#♡mass effect

[sorcerous-caress]

Joan of Arc references let's fucking gooo

[felassan]

The Mass Effect board game includes some characters' pronouns? 🥺 [source]

[elven-butts]

i think he understood something about her in that moment not many people ever do

[togepies]

[djfatchip]

ᴍɪʀᴀɴᴅᴀ ʟᴀᴡꜱᴏɴ: 3/∞

[crisispider]

[ ◉¯] ✧˖° → @oceansfirst liked for a thing!

"Okay... but what if... what if I don't go?" He knew this was a LOOSING argument, but he was still TRYING. The very idea of even GOING to that area of the ship was enough to make his SKIN CRAWL, so the last thing he wanted to do was let someone he DIDN'T KNOW examine him.

A FLARE OF BLUE & A STING OF PAIN..

His arm FLARED a brilliant blue as a SHARP stabbing pain ripped through his entire arm, shooting all the way up to his shoulder, neck and then finally JABBING into his brain. "AHHH!" He couldn't stop the shout, he reached out attempting to STEADY himself.

"I-i'm totally fine..see?"

[tacticalhimbo]

my brother fucking did it. he got me the garrus body pillow-

i... he is almost as tall as me.

my parents had to witness this. btw. i will be passing away 😭

[retiredteabag]

The soul does not lie

synopsis: Sukuna allows tedious nonsense when he can feel your soul's cravings.

〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰〰・♡・〰

Though he hardly mentions it, Sukuna can, in fact, feel your soul in a way that a normal sorcerer never could. Knowing this helps to make sense of the fact that the man can always tell when you are distressed, even when you try to hide it.

You had discovered this little ability of his when he had come stomping in from the gardens one day while you watched unblinkingly at a horror film.

With your eyes only visible through the slots of your fingers you looked up to see him standing, arms crossed, in the entry way of his chambers.

"What is it that brings you fear?" He had thundered.

"W-what... no, nothing, I'm just watching a movie, see?" You flipped your phone around for the man too see but he did not take his eyes off your form.

"I do not repeat myself." His four eyes were squinted and his eyebrows arched in a dangerously attractive way.

"Kuna' it's a horror movie, that's all, I'm not really scared." You finally announced to the rolling of four red eyes.

"Your soul states otherwise." He quipped before drawing close to try and see what had your soul trembling so fearfully. He was disappointed, to say the least when he was unable to identify what was so "horrific" about your film.

And that marked the moment you realized that Sukuna was able to feel you in a way you could not understand.

Sukuna was NOT a gentleman, he was far, far from it. He loved to bring terror to the masses, very rarely did he allow another beings to so much as speak in his presence. He did, however, have "soft spots" for creatures that sparked his interest, and those remarkably loyal.

Even so, he did not make efforts to calm your nerves when you were anxious. He did not feel the slightest effect in his chest when your sorrow was palpable. He would certainly not allow for time to be wasted on your souls quivering's. That-was none of his concern.

It was not as if he was taking any actions when he allowed your pathetic "cuddling" nonsense when he felt the pangs of misery that surrounded your essence.

You had tried to hold him in the past but he did not see the use in wrapping oneself around another. Even so, he found himself pretending to sleep (even though he did not need it) when he sensed your desperation for his touch.

Likewise, when he could feel the shaky and childish excitement that bled from your soul when you were happy, he could not seem to help but humor you.

As mentioned, Sukuna does not require sleep like your helpless human form. Still, it was not uncommon for the king of curses to close his eyes, relaxing in his ultimate power. Be it when he bathes, when he is lounging on his palace's engawa, when he is seated on his throne, or even when he reclines himself along his chamber's bed.

Sukuna had his eyes closed one evening, feeling his power splay out from his body, grasping at the forms of everyone within his domain. When he sensed your spirit, quickly approaching his chambers.

He made the decision then to seem uninterested when you clambered through the doors.

He could hear the switch in your step as you drew in a breath, clearly forgetting what you had wished to say at the sudden image before you.

The bloodthirsty man had never looked more like a jungle cat, lying atop his bed in such a lazy fashion. He felt the exact moment your soul leapt. He knew you had covered your mouth as your heavy breathing had dulled despite your heartbeat climbing to unusual heights.

He knew of your antics. Having felt you chew on each of his biceps several times. You had that same giddiness now. It was simply that he did not care to move that he kept his eyes closed. Pretending not to notice as you took out your phone, your feet dancing around him. He'll allow you to take your ridiculous photos, he's too... relaxed... to... take issue with your senseless mischief.

He could tell you had finished when he heard you pocket your phone once more, your hands covering your beating heart, you leaned down, holding your breath. The king of curses had to keep himself from squishing his face in ....disgust.... as you planted a chaste kiss in the space between his lower eye and his upper lip.

"You're too precious." You quietly whisper. Brushing your hand softly through his hair. And Sukuna rolled his eyes behind his lids.

Such foolishness he has never seen. Even so- he will allow it.

[astaroth1357]

So. As something of a connoisseur of depictions of the 7 Deadly Sins in media, I was just mulling over FMAB and thought, “I don’t know if anyone as crossed this over with OM before, but that would actually be kinda fire though.”

Like, imagine each of the brothers with the destructive powers of their respective Homunculi.

~♡♡♡~

Lucifer coming off as the most normal at first, until MC catches how his shadow bends and curves to avoid harsh light. They swear they sometimes hear him chuckling in the dark corners of the House, but they never actually find him anything there when they check. Red eyes reveal themselves in unlit rooms and follow them through the halls, all the while they keep wondering how he always seems to know where they are whenever he's away…

Mammon hardening his skin to be tougher than diamond, then using it to reinforce his claws and smoothly cut a perfect circle into glass display case. Him letting himself get punched when things don’t matter, but instantly hardening his cheek to break the assailant's hand whenever he starts getting serious. Or literally using his body to protect MC from harm as their first man and loyal shield.

Leviathan having a MASSIVE aquatic beast form that he shoves into a normal sized body, making him feel even more distant to others. Using transformations to regularly make himself look like his favorite anime characters/idols since he can’t stand the thought of looking at his true form. Yet, he still has that conservation of mass going, so he can simultaneously look like a 12 year-old girl and kick a car down the street like a soccerball.

Satan using his gifted sight to become an absolute force of nature. Not just a mere brute, but a sophisticated and effective killing machine with the wit and reflexes to mow down entire armies before breaking a sweat. Never blinded by fury, but harnessing his rage behind every inescapable strike. Him silently vowing that any threat to MC or his family will barely get to finish a thought before he's cut them down with precision and grace.

Asmodeus mostly using his extending nails for glorious manicures, but not being afraid to pierce the heart or lungs of anyone he doesn’t much like. He hears an incubus talking shit from a few tables down and stabs a hole through the jerk's skull while never looking away from his milkshake. His fights with Mammon getting 1000 times more destructive as his razor sharp claws bounce off his brother's skin and dig into the walls and furniture. The only thing he hates about them are how long it takes to scrub the blood off his nails afterwards.

*silently contemplates the possibility of Beel ripping himself in half to reveal a nightmarish second “stomach” capable of sucking anything into a blood-filled pocket dimension of which there is no light, hope, or escape* … Okay, moving on.

And of course, for those unaware FMAB Sloth could run at like the speed of sound which was threatening because he was also a behemoth. However, Belphie probably weights 125 pounds when wet, so… I admittedly get a giggle at the idea of him giving Lucifer a speed-of-light drop kick from across the House. That is probably all he would use it for, too. Him just getting those horns out and going into ramming speed… What a menace

Bonus: Wonder what kind of alchemist Solomon would be? 🤔

[vamptarot]

Why God Loves You | PAC

pile one pile two pile three

how to choose a pile . . . choose whichever you feel drawn to or ask your guides to guide your eyes to the one that is meant for you! ᡣ𐭩

— ⭑.ᐟ before we start I would like to say that this pick a card was made for those who were made to believe that God doesn’t love them, or that their existence is a sin. so if anyone wishes to complain about ‘oh but what if I have different beliefs’ then please simply consider that this pick a card is not for you. I am making it for those who were unjustly hurt. not proof read.

pile one : - coffee stain !

𐙚 : judgment reversed, ace of wands reversed, hermit reversed, two of swords, the devil

bottom of the deck: ace of cups

♡ ⢷why He loves you

You are genuinely not a judgemental person, at all. Even if someone is judged by the masses you are someone that does the ‘investigation’ of the situation yourself and then decide if the person actually deserves to be hated or not.

Even when it comes to unconventional things that other people would judge for, you simply do not. You always do your best to understand where the other person is coming from, and most importantly what are they going through. Especially emotionally, you try to see it from their perspective and not from someone that’s an outsider perspective in that situation, whatever it might be. That only comes second, third and so on. You are just someone very nurturing and smart, a person who walks their own way of clarity rather than blindly following the masses.

