#you said you would buy the paint

[kentucky-daisey]

The undeniable urge to do renovations.

I am a queer woman and I want to fix something with my hands!!! Take me to Home Depot and set me free!

[uselessnbee]

madwheeler sibling dynamic with "i've always wanted a brother" and "i've always wanted a sister" but Max is the brother and Mike is the sister

[riverofrainbows]

Once again. You can tell me I've not done something that would have been smart, or you can stop me from doing that thing (which i wanted to do and had planned meticulously in order to be able to do). You can't do both.

[bi-writes]

hiiiii I'm new to your page but i would like to ask you what would've happened if simon mail-ordered a bride?

mail-order bride

you stare down at the address on the card, blinking as you reread the house number and look back up at the cottage in front of you. the numbers match, but you just need a few more minutes before you knock on the door.

you're not holding too many things. you have one suitcase with the entirety of your belongings at one side, the cat carrier sitting on top of it. on the other side, you hold a bundle of papers. your immigration papers, all shiny and new, your birth certificate, and your new british passport.

when you look back down, you swallow as you read over your name. it's odd, to see something new in the section labeled SURNAME.

Riley.

you've never met him. this isn't legal, it can't be, to have all of these things. he must be someone important. someone they value. or maybe, they are just too afraid to say no to him.

the front door opens, and you freeze on the spot as you see someone duck their head to step outside. they're wearing a mask, covering their entire face except for their dark eyes, but it's hitched up over his nose as he holds an unlit cigarette between his lips.

he stares as he sees you at the end of the steps. he frowns, looking you up and down.

"weren't supposed ta be 'ere for a few weeks."

your eyes water a little, but you only manage a shrug.

"i-i..." you meet his eyes. "i-i couldn't stay there any longer. i didn't have anywhere else to go."

he tucks the cigarette back behind his ear, slipping the mask off. it reveals a tousled mess of short blonde hair and a terribly scarred face. his eyes dart to the little carrier sitting next to you when he hears a soft meow coming from it.

"said no pets."

your lip trembles.

"please," you whisper, and his lip twitches as he fights off a scowl. you imagine he must not have much practice in hiding his emotions. he comes down the steps anyways, coming closer, and you pick up the carrier as he snatches the suitcase off the pavement, making his way back inside. you follow him, naturally.

when you close the door behind you, you're surprised at how quaint it all is. nice brick fireplace, a soft carpet (no shoes allowed is what he snapped at you), and wonderfully furnished to make the place cozy, warm, lived-in. there's throw blankets and accent pillows. there's pictures on the walls, paintings, yellow corner lights to give everything a soft glow. the kitchen is beautiful, with lovely colored tile and wooden cutting boards, a drip-coffee setup in the corner and worn cookbooks stacked neatly by a stainless steel toaster. there's herbs growing in little pots sitting on the windowsill above the sink, and there's a cast iron pot decoratively resting on the stove.

it's spick-span clean. there's no specks of dust or splatters left over from bacon grease. there's papers pinned to the fridge, lists to remind him to buy whole milk and sliced bread and call about the internet bill being charged twice again.

you set the carrier down on the couch, unzipping the top. a little curious black head pokes out of it, and you reach in and pick the cat up under its belly and drop it onto the floor. immediately, the cat spreads its front paws, claws sticking out as they begin to knead the carpet and use it as a personal scratcher, the prick, prick, prick sound enough to draw the giant man out of the bedroom with a hard frown on his face.

he points at the thing and shakes his head.

"keep tha' thing off the fawkin' counter," he snaps at you. he purses his lips when he sees you still standing there, afraid to even move. he comes closer, the cat scurrying off, and he yanks your coat and scarf off, going to the hang them up by the door. "can unpack tomorrow. need t'make somethin' ta eat."

you move immediately towards the kitchen, hoping he keeps a stocked fridge, but he puts out a big hand and stops you, stepping in front of you.

"the fuck are y'doin'?" he asks, and you blink up at him.

"you said to make dinner...s-sir?"

he tilts his head to the side, narrowing his eyes.

"y'listen t'this," he murmurs. "women don't lift a fuckin' finger in this house, y'hear?"

you nod, and he reaches up and palms your throat, cupping your jaw.

"and my wife doesn't call me sir," he mutters. "it's simon."

you soften a little. "i-i'm sorry, simon."

"don't apologize," he grits his teeth. "did nothin' wrong."

when a fresh set of tears comes down your face, he wipes them away with ease, calloused thumb swiping over your cheeks and quieting you. he puts something into your hands, a velvet box that he must've gotten when he went to put your suitcase away.

"y'r a riley now, yeah?" he murmurs, and you tilt your head at an angle, and your foreheads brush together when he bends low to speak to you. "act like it."

you lean up on your toes (he's so fucking tall), and you kiss him softly beside his mouth. when he moves his head, your lips brush against each other, but he pulls back to make his way to the kitchen. you hear the gas stove light up, and a few minutes later, there's a familiar smell of onions hitting hot olive oil.

you take a seat on the couch, smiling to yourself, wiping your eyes as you curl up there. you flip open the box, sighing shakily when you see the rectangular diamond and matching gold wedding band. when simon comes back in to give you a mug of tea, you take it with your left hand, and his eyes flicker when he notices the new jewelry there, so pretty, so new.

mine.

when he pads back into the kitchen, the cat blinks up at him slowly, green eyes bright as they sit on the counter.

simon walks past it, saying nothing at all.

[moechies]

kissing up on sukuna.｡o○

“what’re you doing brat? stop it.”

your lips assault the man’s face, peppering sweet kisses along his plentiful tattoos. he’s always been sensitive where the black ink littered across the skin of his body, and you figured that out not long after he took you as his dearest wife .

he squirms away from your touch, a light push against your chest, “stop it.”

“what.. you don’t like it?” you purr, rubbing the sticky gloss off of his cheek. he doesn’t answer you, only a petulant frown that paints his face, likely embarrassed of the slight flush in his cheek. you don’t mind.

“can i do it more ?” you ask sweetly , although he’d never ever say no. he does his best to sit below you obediently, but can’t help but grumble when he feels your sticky lipgloss transfer onto his skin. the scent of artificial strawberry is nauseating to him, and he doesn’t get why you like it. but for you, he thinks he’ll deal with it.

for now at least, until he gets so fed up with it he ends up throwing it away. but don’t fret, he’d repay you by buying you a variety of new designer products that would last a life time, just so you won’t fuss.

“do you like me ryomen?“

his eyebrow raises,

“you think i’d let someone i didn’t like torture me like this?” he grumbles, your cheeks in between his fingers forcing you to face him whilst you spoke.

“admwit it, say you wike me pwease.” your voice slurred due to his grip on your face.

“you’ll say it if you weally do !”

“no. you already know that i do. why should i say it?”

“pleaseee , ryomen ?”

he sighs, letting go of your jaw allowing you to rest yourself on his chest.

“i like you.”

“y’ do? really?!”

“you know that! we’re married!”

“but you never said it until now! now it feels real.” you look up at sukuna with a dopey smile, eyes bright and so full of love he swears he sees hearts as pupils. he can’t help but crack a smile internally, but in reality he simply huffs.

“tch. i might even love you, dumb brat.”

[medicinemane]

I'm still mad about the friend of mine who got harassed off of here. Any time I see their old url, it feels really nice to see it again, but then I remember why they're not using it anymore

Didn't do a damn thing wrong, just annoyed some people enough they started a harassment campaign. They literally said as much, I'm not just making that up. Every last thing they supposedly did wrong either wasn't wrong period, was twisting their words hardcore, or was a situation where they didn't realize the context of a phrase they were using a tiny bit of gentle correction was enough to make them go "oh shit, I didn't realize that" and change (but still get harassed even though they literally had already changed)

Accused of all kind of horrible shit over fucking nothing, people just like having an acceptable target and are a bit over eager to buy into slander that if you actually know the person is demonstrably false

I still talk to them of course, but the past pisses me off

[veritasangel]

comforting love

ft. Price, Soap, Gaz, Simon

⋆ ˚｡⋆ fem pov ୨୧˚ warnings: none {wc: 778} ༄ I just love sweet tf141

Thinking about being Price's wife and the rest of the guys just love you. Honestly they adore you before even meeting you, just glad the Captain’s found someone that makes him gush like a teenager just talking about you to them.

And then when they meet you, they totally get the way he acts now. You were so sweet, even bringing them all personalised care packages based on things Price had told you about them. You had said you were bringing Price one and felt bad leaving his boys out, especially when they all probably missed home whilst at base.

For some, it was a cute gesture, one not too unfamiliar. But to Simon, receiving something made with such care from someone was foreign.

He thanked you and tried to act indifferent but as soon as he was in the barracks, he was studying everything inside. Some much needed snacks and drinks, a small cute hand painted cartoon ghost figure typical as well as a new journal and a fancy pen that he had no idea how to use. Price must’ve told you he’d began journaling to help his thoughts.

Everyone managed to move on pretty quickly from the thoughtful gifts they received but Simon really cherished it. He ended up having a heart to heart with Price one evening about it after one too many drinks, a few tears even making an appearance, that he claimed was allergies.

A night that Price told you about, the memory of it surfacing as you visited the base again and as you greeted them all, Simon just gave you a really long and silent hug. You didn’t know exactly what he was thinking, but you let him have this moment and he was grateful for it.

Then there was Gaz. Typical sweetheart. Always complimenting you, a kiss to your hand here and there, maybe even a friendly kiss on the cheek, earning a chuckled “Don’t try and steal my missus.” from Price. 

And when you returned a compliment one time, he couldn’t find any words for a good few minutes, cheeks burning hot before clearing his throat and mumbling an almost shy, slightly inaudible thank you. 

He’s always asking Price how things are with you and what you’ve been up to when the group doesn't see you for a while. 

He jokes that he can live vicariously through Price and hoping one day he can find someone as sweet as you. And when you hear about this, you’re tempted to set Gaz up with a friend of yours but Price convinces you that it’s an awful idea so you refrain.

And of course Gaz sends you flowers for valentines day along with a sweet note and a thank you for keeping their beloved Captain happy.

“How big was the bouquet?” John asks,

“I don’t know, normal size?” you question,

“Not bigger than mine?” he adds,

“No.”

“Good, can’t have Gaz upstaging me like that.” 

And of course, Soap. Shameless flirting right from the start and awful cheesy jokes on top of that. He was exactly the way Price described him, if not amplified about a thousand times more in person.

“I mean ma name’s John too, I’m like basically halfway to being your husband anyway.”

The guys appreciated his jokes but they could only hear them for so long before losing their mind. So when you were on base, he was running through every joke and story in his head so he could hear actual genuine laughter at his humour.

And by the end he was definitely addicted to the sound, a tiny bit jealous that Price gets to hear it so often, even if he would never admit it.

“So for her birthday, I was thinking we could get the second instalment of that book she loves.” Soap says with a grin.

“I know what to buy my wife Soap, I’ve got it covered.”

“Alright, well I know the lass well enough now to give you great suggestions, you should listen.” Soap mumbles as he adds the book to his basket, followed by a few more, earning a pointed stare from Price.

