tuesdayx

[tuesdayx]

I do plan on finishing song analysis writings for my last album. The last one I was working on ended up turning into a completely separate and unrelated piece which I plan on finishing later as a separate story, and since then I haven't had the motivation to write, which is my own fault.

Don't hate me plz

[tuesdayx]

If you can relate to this I'm so sorry 😭

[tuesdayx]

Realized I never actually shared this music video here. Enjoy.

[tuesdayx]

Jamais Vu

"Jamais Vu" is French for "Never Seen", and also known as the antithesis to the concept of the phenomenon "Deja Vu". The saying is given to circumstances where something that is normally familiar to you loses all meaning and recognition.

In short, this is the focal point of the entire album's message.

Like many of the songs on Identity Crisis, this one began as a Snapchat demo I made while fiddling around with ideas on my keyboard. I came across the term while working on the idea and decided to build the song around the concept of losing sense of familiarity. I then opted to make the entire song a continuous loop with minimal changes to emphasize that feeling. Every time I listened to that loop I felt so many emotions that I had been unable to feel for months. It needed to stay simple. The drums had a funky flow to them but they never deviated from start to finish. The Piano reminds me of the one used in much of the music for Thomas the Tank Engine, giving it a nostalgic boost that brings me back to a source of comfort in my chaotic childhood. The bass is bouncy and repetitive, but that lick at the turnaround is infectious and addicting. The final touch ended up being the synth accents that turn the backing track into a vintage videogame soundtrack fever dream.

Lyrically, this song tells 3 distinct, yet related stories. Verse one is a lament towards my lifelong desire to live within the world of my dreams rather than my waking reality. As a teen, I had an obsession with dreams, and more so for lucid dreaming. For months I trained myself to harness the ability to control my dreams; and it backfired. Rather than controlling the trajectory of my dreams, I instead found that whenever I realized I was dreaming I would get caught in a loop repeating the last event of the dream. Even worse, I faced sleep paralysis during these events, spending hours mentally awake through a dream with no end until my body stopped tensing and I could carry on with my day in a state of exhaustion.

Verse two is a retelling of my experience abusing dimenhydrinate, or dramamine. The subject came up once during youth group and I never forgot about it. It had been described as being like LSD and a way to communicate with God. Now here's the thing; I've done LSD multiple times since then, and not only have I never talked to God while tripping, but Dramamine is NOT even close to being the same as LSD. Dramamine is a deliriant, and if you don't know what that is, it's basically an invitation to tour hell and an experience that will make you question your entire perspective on existence in the worst way possible. Don't even fucking do it. This happened to me 10 years ago and I'm still traumatized by it. I'm still traumatized by the ER trip to get my stomach pumped when I ODed on it. The comedown is apparently comparable to meth and that alone should be enough to make anyone steer clear. The fucked up part is how apparently this is a common experience with people my age, and for years I thought I was alone with what I felt and what I saw. oh and I saw the hat man. He scared me so bad I called the cops and I honestly don't know what happened between then and the ER because I blacked out for the only time in my life.

The final verse is a denouncing of authority and social principles that are expected of us as we get older. I sought advice and wisdom from all over, whether it be from the elders of my life, the teaching of religion and philosophy, or the lonely advice of my Tarot cards. I feel so desperate for direction in my life, and none of the options presented to me feel like what I need to do. Even as a musician I struggle to chase success. Music has become a product; a commodity to be traded and sold. As a business major, I learned that "success" is most commonly achieved by exploiting those working with you, which never sat right with me. In so many aspects of our lives we cheat to get ahead and lie about it out of fear of failure or abandonment. Do we ever stop to wonder if the reasons we do so much harm really help us become better people in the end? Do the ends really justify the means?

The chorus is a reflection on how while I'm struggling to consolidate my sense of self I still don't feel good enough for the people around me. Everything is temporary, including the version of ourselves that we present to the world.

This was the second song with a music video on this album. At the time, there was a TikTok trend called "candy salad" where people trauma dumped before adding packs of junk food to a bowl. The concept amused me, so I opted to work the song around it as a way to share experiences over my life that have shaped me into the person I am and the struggles I still carry. These experiences range from mildly amusing yet sad, to unbelievable at best.

Favorite lyric: "Getting bullied by my Tarot Cards, is life supposed to be this hard?"

