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#(also i see the red and yellow in his design. do not think i did not see what you did there)
quibbs126 · 13 hours
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…Okay, you may end up seeing these drawings yet again on a later date
I finished the page, which was small at 500x500 px, but I wanted to make the page bigger. I did that, and I drew one new thing, but now I don’t know what else to draw on there. So for now, I figured I might as well post the original full page right now
Yeah, sorry for the laziness
This is the other sketch I finished on there, for those curious
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Anyways, so yeah, this new style practice I’m trying
The original page I tried these out on is this, which also isn’t full, but I thought trying it out with actual characters instead of just random poses and shapes would be better, so I switched over to Cookie Run characters
The method is still a work in progress when it comes to all the shapes and the red sketch layer
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I suppose what I should do now is try drawing a bunch of different Cookies that have different body shapes, so that I have practice with that. As well as maybe attempt some full body ones
I suppose you can suggest some if you want, considering I don’t know who to draw other than like, Hollyberry or Avocado, since I should try drawing large but not buff characters here. But I should also probably draw more skinny, and also chubby
But on to what I actually drew
So I already talked about Peach Blossom and the top Dark Choco drawing prior, so no real need to elaborate
The Dark Choco and Dark Cacao one was me drawing them in their younger forms to see how they compare. Not for any sort of study thing, but just in a symbolic sort of way. Since they’re so similar looking
I think I had a lot more fun with Choco, especially his hair. I remember Cacao being mostly annoying for his weird cloak thing that I don’t understand
The hand pose was ass though. I knew the general idea of what I wanted, that being them with their hands over their swords, but I was struggling to figure out how to draw the hands. Not to mention I had to change the pose from the red sketch because the swords were further down than I put them. I still don’t think I did the pose exactly correct, but screw it, it’s good enough
I’m also noticing that Choco looks way lighter in skin tone compared to Cacao. Like yeah, I know he’s normally slightly lighter, but it’s far more noticeable here. I’m pretty sure it’s because I used Dark Choco’s ToA colors here (bc they work better with my black lineart), which are slightly lighter, as well as just that Dark Choco is wearing much lighter colors while Dark Cacao’s are relatively darker. So maybe it just makes them contrast more
I liked drawing them, but I also did basically do the same body type 3 in a row, so I should probably draw different characters
Anyways, let’s talk about that extra sketch
So for those who likely don’t remember, that there is an OC of mine called Prickly Pear Cookie
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I made her entirely on a whim one day, and she doesn’t really have any character or story, just vibes, but I really like her design and wanted to draw it again
I probably should give her some sort of bra though. The shirtless chest looks cool but in my opinion sounds really uncomfortable without at least that
I did originally draw her with the green skin, but it looked weird so I shifted it to more of a yellow so it looks more human
Honestly I really like how she turned out
But yeah, I think that’s about it for now. Just wanted to show this
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of-nyon · 4 months
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today's writing mood: Jacques coming to the slow and horrifying realisation that he has to actually do things under his own power as his own person instead of just quietly letting his life partner make all the choices for him
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campbell-rose · 7 months
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Alastor Redesign
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Omg there’s like over 70 people following me – guys I'm o///O flattered and flabbergasted. 
Anyway, onto today’s main event, Alastor. I hate Alastor’s og design, I hate his twig waist and his shoulder pads and the way you can’t see his antlers next to his ears, and his bow tie ugh viv please and his HAIR what even is that??? Not even mentioning that nothing about his design is really like a focal point. There’s no one thing that’s particularly interesting. At least before this he had that cathedral window looking cross on his undershirt that I found interesting. Nothing about his says he’s from the 1930’s other than dialogue. 
I wanted him to be in greyscale because that’s the coolest aesthetic, and colored photos weren’t a thing until way after the 30s. Recently I saw jjk, and Jogo’s teeth threw me because at some points I thought he was just straight up toothless. But then when I started this design, that colored tooth look spoke to me. Initially his teeth were yellow to look gross like he never brushes them, but then I was like ‘ayo wait, he’s literally a cannibal’, thus his vibrant red teeth to really pop against his greyscale. Initially his undershirt was white, but I feel like that was too much contrast and white is typically innocence, so by instead having a deep red it shows he’s just straight up bloodthirsty underneath his formal appearance. I also considered it being black, but then he looked like a pastor, and I wasn’t too much of a fan of it. The idea of the red on his design is that it leads your eye down his design to take it all in, with his face being the focus. I gave him glasses because I like the way it obscures his eyes a bit and I imagine they do the anime thing where they glow and hide his eyes. I liked Viv’s idea of sinners having marks where they died, and I slicked his hair back to show it off very prominently. His antlers are larger, I gave him cute lil deer ears. Also, under his suit he is lowkey buff. I feel like a serial killer should at least look physically capable of taking someone down not whatever the fuck viv’s nasty twig men can do. Like, in that comic with the cute sheep girl, when Alastor goes demon mode his body looks so snappable I just wanna like grab his waist in my hands and break it like a twig. I also tried to keep his design simple as if this were for animation, I know pinstripes are complicated and so are antlers but other than that I tried to keep his design basic. 
