There are many things people expect from one called 'God of Blood'. Always, the first thought is the blood of war, the blood of violence, the blood of the weak shed for the goals of the strong. Ares doesn't think of the blood of battle at all. When he thinks of blood, he envisions the many tied knots of blood bonds and bonds forged in the blood of battle. Blood sons and blood daughters, blood brothers and battle sisters, blood oaths and blood vengeance - he watches over them all and keeps close each one of these bonds.
One cannot begrudge his displeasure then when he realises he cannot tell Leto's offspring apart just by looking at them.
It was easier when it was just Artemis. Dark hair curled about her shoulders, a fierce mien whenever Father summons her to the mountain, a scattering of bones and blood shed whenever she was disturbed; the eldest child of Leto was a wild thing, sharp toothed with sharper claws always at the ready. There's whispers of her being a twin, of her other half being made to crawl on their belly as penance for their sin of god-slaying but Ares pays it little mind. What twins look alike among their number? Even dog litters are born distinct with all their unique markings inlaid in their fur. Artemis' twin too would be much more than their sister's mirror image.
Pouring over his list now, he wishes anything about Phoebus Apollo was that simple.
Mirror image did not begin to describe it. The twins were the same height, the same build, had the same colour and texture hair, ate the same raw food and drank the same amount of nectar. There was no difference in how they dressed, no difference in the company they kept, no variance in the weapons they used. There are some days Ares still cannot believe Phoebus will grow into a man and not some nymph with the way his ears have that slender point. He watches them now, sitting together beneath a shady palm and stringing their bows in an uncanny unison and curses because he still cannot tell them apart. What use is his skill in knowing blood when they both have the same damn blood running through their veins? What bond is there to sense when they are tied so tightly together, Ares can scarcely tell brother from sister?
He sighs. Unadorned and completely alone, the only way to know who is who is to speak to them. He'll have to find more ways to tell them apart from a distance. Surely they cannot stay this similar all the rest of their immortal lives.
142 notes
·
View notes
making a list of my favorite quote/ones that stuck with me from each season 1 episode because i feel like it
(i'm starting this after episode 4 but it will be a WHILE before i post it)
episode 1: "bones are a lie peddled by Big Milk" - alice
i love this one because it's a great introduction to alice i think. also it radiates spiral so i hope we get avatar alice not dead alice (isnt there a podcast called alice isnt dead?)
episode 2: "If I wanted to clear the canvas, I would have used turpentine." - statement
this one was just fucking powerful and caught me so off guard like 😶
episode 3: "What would I do without her?" - statement
the norris statement <3 it feels like martin asking what he would do without jon which makes mag200 a lot sadder and i love them
episode 4: "Perhaps you shall prove a stronger will than I, and will yet find it within yourself to destroy this hungry thing of wood and cat-gut." - statement
augustus sighting #1 and we immediately get jonah magnus expressing that it may be possible for gwen bouchard unknown family member to overcome the eye's hunger spooky violin
episode 5: "Voyeur needs to be seen to be believed." - statement
i feel like this one is pretty reflective of how the seasons gonna go? like if you explain the events of tma (mag200 specifically) no one's gonna believe you, it must be seen to be believed!! and also seen!! like the eye!!!
episode 6: "Not sca- This isn’t some poxy blood test, some little pinprick, this is hundreds, thousands of razor sharp points pushing into your flesh." - needles
i love needles so much and i thought this was really funny because it was like "you dont find me scary!! what the fuck!!!" just kind of toddler michael energy
episode 7: "It’s not like we’re wrestling with tape recorders and manila folders." - celia
STOP IT. celia you can't say that you just cannot!!!!!! you Know™ too much maam i cant with you
episode 8: "Pleasure to meet you both. I’m Gerry!"
RAGHHHHH OH MY GOD GERRY!!!! i love him so much and idk how to handle him being alive in the tmagp universe!! gertrude too but idk we got so much of her in tma and not nearly enough of gerry
episode 9: "And honestly, it’s kind of compelling by this point." - sam
they got him 😔😔 the horrors got sam 😔😔 also i found this to be an interesting contrast to jon's heavy resistance in season 1 like he was being compelled but he wasn't going to let anyone know that vs sam "its kinda compelling to trauma dump on this paperwork :]" how is he somehow even more victim material
episode 10: "Gosh you’re sexy, here’s a twenty for your trouble.” - alice
does this count as a quote if shes also quoting what she thinks sam should say? idk anyway i love her i would say that to her if given the chance and it was very silly. i will not be addressing bonzo i am scared.