[tuesdayx]

Loser

The saying goes "boredom breed creativity", which I whole heartedly believe exemplifies the origins of this song. It started off with only drums. I wanted to play around with more trap influenced sounds so I spent a day developing the drum from start to finish to determine the layout of the song. Bass went on next to help fill it out, so I used what I had so far and laid down some demo vocals. From here, admittedly, I was stumped. So stumped that I sent what I had so far to my buddy Tanner from Artificial Dopamine (check em out) to see if he had any ideas. I never heard back from him, so the song was shelved for a brief period.

By the time I came back to it, I began playing with Indian instrumentation to fill out the rest of the track. I figured the rhythm track was lifting a noticeable drone, so I chose to throw in a tanpura drone over the whole song (played in reverse over the chorus). After picking out countermelodies on sitar and sarod I felt satisfied with the backing track.

Lyrically this song is one of many that dives into the lingering effects of childhood trauma with fear of never living up to my own expectations for myself. The first verse is a nostalgic glance at a basic look at my childhood; fending for myself as my parents neglected my siblings and I to focus on work, as well as their various vices to cope with said work. As the verse grows on, I grow more resentful and hostile to peers who tormented me and adult figures who stood by and let it happen, if not villainize me in the situation.

The second verse starts by mocking older teens for their arrogance and lack of self awareness. I used to hang out with crowds who sold drugs and partied with no tact and the safety of mail-order ARs. Most of them either ended up in prison or dead; spending most of their 20's and even early 30's being humbled by life before trying again. The rest of the verse dives into a warning to those who remind me of my younger self to be wary of their decisions and how they treat the people around them, or else risk losing them forever.

The choruses, however, contrast from the disillusionment and humility of the verses. Instead, the low voice stresses urgency and a desire to move on from a topic that's been talked about too much by this point. In the end, the conclusion reached is that I'm better off alone compared to living through a cycle of being with passive aggressive women whom I struggle to communicate with.

I think this song is neat. Hell, I'd even say it's a damn fun song. It's another that likely wears my influences on its sleeve, but I had fun making it and I certainly hope someone out there will enjoy listening to it.

Favorite lyric: "gotta save face if you want a good place in the race; like Mario Kart."

[tuesdayx]

Prozac

This is one of those songs where the story of how it came together is probably more interesting than the song itself. At the beginning of the sessions that resulted in this album, I started the process by recording demos on my phone to work on later as well as experimenting with how it sounds. The main track is built around a drum loop playing on my keyboard as I did a little faux gospel/RnB bit on an organ setting. I recorded this as a Snapchat video, then slowed down the recording to give it a deeper dreamlike feel. I added some extra percussion on top of it, otherwise the only other thing I could add to the instrumental track were some background vocals ran through harmonizers.

I wore my influences on my sleeve for this track, although my intention was to make a Frank Oceanesque style RnB song that could either work as something light in the middle of the album, or else a closer if I hadn't come up with anything better later.

I struggled with lyrics for this one. It wasn't until months after I'd written the original backing track that I sat down and wrote anything. At times when I hit a writers block, I tend to just write about my surroundings and current setting to paint a mood of where my mind is at. In a way, "Prozac" is written similarly to a diary entry, or maybe even a letter to an old lover. I had a bad experience that drove me back to drinking for several months, and in those long, lonely drunken nights I would reflect on everything that led me to where I was then and longed for the people I had and lost. Since April I had been taking Prozac to treat my mental health and was struggling to cope with my erratic mental state.

Overall it's a letter to my ex, and how I want her to have the best life she can even if it's not with me. Just another attempt to reach out to someone who at one point was my best friend who has their own life away from me now. Drunk lonely nights.

Don't fuck up your lives kids. Be good to the people who love you. Don't push people away. Don't do shitty things to people you love.

Favorite lyric: "if you love me, say you'll wait around."

[tuesdayx]

Sam Hill

I'm honestly still amazed with myself that this song ever saw the light of day. I started working on it at the same time that I was writing "432111", which makes these two sister songs as far as I'm concerned. The goal was to make a song that captured the essence of 90's hip-hop.

There's likely several Sam Hills in any part of the United States and other parts of the world. I've never been to a single one. I'm not sure why I gravitated towards that name, but usually when I'm writing songs from scratch I'll give it a working title based on whatever comes into my head first and change it if I need to later. "Sam Hill" itself is a traditional literary representation of Satan or the Devil. This ended up fitting perfectly for the tone of the song as it lyrically centered around themes of hedonism and controlling forces in our lives.