You are someone that is hard to influence, but rather than this making you unfriendly, it has the opposite effect on you. This quality of yours makes you very friendly and makes people have trust in you.

You are mature and can meet good people because you don’t let judgement fall in the way of you making good connections. Rather, you aim to understand everyone as much as possible.

You are also someone that is very responsible. When you make mistakes rather than running away from them and denying what had happened in the past you stand on your feet and strive to make it right. To create a better future.

This is something that is very honourable about you, something that is admirable.

♡ ⢷personal message

You don’t have to be religious in order to follow the words of God or what’s in your heart. Neither do you have to be religious in order to be considered a good person.

You are just you, and that’s enough.

You are good as you are, with your flaws, with your strengths and with your history. Don’t feel like you have to put on a show in order to be accepted. By this, I just mean that your existence is not a sin. What happened to you in the past is not a sin either, and don’t shame yourself for your normal human desires. Especially if you know it’s not your fault.

‘Picture perfect’ is picture perfect exactly because it’s not reality. Consider it an illusion if you wish.

— ✮⋆˙ someone in this pile is biologically a guy! , hey ya! - outkast , used to be a player , plush animals , bells , bunnies , wooden house , unfortunate childhood , growing up in poverty and actually managing to have a better life , nose bleeds , pink glittery food ? , hate for ants

my beautiful pile one please know that your intrusive thoughts are not you and I see all your efforts to be the best possible version of yourself, to treat yourself and humans with love and respect. you are pretty cool, please don’t beat yourself up. don’t blame yourself for the way other people have hurt you. I am also so sorry if your pile sounds a bit messy, I wrote it at 2AM. thank you for reading.

if you liked my reading please consider checking out my paid readings! there is barely any topic I will say no to and with every penny you are helping me!

pile two : - a letter !

𐙚 : the lovers reversed, five of cups reversed, ten of swords reversed, ace of wands, the hermit, two of cups

bottom of the deck: the star & the empress reversed

♡ ⢷why He loves you

In the past you have made some pretty bad choices. I am not judging, because who didn’t? These could be things that you aren’t necessarily proud of and that you know hurt people. At that time, you didn’t have people’s best interest at heart. You didn’t even care much for it even.

The thing is, this changed. You changed it, without anyone having to tell you to.

You changed it because you didn’t enjoy the person you have become. All by yourself. God, and your guides for that matter, are very very proud of you for that. It could feel a bit unreal to hear that, but regardless, you are reading this pick a card for a reason.

Regardless, you made such a huge progress and became someone that you can be proud of. You are doing so well, there is nothing left but to praise you for how far you have become.

There was genuinely such a huge tower moment in your life which helped you become the person that you are today, one that helped you evolve and have people’s best interest in your heart. Not from a people pleasing stand point either, rather, you look at everyone as human and as crazy as it might sound this isn’t a quality many people have.

Rather than seeing people as strangers, obstacles or just an option to pass time with you have become much more empathetic and have way more emotional depth than what you used to have.

This has helped you and other people heal as well, it’s truly adorable. You have every right to be proud of yourself!

♡ ⢷personal message

The past is the past and the present is the present.

People change and this includes you. Don’t give yourself a hard time over things that no longer matter, or no longer can he helped.

Today, you are a just, wonderful and kind person. Someone that gives their all in everything they do, someone who does things with all their might. A person that is doing their best, every single day, even at times where they don’t want to. - It’s not the bare minimum, this is a very wholesome and just thing of you to do. Don’t under-appreciate your own efforts in life. You are doing so much, while getting so little and you are so strong for continuing to stand even though you feel like giving up at times.

You are doing so well, and I hope you will be able to see that.

— ✮⋆˙ zuko from atla , mha , break stuff - limp bizkits , smiley - yena ft bibi , ear ringing , silver jewellery , crying at night ? , porcelain dolls , grandma , beauty and the beast rose , swarovski princess dolls , blood , red lip tint , being distracted , recently finding out something important about yourself

bad people don’t worry about being bad. I know impostor syndrome can be hard, but you are doing so well! the past doesn’t define you but your efforts of self improvement do! thank you for reading. 🫶🏻

if you liked my reading please consider checking out my paid readings! there is barely any topic I will say no to and with every penny you are helping me!

pile three : - the sea !

𐙚 : knight of wands reversed, the devil, three of swords reversed, nine of pentacles reversed, seven of swords reversed, ace of swords, ten of swords

bottom of the deck: queen of pentacles reversed

♡ ⢷why He loves you

Alright my beautiful pile three, I see your struggles. You have happened to be born into and grow up in an environment that doesn’t serve you any right. One that doesn’t align with your soul and keeps making you go through hardships.

Your family members are not necessarily people who always have your best interest at heart, and even if they do they don’t always succeed in showing you that.

They are much different from you, and even though you don’t necessarily deem yourself as perfect you know they are at times toxic even if they try to include you in things, try to make you feel good in your skin and so on. You, essentially are the black sheep of your family. Not because you try to stand out, not because you cause trouble on purpose but because you try to not make the mistakes that they do.

Being born into a family which you can love is a privilege, and I do think you got to understand that from a very young age even if not everyone in this pile hates their family you don’t always like them despite loving them. - Ironic, that could be something that people who chose this pile heard growing up. -

So, at many times you have felt lonely.

Despite this, you are doing your best. Some of you were at times severely mistreated, tricked into things or perhaps share wounds you genuinely never want to open up about.

Regardless of this, you don’t seek revenge. You don’t aim to hurt people. If you dislike someone you keep your distance, and focus on your own life.

On having good goals, good morals, being kind to strangers, being kind to family and being a good person overall.

Sure, sometimes you do get annoyed, quite a lot at times even, but you do your best to not react out of harsh and negative emotions, to not lash out on people. You know how it feels and don’t wish to inflict such negative kinds of emotions on people. So everyday, you do your best to don’t.

♡ ⢷personal message

Your surroundings don’t define you as a person, being the one to stand out doesn’t mean there is anything wrong with you.

Sometimes you are just meant to stand out, to create differences, to be the foundation for a better future.

For yourself and those who are important to you.

If you can’t be, that’s fine. The world doesn’t rely on you, don’t overwhelm yourself if you believe that you deserve better. The world is give and take, you cannot just give and give and give without receiving anything back.

Being a giver is alright, and having a forgiving heart is beautiful, but you cannot sacrifice your well being just to please people.

— ✮⋆˙ ‘I just wanna be one of your girls tonight one of your girls tonight’ , apple watch , an actual apple , lana del rey , ‘back to black’ , late night talks , ‘bye guys! hi ladies!’ , soobin from txt , dipper pines , weird food combos - peanut butter with pickles … ? whatever makes you feel happy my pile 3 - , back scratching , long nails , poverty , gangs (?)

I can definitely resonate with you my beautiful pile three, please just know that beautiful things await you. Like genuinely, you will have so many good things in life which you didn’t even previously think about or consider before. I hope you will be able to find so much happiness my little lamb. thank you for reading.

if you liked my reading please consider checking out my paid readings! there is barely any topic I will say no to and with every penny you are helping me!

[sorcerous-caress]

The Creative Director of Remedy Entertainment, Sam Lake, seems like such a cool guy. He’s really big on the idea of video games as an art form mixing in live action (he’s really big on that part) and music into it. It’s so cool that Alan Wake 2 went from a project that he believed wouldn’t ever happen due to the company hitting a low point back in the day to a Game of the Year nominee.

It's a refreshing view after so many companies seem to treat games as cash grabs and nothing else. Because games really are their own form of art. But I also hate when they try to make games to be art like movies and pander to Hollywood. I don't want games to just be movies 2.0 with more player interactivity.

The player is as much part of the game as the game itself, the fact you help make the art is what feels so special about it. That's you're both the auidance and a non-passive participant.

The little choises you make, the ways you try to outsmart things, the rewards and the reaction the game has to your moves. It feels like a dance, like how a cake must be eaten to be appreciated not just watched like a movie.

Some games really never get justice when simply watching them as a playthrough. It's two different experiences to watch something and to actively play it. You miss the qualia that you can't get anywhere else, the experience of experience.

Because each person gets a completely different experience when playing the game, a different finished painting for each of them that you make at the end of the game. With Dark souls I finished the final boss in one try without realising he was the final boss, so I never related to the final boss joke the community had about his soundtrack. I had my own experience, my own struggles with stupid mini bosses that I died to more times than any other fight.

I hope more games go in that direction. Where they consider the player as a part of them rather than an outiside observer, where they make things smoother for you to explore and personlise them. Where they embrace themselves as a form of art and not just a collection of cutscenes.

