a world we could never see or experience. And the darkness that came with it.

Remember when Daphne, bloom’s dead sister, clung to life to help bloom figure her life out? When bloom became evil and nearly killed all of her friends? When Flora drowned to save her sister, only to get enchantix? (Actually all of enchantix was like this). When Musa gave up seeing her dead mom to save the world? When nabu died?

The show was full of these small, intense, dark moments. That’s what made winx special. The light came with dark.

By making the show dark and “eDgy” it takes away the impact of the dark moments. I’ve been saying this since the beginning. 

Point of view and how Stella is affected 

Stella was very misunderstood in the remake and it shows. The thing is, Stella was the first entry point into the magical world in the original show. She carried Bloom and her parents to Alfea. She was the transfer point to a whole world for the audience.

Her spunk and optimism and snark made her a fan favorite, but that’s not what made her character work.

She was Bloom’s first friend, and because of the that, we saw her in a good lens. She was reckless, but a pure heart nonetheless. She was confident, cunning, and powerful. 

It was because we saw the good in her first that made us like her. She was good before she was bad in our eyes.

The remake takes all of that away. She’s just a generic mean rich girl now. To be honest, Stella is accurate, but the way she was introduced put her in a whole new light. In this version, she is annoying and trifling, seemingly taking the place of Diaspro in her liking for sky.

Also she hates her mother? Stella would never! She loved both of her parents dearly and was mad simply because she felt they never loved her as a result of their divorce; they never talked to each other and she felt split between the two of them. (See Stella’s nightmares sequence season 1 :https://youtu.be/wuvyw0OHA6A?t=129). She was lonely and her father, though he loved her, spoiled her with gifts instead of the love she desired. 

You see this side of her when Chimera comes in and tries to take her place in season 3. Her worth is tied to what she has and looks like. Her title as a princess rules her.

Not only that, Stella learns about “commoners” through her friends. She was spoiled and never saw people who couldn’t afford things; it was new and she was a bit rude about it, but can you blame her, she was always put above everything else in her home country.

https://www.youtube.com/post/UgzCfOQ696rvwa51Z_J4AaABCQ?lc=UgzCDSxfcNaP9XogBSB4AaABAg

https://www.youtube.com/post/UgzCfOQ696rvwa51Z_J4AaABCQ?lc=Ugxl_sOsUSGBXEwagxJ4AaABAg

^^ These are comments of people saying similar things.

Stella also vents to Sky a lot in the remake. She seems like she is chasing him pitifully, something og Stella would never do.

Edit: Check the “liked” section; she has been upgraded to sort of like in episodes 5 and 6.

Aisha

They did Aisha dirty as well. (Just like Bonnie from Vampire Diaries, why am I surprised?) I would write a lot here, but someone else summarized it well:

https://rainbow-whitewashing-jar.tumblr.com/post/639787632624369664/its-just-there-is-so-much-background-on-aisha.

https://www.youtube.com/post/Ugx4WL5rIPTS1suGOed4AaABCQ

Tldr: Aisha was a very lonely princess of Andros. She only had one friend growing up but then they moved away and she was lonely all over again. She copes with her princess duties by being great at sports and even beating some of the men! She stood up to her parents when they wanted her to be arranged married, until she fell in love with Nabu HERSELF. She decided her own future from that point on.

Also, her relevance to the plot has been dwindled to being Bloom's right hand man; the black best friend sterotype! What a let down for one of the PRINCESSES of the original!

She had her own goals, drive, and motivations in the original! She did things for all of her friends; she definitely wasn't only driven by one person!

And she was closer to Musa than Bloom that's for sure!

Bloom

The fact that bloom transforms before everyone else gives bad vibes, considering that one of the reasons she was insecure about magic was because everyone of her friends was better than her and could transform. Why would she feel insecure when they are all around the same level?

The theme of sisterhood

Ever notice that none of the girls had the same taste in guys?

Bloom liked goody guys like Sky and Andy. Stella liked guys who were fun and flirty like Brandon.

In fact, none of the girls ever fought over a guy, they fought over things that actually mattered like someone being rude or a mission gone wrong.

That's what made them relatable. They weren't petty about guys and they mostly respected each other's relationships.

https://www.youtube.com/post/Ugz6TEOmGRV2Cfqy12F4AaABCQ?lc=UgwhLsToVbhLDYpFphB4AaABAg

^^ Look at highlighted comment

Not only that, but the winx represented a positive sisterhood. They stood by each other and respected each other; they never let men come between them and shared their power with each other.

Only the trix, the bad sisterhood, fought over men and power. The trix were foils to the winx and what they stood for! That's what made them some of the best villains in the series!

Instead of that, we get useless relationship drama! 😒

And that brings me to...

Stella/Sky/Bloom & Riven/Dane/Terra

What was the point of Dane? I'm still asking myself that question. He doesn't really do anything except act as relationship fuel for a love triangle.

Don't get me wrong, the representation is needed. But he adds nothing to the real plot at all except that Terra thinks he likes her, and he has a crush on Riven.

In terms of the Stella and Bloom love triangle with Sky, apparently she BLINDED someone because they flirted with sky. What?!? Stella isn't that cruel at all. The show clearly flanderized her to a cruel mean girl so....

Edit: Check the “liked” section; she has been upgraded to sort of like in episodes 5 and 6.

Lets not forget about “diversity”

Male fairies did exist before Fate:

https://www.youtube.com/post/UgziTWMf44kv0fkDt8x4AaABCQ

https://www.youtube.com/post/UgxWAFZRmqt_k3iBMhZ4AaABCQ

Flora/Terra, Musa, and Whitewashing

Terra and Musa are wonderful! Their actress' do a great job; their personalities are so similar to the original (except for musa's mind abilities and Terra's talkative personality)! Whenever one of them interacts with the other main cast, you feel actual friendship chemistry between them!!

But there is an elephant in the room: the whitewashing. If these characters were the correct race, they wouldn't be in this critical review.

Terra isn't flora, but her character was clearly based on her! Also, she has a cousin named Flora, so Flora is clearly in this universe.

??

Why change her race and swap her out! The personalities are spot on, which makes it even more disheartening to know that they would rather replace two POC characters with white characters who essentially are the same people and have the same plot importance.

What a shame and low blow that is! Especially since I am a black woman myself!

Sky and Riven

Them being bros make no sense really. Before they were more like enemies who were forced to work together.

Why are they friends?? What's the backstory?

Other than that, sky is pretty spot on. He's the pretty boy with good intentions. Not interesting but not very boring either.

Riven is cringy like I feared. He was also sort of cringe in the og but because of the darker setting in the remake he just feels even more so.

Other Criticisms:

- we gets some pretty cringy dialogue (mostly from riven). Some of the clingy dialogue (not from riven) ironically could have worked in a lighter setting and become "campy".

- The fact that there are no wings for 5 whole episodes, just makes the entire thing feel like Witches or something...

- why does everyone have the dead parent trope??

- no tecna

Things I do like:

- bloom missing her parents and feeling left out

- Musa and Sam before Musa and Riven (hopefully)

- Terra in general

- Terra’s dad and brother

- Musa in general

- Stella funny quips

- the scenery is gorgeous

- Stella's clothes are so fashionable! She has great outfits!

- Sky and Bloom taking during the party and/or being friendly with each other

- the magic cgi looks good 👍

- the rooms of the girls dorms and the castle looks great on the inside

- Aisha's personality

- Farrah Dowling is good as well

- Bloom is pretty spot on

- Stella's mom's powers are awesome

- imagine the genocide plot but with the happy fun show vibe and with the trix. The trix want to get revenge on faragonda for killing their cult, who wanted to revive the ancestral witches or something💥💥💥

- Stella in episodes 5 and 6 is cool

- the inclusion of the witches of aster dell (Beatrix said she was born there = witch)

- the inclusion of musa’s mother’s death

-Her transformation was lackluster to me, but I appreciated the effort to include it.

Conclusion

The pacing was all over the place to me; it felt like some episodes lasted forever and all of them seemed to have the vague theme of : be careful who you trust.

By trying to separate the winx from the og and have them have "their own lives" (which they already had), they ruined the intriguing backstories the characters already had in the og. Some were somewhat kept, but others were kind of left in the dust *cough*Aisha*cough*.

They took away with made them special: the teamwork, love, and friendship that brought them together and made them stronger. *They try it in episodes 5 and 6, but to me it just falls sort of flat.*

That said it isn't completely bad, it's mediocre at best, but it isn't Winx and that's that.

Edit: I know that it’s not supposed to be winx per say, but it has characters from the og and even the “winx” name in the title!

Credits: WCD channel on youtube, rainbow whitewashing jar on tumblr, and Youtube videos by the official winx club youtube channel.

[derireo]

A3! And What Sports They’d Play ↦ All Troupes

So.. I was talking to a friend about the sports we used to play in the past. I loved sports as a kid and thinking of Haikyu also pushed me to do this. All troupes are included, and individual characters gets their own sport and my take on how well I think they’d do in it!

Kind of went off on Autumn and Winter Troupe;; sorry.

Uh, E-Sports, of course. He gets absolutely winded from walking, so sitting down and competitively playing a game he loves is his dream. On particularly intense matches, he breaks a heavy sweat and needs a lot of water and snacks to keep himself focused and in the game.

He's a popular player and a great one as well! Sometimes he gets asked to host little bits of the tournaments he attends because he has such a big fanbase and he's awesome at entertainment despite his normally deadpan tone with jokes.

He has a lot of energy, so I think running in track or doing marathons would be good for him. Afterall, he's one of the first to run after Tsuzuru in the prologue of the game. He isn't the best nor is he the fastest runner, but his stamina is impressive and lets him outlast many of his competitors.

I also see him doing kayaking? Not competitively, but he definitely loves the thrill of crashing down small waterfalls and regaining his balance right after. The flow of the currents is exhilarating and he has a good sense of balance, so he'd rarely overturn in a kayak (which is absolutely dangerous by the way).

He wouldn't do any competitive sports, but skate/longboarding is something I can definitely see him doing. If he needs time to himself or just simply wants to chill, he'll go out and enjoy the breeze as he boards down the bike lane in the park or on the road, hands in pockets.

He becomes a bit of an attraction at skate parks though. He's always seen there on his board, headphones donned and hands in pockets like I said; effortlessly performing tricks that a lot of other skaters would struggle doing. People are very attracted to the sight, and he lures them in whenever someone finds out he's at the park that day.

He's already suffering so much and is always tired— I wouldn't put it past him to play shuffleboard. It's not a laborious sport, and he can play with anyone like his siblings or any elders who need the company. It's a slow paced sport and is great for sleepy Tsuzuru who needs a break from scrip writing. I don't know if there were any canon stories of him actually being involved in a sport at some point, but I think he'd be pretty okay at tennis or table tennis.

Tennis is a very intense sport so he didn't play it for long because practice cut into his studying, his part-time jobs, and his babysitting. Table tennis is similar to tennis with it's concept, except you can just kind of stand in one spot and don't have to run around as much. It's a fun game to play with his siblings since they enjoy it so much, and they always run after the ball so he doesn't have to do much other than play along with them and clean up when they're done.

I honestly have no idea with Citron. I don't remember any canon details of Zahra (I think that's where he's from?) so I don't want to assume what kind of environment he was in that would influence his choice of athletics, but I think he would enjoy swimming! In the beach event, he ran into the water happily with Kazunari if I can remember, and I'd like to think he had a good body type for water.