A good majority of my time was spent tightening the rhythm section that carries the song from beginning to end. At the time I was trying to avoid using my typical setup of either guitar or some kind of keyboard, so how should I fill the rest out? How about a horn section? Not just a horn section; a horn section with a flute solo! Throw in some haunting xylophone and some sitar and that did the trick. This was the first album I made where I purposely quantized everything in the event that someone else would end up collaborating on the album with me (which didn't happen.) Despite that, on tracks like this I still opted to record entire sections in one take rather than doing small bits for every part and looping them.

The album carries a theme overall where I utilize different vocal modulations to represent different aspects of myself based on the subject matter of the song. My "main voice" I refer to as Tuesday, who typically represents a more laid back yet fatigued energy. The "low voice" I called Rex, representing introspection and wisdom as well as a voice trying to consolidate my masculine self from the toxic masculinity I was raised within. The "high voice" is Tiny T, representing the youthful spirit I refuse to let die as well as exploring my insecurities and doubts as a struggling human being with many flaws and mistakes under my belt.

Lyrically this song dances around the primary themes of hedonism, resentment, and a lack of control in one's life. Each voice gets a roughly equal chance at telling different stories that all led to my decision to abandon my former life and pursue my dreams as an artist.

Starting with Tuesday, I'm straight up explaining my current living situation. I've been homeless for a year now and traveling when funds and opportunity have been available, sleeping in the back of my car or couch surfing with whatever friends I happen to have in these areas. My life up until this point, I feel, has been wasted working for other people and inserting myself into relationships I was unprepared for. My struggles with substance use and infidelity never helped my case either. As I've said before, Hip-Hop and Rap generally are more lyrically arrogant genres, so I wanted to flip the script and shit on myself a bit to show that I recognize where I've failed before, I can laugh about it, and I'm actively working on preventing myself from making those mistakes again.

Next we have Rex. I'm not going to sugarcoat it, this entire verse is pretty much me ranting about how my father. Specifically, his controlling nature and constant need to always be in the right. I idolized him growing up, despite only seeing him maybe 4 months a year, and looking back on it I realized he not only negatively influenced me as a raging misogynist-sexist-racist, but he also made me insecure over my intelligence as a child and my confidence to perform most manual labor related tasks.

Finally, Tiny T wraps things up by alluding to my sketchy behavior in relationships. For the record, I never did "fuck hoes or pop pills" with my friends. If anything we'd smoke some weed, talk about South Park, and eventually my guitar would come out and it would turn into a game of JukeBox. Despite this, I tried to justify wanting to do things without my then-partner, as she was doing the same thing without me. I'm sure we both made each other insecure by doing this, and we were both guilty of coming home late at night reeking of smoke and booze before flopping next to the other in bed. The end of that relationship tested my sanity, and situations like that led me to suspect other things were going on, but I recognize I was simply looking for reasons to be upset when I directly pushed away from me with my behavior.

In the end, it turned out to be a pretty fun song and catchy song I hope people would want to sing along to the same way they sing along to their favorite classic hip-hop anthems. Don't cheat on your partners, and don't stay in relationships you're unhappy in that can't be fixed by communicating.

Favorite line: "I'm going up to Sam Hill. My friends are coming, they're chill. Hey babe, what's the big deal? I ain't fucking hoes or poppin no pills."

[tuesdayx]

432111

From when I was around 8-14, my step dad ran a small venue out of an old red barn on his and my mother's property. Naturally, it was called "the Red Barn" and it ended up becoming a legendary venue from that era that is still remembered fondly to this day. My step-sister would regularly host and promote shows for local and touring rock bands, which exposed me to the world of hardcore and DIY punk, as well as introducing me to bands such as Icarus the Owl, Righteous Vendetta, Spoken, Tiny Moving Parts, and many others who have since disbanded or gone on to form other groups. My stepdad, however, frequently hosted a much more eclectic variety of artists; predominantly rap and hip-hop funnily enough. For most of my development as a musician, my focus was more towards rock and punk oriented music, but the hip-hop influences of my youth always lingered in the background.