I've paused Mass effect mid battle to take pics more than I've ever done it during cutscenes. Because you can't always predict where you find beauty, and sometimes it's in the shape of the clouds in the background while a geth colossus bends you over and one shots your pathetic shield with its laser balls.

[felassan]

Transcript of the DA:TV ‘Meet The Companions’ panel @ SDCC.

Update: this post has now been updated into a full transcript.

BioWare have said that they are going to share a recording of the panel at a later date. In the meantime, here is a transcript of it. When the recording is available, I will update this post further if required. This is a word-for-word transcript (in as far as it was possible to make one, it was quite a noisy room with lots of people in it), but a few bits were not clearly audible - these are marked as "[...]". listening to the original source in audio/video format, when it’s available, first-hand is of course always advisable, in case of any mis-hearings or missing things out etc on my part!! :>

there are other things from the panel here in this BioWare blogpost, collected in this compilation post, and also in this Tumblr post.

The panel was moderated/hosted by Lucy James. In attendance were creative director John Epler, creative performance director Ashley Barlow, and the actors of Lucanis, Neve, Emmrich, and Harding - Zach Mendez, Jessica Clark, Nick Boraine, and Ali Hillis respectively.

----

[panel begins]

Lucy: Goodness me, there are a lot of you. Hello everyone. Hello San Diego. But more importantly, hello Dragon Age fans! Give yourselves a cheer! Now welcome to a panel that I am so excited to be moderating today. A little bit of, what do you call it, a little bit of, I'm just gonna say it, we're doing Q&A at the end. There is a microphone right here. I will give a warning - housekeeping was the word I was searching for. We're gonna be doing Q&A at the end. I will give you a warning to come up and ask questions to this incredible panel of developers from BioWare and actors from the brand new Dragon Age game, The Veilguard. I'm Lucy James, I'm your moderator for today, but you're not here for me, you're here for these incredible people, so let's go down the line and see who we have on the panel today. We have creative director John Epler. Creative performance director Ashley Barlow. The poised and pragmatic assassin, playing the role of Lucanis, Zach Mendez. The necromancer Emmrich, we have Nick Boraine. Absolutely did not mean to skip, but we have different, different lineup over here. The voice behind the private detective Neve, Jessica Clark. And returning franchise favorite, you know her as Lace Harding, the lovable Scout, Ali Hillis. Now, we all love Dragon Age games for multiple reasons, whether it is the combat, the impactful decisions that we get to make, the romances - I know my [...], I know my - but the heart and soul of every game is always the companions, and so we are gonna be doing a deep dive into some of the new cast as well as, like I said, returning franchise favorite. So I'm gonna kick off with you, John.

John: Awesome.

Lucy: Can, you know, you've been at BioWare for a couple of years now.

John: Yeah, seventeen years as of this year, so.

Lucy: Wow. Can you tell us a little bit about your history with Dragon Age?

John: Absolutely. So as mentioned, I've been at BioWare for coming up on seventeen years now. I worked as a QA tester on Dragon Age: Origins, moved into cinematic design, did that [...] Dragon Age II, Dragon Age: Inquisition, and then became lead cinematic designer for Dragon Age: Inquisition - Trespasser, where I worked closely with Trick Weekes, building out that story. And then now as creative director on Dragon Age: The Veilguard, which has been just a fantastic project to be a part of.

Lucy: Now, I assume pretty much everyone in this room has gone frame-by-frame through the trailers and gameplay videos and every BioWare social post about Dragon Age, but just in case there's anyone in the room who is unfamiliar, give us the quick overview of Dragon Age: The Veilguard?

John: Absolutely. So Dragon Age: The Veilguard is the latest entry in the Dragon Age franchise. It takes place approximately ten years after the end of Inquisition. You start the game hunting for Solas. It's a game built on some core principles of: be who you want to be, in a world worth saving, and with characters who matter. So, again, companions always at the heart of Dragon Age, they're at the heart of this one as well.

Lucy: And so, I mean, why is this team coming together? You mentioned it a little bit there, and like, what's bringing this, kinda 'rogues' gallery' together?

John: I mean it's the end of the world, and each character that you bring into your party understands that the world's ending, that they need to stop that, and you're really building, what I would say is more of a found family. These are characters who may not start off liking each other, may not even start off liking you, but over time, they grow to understand the importance of what they're doing and just, how critical it is to stop the elven gods.

Lucy: Now we were chatting a little bit before the panel, and you kinda said, like, a bold statement which was that this is one of the best groups BioWare has ever written. I say 'bold', cause we all have our favorites. What makes you say that? What's going on with The Veilguard that makes them so special?

John: Yeah, I mean, I think that every Dragon Age game the companions we write and create for those games are the best companions for that one. And I think in this case, what's really fascinating and what I've really loved to see come out through the game, through its development is, the way these characters form relationships, not just with you but with each other, so, whereas, you know, sometimes characters maybe don't interact as much. Each one of these has a relationship that extends beyond Rook, the protagonist, but also some become friends, some become lovers, and some become rivals. And it's just, the way that they learn to get over their differences, or put them aside, has really been fun and exciting, because they all represent a different part of the world of Thedas.

Lucy: I am very excited to see how these family dynamics come together, avoiding my real life family for my virtual family. Ashley, you’ve been playing a huge role in helping bring these characters to life. Can you tell us a little bit about your role at BioWare?

Ashley: Yeah. I’m the creative performance director, so I get to cast all of these characters, with the team at BioWare, of course. And then work tirelessly in the booth with them, I mean, they just met like this weekend. I just silo them off, and they do their work, and they listen to each other, and, you know, 3000 hours later, and then they get them back around, and we can iterate on it, and they can say, ‘oh, oh that’s what everyone sounds like!’, now they get to play off of it. So, it’s a big road-trip in a VO booth. From my house.

Lucy: A big road trip. A big deal. A big game. Where do you even begin with a behemoth like this?

Ashley: We, we audition our companions. We have to make sure that our leads can play off of each other, that compliment each other, that juxtapose each other. Like John said, it’s kind of like a family, an un-chosen family, and so we need them to, you know, it’s, you need to create an ensemble, a diverse ensemble, so that the players get the choice of who they want to bring on this hero’s journey. And so, we brought them all in, you know, and they, we do motion capture, so we need to see how they move, and how they walk, and how they talk, and how they can act like heroes. And they all carry themselves so well. Now, it’s tripping me out, because they all look like their characters to me.

Lucy: Now, there are plenty of returning faces in The Veilguard, but there are new companions that we will get to know and love. Let’s start with Lucanis. John, can you give us a little quick overview of his background, and what’s his deal?

John: Absolutely. So Lucanis is the stylish assassin from the Antivan Crows, you know. But, not bloodthirsty, more, as he sees assassination as a job, one that he is extremely skilled at. Over the course of the story, you learn more about him, more about his character, more about his relationship, not just within The Veilguard, but also with the Crows and with other characters in the world. And I think, it’s fascinating to see how that grows over the course of the game.

Lucy: Now Zach, you are the voice. I mean, how do you approach this? Where did you […]?

Zach: Well, when I first found out I got the role, I read Tevinter Nights, which is the book, that came out [...] and you should read. And I read The Wigmaker Job, in which Lucanis is featured. I read it about three times, and after I closed the book I realized, ‘this might be the coolest guy I ever get to play’. I mean, not only is he a smooth assassin, not only is he determined - yes, he can kill you a thousand different ways, but what struck me was, his mind is as dangerous as his knives. I mean this is a guy who takes in the environment with all five senses. He’s constantly attuning himself to the kind of shifting terrain of every mission. And also, he’s kinda hilarious. I mean, if you look at his relationship with his cousin Illario, in The Wigmaker Job, they’re constantly giving each other crap. But there’s a lotta love there, so I got to pull, you know, from my relationship with my brother. Because we love each other dearly, but we can be ruthless with each other. And so, it was really easy to play in that way.

Lucy: I mean, yeah, you mentioned being a comedian there. Ashley, how was working with Zach?

Ashley: Yeah.

Lucy: Harnessing that and bringing it to the character.

Ashley: Zach’s one of the funniest people I know. And that’s a lot to live up to. But, you know, he came in as one of the most adaptable actors. And, you know, we did a lot of motion capture during 2020, 2021, 2022, even 2023, and so Zach stood in for like, Assan, and Varric, like all the characters [...] just mostly, most - [a scene plays on the screen behind the panel of the actors doing mo-cap. Zach as Assan hops along the ground like :D over to Davrin, Rook and another character. Davrin is happy to see him and scratches him under the chin. Davrin motions to Rook, who then bends down and hugs Assan] - I mean I’m pretty sure [...] a huge inspiration for the cinematics. Once you see this scene that this is, like - remember it, 'cause [...] -

Zach: Just know, when you’re hugging Assan, you’re hugging me. That means a lot.