There's also another part of me that thinks he'd love skydiving! The thrill of jumping out of the helicopter and letting the winds beat against him as he soared down towards the ground below would be awesome. He's practically shouting for joy as he glides down and loves the look of the city from above. Impressively enough, he can do flips in the air and loves twirling around, much to the dismay of other skydivers as they fear for him.

He's not one for actively moving, but ballet seemed interesting to him and he wanted to try it out. He had no idea how intense ballet was, from strict teachers, to getting blisters on his ankles and feet, Yuki actually almost quit. What prevented him from doing so was probably watching a performance where his seniors were giving the juniors an extravagant scene to watch and they inspired Yuki to keep going.

I would have said acrobatics/gymnastics as well, but Yuki's arms aren't very strong and he doesn't like doing flashy things like that anyways (no offense...? I don't know, I haven't watched videos of this sport in years). If he did pursue acrobatics/gymnastics, I'm not sure if he'd be amazing at it, but he would definitely be decent! He's got the flare;;

Running! Since he was in track for a while and was rumoured to be great at it, he would definitely be doing marathons and track alongside Sakuya. He had great speed and a stamina to match so he's a terribly good opponent to go against if you like to get pushed past your limits. If he kept pursuing track he would train during late nights and early morning with Tasuku, who has his routine jogs at those times.

Absolutely adores the sport too! His team of runners were basically second family to him, so if he chose to return, he would have the time of his life growing as a sportsman with them. He would grow into a fine and very popular runner! Hitting his growth spurt would only make him an even more fearsome competitor as his legs would get longer and his intense training with Omi and Tasuku would get his stamina maxed out.

He has no time to do sports since he's always acting, so I honestly can't say what he'd do. He isn't the best runner either and extreme sports is out of the question since he's a bit of a scaredy cat. I guess he would enjoy a casual game of table tennis though? But despite liking the sport, I'm going to say that he kind of sucks at it. He understands the rules and everything, but his rhythm is off and he never manages to hit the ball back.

He's good at receiving a strike back though! He's always lucky at standing in the right spot with his paddle in the correct position to receive a smash hit, and that's basically the only time he wins a point because he catches his opponent off guard. It doesn't happen often though, so he still gets absolutely destroyed during a game of table tennis.

I believe Misumi would be amazing at track & field. He runs extremely fast for one, and he does parkour like no other; he would definitely place first in sports like long jump, high jump, pole vault, and sprints. He doesn't have a particular favourite event to do though, but always does his best when someone gives him an incentive to do his best.

Izumi and Omi offer him triangle onigiri? He's going to run as fast as he can! Jump as high as he can and as far as he can! No one will be able to stop Misumi. But then again, competitive parkour is a thing, I'm pretty sure, so he can just do that sport for fun and still place in the top 3 at least. He would be terrible awesome at Ultimate Frisbee, but the disc isn't a triangle, so. :p

Him? Sports? No.

I'm kidding. Do not know at all what sport he would enjoy playing, but billiards is something that suits him in my opinion. It doesn't have to be competitive, but he's greatly skilled at handling a cue stick, and his aim is impeccable. He's real lucky with trick-shots too, so don't go and start betting money with him; you'll definitely splurge all of your cash on him within seconds.

Sigh. It's super annoying that he's good at everything, and sports are no exception. He plays futsal with Omi and Tasuku the most, and is very light on his feet. He's so good that during competitive games he'll do a trickshot and score, or will play around with his check and do something like dribble the ball between their legs when they're at their most vulnerable.

I'm sure he would fall in love with ice hockey, though. Ice hockey is fast paced and is a contact sport so Banri would feel free on the ice rink. Good thing is that he's pretty good looking, so he's a fan favourite player. The cold air biting into his skin as he pushes himself across the rink to get to the puck is exciting and he loves body checking opponents into the walls (this also makes him a controversial player since he plays rough and dirty).

He'd be a monster at competitive martial arts. Taekwondo especially, considering his kicks come in hot and fast. His spinning kicks are ones to avoid if you go against him, but he's so quick on his feet and can kick higher than his head so you might get a quick KO if you can't read his body language fast enough. Judo is also high on the list despite it being more of a grappling and throwing sport, but Juza's quick reflexes make him a difficult opponent to beat. Normally wins a match using jiu-jitsu grappling techniques on the floor.

He would also be great at ice hockey. His large figure and quick feet would make him a great player, and his posture is always low to the ground so it wouldn't be easy to knock him over on the rink. Not exactly the best at dribbling the puck though, but give him a one-timer when he's open and he'll send that thing flying through the net. No one tries to pick fights with him on the rink though lol, he's notorious for one hit ko's.

Taichi gives off the chaotic vibes of Nishinoya from Haikyu, but he would suck at volleyball so I'm giving him badminton cause height doesn't matter too much I think as long as he's quick on his feet and is able to read the body language of his opponents well. His form would be perfect though and he's super agile so getting to that shuttlecock is no problem for him. He's got a bit of muscle too so he can send those babies flying!

Doesn't really use strategy most of the time, so he'll just keep hitting and receiving the shuttlecock however he wants until his opponent tires or until someone messed up a smash. No one else in Mankai plays badminton so finding him a coach is a bit difficult. He eventually learns other ways to hit the shuttlecock, so when he learns how to slice or do drop shots, he's a little monster on the court!

Oh, the sports he would play.. Obviously, he plays futsal with Tasuku unless you haven't seen his card where he's playing as goalkeeper! With that information, he would absolutely destroy volleyball teams as a middle. Now I don't know if calling middles 'middle blocker' and outside hitters 'wing spikers' is like.. a cultural thing, and I know that's what they call the players in Haikyu, but it definitely catches me off guard and really confused lol. So, yeah! Omi would be amazing as a middle in the front since he's so tall and can shuffle fast on his feet to block a front row opponent. He's like Tendou in a way where he's great at reading people, the only thing is that he's better than Tendou (no offense, I'm serious) because he doesn't need to guess. He already knows. UGH, I want to go off on volleyball (both indoor & outdoor), but this part is getting long. Lmk if you want to hear me talk more about A3! & volleyball.

American football/rugby. Don't tell me I'm wrong please, I'll cry. Both of these are a full contact sport, and looking at Omi's past and his physical structure, you can't tell me he would not obliterate everyone on the field. He is either the offensive guard or the tackle. He will not start offensive plays, but he will end defensive plays. He stops any player from tackling their centre and tackles those who try to hit a blindside. I don't know much about rugby other than it is just as rough as American Football, just with less protective gear. I'm stopping here because I'm thirsting too much for Omi rn.

HOO, baby! When I looked at Sakyo, I just knew he would be able to do something with swords, so I chose kendo/fencing. Keno is a traditional martial art stemming from Japan and is practised with wooden swords. I won't say I know much about the sport, but it is definitely tense and is very noisy. Noisy because kendokas/kenshis shout whenever they strike, this is to show their spirit. Sakyo kind of hates shouting during the sport, but it definitely lets off some steam and gives him more momentum when he strikes.

I also think fencing because there are swords involved here too, it's just that it seems to be more of a European sport and has some sort of specific footwork involved. The piste may seem a bit narrow as well compared to kendo where they have a whole floor to themselves, so Sakyo doesn't practice fencing as often. (The clothing he's required to wear for this sport is also quite stifling as well.)

I'm ngl, but I didn't know what sport to give Tsumugi, omg, so I ended up giving him cup stacking. You know, you remember; I feel like you should do some research if you don't though because cup stacking was a huge thing in the early 2000's (?) and kids were setting world records here and there non-stop. Tsumugi uses his hands a lot for things like gardening, tutoring, bouquet arranging, etc, so he's deft and talented with them.

As long as he puts his mind to it, cup stacking is a piece of cake for him. He doesn't play anymore, but every now and then he'll look at his old kit in the corner of his room and will set it up with Tasuku in the lounge room for everyone to have a go at it. He loves the thrill and the way his adrenaline runs through his veins as he focuses on trying not to mess up the stack down.

HOOOO! Okay, so we already know Tasuku plays futsal so I'm not going to bother, but man.. He would be the same as Omi in volleyball; an absolute monster of a middle player. He's well rounded in the sport, so his coaches/team actually refuse to switch him out with a libero/defence specialist. His digs are almost on point with the setter, and he's always at the right spot when receiving, making sure no one gets an empty spot on the court.

When he's in the front blocking or hitting, he's almost always successful, and since he trains a lot with different drills and regimes, he perfects a lot of things like tipping, tooling, slicing, and even setting. His height added along with his vertical makes it almost impossible for opponents to block him, and when he's feeling good in a game, he'll start doing things like float serves and jump serves. If he's feeling any better, he'll play around and start doing slide hits at the front or will hit from position A on the back court (left corner facing the net). He'd also do swimming!!!!!!!!! BUT THIS IS GETTING TOO LONG

Definitely would do archery/darts. He's got impeccable aim if you take evidence from his outside work chats with Banri and has no problem pulling the string on a bow. Archery is difficult and I am not lying. Pulling the string until it's taut takes a large amount of strength and it digs deep into your fingertips, leaving calluses after one or two pulls.

Figuring out the trajectory and weighing in the factors of weather (if you're outside) takes a lot of skill and practice, and Hisoka always manages to hit the centre of the target with no hesitancy with his release of the string. His hands are all rough from the string digging into his fingers all the time, showing you how long he's been practising the sport.

I don't think Homare was very athletic growing up. I'm saying this only because his body type is quite lean and he's a poet after all who seems to stay inside more often than not if he isn't meeting with an editor/publisher. I think figure skating would suit him very well as it is an elegant and cold weathered sport. I also think he would fall in love with the suits if Yuki made them as they'd sparkle brilliantly and show off his flare as a skater.

He figure skates as a casual hobby rather than competitive, but he definitely makes a lot of famous friends in the community due to his whimsical personality and beautiful posture.

Kyudo (Japanese archery) was a sport that popped into my mind for Azuma, despite the strain it puts on the skin of his fingertips. His skin is very delicate with how much he takes care of it, so he wears a glove on his dominant hand to protect him. Kyudo seems to be more of a peaceful archery, and with the sight of Azuma in the kyudo uniform, the scene in front of you would be quite serene and calming.

I also think he would be great at figure skating since his body is lithe and he has lovely facial features that would complement the body suits that Yuki would create for him. His long hair flowing in the breeze he creates as he glides throughout the rink would be gorgeous along with the way his body looks as he does an axle in the air. His performances on the rink are always mesmerising, and he'll receive a few claps from fellow rink goers when he's in the centre just casually practising.