This one was a test to see what I could come up with when making beats. You'd think that after years of arranging songs and performing all recorded parts that this would've been a piece of cake. It wasn't. I was overthinking everything so much before I realized I couldn't work with the rules I'd been using up until then. Everything was allowed, as long as it served the song. Considering it was my first, I wanted to try keeping it simple enough. The results reminded me of 90's synth wave music; I'm actually okay with that too.

Lyrically, the song is mostly more of me being jaded by my experiences in hookup culture and my simultaneous desire for something more with my fear of commitment. At the time I had been talking to a woman from New England and elements of our conversations made their way into the lyrics. I'd been struggling with my life in the Midwest and craved new experiences and adventure. I strongly considered moving to New England both to pursue her and more musical opportunities that would've been available in the area. Unfortunately the romance was short lived as we both quickly recognized we were in very different points in our lives and the kind of relationship we had talked about wasn't feasible. (We still friends tho and it's chill. D*** if you see this, hi ily, make me Tumblr famous like you were plz n thnx). The final line reflects my fears of being unable to maintain long term friendships and struggles of opening up to those around me.

This is kind of where the idea of using different voices came from as I wanted a way to distinguish the different lyrical perspectives from each other as I felt I was telling the stories of 3 people in one. Since I was having fun with it anyway, I wanted to go hard with the verses and channel the energy I used when covering TøP songs back in high school. Words are fun to play with! Especially when you're trying to recite a lot of them in quick succession with a snappy rhythm and a lot of rhyming.

I wasn't sure for the longest time whether I wanted to put this on the album. A lot of time was spent tweaking the mix or redoing vocals until it got to a point where I felt comfortable having it on the album. I'm glad I did too, this is one of my favorites on the album and I hope it ends up being one that people can have a lot of fun with even if you have no experience being a slut and you somehow still like your hometown!

Favorite Lyrics: "if I want some I could get some, but i haven't found someone worth my time. That's a fucking lie, 'cause I swiped right on every goth girl I could find. Got no replies, it's no surprise."

[tuesdayx]

Sorry for slacking. Nothing really happened, just dwelling in a state of perpetual looming dread and arguing with myself that I'm not as much of a burden on those around me as I think I am.

[tuesdayx]

Fit In

This song dates back to spring of 2020 during the sessions that produced my album "Essential". Along with "Bad Thoughts On My Mind", which was released as a stand-alone single in summer of 2021, "Fit In" was originally slated to be part of an EP launching a side project I'd been toying with called Lucky Dad. There were two other songs recorded for this EP that will likely never see the light of day, but there was something about "Fit In" that stuck with me. I continued working on the mix and arrangement on and off over the next few years, sporadically showing it to a friend in private to gauge if it was worth investing time into. There were several people who couldn't get into it, but more-so than not this song seemed to ignite something in the people who listened to it. It was infectious. Nostalgic. Relatable. I toyed with releasing it as a single as I had with "Bad Thoughts", although at those points several elements of the final track were still missing and I'm glad I ended up waiting. At one point I considered adding it as a bonus track to my album "Lo-Fi", but ultimately decided against it due to the vast difference in tone and quality between the track and the rest of that album. The irony of having a song called "Fit In" and struggling to find a place for it within my catalog has not escaped me.

In some ways, "Identity Crisis" was created for the sake of building an album around this little pop song I recorded when I was bored during COVID. When recording the song I had challenged myself to only use settings on my Yamaha keyboard and seeing what I could make of it. Musically, it's a standard synth pop song built around an 90's style shuffle groove and instrumentally the track likely would've blended in well on a classic Will Smith record.

When working out lyrics I scribbled some lines out quick and recorded them through a harmonizer. Only later did I realize how the words reflected what I had been feeling and neglecting to acknowledge at that time. I had just moved across the state and found myself working constantly with no time to make friends. I had briefly attempted to get involved with the music scene, with my gas station job making it difficult to find time off to go to shows I wanted to see. Then COVID happened, all the shows got cancelled, and I felt like I missed my chance to be part of a community again. I felt so alone and misunderstood, even by the few people who were close to me and including my own relationship at the time. What I thought was a quirky little pop song was actually a desperate cry for help at a point where I literally couldn't speak for my own wants without feeling like I would disappoint the people around me.