Ashley: It’s true! But, yeah, but, for Lucanis, Zach was able to bring, I mean once you get in the game and you meet Lucanis, you’ll know that he’s, you know, a murdering Crow, and then, is a […], you know, there’s a darkness. [there is a rumbling noise in the background and the panelists look around confused]

[?]: I think it's just thundering.

Ashley: It’s thundering, let's, let's do a -

Zach: The darkness.

[...]

Ashley: But in the darkness -

Zach: Prepare yourselves. [background noise continues]

Ali[?]: It’s coming.

Zach: Seriously, what is that? What’s happening?

A person off to the side: Other rooms!

Zach: Okay, okay, okay, thank you.

Ashley: Okay, thank you. [...] think you were doing it. As you can tell, he brought like a, he brings a lightness to it, ‘cause you can’t always be that heavy. I don’t want to be scared or crying in the booth all the time. And thank God the writers, John included, and all of the writers of Lucanis really brought some fast, quick-witted writing. So he’s quick as a whip, he really lightened it up, and can’t wait til you guys get in and play it and romance this sucker! Sorry! Sorry not sorry!

Lucy: I was going to say, how does it also feel to play a romanceable character?

Zach: Oh, I’m quite excited about it. Ashley has promised to give me the stats of how many people romance me. I'm really looking forward to that.

Lucy: No pressure, gotta get those numbers up!

Zach: Yeah, I know. But, that’s the great thing about Lucanis, is that, you know, he’s extremely smooth, as an assassin, but, and, yes, he does have a heart, he does have a soft side, he’s not completely adept at always dealing with other people and interactions of that such, you know, he’s extremely stubborn and stuck in his ways, so it’s really hard for him to let people in sometimes, so I’m really excited for fans to get to meet him, and, you know, help him open up.

Lucy: And before we go to the rest of your illustrious cast members, what’s, what was, what’s been your highlight of working on The Veilguard? Is it, you know, this moment getting to see everyone in person? Was it a story from on set one day, or an interaction with one of the devs?

Zach: Well, you know, I did, before the first day of shooting, I did kinda get an idea about how passionate the fanbase was, which made me really excited. I don’t wanna say nervous, because I don’t say I’m nervous, I say I’m excited. And so before the first day of shoot, I was very excited. And luckily, you know, Ashley and them, didn’t have me do too much on the first day. I played a lot of darkspawn. I darkspawn-ed my ass off, though. I want you guys to know, I really –

Ashley: Oh he did, yeah.

Zach: – and when I got home, I thought to myself, you know, ‘Zach, did you darkspawn hard enough?’ I was just worried! You know, and within an hour I got a text from Jeff, who’s a part of this cast as well, and Jee, telling me what a great job I did. And then, I’ll never forget. I got a call from Ali Hillis down here. And I will remember that conversation, because for thirty minutes, she made me feel like I was welcome in the Dragon Age family, and it gave me so much confidence moving forward. So thank you Ali, so much, I still remember that, God bless you.

Lucy: That is lovely. See, the family stuff coming up already. I’m very excited.

Ashley: [...]

Lucy: Right, let’s move on. Coming to the private detective, Neve, who we actually got a glimpse of in the gameplay reveal from a few weeks ago. Let’s take a quick look. [a scene plays on the screen; the scene when Rook meets Neve in the prologue with Varric and Harding, that we saw in the gameplay reveal video] Now John, can you give us a quick overview of Neve?

John: Absolutely. So Neve, as you can see in the video, is one of the first companions that you encounter in Dragon Age: The Veilguard. She’s from Tevinter, Minrathous specifically. And anyone who’s played Dragon Age before knows that we’ve always talked about Minrathous, we’ve always talked about Tevinter, so we wanted to have a character who showed, not the parts of Tevinter that we’ve touched on before, you know, obviously slavery is a big part of it, it’s a mageocracy, but somebody who was pushing back, fighting back against that. And Neve’s shown up in the ancillary media as well, in the comics The Missing. And it’s just, she is that, you know, somewhat cynical detective with a bit of a heart of gold, bit of [a?] romantic, and just seeing her character evolve over the course of The Veilguard, over the course of the game, because again, she’s one of the first people you meet, is. Always fun seeing Neve’s character bounce off other the followers, banter has been super fun, just the way that she, what she brings to the table is always, it’s always so interesting to me.

Lucy: Jessica, I mean, what was it like getting that call to find out that you were gonna be in Dragon Age?

Jessica: It was slightly terrifying, and it was, I just felt really honored immediately, because I feel like, to be, I feel like they entrusted me with such, something with such significance and such importance to so many people, and so I just really wanted to honor that, and bring everything that I could to this fabulous character that I had been gifted. So yeah, that was.

Lucy: And I understand that you are kind’ve newer to the kind’ve voice acting, kind’ve realm. How was it different from more traditional roles?

Jessica: I am pretty new to it. I’ve barely done anything as significant, Dragon Age is enormous. It was very freeing honestly, I mean, like Ashley said, they auditioned and auditioned and auditioned and auditioned us. Like, every time I was brought in, I was like, ‘oh I didn’t get that’, you know what I mean? And then three months later there was another audition, and. But it was just so interesting and so freeing, because it really is sort’ve, it almost felt like play pretend, like when I was a little girl, you know? And it’s like what you dream up in your imagination. Because they, you know, they give you this character, and they give you some of the dialogue and then they really wanna see where you go with it and how you move and how you embody her and how you react to dragons that aren’t there because you’re in an audition room. You know, like all of that. So, and then, also, playing Neve, it really allowed me, and being a voice actor, it really allowed me to sort’ve step into my power a bit more, because, you know, I’m very tall, and things like that. And so, in a lot of my, sort’ve, more traditional television and film work, they kind’ve want you to be the girl, and I have to raise my voice, and be a little softer, and you know, kind’ve, not diminish myself, I don’t wanna say that, but just be very conscious of my physicality. And then Neve, it’s completely the opposite. You know, so Ashley had to work with me literally on dropping my register and things like that, and it was so confusing at the beginning, and then it was so amazing, to kind’ve have that opportunity, so I’m very grateful.

Lucy: Yeah. I mean, what drew you, what’s your favorite thing about Neve? – get that applause going, go on, let's go!

Jessica: I love her loyalty, I love her dedication, I love how much she loves Docktown and its people and how she really sees a different vision for Tevinter than, as John said, than what’s previously been depicted. And she’s really really fighting for those people, and she loves those people, and so yes she’s cynical, and yes she’s kinda tough and brusque and all these other things, but when they say there’s a heart of gold, there really, like to have that kind of a passion and dedicate your life to something like that, I think that, that’s my favorite part about her.

Lucy: And what were some of your highlights from, I mean, is it, is it kind of strange to record a video game, because I assume you’re doing things in different orders -

Ashley: Yeah.

Jessica: Oh yes.

Lucy: - working with some people some days and other people different days - tell me about that?

Jessica: I mean in terms of that, I just trusted Ashley and John, you know, and they know, and I was there to learn and embody and kind’ve grow into that. But I think my favorite thing, even though we were all separate disembodied voices a lot of the time, we kind’ve really all bonded in the way that we were intended to, you know? And that’s why we’ve been so excited all week and all weekend, because we can be like, ‘oh my god, you’re here, oh my god you’re here, you’re here, you’re here’, finally, you know? And you know, I know on a lot of projects, people are like ‘oh yeah, we’re all like, we love each other’, but we really do, we really really do. And it just evolved so organically. And there was something magical about it just being our voices in the beginning. You know, like sort’ve taking anything else out of the -

Zach: Equation.

Jessica: – you know what I’m saying. I’ve run out of words.

Ashley[?]: Yeah, it’s like an audible penpal. […] speaking to each other for so long.

Jessica: Yeah, yeah, yeah.

Ashley: It's nice with Jess, [...] she hit it on the head, you know, voice acting, you know, I hate to say it, I don't wanna put Jess - Jessica’s obviously a beautiful woman, but in the booth, it doesn’t matter. We just, pulled out the power and the range that Neve has, and it’s limitless, and as a woman to see that kind of writing and that kind of performance ability is, I know for a lot of us in the room, probably, pretty badass.

Lucy: Jess, I wanna, I'm gonna come back to something, because you mentioned, like, you’ve been messaging, and that the cast, you know, really loves each other, is there a Veilguard groupchat?

Jessica: There are several.

Lucy: Hold up. Who sends the most memes, who is the person who only reacts with the thumbs-up emoji?