If I were to rewrite him based solely on the pilot, I honestly wouldn’t change a thing. Alastor is a decent character, his voice actor gives him life, the radio filter is cool, and nothing he did made me want to break my screen (ANGELDUST). The only thing I'd change would be his position in hell. Like, viv’s hell is so wack and I hate it, she’s got the princes, then the goetia and the overlords and then sinners and blah blah, it’s a lot to keep track of, not even mentioning the rings and circles thing. I think Alastor should have had dealings with hell as a human, maybe he routinely did sacrifices or something, and he made a deal with the archdemon Alastor and when he died like... uuhhhhhhh. Maybe through connections he’s gained more power? Idk, I just know I hate the idea of his dying and then having like the bestest most powerful demon powers despite not being hellborn. It’s got this mary sue stench. I’ll figure it out, maybe, who knows. 
I’m not gonna start rewriting since there’s nothing to go off of and alter yet, so that’s gonna have to wait until the show actually drops before anything concrete happens lol. 
Also the sheep girl is a sinner that reoccurs in the show now so sorry I don’t make the rules, you can’t give me a cute sheep girl and try to take her away, I’m gonna redesign her and shove her into the plot as someone looking for redemption at the hotel
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dizzyjelly · 1 year
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Kryptonite(18+)
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Word Count: 4.2k
Summary: ellie hated everyone, except you. You go out to the bar one night and some guy bothers you, she punched his ass ofc. You get into a small fight but then you guys go back to her place and things get freaky;)
Cw: fighting, drinking, smut, strap-on sucking, strap-on sex, scissoring, rough sex, degrading, praising, spanking, the tiniest bit of overstimulation
A/n: ooh this is seriously dirtyyy! 😭 sorry if I missed any content warnings but I really think that's all. Also, I've been going back to my previous fics and rereading and I just now realize I misspell so much and like forget words, so I'm sorry for all my grammar fuck ups lmao
Ellie Williams was many things, but nice was not one of them. People usually tried to steer clear of her, knowing her mood was negative more often than not. But of course, there was the occasional time when somebody made the mistake of trying to be friendly with her. It typically ended with Ellie cursing them out, or insulting them somehow. And then you'd come around, always calming her down and putting a smile on her face.
Everybody found it odd, from the minute you'd been welcomed to Jackson, Ellie was always so sweet to you. It honestly had jaw dropping, everyone was shocked to say the least. On top of that, it made no sense. I mean, some random girl comes into town and she just happened to be Ellie Williams kryptonite? Absolutely zero sense.
Nobody dared to question it though, and anytime they did Ellie had a lot to say. The main point she'd give was that it was simply 'none of their fucking business', among other things. You, yourself, found it a bit odd. You'd heard stories about Ellie from various people around town, and it was hard to believe she could be so harsh and mean. Was she really as cruel as they'd said? You'd never know, because she was nothing but kind to you.
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After deciding to get ballsy on patrol, Ellie was sentenced to the unbearable punishment of laundry duty for a week. The only good part of it being that she got to see you, you had been a clothing designer before all this apocalypse shit happened so you knew a lot about clothing. This being the reason for your permanent work assignment staying laundry duty, you'd requested that it be permanent. Maria had no issue doing thst for you, and you were beyond thankful. You and no interest in getting yourself into any kind of danger, doing patrol or something else.
Currently, Ellie was trying to figure out what the hell she was supposed to do with the laundry detergent. She looked at the various bottles, grabbing then to read the instructions on the back. After a minute of trying to comprehend what she was meant to do, she let out a frustrated sigh before slamming the yellow bottle back in its place on the shelf.
"I could help you out, you know?" A brunette boy suggested with a sweet smile, he was younger and very clearly meant no harm.
"Fuck off" She scoffed harshly, "I don't need your help." Her tone was aggressive as she walked back over to the baskets of clothing.
She decided to sort them by color instead, that was something she was capable of. Five minutes or so passed and you came in, late. Very unusual for you, you were one of those people who was either early or on time. But late, you were never late. Ellie's face immediately lit up when she saw you, she smiled from ear to ear as she ran over to pull you in for a hug.
"Oh, hi" You laughed, wrapping your own arms around the girl, "somebody missed me." You joked.
"Shut up" She smirked at you, rolling her eyes, "why are you late? You're never late." She asked, a hint of worry in her tone.
"Um, I was just talking to Gavin, guess I got caught up." Your cheeks flushed red, Gavin was the guy you had a crush on for weeks now.
Ellie couldn't wrap her head around why, he was such a dick. Not that you'd be able to figure that out by the way he acted. He pretended to be a nice, caring guy. But he wasn't either of those things. And since he had you in a chokehold, for some unknown reason, you'd have to find that out the hard way. Ellie tried to tell you, relaying stories she'd heard from friends who'd been with him. But you were just lovesick.
"Oh, k." Her smile dropped now, and she spoke monotonly as she had no interest in why you were so busy talking with Gavin.
You furrowed your brows slightly at her sudden change in demeanor, but ultimately you ignored it. Smiling, you walked over to greet Samuel, the brunette boy who'd usually help you out with laundry.
"Good afternoon, Samuel! How are you today?" You asked, but he seemed kinda down.
He hadn't given you an answer, just shrugged, so you walked over to him and asked what was up. He motioned for you to lean in, so that he could whisper in your ear. Samuel told you about how Ellie had told him to 'fuck off.' And you let out a dramatic gasp.
"Ellie Williams! Did you tell my sweet bo Samuel to fuck off?" You asked sternly, hands on you hips as you made your way over to the girl.
She bit her lip, her cheeks flushed red as she knew she'd been caught.
"Maybe... I'm sorry!" She apologized with a frown, looking at you with pleading eyes.
"Do not talk to my sweet little helper that way, he's my friend." You scolded her just a bit more, and she nodded in understanding.