When the world started up again I was able to find a place in the local music scene, although I was still relatively unknown even by the time I moved away from there. I was able to make friends, but that feeling of not belonging still followed me wherever I went and I had to force myself to be social or risk spending days at a time in bed. I think a lot of us struggle with these feelings and I wish we talked about it more. Even some of the coolest, most put-together people I know are riddled with anxiety and I'm always surprised to learn they feel just as lost and alone as I do. I hope this song can be used to bring people together and dance in a community setting and be a reminder that we're not as alone as we feel we are, and even if it takes a while to find it there will always be some place in the world where we can fit in.

Favorite line: "Always had trouble making new friends and trying to fit in. Never stopped me before I could quit, I'm trying to fit in."

[tuesdayx]

Too Much Stuff

My relationship with this song is very much like the person it was written about; it's complicated.

From 2019 to 2024 I lived with someone I had been in a long term relationship with. We split up in the summer of 2023 and couldn't afford to break the last year on our lease, so we opted to live together as roommates, during which time we watched each other get into new relationships with other people and what remained of our relationship deteriorated.

The main premise of the song is based around our final days living together. Situations over the previous year had put me in a position where I was preparing to live out of my car once the lease was up. Living in that house financially crippled me from paying up to $400 a month on our energy bill, as well as an extra $150 a month for my ex's car insurance(for a car I'm still co-signed on). By the final days, it was difficult for us to have a conversation. The last time we spoke was the final day of our lease. I asked her if she was planning on taking her vacuum cleaner she had left behind, only to learn that it had broken and she had already taken everything she wanted. She left without saying goodbye, and as she did she left me with a house full of 3 carloads worth of garbage to dispose of and clean up alone.

The melody and main idea of the song first came around back in summer of 2022. A friend of mine had a Samsung phone that kept going off as we were driving and the jingle got stuck in my head. From there I came up with the chorus, but couldn't find the words to put behind it until a few years later. It started as an awkward arrangement that was quickly thrown together, and the more I tweaked with it the more it started to hit pretty hard and feel like a powerful statement against something that had become a lingering source of stress and unhappiness.

I had written a lot about the end of this relationship in my album "Lo-Fi", but many of the feelings that were absent during our actual breakup ended up coming out once we were no longer in physical proximity of each other.

I haven't seen her in a year now. For a long while I thought I was still in love with her, but I've realized I'm in love with the memory of us together, and by this point her and I have each changed so much that we don't even know each other anymore. It's sad. At one point she was my best friend and favorite person in my life, and in hindsight I see how much I took that relationship for granted. I'm hurt by the way she reacted at the end of everything, but I also understand that she reacted because of how I was acting towards her and in general, and I can really only be mad at myself for failing her and not appreciating the relationship and her presence in my life. I miss her. I hope one day we can be friends again. But I'm not holding out on something that probably will never happen, and I'm not going to reach out to fix something that I know for a fact she's happy to be away from.

So yeah, this song is complicated to me. But it slaps. It bangs. It fucks. It's got an energy I want to put out more in music. It's my expression of feelings that I have no other way of expressing.

Favorite Lyric: "Never lent a hand and never offered any help. What did I expect? I guess I'll do it by myself."

[tuesdayx]

Every day for the next two weeks I'm going to give a detailed analysis of each of the songs on my latest album "Identity Crisis." But before I get into those messy and ugly details, I'd like to talk about the album as a whole and what these 14 songs mean to me.

Some background: I'm Tuesday X. I'm a non-binary genre-fluent solo artist from North Dakota. Tuesday X started back in 2015 as a side project to record songs my other bands at the time showed little interest in. In October of that year, during my senior year of high school, I released a self titled EP containing 6 songs onto SoundCloud. The songs were recorded on a 4 track app on my cellphone. The quality was rough, and the 5 minute limit on the recording app affected the arrangements on a few tracks, nevertheless the EP received warm reception from those who heard it, encouraging me to continue on with the project. By August of 2016, my band the Amberlamps has disbanded and I was free to focus on Tuesday X as my full time musical project.

The next 10 years saw a lot of experimentation with sound, unsure of what I wanted Tuesday X to be in the first place. Attempts to form a full fledged band were difficult and short lived, to the point where I eventually decided to continue Tuesday X as an acoustic act when performing live. These circumstances presented their own set of challenges. Live sets include a variety of covers as well as stripped down arrangements of original material, while the recordings implied the existence of a band with a diverse musical background. A downside of being a one-man show is I've had to learn to produce music on my own, which has led to the near commenting on the lofi quality of the music.