Jessica: I, I would say Jeff is the most active, who plays one of the Rooks, I would say, in that respect, and to bounce off what Zach said, just an incredibly generous actor. And then, Ali, like it’s so true, like I had that story too, like literally even being back there, I was like, [gasp], I was like, she’s like, ‘it’s gonna be okay’, she’s like, ‘it’s good, it’s like, you’re gonna love it, it’s gonna feel special’. She literally like held my hands and like looked into my eyes and was like [inhale, exhale], you know? [looks at Ali and reaches out to her] I love you.

Lucy: I was gonna say, if we’re doing an Ali love-in, she did that for me too. So.

[?]: She does that for everyone.

Lucy: She’s done it for everyone? Fantastic!

Ali: Guys, you’re making me cry!

Lucy: We didn’t expect, hang on, we did expect one of our companions to be - a stone cold gray fox. BioWare treating us well. Emmrich has been driving the internet wild. And so, John, can you give us a little bit of background there?

John: Absolutely.

Lucy: Where did Emmrich come from?

John: I mean honestly, I will say like, we expected a great reaction to Emmrich. Went beyond what we expected for sure. But it’s been fascinating to see, because again, Emmrich is this character, he’s more of the professorial, more, he brings a wisdom and kind of a calmness to the group, so even when things are at their worst, there’s that one person in the group who’s kind’ve like, ‘okay, you know, we’ve got, let’s figure it out, slow, take a deep breath’. And just his journey through his character arc and his interaction with the others, it’s been fantastic to see. Even just finding opportunities for him to bounce off the other characters, you know, the way he talks to Bellara, the way he talks to Neve, it’s all so different, but it’s all so just, again, based around this core of this warm, kind-hearted, professorial necromancer, which again is not something that you see a lot of in media, usually necromancers are depicted a very specific way. But it’s been, just awesome to see how Emmrich has grown and just, really one of the most, one of my favorite experiences has been just working with Emmrich’s writer and working with Emmrich as a character.

Lucy: And Nick, you are the voice behind Emmrich.

Nick: I am.

Lucy: How did you prepare for the role, you know, what were you told about him before you got into the booth for the first time?

Nick: I think I’ve been preparing for Emmrich all my life. I was very attracted to the role initially. And I was so, I was overjoyed when I got it because I think it was, the writing of Emmrich is really fascinating. It’s this, this man that is obsessed with death, on one hand, but on death as a comfort, death as a transition, death as something that is not scary, and that ability to enable people to transition, and the investment that he gives in that sphere, which we don’t give in our own lives. I was immediately attracted to that and I thought that that was – I’d never seen that before, and so to go in these two ways, to talk about death and to talk about it in a way that is kind and that the transition becomes a kind transition, that was fascinating to me, and I think, will be fascinating to you too, yeah.

Lucy: And I hear as well that Emmrich gets, I mean, you’re all gonna get some fantastic lines, but I hear that Emmrich has some quite spectacular ones. You, Nick, you and Ashley, I would love to hear about the process of, was it difficult to get like some of those tongue-twisters, and?

Ashley: Yeah, Sylvia the lead writer basically was like, ‘Ash, you’re gonna need a dictionary for all of the sessions with Emmrich’, it’s like, 'Okay!'. And we get there, you just nailed them all, like 'shduhfejdkjjdhdjdhfjehfjkhehe into the Fade'.

Nick: Well, I don’t know if I nailed them all, that’s very kind of you. But, there was some serious tongue-twisters there, and, but it’s great, it’s great to be in the booth, and to be given a challenge like that, and. Yeah, it’s fantastic, I mean that’s what I love to do, so it was great to be just gifted that.  

Ashley: You’re such a natural nerdy scientist. […]

Nick: It's my inner self.

Ashley: It's your inner secret.

Nick: Yeah.

Lucy: Now I love that, and I think, I think the, I, I’m drawn towards with Emmrich is that like, he loves learning.

Ashley: Yeah!

Lucy: It’s very clear, like, it seems like you’ve really just thrown yourself into this role and the world of Dragon Age. You know, I asked Zach a similar question and it’s like, you’ve been working on this for so long, what’s it like now that people have caught a glimpse of your character, it is just a glimpse, but people are desperate to know more?

Nick: I mean it’s so interesting that this character has kind of caught fire a little because, when I did it I thought ‘okay, well everyone else is like so sexy and like, it’s just amazing, and I’ll just be this kind of professorial kinda guy chatting in the background, having fun, you know, dealing with death, and you know, on the side’, and suddenly it became this thing of like, no, this is actually really interesting. And I think people have found it interesting, and I love that! I love that you guys have also found it as interesting as I have as because, it’s, it's a fantastic character, he’s a fantastic character, honestly.

Lucy: I mean, Ashley, working with Nick, any other highlights to share about your time in the booth, or?

Ashley: Oh man, every, Nick is the most consistent person I’ve ever met in the booth – or in his garage.

Nick: Yeah.

Ashley: Recording booth, he’s really like [a hippy in art?], so I, so it’s kinda trippy, seeing you again in person and knowing what your character looks like.

Nick: Yeah.

Ashley: But yeah, you’ve just been so consistent with Emmrich and bringing this grounded-ness, and I’ve learned so much working with you, and. Yeah, now, you tell me, what, what good really looks like.

Nick: Oh wow, thank you, thank you. Appreciate that.

Lucy: I mean obviously, there’s Manfred too.

Nick: [gasp!]

Lucy: Played by Matt Mercer. What was it like kind’ve having another character to [...] bounce off of?

Nick: Oh man! I mean that is such a hard question because Matt and I have never met.

Ashley: Yeah.

Nick: And we worked completely separately, and. I mean I know that the rapport is really great, but it’s in the ether, I mean it is just, the magic that these guys create, telling us how to respond, how to do that, but it’s, I can’t wait to meet Matt.

Ashley: We recorded, basically before Manfred.

Nick: Right.

Ashley: All of before Manfred.

Nick: Right.

Ashley: And so Manfred got to play off of your straight delivery -

Nick: OH he did? I did not know that. Oh man!

Ashley: I know!

Nick: He got the easy part!

Ashley: Yeah, totally! So you set him up, just to knock it out of the park –

Nick: Right!

Lucy: Okay, so you got to set the tone. You get [...]

Ashley: Yeah, yeah […]

Nick: Right right right right. I set the tone!

Lucy: And, finally. Last but certainly not least, Ali Hillis returning as Scout Harding. Please [indicates for applause]. Now, I’m so excited because, she’s one of my favorite Dragon Age characters period and it looks like we’ll be seeing a lot more of her. But what has she been up to, John, between Inquisition and The Veilguard?

John: So I mean, if you’ve read the comics, you know that Scout Harding has been working with Varric to track down Solas. So she has been on his tail for quite some time. The game starts just as they finally - tracked him down, figured out where he is, but she’s been working with the remnants of the Inquisition, working with Varric, and then also working with Rook and Neve. Again, if you read the comics, you know that Harding has met Neve, they have a […] relationship before the events of the game. But yeah, she is dedicated to taking someone who used to be a friend, someone she considered, you know, even if they weren’t close, because Harding wasn’t part of the Inquisitor’s core companions, somebody she knew, somebody who treated her with some amount of respect, and knowing what he’s up to now, knowing she has to stop him, so.

Lucy: She was in the core Inquisitor’s, of my heart, so.

John: That’s right, well, I mean, she had the light romance, so.

Lucy: I tried to flirt with her every time. Never went anywhere. Ali, you are no stranger to playing beloved BioWare characters, obviously, Doctor Liara T’Soni.

Ali: [in her Liara voice] It is very nice to see you all today.

Lucy: What’s it like to be returning as Lace Harding?

Ali: First of all, it was a complete surprise. I don’t know if it was for you guys, but it was for me. So I was so excited when I got that call, because I had no idea it was coming. And after recording the last Dragon Age, and going to cons, much like this one, and having the line in front of me and all my pictures spread out, and every few people, someone would come up and say, well, ‘Where’s your Scout Harding photo?’ I was like, ‘oh, I didn’t bring one! Like. I didn’t realize! Okay!’ So I started getting more into the idea that this was a really beloved character, and I didn’t realize! And she was so much fun to create because BioWare gives us so much freedom as actors, it’s such a collaborative effort, both with Liara as well as Scout, I remember getting in the studio for the very first time to record these characters. I do a lot of voiceover, I do a lot of amazing games, I don’t always remember the very first day in the studio with a project, and I do for both of these projects. Because they were so poignant in my life, because it was, it was, a group of people coming together, they had already obviously conceptualized these characters. There was art, there was writing, brilliant writing that we are only so lucky to chew on in these voiceover sessions with such expert direction. The material that we are given to work with, only, just blasts us off this planet, in the acting world. But, just, knowing that when we went in to create Scout Harding to begin with, and one of the ideas I remember us talking about was, like, ‘well, I wonder if she’s kind of a character whom, when she talks, maybe she draws in the dirt with her toe?’ You know, coming up with these little tiny bits of yumminess to create a character and build it, the fact that they give us that honor to work with them on it, you know, is incredible. So when I heard that she was coming back, I was thrilled from the inside out, because I felt a part of this whole thing, so thank you, guys, for bringing her back. You! [to the audience] You! [to BioWare devs' direction] Thank you.