episode 11: "...Thank you, Alice" - gwen
dyhard dyhard dyhard dyhard dyhard. okay also, the way she CRUMBLED at the idea of anyone doing anything nice for her please someone give her a hug and let it be ME. this series is tossing me back and forth between sam & alice (what is their ship name) and dyhard but this put me back to dyhard
episode 12: "You know it's rude to have absolutely no game?" - alice
she's so fucking funny i need her to be okay so badly!!!! i don't think even tim made me laugh as much as she makes me chuckle and this one really got me. it's hard to write such a comedic character in a podcast since you only have the voice but they really nailed it i adore her
episode 13: "Is it my fault?" - gwen
each of these episodes just reveal a little bit more about how loving and soft gwen is and idk i love her so unbelievably much so seeing that she felt guilt about the bonzo stuff just made her so much more real :(
episode 14: "Christ, they’re in the walls…" - statement
theyre in the walls!!! theyre in the goddamn walls!!!!! anyway that got me because i realized the hole before the statement said it. made more sad than scared tbh
episode 15: "Babies are cool!" - alice
this entire interaction between her and sam & celia was so awkward, she is so obvious and i love her anyway
episode 16: "It’s not like I was holding doors open for Mr Bonzo or anything." - gwen
my wife is so so so stupid but i adore her AND this gives room for character development. i wish she did not do that though. i love when characters are flawed and have depth but i struggled to get past THIS flaw of hers
episode 17: "Thanks, I guess. Not exactly the same, though, is it?" - celia
shes talking TO JON IN THE COMPUTER. SHE KNOWS. i lost my damn mind i love her i love her. get the gay people out of the puter please queen
episode 18: "Why would I need to talk to you? Your work is satisfactory. Unless you have a work-related issue I could assist you with?" - lena
solidified my opinion that lena is the best boss to ever have, i adore her and i would want to work for her if she wasn't the boss of Creepy Establishment #1
episode 19: "You’re going to throw it in the fishtank, aren’t you?" - alice
colin's behavior is like really worrying BUT i'm glad he's back. i was not convinced he was still alive
episode 20: "I suppose it’s too late for remorse, isn’t it? And why should I be sorry? This is what I deserve!" - ink5oul/statement
they reminded me of jon a lot, like especially his season 3/4 transformation when he doesn't quite know everything but he knows he isn't who he was in season 1 anymore, i hope we see more of their life and they can be helped :(
episode 21: [Tape Recorder Bites Ink5oul] - audio description
i know it's not technically a quote but this is just so fucking funny. why does it have teeth. what does this mean for the lore. holy shit.
episode 22: "Jonathan Sims and Martin Blackwood" - celia. knawing at the walls of my enclosure i am so not okay. i'm not okay. wtf. wtf. wtf. they're real. wtf.
episode 23: "I had a favorite mug. It said “love you, bitch” and had a picture of a drunk dog on it." - alice. okay i just love this entire interaction because gwen got to open up a little bit and my dyhard heart is so full
episode 24: "I am told that children like me, and I’ve always held the opinion that the world would be a better place if everyone just thought more." - basira. once again this whole interaction was so fun but like idk i loved hearing basira somewhat happy and in a safe place :] my wife <3
episode 25: " I am trying to help, to save us from this goddamned fucking nightmare machine!" - colin. MAN I REALLY WAS ROOTING FOR YOU!!! I WAS SO CONFIDENT YOU WEREN'T GONNA DIE!!!! it's over
episode 26: "I was worrying for a moment that you were Magnussing." - alice. MAGNUSSING BEING CANON MADE ME SAY IT EVEN MORE I'VE SAID IT LIKE TWICE ALREADY
episode 27: "You didn’t tell me the room was labelled, “Archivist.”" - celia. oooooh somebody's got TRAUMAAAAA LMAO
episode 28: "So you’re telling me you know nothing about an OIAR external contract being found with the bodies of two tattooed thugs who met rather grisly ends?" - TREVOR HERBERT???? anyway. ink5oul mention!!!!! i hope they stop killing people it's really rude
episode 29: "Alice, er… we’ve got to talk. It’s important." - teddy. i knew it was over for him but i didn't think it was gonna be THIS bad??? bye babe i guess??? 😭
episode 30: how do i even pick. the whole fucking episode. i can't. i am in a state of shock. i need to lay down for 30 years.
24 notes
·
View notes
more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
indeterminate age, indeterminate gender
religious fanatic (unclear which religion)
lives alone somewhere in the steppe
dislikes everyone but is nicer to children than anyone else
has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague.
TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not?
CHANGELING: What is it that you are asking me to do?
TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
204 notes
·
View notes