When you were visiting Price on base, you gave all of the guys a home away from home and they all appreciated you massively.

You visited for your husband of course, but you got to know them all, looking out for them as well. Making them feel loved even when you didn’t need to.

“So when do we get to see our girl-” Soap begins,

“My girl.” Price interrupts with a warning stare.

“Our girl.” Gaz repeats Soap's words.

“Yeah. They’re both right, Cap'n. Our girl.” Simon adds.

༄ cod m.list

© veritasangel ↣ 𝘥𝘰 𝘯𝘰𝘵 𝘤𝘰𝘱𝘺 𝘢𝘯𝘺 𝘰𝘧 𝘮𝘺 𝘸𝘰𝘳𝘬𝘴

[tinyluvs]

imagine dating spencer and you come to visit or something and make him so distracted that he literally can’t info dump on something and the rest of the team is just shocked

yes yes, a hundred times yes 🤭 thank you so much!

catching a glimpse of yourself in the elevator mirror was the last thing you needed right now. you were covered in paint, your dungarees showing up every coloured streak and hand print against the light denim. you're sure there's paint in your hair but you don't have time to dwell on it, you're late

you'd got stressed, painting your boyfriends apartment on your own, lost track of time and then didn't have the time to change before running out of the apartment, just about managing to remember to grab yours and spencer's lunch on the way

"i'm so sorry i'm late," you sigh and frown as you rush through the bullpen to the collection of desks you're oh so familiar with, "please excuse the state of me,"

spencer turns at the sound of your voice, "hi sweetheart," he hums, looking up at you just as you dip to kiss him quickly before pushing the bag of food onto his lap

"hey," you smile softly at your boyfriend before turning to his colleagues, "hey guys, how are we all?" you ask, getting a mixed bunch of replies back

"how's painting?" derek laughs, looking at your appearance and the state of your clothes

you slide onto spencer's desk, pulling your legs up to sit cross legged, "standing six feet up a ladder trying to hold a tray of paint and a brush is hard, i've nearly fallen off twice," you huff,

spencer hands you the sandwich he knows is yours and then seemingly looks at you properly for the first time since you've been there, "hey," he says, almost breathlessly

"hello?" you question, head tilting slightly, "you've already said hi," you say, looking at emily and jj who just snicker and shrug their shoulders but spencer doesn't reply, "oh before i forget!"

your boyfriend watches you carefully as you produce a piece of paper from the tiny pocket on the front of your dungarees, flapping it around to unfold it, your other hand busy clutching your food

"the living room is next, i need to know how much paint to buy," you explain, handing the paper to him, "the cans are one litre or five litres, i can't figure it out"

truth be told you hadn't bothered to try and work it out, knowing spencer would be able to reel off the answer like it's nothing, naturally, he knew the exact measurements of every wall in his house

the boy stares up at you blankly, big brown eyes soft and sparkly. your cheeks heat up under his gaze, your eyebrows raising slightly, "spence?" you nudge him with your knee

he jumps ever so slightly, his head shaking a bit, "hmm?" he asks before only just registering you've handed him something, his eyes scan over it, "oh!" he blushes, turning his chair to face his desk

"what colour are you doing the living room?" jj asks while she stabs at her salad like it's offending her. you'd consulted the girls with all of the decorating developments.

"a light brown i think, we have so much to hang on the walls," you pause to swallow, "so something neutral," you finish with a slight nod

a door opening to your side grabs your attention, aaron coming out of his office with his lunch. he comes down into the bullpen, sitting on the edge of emily's desk, "the paint fighting back?" he asks you, slight smile creeping over his face

you roll your eyes at him, playfully, while the other laugh at your expense, "very funny but i don't see any of you offering to help"

penelope scoffs, "actually, i did" and she was right, however her idea of getting wine drunk and decorating had been quickly shut down by spencer, the only input he's actually offered up in the whole process

giggling, you turn back to your boyfriend who's been far too quiet, "boy wonder?" you say gently, pushing your fingers through his hair, "got an answer for me?"

usually he would have an answer within seconds, his minutes of silence making you frown, he turns to you with the same frown painted across his face, "i don't know," he says

people around you gasp, loudly too, "what do you mean, you don't know?" emily almost chokes on her lunch, sitting forward to gawp at the boy

"i do not know how much paint we need" he confirms

derek scrambles, pulling his phone out of his pocket, "say it again, i need record of this moment" he pleads while garcia smacks him

"well there's a first," david says, wandering over after hearing spencer say i don't know for possibly the first time, ever

your boy stares at the paper in his hand and then up at you, confused, "i have to go and work it out, excuse me" he says, rushed, as he stands and takes off towards circle table room

after a moment of shocked silence you turn to the team who are all staring directly at you, "i'll go check on him, i wonder what's wrong?" you say to no one in particular as you hop off of the desk

"i think i know," jj sing songs and the others hum in agreement as you hop up the stairs and along the walkway into the room.

when you get into the room spencer is stood in front of the biggest whiteboard you've possibly ever seen, marker in hand though the board is still empty of his handwriting

"spence? angel?" you say quietly, staring at his back as he starts to write the measurements of the walls in his living room, "everything alright?"

he hums, not turning to look at you as he continues to work through the problem, "yeah, fine, just can't think properly when you're around," he admits, "not when you look like that," he turns slightly to look at you

"oh, do you want me to leave?" you're sad, its obvious in your voice. nervously you start fiddling with the sleeves of your sweatshirt

your boyfriend gasps, "no, no, honey that's not what i meant!" he says, holding his arm out. you slide into the space, head resting on his shoulder, "you're so beautiful and i love you so much, so so much, my brain just switches off when you’re around"

"really?" you giggle, looking up at him. he hums and nods his head, a light blush rushes up his neck before taking over his cheeks, "i love you too,"

he's taller than you, forcing you onto your tip toes to kiss him, not caring when someone, emily, whoops from the bullpen. gentle hands squeeze at your waist, while you hold his face with one hand, the other resting on his shoulder

"three litres," spencer mumbles against your mouth, you pull away with a sight hum, forgetting what you'd asked of him, "you need three but it's cheaper to just buy five and have left over, now come back" he huffs, his arm wrapping tighter around you to pull you back in for another kiss

thanks for reading! remember to like! reblog! and comment! i’ll give you a smooch if you do, ily!! send prompts to my ask box!

❥ spencer reid masterlist !!

[dduane]

I just received a copy of a book I've been very much looking forward to by a favorite author, but the quality of the book itself is... not great. Cheap paper, weak binding, even a weird illustration of the main character on the cover that I'm having trouble believing the author approved. Obviously, I don't want to leave a bad review on Amazon or GoodReads or anywhere, as I'm 100% certain the content is as excellent as her other work. But how can I best let the publisher (Baen) know I'm disappointed without threatening to never buy her books again? Because, well, if this is the only option, I'm gonna keep buying them even in my disappointment.

Well, the first thing I thought when I read this was "Wow, I'm really glad I don't have anything in print from Baen at the moment except a couple of anthologized short stories." :)

As for the rest of it, let's take it point by point.

Adding a cut here, because this will run a bit long. Caution: contains auctorial bitching and moaning, painful illustrations of cases in point, and brief advice on how to complain most effectively. (Also links to paintings of cats.)

Cheap paper: This has been an accurate complaint since well before COVID—and it's often been worse since, with supply chain issues also being involved. That said: one way publishers routinely save money on printing books, especially the bigger ones, is by going for thinner/cheaper paper. I remember one of our UK editors going on at great length and with huge annoyance—during one of those late-night convention-bar bitch sessions—over how the only way they could get some really good books published (because Upstairs insisted on reducing the per-copy production costs) was by reducing the paper quality to the point where you could nearly read through it. Sacrificing decent text size(s) also became part of this. Nobody in editorial was happy about the result: but there wasn't much they could do.

Bad bindings: Similar problem. Sewn bindings used to be a thing in paperbacks... but not any more: not for a good while, now. These days, it's all glue. Even hardcovers are showing up glued rather than sewn. Don't get me started. :/ (This is why I so treasure some of the oldest paperbacks I've acquired, which are actually sewn.)

Crap covers: I've had my share of these—though my share of some really good ones, too. And one of the endless frustrations of traditional publishing is that the writer routinely has little or even no influence over what the cover will look like... let alone how much will be spent on it, or (an often-related issue) how good the execution will be.

There are of course exceptions. If you're working at the, well, @neil-gaiman -esque level or similar in publishing, a lot more attention is going to be paid to your thoughts. You may even be able to get "cover veto" written into your contracts, so that if you disapprove, changes will get made. But without actual contractual stipulations, the writer has zero legal recourse or way to withhold approval. (And I bet even Neil has some horror stories.)

The normal workflow looks like this. After a book's purchased, its editor and the art director discuss what it's about and what the cover should look like. The art director then hires an artist and tells them what to do. After that, the artist executes their vision and gets paid. It is incredibly rare for a writer to have any significant input into this process. And as to whether or not they approve of the final result, well... the publisher mostly just shrugs and goes back to eyeing the bottom line, muttering "Who told them they get a vote?"

Now, I've been seriously lucky to occasionally be an exception in this regard. In particular, my editors at Harcourt (when Jane Yolen and Michael Stearns were editing Harcourt's Magic Carpet YA imprint) would ask me what I thought would be a good idea for the next Young Wizards cover, and I'd think about it a bit and send them back a paragraph or so about some core scene. They'd then talk to their art director, and after that send their notes and mine to Cliff Nielsen (who started doing the covers for the hardcover and mass-market paperback editions of the series in the mid-90s) or to Greg Swearingen (who was the artist on the digest-format editions). And the results, by and large, were pretty good. ...I also think affectionately of the UK artist Mick Posen, who insisted on seeing pictures of our cats before painting the covers for the Hodder editions of The Book of Night with Moon and On Her Majesty's Wizardly Service (the UK title for To Visit The Queen).

But this kind of treatment is a courtesy—not even vaguely suggested in the books' contracts, and very much the exception to the rule. And for every writer who's midlist, there are times when the luck runs out. For example: one time I wrote a book that was an AU-Earth-near-future fantasy police procedural, thematically pretty dark—dealing with issues of abuse of megacorporate power, institutionalized bigotry, and (explicitly) attempted genocide. And the cover, done by an artist who's a good friend and some of whose fabulous art hangs in our house, came out looking like this. It was... let's just say "not ideally representative."

So I was glad, when my local workflow allowed it, to recover the current, revised version of the book with something at least a little more apropos. But the original cover's not the artist's fault. He did what the art director told him... as a cover artist must do to get paid, and (ideally) to get hired again. At present, that's how the system works.

...So. You've got a badly-built and -presented book on your hands. How best to make your feelings known in some way that might make a difference down the line? (As you make it plain that you'll keep buying this author's books this way if you must.)