[urmomsstuntdouble]

If ur still doing the 100 followers thing, well I challenge YOU with deciphering Lithuania.

ok anon thank you so much for asking this question because i have in fact recently fallen in love with lithuania, because they are such an interesting character! (also hhhh im so sorry for how late this is) 

Gender

As you may have noticed, I usually use they/them pronouns to refer to Lithuania. I hc them as being nonbinary and using he/they pronouns, though I personally prefer to use they rather than he in that case because. Idk what pronouns you use. But in my experience it’s really hard to get people to call you ‘they’ when you go by ‘he/they’ or ‘she/they’ or smth like that. Though I don't imagine any of the nations are very attached to their “birth gender” (are nations born???), lithuania is one of those who is a bit less attached. They’re just sort of there, in terms of gender. In my headcanons i also think this has something to do with religion, as lithuania was one of the last european countries to convert to Christianity- just because so much of gender as we know it comes from christianity and what people in the 16th and 17th centuries considered a ‘good’ christian. Thats not to say that there are no gender roles in other religions, but that the way westerners typically conceptualize gender has quite a lot to do with the religious conflicts occurring within christianity. Like you can trace the ideas behind the nuclear family archetype back to the protestant reformation. Additionally, I hc them as being Jewish, which further distances them from the western christian gender roles (though that’s not why i hc them as jewish! More on that later). Finally, i just like myself some trans/nb characters. There’s so few popular trans hcs and that makes me kinda sad ya know? Welcome to the trans agenda its just me projecting onto all my faves

Mental Health

Okay, so, i think it’s pretty well known that lithuania’s mental health is wack. They’re often characterised as being a very anxious person, but i think the ways in which they’re anxious is super interesting. For one, they are extremely conflict averse and like to avoid it by being a sort of people pleaser. It’s a sort of defense mechanism, because nobody can hate you if you do whatever they say. Like, if you let people be shitty to you, they won’t hate you for your personality. This is clearly flawed logic because then people are still going to be shitty to you, but. It makes sense to liet. In their mind, it’s okay to let people hurt if your reason is sound enough- Because if they’re not super emotionally engaged in a relationship that’s unhealthy for them, then they can’t get hurt, right? Of course, they can. A good example of this is their relationship with Russia. I think tolvydas sees compliance as necessary there, in order to avoid being hurt. The thing is…compliance is also hurting them, even if they see it as ‘worth it.’ To them, behaving in a submissive way is a survival tactic. A really bad one, but a survival tactic nonetheless. 

This also plays into their tendency to be self-martyring. I think Tolvydas is very good at fighting, and all around a really awesome warrior (strong aragorn energy), which makes them think that they need to be the one to save everyone. Hero complex, sort of. This, coupled with their almost maternal care for Latvia and Estonia, makes them feel like they have a sort of weight-of-the-world on their shoulders. Though Estonia and Latvia do look up to them a lot, Tolvydas can sometimes fail to realise that they are also their own people and can fight their own battles. He feels a sort of obligation to protect them due to their shared culture and languages as The Baltic Trio, though it doesn’t go much further than a sense of obligation. They spent most of their youth fighting, to the extent that that’s most of what Tolvydas personally knows as ‘life,’ but they never actually got to know the other two Baltics very well until the modern day. They have to protect, have to be a caregiver, but they don’t actually know super well the things they’re trying to protect. It’s both a sense of obligation to protect as well as the sense that this is all they’re good at and as long as they’re fighting for a morally just cause, that’ll do. 

I think something that would expose this flaw would be when they were first taken over by the Russian Empire in the 1790s, they were pretty miserable about a lot of things- Like the loss of all their territory and the sudden statelessness of their people- but a big one would’ve been the loss of Poland. This isn’t meant to be super shippy, but you know. They were united into one kingdom, and they had been for centuries, so i don’t imagine it was an easy separation. Though this is more up for debate where real people are concerned, these characters were essentially a big part of each other, ya know? Regardless of how much Lithuania actually likes Poland, they’re still a part of each other and that separation will undoubtedly be painful. Anyway, all that is to say that this separation was at the forefront of their mind during the beginning of the 19th century, and they let it sort of prevent them from taking care of the other Baltics. The issue with that is that they still considered themself to be protecting Estonia and Latvia, even though, in reality, nobody was. Also in reality, Lithuania was making themself out to be the worst off, and were generally sort of annoying to be around at this point in time. Their whole woe-is-me attitude wasn’t fun, and they were hypocritical in that they saw themself as being a better friend than they actually were. They still see themself as being a great friend, and though it’s improved in recent years, they’re still sort of. Flighty, i guess, where friendship is concerned. There was also a lot of annoyance by the other baltics about them being so self-martyring- Tolvydas was Ivan’s favorite, after all (that’s not necessarily a good thing, but. He was softer on them in certain ways). Anyway, I guess the big takeaway of this paragraph is that Liet often lets their self perception cloud the way they act in relationships. 

Much of the stuff I’ve mentioned so far is a result of them having quite a lot of PTSD. I think Lithuania’s character tends to be explored through a few common lenses, those being the medieval vibes of the Polish-Lithuanian Commonwealth and through being oppressed by the Russian Empire/Soviet Union. Not to say that there’s not a lot of other content about them, but this is what I see most often. I think that all the nations have some form of PTSD, but with Lithuania it’s very pronounced, and it’s made clear that a lot of their tendencies are a result of past trauma- Like the need to take care of others. This is likely originating with their childhood, as they grew up in a very violent environment where their survival was never guaranteed (survivor’s guilt much?) and violence was just the way of things. This is where the need to protect comes from. There used to be several more Baltic nations, though you could argue that now there’s only two- Lithuania and Latvia, as Estonia does not speak a Baltic language and would really like to be considered Nordic. 

Finally, Lithuania is also an interesting character where forgiveness is concerned. I think their sense of morality is very black and white, so some people (Feliks) will be easily forgiven where others (Ivan) will not. In reality, I think it would definitely be valid for Tolvydas to hate both of them, yet they don't- Because they decided that Feliks was a friend and Ivan was not. Both Feliks and Ivan care very deeply about them, but neither treats Tolvydas in a very good way. Of course, I’m aware that the situation in the Russian Empire/USSR and the Commonwealth were very different, but I’m talking about these three dudes and their relationships with each other beyond the lens of politics. Because Feliks tried to be their friend in a way that didn’t hurt them tremendously, and because. Look at them, Feliks isn’t 5’4 and can’t hurt you. They’re not an intimidating person and they’re not incredibly powerful like Ivan is. Though that’s not all of it- Feliks’ feelings for Tolvydas are definitely a purer, more selfless type of love than what Ivan feels for them- it makes it harder for Tolvydas to hold a grudge against them. Whereas for Ivan, their relationship was about control. He needed to control them as a way of expressing how he felt about them. He represents a lot of what Tolvydas fought against in their youth, so of course they hate him. Of course, I don’t think they like holding grudges. They want to be able to care for everyone, because they know that everyone deserves to be treated well and cared for and all that. You can't exactly do that if you hold a grudge against someone, so it actually kind of sucks for them when they see someone they hate suffering. It’s a sort of conflict of interest- The caregiving instincts vs the hatred for this person- and they often don’t know what to do in that situation. Usually they wind up helping but not happy about it. They just don’t want to see others suffer, despite the fact that they dislike this person (Russia is of course the exception. They don’t want to help him at all anymore). 

Relationship with family

So, this is a bit of an interesting topic. I think the Baltics consider themselves family just because of what they’ve been through together, but they’re not actually blood related. Though they share similar cultures, and languages, they’re just not related. Maybe Lithuania and Latvia are cousins, but yeah. Lithuania sees themself as the head of their little family, as they have the oldest surviving European culture and language. They sometimes get in their head about that, and can act like both a mom friend and a mom who is bad at mom-ing. It’s a sort of self appointed thing, and can be really annoying to the other two. They don’t pay the utmost attention to their fellow Baltics, and are more concerned with physical well being than emotional well being, so, despite establishing themself as a caretaker, do not wind up actually caring for the other Baltics in the ways they need to be cared for. 

Fighting style

So, as I’ve mentioned, Lithuania is a talented fighter. They go hard as shit, and can very much kick your ass. I think they prefer to be very technical about how they fight, with something boring like a broadsword as their weapon of choice, but are not afraid to fight dirty. Like rip off an ear with their teeth kind of playing dirty. I think they take fighting very seriously. Though Lithuania as we know it is only about 800 years old, I think Tolvydas is much older. The definition of a nation (a large body of people united by common descent, history, culture, or language, inhabiting a particular country or territory, according to the oxford dictionary) does not require there to be a central governing body, so I think it’s quite possible for Lithuania to be well over 2000. Anyway, all that is to say that they didn’t grow up in medieval times, so by the time they’re like. Achieving dominance in Eastern Europe, they’re already very old and well versed in many different styles of fighting. In the modern day, I think they’ve learned more different fighting styles from other parts of the world, but will always fall back on the way they learned how to fight in ancient times. 

Religion

So as I mentioned earlier, Lithuania is Jewish in my headcanons (orthodox, specifically. I think they're kinda traditional). I have a couple reasons for this- There has been a historical presence of Ashkenazi Jews in Lithuania, going back to the 13th or 14th century, and this is due to certain legal protections granted to Jewish people under pre-Commonwealth law. They were legally on similar footing to the average free people of Lithuania, and were able to create a slightly more prosperous community than Jews in other areas of Europe. This was also affected by the Black Plague of the 1340s. Orthodox Jews tend to put a high value on cleanliness, and often have two sinks in their houses (my childhood home, for example, had two sinks, and i lived in a majority jewish area). They also happened to be concentrated in Eastern Europe, due to the protections. Because of this, Eastern European Jews have some of the highest sruvival rates for the Black Plague and actually brought up the survival rates of the region as a whole- Though this also resulted in some intense antisemitism, as many Christians blamed Jewish people for the plague even happening, due to their higher survival rates. Despite various expulsions  and the loss of legal rights, the Jewish population remained relatively steady up until world war 2. Jewish people made up about 10% of the total population of Lithuania in 1941, and 45% of the total population of Vilnius. (To put this in perspective, the entire world population is only about 0.2% Jewish). Anyway, all this is to say that it’s not out of the question for Lithuania to be Jewish. 

Extras/Fun stuff

Lithuania loves reading, especially the fantasy/fairy tale genre. It makes them nostalgic without the trauma of reading historical fiction. 

They’re also very musically gifted, and can play the piano, bass, ukelele, and flute. 

They wear docs.

They love hot chocolate. 

They remind me of both Aragorn from lotr and Hozier. They’re such a sweet lad. 

Bicon who has like 5 people thirsting for them at a given moment but is either oblivious or not looking for a relationship right now. 

Here are my fics with lithuania as a main character!

My previous character analyses of lithuania (sorry they’re mostly in shipping contexts, rip) and another good analysis someone else did

My playlist for them

and i think thats it! of course i could always talk more about them, but those are my thoughts for now! thank you so much for the ask, i hope i was able to meet your challenge! 

writing requests

[janeyseymour]

Dessert For Breakfast

I’ve decided to continue with this little SiX/Waitress crossover, so uh, here you go?? 

prompt: ooo i'm so glad to see that people are liking the jane and jenna story :') i can't wait to see what you write next! what if bo gets sad at the time jane spends with the pomatters. less in a mom/daughter way (personally i see bo and jane as close friends like abby and andrea would be) but more like jane is slipping away. jane is still around and ALL the queens hangout at least once a week so it's not like anything has really changed. it's a shift in the ~vibe~ ahfkjajf if that makes sense

I’m not quite sure that my brain did what it was supposed to over even really followed the prompt all that much, but I hope you still enjoy it? 

Since beginning to nanny for the Pomatter-Hunterson household, Jane had grown quite fond of the family. Oftentimes, long after the day’s work was done, the blonde hung around with the three.

Not much had changed in reality. The other five queens were usually out of the house during the times where Jane was watching Lulu. It’s just that every once in a while, the second queen would walk into the house expecting a home cooked meal to be on the table like it so often was only to be met with a silent household. The third queen would rush into the house mere minutes later apologizing profusely about how “Lu kept begging me to stay for dinner. I couldn’t say no to that sweet little face,” or “Lulu was so excited to have all of us together. I couldn’t leave right when Jim and Jenna got home.”

It’s not that Anne was jealous of the six year old. No. Even she, as petty as the green queen could be, would not be jealous of a six year old. So, the second queen let her successor have her fun. If Jane was happy, well then so be it. She could wait another thirty minutes to eat. 