Lucy: I think I can speak for all of us when I say, we are thrilled.

Ashley: Yeah.

Lucy: You know, a lot has changed in the time since Dragon Age: Inquisition. I mean, what, how, for you has the experience of recording changed, like, technology-wise? Obviously, a little thing happened in 2020 we don’t have to talk about, but how has it changed for you?

Ali: Yeah, and speaking of that little thing that we’re not supposed to talk about, but the way that this company pivoted and, I mean, we were working on something, we had a project in the works, and somehow, every single person had to deal with this big thing in the world that we’re not talking about -

Lucy: We can talk about it.

Ali: - and somehow produce a game! So when you guys play this, just know that the amount of effort that went into this one, you know, maybe exceeds every game I’ve ever worked on because, we had to, everyone had to pivot, you know, suddenly we’re working from our garages – me too – and usually we’re wearing pants. And, and, you know, when I worked on past games with BioWare, everybody was in Edmonton, pretty much, and then everyone just kinda dispersed and I didn’t know where anybody was, and Ash was working out of her house all the time. It was incredible because we just did it, we pivoted, like all of you did, like all of us did, and we all came together and we made it happen and I was really really proud of that. Anyway, I know we weren’t supposed to talk about it, but it was magical, and powerful, and incredible. And I’m so sorry, back to the original question.

Lucy: No, I mean, how has the process changed for you?

Ali: The process has changed for me? I got to do p-cap! I got to be her! I got to physicalize, they gave me that, I got to physicalize her this time, which I didn’t get to do last time and I did not get to do in Mass Effect. And I really had a great time with it! Because, just like these guys have all talked about, we all come from different acting and theater backgrounds, I think Ash as well, and different types of performance, and it was cool to get on the volume - the p-cap stage -because, it’s like a theater.

Ashley: Yeah.

Ali: You have freedom! It’s better than a theater because you can turn around backwards and talk like this and everybody still knows what’s going on, so, it’s freedom in acting and we get to really bring the character to life outside of being behind the microphone and envisioning all of it, we actually get to perform. So that was one big difference for me in this game particularly. That, and the, doing it from my home sometimes in voiceover, or studio, it was, we kinda just, went with the flow.

Lucy: Is it easy to come back to a character that you kinda know inside out, or is it kind of like a mental block about it because you’re returning to something, or is it easier to come up with something new to […] What was it like getting back into the shoes of Harding?

Ali: That’s a really good question because it had been a minute. I mean, I’m so excited this game is releasing, how about you? Woo! You know what, with her, again, just kind of like Liara, because we came about this character so organically, I did ask, I remember asking to hear voice-bytes, I just wanna make sure we were in the same ballpark. But also, you know, there’s been an evolution.

Ashley: Yeah, you’ve seen some shit.

Ali: Yeah. We can’t really talk about it, you guys’ll have to find out for yourselves. But there’s been an evolution, so.

Ashley: Yeah.

Ali: So, yeah, it’s, it's, I can’t really say anything else about it without giving stuff away.

Ashley: She comes back with such, like, a veteran voice, y'know?

Lucy: Yeah, I kinda noticed that, like, she’s, she’s got a little bit more of an edge to her.

Ashley: Yeah.

Ali: Yes.

John: Well, she’s been chasing Solas for almost a decade, so.

Ali: And I love that, that is an amazing relationship that you guys created. And then I’ll stop talking about that. Damn!

John: No more!

Ali: I’m so excited!

John: I know!

Ali: I defer to these guys!

Lucy: I mean, question, kind’ve for all of you. We kind’ve touched on it a little bit, the challenges, and you know, the fact that the game is almost here, Fall 2024. I’d love to know, down the line, and just, you know, what’s been kind’ve your guiding light for all of you on this project?

John: I mean for me, it’s always been about, Dragon Age has always been about the people. I mean, the companions, the villains, the allies you make along the way. And for us, making sure that that stayed central, that that was still our guiding light. We really wanted to focus the game, the story, the gameplay, always around yourself as a character, but also the other characters in the world, not just, again, how they relate to you, but also, having these relationships, having this idea of this world that exists, with people that exist, not just as kind’ve a theme park for the player character to go through. But they have lives, and they have internality, like they’ve got an internal life of their own, that cause them to act in ways that may not always be predictable, but is always fascinating, and makes them feel real, even if you’re only getting a few dozen lines, they feel like real people.

Lucy[?]: Yeah.

Ashley: Yeah. I think that was my guiding light, like, I’m, have to find logic in these, you know, over hundred thousand lines in the story and over 700 unique characters you can meet. And I, in this fantasy world, I, we’re all still looking for the truth. What is the truth? How can we ground this? Do I believe it? Do you believe it? Are we in it? And that was always my North star. And, you know, often times I’m in the booth, and sometimes I’ll just, ‘I don’t buy it, I don’t buy it’, or, and, so, it was my job to be the gatekeeper, I felt, in the booth, to make sure, that I buy it, so you will all buy it.

Zach: I made the mistake, before we started shooting, of checking out the Reddit of Dragon Age. Not a good idea. It was a bad idea. But what I did, what struck me is that these people, these fans, have the same passion for this game that I have had for a hundred fantasy worlds. You know, places where I’ve gone into and discovered different parts of myself through. through, following these stories. And so I felt an, I felt so, it was so incumbent upon me to put as much effort as I could into this game. And I really do feel like the fans inspired me to pour my heart and soul into this, and I just cannot wait for you guys to play it, I really cannot.

Lucy: Jessica, what about you?

Jessica: I would say for me it was the dialogue, honestly. I loved the writing, Brianne was my writer, and Ashley, and John, and she’s right, like it’s, you gotta go deeper, and like we’re trying to find it, and we’re trying to find it together, and sometimes we’re not there, and sometimes we have to come back to it, you know, there was, I could tell there was such an evolution in my work, and part of that was because I just kind’ve gave it over to the writing. And whenever I did get to play off the other actors, you know, sometimes they’ll have, you can play in with their lines, and that was just such a joy, and I got to like discover other little parts of the game that I had no idea about, you know, because we’re doing it in isolation. So that was kind’ve the joy for me, and just honestly trusting, trusting the team and Ashley and John, so.

Lucy: Nick?

Nick: Yeah, I mean I’d have to say narrative as well, I think what the writers have done on this show, you don’t get in other games, you just don’t. You don’t get the level of, the depth of character. And character makes story. And that is what they focused on here. And I just kept coming back into that booth going, ‘I’ve never, I’ve never, experienced this before’. And just one last thing as well, I think the fact that we were separate, and I’m only just sort’ve putting this together now, the fact that we didn’t see each other, the fact that we didn’t know each other, has created a kind of magic that, I think is extraordinary. You can’t see somebody and you have to listen in the dark for cues and signals, and you have to put it together. That, that is magical. And I think, out of the chaos of 2020, 2021, 2022, which was exactly when we were recording and trying to figure this out, that’s when the magic came together, that’s, and I think we all feel that here, and I really hope you guys do too.

Lucy: Ali?

Ali: Well I feel like they’ve kinda covered it. I was gonna speak to kinda like what John said. One thing I really like about this game particularly, and I think you guys will find this as well, is you really find yourself in it.

Ashley: Yeah.

Ali: And the relationships, not only with the player and the people you bring along, but the team with each other, it’s just, it’s so well-written, the relationships are so conditioned that you really get lost in the moment. And I love when I’m at a con signing somewhere and someone comes to the table and says, you know, ‘this is a game that took me away from something I was dealing with in my real life, and I’m so grateful for it’, and I feel like, this is one of those games. This is gonna take you into a world that’s gonna blow your mind. And, I was just so honored to be a part of this group, again, again, I’m just gonna echo everything everybody said. But when I would hear their voices in my cans, in my headset, and I don’t get to see their faces, there is something so specific and so intimate about that experience, when you’re not seeing each other, and you’re just hearing, they have this amazing system where we get to hear each other. Whoever’s recorded first is played, if I’m having a conversation with these guys, if they’ve recorded first, I get to hear them and talk back. Acting is reacting. So it’s really nice that I actually get to react honestly off of these guys with expert guidance. So, I was really appreciative that we’ve conditioned these relationships in a fantasy land and also in real life, and I think you guys will feel that when you play.

