I honestly and truly believe all good AUs should be a little “”””ooc”””” in the sense that good characterisation involves understanding that changes a characters backstory and circumstances will have an effect on how they respond to the world around them
Good characterisation isn’t about creating a perfect 1:1 canon replica it’s about understanding why a character is different in your work and about grounding the changes you do deliberately choose to make in canon character traits
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One of the most memorable interactions was Saturday. Into our booth strolls a small family, tempted by free samples of freshly brewed tea. We chatter and give them the spiel, that the tea is character merch and we’re a cozy health-based app called Forage Friends.
The young girl zeroes in on our pride pins.
“They have my pin!” She says excitedly. “They have my flag!”
The dad blinks. He is surprised, but also calm and positive when he sees it’s the lesbian flag. “Oh. That’s… different from what you told me.”
“That was months ago, dad.” And she rolls her eyes. Definitely a teenager.
I turn to him and say, “Yeah, dad.” And we share a little laugh about it.
He says, “No, it’s great. That’s amazing, honey. It was just news to me.”
“Well, I guess I just decided to stop lying to myself. About liking guys. Like right now.”
A little lesbian just came out to her dad and he was super cool about it.
I’m standing there in my tie-dye mask and my cheery blue apron pouring tea and making small talk and I’m trying really hard not to cry or compare it to my experience, the fire & brimstone, the disgust, the conditional acceptance as long as I never bring it up.
So as this beautiful bonding is going on, the girl’s even younger brother turns his gaze around. He’s in a snorlax hoodie and bored and wants to go look at the swords across the hall. But on the other side of our booth….
“WHY DO PEOPLE DRAW THAT?” He asks loudly, and we all turn to our neighboring booth.
Our neighbors were extremely lovely people. Every time we had a break we would talk, and we became good friends over the weekend. They kept apologizing that their booth was next to ours and we kept repeating that it was totally fine. Their booth was great. I even bought their merchandise.
The thing that was so contentious, that they felt the need to apologize for, was that they were selling explicit titty hentai stickers of popular characters. They were censored with little yellow R18 labels but the content was very clear.
So back to the family: I freeze and immediately go somewhere else to let dad handle this question. With adult customers I’ve been loud and positive about our neighbors. (“Man, how has it been boothing next to them?” It’s been great! They bring a lot of foot traffic and they’re kind and wonderful professional neighbors. If anything it’s a fun juxtaposition. We believe in artistic freedom. I bought a sticker too!)
But this is a kid, it’s not my place to explain anything…. But I was extremely curious about what this chill dad would say.
“Well,” dad says with a long measured silence between each word. “Sometimes people are horny.”
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you're going about your normal day when, suddenly, surprise! you've been pokémon mystery dungeon'd!
unfortunately, due to budget cuts, the pokémon assigning quiz has been canceled. instead, you must spin THE WHEEL, assigning you a random, unevolved, non-legendary and non-mythical pokémon. you must now go on some sort of world-saving adventure as this pokémon. good luck!
tell me in the tags what you rolled, and how you feel about it - for bonus points, you can spin the wheel again for (or just take your pick of) a pokémon to be your partner.
bonus rules:
you're not shiny unless the wheel tells you you're shiny
take your pick of regional forms and evolutions (for example, if you roll vulpix, it's up to you whether that means normal or alolan vulpix)
apply whatever logic you like with regards to gender
have fun and be yourself!
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I've been thinking a lot lately about how Kabru deprives himself.
Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
...but he doesn't get to enjoy it like he wanted to.
Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
Meals are the privilege of the living.
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also worth noting that "abusive" doesn't actually mean "irredeemable" either.
there's a lot of people that have done things in the past that were bad, because they weren't taught any better, or they were in an overall toxic situation where EVERYONE was shitty (like a cult), or they were just at an especially low point and hurt others for it.
you don't have to forgive them. you don't have to ever speak to them again. you can be angry with them until you die if you want.
but society cannot function if we don't allow them to move on. to change their behavior and fuck off somewhere else and build meaningful relationships without bothering you again. we need a path for people to change, or nothing ever will.
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