But more and more, the conversation with the blonde would turn into “Jenna said the funniest thing today,” or “Oh yeah! Jenna and I did this today,” and that’s what would drive Anne up a wall. 

Since being reincarnated and travelling on tour together before settling at their home in New York, Anne and Jane had a special bond. It wasn’t quite like a mother-daughter dynamic as the avid fans of the show made it out to be; they were just exceptionally close friends. Regardless of who Jane was with, her mothering tendencies were bound to shine at some point; it just happened to be that she was out with her predecessor a lot. 

“Oh! Jenna and I-” Jane began.

“Would you shut up about Jenna? I get it! She’s great, she’s your new best friend, blah blah blah,” Anne snapped.

“What?” Jane was visibly confused. Anne was her best friend, not Jenna. 

“All you do now whenever you're here now is talking about Lulu, Jim and Jenna. What about us Jane? What about me?” The second queen asked the last question rather quietly. She was a bit embarrassed to admit she felt this way.

“Annie,” Jane sighed gently, her tone immediately getting soft. “Is that how you really feel?”

“I-” Anne threw her arms up in exasperation. “I don’t know!”

“Honey,” Jane reached out towards her friend. “Is that really how you feel?”

“It’s just that you always used to be around whenever I wanted to do something. You’re not always now. I don’t know,” Anne looked up at the blonde. “Maybe I’m just being stupid. You deserve to have other friends. I’m sorry.”

“If I made you feel that you’re not my best friend anymore, I’m really sorry Annie. You’re always going to be my number one. I can do my best to be here more again.”

“No!” Anne shook her head. “I was being selfish. I guess I just got used to having you around all the time. If Jenna and Lulu make you happy, you should hang out with them. I can go vibe on my own.”

“What if,” Jane smiled at her thought. “On Saturday, we head over to Jenna’s diner and grab some breakfast pie?”

“Dude, really? You always say I can’t have dessert for breakfast.”

“I think I can make an exception this once. Her pies are literally to die for.”

“Yes!” Anne fist pumped. 

So that Saturday, the two walked down to Lulu’s Pies. 

“Oh hey Jane,” Jenna smiled from behind the cash register when she saw the blonde. 

“Jane!” Lulu came bouncing out from behind her mother. “Guess what! I have-” the little girl took in that Jane wasn’t by herself this time. “Oh my gosh! You’re the lady from the cafe! Thank you so much for that extra treat!”

Anne smiled. She didn’t think that her sneaking an extra treat into the young one’s bag would be remembered a month later. “Anne.” She grinned.

“I’m Lulu. This is my mama. Do you want a slice of pie? My mama makes the best pies in the whole world! Today’s special is In The Dark, Dark Chocolate pie.” Anne had to bite back a laugh. The pie’s name was so dirty, but hearing it come out of the six year old’s mouth with such innocence was adorable. “There’s also Wild, Wild Berry pie, or Mermaid Marshmallow. Or, Lulu’s Strawberry Dream pie. That one’s named after me! And guess what? I made it up!” Anne could see why Jane had grown so fond of the youngster.

“That would be awesome! Do you think you can pick the slice of pie for me?” Anne grinned. 

“Yeah! But, we gotta sit down first. We can sit in my booth!” Anne was pulled by Lulu to a small booth in the back of the diner. 

“Jane!” Lulu called. “Come on! We have some coloring to do! Mama even bought me new colored pencils!” 

“Go on hun. I can bring over your usual. Anything special for Anne?”

“Maybe some hot chocolate?”

“You got it. I’ll be over to talk. The others have it covered for a while.”

“Can I tell you a secret?” Anne asked the little one. Lulu nodded excitedly. “Jane never lets me have sweets this early,” she stage-whispered as she saw the blonde approaching.

“She doesn’t let me either,” Lulu laughed. “Mama and Daddy don’t either. They say I gotta eat all my vegetables before I can have pie.” 

“You girls are already gossiping about me?” Jane laughed good-heartedly as she sat down across the booth that Anne and Lulu were occupying. 

“No!” Both girls' hands shot up in defense. The two had very similar tendencies. 

“I’m just joking, loves.” 

“Alrighty, I got a cup o’ Joe for Jane, and two hot chocolates.” Jenna laughed as she watched the younger girls’ eyes light up.

“Really Mama? I get to have hot chocolate this early?” Lulu asked excitedly.

“A sweet treat every once in a while doesn’t hurt babe,” Jenna pushed the drink towards her daughter. “Just be careful not to spill.”

“Jane told me you like hot chocolate?” Jenna pushed the other one towards the girl with space buns. 

“Yes. Thank you,” Anne’s energy shifted with the presence of the woman she was slightly jealous of. 

“No problem hun. I’m just gonna go grab the pies, and then would you mind if I joined y’all?” Jenna wandered away only to return seconds later with four slices of pie.

“So you’re Jenna.” Anne looked the brunette up and down.

“So,” Jenna sighed as she took a seat next to Jane. “You’re the one who sugared up my daughter?” She looked at Anne.

“Ma’am, I-” Anne started getting defensive.

“Love, she’s just joking,” Jane stopped the second queen before she could finish her sentence. 

“No, no, I don’t mind at all. It’s not every day a broadway icon gives your daughter an extra cookie because she had good manners,” Jenna smiled. Anne relaxed slightly at this. She was still a bit weary of the brunette.“I’m sorry if I came off as rude at first.”

“It’s alright.” Anne lifted the fork up to her mouth and took a bite. The second queen’s face went from neutral to a grin in mere seconds.“Holy-”

“Anne,” Jane interrupted.

“Holy moly this is great!” Anne dove into her slice of chocolate pie. “How did you do this?”

“It’s baked from the heart,” Jenna grinned.

“No, seriously! How did you-”

“Anne! Look! I drew us!” Lulu shoved a paper in the second queen’s face. 

“Wow! This is so good!” Anne complimented. 

“You can have it if you want!”

“I’ll make sure it goes in a very special place in my room. Do you think you could sign it for me?”

“Yes!” Lulu wrote her name down on the paper before handing it back to Anne. “It’s not that good, but Mama says with practice, my handwriting will get a lot better!”

“You know Lu, Anne used to sign things all the time! She was on Broadway with Jane. Isn’t that cool?” 

“You and Jane were on Broadway together?” Lulu looked up at her new friend with big eyes.

“Yep. Me and ol’ Janey-”

“Not old,” Jane interjected. 

“Me and ol’ Janey did a show together! It was a lot of fun!” 

“Not old!” Jane laughed once again.

“The show was amazing,” Jenna said earnestly. “You have a spectacular voice. I wish I had that kind of talent.”

“Thank you!” Anne let herself go. Maybe this woman isn’t so bad afterall, she thought.

“I’m serious Anne. Your voice is killer. And my husband had tears rolling down his face from laughing so hard at some of the things you said. You were amazing.”

“Thank you so much. This pie is amazing.” The green queen turned her attention to Jane. “Is this where you disappear to every Saturday morning?” Jane nodded sheepishly.

“What does she get?” Anne turned her attention to Jenna.

“She gets pie,” Lulu ratted out the blonde. 

“Jane!” Anne exclaimed. “You preach all of this stuff about eating healthy and ‘no dessert’ before our meals, and you sneak off and eat pie every Saturday for breakfast?” 

“No?” Jane’s voice went up an octave.

“Oh just wait until Aragon gets a load of-”

“If you don’t tell her, you can come with me,” the blonde offered.

“Annie! You should come!” Lulu jumped around.

“You’re always welcome to come hang out with us on Saturday mornings. I’ll have a nice hot cup of cocoa waiting for you,” Jenna enticed the woman.

“You got me with the hot chocolate.” Anne pointed at the brunette. “I like you. Feeding into my bad habits.”

“Let’s not make a habit of it.” Jane put her head in her hands.

“So, you got any dirt on ol’ Janey here?” Anne spoke through a mouthful of pie. 

“Sometimes Jane will bring me to the diner to visit Mama, and she’ll always have a slice of whatever the special is.”

“I like you kid,” Anne chuckled. “I got one. One time I caught her in the kitchen at like 3 in the morning baking cookies for herself. I was silenced with a promise of getting half the batch.”

“One time Mama was eating ice cream out of the container! She let me have some if I didn’t tell Daddy.”

“And you did anyway.” 

“He wasn’t mad Mama,” Lulu giggled.

“Not with you anyway,” Jenna muttered. “I got a stern talking to.”

The four spent the morning together laughing sharing different anecdotes about each other. Every once in a while, Jane and Jenna would make eye contact and smile. 

When Jane and Anne made their way out the door, Lulu smothered them both in hugs. 

“I’ll see you next week?” Lulu asked Anne expectedly. 

“For sure.” The second queen hugged the small girl tightly. “Thank you for my drawings.” Anne held up the several pieces of paper Lulu had gifted her with.

“If you guys are ever up for it, I’m sure the others wouldn’t mind if you came over for dinner one night,” Jane offered. 

“Oh, we wouldn’t want to impose.” Jenna waved her off.

“None of them will care,” Anne said. “Once they meet you guys, they’ll know why all Jane talks about is you guys anymore.”

“Oh?” Jenna’s eyebrows shot up. She didn’t know her family had been the talk of the house.

“All good things I promise,” Jane assured. 

“Just bring a couple pies, and you’ll have their hearts,” Anne joked.

“Noted.”

With promises of returning the following weekend, Jane and Anne made their way out of the diner, bellies full- and both with a slice of Mermaid Marshmallow pie. 

As they were walking, Anne admitted, “You know, I walked into that diner intending on hating Jenna.”

“Yeah?”

“I don’t though.”

“That’s good love.”

“She’s real good at baking.”

“That she is.”

“And Lulu is adorable.”

“That she is.”

“Can they come over for dinner soon? I think they’d fit in well.”

“I think they would too.”

“Hey, did you know that you and Jenna look kind of similar?”

“Oh her husband has made it known that he thinks that for a while now.”

Turns out, Jane having another friend was also a good thing for Anne: she got free pie and hot chocolate every Saturday morning now.

[the-awful-falafel]

Rick and Morty - S4E6 "Never Ricking Morty" Podcast Summary/Breakdown

So y'all probably expected this based on how often I've been talking about these official companion podcasts. I recommend listening to them yourself either on the official Adult Swim YT channel or the official website, but I thought I'd go ahead and make bullet point breakdown of some key points for this particular podcast, because trivia and behind-the-scenes knowledge really appeal to me. And this episode is pretty divisive in the fanbase, so I think this podcast will assuage some fears even if you still personally dislike it in the end.

For some reason, the title of the podcast calls this S4E7 instead of episode 6. It wasn’t commented upon, so I assume either it was a typo or it was 7 in the production order and got swapped shortly before release.

The interviewed staff involved in this episode were Carlos Ortega (character design lead), Erica Hayes (director), James McDermott (art director), and Jeff Loveness (writer)

The idea of this episode was conceived in October/November 2018 as a "one-up" of anthologies and clip shows. They didn't want to do a straight anthology because many other TV shows had already done that, so they tried to go more experimental and bold and basically went balls-deep with the metanarrative as a result

It was a substitute for Interdimensional Cable (which they were going to do instead but it fell through for unknown reasons)

"We had to go so far up our own ass, because if we didn't go far enough, people would be mad that we didn't."