Lucy: Now we do have time for Q&A. I'm gonna ask the panel another question, but if you wanna start lining up, we have, people are jumping to their feet already, this is great. We have a microphone right here. Before we go to Q&A, I suppose, what's the big, the biggest takeaway you want when people actually get to play later this year?

John: For me, honestly, it's just, how much this project has just been a team effort in a way that, everyone is working collaboratively with each other, everyone is bouncing off each other. Everyone was talking earlier about the writing, but I think what's fascinating for [...] has been so awesome to see is, the actors also shaping these characters as we built them. Seeing, like, how, Nick delivers a line, how Zach delivers a line, how Jessica delivers a line, how, and then, bouncing off that and then forming the character, shaping the character, so. We realize, okay, so, Ali has this, you know, has this, says things in a very specific way. Maybe we, let's re-write a few things, let's really lean into this, you know, what she brings to the character, and it's just. That's true across the entire team. It's not just the actor, it's not just the writer, but everybody who has worked on it, has a little piece of themselves in it. And to me there's just this excitement that that brings, and just this amazing passion that you can see in everything that's been built in this game.

Ali: It's so cool, I was gonna say, when we were recording, and I know we gotta get these questions, when we were recording during the pandemic and we were at home, I didn't realize sometimes that on the Zoom call I'd only see Ashley's face, or sometimes, you know, whatever, whatever she puts up. And then suddenly I'd have a question, 'hey, so in this line, this and this?', suddenly, like, John, or somebody else would just pop in, and talk about the line, so, we were always collaborating, it was just amazing, I was very grateful to have you guys ever-present.

John: Thank you.

Lucy: Alright. Shall we go to our first question? We all ready?

[?]: Yeah.

Lucy: Alright.

Audience member: Hello. [...] fan of Dragon Age since Origins. Oh, I must say, I am very disappointed with this panel. You've failed to mention a very important part of the game! The factions!

John: Mmm!

Audience member: So I would like to know, what can you tell me about them, and, can you join them, or do you just interact with them?

John: So, you start the game, you get to choose which background you go with. Each one is tied to one of the major factions. But one of our principles from the start was the concept of 'characters not causes'. So we didn't wanna just give you, 'here's the Grey Wardens, they're just kinda this group that exists in the world', we wanted to attach characters to them. So I can speak to the Grey Wardens in particular, anyone who's read comics and any of our short stories know Evka and Antoine, they kind've represent your connection to that faction. And you can work with them throughout the story, you can help them out. And decide how much you want to spend time with them. But each one of them [...] represents these important forces in the world that you need to get on your side if you're gonna stop the end of the world, so.

Audience member: Looks good.

Lucy: I was gonna say, Zach, you've done, you've done your research, so how exciting was it for you to kind've see and hear all these factions coming into play?

Zach: What, I'm sorry, can you repeat the question?

Lucy: You did all your research, so.

Zach: Oh, yeah.

Lucy: How exciting was it for you to hear about these factions and then hearing about how they'll come into play in the game?

Zach: Well, I don't think they kept my voice for Antoine, but I did my best French accent, I think it was pretty painful for everybody else on set, I really did. Oh yeah, the Grey Wardens are a barrel of laughs, those guys, they're absolutely wonderful. Well, yeah, so I had to play a bunch of characters, so I had to really steep myself in the understanding that, okay, the Grey Wardens go a lot, go through a lot, actually, doing what they do. They make a pretty intense bond in order to carry out exactly what they do. So, I tried to bring that as best I can to the physicality when I did do the motion capture and whatnot, but I cannot wait to see how it plays out in the game.

Lucy: Next question.

Audience member: Hello, I've also been a fan of Dragon Age since Origins. So, I've noticed in pretty much all of the games, there's a lot of influence from classical fantasy and mythology. So I was wondering, general question for the whole panel, what was your first exposure to fantasy or mythological storytelling, and do you use any of that in your voice-acting?

John: Hm. I can speak to mine but I can't speak to the voice-acting part, obviously. I mean I read Lord of the Rings at a very young age, and everything that you read that you, any piece of art that you enjoy, engage with, it's obviously gonna have an influence on yourself and also what you do.

Ashley: Yeah, there's a [depth?], in it, you know, to the fantasy world, that acting, it's kind of timeless, right? It can be anything, anywhere, and I feel like when we were doing the voices, we, you know, we didn't want it to be in 2020 or 2024 or whatever, so I think that's how I was most influenced, is, what's the most universal sound or a language, or a mixture of those, that can feel like nobody knows what it is?

Zach: I mean I was obsessed with, I think it's Theseus and the Minotaur, that story, when I was young. Did I just put my foot, I think it's Theseus, it could be Perseus, I can never remember okay?

Audience member: It's Theseus.

Zach: It's Theseus? My man! Thank you. I appreciate it. But I love the symbolism in those types of myths, right? Like, the Minotaur is this half-man, half-beast, who sits in the middle of the labyrinth, and the labyrinth is, of course, your mind, and you are also the Minotaur, and you are also Theseus. But so, getting to see the symbolism that's represented in Dragon Age, and how deep the meaning is, like that, those the stories I've always wanted to tell, ever since I was young, so I, it was a real honor to get to bring this to life.

Jessica: I also, my first, was Lord of the Rings, but I also was very interested in Greek mythology growing up. And, yeah, I think it's that, as Zach said, the symbolism, that you see, and like, I think you really see that in Dragon Age, and I know you know, right, you all, like, know the lore, and go looking for things, and that's really exciting to me. And then, just, yeah, the limitless possibility, right? You're not limited to what people look like, or whether you're human, I don't know, you know what I'm saying, like, that can really can take your mind and the world and the depth of the world anywhere and everywhere. And that's so exciting.

Nick: Yeah, I mean, for me it was The Hobbit, as well, my mom read me The Hobbit, and I would go, 'stop, stop!' And I would run to her closet and put on a pair of her boots, these shiny boots, and wear a cape, and I would go 'okay, okay, carry on' [...], you know, just, I would just, I would just be so in it. And then I'd go like, 'stop, stop, I'm gonna read that bit, I'm gonna read that bit'. And, you know, it was just, it absolutely informed why I'm sitting here today.

Ali: I wish I had better answers. Talking about, instead of yesteryear, talking about recently, I was travelling, and we were in Greece, and I feel like I saw Dragon Age everywhere. Just like an inspiration to travel and look back and, I'm now infatuated with castles. So, actually, it's brought me into this world, instead of me discovering it, you know, a long time ago, this has what's really brought me here.

[?]: Thank you very much.

[?]: Thank you.

Lucy: Thank you for your question.

Audience member: Hello, thank you for answering questions. For the new companions, if you could romance, from your companion's perspective, which older companion would you romance?

Ali: This could get embarrassing!

Zach: I kinda have a thing for The Iron Bull. Yeah, I saw him for the first time when I was looking up some answer to some question I had when I was reading the books, and I was like, 'oh, that awakened something inside of me! Huh! Look at that!' - You guys are gonna leave me hanging after I said that I want to have sex with The Iron Bull?

Jessica: [...] Um, I, I, don't know, honestly, I'm overwhelmed by that question, so [...]

Nick: I guess I'm a little overwhelmed by that question too. I have a particular fondness for Manfred, but, you know that's, that's a very particular relationship. I would say, like, I think what you've done with Solas is really sexy [...]

Zach: Dorian is really cute too. Yeah. [...] the mustache. Dig that guy.

Ali: Well, he's sitting right next to me, so this is a little embarrassing, but every time I heard Emmrich in my cans. Just, woooo. I might be on-board with all of the fans out there for Emmrich. If you'll have me, if you'll have me.

[?]: Thank you.

Panel: Thank you.

Audience member: So, the first game I played was Inquisition, and, this is not a knock, but, because, my reference would be Mass Effect, and I love that series. For Mass Effect 1 to Mass Effect 3, it seems the games was more streamlined. I'm getting the same feel from Inquisition to this one. Does that, what you can expect from gameplay-wise?

John: I mean, I don't think there's any, I don't think it's streamlined, it's. Again, each Dragon Age has been fundamentally different in its gameplay. We've tried things, seeing what works, seeing what didn't. In the case of The Veilguard, just like the other games, you wanna keep that tactical, strategic complexity and make that the centerpiece. And each one we focused on a little bit differently. In the case of this one, I think our skills in particular are some of the best we've done. There's some exciting combinations you do there, so.

Audience member: Thank you so much.

John: No worries.

[?]: Okay. There we are, okay.

Audience member: I was wondering what your favorite aspect was of the character you voiced?