First of all: when (as part of my psych nursing training) we were taught how to complain most effectively, we were told that the first and most basic rule of the art is this:

Only Complain To Someone Who Can Actually Do Something About Your Problem

So I salute your desire not to waste your time taking the issue to the reviews on Amazon, or the pages of Goodreads... because they can't do anything. The odds that anyone from production at Baen is reading the comments there strike me as... well, not infinitesimally small, not being hit-by-a-meteorite-while-in-the-shopping-center-parking-lot small... but really low.

So: write to corporate.

In your place I would go online and rummage around a bit to find out who's on record as the publisher at Baen. I would then write them a letter on paper. And I would lay out the problem pretty much as you laid it out up at the top.

The tone I think I'd choose would be the more-in-sorrow-than-in-anger approach. I'd say, "I write to comment about your recently published book by [X Writer], whose work I love. I have to say, though, that I don't think the cover on [X Book] is terribly representative of the quality of the prose inside. And also, the construction and production quality of the book itself was a disappointment to me because [here spell out why].

"I'd really like to see [X. Writer's] books succeed with you, and I'd like to buy more of them without wondering whether I was going to be disappointed again. But if this is typical of how they're being produced, I'd also be concerned that the state of these books is setting up a situation in which the author's sales will be damaged, and you would stop publishing them... which would really be a shame. Whereas on the other hand, better production quality could keep previous purchasers coming back and buying, not only more books by this author, but books by others whom you publish."

This phrasing, as you'll have seen, walks a bit wide around the issue of your further purchases, while directing attention toward the bottom line... which will routinely be what the publisher's looking at from day to day. And—being, one has to hope, in possession of the wider picture as regards what's going on with their production costs—maybe they can actually do something about it.

Anyway, nothing ventured, nothing gained, yeah? It's worth a try. All you can do is hope for the best.

And finally: please know that I admire your commitment to the author: whoever she is, she's lucky to have you. It's a terrific thing to have readers who'll willing to spend the time to hunt you down, and who're willing not to judge a book by its cover. :)

[mostlysignssomeportents]

Google’s enshittification memos

[Note, 9 October 2023: Google disputes the veracity of this claim, but has declined to provide the exhibits and testimony to support its claims. Read more about this here.]

When I think about how the old, good internet turned into the enshitternet, I imagine a series of small compromises, each seemingly reasonable at the time, each contributing to a cultural norm of making good things worse, and worse, and worse.

Think about Unity President Marc Whitten's nonpology for his company's disastrous rug-pull, in which they declared that everyone who had paid good money to use their tool to make a game would have to keep paying, every time someone downloaded that game:

The most fundamental thing that we’re trying to do is we’re building a sustainable business for Unity. And for us, that means that we do need to have a model that includes some sort of balancing change, including shared success.

https://www.wired.com/story/unity-walks-back-policies-lost-trust/

"Shared success" is code for, "If you use our tool to make money, we should make money too." This is bullshit. It's like saying, "We just want to find a way to share the success of the painters who use our brushes, so every time you sell a painting, we want to tax that sale." Or "Every time you sell a house, the company that made the hammer gets to wet its beak."

And note that they're not talking about shared risk here – no one at Unity is saying, "If you try to make a game with our tools and you lose a million bucks, we're on the hook for ten percent of your losses." This isn't partnership, it's extortion.

How did a company like Unity – which became a market leader by making a tool that understood the needs of game developers and filled them – turn into a protection racket? One bad decision at a time. One rationalization and then another. Slowly, and then all at once.

When I think about this enshittification curve, I often think of Google, a company that had its users' backs for years, which created a genuinely innovative search engine that worked so well it seemed like *magic, a company whose employees often had their pick of jobs, but chose the "don't be evil" gig because that mattered to them.

People make fun of that "don't be evil" motto, but if your key employees took the gig because they didn't want to be evil, and then you ask them to be evil, they might just quit. Hell, they might make a stink on the way out the door, too:

https://theintercept.com/2018/09/13/google-china-search-engine-employee-resigns/

Google is a company whose founders started out by publishing a scientific paper describing their search methodology, in which they said, "Oh, and by the way, ads will inevitably turn your search engine into a pile of shit, so we're gonna stay the fuck away from them":

http://infolab.stanford.edu/pub/papers/google.pdf

Those same founders retained a controlling interest in the company after it went IPO, explaining to investors that they were going to run the business without having their elbows jostled by shortsighted Wall Street assholes, so they could keep it from turning into a pile of shit:

https://abc.xyz/investor/founders-letters/ipo-letter/

And yet, it's turned into a pile of shit. Google search is so bad you might as well ask Jeeves. The company's big plan to fix it? Replace links to webpages with florid paragraphs of chatbot nonsense filled with a supremely confident lies:

https://pluralistic.net/2023/05/14/googles-ai-hype-circle/

How did the company get this bad? In part, this is the "curse of bigness." The company can't grow by attracting new users. When you have 90%+ of the market, there are no new customers to sign up. Hypothetically, they could grow by going into new lines of business, but Google is incapable of making a successful product in-house and also kills most of the products it buys from other, more innovative companies:

https://killedbygoogle.com/

Theoretically, the company could pursue new lines of business in-house, and indeed, the current leaders of companies like Amazon, Microsoft and Apple are all execs who figured out how to get the whole company to do something new, and were elevated to the CEO's office, making each one a billionaire and sealing their place in history.

It is for this very reason that any exec at a large firm who tries to make a business-wide improvement gets immediately and repeatedly knifed by all their colleagues, who correctly reason that if someone else becomes CEO, then they won't become CEO. Machiavelli was an optimist:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

With no growth from new customers, and no growth from new businesses, "growth" has to come from squeezing workers (say, laying off 12,000 engineers after a stock buyback that would have paid their salaries for the next 27 years), or business customers (say, by colluding with Facebook to rig the ad market with the Jedi Blue conspiracy), or end-users.

Now, in theory, we might never know exactly what led to the enshittification of Google. In theory, all of compromises, debates and plots could be lost to history. But tech is not an oral culture, it's a written one, and techies write everything down and nothing is ever truly deleted.

Time and again, Big Tech tells on itself. Think of FTX's main conspirators all hanging out in a group chat called "Wirefraud." Amazon naming its program targeting weak, small publishers the "Gazelle Project" ("approach these small publishers the way a cheetah would pursue a sickly gazelle”). Amazon documenting the fact that users were unknowingly signing up for Prime and getting pissed; then figuring out how to reduce accidental signups, then deciding not to do it because it liked the money too much. Think of Zuck emailing his CFO in the middle of the night to defend his outsized offer to buy Instagram on the basis that users like Insta better and Facebook couldn't compete with them on quality.

It's like every Big Tech schemer has a folder on their desktop called "Mens Rea" filled with files like "Copy_of_Premeditated_Murder.docx":

https://doctorow.medium.com/big-tech-cant-stop-telling-on-itself-f7f0eb6d215a?sk=351f8a54ab8e02d7340620e5eec5024d

Right now, Google's on trial for its sins against antitrust law. It's a hard case to make. To secure a win, the prosecutors at the DoJ Antitrust Division are going to have to prove what was going on in Google execs' minds when the took the actions that led to the company's dominance. They're going to have to show that the company deliberately undertook to harm its users and customers.

Of course, it helps that Google put it all in writing.

Last week, there was a huge kerfuffile over the DoJ's practice of posting its exhibits from the trial to a website each night. This is a totally normal thing to do – a practice that dates back to the Microsoft antitrust trial. But Google pitched a tantrum over this and said that the docs the DoJ were posting would be turned into "clickbait." Which is another way of saying, "the public would find these documents very interesting, and they would be damning to us and our case":

https://www.bigtechontrial.com/p/secrecy-is-systemic

After initially deferring to Google, Judge Amit Mehta finally gave the Justice Department the greenlight to post the document. It's up. It's wild:

https://www.justice.gov/d9/2023-09/416692.pdf

The document is described as "notes for a course on communication" that Google VP for Finance Michael Roszak prepared. Roszak says he can't remember whether he ever gave the presentation, but insists that the remit for the course required him to tell students "things I didn't believe," and that's why the document is "full of hyperbole and exaggeration."

OK.

But here's what the document says: "search advertising is one of the world's greatest business models ever created…illicit businesses (cigarettes or drugs) could rival these economics…[W]e can mostly ignore the demand side…(users and queries) and only focus on the supply side of advertisers, ad formats and sales."

It goes on to say that this might be changing, and proposes a way to balance the interests of the search and ads teams, which are at odds, with search worrying that ads are pushing them to produce "unnatural search experiences to chase revenue."

"Unnatural search experiences to chase revenue" is a thinly veiled euphemism for the prophetic warnings in that 1998 Pagerank paper: "The goals of the advertising business model do not always correspond to providing quality search to users." Or, more plainly, "ads will turn our search engine into a pile of shit."

And, as Roszak writes, Google is "able to ignore one of the fundamental laws of economics…supply and demand." That is, the company has become so dominant and cemented its position so thoroughly as the default search engine across every platforms and system that even if it makes its search terrible to goose revenues, users won't leave. As Lily Tomlin put it on SNL: "We don't have to care, we're the phone company."

In the enshittification cycle, companies first lure in users with surpluses – like providing the best search results rather than the most profitable ones – with an eye to locking them in. In Google's case, that lock-in has multiple facets, but the big one is spending billions of dollars – enough to buy a whole Twitter, every single year – to be the default search everywhere.

Google doesn't buy its way to dominance because it has the very best search results and it wants to shield you from inferior competitors. The economically rational case for buying default position is that preventing competition is more profitable than succeeding by outperforming competitors. The best reason to buy the default everywhere is that it lets you lower quality without losing business. You can "ignore the demand side, and only focus on advertisers."

For a lot of people, the analysis stops here. "If you're not paying for the product, you're the product." Google locks in users and sells them to advertisers, who are their co-conspirators in a scheme to screw the rest of us.

But that's not right. For one thing, paying for a product doesn't mean you won't be the product. Apple charges a thousand bucks for an iPhone and then nonconsensually spies on every iOS user in order to target ads to them (and lies about it):

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

John Deere charges six figures for its tractors, then runs a grift that blocks farmers from fixing their own machines, and then uses their control over repair to silence farmers who complain about it:

https://pluralistic.net/2022/05/31/dealers-choice/#be-a-shame-if-something-were-to-happen-to-it

Fair treatment from a corporation isn't a loyalty program that you earn by through sufficient spending. Companies that can sell you out, will sell you out, and then cry victim, insisting that they were only doing their fiduciary duty for their sacred shareholders. Companies are disciplined by fear of competition, regulation or – in the case of tech platforms – customers seizing the means of computation and installing ad-blockers, alternative clients, multiprotocol readers, etc:

https://doctorow.medium.com/an-audacious-plan-to-halt-the-internets-enshittification-and-throw-it-into-reverse-3cc01e7e4604?sk=85b3f5f7d051804521c3411711f0b554

Which is where the next stage of enshittification comes in: when the platform withdraws the surplus it had allocated to lure in – and then lock in – business customers (like advertisers) and reallocate it to the platform's shareholders.