"Oh, hey could you help me with the detergent? I'm not really sure what to use." She asked you, pointing her thumb in the direction of the shelf filled with various laundry detergents.
"Yes, if you promise to be nicer to my dear friend Samuel." You raised your brows.
"Promise..." She smiled with a playful eye roll.
You proceeded to help her with the detergent, making sure she'd remember for next time. Ellie would continue her work duties, bored out of her mind as she prayed to be let back onto patrol early for good behavior. At a certain point in the day, she'd just be eyeing the clock, counting down the hours until she could finally be free from this torture. You, however, didn't mind the job one bit. It actually brought you joy, helped you to relax even. It reminded you of the days before.. everything.
Once it did fall time to clock out, Ellie was quick to rush out of the laundry area, waiting for you outside. You'd chuckle to yourself and shake your head, she was so dramatic. On your way out, you waved a goodbye to Samuel then smiled as you found Ellie leaning against the wall with her arms crossed.
"Hey, wanna go to the bar?" She asked with a cheeky smile.
You sighed through your nose, hesitant as Ellie was a terrible drunk.
"Fine. But Ellie, please don't get too drunk." You asked, taking her hands in your own.
"Ok... come on." She smiled as she held your hand and walked the two of you to the bar.
Once you got there, you took seats at the bar and Ellie ordered for the both of you. Alcohol wasn't really your thing, but she seemed to know her way around it pretty well. And you trusted her, which was a good choice because when you took a sip of your drink it was absolutely delicious. After another drink and the passing of some time, Gavin had made an appearance.
You saw him and a smile spread across your face, your eyes lit up and your knees felt weak. Ellie took notice to your mood change, following your eyes to see the man himself. She rolled her eyes and let out a small groan as she rested her head in her hand. You turned back around, sipping from your drink and trying to act cool. Then, Gavin had come to sit beside you.
"Hey Y/n, how you doing?" He greeted, the sound of his voice had you giggling.
"Hi, I'm good. How are you?" You asked in return, playing with your hair a bit.
"Oh I'm doing just great. Who's your friend?" He asked, gesturing to Ellie who was now on her third drink.
You sucked in a breath through clenched teeth.
"Oh, this is-" Ellie had cut you off.
"I'm Ellie." She answered him with a harsh tone.
"Well, nice to meet ya Ellie" Gavins voice trailed off as he looked at the door, "I've gotta go." He sent a little wave your way.
You waved back with furrowed brows, then frowned as he was meeting a girl who just walked in. She was pretty, long blonde hair and a striking figure. You sighed, dropping your head down on the bar with a groan. Ellie sighed.
"What's wrong?" She asked in a soft tone, bringing a hand to rub up and down your back soothingly.
"I'm a fucking idiot." Was all you muttered, not picking your head up until a minute later.
You turned around and honestly felt like you could cry when you saw the two of then dancing together, he had his hands on her waist and pulled her unbelievably closer. She laughed as her hands wrapped around the back of his neck. You turned back to look at Ellie, the pout on your face more evident than anything.
"Oh, come on, he's an asshole anyways" Ellie rolled her eyes, glancing over at the dancing pair, then she stood and reached out a hand, "come on baby, dance with me."
You smiled, placing your hand in hers and letting out a small laugh as she pulled you to stand with her. At first, you just held hands and bounced around to some faster songs. But then about two songs later, a slower song came on. Your cheeks flushed red and you took a step back, only for Ellie to snake a hand around your waist and pull you closer.
"Ellie.. what are you doing?" You whispered as she held your waist and pulled you in tight, so that you were practically hugging.
"Dancing." She whispered in return.
You giggled and brought your arms around her shoulders, leaning in so your head rested on one of them. Ellie smiled as her eyes fell shut, your perfume greeting her kindly. You sighed as you relaxed under her touch, nobody could make you feel the way she did. Her hands found their way to your lower back, rubbing small circles onto it. You'd nuzzle your face in her neck, smiling as you brought your hands to play with her hair.
"Fuck Y/n.." Ellie groaned under her breath.
You giggled, lifting your head to meet her eyes. She looked at you like you were the only girl in the world. You looked down at your feet, then back at her. Your breath hitched as your eyes couldn't seem to focus on hers anymore, but rather on her slightly chapped lips. She had to have noticed because a smirk slowly formed on her face. Before you'd do anything you would regret, you stepped back from her. The loss of her touch left you feeling empty, but you would ignore it and just smile as you excused yourself.
"I have to use the bathroom." You simply said, and she took a seat at the bar once again as you made your way to the restroom.
You didn't actually have to go, so instead you washed your hands underneath cold water. And you splashed some on your face for good measure, you'd been getting unbelievably hot during your dance with Ellie. Once you could no longer feel your heart beating in your ears, you left the bathroom to return to Ellie. Unfortunately, there had been someone waiting for you outside.
"Hey, you know you look really good tonight." Gavin spoke smugly as he leaned against the wall.
"Yeah? Thanks." You scoffed, "shouldn't you be getting back to your date?" You spoke matter of factly, trying to push past him.
Your efforts didn't get you much of anywhere, his hand now finding a tight grip on your forearm while the other went to hold your face. You rolled your eyes with a frustrated sigh.
"Ok, come on Gavin I'm really not in the mood." You spoke coldly, willing him to just take the hint and leave you alone.
He tsked, leaning down to whisper in your ear,
"Come on angel, just let me show you a good time." You shuddered at his words, disgusted.
