#( because they are not. end rant. )

[bixels]

The final TF2 issue really got to me. Spoilers, but it’s the reveal that all of this suffering and murder and war over gravel and shitty land was for nothing but senseless, bottomless hatred. That the administrator can’t even remember where this revenge plot started as she flashes through different false memories of her parents’ deaths. There was never a tragic backstory or justification, only terrible people doing despicable things. And despite how crass and stupid and unserious TF2 is, the story subverts every expectation by showing the survivors and inheritors willingly breaking the cycle. Ms. Pauling lies to the administrator and chooses not to save her, and finally lets her die. (Hurts even more if you read into the subtext that Ms. Pauling is in love with the administrator.) She lets the final cache of Australium go and walks away from the burden and legacy of a century-old bloodfeud. Hale lets Gray’s daughter go and live her life freely. Spy is the first to arrive at Scout’s house and meet his big family, finally takes off his mask, and helps with the kids. Even Merasmus exhaustedly makes peace with himself and Soldier and chooses not to curse him or something. There’s nothing to finish, no promises to keep, and no one to avenge. The only thing to do is break the cycle and walk away.

It feels odd how happy and warm everything is, but it feels so right and earned. These bloodthirsty, awful, violent men were expendable cogs in a machine of endless violence, and they found a way out. It’s a genuinely great message about letting go the past that burdens you and finding the will and a way to hit the bricks, change, and be happy. Maybe they don’t technically deserve happiness, but they’ve got it nonetheless, and they’re not gonna let it go to waste. They’re still all crazy and violent, but on their own terms now and with people who love them! Smiles.

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[arcanegifs]

Here are some Season 2 Arcane GIF comparisons before and after I color and sharpen them! | Season 1 Comparison GIFs

[inkedinserendipity]

just finished re-reading all systems red and the way martha wells' narration directly tracks murderbot's thoughts is, like, diabolical in retrospect.

because on my first read-through, i'll be honest. i did not remember the presaux crew at all. pin-lee and gurathin show up in exit strategy and i, remembering nothing about those two except ":D! presaux friends!" expected them to be like "omg hey murderbot!" because i figured the presaux crew would be excited to see their secunit again. i did not remember pin-lee's temper or gurathin's skepticism. because the presaux crew kinda blurred together for me in the first book. because that's how murderbot saw them too!

all systems red has the most en media res of all en media res beginnings. not just because it starts in the middle of an action sequence, but because it also starts in the middle of an emotional sequence. the survey has been happening, for, what - a couple of weeks? - by the time asr starts. murderbot has already met the crew. they have already formed impressions of it. but, crucially, it has formed almost no opinions of them*.

it's been watching media and half-assing its job. and at this point in murderbot's journey, and therefore its internal narration that forms the text, a human is a human is a human. it is not invested in their work, so we don't hear about the start of their survey. it literally starts paying attention to them when they are in danger and when they start to realize that it is a person, because that is when murderbot has to start paying attention.

and this is why i remembered almost nothing distinct about the presaux crew. there are a lot of crew members, but murderbot spends very little time thinking about them as individuals. so the narration tends to skim over their distinct personalities, because murderbot doesn't really consider them* at all!

and then of course we come to exit strategy and network effect, and the contrast could not be more clear. now it's got opinions about everyone, and because it has a better grasp on their personalities, the narrative does too. oh yes that's arada, wibbly bulwark, the human murderbot trusts to not be overconfident and ignore its advice. that's gurathin. it doesn't like gurathin. that's pin-lee, the combatunit of lawyers, well-dressed and sharp-tongued. and of course, that's ratthi (tag: bestie!!), who stays in the car because he will get himself killed by something.

and of course, there's dr mensah. but she was always an exception.

*dr mensah is, as she always is when it comes to murderbot, an exception to this generalization. that's tag: intrepid explorer like blorbo from my shows! that you're talking about. even when murderbot mostly tried to avoid humans at all costs, even murderbot paid attention to her. from asr to now, that has been and remains perfectly true.

[bluerosefox]

BREAKING NEWS! Youngest Wayne's Secret Lovechild?!

Teenage Ellie taking care of deaged Danny and moving to Gotham to hide from Vlad because Lady Gotham offered them sanctuary and will keep Vlad out.

BUT

Chaos is set into motion when during a Rogue attack, Damian Wayne (not as Robin at the moment) saves him and returns Danny to Ellie...

The internet/news happen because of course it did.

And people mistake Danny as his kid and Ellie his baby mama.