For Google, there are several rackets that let it screw over advertisers as well as searchers (the advertisers are paying for the product, and they're also the product). Some of those rackets are well-known, like Jedi Blue, the market-rigging conspiracy that Google and Facebook colluded on:

https://en.wikipedia.org/wiki/Jedi_Blue

But thanks to the antitrust trial, we're learning about more of these. Megan Gray – ex-FTC, ex-DuckDuckGo – was in the courtroom last week when evidence was presented on Google execs' panic over a decline in "ad generating searches" and the sleazy gimmick they came up with to address it: manipulating the "semantic matching" on user queries:

https://www.wired.com/story/google-antitrust-lawsuit-search-results/

When you send a query to Google, it expands that query with terms that are similar – for example, if you search on "Weds" it might also search for "Wednesday." In the slides shown in the Google trial, we learned about another kind of semantic matching that Google performed, this one intended to turn your search results into "a twisted shopping mall you can’t escape."

Here's how that worked: when you ran a query like "children's clothing," Google secretly appended the brand name of a kids' clothing manufacturer to the query. This, in turn, triggered a ton of ads – because rival brands will have bought ads against their competitors' name (like Pepsi buying ads that are shown over queries for Coke).

Here we see surpluses being taken away from both end-users and business customers – that is, searchers and advertisers. For searchers, it doesn't matter how much you refine your query, you're still going to get crummy search results because there's an unkillable, hidden search term stuck to your query, like a piece of shit that Google keeps sticking to the sole of your shoe.

But for advertisers, this is also a scam. They're paying to be matched to users who search on a brand name, and you didn't search on that brand name. It's especially bad for the company whose name has been appended to your search, because Google has a protection racket where the company that matches your search has to pay extra in order to show up overtop of rivals who are worse matches. Both the matching company and those rivals have given Google a credit-card that Google gets to bill every time a user searches on the company's name, and Google is just running fraudulent charges through those cards.

And, of course, Google put this in writing. I mean, of course they did. As we learned from the documentary The Incredibles, supervillains can't stop themselves from monologuing, and in big, sprawling monopolists, these monologues have to transmitted electronically – and often indelibly – to far-flung co-cabalists.

As Gray points out, this is an incredibly blunt enshittification technique: "it hadn’t even occurred to me that Google just flat out deletes queries and replaces them with ones that monetize better." We don't know how long Google did this for or how frequently this bait-and-switch was deployed.

But if this is a blunt way of Google smashing its fist down on the scales that balance search quality against ad revenues, there's plenty of subtler ways the company could sneak a thumb on there. A Google exec at the trial rhapsodized about his company's "contract with the user" to deliver an "honest results policy," but given how bad Google search is these days, we're left to either believe he's lying or that Google sucks at search.

The paper trail offers a tantalizing look at how a company went from doing something that was so good it felt like a magic trick to being "able to ignore one of the fundamental laws of economics…supply and demand," able to "ignore the demand side…(users and queries) and only focus on the supply side of advertisers."

What's more, this is a system where everyone loses (except for Google): this isn't a grift run by Google and advertisers on users – it's a grift Google runs on everyone.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/03/not-feeling-lucky/#fundamental-laws-of-economics

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

[ellecdc]

The Ruined Apothecary

Remus Lupin x feisty fem!reader who reconnect after Hogwarts

CW: chronic pain, Remus uses a mobility aid, financial insecurity, fluff/banter

A/N: I think this was a request from @maladaptiveescapism like eons ago about feisty reader who runs into Remus prior to a full moon post Hogwarts and somehow knows what Remus needs unprompted

Remus hated shopping in Diagon Alley for a number of reasons.

One, he hated running into people from Hogwarts – and the chances of such happening were quite high due to how small the Wizarding community was.

Two, he never could keep track of who was aware of his status as a werewolf and who didn’t, and more importantly, who took issue with his status.

But what he hated most of all was coming to Diagon Alley this close to the full moon on account of the two aforementioned reasons.

Unfortunately, Remus had left it too late to restock his medicine and potions cabinet, and he was out of dittany, valerian root, and pain potions; all things he couldn’t find for himself in the muggle world, and though he knew his friends would be more than happy to run these errands for him, he was tired of relying on them.

So, he put on a beanie and his denim jacket, a pair of ratty old converse and grabbed the cane that Sirius had insisted Remus let him buy for him because “it has moons on it!” and hobbled through Diagon Alley towards the discount Apothecary he hoped wasn’t out of stock of the common post-moon essentials.

“Lupin?” He heard from behind him, causing him to groan internally. 

He could pretend he hadn’t heard them, though, there was still a way out of this.

“Oh, come now, I know you heard me.” He heard the voice again.

So much for that plan.

Remus reluctantly turned towards the voice, only to be accosted by the beautiful image you painted, standing in the middle of Diagon Alley looking exactly like you had at school, but somehow more beautiful.

Remus hated that.

“L/N?” He asked, raising a hand in hello. To Remus’ absolute horror, you began moving towards him.

“Wow, I rarely get to see you around these parts. I’d say that makes me sad, but you and your friends were never a welcome sight back at school.” You jested, looking Remus up and down.

It took everything in him not to try to hide from your piercing gaze.

“Oh, I’m sure you see James and Sirius around enough for the lot of us.”

You laughed at that – Remus wasn’t sure he’d ever heard you laugh; certainly not back in school, and certainly not on account of anything he had said.

“Well, it gets a little boring around these parts sometimes; your lot would help keep some of these tosser shopkeeps on their toes I reckon.” You spat, glaring menacingly at a particular elderly shopkeep - who was very clearly eavesdropping on your conversation - causing them to hastily re-enter their establishment.

“Soddin’ no good Gwendolyn.” You grumbled, still staring daggers towards the offending shop. Remus felt his cheeks flame when his laugh turned into a coughing fit on account of his ribs stretching in preparation for the moon. 

You looked him over once again with a perceptive gaze that made Remus feel like he was standing naked in the middle of Diagon Alley.

He’d had that dream once before; didn’t much care for it.

“Where’re you headed?” You asked then, appearing for all intents and purposes like you were making casual conversation, though Remus knew better. 

“Just running some errands.” He offered noncommittally, and some of that feisty witch he remembered from back in school made an appearance as you narrowed your eyes at him. 

“Really?” You sneered at him. “I rather thought you were here to work on your tan.”

Remus - the dumb sod - actually looked up at the sky as if wondering if that was a good enough excuse to go by, only to be met with the familiar overcast sky that the UK typically wore.

“What errands, Lupin?” You asked again, and some of that heat from your sarcasm seemed to dissipate from your tone as your gaze turned softer.

“The Apothecary.” Remus admitted, not having the energy nor the patience to lie to you.

Your face grew into a wide grin at that, and he once again tried to remember if he’d ever seen you smile before; certainly not at him.

“Well why didn’t you just say so? I own an Apothecary, you know?” 

And he did know which was why he’d never been before.

He’d never been before because the ingredients he’d procured and the frequency of which he procured them would give away his status to one who didn’t already know it. It was admittedly easier having some middle-aged shopkeep who didn’t know him - and thus didn’t give a thestrals arse about what Remus was - dispense his ingredients than someone who he went to school with.

The other reason he’d never been before was that he was quite certain he’d never be able to afford your prices.

But you were already walking away from him as if you were expecting him to follow.

“It was nice seeing you!” He tried to dismiss you as he turned to walk the other way. 

“Oh, I don’t think so, Lupin.” He heard you call as you turned back towards him. “My shop’s this way.” 

Remus let out a sigh as he stared you down defiantly. 

He didn’t want to go to your shop. He didn’t want you to know what ingredients he needed for the potions and medical care he required every month. He also didn’t want to have to ask you in the end if he could come back and pay for the rest of his tab on payday, nor did he want to empty his wallet in one shop.

But his hip was killing him, his fingers were gripping the handle of his cane painfully, and you were standing there staring at him with your eyes and your looks and your gorgeousness and fucking dammit. 

He’d have to stop by Gringotts on his way out and see if they provide lines of credit. 

Your shop was….absolutely nothing like he expected it to be.

Don’t get him wrong, it definitely looked like a Slytherin owned and operated it, what with its deep jewel-toned walls, dark stained wood shelves, desks, and furniture, and the low-hanging ceiling that saw various plants, dried arrangements, and… crystals? hanging from it. 

“What’s with that face, Lupin?” You asked him from behind the desk, alerting him to the fact that he was standing in the middle of your shop staring at the ceiling with a look of pure discombobulation. 

“Are those…crystals?” He asked as he made his way, albeit slowly, towards your counter. 

You looked up at the ceiling as if noticing them for the first time. “Ah, yes; those would be Pandora’s doing. Something about the wrackspurts or what not, I couldn’t tell you.” You explained flippantly. “She offers tea leaf readings on Saturday’s if you’re interested.”

Remus let out a snort at that, immediately horrified that he just belittled a service that your shop provided. “Oh! I, erm, I mean-”

“Relax, Lupin; I’ve not had my tea leaves read either.” You offered in monotone, looking up and offering him a smirk.

“Not big on divination, I take it?” He asked you then, watching as you set up parchments and twine along your workbench. 

“Not at all; but she was bad for business which was what I was looking for.” 

Remus felt his head tilt at that but you disappeared behind the curtain into a store room before he was able to comment on your word choice. 

Remus leaned heavily against the counter as he made himself busy watching what looked to be a bowtruckle climb through the vines and branches of an ancient looking tree that seemed to make up the majority of the shop's ceiling. 

You reappeared from the back room with an overflowing basket of ingredients, and far more supplies than Remus came here for.

“Oh! I, erm, I only came for dittany, valerian root, and pain potions today.” He offered awkwardly, trying to stand up straighter and wincing when his hip cracked audibly. 

You looked up at him then, clearly fighting off an expression that threatened to take over your face that would give away the fact that you thought Remus quite stupid for explaining, which Remus also noted was a new skill you acquired since your days in school.

“Right…” You offered awkwardly, looking back down at your basket. “I also added some moonseed, powdered moonstone, powdered silver, and some wiggenweld potions.” 

“Moonseed can be used as a salve for your sores, Remus.” Madame Pomfrey explained to him after graduation before he left Hogwarts for the last time. “Do keep some on you at all times, okay? And any ingredients that can be used in pain potions or calming draughts; powdered moonstone, valerian root, and for very deep werewolf injuries, please keep powdered silver on you as well.” He simply smiled at Madame Pomfrey before pecking a kiss to her cheek - his mum away from home and the witch who single handedly ensured Remus’ survival all these years - not bothering to admit to her that he’d likely never be able to afford these ingredients as a lycanthrope.

He didn’t even register that you seemed to know of his lycanthropy nor that you had packaged everything up for him in your parchments and twine, adding sprigs of fluxweed between the knot of twine - for decoration or practical use, Remus wasn’t sure - until you read his total out for him. 

“That’ll be three galleons and 25 knuts, please.” You said simply as you stared at him expectantly.

Three galleons?! The powdered silver should be almost five, alone. 

“That’s not enough.” He pressed quickly, causing one of your eyebrows to raise at him.

“It’s my shop, I get to charge what I feel.”

“I don’t need your charity, L/N.” He spat then, officially losing what little patience he had. Money had always been a sore spot for him, and this was exactly why he didn’t come to your Apothecary; a well-done by Sacred 28 witch like you wouldn’t understand.