That was your last straw and you found the energy to shove him off of you and into the wall with a hard thud. Then, you saw Ellie turning the corner, her fists balled at her sides as her brows knitted together with anger.
"The fucks going on here?" She asked gruffly.
"Ellie, it's nothing. I'm fine." You placed a hand on her chest, trying to convince her.
Of course it didn't work because the next thing you knew you were watching as she punched Gavin so hard he'd fallen over. Her knuckles were red, and his face began to bruise.
"Ellie!" You screamed as your hands went over your mouth in shock.
Before she could get any other hits in, you'd held her by her shoulders as you dragged her outside. She yelled at the poor guy the entire time. Sending a good amount of threats his way.
"What is wrong with you!" You shouted at the girl as the two of you now stood outside in the chilly night.
"Me? He deserved it and you know it!" She'd shouted back, gesturing with her hands, something she did often when she was angry.
"Yeah maybe, but still! You can't just go around punching every guy that bothers me, I can take care of myself you know?" Your hands were on your hips.
"Oh god, this again? I can't keep having this fucking conversation with you, Y/n!" She gritted her teeth.
"What conversation? The one where I have to constantly remind you that I'm a full grown adult, and I am entirely capable of taking care of and defening myself? I mean seriously Ellie, what's the problem? Do you think that I can't take care of myself?" You asked with a frustrated sigh.
"What, no! Of course I know you can, but I just- I care about you a lot and you shouldn't have to take care of yourself. It makes me feel good to defend you, I don't know why it just does. And I'm... sorry." Sge struggled to get the apology out.
"It's ok. Let's just go home, sleep it off." Your suggestion sounded good, but Ellie stopped you with a hand on your wrist.
"Wait." You looked at her with questioning eyes, wondering what else she had to say.
Turns out, she didn't have anything to say. Instead, she had brought one hand to your waist and the other to the back of your neck. She bit her lip, her eyes flickering between your own and your lips. After a minute or so had passed, she just couldn't resist. She pulled you in and connected her lips with yours, kissing you like it was the end of the world.
"Ellie~" You whined as you parted from the kiss for a moment, immediately diving back in.
This time, you pressed your tongue to her bottom lip. And she gladly let you in, opening her mouth wide so she could taste your tongue on hers. It was something from another world, you'd felt dizzy and giddy, and there was something else too. There was this heat between your legs, it almost hurt. You whimpered into her mouth at the unfamiliar feeling.
"What's wrong baby?" She asked, her forehead resting against yours.
"I don't know, 's all achy down there." You admitted, embarrassed as you'd only dare to stare down at her shoes.
Ellie let out a sinful chuckle,
"Well, I think I could help with that." She gave you one last kiss before taking you to her house.
You stood in her living room, your hand coming to scratch the back of your neck awkwardly as she rushed upstairs to grab 'a little something special' from her room. You'd wondered what she could be grabbing, but not for long as she returned swiftly without her bottoms now and a large black strap tightened around her hips. Your eyes widened at the sight of it, and you knew you wanted it inside of you. Your mouth watered at just the thought of her fucking your brains out.
She walked over to you with a smirk, pulling you in for yet another kiss. You smiled into it, letting out small moans here and there as the taste of her tongue felt so good against your own. You'd sighed as she pulled your top off, now placing kisses along your jaw and neck. It wasn't long before she was placing feather light kisses to the top of your boobs, then palming them roughly as she watched your face contort with pleasure.
"Get on your knees." She ordered after a minute, and you were quick to oblige.
Getting down on the floor, you looked up at Ellie with lustful eyes. She grabbed a fistful of your hair, taking a step closer to you as she held her strap in the other hand. You licked your lips before chewing slightly at your bottom one.
"Open that pretty little mouth of yours for me baby." She cooed, her hand tightening in your hair as you'd opened wide.
She chuckled as she pushed her cock into your mouth, watching with nothing but joy as she shoved it as far as it could go. You'd gagged, unable to help it, then you let out a small whimper which was muffled by her large cock. She groaned at this, tugging your hair a bit, which brought a lengthy moan from your lips.
"Fuck baby, look at you being a good little slut. Taking my cock down your throat so well. Good girl." The praise she'd given you had gotten you even wetter, if that was even possible.
Ellie would continue to move your head up and down for a bit longer until she was satisfied, carefully she removed her hand from your hair and let you pull back. Your lips left her cock with a satisfying pop sound and she smiled sinfully as she pulled you to stand. She brought a hand to your chin, wiping your saliva that had dripped down your chin while you were kept busy deep-throating her.
She'd snaked her hands around you now, gripping at your ass before giving it a harsh smack that made your body jolt with pleasure and excitement. Another kiss was brought to your lips by her, but not for long as you'd pulled away quickly.
"Ellie, please." You whimpered, she only let out a small chuckle.
"Please what? Use your words baby." She kept a finger under your chin.
"Please," another moan, "fuck me. Fuck me good and hard, please I need you." You were begging shamelessly now, and she loved it.
"Well, aren't you cute. Your wish is my command, princess." She smiled as she backed you up to the couch, lying down before pulling you on top of her.
You sat straddling her for a minute, she rubbed your thighs with her hands soothingly before ridding you of both your jeans and panties in just one motion. You bit your lip as she held your hips, lifting you so the head of her strap just grazed your dripping hole. She'd continue to tease you for what felt like ages, before you just couldn't take it anymore so you'd taken it upon yourself to lower down onto her cock. You threw your head back with a loud, pornagraphic moan as you felt the burning stretch inside of you.