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[fleapit]

can we pleasee please please stop fucking fearmongering and blaming trans men for the predstrogen situation. please god. posts about "trans men teaming up with terfs to get trans women banned!" with zero sources all over my dash. blaming "transandrophobia truthers" for all the transmisogyny. have you all lost your fucking minds?? what the fuck happened to t4t??? what the fuck happened to trans solidarity??? why is "transfem separatism" even a subject worth entertaining????

anyone who says other trans people are the enemy is a fucking fed. jesus christ

[creating-by-starlight]

Me, every time anyone says anything about "waiting for The One God has for you"/romantic soulmates/etc: Stop, stop, stop! Why are we implying that everyone has a soulmate when everyone does not have a soulmate? God's going to get nasty letters saying "Where's my soulmate? Why haven't I found my soulmate?" and do you want Him to have to deal with that? I don't think so! Stop spouting heresy being so silly!

[feal-the-grinch]

Agatha's quiet pleading here is killing me. Mouth agape, she shakes her head. Agatha knows why Rio (Death) is here, she feels it, yet, her disbelief is clear, and she still holds hope Rio won't do it.

But then, Rio takes a first step towards her, and then another. The next shot shows Agatha realising that Rio is going to take their/her child. The only person who has ever loved her is going to take away the little being Agatha already loves with her entire heart and soul...

It's no wonder Agatha's defences went up right after. In her eyes, from the moment Death took those steps towards her, Rio chose her job over Agatha and Nicky. From that moment on, something broke between them.

[luckyyyuusstuff]

Does anyone think that dating one of the demons or angels could be considered a "forbidden love" trope in some way?

With peace and power dynamics between the 3 realms being mentioned as fragile, exactly why Diavolo rejected the idea of marriage when asked in S3 by the brothers, wouldn’t it then be considered risky to, publicly at the very least, date the demon/ angel from the realm they reside in?

MC, the sorcerer that surpassed their master who is deemed the most powerful sorcerer himself, considered a powerful weapon, with an (unstable, without protection from the ring of light) immense amount of magic, in a relationship with demon/ angel could be considered they've sided with the realm their lover resides in.

The topic (and unused potential) of the tension between the 3 realms, how MC affected that during S2, and wether choosing a lover within a realm they don’t belong in would be a risky decision.

[vertexline]

I have a theory

Or I might be entirely wrong and it's just blatant, directed toward everyone, homophobia :3

[cicerfics]

It actually kind of annoys me that in SPECTRE they had Q make his silly dad joke (and laugh at it) only for Bond to look at him stone-faced.

Like, I get it: the timing was off, this was a sensitive topic anyway since it was a callback to the doomed Skyfall op where M died, Bond was already consumed with Finishing M's Mission, etc. etc.

And I'm sure, on a Doylist level, this was also meant to highlight the difference between the characters: the silly dorky quartermaster with no rizz and grim-stoic-coolguy James Bond with his famous poker face.

But, like. You cannot tell me Bond doesn't enjoy Q's stupid jokes. You just can't. I'm sorry, but I have always been convinced of the opposite and I always WILL be convinced of it.

Bond canonically loves puns and cheesy plays-on-words. He loves smiling to himself after he makes a stupid joke. We see this. I am convinced that Bond loves dad jokes and cornball humor.

Ergo: Bond thinks Q is funny. He does! I know he does! I just can't accept anything else!

[rachiebeee]

they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would

[100jewels-between-teeth]

So many saying:

"Oh! Why do all the other romances in the epilogue get kisses while Astarion gets just hugs! Where is our kiss?!?!"

I think you're missing the point...

For non-ascended Astarion, nothing is more fitting or more perfect than that hug. Why?

This is a man that had been abused for over 200 years. A man who was forced to use his body to lure people against his will. A man who tells you that he has used his body sexually and otherwise that just the act of sexual intimacy has been tainted for him.

In Act 2, as he tells you all this, allowing an extremely vulnerable side of himself to be shown to you. Asking for reassurance that he was more than a cheap tool. What does Tav/Durge do?

They hug him. Hold him tightly. And the Vampire has no clue what to do because he, in 200 years, has never been touched like that unless it had sexual implications. For the first time, he is being touched for pure, vulnerable intimacy and love. And in that moment, he accepts the safety of your arms, and holds you. Craving not a touch of lust, but love.

So yes, a hug is far better than a kiss in my regard. At the end of the day, no matter what, he wants to feel that safe feeling of your arms. No expectations, just pure love.

[tenderjock]

I’m with you, my love The lights shining through on you Yes, I’m with you, my love It’s the morning and just we two