“Lupin.” You chided harshly. “Since you’ve never bothered to frequent my shop before, you may not be aware that I had my business passed through the Ministry in partnership with St. Mungo’s as a sliding scale provider, meaning that I only have to charge people what they can afford to pay me. Aside from that, my family has more money than any of my potential future children’s children’s children will know what to do with, so I will tell you again: it is my shop, I get to charge what I feel.” 

Remus’ eyes flit back towards the ceiling without his consent to watch the bowtruckle twirl one of the hanging crystals and chatter happily as it watched the rainbow lights reflecting along the walls.

“Those would be Pandora’s…she offers tea leaf readings on Saturday’s; she was bad for business which was what I was looking for.”

“This was your father’s shop.” Remus concluded, watching your jaw tighten as you gave him a curt nod. “And you…did this?” Remus continued as he gestured to the store vaguely.

“Ruined it, yes.” You confirmed.

“Who said it was ruined?”

You hummed as you looked off into the distance recalling the names of people who said you had destroyed your family’s business. “My entire family, their peers, the business department at the Ministry, Professor Slughorn… the likes.”

You seemed surprised when you returned your gaze to Remus to find him smiling softly at you. 

“Why?” He whispered at you, causing you to smile what appeared to be bashfully. 

“I don’t need to profit off of someone else's struggles.” You said simply, no longer making eye contact with Remus and opting to bag the packages in front of you in order to have something to do with your hands. “I’m in a position to help, so…I feel like I should.”

Remus let out a hum of acknowledgment as he placed his three galleons and 25 knuts on the counter in front of you. 

“Or…” Remus started teasingly as he accepted the brown paper bag you had placed his packages in from your hand. “You’ve gone soft.”

Your face fell then as you stared him down challengingly, though Remus relished in the hint of a smile from your lips. “Get the hells out of my shop, Lupin.”

Remus laughed as he backed away from the counter, his bag and cane in one hand as he pointed at you. “No, no. You’ve made a terrible mistake, L/N. I will be haunting this shop frequently from now on.”

“Stay out of trouble, will you Lupin?” You called back to him as he made it to the door of the shop. 

“You know what? I don’t think I will. Thanks, dove! Next time I’ll stop by with James and Sirius!”

And he couldn’t help the beaming smile that took over his face as he heard your groan some profanity as the door slipped shut behind him. 

Oh yeah, he’d definitely be telling the boys that he found a new Apothecary, and that they should absolutely be investing their families money in it.

[dalamjisung]

A muted shade of green ✧ Spencer Reid

genre: fluff, light angst

word count: 6339

pairing: reader x spencer reid

description: Dr. Spencer Reid is simply adorable. And you actually think he might be perfect. Until, that is, he isn't.

a muted shade of green masterlist // next chapter

His apartment is a muted shade of green and you always wonder why is it that he painted it so dark. The book covered walls never fail to impress you, making you smile into the ether that was this place with its shelves and shelves of worldly stories. His taste, you think, is more towards the classics and refined tales that carry significance and importance in the world of literature. Dostoyevski, Austen, Orwell, Doyle. Though here and there, in some corners of the living room or thrown haphazardly in the kitchen counter, you see peeks of contemporary names, the ones you’re sure you sold him a long, long time ago. Murakami, Zadie Smith, George. 

You met Spencer when you first moved into D.C., about a year or so ago, and sometimes, you really think that it was just yesterday when you first saw him with his purple scarf walking inside your store.

“Excuse me.” 

You have too many books in your arms to even see who is talking to you, but you apologise nonetheless; it’s the least you can do for your first customer. “I’ll be with you in a moment, apologies for the mess, we literally just opened.” In your defence, you had been so busy unpacking all the new orders and organising things into shelves that you absolutely forgot to put the plaque with your opening hours by the door. You can hear his shoes clicking and clacking around the place, and a wave of anxiety washes through you. If he leaves with a book– luckily two– you will have made your first sell and that just might remind you that of the reason why you decided to do this in the first place.

Carefully putting the pile of Maggie Nelson’s on the counter, you finally turn to face him, tired smile from ear to ear when you see him holding two books already. “You found something you like?” You gently ask, voice calm and fingers fidgeting while you wait for an answer. “Many things, actually. I’m quite glad to see a wide variety of books here, it’s been hard finding something new to read lately.” 

His voice is pointed and it echoes in the empty store. The clock on the walls says it’s 7:58AM and you suck in a breath; it’s definitely too early for someone to be looking for books, but maybe he wants entertainment for his commute, maybe he needs a distraction for the way, or maybe he is odd like that. 

It must be cold outside. The man is wearing a purple scarf  inside what looks like a wool coat, and somehow, he fits in there, in your store. He looks like the kind of person who would be buying books as early as 8 in the morning and you’re not sure if that is adorable or unhinged. 

“Just these, thank you,” The loud thump of the pile of books he deposits by the cashier makes you gasp. “You have a great selection here, I was lucky you open early!” The twinkle in his eyes is what keeps you from telling him that that, in fact, was a big mistake. In the middle of rushing to get the keys from the landlord in time, get the deliveries, get everything sorted and organised, you had completely forgotten to put out the hours for the shop. 

“I am glad you found us here! Do you live nearby?” At this point, you’re just trying to make conversation as you bagged his items, smiling at the titles and happy to see your favourite book in the midst. “I live just across the street, actually,” He said, giving you his card. “You’ll see me a lot, I’m afraid.”

“And what should I call my most loyal customer, then?” One look down at his card and you would know, but you wanted him to tell you himself. 

“Spencer Reid.”

There is not really a sound reason as to why you walk so freely into his apartment. The first time he asked you to do this, he was going on a case and needed someone to water his plants. As it turn out, your store is quite literally across the street from his building and you don’t really mind the mindless task, so you tell him to not worry, you’ll take care of it. It had been a few months since you two met, five or so, and despite taking you some time to truly understand, you got used to the fact that Spencer created a routine for both of you, knocking on your shop’s door every Monday at precisely 8 in the morning. With time, you stopped questioning him even when you had many, many questions– was he even reading all these books? If yes, how?! Every visit, he left with three books or more, and unless he pulled all nighters every night, those were simply sitting on his desk. 

Instead, you start putting a few titles aside whenever you spot them. You start it with ‘A Gentleman From Peru’ by André Aciman, short and sweet. Next week it was ‘A Little Paris Bookshop’ by Nina George. Then ‘Cultish’ by Amanda Montell. And just like this, you two form your own little book club, his visits extending beyond their usual thirty minutes into the better part of the hour to talk about the plot, the characters, the arcs. You know there is quite a lot you don’t know about Spencer, of course there is, but you learn more and more with every little debate you two have. You learn about his morals through the character he likes, and his dreams through the plots he enjoy. You learn about his photographic memory that allows him to quote his favourite sections to you, and you learn that he is a very logical man through his hatred for the inaccuracy of investigative books. You learn and you learn and you learn and you find out that you like learning about Spencer. More than you like learning about anyone else, that is, and now, every time he walks in, you can’t help but get excited, smiling as you only imagine what you would learn that day. 

Sometimes, you did notice the absence of your favourite customer. He would disappear for weeks on end and then act like nothing happened, and you get it; he doesn’t owe you anything, you’re just the lady that sells him books, but you feel like there is something that is starting to bloom when, every time he comes back, he brings you a book. “I thought you’d like it,” Is all he says before leaving with his bag of new reads. For a moment, it’s like an exchange, but Spencer never demands anything of you; never asks for anything more than new books and recommendations. 

It’s quite rewarding finding the books you sold him scattered through the apartment. There are a couple in the kitchen, open split on the counter and you smile fondly at the clumsy way he marks his books. There is no folded page, no book marker, no random picture; just his book, cover facing up, open and splitting the spine in half enough to crease. You shake your head, smiling like he’s done this just to rile you up.

“Oh my god, don’t!”

You don’t mean to shout but it’s too late. His eyes widen in shock and he immediately freezes, mouth stuck in a little ‘o’ shape that makes you blush. “What did I do?” 

The wince in your expression is as visible as the light of day when you speak. Your hands hover in the air, unsure of what to do now, but still trying to do something. “The book, Spencer,” The words come out like a whine, and if you start stomping your feet you might as well look like a child. “The spine. The book. The– oh my god, the noise!”

The way he laughs at you is contagious, and you start laughing with him, face hidden behind your hands in embarrassment. Owning a bookshop doesn’t come for free. Your particularities when it comes to your literary treasures are enough to scare any sane person away. “You know, there are worse sounds than a book’s spine breaking,” He mused, closing the book before walking to your counter. His nimble fingers drum a soft rhythm as he waits for you to go around and charge him for the book. It’s a symphony, almost; so loud in your quiet store that, for a second, your heart is tuning in, thumping as his fingers do, beating to the song he creates. 

“You don’t have to buy it,” It’s a little ridiculous how airy your voice sounds then. Aren’t you a little too old to have a crush? “It’s okay if–“ But he doesn’t even let you finish, rattling off some facts about the writer. Most of the time, actually, he is rattling off some fact about something, and some you know, some you don’t, but you never interrupt him. You like hearing him talk. 

You miss hearing him talk. Whenever Spencer leaves, you miss him. You miss the knock on your shop’s door at 8AM. You miss the shy little chuckles. You miss the purple– the constant, always there purple. A wave of sadness hits you then, looking around the apartment with a longing expression. 

The first time he calls you over, it’s not really an invitation. A week before it happens, he doesn’t show up for your Tuesday unboxing and you have to carry all the new orders inside by yourself. It takes double the time and despite the effort it takes you, it’s the absence of his coy chuckles and snarky commentary that leaves you breathless. When you open the boxes, checking inventory to make sure there had been no issues with your order, you find the book Spencer asked you to get him. It’s one of those special books, so old and unique that you could only get your hands on it because you had contacts in the space. “Huh,” You frown at that– it isn’t like Spencer to forget something. Hell, it isn’t like Spencer to forget anything. Before you can cower away from doing it, you send him a text. You have his number saved in the system, and this feels wrong, it really does. Using his personal information that he gave to you as a client felt wrong. But for a second, it makes you stop biting your nails in anxiety. 

Your book is here. 

It’s Y/N, by the way. 

He doesn’t answer right away and you wallow in your regret for as long as you can. Your shoulders hunch forward as you line up the new arrivals in the shelves. Your frown sits on your forehead all day while you help other passing customers. Your hands brush against the book, all ready and wrapped up and sitting on top of the counter. You hate waiting; you hate waiting for someone or for something to happen as if you’re praying for a miracle. Literature has taught you many lessons in life. It has shown you countless of love stories that could’ve been resolved with a simple conversation. It has told you about people that waited and waited and waited until time passed them away. It has taught you that waiting is simply delaying the inevitable. 

But what literature has not taught you is that, sometimes, waiting truly is all you can do. 

That day, you don’t get a message back. 

You get a call instead. 

“Y/N?” The familiar voice on the other side speaks before you can and your shoulders tense up. Something is wrong. He sounds hoarser than usual, airier, too. 