Ellie scoffed,
"Did I say you could do that? Eager little slut, you're gonna regret that." She groaned as you continued making the sweetest sounds as she gripped your hips harder.
She'd waste no time, immediately thrusting into you roughly and at a fast pace that had your head spinning. Occasionally, she'd bring a hand up from your hip to place a firm smack against your ass, in the same spot every time. You were sure there'd be a mark, but you didn't care because it felt so fucking good. Then, she'd angled herself just ever so slightly differently and began to hit a spot that you didn't even know existed.
"Oh, oh god! Fuck yes, right there Ellie. Fuckk." You moaned as you called out her name, your hands finding their way to her chest as you began to grind your hips down against her.
"Oh yeah, you like that slut?" She asked, using the rather vulgar name that only got you hotter.
You nodded, feeling as if your vision went hot white at the pleasure you were feeling. It was so phenomenal, you almost thought you mightve been dreaming. But then, she stopped and held your hips tightly so you couldn't move an inch.
"Fucking answer me." She commanded.
"Yes yes. Yes I love it. Please keep going. Please." You whimpered, tears welling in your eyes.
"That's my girl." She smiled as she resumed her rough thrusts, loosening her grip on your hips so you could rut against her as well.
She bit back a moan as the strap had been hitting against her clit just right, that and the sight of you was more than enough to make her cum. The way your tits bounced underneath your scarlet red lace bra, and how beautiful your face looked as you moaned loudly. And oh the way you said her name was just so fucking sexy.
"Ellie- I'm gonna" your breath hitched with a gasp, "fuck 'm gonna cum." your moans got even louder somehow.
"Me too baby, come on cum with me. Come on baby." She'd finally let out a small moan and that sent you over the edge.
However you didn't just cum, you were gushing all over her beautifully long strap as well as her thighs. Ellie moaned louder at the sight of you squirting all over her cock, and then got her own release. She didn't stop pounding into you as she rode out her own high, and it didn't take long before you were feeling overstimulated. But you'd do anything to watch as her eyes squeezed shut with the pleasure of her orgasm.
"Mmn- fuck." She let out a small groan as she removed her cock from your hole, a small string of your slick connecting it still.
You let out a small sigh of exhaustion as you layed against her chest, smiling as her hands came to rub up and down your back. You lied there together for a minute or so before she finally spoke.
"Let's go to my room." She whispered, and you didn't say anything in return.
You'd just followed her upstairs and watched as she removed her strap, sitting on the bed and patting the spot next to her. You joined her and sat with your back against the headboard, leaning forward as she came to kiss you. You'd pulled at her shirt and giggled a bit as she ripped it off, revealing her black sports bra. Then, she'd used one hand to spread your legs before getting into position.
One of her legs straddled your hip, a hand on your shoulder and the other on your waist. Her eyes fell shut as she let out an airy moan when she'd ground her throbbing clit against your own, and you'd let out a similar sound.
"Fuck, baby. Your pussy feels so good against mine." She bit her lip, letting out more moans as she thrusted against you.
Sure, the way Ellie had pounded into you earlier was amazing and beyond pleasurable. But there was just something so euphoric about her sopping wet pussy gliding against your own. The feeling of your slicks mixing together just drove you insane. Apparently it had the same effect on Ellie because she was louder than ever, moaning and whimpering with great pleasure.
Your breath quickened as you felt yourself getting close again, and began to move your own hips against her as well. This made Ellie let out a guttural groan.
"Oh yeah, just like that baby." She said in an almost whisper, her eyes falling shut with pleasure.
And with a few more thrusts, the both of you reached yet another release. Now you weren't the only one making noise, Ellie was moaning while also letting out "thank you's and 'fuck's. After fully riding out your highs, Ellie lied down next to you. She brought a hand to wipe her forehead, it dribbled with sweat and her hair stuck to it a bit.
You felt your eyes vetting heavy, snuggling against Ellies side as you let them fall shut. She'd hold you for a minute before standing up.
"Don't fall asleep yet, baby. I wanna get you cleaned up first." She placed a kiss to your forehead, going to the bathroom then returning with a wet rag.
She wiped you down gently, placing soft kisses along your body on the way. Once she finished that, she'd given you a t-shirt of hers to wear to sleep. She climbed back into bed, pulling you to lay on her chest. You snuggled your head into the crook of her neck, bringing your hands to wrap around her shoulders.
"Goodnight Els." You said sleepily.
"Goodnight baby." She responded with a kiss on top of your head.
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ashxketchum · 4 months
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Now it feels like we’re celebrating the 25th Anniversary 😍
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This new art for an upcoming collaboration with Karatez is just simply stunning. The theme is (very obviously) “idol” and I personally love the futuristic pop concept they’ve added to the outfits. Although exact date and merch details haven’t been shared yet, they shared a few layouts of the key art.
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The outfits are also great this time around because of their little references to the partner Digimon’s Perfect evolutions. Listing them down one by one as always.
Taichi: The blue markings on his jacket plus robotic arm markings on his right sleeve are a nice shoutout to MetalGreymon.
Yamato: We see WereGarurumon’s pattern on his jacket and a few belts wrapped around his hands that captures the punk-grunge vibe of WereGarurumon well. It may be Yamato’s affinity to music, but he looks extremely in his element in this art, it’s not often we see him so raring to go in official merch art (he’s more of a soft smiles guy usually).