As of now, I've released 9 albums as Tuesday X, as well as 3 EPs, a compilation album, and a handful of non-album singles, all self produced and self released. At the beginning, I imagined Tuesday X as a shoegaze post-punk/emo band. As time moved on, those influences shifted more towards Midwest Emo and Indie pop, and eventually mixing in elements of post-hardcore, psychedelia, dream-pop, synth-pop, grunge, pop-punk, and jangle-pop among many other minor influences. When discussing my biggest influences as an artist, naturally I would start talking about the Beatles, Brand New, and Gotye; 3 artists who could never be more similar while also sounding so different from each other. The common theme? Willingness to change and experiment with what interested them as artists rather than what the public expected out of them. My only goal as Tuesday X has been to do my best not to release the same album twice.

Now onto the Album...

"Identity Crisis" was born during the most difficult period of my life so far. Over the last year my personal life has been shaken up to the point where I ended up unemployed and homeless. A long term relationship I was in fell apart due to my struggles with infidelity and substance use, and I found myself in a rebound relationship that further crippled my mental health. When that ended, I at first retreated to my mother's farm in order to house my cat. I started taking antidepressants and started focusing on new music.

Already, the sound and tone of this album was taking a very different shape than what I had been familiar working with before. Criticism of the sound quality of my album "Lo-Fi"(an album I titled as a warning of the sound quality) wore down on me to the point where I craved making a polished album out of spite to those critics; I wanted to prove I was capable of making a good quality album. As well, my previous relationship exposed me to a broader world of pop and hip hop that I was blissfully unaware of until then. I felt like I had a lot on my mind I wanted to talk about, and the most efficient way of expressing those thoughts ended up being rapping. The beats were all composed and arranged with no outside input or influence, and although I had planned on collaborating with fellow artists in my circle nothing ever came of it.

Lyrically, I allowed myself to be as vulnerable as I knew how to be. Almost every song touches on themes of loneliness and abandonment. Many focus on my relationship with my parents and the effects their divorce and mutual neglect had on myself and my siblings while growing up. While I don't consider this a breakup album, the effects of my previous relationships and the mistakes I made in them take center stage on a few tracks, although more along the fact that these issues still haunted me even years after the fact. An underlying theme that follows most songs is my distrust of authority, particularly towards government officials and their policies which have predominantly caused me and my family stress throughout my life. A few songs in particular are scathing critiques towards capitalism and the conservative agenda, including criticism of Hussle culture and maximalist lifestyles. Musically this album was heavily inspired by artists such as BROCKHAMPTON, Twenty One Pilots, and Dominic Fike, as well as influences including Katy Perry, Pinegrove, Gwen Stefani, and of course, the Beatles.

"Identity Crisis" is my perspective on a person from Gen Z experiencing the loneliness epidemic without having fell down the alt-right pipeline. I experimented with a genre that heavily promotes themes such as arrogance and pride and turned it into a vulnerable experience to find my own voice as an artist. I hope only to connect with others who are also struggling to find their place in a particularly chaotic period in history.

One last note: the cover was a photo I took while abroad in Germany in 2015; the same summer where the bulk of early Tuesday X was first conceived, as well as the first time in my life where I felt like I belonged anywhere. The photo was taken in an elevator in the Reichtag building in Berlin. It perfectly encapsulates the feeling of isolation and loss of identity among one's peers, losing focus as you lose sight of yourself.

I sincerely hope you guys enjoy this album. Follow for updates, as I will do my best to once again be active in this platform.

Much love.

[tuesdayx]

I should give more love to Tumblr. It's the comfortable kind of loneliness I miss about social media.

[tuesdayx]

I cannot stress enough how much I both LOVE and DESPISE my cat simultaneously for giving my life meaning by taking care of him and keeping me from being a depressed piece of shit.

[tuesdayx]

Realized I totally forgot to post this here lmao

Check out "Lo-Fi" now on your favorite streaming service. Or be a doll and throw a few bucks my way on Bandcamp.

Love you all 💙

[tuesdayx]

Music video for "New" by Tuesday X

New album "Lo-Fi" available 1/30/2024

[tuesdayx]

Conversations With No One MUSIC VIDEO

New album coming June of 2022, stay tuned for more.