“Spencer,” You say back, clearing your throat of any remnants or indicators of how nervous you are. “Spencer, are you okay? You sound rough.”

Even his laugh sounds weak and a zap of worry rushes through you. “I’m fine,” He mumbles, and you know he’s saying it out of politeness. “I just got sick. I think I have a cold, it’s nothing much, really.”

The relief that washed over you in crashing waves is almost embarrassing. Even though he is not there to witness it, your face still flushes in a dramatic red. “Oh. I see. Sorry, I didn’t mean to bother you–“

“It’s not a bother,” The way his voice interrupts you, so strong and concise, makes you chuckle. “You’re not a bother. I uh, I’m glad to hear my book arrived.”

For a moment, you both stay quiet. You, on your end of the line, are nodding like he can see you. Except he can’t. Except he is waiting, probably, for you to say something. Do something. “I can bring it to you. If you want.”

This time, there is no pause. “Yes. I mean, yes, please. I– I don’t have anything new to read and–” Spencer pauses to cough and you start moving immediately. There is no one in the store and you quickly change the sign to ‘closed’, grabbing his book and your bag before locking the door behind you. There is a pharmacy at the end of the block and you keep your cellphone balanced between your shoulder and ear while your hands make sure you have your wallet with you. “Sorry.”

“No problem at all,” You cross the street in such a hurry that you don’t notice the traffic, getting a symphony of horns calling you out as you run to the other side of the street. “Shit…”

“Are you okay?”

“I’m fine,” You tease, laughing a little and entering the pharmacy with purpose. “So just a cold, right?”

“Y/N, where are you?”

“Out,” There is no need to be vague, but you don’t want to give him a chance to protest. “I should be at yours in fifteen minutes with the book.”

“Just the book?” He asks in such a suspicious tone that you can’t hold back a laugher. 

“What else?” Thank god for automatic cashiers speeding up this entire process. You are in an out in less than five minutes and before he can even answer, you are almost at his door. Admittedly, you are speed walking, almost running, in a futile attempt to get there sooner. “Which apartment do I buzz?”

“Apartment 23.” And that is the end of the call. 

By the time you make it to his floor, panting just as you hike the last step upwards, he is already waiting for you, and you can’t say you’re terribly bothered to have a man like Spencer Reid waiting for you by the door. “Spencer,” You still admonish, a small smile playing on your lips. “You shouldn’t be out and about like this.” 

“Then who would let you in?” The mischief in his expression, much like that of a child making an innocent joke, makes you giggle, nodding in agreement. “Do you want to come inside? I promise everything is clean, I’m not a slob or anything.”

“Yeah, let me come in so I can give you your stuff.” 

“I knew it wasn’t just the book,” The coughing fit that followed has you rushing your hands, pulling things out of your bag in a desperate attempt to get him the medicine you bought. This had always been your curse, the flustering anxiety of wanting to help but being unable to take your time. Shaky hands push the book towards him, with the medication and some old receipts stuck to it. 

“Oh shit, sorry!” You squeak, grabbing the receipts and shoving it back in your bag. One of these days, you’d have to close the store early to clean this thing. “But uh, yeah, I got you some cold medicine and your book. I’m sure you know this with your big brain and all, but you need to take this before bed, cause it makes you drowsy, and this other one in the morning since it has caffeine! And you should be good in no time… hopefully!”

In life, a pause is not always a bad thing. It’s a time to think. A time to appreciate, to enjoy. It’s a time to be. A pause, however, from the man whose brain worked a thousand miles an hour, doesn’t feel like something to be thankful for. “Is… Do you not like that brand? I didn’t want to get the generic thing, I don’t know why, I–“

“Thank you.”

At first, you barely hear it. For someone whose voice is so rough and hoarse, you’re surprised he can still sound so smooth and airy. Your reaction is obvious; he can see the blush in your cheeks and the way you bite back a smile. “Y/N, thank you, I really appreciate it,” He says it again and now you think he just wants to get a rise of you. “You didn’t have to.”

“I know,” You shrug, faking humbleness while you keen at his praise. “I wanted to.”

“I know.” 

There is a dance that happens after that, one that you find yourself enjoying quite a bit. Spencer is more present than ever, and you’re getting used to having him around. It’s like you two broke the glass wall the kept you at a safe distance, and now is when you two discover each other a bit better. Like how you find out that, when Spencer’s hand lays on the cashier counter, just an inch or less away from yours, you feel the heath that it emanates. Like how your fingers curl and your palms itch at the sight of his shaggy curls falling on top of his beautiful eyes. Like how his laughter is deep when it’s true and dry when it’s forced. Like how he can read 20,000 words per minute, but he chooses to read 183 instead just so he can read you passages out loud.

You are not sure what he has learned about you, or if he even cares to learn something about you, but the thought still makes you smile. “What’s gotten you so smiley so early in the morning?” 

Ah, yes; another thing you���ve learned about Spencer Reid– he is as quiet as mouse when he wants, and as loud as an elephant when he doesn’t. “My god!” You jump, hand immediately going to your heart to try and keep it from beating our of your chest from the shock. “Spence! You scared me!”

“I’m so sorry,” He laughs, raising his hands in the air, shaking the two cups of coffee he is holding. “I come in peace.”

“And with bribery, I like your style.” 

His style doesn’t change, still haven’t. For ages, you think he buys you coffee at the nearby cafe. You don’t really know the name of the place, some cliche Cafe something something, but the one time you’ve been in there the coffee was terrible and the music too loud. It’s hard picturing your shy, smiley book-lover in there, trying to order something without raising his voice. It’s only when you see the go-to paper cups on his counter, on the fourth or fifth time you come around, that you realise Spencer has never gone to that cafe to begin with. 

The cups are still there. You make a point in spotting them every time you come over– next to the microwave, close to the paper towels. The reminder that this man has, in fact, been making you coffee most mornings validates the fluttery feeling you have whenever you think of it. It makes it somewhat logical. “I must be spending too much time with him,” You mumble to yourself, pushing your sleeves up and getting to work. You are there for a reason, and if those wilting plants die on you, you fear that you might just never be invited back. “Why does he even have plants?” 

You don’t know much about Spencer’s job. He hasn’t told you anything about it except that he travels a lot for it, but you can imagine it is something of importance– a man like Spencer was someone of importance, after all. In your mind, you can imagine him walking into an office down by the Financial District, working with big corporations as an advisor. Yes, you can absolutely see him as some sort of advisor or consultant, but something about him working in finances doesn’t sit right with you– he is yet to talk to you about crypto investments and how to better implement a payment system into the store. Shaking your head, you switch it up. Financial services, aren’t quite right, but maybe an editor, working in a publishing house. With the way he devours books and how well-rounded his personal library was, you could see him as a Publishing Director instead, reading manuscript after manuscript. 

The thought of him reading brings a smile to your face. In his living room, there is an armchair that sits next to the large window on the west wall of his apartment– he says he likes how the sunset hits and makes the pages look warm and golden, turning words into a burning fire of knowledge– and you can practically see him there, blanket over his legs, books and books pilled next to it. It’s your own little secret, how every time you come over, you grab a book, any book, and you sit there for thirty minutes, forty, fifty, an hour; until the sun has completely set and you have to get up to turn the lights on. 

Today, when you sit down, when you bring your knees up, when you drape the blanket over you, something feels incredibly right and incredibly wrong. On the pile of books next to you, right at the top, lays a copy of Gulliver’s Travels. If you remember correctly, which you usually do, last time you sat down at that spot you managed to read up to chapter five before the sun was gone. When you grab the book and you see the bookmark you gave Spencer the second time he visited the store, and you frown– usually, he’d pick up from where you left off. “How long has it been since you last came home, Spencer?” You muttered out loud, grabbing the book regardless. Because even when it breaks your heart to know something has been keeping him away from his precious nook, it fuels your heart to know he leaves your book where you can easily pick it up. To know he doesn’t mind you sitting on his armchair, to know he doesn’t mind you reading his books, to know he doesn’t mind you settling, somehow, in his house. 

A knock on his door, however, breaks you away from your precious moment of rest and relaxation. For a moment, you can’t move, frozen in place light a kid that has been caught doing something wrong. It’s only when they knock again that you move, shuffling to the door to look through the peephole. “Who is it?” You ask, voice weak and shaky. 

“I have a delivery for Spencer Reid.”

How silly you feel in that moment, hand over your heart as you take a deep breath in relief. Unlocking the door, you smile to the USPS guy. “Sorry, he isn’t home right now. I can take it for him.” All you have to do is sign it and close the door, but once you put the package on the counter and your eyes catch sight of a note scribbled on top of the box, all those butterflies inside of you slow down. And find perch. And for a second, make you miss them just like you miss him. 

The first time you think Spencer might have a girlfriend is when he comes into the store with a certain look in his face. He is practically glowing and his eyes don’t leave his phone for a second. “What has you smiling like that?” You two are close enough to ask these kind of things now, making jokes about each other as if you have been friends for ages. “Or uh, who?” Even though you started the conversation, you want to end it now. There is a sour aftertaste in your mouth when you suggest another person to be cause of his happiness, and you know, right there and then, that that is just your jealousy speaking. At this point, you’ve been harbouring a crush on Spencer for the almost two months and there’s only so much a girl can take before exploding. 

“Oh, it’s just a friend.” Somehow, this answer doesn’t settle you as much as you hoped it would. 

The second time is when he brings a woman around. She is blonde, and loud, and colourful, and you eye her carefully. They are matching costumes, and for a second, without even saying, you already feel left out. It’s stupid, being this green over someone so pink. If Spencer was purple, and if you are green, than that woman was pink– she is happy and light and exciting. Next to her, you… well, you are as muted as his green walls. “Y/N!” He calls for you with such a big smile and you just don’t have it in you to pretend to be busy anymore. 

“Hey Spencer,” It comes out quiet and a bit distant, but he doesn’t seem to notice, not with the way he is going back and forth on the ball of his heels. “And hello, ma’am. Welcome, I’m Y/N Y/L/N, the owner. Please let me know if you need any help.”

That day, you two barely talk, but that’s okay, because Penelope, as she introduced herself to you after you help her find a specific book on coding, speaks for both of you. She says that it’s lovely to finally meet you, and mentions how much she has heard about you, and you think this is a very cruel thing to do to your poor, squeezing heart. But you push through. You pretend you’re tired, you apologise for the distance, and you lie about a cough. It’s better if they stay away, you say, but Spencer doesn’t buy it. Instead, he buys Penelope her book and leaves with promises of coming back the next day with your usual coffee. 

After that, you don’t see Spencer for two weeks.

It’s a bittersweet feeling when you get the text that he is back. After almost a week and a half without seeing him, you miss Spencer. He created a space for himself in your life and in your store, and when he is gone, it’s just not the same. But just like how he did, you created a space for yourself in his apartment. Suddenly, the muted green walls aren’t claustrophobic or smothering, but comforting. They are safe. Familiar. They are Spencer. And just like you said, you miss Spencer.

“Y/N!” 

