okay listen
i need tim to be the softest dad possible
i need him to call his kid every pet name that's out there. i need tim to call his kid sunshine and darling and sweetheart and DUCKLING because you get it right?? because he's a drake and that's his little baby duck can't you see???
i need him to kiss his kid's forehead before bedtime without missing a single night. like no matter how tired he is, he might be only-running-on-his-fifth-cup-of-coffee-and-pure-spite type of exhausted but he WON'T leave his baby's side until he's completely sure they're fast asleep so he can tuck them safely and warm under the blanket that he bought for them IMMEDIATELY after they pointed at it ONCE at the store (it's a quilt blanket; it's blue; it has little golden stars on it)
i need him to work from home with his kid on his lap, talking to them softly, playing with their hair mindlessly. i need him to scoop them up in his arms every chance he gets 'cause they're growing so fast and they won't always be this tiny and one day he won't be able to hold them like this anymore; to hide them from the world on his chest
i need him to cry at his child's first steps, word. i need him to cry about being called "dad"
i need him to tell his kid that he loves them to the moon and back. to tell them that he won't let anything or anyone ever hurt them
i need him to say, "i will always be by your side"
"you can always rely on me"
"i will never leave you alone"
"are you okay, sweetheart? we can always leave if you want"
"you can't eat that, duckling, I'm sorry. you're allergic to peanuts remember?"
"just because I wasn't expecting you to be born does not mean that i love you any less, can you hear me?"
i just. i need him to be a soft dad. i know that he wouldn't be exactly like that realistically but a girl can have self-indulgent dreams sometimes
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'bade miyan chote miyan' is an insanely messy movie
(what to expect: no spoilers)
this movie has:
1. over the top hype
2. intensely cringe dialogue at points (and i have a high tolerance)
3. a storyline that compromises its character & narrative depth for plot complexity, and ends up falling a bit short on both.
4. a terrible of usage of what could have been strong female characters.
having said that though, this is a movie that gives us [in no particular order]:
✓ a movie that begins with a fight scene (feat. manushi chhillar)
✓ fervent glances? between two men (especially when the other isn't looking)
✓ intense eye contact between homebois
✓ banter? bickering like a married couple? (hello, enemies to lovers)
✓ two explicit declarations of love (this isn't even a joke)
✓ wonderfully choreographed fight sequences (though the camerawork sometimes prevents us from appreciating the details)
✓ a sonakshi sinha cameo
✓ a villain with a solid backstory, but SIMULTANEOUSLY psychopathic for no reason at all (which is a bit refreshing)
✓ excessive handholding (not exaggerating, at least eleven times)
✓ refusing to let go of said hand (even in dangerous situations)
✓ prithviraj with long hair
✓ a villain that does NOT monologue, other than giving us essential backstory (finally!)
✓ a cheek kiss?? (again, not kidding. yes, between the main characters.)
✓ telepathic understanding between our main bois
✓ prithviraj with long hair (if i hadn't mentioned already)
✓ a cohesive, fast-paced, fun story, with plenty of plot points and surprising moments (crazy amount of potential)
(what you are ALSO signing up for):
the overt sexualization of men. men being tiger shroff and akshay kumar. (did i mention tiger shroff?)
a genius character who is also a professional simp 86% of the time
MULTIPLE dialogues that make you want to gag 😃(but entertaining in it's own weird way)
a blatant reference to the RRR dance scene during a dance montage of tiger & akshay (goood times)
prithviraj giving his 124% to a character, as usual (in a movie that is incapable of being taken seriously at times)
witnessing the lost potential of three potential badass female characters
situations that should not be escapable (but surprise, they are)
situations that should not be survivable (again, surprise)
obvious references to multiple other movies and real life memes (choti bachi ho kya?)
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now that i have recovered from the emotional shock of seeing *that* akutagawa scene from chapter 88 animated in HD 4K (i thought i’d have another week to emotionally prepare myself LMAO), i just wanna be a little bit of a nerd and say that i really liked the cinematography/composition this episode.
in particular, i really enjoyed the anime’s decision to draw visual parallels between this fight and previous fights (in particular, the fight against francis, which is important because it is the first time they worked together).
after all, this fight is the culmination of everything they’ve done together. from the combining of their abilities, coming to an understanding with each other, realising the potential of beast-beneath the moonlight-rashoumon… bringing back similar shots that were used in previous fights is SUPER effective at highlighting the parallels and how far they’ve come, in my humble opinion.
here are a few things i noticed:
- first of all, both of them activating their abilities one after another is an explicit nod to S2’s fight;
- the confrontation/conversation in the hallway from S2 (to an extent! they’re on the same sides, which caught my eye);
- akutagawa blowing up the engine room on the ship, and kyouka doing the same during the first fight between him and atsushi (S1);
- and a similar angle being used for black tiger claws / koukko zessou as a nod to the fight in the S3 finale.
the parallels — though maybe less explicit, *are* still there in the manga? like, the entire “structure” of the fight so to speak is very similar to the francis fight in S2 — akutagawa finding atsushi, taking place on a(n air)ship, breaking away from the fight to strategise before confronting the final boss (then, francis, and now, fukuchi) is undeniably a nod to that fight? i love that this is given its due in the anime as well.
another thing about the cinematography this episode i loved was them using the clock as being the indicator of fukuchi’s fuckass space-time sword doing its thing. that was a really nice touch, in my opinion; the cuts in between were jarring and disorienting and really helped put us into sskk’s shoes.
and as for the background design alongside the clock itself — there were a couple of things about them i enjoyed:
- the number of floors / levels of the ship in the back (5, as a nod to the five ways an angel decays, the DOA)
- the blue of the clock is meant to be reminiscent of fukuchi’s sword, i’d argue, with the way both of them pops out of the sunset/orangey-red lighting
- the clock’s design being super ornate and gold plated reminds me a *bit* of a tabernacle (where they keep unused eucharist in a church) — and thus brings up connotations of sacrifice. that white bridge-thing beneath the clock as well reminds me a lot of an altar, too (see the image above the last to see what exactly i’m referring to, because image limit)
okay, yeah, that one might be a bit of a stretch, sure. but its placement as being above them, combined with the two tables/boxes to the left and right of the ship’s bow (which looks very much like a cross, btw) gives it a distinctly religious, altar-kinda feel, i’d argue. and crosses have been used in S4 as symbolism as well!
(tbh, there could even be a bit more imagery i’m missing, because — the angels of the DOA refers specifically to the buddhist conception of an angel. i’m not too familiar with buddhist imagery, but i thought that this was worth pointing out regardless!)
the last thing i want to say is that the red and blue symbolism went CRAZY this episode. i don’t have much else to say because it was super obvious — they even reused the same “black tiger claws” shot from S3, after all — but i do wanna point out that the symbolism even went into the carpets. the fucking carpets.
like, the shift: it’s red when akutagawa’s leading the conversation but changes to blue after atsushi’s suggesting of the submersible as a strategy? i mean, i don’t know if this (or anything i’ve said, to be fair) was intentional or not, but it’s a cool detail anyway!
personally, i enjoyed this episode, the action was great, and all of this too was a really neat addition as well! and now… uh. we wait for the chaos to get worse i suppose !? (laughs nervously)
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