The writers intentionally mocked themselves as much as the fans, pretty much, and it was meant to be all in good fun

The artists really enjoy designing all the weird aliens in the show, as well as getting to reuse/repurpose them when applicable. Apparently next episode (Promortyus) is going to be reusing a lot of designs for something (but they obviously can't say due to spoilers)

Compared to other episodes, "Never Ricking Morty" went pretty smoothly once it got to the art stage. That doesn't mean it was easy, but there weren't a ton of revisions they had to do

There was a joking spoiler about Rick becoming pregnant later this season. At least I think it's joking.

While writing this episode, the writers came up with a huge whiteboard list of complaints about the show, misconceptions about the show, etc. to consult for the meta jokes. Loveness later clarified that it wasn't quite about attacking "complaining" though, and it wasn't meant to be mean-spirited

The Bechdel test skit came from them realizing they hadn't done much with Beth and Summer this season, which definitely can be considered a flaw. Therefore, as part of their self-mockery, the writers decided to force them crudely into the episode as a joke, while also making fun of men who write women characters poorly and reductively.

The Jesus Christ / Rick suddenly being Christian part was written in response to the writers asking themselves "what would kill Rick and Morty as a show?"

Jeff Loveness said this in the "Inside Never Ricking Morty" video as well, but he really loved the "old man is really ripped and ready to kick your ass" trope and is partially responsible for it becoming a running gag this episode along with "cum gutters". Apparently cum gutters return in season 5 (also said jokingly, so who knows)

One of the Q&A callers called multiple times, with different phone numbers, and kept asking about potential crossovers for some reason

"A lot of people are saying that the show is fucking with their fans. Is that accurate?" "I think some of those fans deserve to be fucked with a little bit."

They point out how some fans feel entitled to the idea they should be pleased by the show all the time, and the writers feel like the show should ideally surprise the viewers in a good way, but you still may not like every episode and that's alright

At the same time, the episode wasn't meant as an attack on the fans, it was more of a "we'll do this our way, be experimental, and push the envelope of what we can do" message they were sending. Jeff Loveness promises that there's "good stuff coming up" that he thinks the fans will be happy with, presumably in late Season 4 or even Season 5

"Just because we showed it this way and you'll probably never see it this way again, that doesn't mean we're dropping these storylines completely." There you go, everyone! The ongoing story threads are still happening at some point, and the message of the episode wasn't about dropping continuity or mocking people for caring about it. Although if you were hoping for resolutions similar to what was shown in this episode (Evil Morty w/ a giant army, Tammy VS Summer with lightsabers), those scenarios are almost certainly not going to happen canonically based on this statement. Let's hope that what they do come up with is both unexpected and awesome.

The episode is intended to be non-canonical, similar to past once-a-season clip show episodes like Interdimensional Cable

Story Lord was inspired by characters like Mysterio and Q, and the writers created him late in development as a type of villain they hadn't done before. Dan Harmon also put a lot of self-mockery into the character with how much he loved narrative structure and the story circle. The character artists even initially asked if Harmon could be the design for the character but that received an immediate "no", as it was perceived as being too on-the-nose.

Jeff Loveness was surprised the Rick/Birdperson musical made it to the final episode since it seemed like the sort of thing that would be cut or lost in development. He was also surprised the Jesus thing stayed in mostly untouched

The Story Train was intended to be an actually purchasable product by the time the episode aired-- the writers were emphatically excited about that being the culmination of the joke in the writers room-- and they were surprised that it didn't go through by the time the episode aired. They guess it's due to the coronavirus pandemic interrupting merchandising plans, but they're ultimately unsure because the decision isn't discussed with them

The artists do receive some limitations on how much gore they're allowed to depict, but they can show as much blood as they want, so for the most part they can still be creative with gruesome violence (like the Tickets Please guy ripping in half in this episode)

The artists are credited for elevating most of the fight scenes in the show, sometimes with only vague script direction which they use to be very creative

In response to a viewer calling in and asking the question about whether Pickle Rick will return: "I think there's a conversation to be had about: do we want these things to return or it better to do a one-off story?" So my take on this is that not literally everything will factor into the continuity-- they put thought into what ideas have more long-running potential and they build those up. Which is kind of obvious but the question was silly anyway. (They're still ambiguous about whether or not Pickle Rick will come back, by the way)

They aren't going to do an outright Star Wars parody in Rick and Morty because other shows have already done that, but they can still parody what Star Wars represents rather than doing a "branded commercial" for it. Apparently there is a lot of that specifically coming up this season (although indirect in the way they're describing). I assume this is referring to the upcoming "Star Mort Rickturn of the Jerri" episode, so I’m curious about how they’ll reference Star Wars in that one.

The COVID-19 reference this episode was thrown in last minute, presumably with just alternative dubbing and changing the lip sync animation. They say that sometimes episodes are still being worked on up until the moment they release on television. Referring to a previous episode as an example, the character of Shadowjacker from the dragon episode was thrown in last-minute

With the exception of James McDermott, most of the staff interviewed had no control or participation over the commercial product placement work, such as the Wendy's/Pringles commercials. They don't mind them for the most part and find them funny

The writers try to avoid being too topical because the scripts take so long to turn into animation that any references will become outdated by the time it releases. Therefore, they try to be "timely" in the sense that they're writing about things that are happening in the world, but in a more abstract/thematic sense. Jeff Loveness implies that the next episode Promortyus will have a lot of that

In response to another viewer Q&A: There is no Rick and Morty movie currently planned. They wouldn't mind one, but nothing is really in development at the moment

The staff say they're excited for the next batch of episodes and seem pretty proud of their work on this season

They don't plan on making a Rick and Morty musical episode at the moment, as they feel like other shows like South Park and the Simpson have done it excellently and don't feel like they're capable of doing it better. The Rick/Birdperson bit in this episode was the most we're going to get

The code inside the broken-off throttle lever was intended to just be a bar code decal (to show it's a toy) and doesn't actually mean anything. James McDermott jokingly said it's "where the bodies are buried"

The Rick army / Evil Morty scene was huge from an animation standpoint and they almost couldn't do it due to how ambitious the shot was. They were going for a "Lords of the Rings", faux series-finale vibe, where they "give the fans what they THINK they want". Justin Roiland insisted they do it

There are definitely more big animation setpieces planned for the future

And that’s it! I’ll probably do more of these for the future episode podcasts, if anyone is still interested.

[letterboxd]

How I Letterboxd #6: Sean Boelman.

Talking 2020 movie trends, the year’s best documentaries, and Elijah Wood’s death-stare with peach emoji lobbyist Sean Boelman.

“Honestly, there’s not much I like to do other than watch movies or go to theme parks, and one of those things wasn’t an option for months.”

In a year like no other for the movie business, it’s still possible to see hundreds of new films if you have the right connections. For professional critics, the downside of missing the in-person festival buzz and tent-pole previews is somewhat offset by the upside of being able to pace out your screenings in the comfort of your own home.

Wondering who might possibly hold the title of “the Letterboxd member who has watched the most new releases so far this year”, we poked around in the server room and found Sean Boelman, who has logged well over 400 films from 2020 in his diary. So far this year, Sean (20) has covered the Sundance, SXSW, Tribeca, Florida and Fantasia Film Festivals; he also reviews films via screeners sent through from PR firms. Sean hails from Orlando, Florida, and is the founder of movie review platform disappointment media, which he created to promote a wider range of voices in film criticism.

Park So-dam and peach in ‘Parasite’ (2019), directed by Bong Joon-ho.

How long ago did you join Letterboxd? I joined Letterboxd back in 2015. I attended a film class that summer and the teaching assistant had an account and encouraged all of us to create our own. I’ve been using the app religiously ever since.

You’re our youngest ‘How I Letterboxd’ participant to date. How would you describe your experience on Letterboxd as a teenager? When I was in high school, I was one of the earliest adopters of the app, so I told all of my friends about it and suggested that they use it too. By the time I got to college, it was already in the mainstream within the film community, so I was just the guy with the most extensive account. I love how Letterboxd is a community for film fans to talk about films we love, and with the exception of a few trolls every once in a while, it’s really conducive to good discussions.

Which features have you found the most useful? I’m definitely an obsessive logger. The diary feature is without a doubt my favorite part of the app. I started logging in June 2015 and have logged every feature-length film (and some shorts) I’ve watched since. I made the decision not to retroactively mark everything I’ve seen in my life as watched, because that would be too monumental a task. I also find Letterboxd particularly useful during a festival. It’s interesting to see the buzz about what movies people do and don’t like so that I can adjust my schedule accordingly.

And what’s a feature you wish Letterboxd had? I really loved when you guys changed the stars to flames for Portrait of a Lady on Fire. It would be awesome if you started doing that more regularly for releases that get a sizeable following. Like, give Parasite peaches.

Ivana Baquero and Doug Jones in ‘Pan’s Labyrinth’ (2006), directed by Guillermo del Toro.

What film kicked off your passion for cinema, and specifically, which films or community of film fans motivated you to watch as many films as you can find for the current year? I’ve loved cinema for as long as I can remember, but the film that I credit with really birthing my love for film as art is Pan’s Labyrinth. When I saw that in theaters at the—probably too young—age of six, I felt like [Guillermo] del Toro transported me into Ofelia’s world, and I then realized what magical capabilities the medium of film has.

As for why I’m motivated to watch so many new releases, I have a bit of an issue with saying no, haha. As a film critic, I’m inundated with requests to review movies, from major studio releases to B-movies most people have never heard of. I’ve done my fair share of adding titles to TMDb. I end up reviewing anywhere from ten to twenty new releases a week, depending on the season.

You’re a film critic, but you only post short summaries on Letterboxd instead of your full reviews. Why share only brief thoughts? Much of this boils down to the fact that when I watch something, it’s still under embargo for full reviews, so I can only log it in my Letterboxd diary and leave a little blurb. I also find that there isn’t as much room for humor in my full reviews, so I like using this platform to get my jokes out.

So, as of writing, you’ve ranked 457 films from 2020. What percentage of your total films seen are from these new ‘Roaring Twenties’? Out of the films I’ve logged on Letterboxd, it seems like about ten percent are listed on Letterboxd as movies from 2020. The actual percentage would be quite a bit lower than that, though, since my Letterboxd doesn’t include anything I watched prior to June 2015.

Before Covid-19 shutdowns, how many of these films did you have the opportunity to see in theaters? Which were your most memorable theatrical experiences of the year? In 2020, I was able to see 29 films in theaters, either paid or in a theatrical press screening, before they shut down. I’ve also gotten to see some since the shutdown in drive-ins or from the Florida Film Festival holding socially distanced, in-person screenings. But I definitely went through a bit of theater withdrawal. I missed the smell of popcorn dearly.

For my favorite theatrical experiences in 2020, seeing The Invisible Man on opening night with a packed crowd was definitely a hoot. I was sad at first to have missed the press screening, but like most great horror movies, it was awesome to see it with an audience and hear them gasp in surprise in the action sequences. Another one was getting to see Weathering with You in 4DX. Normally you wouldn’t think of that as a big, spectacle-driven 4DX movie, but it was super-immersive in all of the Sunshine Girl scenes.

And I have some awesome memories from SXSW 2019. At the world premiere of Us, I was pushed into Elisabeth Moss. I once got a death stare from Elijah Wood who seemed to think I was going to approach him. Don’t get me wrong, I love his work—but I wasn’t going to because of etiquette. I watched Long Shot with one of the world’s leading geneticists and then got to see Boyz II Men perform live. And I laughed hysterically when Robert Patrick said in a Q&A that even he didn’t understand the movie he was in. It’s a fun time. I definitely encourage any cinephiles to attend an in-person festival when things get back to normal.