You should be happier to hear his voice, but it’s not the same. The fluttering in your stomach is still there, like a slow buzz trying to come alive, but it’s not the same. Not when the note on the box, flashing like neon signs behind your close lids, has been tormenting you and your poor heart ever since you made the mistake of opening the door. “Y/N? Are you here? The door says open…” At one point or another, you have to come out of hiding and face him. Delaying the moment, though, is the best defence plan you’re able to come up with– if you look into Spencer’s eyes, if you see that pretty smile he has every time he comes back from a work trip… you’re fucked. 

“Y/N, I need you to tell me if you’re here!” It’s not the same. 

His voice. It’s not the same.

Usually mellow and undulating, Spencer sounds stiff, like he’s holding something back. Something new. Something… heavy. There is an edge to him right now, so sharp and cutting that it has you stepping out from behind the Science shelf in pure curiosity. And just like people say, curiosity killed the cat. In this case, however, it almost kills you. 

When you turn the corner to find him by the door, the first thing you see is a man. He is tall and handsome and oddly serious. The way his brows are pulled together make you falter, steps slowing down and mouth opening to ask if he needs help.

That’s when you see it. 

More like you catch a quick glimpse of it, the shinning spark of metal to your side, and you do a double take. You have to do a double take. It’s like your brain doesn’t believe what you’re seeing, and you move your head so fast you feel your neck tensing up in that way that makes your eyes water. “WHAT THE FU– OH MY GOD!” There is no way to throw yourself against a wall graciously, arms over your head and fear written all over face. You land in an awkward angle and your shoulder takes the brunt of the shock, making you gasp in pain while your legs give our under you. 

Of all the ways you’ve imagined Spencer, him holding a gun up to your head was never one of them. “Y/N!”

“Oh my god!” You think you might pass out– you’re breathing too fast and your chest is squeezing, squeezing, squeezing to the point of physical pain. There is a ringing in your ears, muffling the entire conversation between Spencer and the other man and even though you try, you can’t look up; you’re frozen in a state of distress. For the first time since you met him, you’re scared of Spencer Reid. “I– I– Oh my god, I c-can’t– I can’t b-breathe, I can’t–“

“Y/N, look at me! Look at me, you’re okay, I’m so sorry, I’m sorry,” The moment his hand touches your shoulder, you’re shrinking away. 

“Who are you?!” You manage to gasp enough air into your lungs to scream at him. One shake hand moves to the back of your neck, pressing down on the sore nape as you finally move to look at him, crying and all. “Spencer, who are you? Who is he? What is happening? Why do you have a gun in my bookshop, why–“

“Ma’am, I need you to take deep breaths,” The other man quickly holsters his gun and you actually think you might be going insane when flashes you a badge. “I’m SSA Derek Morgan, I work with Spencer. We are with the FBI.”

Federal Bureau of Investigation. Spencer is a fed. And he never told you. 

“The FBI…?” You whisper, eyes going wide and breath hiccuped in your throat. “S-Spencer, you work for the FBI?” Nothing about this makes sense to you. The gun, forgotten in his left hand and now pointing down and away from you, is all you can look at. The gun that looked heavy and cold. The gun that those hands hold– the same hands you’ve wished and, admittedly, dreamed of holding yours instead. The gun, the gun, the gun.

The gun. You’ve never seen a gun before, not this close. In museums, of course, and in movies and shows, but never in real life. You don’t have interest in it either, having voted, without fail, for anti-gun laws and representatives. Anything and everything about this, about seeing him with that deadly weapon, feels wrong, and you really think you might be sick soon.

“Kid, put it away, you’re freaking her out.” 

Then is when you catch sight of the Spencer you know. It’s the clumsy actions, looking almost freaked out himself– his hands fumble with the holster and it takes him a couple of tries to fit the gun properly. That’s when you know for sure– you are going to be sick. “Trash,” You mumble, trying to get up but falling again and again. “Trash, pass me the–“ But there is no time and you throw up right there and then, between the cashier and the nonfiction section. 

“What just happened?” 

“Morgan, get her some water– there, over the counter,” The rapid successions of words make you feel a bit better, a cadence of tone and rhythm that has your hands finally stabilising. “Y/N, you’re in shock. Adrenaline kicked in and left, and you pressured crashed, which is what made you nauseous. You need water, and to come sit by the counter.”

It’s funny, how in any other circumstance, you’d be ashamed and embarrassed to have gotten ill in front of him. As far as you know, Spencer is a germaphobe and this surely counts as germs. But as he grabs your hands, gentler than you’ve ever seen him grab any book in your store, and brings you to your chair behind the counter, you wonder if he forgot or simply doesn’t care. Both options don’t make sense. “Spence, what is going on?” Your voice comes out winey and rough, and there is no way to hold back the pained wince when you feel the sting spreading through your throat. Sip by sip, you try your best to drink the water and soothe yourself, but nothing seems to help. 

Nothing until you hear him next to you, small and quiet and, dare you say, meek. “I’m sorry.”

As much as you’d like to tell him he has nothing to be sorry for, he does. “I see…”

“It was just… it was new, having someone not know I’m FBI,” His thumbs play with each other and you’ve known him long enough to recognise that Spencer is nervous. “And we started getting closer and I just didn’t find an opportunity to tell you.”

“There were plenty,” You clarify, feeling a bit of a bitch for the bite in your voice making him gulp. “But it’s okay. I’m not… I’m not anything of yours, I guess, so it’s okay. You don’t owe me anything.”

“Don’t say that. You’re my friend.” That hurt.

“Do you point a gun at all your friends or am I just special, Spence?” It is supposed to be a joke, but the memory makes your bottom lip start wobbling again and you feel stupid. You feel so, so incredibly stupid right now that you can’t even begin to explain why. “Sorry, I’m just– I’m not okay.”

“I know, and we’re sorry,” There is such raw honesty in his words and he manages to make you smile a little. Your hand is still shaking, but you stretch it out towards him regardless. It’s a conscious decision to hold onto his wrist, covered by his jacket, than to reach out for his palm, and from the way he looks at you, you know he recognises the effort. “But you need to come with us.”

“Why?” You cry out, a single tear coming out of the corner of your eye. At this point, the shock is going away and you’re more overwhelmed than anything else. You’re scared and confused and overwhelmed and it’s his pulse, beating again and again, that brings you back to Earth. “Why do I need to go with you? What is going on?”

“Y/N, when you were housesitting for me, you received a package, right?”

In the midst of everything, the memory of that day, that box, that note, all fade. Frowning, you shrugged. “The delivery man knocked and said he had a package for you… I’m sorry, I didn’t mean to intrude, I–“

“No, no, no, you didn’t, you didn’t. Please.”

“Ma’am, when you signed for the package, did you use your name?” The man, Morgan, ask, and all you do is nod. Of course you signed with your name. “Kid, we need to take her to the office now.”

“I am not going anywhere until you tell me what’s going on!”

Finally, some energy in you. Some strength. Your voice echoes in the empty shop, and the chair tips back when you stand up on stiff legs. Looking at Spencer is hard, when you feel the burning of your rage inside, but you still do; you still meet those pretty brown eyes, you still stare him down until you practically force the answers off of him. “The package… did you see who it was from?” 

“Spencer, are you insinuating you’ve pointed a gun at me because I read a message your girlfriend wrote on the package she sent you?! Because I didn’t mean to– I didn’t! It just… It was there, right at the top and I–“

“She is not my girlfriend,” He immediately cut you off, hands waving in front of him in a visual demonstration of desperate denial. “Not at all! I don’t have a girlfriend! I was–“

“We can deal with this later,” Morgan is quick to interrupt, sighing as he looked at you. “Y/N, we re really sorry to disrupt you like this, but this is for your own protection. Please lock the store and let’s go.”

It takes time for you to gather everything you need. You are not a disorganised person by any means, but suddenly, you can’t remember where you put what. Your bag is thrown under the cashier, and your keys are, for some reason, in the Fiction shelf. Your glasses are in your head the entire time, and Morgan has to point that out to you. The more you look, the more flustered you get, yet somehow, you make it to the car. Morgan is driving and Spencer is on the passenger seat, and the way they keep talking to each other using words that make no sense to you make you want to scream. “Spencer.”

The heaviness of his name, said with such emotion,, lingered in the air. His eyes meet yours through the rearview mirror, and he nods. “Yeah?"

“Spencer,” You whisper again, eyes wide in shock as reality starts to dawn. “Spencer, if she’s not your girlfriend, then who the fuck is Cat Adams?”

------------------------------------------------------------------------------

AAAAAhhhhh I'm trying something new >.< I've been a massive criminal minds fan for a long, long time and Dr. Spencer Reid has my heart <3

Please let me know what you think, this is my first Spencer fic and I'd love if it got to turn into a series!

[perfectlyoongi]

BOYFRIEND!YOONGI who likes to spoil you at every opportunity he gets, never letting you pay for anything — and, if you end up paying, he will buy you something with the same value, there is no other option. Yoongi just wants you to feel important, loved, and oh, how hard it is for him to express his feelings, but oh!, how everything is more natural with you. “let me show you that i think of you every time i see something, no matter the value. you are priceless to me.”

BOYFRIEND!YOONGI who has a paper note you wrote him on the cover of his cell phone. it was when you spent the first night with Yoongi, not wanting to wake him up when you had to go to work, declaiming and remembering your feelings on a small piece of white paper that was forever kept close to Yoongi. “your memory of a night with me will always be stuck with me. your words are too melodious to be forgotten.”

BOYFRIEND!YOONGI who bought a pillow and a toothbrush just for you, for when you decided to spend the night with him. Yoongi just wanted you to be comfortable, to make sure you felt good with him and around him, every detail had to be perfectly composed for you — everything had to be perfectly perfect for you. “anything you need, please let me know. i want you to feel at home with me.”

BOYFRIEND!YOONGI who can't get rid of the pink color that paints his cheeks every time he kisses you. it didn't matter if it was the first or the umpteenth time, Yoongi would always blush, still filled with the feeling of love, completely surrendered to the fact that you were with him, that he was yours. “don’t laugh, please. i know i've laid in your arms for endless nights, but i can't help but feel fragile when i kiss you.”

BOYFRIEND!YOONGI who lays his head in your lap whenever a day proves more challenging. in the affection of your love, Yoongi found peace; all the tranquillity he drastically seeks to emerge in the form of caresses and humming of peaceful melodies. “today wasn’t the best day. everything went wrong. but knowing that you were here for me and you can love me makes these days less painful.”

BOYFRIEND!YOONGI who has the first photo he took with you as the background on his phone, no matter how many more there were after that. that photograph seemed magical, always bringing a wide smile to Yoongi every time he looked at it, at the two of you, at you. “i don’t care if those are better! it was on the day of this photo that i realised i loved you. i will never change it.”

BOYFRIEND!YOONGI who said the first I love you of the relationship, completely caught unnoticed by his own words. but he did not regret it and, when the first confession stagnated, a second confession came, more prepared, more elaborate, but much more heartfelt. “yes, i love you. that terrifying word that scares me so much only sounds natural when it's for you. i have no problem saying it, because i simply love you.”