Sora: Her gloves and the red bandana on her arm coupled with the feather in her hair are clear shoutouts to Garudamon. It’s kinda funny to me that being the girl who’s crest is a heart symbol, she’s making a victory sign while Mimi and Hikari are both making different types of finger hearts 😆
Koushiro: Honestly they were really subtle with the reference for him and even twitter couldn’t exactly answer my doubts so I’m gonna have to see Koushiro stans step up and answer whether the reference in his outfit limited to the markings on his jacket resembling AtlurKabuterimon’s chest?
Mimi: I think she’s the one with the most easy to catch references, her skirt resembles Lilymon’s and her hair tie looks like Lilymon’s flower canon. I love that she’s making the big finger heart because it’s just so very Mimi. If Yamato suits the passionate side of being an idol, Mimi is definitely meant for the cutesy visual vibe that can make fans go crazy over just a wink and a smile.
Jou: He’s wearing three belt like bracelets around one wrist like Zudomon which makes his a minimal reference though not as subtle as Koushiro’s. I do feel that they could’ve done a bit more with his look, maybe add a horn to the side of his headset? I also can’t wait to see the full art for each kid individually cuz I do think him and Yamato are wearing similar bellbottom pants!
Takeru: The feather on his headset and the yellow suspended straps are a decent reference to HolyAngemon. Considering that they wanted to keep the outfits limited to one colour per kid, I think this is the best way they could slip in the reference, though I wouldn’t have minded a few rings.
Hikari: The feather on the headset, the corset-ish belt around her waist and her gloves are very nice references to Angewomon. Keeping Hikari’s innocence as a kid intact while referencing a Digimon that is undoubtedly considered one of the most sexiest mons in the franchise would have been really tough and I salute the illustrators for coming up with this design! I also like the OG Korean finger heart she’s making, such a cute look on her.
The cherry on top are each of the Digimon partners holding supportive cheering goods for their kids. Piyomon’s love for Sora goes hard with her big name banner. Meanwhile, Agumon and Palmon kept it simple with haoris, Tailmon and Patamon too decided to go the simple route with light sticks. Gabumon, Gomamon and Tentomon seem normal from afar with their hand fans but when you get a closer look on all the hearts around Koushiro’s name on Tentomon’s fan, you know the three spent time making those themselves.
All in all, a pretty amazing illustration to be able to get merch of!
But wait that’s not all, andGallery has also teased a future cafe collaboration with Digimon Adventure on their twitter, more info will be announced on 19th Feb but they did share a preview of what to expect.
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margoshvets · 3 months
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Redesign / Alliance fit for Theron!
I was kinda sad that our husband didn't get a new design like our wife Lana did, so I decided to try to make something nice for him✨
Not that I don't like his original design. I just wanted to try something different.
(I got too tired drawing, so that's why he doesn't have a face XD)
I'll be describing some details of this design below if anyone is interested to read about them!
A little bit of warning. There is some headcanon / fanon stuff here, and, also, the opinion on some stuff is just my opinion, and you don't have to agree with me. Please don't be too harsh to me. I just wanted to have fun UwU
For the lower part of his body, I mostly got rid of a bunch of details, like the blue stripes on his pants, to make it simpler (in contrast with the upper part, which has some interesting stuff going on).
Got rid of those hanging things on his belt cuz they seemed pretty redundant, and I couldn't think of what they could be used for. Belt, in general, is more simplified. As a cherry on top, he now has the alliance symbol on it ✨
I added the metal thing, which I like to call "magnetic plate", on his right leg, and it's basically for carrying stuff like his datapad, keys, Eternal Fleet ashes, etc.
(I do remember seeing a similar thing in imperial designs, but I'm not sure what it's called)
Since he relies on tech a lot, he now has a fancy new toy - the glove on his left hand! Very useful thing for operating stuff and also hacking!
Remember that scene when we get our ship back, and Theron just presses something on his very regular glove? I always found it amusing. Not it will make more sense since he now actually has a suitable glove for this kind of action XD
[the scene in question]
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He now hides his blasters inside his jacket (hence the belts on his upper part).
The jacket is a pretty memorable part of his design. It looked really good with a yellow color, but it's hard to imagine him wearing a jacket that isn't red.
I have to admit that a lot of new stuff in that thing was added based only on my headcanons. Mostly because I wanted to add an interesting story to it.
(A little bit of explaining is in order) Theron is a chilly person; he often feels like it's cold even if the room temperature is normal. Tauntauns are also his favourite animals.
This jacked is a gift from a very dear person to him. They knew all that and that's why they gifted Theron a warm jacket made with Tauntaun's fur (no tauntaun was harmed in making this jacket).
That person is no longer alive, but he still holds on to this jacket like it's his second skin; it's very important to him.
Anyway, the white parts of the jacket are now fur. And the fur inside only extends to shoulders (having natural fur already sounds too expensive for a republic soldier salary it was bought with). It's still warm tho. Sleeves have fur only at the ends and have zippers so that they can be easily folded back.
This jacket also can be closed (sounds kinda pointless stating the obvious, but in comparison with his original jacket, to me at least, makes sense cuz I can hardly imagine the original one closing).
Almost forgot.
A turtleneck for Theron. It just makes sense.
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blackphanto · 5 months
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Trying to overanalyze Lucifer's design
The Hazbin Hotel season 1 finale was fucking insane. I loved everything and especially Lucifer, whom I am dedicating this post to.
Let's begin with his "normal" form
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Lucifer wears a ringleader costume bc Hell is one giant circus and he's the ringleader, but did you know that there's actually more to it?