Lucy: Ali, should we start with you this time?

Ali: I mean, so many layers, man, we're talking BioWare characters here! I think some of my favorite things about Lace Harding are the little things. Like, she loves her mom, you know, she loves to write letters home, she's always talking about her mama's soup and stuff like that. I love that relationship. She likes plants, and raising plants, which is inspirational, since I kill them. But just the texture they add to the characters, that's, in general, but for me, yeah, it's those little things that really kinda give me a bunch of stuff to work with in my brain, for bringing these characters to life.

Zach: I love the fact that Lucanis is a good cook. I just imagine him finishing a job and then going home, and, you know, cooking him a meal to kind've calm himself down, but with like the same knife he just used to murder somebody. He cleaned it of course, he cleaned it, but at the same time [...] -

Ali: I recommend my mama's soup.

Jessica: I really enjoyed, we sort've worked to bring, like, a noir element to Neve, and her being a private investigator, and so I really enjoyed leaning into that. And then she's just so dry, you know, like, things really mean a lot to her, but she's not necessarily gonna let you know that, you know what I mean? You have to kind've, like, discover that underneath. And, so I, I related to that, and I love that about her.

Ali: I was gonna say, 'I don't know anyone like that'.

Nick: I loved the, the fact that the writers just took Emmrich and explored the whole idea of death. The whole idea of necromancing, and, I really responded to that, I got into that, and bringing kindness into it, I know that sounds crazy, but it's to not have this idea that death is vulgar or kind've to be, something to be terrified about, but something to actually engage with on so many levels. I just thought the fact that the writers had the courage to do that in a game like this, I thought, it just blew my mind.

[?]: Thank you for the question.

Lucy: I think we have time for a couple more quick ones.

Audience member: Hi, okay, so first of all. Okay, hi, again. So, first of all, my dad just died, so [...]

[?]: Oh, I'm sorry.

Audience member: [...] Thank you. [...] So, [...] what you said about your take on Emmrich, really, really, I appreciated that. So, my question, to, I guess, John, would be, so, lore-wise, mechanically, not like story-telling-wise for the lore, how do you decide what lore goes in what games? Like, just, okay, so like, what decides what goes in Dragon Age 3, what goes in Dragon Age 4, what goes in Dragon Age 90-bajillion? Not from like a story perspective, right, but from, like a, what do we want to do, right?

John: Mhm. I mean it really does come down to, each one, as we build, it's, it's hard to say it as [...] something that we come [...], it's like, 'okay, we're gonna do it this way, this way, this way', mechanically, but, we kind've, we always know the base lore of the franchise, of the IP, and as we start to build the story, we start to see these opportunities to again, [...] speaking mechanically, bring certain elements in that make the most sense with the characters we're building and the story we're telling. We try not to overwhelm by saying a bunch, having a bunch of lore included that's not necessarily critical to the understanding of the story, but we always wanna expand the universe, and expand the IP, so.

Audience member: Thank you.

John: You're welcome.

Ali: And, can we please have a Dragon Age 90-bajillion?

John: I'd like that.

Ali[?]: That'd be amazing.

Audience member: Hi, I'm Matt. I've been a fan of Dragon Age since, actually, The Stolen Throne book, before I even knew there was like a game. And my question was, for the voice actors, one of my favorite things is the party banter. Was there any, like, lines of party banter that you recorded that you can say that just made you just, like, laugh, 'cause some of the party banter is pretty hilarious. Like, is there a certain thing that just sticks in your mind, whether you can say what it is, or just who it was with, like, so I can be on the lookout for it?

Ashley: I have one, it's so not appropriate. Do I have permission to say it?

Ali: That's what I was gonna say.

Zach: Yeah, say it.

Ashley: Listen for "hand-to-bone combat".

Lucy: I mean, do we end it there?

Ali[?]: And, scene.

Lucy: Well thank you so much everyone for coming to the panel. Thank you [...] Fall 2024.

[panel ends]

--

[source: DA:TV ‘Meet The Companions’ panel @ SDCC. BioWare have said that they are going to share the recording of the panel at a later date].

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morgan got a little obsessed with the elcor her first time at the citadel ♡(。U ω U。)

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[amelizscribbles]

OK, EXPLAINING DABIS SCARRING because @good-lord-not-books asked

*note these are just my hcs and some medical research

I'm putting this under a cut because it's long as hell, and I apologize in advance for any typos or if it's confusing. I have no problem explaining further♡

His scars are hypertrophic. which 1) explains the discoloration. It's what happens when the smaller blood vessels become partially or fully obstructed with scar tissue. They typcially start off pinkish or light red. (like when he woke up from his coma.)

Typically the treatment for this is laser removal. But if you don't have access the color may naturally shift with age/as it natueally heals. But with continuous damage to the areas.. the scar will get darker as the veins and tissue is further injured (the deeper into the skin and possible muscle it damages)

most hyrpertophic scarring can take a year + to heal. but obviously Dabi just keeps making his worse. The scars themselves are cause by the body over producing collagen for wound healing and not actually being able to break all of it down.

Which leaves collagen fibers in the skin to harden and thicken. Hardened skin doesn't allow much give, lessening the skins elasticity over all. Which can be shown in the way his unscarred skin pulls along the edges where the dermal rings line said scars. (my thoughts on his staples acrually being dermal rings will be at the end)

That's not even going into the nerve damage systemically for him considering hes covered in that kind of scar. So when he says he can't feel a thing it's literal as the nerve endings are shot to shit. And that is only going into skin deep level.

Interal organ nerve damage is a whole other mess due to the scaringbeing from burns. As severe enough burns cause systemic damage. (will also go into atfer the scarring part)

His skin looks TIGHT on him. If he did have and semblance of sensation in his nerves it might feel like hella tight/dry skin. Also I think hypertrophic scars are an inflammation response to the body healing.

His body is literally misshapen from it. (and yes we love him the way he is) You can see in panels where the skin is probably softer where there's lack of muscle definition but can see where it's tighter or pulling over his arms/ shoulders/ribcage because the skins elasticity is non-existent. The instances where it's sifter looking is probably due to his body trying to retain as much body fat it can to keep healthy (or as healthy as it's going to get in his state.)

As far as it going right up to his lower lids and having zero tear ducts. that man has chronic dry eye like it's nobodies business. so itchy and possibly bleeding eyes isn't a shock. he probably has several counts of grand larceny in artificial tears alone.

Ok so as for his scaring being from burns, burns affect the whole body and how it works depending on the severity.

It can effect muscle tissue/muscle mass, bone structure and interior organs.

Given he seems to be perpetually giving himself 3rd degree + burns .. his respiratory system and cardiovascular system are probably shot to shit. Just from smoke inhalation and perpetual injury. (hypertrophic scars fill the veins with scar tissue remember) Assuming how deep the burn and scar tissue goes.

But we haven't seen him with much breathing issues so I'm assuming it's whatever. He has mentioned motion sickness and we've even seen him turning down food. So I can at least go into it's affects on his GI tract.

In the GI tract, burns can result in increased gastric secretions, reduced intestinal motility, decreased nutrient absorption, increased GI mucosal permeability, bacterial translocation and increased intra-abdominal pressure. If it's bad enough he may have ulcers or gi hemorrhaging. Severe burns also cause liver and intestinal damage.

The fact that he's been alive this long is wild if he's been homeless this whole time and just committing small crimes to not die. One thing that irritates me is when people think he would be incredibly unhygienic due to the scars and such.

Like do you understand how CLEAN you have to keep burn injuries to keep them from getting infected?? Even if it's layered over already damaged and scarred skin. He might smell like burnt flesh but I doubt he's letting wounds fester.

Yes he could probably just cauterize himself but that's still just burning burn wounds. Especially with 0% health insurance. I always assumed he kept breaking into the Todoroki family home when he knew no one would be there to do basic things to make sure he didn't die on the street over the years.

Quick add on to my thoughts on his staples just being dermal rings to homd his skin together/as a form of human Kinstugi.

They (the rings) are pretty rounded in the manga, surgical staples aren't nearly that large either so I always assumed human Kinstugi regardless of metal color (between manga gold or anime silver) and it was both decorative and necessary for his skin.

I just assumed wherever the rings weren't, it was just spots he couldn't reach.

it's also shown in the manga that he's adjusting/adding more along his scars.

als, in case anyone is unfamiliar with the term Kintsugi, it's this

Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum. The method is similar to the maki-e technique. Its the Japanese philosophy that the value of an object is not in its beauty, but in its imperfections, and that these imperfections are something to celebrate, not hide.

which I think suits his character very well when his piercings and dermal rings are gold looking in some of the colored manga art.

ok, I'll shut up now, ♡