You have more than seventy films in your 2020 list with five or four and a half stars. Would you describe yourself as a generous rater? I was definitely a lot more generous when I started my Letterboxd than I am now. I’m sure if I rewatched some of those films I logged in 2015 and 2016, they’d get a lower rating today. But I really don’t mind it. I don’t see my purpose as a critic as to tear apart the filmmaker’s art—I want to appreciate it. Maybe I’m a little liberal with my five-star rating, but what can I say? Gosh, I love movies. And for me, a five-star rating doesn’t mean perfect, it means great. I don’t think there’s such thing as a perfect film. A five-star [rating] from me means that it connected with me in an extraordinary way. I reserve the ‘like’ for films that set themselves apart from the rest of the five stars by some virtue. If I give it a five and a like, now that’s something you should definitely not miss.

Tunde Adebimpe in ‘She Dies Tomorrow’ (2020), directed by Amy Seimetz.

Your best film of 2020 so far is Amy Seimetz’s She Dies Tomorrow—it’s also your number three of all time. What resonated so strongly with you about the film? Are you surprised about its divisive reaction? I absolutely adore She Dies Tomorrow. I’ve really admired Amy Seimetz’s work as an actress for a long time, and her work behind the camera on this blew me away. I haven’t seen Sun Don’t Shine yet, but it’s on the top of my list. It connected with me because it really captured some of the anxieties I’ve been going through recently. She obviously didn’t set out to make the definitive Covid film, but that’s what it ended up being. And of course, how could you not love that film’s extraordinary use of color. It looks magnificent. But I’m not at all surprised at how divisive it is. It has a very segmented and unorthodox narrative, and not everyone is a fan of that type of structure. I understand why it hasn’t worked as well for some people.

What are the other most overlooked films of 2020 so far? In terms of overlooked 2020 films, I think the big one is the Russell Simmons exposé On the Record. I think that Kirby Dick and Amy Ziering’s The Hunting Ground is one of the most harrowing documentaries I have ever seen in my life, and On the Record combines a lot of that relevance while also offering a really compelling look at the life of a powerful woman in the music industry. It’s great, and only about one thousand members have logged it on Letterboxd. Watch it on HBO Max!

There are a lot of great movies released in 2020 that are widely available and [fewer than] 5,000 people having logged them on Letterboxd. A White, White Day is a great little revenge thriller from Iceland. But what makes it stand out from the genre is that it’s a lot more understated and character-driven than most. It has similar vibes to You Were Never Really Here, but perhaps even quieter. Maria von Hausswolff’s cinematography is absolutely breathtaking, and Ingvar Sigurðsson gives one of my favorite performances of the year. It’s just a gorgeous film.

Hlynur Pálmason’s Icelandic revenge thriller ‘A White, White Day’(2019).

The Painted Bird is a bit harder to recommend because it is by no means fun, but it’s one of those that you have to watch once and will never want to see again. I described it as “auteur shock cinema”. It’s a three-hour-long Holocaust drama that’s bleak and filled with torture, but it’s powerful, heartbreaking and harrowing. It also features great performances all around, especially from child actor Peta Kotlár.

I think Michael Winterbottom is one of the best directors working right now and I’ve always loved what he did with the Coogan-Brydon combo in his The Trip series, and this year’s entry, The Trip to Greece, is probably the best one yet. Over the course of the decade the series has spanned, Coogan and Brydon have changed a lot, and this series—in which they play themselves—has adapted to reflect that. This one’s a lot more heartfelt, but still features plenty of great impressions and tantalizing food shots. This really is one of my favorite film series of all time, so you should check all four out! Some other overlooked films I can think of are Jasper Mall, Aviva and Sword of God.

Which 2020 films would you say are the most overrated? Any absolute must-avoids? This is going to be a really hot take, but there was a trifecta of homebound horror flicks that came out in July—Relic, The Rental and Amulet—and I didn’t care for any of them. I think all the directors are talented and show a lot of potential, especially Natalie Erika James, but I wasn’t a fan of any of the films. As for ones to avoid, I try not to call out bad movies unless there’s a reason to [do so], and there are only two of those this year: Coffee & Kareem and Elvis from Outer Space. Coffee & Kareem is just offensive, and Elvis from Outer Space tries to be so-bad-it’s-funny and falls flat.

Jahi Di’Allo Winston in ‘Charm City Kings’ (2020), directed by Ángel Manuel Soto.

What films that you’ve been fortunate to preview via screeners or film festivals are you certain will be a big deal once they’re available on general release? Ugh, there are some I wish I could talk about but I’m still under embargo! So I’ll have to talk mostly about festival ones. Alice Gu’s The Donut King is wonderful. It was supposed to debut at SXSW, but obviously that got cancelled. On one hand, it is a food doc about donuts—who doesn’t love donuts?—but it’s also a moving story about the immigrant experience. It scored distribution from Greenwich and should be released soon. Charm City Kings is great, and HBO Max picked that up to be released sometime this year. That’s a really awesome coming-of-age movie with a story by Barry Jenkins. And I saw a work-in-progress cut of this indie called Millennium Bugs made by an up-and-comer named Alejandro Montoya Marín. He was part of the Robert Rodriguez show Rebel Without a Crew. It’s a great little movie about Y2K and the Latinx experience that will be debuting online at Dances with Films and is looking for a distributor after that.

Fill in the blank: “2020 is a great year for ____ in film”. What patterns have you noticed? I really think that 2020 is a great year for documentaries. We thought 2018 was a great year with Won’t You Be My Neighbor?, Free Solo, RBG and Three Identical Strangers, among others, but this year is shaping up to be even better. Boys State, The Donut King, On the Record, Rebuilding Paradise, Dark City Beneath the Beat, A Secret Love and Disclosure are all excellent, and that’s just scratching the surface.

I think what makes these documentaries stand out is their ability to make the viewer feel connected to their story. I love documentaries that take a story you might not have otherwise heard of and tell it in a way that feels intensely personal. By taking these stories like the problems inherent in American democracy, the immigrant experience, the California wildfires, the #MeToo movement, and issues with trans representation on screen and telling them in a way that people can relate to them even if they can’t personally identify with their subjects, these documentary filmmakers are making the world a more compassionate place.

What films are you most looking forward to that are scheduled to release in 2020? Any awards season predictions you feel strongly about? In terms of mainstream releases, I’m most excited for No Time to Die, unless it gets pushed to 2021 like some have rumored. I’m a huge Cary Joji Fukunaga fan, so I’m excited to see what he does with the franchise. For indies, I’m really looking forward to seeing Promising Young Woman, The Green Knight, Save Yourselves!, Nomadland and Another Round.

For awards seasons predictions, there are a few I’m pretty confident about based on what I’ve seen. Boys State is an early frontrunner for Best Documentary. I think Eliza Hittman will get some love for Never Rarely Sometimes Always. Dev Patel is a pretty good bet for a Best Actor nod for The Personal History of David Copperfield, even though the movie itself probably won’t get much more love. And there’s an upcoming Netflix movie that has a screenplay nomination in the bag, and maybe a couple other categories too, but shhhh, I’m under embargo on that one so I can’t say more.

Dev Patel in ‘The Personal History of David Copperfield’ (2019), directed by Armando Iannucci.

You keep thorough distributor rankings as well as year and franchise lists—how would you sum up the way each of these recently formed companies inspires you? Obviously A24 and NEON have amassed a pretty big cult following, and for good reason. There’s a particular identity their films have, despite the differences in genre, and I enjoy ranking them because of that. For the streamers, their films are a little more diverse, but I use my lists as a way for people to discover some of my favorite films they can watch at the click of a button. And for Blumhouse, it’s just because I absolutely adore the work Jason Blum does in supporting filmmakers’ voices. I’m usually pretty cool-headed around celebrities because interacting with high-profile people is a part of our job as critics, but I admittedly froze when I met him at SXSW since I’m such a big fan of his. I’ve always said that once I score an interview with him, I can “retire” as a critic, haha.

You’re of Guatemalan descent. Which films do you best relate with your Latino heritage? Of course, Pan’s Labyrinth is a big deal for me given the fact that it was a formative film in my life. [Alejandro] Jodorowsky’s The Holy Mountain is one of my favorite Latino classics. El Mariachi is great because Robert Rodriguez is the epitome of Latino DIY filmmaking and has always been such an inspiring figure. I got to interview him last year for Alita: Battle Angel, and it was an awesome experience. And in terms of more recent films, I think the Netflix doc Mucho Mucho Amor really captures the importance of community amongst Latinos.

What films are highest on your list of shame? I will say that I’ve seen more classics than I have logged on Letterboxd, but there are still a few embarrassing gaps on my list. I love the work I’ve seen from Akira Kurosawa, Brian De Palma, Agnès Varda and Chantal Akerman, and I really want to finish up their filmographies. Probably the most shameful omission I have is the fact that I’ve never seen a film by Ingmar Bergman. I’ve been lightening my workload for my site a bit, so I’m hoping to catch up on some of those soon.

Who are three Letterboxd members you recommend we follow? My friend Camden Ferrell who co-founded disappointment media with me. He’s also very passionate about film and does a lot of reviews for the site. Another one of our contributors is Sarah, who came on to the team during Sundance this year. She’s great and basically started the Portrait of a Lady on Fire fandom. I also want to give a shout-out to Jon Berk who was actually the critic to challenge me to start a blog back in 2016 when he was doing the Doug Loves Movies challenge, and now I’ve gotten to where I significantly outpace him, haha.

Sean’s site accepts story pitches from, and offers constructive feedback to, aspiring writers from under-represented and minority groups. Email Sean to find out more. Check out these 2020 rankings from Letterboxd members who have watched more than 100 releases this year: Orlan Harris, Austin Burke, Jerome, Joey Magidson, Kevin Yang, Jack, Jordan Raup, Matt Neglia, Weather Boy, Julian D, Johann Rucker, Mikey Brzezinkski, Ewan Graf, Denis Eremeev, Aaron King.

[qcpmedia]

“Birds of Prey”: A Crisis of Infinite Harleys

by Chris Clay

Ok-- let's get this part out of the way first: I love Harley Quinn.

Have done since her debut on Batman The Animated Series. My mother let my dad take me to see Tim Burton’s brilliant 1989 Batman film (I was 5 at the time) because she was under the assumption that Batman was always the high camp she remembered enjoying in the television show from her childhood. Thanks, Adam West! My journey into comics began shortly after learning to read with classical mythology, so I was totally prepared for all manner of tales about monsters, demons, serial killers, human traffickers, etc. Quickly becoming an avid comic reader, 10 year-old me was a DC & Marvel veteran who spent a lot of mental energy filling in the blanks on the softened-for-cartoons versions of Bats, Spidey & the X-Men. 

After years of seeing "versions" of my favorite supers onscreen, I thought this new character, originally the Joker's jester henchwoman, was a breath of fresh air. She seemed like the perfect fit for both the show and the Joker, the first real Manic Pixie Dreamgirl. She was funny but also scary, vulnerable and just overall awesome. Best of all? She didn’t seem nerfed for kids tv. She just seemed oddly... real. And she was contagious. That complex reality bled onto anyone she shared enough screen time with. She helped me to see Poison Ivy as the troubled yet brilliant and sensitive person the show had always hinted she was. Besides Catwoman, no other character tested Batman's rigid sense of right and wrong more beautifully. Even Joker seemed multifaceted when Harley was around. I cheered as loudly as anyone when she ditched that clown, and those Harley/Ivy episodes were some of the best the series had to offer.