A ringmaster, -mistress or -leader is like the opening act of a circus. They show you around, introduce the other acts and keep you hooked. They are essentially the glue that keeps the circus together. Another definition of a ringmaster, -mistress or -leader talks about an actual leader who leads a group of people, mostly through the act of doing illicit or unlawful activities. A role that would suit Lilith better than Lucifer. Sins could be seen as unlawful activities in Heaven's eyes and Lucifer is the cause of how evil found its way to earth, one could say that he was the one to lead the sinners in their sinful behavior in life. Yet, in death - if we go by Charlie's storybook - Lilith was the one leading the sinners to rise up against Heaven, another illicit activity that has led to their eventual doom.
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Luci also wears a top hat with his crown on top of it. The hat gives him some extra height so I doubt that he wears it for any other reason. His crown is mostly covered with a snake and a red apple on the side. The snake can have 2 meanings: 1) how the word 'seraphim' in Hebrew can be translated to 'fiery serpent', due to his six wings, Lucifer is likely a seraph. 2) he was the serpent that tempted Eve, although never confirmed in any religious text, this idea of him being that snake is really popular in every reiteration of that story. This would also be why there's an apple motive following the Morningstars. Now let's move on to...
Angelic/demonic form
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I don't think what we are seeing here is his full angelic/demonic form, but considering that the other Princes' forms aren't as scary either it is likely the case. The first thing that caught my attention were the horns and overall resemblance this form has to Charlie's, but let's focus on the differences.
In the first image, the snake and apple have turned into some sort of halo, a nod that his actual halo has disappeared when he fell and unlike Vaggie his wings probably didn't get ripped off, but I do believe they were different to how they were when he was behind the Pearly Gates. He has a tail and horns, classic demon imagery, there are 6 eyes at the end of his coat and there's one more on his bowtie, which makes a total of 8 eyes on Lucifer's design. The eyes are a common returning motive in Heaven and with angels.Luci also has a flame in-between his horns. This honestly reminded me of Baphomet, but they would likely be a Candle head from the Sloth ring. In the Bible, fire is often depicted as the presence of God, but I'm a firm believer that Hazbin has a deistic God view (see my other post), so I doubt that's the case here. The fire was likely chosen because Hell is associated with fire and he's the king of Hell so they thought it would make sense.
Like father, like daughter
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As stated before, Lucifer and Charlie share a lot of similar elements. She's essentially him without wings and with longer hair. They both have a red sclera with a yellow iris. Their tail is pitch black with a heart cut out at the end and despite having white skin, Lucifer's arms are greyish. I always thought they were gloves, but no, man's face doesn't match his hands. I really like this shot of them right here, they look so badass!
Charlie also seems to be getting a new ability which has to do with her arm getting bigger and blocking Adam. This might be a callback to whatever was going on with her arm in her first design.
That was it thanks for reading <3
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3v0ny · 2 months
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okay okay okay-
this is gonna be a pretty long post with how much I’m gonna ramble so prepare yourselves
hear me out-
you listening?
okay okay
ready?
…I made my own rise designs…-
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(INDIVIDUAL DESIGNS + SRUFF BELOW CUT) Eeeeeee!! (YES, LEO IS TALLER- buuuut the order is oldest to youngest so, Donnie is the slightly older twin (Leo denies this))
For all of them I mostly took inspiration from both pre- and post-shredder designs from the show.
Individual ramblings now!!
Raph:
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For the big guy, not a whole lot changed! There’s a lot of common design choices: big spiky tail, damage to one eye, etc.
I did however want to bring back the white bandages from pre-shredder, since he was the only brother to have them. I also thought he needed more red in his design, so I sprinkled a bit extra in there.
I moved the X bandage on his plastron down to his knee since the crack took up a decent amount of space.
The scar on his leg I imagine is from an incident from when they were still pretty young, like someone accidentally playing somewhere not safe, and something falls so he jumped in and got sliced. Raph will always protect his little brothers <3 Big body for a big heart.
Also instead of Leo becoming the full leader after Raph, I think they do best in a co-leadership (ofc with input from both Donnie and Mikey, they all listen to each other). Stepping in when the other needs it and both of them being able to be more silly at times.(they both deserve it)
Donnie:
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He probably has the most changes/design features-
It might be a tad uncommon, but I made Donnie a lot bulkier than Leo. Personally, I think his battle shell would be REALLY HEAVY and since they’re bioengineered super-soldiers, he put on some muscle. It wouldn’t just be his battle shell either- this version is very into mechanical engineering and builds big stuff, lifting heavy metal all day. The mechanical engineering is also why his hands are ALWAYS DIRTY. he wouldn’t be bothered by it since he’s just used to it by now, but his hands are practically permanently stained with oil and grease. (He has a bad habit of wiping his face while working- which makes his mask always dirty too)
he got the scars on his forearms from a little lab accident when he was fairly young- there was a failure in some wiring and it caused some components of what he was working on to explode, so his hands + lower arms are lighter in color from the scarring.
now his markings were fun to come up with. OF COURSE the iconic chin stripe had to be there, but I ended up making all of his markings symmetrical, as well as more continuous lines. (The markings on the sides of his face continue until about his eyebrows and originate from the shoulders)
as a trade-off for making Don short and stockier, I made him the older twin :) He’s also more of a heavy hitter like Raph, with the ability to summon an entire artillery and all that.