[heartfullofleeches]

fake pizza boy yan developed a concerning taste for seeing darling eating his cum after that first encounter and starts bringing a variety of menu items with “ranch dips” and “vanilla shakes”. plenty of visual material to keep the supply up for his next “delivery” and he is definitely not spiraling into crisis just because the only thing that gets him hard for his other shoots is the mental image of darling stuffed full of his—

(Slapping these two together since they have a similar premise)

Yan Adult Film Star Pizza Boy + Reader [18+]

[Masterbation, Food Play]

-

"Come on..... Come on....."

Twenty minutes till deadline. Since the beginning of his career he stuck to a strict schedule. A simple routine to get the ball rolling as he dipped his toes in the new venture. Now that he had so many eyes on him and his content, Brie was able to take more breaks in between filming, but at this point it had been almost two weeks since he posted anything at all.

He tried everything. His hands. Toys. Videos. Brie even thought about buying pills at one point, but gaining an erection wasn't the hard part of his situation. His viewers were into a lot of things - but if there was one thing that really got their wallets open for him it was when he painted the nearest surface to him with a heavy load of his release. His donations would be flooded with comments from his hands how they wished to be his desk or pillows - or for the opportunity to lick said object clean.

Kind of like how you licked your fingers clean on the day he first met you.

The brief flicker of your face in his mind made his aching length jump in his spit stained palm. The encounter he had with you was all that he could think about anymore. He was obssessed - The innocent confusion as you opened the front door, the genuine gratitude in your expression as you handed him some cash for all his troubles and the free meal. Brie would pay anything to see you sample his sauce again. The way your eyes lit up as the flavor registered on your tongue-

"Mmh....."

What he wouldn’t give to have those lips wrapped around him. If you liked what he gave you so much what better than to get it straight from the source, right? The slick sound of friction grows louder as his hand moves quicker - eyes scanning every corner of his room for more fuel for his fantasies. He wish he had kept the photos he found of you online on screen, but he feared loosing that knot of pleasure twisting at his insides if he took his focus off the task at hand for any reason.

His eyes fall on the drink cup from the takeout he picked up earlier in the day. A boring Styrofoam cup with no clear ties to any restaurant would be the perfect container to bring you another item off the menu. The peach tea he had earlier would be a dead giveaway for any tampering. He needed something thicker, ideally with a creamy texture.

A milkshake.

Who wouldn't enjoy a nice, refreshing shake after pizza? You surely had to be thirsty after eating all that bread. Brie fisted his cock to the image of you on your knees beneath his table - hands gripping the meat of his thighs as your mouth hung open awaiting your treat. You'd look so cute under him like that - his fans would absolutely love you-

A surge of jealousy strengths his grip. Nobody should get to see you like that but him. Those perverts could fotk over their life savings and it wouldn't be enough for Brie to share you with them. Maybe the occasional stream with the two of you couldn't hurt - your face held against his pelvis as he stuffed that pretty throat so nobody could see anything but his cock slipping past your perfect lips.

"Ah.... Y/n...." It's the first time he's said your name. The first time he's let his imagination run this wild. He makes a mental note to cut it out during editingthe. Brie swipes the camera off his desk, angling it better towards his lap and the empty floor below him. He then makes a grab for the empty cup - popping off its lid as he positions the container between his legs. They tremble - barely holding into the styrofoam without crushing it as Brie spits - whimpering as he coats his girth in another layer of his saliva. For a fleeting moment he can perfectly picturing the warmth dripping down his cock as your own - and that's all it takes for him to come undone.

Brie cries out your name with a shakey breath, clutching the edge of his desk for stability as his upper body lurches forward, pouring ropes upon ropes of his spend in the general direction of the cup. It's too much- With it being so long since the last time he came, this hard - tears stab at the corners of his eyes as he shutters, nails peeling chipping at the polished finish of his desk. He misses his intended target at first go, thighs glistening with cum as he hurriedly fixes the cup to catch the remainder.

Brie takes a long pause to catch his breath before wipping off his camera lense, posing with a shakey thumb up as he holds the cup for all to see.

"Shake's ready- Guess it's about time I make another delivery~"

-

"And here you are, one milkshake on the house. We're always trying out new things in the kitchen and like to reward our loyal customers by letting them sample new items first."

Swirling your straw through the thick slurry, you take another sip with a satisfied hum. "Hm. You said this was salted caramel, yeah?"

The delivery boy snaps back to attention - seemingly lost in thought as you gulp down the shake. "Y-yes. That's right- Your thoughts?"

"It's pretty damn good, actually. Been getting kinda hot these past couple of nights so this is just what I needed right about now."

Brie bites down hard on his bottom lip as you place the cool styrofoam against your bare neck, condensation running down to your chest.

"I forgot to ask the last time I can, but my boss finds it really helpful if I get some pictures of satisfied customers to put up. Would you mind if I took a couple of you right now?"

[moondirti]

blue collar simon x gn! reader. implied cnc.

Simon finds a journal on his lunch break.

It's inconspicuous. A5 black moleskin with an elastic holding it's contents together, bits of paper sticking out like nails on a poorly constructed house frame. He only notices it because his cooler slips off the bench when he blindly places it atop the fat book, sandwiches and packets of crisps now strewn across the dirty pedway.

The day's already been shit. A motley of blows, each made worse by the torrid sun overhead, sweat to cling to his grievances. An uptight site manager. A near loss of life after some tenderfoot got caught in between an excavation truck and the wall. Even his too-long hair, which curls around red ears – having not had a chance to buzz it off since being called in for this job. It's no wonder, then, that the tiny mishap stirs as severe of a reaction as it does; he chucks his hard hat across the road, satisfied only when it finds its fate mid-lane, an obstruction to inevitably fuck the tires on a white collar's new car.

When his rage settles as smouldering ash in his chest, he picks his food off the floor and cracks open the source of his animosity.

With no name or number, the first page holds just a chicken-scratch address. Interesting. Its owner hasn't made this easy on him, crafting it like one would a game. A skewing of traditional acquaintance. Granting nothing of their superficial identity, yet unrestricted access to their innermost thoughts. Thus he's forced to paint his own picture of the figure behind the words.

And what a picture indeed.

The first entry is brief.

13.02 – My therapist expects at least three pages a week. I'm not doing any of that, so don't get your hopes up.

It's evident that you don't stick to your guns. Though the next one is dated several months later, so he see's the attempt had been made. Written in a whole new hand, like you'd picked a dry pen off the floor and practiced your non-dominant grip:

08.05 – I broke my arm playing tennis. The umpire called a match-point in my opponent's favour and I threw the racket at his head.

I am no longer allowed to play tennis. What good is that resolution? My radius has a greenstick fracture. I'm already out of the game.

His laugh is abrasive and sudden, like it'd been pried from his chest by a pair of careless hands. Or as close to that analogy as it can get – your anger is intoxicating and only grows more potent across the pages. Inadvertently amusing. Simon chews through the tough crust of his torpedo roll as he reads, time wearing away under the stiff comb of your words.

There's hardly any variation in your cataloguing –

10.06 – The universe must need more bad people in it, because it tests my limits everyday. Can the fuck next door snore any louder? It's 2 am, goddammit. I wonder if it'd be overkill to ship nasal strips to his mailbox.

26.06 – Dad called today. Didn't pick up.

04.07 – I'm close to killing Kathleen. There's a reason the food in the fridge is labelled as MINE. GET YOUR GRUBBY PAWS OFF OF IT!

13.07 – The world is a shitty, stupid, crappy, icky, lousy, rotten, stinking, stinky, bad place. I hate my coworkers and friends and parents and landlord and etc etc. It's like everyone is out to get me.

– so it's like the honed curl of a hook. Whiplash-inducing, reeling his attention so quick that his neck strains in phantom pain. Simon stops everything, elbows settling onto his knees as he fixates on one entry in particular.

30.07 – I stand by what I said. The world is uniquely horrible. I think that's because I make it that way for myself. Whatever this exercise was meant to do for me, rage relief or introspection or whatever, it's clearly not working. I'm just as angry as I was before. Maybe burning these pages would help. I wish I could play tennis again. I don't know what to do with my hands anymore. I got fired last week. Need groceries. Eggs, spinach. Spinach always goes bad and I never make use of it. I keep buying it though. Dad keeps calling. I've got a migraine and I've run out of advil.

I just need someone to put me in my place.

And it ends there. No more entries after the fact, just a handful of blank pages before the journal wraps to a close.

He flips back over to the address at front. Looking at it a second time, he can tell the ink is still fresh.

Perhaps he misinterprets it. Perhaps it hits a little too close to home. It wouldn’t be the first time he looks for salvation in the empty lines someone leaves behind. Perhaps it’s just been a bad day, and he should go home before he does something he’ll regret. Perhaps it’s nothing at all.

Or–

Perhaps he sees it for what it is.

Here are all my colours. What you choose to do, or think, is no longer my concern.

[apas-95]

Firstly - Yes, it is a necessary part of the struggle against the genocide to engage in protests, boycotts, 'awareness raising' and 'holding accountable', etc. That being said, however, it does absolutely nothing on its own, and far too many people are being far too proud of themselves for an outsized belief in their action.

These things - peaceful protests, boycotts against brands, letters to senators, literally posting - do nothing whatsoever to impact the pace of the genocide being carried out. They have not slowed the advance of Merkava tanks or the flights of F-35s by even a minute. They are effective if and only if they are carried out in conjunction with and support of actual direct action against the war machine. Work stoppages at ports, blockades of weapons manufacturers, these are the bare minimum of actual opposition to the genocide. Further action, like solidarity strikes in the states providing diplomatic and military support for the occupation, general unrest, etc, are sorely needed - and, ultimately, are the only things to be done not premised on appealing to the good conscience of those committing genocide. Your governments do not care what you think of them, they care if you stop working - and they will only stop sending weapons if you physically stop them.

It feels like 2020 taught a lot of people nothing. Massive protests, unthinkable levels of outrage - even met with apparently cowing of the state, overwhelmed with public opposition to their policies. Ultimately, none of the movement's goals survived, and the gestures (which is all that were gotten) faded. Roads were renamed and painted back over. Cops still kill people exactly as much. They know exactly how much you oppose it, they always have. Telling them isn't going to do anything, because it's not news. They don't act this way because they're misguided or have wrong ideas, they do it because it's profitable and in their material interests. The only way to make them act differently is to make them act differently. Either directly, by blocking their actions, or indirectly, by making the endeavour too costly through strikes and other leveraging of the fact that we, as workers, produce all their wealth. Each dollar going to buy IDF missiles ultimately comes from you. You want to stop it? Organise and strike. Physically block weapons movements. Yes, propagandise, talk about it, but for the love of god, don't trick yourself into believing that's the end of it.

The Palestinian resistance isn't limiting themselves to posting and raising awareness. They know that those committing genocide are plenty aware of what they're doing. No, the resistance is taking up arms. They would kill the soldiers of your country if they came across them defending the occupation, and they'd be right to do so. The soldiers of your country would kill you for striking. There is only one war, here.