OG Harley & subsequent versions over the years tended to show a woman that was preyed upon by a master manipulator who pushed her to the edge of sanity. To the edge, not over it. She was definitely traumatized, but the original portrayals never presented any extreme mental problems. Sure, she was codependent & had a temper. And shitty taste in men. Those traits in moderation are not craaaazy. That's just being human.

Harley continued to evolve over the years, shaped by many creators and performers across multiple mediums. Her look has changed, her status as villain or antihero has vacillated and her relationships have been presented more and more as on her terms rather than something foisted upon her by chance.

The characterization problems started in comics, but David Ayers' disappointing 2016 Suicide Squad film brought this lesser Harl to the masses, along with a version of her *ahem* more revealing New52 costume, seemingly metahuman durability & chalk white skin. I always loved the idea that Harleen had the ability to take her jester clothing & clown makeup off, sit around with an equally dressed-down Ivy and talk about who they really were, what made them tick. This new Harley (like her modern comics counterpart) was always "on", displaying very little of the soulful, mature character many of us comics & animation fans know and love. Despite that, she was definitely the highlight of the film, and there were flashes of brilliance that made me believe Margot Robbie could get to the fundamental truths of the character if given another chance. 

And that brings us rather neatly to Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn).

Harley Quinn, last seen in the aforementioned Suicide Squad, has just been dumped by the Joker & is forced to make her own way in Gotham City’s underworld. In short order, she meets Dinah Lance, Renee Montoya, Helena Bertinelli & Cassandra Cain. All of these ladies have, for various reasons, fallen onto the radar of neat-freak gangster Roman Sionis, played with scenery-scarfing delight by Ewan MacGregor. Forced to band together to survive, they eventually learn that despite their considerable individual talents, they're more formidable as a team.

For some reason I still can’t quite articulate, I remember being slightly underwhelmed when the cast was announced. I liked all of the actors... hell, each of them has had at least one role I absolutely loved them in-- but I still felt they were odd choices for their respective roles in this movie (more on that later). The trailer was where I got genuinely worried that Warner might be climbing back into the hole so many creators toiled to pull the DC film properties out of. 

However, as I said in the beginning, I love Harley Quinn. I was definitely going to see this movie. In Margot Robbie, I felt Harley had a champion on par with Ryan Reynolds as Deadpool or Hugh Jackman as Wolverine; an actor who would work tirelessly to get their character right, on the page & onscreen, however many tries it took. Plus she was saying some interesting things about what she thought the the film & the character should represent during the rollout (and I know the movie isn't the trailer), so I was at "cautious optimism" by the time I sat down to watch the film.

I was totally wrong about one thing: the cast is the best thing about the movie, and that’s not some backhanded compliment. K.K. Barrett's production design is great, colorful while not feeling cheap or phony, and Cathy Yan has a great eye for fun directing choices that keep things zipping along... but the cast is the real MVP. They’re actually great.

Jurnee Smollet-Bell is understated & surprisingly physical as tough-as-nails chanteuse Dinah Lance, a classic “woman trying to keep her head down in a bum situation”. She gave modern comic book moll vibes & I Stan. Rosie Perez's Renee Montoya brought a dose of realism to the candy-coated insanity swirling all around her while also giving Harley an entertaining foil for the first 2 acts. She has probably my favorite fight scene in the entire movie.

Mary Elizabeth Winstead, the person I went into the movie thinking was the most grossly miscast, is hands down my favorite character in the film. She's equal parts ruthless & socially awkward, a take on Huntress that is somehow both anachronistic & perfectly in step with her comic counterpart. Even newcomer Ella Jay Basco brings a unique charm to what could have easily been an irksome reimagining of fan favorite Cass Cain as a sassy teenage pickpocket. MacGregor’s turn as Sionis is less a character than he is a symbol, acting as a stand-in for various brands of broken maleness, but the guy’s clearly having a blast and he has decent enough chemistry with the leads. Chris Messina as Victor Vsasz is an absolute snoozefest, a waste of both character and actor that I’ll give no more space or attention.

Now for the elephant in the room: Margot Robbie's Harley is my least favorite thing about the whole movie.

"But Chris..", I hear you yelling at your computational device, "...you said she was the lone bright spot of SS!"

True, but in a film with clever, unmuddied direction & other actors that actually display some semblance of emotion or charisma for more than one scene a piece, the bar has been raised this go round & Robbie's frantic mugging limbos under said bar by a mile. What’s worse is that she actively takes screen time that could be better spent fleshing out one of the other four characters. Only Huntress (who has probably the least screen time of any of the leads) actually has a backstory, but her origin is a large part of the plot. One could be forgiven for thinking the she wouldn’t have had one at all otherwise. We don’t really know anything about Cassandra Cain, Montoya is literally just Stock Cop, and you could make a whole movie out of how the hell Dinah ended up singing at Sionis’ club. And where the hell is the Joker?! Why is he letting Harley destabilize Gotham’s balance of power or letting Sionis threaten his ex-puddin’ while also claiming to be the the underworld’s top dog? Instead of answering these questions, we get a bunch of throwaway characters attacking the newly-emancipated Quinn and Suicide Squad flashbacks that look even uglier than before when placed side by side with the production design of this film. The fact that most of these characters are so thinly characterized yet still connect is a testament to the performances and chemistry of the central cast.

You get the feeling that a lot of this movie was Robbie as producer, exerting her ideas & energy onto a massive production that needed a lot of moving parts to line up in order to work. It's not easy to have everything riding on you, whether it’s the future of the DCEU, progressive representation of women in film or just your own movie stardom. I understand that and I sympathize. This frantic, flailing movie is the product of some 3 years of rewrites and pitching, shooting on and off for 9 months, plus all the promo stuff. Every interview that I've seen the cast do has basically been Robbie explaining things ad nauseam while Jurnee Smollet-Bell or Mary Elizabeth Winstead kind of quietly nod in agreement, with the exception of the recent season premiere of Hot Ones, where capsaicin finally allowed someone else get a word in edgewise. The real problem with that comes when you see the movie and realize she’s contextualizing so much of the film on other media outlets because the film itself doesn’t really seem to have the time or interest, leaving it’s star to try and explain what we actually see onscreen on the press tour. This leads to a situation akin to Final Fantasy XV, where the player needed heaps of supplemental content to understand what could and should have been included in the story proper. She just seems overworked, similar to when Ben Affleck wanted to perform the Herculean task of writing, directing & starring in the next solo Batman film. Maybe Margot & Harley both need a little break?

The internet is scrambling to diagnose why a well-reviewed movie starring a beloved character played by a popular actress is underperforming at the box office, citing everything from the trailer to the rating to the movie’s title, with many (including BoP creator Gerry Conway) blaming the lackluster box office on sexism, but I think there might be a simpler answer: this version is trying to pull from the entire history of Harley to create a singular characterization from sometimes disparate portrayals. It doesn’t help that Robbie’s Quinn exists in a universe that’s constantly shifting under her feet after every film.

Most comic characters are criticized for being inaccurate to the source material but Harley has arguably the opposite problem; almost a Crisis of Infinite Harleys, where Robbie and Warner Bros. want to stuff the best elements from every version of Harley into every movie she’s in. It’s supposed to be fan service but instead, often feels scattered and tiring. Not to mention the stuff these films just pluck straight out of thin air that don’t work...

The DC Universe version of the character chose to leave the Joker on her own terms and I thought that was a brilliant and socially relevant writing choice, so it was strange to then see the more mainstream (and arguably more popular) version of Harley be dragged out of Joker’s hideout, kicking and screaming. In a film who’s title was purposely made ridiculously long to accentuate the character’s supposed newfound self-sufficiency, For all of the things that do work well, Birds of Prey just doesn’t feel like what’s explicitly promised on the tin.

I still love Harley Quinn, and I still think Margot Robbie’s the right person for the job. No need to Pattinson her or anything... just put less on her plate and give the character and the movies she’s in a clear, singular direction. Pretty please, puddin’?

[celestialholz]

So, let’s talk about The Folly of Jephthah...

Spoiler-y review ahead, friends! Under a cut accordingly. (Spoiler, but not one you need to be saved from: bloody LOVED IT. <3)

Okay, so unpopular opinion: last year’s Flambeau ep did nothing for me. As much as I love Felicia and am always happy to see her return (although this is the first thing I’ve seen from this year’s series, I’m sure she’s a joy this time round too), I felt balancing the episode between her and Flambeau just didn’t work, which is a shame because the actual episode plot was great. He got half the screentime, very little of his normally electric chemistry with FB, and it felt like an absolute waste of the brilliance that is John Light. So beyond anything else, I was desperately hoping that series eight would bring back all of the above; that he’d grow, both as a character and in his acquaintance with the good Father, which is what I want from a Flambeau episode, and that we’d get to see Felicia shine in her own right in a different tale. Now, probably worth mentioning that I ship Flambeau and the Father to the moon and back (#geniushusbands), but that really wasn’t why the episode didn’t work. It didn’t work because neither of them got the time they deserved, and instead became one another’s plot, which is doing a severe disservice to both - they’re strong characters who can more than carry an episode alone. You’ll find no slander from me, Felicia/Flambeau pals - you’re all super valid. Personal preference alone. :) 

... But I think perhaps the BBC felt the same way, at least about the time balance, because what we got was an incredible return to form for my favourite Frenchman that isn’t Jean-Luc Picard. We managed to firmly reestablish the wonderful friendship/fairly profound gay overtones of him and FB, at the same time as watching him actually become something of a dad. Allow me to elaborate on why this was so damn amazing...

a) Instant exposition. We’re immediately in on Flambeau, all the reasons why we love him condensed in two or three minutes - flirting, charm, manipulation, theft. Let’s go. THIS is what we were missing last year already.

b) THE CHEMISTRY. IT’S RETURNED. I LOVE IT. I’m obviously a touch biased here, but I’ve never met a Father Brown fan who doesn’t love the dynamic between these two, whether it’s seen platonically, in a familial sense, or romantically. We only get to see this glory once a year, and it came back in all its fully-fledged chaos. Mark and John are absolutely fantastic together, truly. <3 We start with this lovely confessional scene (the GROWTH from The Blue Cross conversation in the same place is just moving, honestly - we need a proper side-by-side comparative, really. I can’t do graphics, please help lol), and we just have this delicious banter; neither is particularly harsh, again showing the growth of friendship over time, but it’s to the point and snappy. Kit Lambert understands that we need to go places but also be instantly grabbed, and it’s managed so well.

c) The fakeout! The fact it was his daughter, and then it wasn’t, but no, hang on, IT BLOODY IS. That’s just a microcosm of how Marianne’s learned from Flambeau that we see more in-depth throughout, and it’s so clever.

d) Flambeau trusts FB. With his daughter’s entire life choices. “There is no man I trust more” indeed... I cherish that this is a spiritual sequel to series four’s episode - Marianne was a whole waste of a single episode character, and she’s absolutely brilliant here too. You see everything she was then, all the potential, all the heart beneath the lack of morality... eurgh. I love her. Gill does an epic job here of balancing these different aspects and still making her so convincing as Flambeau’s daughter.

e) Dad vibes. Seriously, so many dad vibes, from both of them. This is literally what happens when you plot something with one of your parents as a kid, and the other disapproves, and there’s a mini battle in your house but you know it’s all fine because they each love you and you love them. It’s so stupidly sweet that they have this dynamic, that’s been built on from The Cat of Mastigus’s family vibe. Where’s the crime family AU where they bring her up? I’ll write it one day, probably...

f) The general family vibe of the whole thing. My god. Just... Bunty fully believing he won’t hurt anyone? That little Mrs M kiss? Brown just permanently knowing that he won’t go too far, that he’ll have that innate knowledge of where to stop; that he’d never just abandon her to her fate? Brown absolutely trusting Mrs M to be the bag carrier, again knowing that she won’t be hurt? That Flambeau looks so damn offended when Marianne’s eating scones with them? Kill me. Just murder me. It’s precious, without ever being too saccharine. It feels so damn in character for everyone and I adore it - it shows how far they’ve all come, and we didn’t get a damn shred of that last year. It was still very much Flambeau and Brown against the gang, and we see that develop amazingly this time around from past series. <3

g) ... FB is just having far too much fun with all of this, bless him. It’s like “Make us a plan, dear priest”, and suddenly you’ve got chess pieces and elaborate riddles and the man who doesn’t judge as the awkward judge, and it’s fantastic. I really enjoy these moments when you see how bored FB is of his quaint life, that he needs these nuances and intellectual challenges because as much as he loves his vocation, his family and his congregation, they aren’t quite enough to keep him fully happy. I love the role they gave him in this, more as an overseer; the formula of him and Flambeau racing off and being naughty is great and I’ll never tire of it, but this was a different take and it worked so damn well.

h) The dynamic between Marianne and Flambeau is exceptional. It builds so well from what we saw of them before, what we often see of Flambeau; that we’ve always had this guy who is supremely immoral but actually cares far too much, is very afraid of being damaged even more, and so hides behind this intellectual shield until he can’t anymore. We’ve got that constant oneupsman/womanship that we’re so used to with this delightful new spin, with a truly worthy adversary, and we learn so much more of the fact that Marianne really is a chip off the old block - a villain with far too much heart, whilst also being fully her own character. The interplay between them and FB is even better here than it was in series four and it’s a damn delight to watch. The different ways they approached their acquisition of the pieces, too, was just engaging, and again spelled out both the similarities and the differences between them as characters.

i) That whole heel turn/constant twist thing that Flambeau brings is always amazing, but it’s just awesome here. Handcuffs into book stealing into Flambeau putting himself deliberately in danger, on the back foot, to save her, to her saving him... it’s just great. The best thing about Flambeau eps is that we never quite know where we’re going - he’ll win, but we never know how, or to what degree. I think we all know he was never going to shoot that poor guy, but hell, it still had me endlessly intrigued about how it was all going to go down, whether we’re be in fake death central again, whether he’d be properly injured in the process... gah. Just gah. The family reunion thing felt so very earned by the end, because not only had they been through the emotional wringer, but they’d gained one another’s respect... and in the kitchen, of all places. The family, watching the family reunite. Perfection. And it isn’t all sunshine and roses, which I appreciated immensely - you can’t fix abandonment so quickly, and it never felt like a full redemption, just a wonderful beginning. And he won, because of course he did. Beautiful, truly. <3

j) Chess. I don’t care how you wish to take that, that’s just... that’s peak gay, friends. Charged conversations over a chess board, full intellectual prowess on display, smiles all around, and Father Brown finally winning a confrontation between them? Look, I’m just saying, Father - asexuality is super valid. Just marry the man, good lord... but however you all viewed it, the point is, the single best part of Flambeau episodes is always the electricity between these two, and this whole chess thing just brings it front and centre. This is why I felt bereft last season, because we just didn’t get any of this absolute magic, and that was the true crime of the episode. My personal thanks to Kit Lambert for bringing this wonder back. <3

Tl;dr: Flambeau’s back, folks, and he’s better than ever. Found family, actual family, duplicity, scheming, and a very, very bored priest to tie it all magnificently together. God, I hope the rest of the series is this good... <3

[makeste]

some asks about BnHA 241 and 240 and then some random other asks

I agree with this completely, anon (especially given his attitude throughout the rest of the chapter), but I didn’t edit my initial response since I think there’s a good likelihood that he still deadpanned the line despite being 100% sincere. one could say he was Accidentally Sarcastic. anyways yeah, Todoroki Shouto is a disaster more at 11. 

(but also, he’s totally right and Bakugou is in full-blown denial over their blossoming friendship. because he already decided that they’re Not Friends, and thus he has to actively work to maintain that status now. which Todoroki is making very difficult these days! can you fucking do your part to keep the fucking rivalry going, Icy-Hot?? can you at least try?? why does he have to do all the work. sometimes he forgets for a moment and Todo catches him off guard and he responds normally without thinking and doesn’t realize it until later, and god. why is everything and everyone so stupid.)

I have not forgotten (though I did mix up Pixie-Bob with Mandalay though woop)! and that annoyed me too. we only have like six female pros out there as it is. why do half of them (looking at you too, Midnight) have to be mildly sex-crazed. I know it’s not serious and they’re not actually being serious, but still, is it really asking so much to get some female pros whose eccentricities are less specifically tailored to common male fantasies. you’re a fucking hero Pixie-Bob! you’re a fucking earthbender and you’re hot as heck. why are you so worried about not being able to Get A Man. with Mt. Lady it at least fits more with her general personality from what we’ve seen, I guess. anyways, y’all know I love like 98% of this series, but this is part of the 2%, so. it is what it is.

Tomura is Endgame Thanos, a.k.a. the most sinister and most genuinely frightening of the Thanoses. this really isn’t on track to end well sob.

ah, my bad. (regardless, it was still dramatic af.)

I think she’s a six-year-old (?? she seems six-ish, idk) girl who was terrified of her father and trying to stay under his radar (which was frankly the smart thing to do based on what we’ve seen), and was trying to teach her younger brother how to do the same, and I don’t blame her at all for throwing Tenko under the bus (if that’s indeed what happened); I’m sure she just panicked and didn’t mean it. she’s just a kid. -- was just a kid. anyways she was super cute and would have made a fucking awesome hero, and her death is easily the one I’m still the most raw about out of that whole fucking nightmare. I’m not getting over that. I want her to still be alive; at one point I was convinced of a conspiracy theory that AFO had secretly spared her too (because two Shimura heirs to manipulate are better than one), and Tomura only believed that she was dead due to his fragmented memories. but that seems less likely post-chapter 236.

so yeah, I’m still very upset about this. she was good and kind and loved her brother and had a lot of spirit and she did not even remotely deserve what happened to her.

thank you so much!! one of the best parts of fandom is interacting with other people and reading everyone’s different takes and theories. lord knows I miss a lot of stuff when I read, even when I’m trying very hard to pay attention. so I love when other people point stuff out and bring up ideas I hadn’t thought about.

also! without exception, every single person I’ve ever interacted with in this fandom on tumblr has been polite and courteous and civil as fuck, even on the occasions when we disagree, and I absolutely can’t take credit for that. people are just cool. so thank you everyone. (and particular shoutout to @thequietmanno1, who for some reason I can’t tag, but whom this ask is almost certainly referring to specifically.)

lmao anon this made my fucking day. thank you!!

all right, here goes!

a) this is possible for sure in that as a rule, I never put anything past AFO, and I don’t doubt for a second he’d be capable of this. but, it would kind of suck though. specifically it would suck for Tomura, who’s only just starting to come into his own at long last, and who has gone through quite a lot to get to this point. like, that would be devastating to see him reduced to a literal puppet after all of that. and if it did happen, I don’t know what the odds would be of him actually being “saved” after that (All Might at least would try, but I can’t see anyone else being concerned enough to bother. well except for the rest of the League, come to think of it. that could be interesting), and I’d be really sad if that ended up being how he went out. these things usually don’t end up working out too well for the body snatchee.

plus, this also hinges on whether or not AFO is capable of transferring his quirk to Tomura’s body. if not, there’s no way he’d take the tradeoff, regardless of how powerful Tomura’s own quirk has become at this point. that would just be a really bad deal. like trading the cow for beans, except these ones aren’t even magic beans, just like. normal beans. but if he does have a way of transferring the AFO quirk, then yeah. although he could take anyone’s body then if that was the case, and I can think of a few targets who just might be even more tempting than his protege. All Might’s protege, for one. ...you know what, this line of thinking is starting to get a little too horrifying so let’s move on to the other theory lol.

(b) a few people have mentioned the Shimura Momo theory to me, but to be totally honest, I can’t see much of a logical basis for it other than them bearing a slight resemblance and having similar hairstyles. Inko has also been brought up as potentially being related to Nana for the same reasons. it’d be cool, no doubt, but for me, I need more evidence than just that. I just don’t see how this would advance the plot or the characters’ storylines in any meaningful way. I guess it could potentially tie Momo in more to the central plot, but it’d be kind of a weird way to do it, idk.

then again I’m one to talk, because until fairly recently I was on board with Hagakure of all people turning out to be a Shimura (Hana, to be specific). she’s the traitor, she’s invisible, we never did find out what Hana’s quirk was, and this would mean that Hana was still alive this whole time which would be GREAT, because seriously fuck you Horikoshi!! but yeah that doesn’t seem likely now either. dammit.

anyway, so I’ll just say that both of these theories are possible, but for me personally, in order to be sold on a specific theory I need to be able to see how it logically fits within the storyline and how it moves the story forward. like, Dabi being Todoroki Touya is something I’m 100% on board with, because that’s an established mystery in the series (who is Touya, what happened to him, who is Dabi, etc.), and Dabi fits into place with the evidence we have, and it gives us a lot of Todoroki drama and gives Endeavor and Shouto a personal connection to the Leagu... Pliff. but for something like the Momo theory, I would need there to be some indication that there’s a third sibling we don’t know about, and some hinting about there being more to Momo’s past than we know, and right now I don’t see either of those things, so it’s hard to get on board. hopefully that makes sense.

anon I really like that you phrased this as an inevitability lol. (and I am 100% on board.)

assuming this happens at the very end of the series, I like to think Tomura and the rest of his gang will manage to “escape” the heroes (“oh no... Tomura... he’s getting away... this is awful... somebody stop him” meanwhile no one is making even the slightest effort to move lol), at which point they will live the rest of their lives happily ever after as Lovable Outlaws and All-Around Scamps. like, maybe they’ll still commit some crimes, but they won’t be like serious crimes or anything. they’ll have more of a Guardians of the Galaxy vibe, maybe. I want them to be happy and I don’t want them to go to jail even though they’re teeeeeeeechnically murderers, I GUESS (look, nobody’s perfect!!). but maybe they steal the occasional priceless artifact and inadvertently wind up saving the world. seems like the best compromise.

lol I don’t know what this means either. like in the way a Youtuber has their own brand?? or like Frito-Lays. idk all I really do is talk a lot about an extremely popular manga, so I don’t think that’d really count?? I’m fine with this just being a little tumblr discussion blog haha.

so I’ve gotten like a half dozen asks and messages about this lol. (someone actually told me a very specific detail about said past! so just to remind everyone, I’m spoiler-free on Vigilantes right now guys, I’m sorry. I know it’s no fun.) I regret to admit that I still have not yet gotten around to it. I don’t know what it is, but I’m having a lot of trouble reading new stuff right now. I tried to start the other new BnHA spin-off which @temperatezone told me about (and btw no I did not know about it, so thank you!!) (and also! BnHA has THREE SEPARATE FUCKING SPIN-OFFS right now, how fucking crazy is that. like, I don’t want to accuse a manga series of literally trying to take over the world, but!! seriously that’s just insane), which has an amazing premise, but I haven’t had time/been in the right mindset to start that yet either. it sucks. I’m sorry. I’m working on it. ;;

press f to pay respects to what could have been, guys. they literally had it all. class, an ironic acronym, you name it. and now it’s just PLF. the Iron Patriot of villain organization names.