Leo:
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Leo is pretty lanky! I wanted him to be built more for speed and chaos (it’s what he’s best known for imo). Along with being the fastest, he’s also the family medic- as many others have done (wow so original)
one thing I don’t really see super often is him wearing a leg/knee brace, and I mean for pretty much forever. Along with the shell scuff wiping away the patterns on it, I think he’d need some kind of permanent ’crutch’ to be at 100% again. (Both injuries from Kraang) (if he’s having an off-day where his leg is flaring up, he just relies on his portals more)
even if he had his shell markings scraped off, he got some new stripes! (Again the iconic chin stripes) new ones have appeared and some of the older yellow ones now have a hint of red. (Now 3 per arm and 2 per leg)
Also traded his single cross-body strap for a full X, for dual wielding his katanas. (It’s just more secure- especially with how quickly he moves around and all of the flashy tricks along the way)
He most definitely runs it Donnie’s face that he’s taller (and Donnie always responds with how he’s stronger) (then Leo goes to speed- etc. etc.)
Mikey:
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so, obviously, Mikey has scars from opening the portal to save Leo. (He and Donnie match <3) but now his plastron stickers ALSO mimic scars from his other brothers! Red crack for raph and blue stripes where the worst of Leo’s scuff is on his shell. Why? Because Mikey is the one that holds the family together, and it makes him feel further connected to his brothers.
speaking of connection- his ninpo is now so intense that his markings ignite in flames. Thus, his mask(s) are always charred. The eye-holes are larger (freckles are what ignite it) and the tails have sudden jagged cutoffs + holes.
for his gear, he wanted some nice leather instead of black or orange straps. (Donnie fire-proofed it, but when he asked if Mikey wanted to do the same for his masks he refused- he enjoys the new style) he now has a cross-body strap (like Leo used to) and leg straps for his nunchucks.
also like Leo, he’s more lanky for his gymnastics and wild fighting-style. They’ve both got the agile build, as Mikey is 2nd fastest. I also gave him a short and stubby tail- it’s too cute!
okay I’m finally done I think- thanks for letting me word vomit <3
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sighed-the-snake · 8 months
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Gun LOADED!
Many people are looking to the bullet catch scene to theorize that Aziraphale is going to fake Crowley's death in the next season, but I think there's another compelling scene from S1 that we should be looking at.
The one with the paintball guns, from S1.
Norm, from management, has a YELLOW cloth tied around his arm, as does the rest of his platoon. Yellow is known to be associated with Aziraphale, and by extension, angels. But I don't think this manager is representing Aziraphale. I think he is meant to represent Crowley.
"I wanted to be a graphics designer," he says. "Design LPs for the Rolling Stones."
Crowley was a graphics designer, of a sort. He made beautiful nebulas. I also think Crowley worked for management and held a high position.
"But the careers teacher said he hadn't heard of them. So I spent 36 years double-checking form BF-18."
The careers teacher is probably God. I get the feeling people in Heaven did not understand or appreciate Crowley's cleverness, didn't understand his work. Crowley was more of an artist than a bureaucracy guy. I wonder if becoming friends with 'Lucifer and the Guys' afforded him some professional freedom, a way to get away from form BF-18, as it were. Maybe Lucifer was his boss and allowed him to do whatever his little heart desired because having a clever subordinate who pulled off such complex work made him look good.
"They couldn't just say, 'Oh, Norman, we're giving you early retirement. Have a watch, bugger off and tend to your marigolds."
The mention of tending to marigolds is interesting here.
The British have something called gardening leave.
From wikipedia, "Garden leave (also known as gardening leave) is the practice whereby an employee leaving a job – having resigned or otherwise had their employment terminated – is instructed to stay away from work during the notice period, while still remaining on the payroll."
It's a sort of limbo period between leaving the company and no longer working for them. You don't go into the office, you're not allowed to contact your former business associates, but you're still getting paid, and you're expected to respond if they call you for assistance. Gardening leave could be a short period of weeks or months to let things calm down before you return because you screwed up, or it could be a prelude to getting fired, or forced into retirement.
Gardening leave sounds an awful lot like what Crowley has on Earth. He was literally sent to a garden to do a job, and he does not return to Hell after. He remains. He lives a posh life with a expense account and a lot of freedom compared to other demons. Furfur remarks on the unfairness of it. Crowley appears to be given assignments once in a while but otherwise I don't think much is expected of him - again, compared to other demons. We've seen the way they're crammed in down there.
(Why he's on gardening leave is a speculation for another day.)
"Well, if they want war," Norm says, knotting his RED necktie around his head, "we're going to give them war. Okay, guys, let's get the bastards."
Clearly, this is when Crowley in Heaven says to himself, "Fuck it, I hate these guys, let's brawl."
And then he turns around and is promptly shot in the heart by the RED team.
He staggers dramatically. He falls. We see the life leave his eyes.
Except it's a trick. One that Norm is not privy to. He thought he was dead as much as everyone else.
But Norm raises his head and looks, bewildered, at the bullet hole in his pocket. He's made a miraculous escape. It mirrors the age-old TV trope of having some hard metal thing in his pocket to deflect the bullet.
In a way, I think this is supposed to represent Crowley's fall from Heaven that he did not see coming, but with S2 and the bullet catch adding context, I think this entire scene holds more meaning.
The thing is, part of writing a good story is including echoes of your theme.
Every single romantic relationship in Good Omens mirrors Crowley and Aziraphale in some way (I'll write more on that later, probably).
Adam and his friends being reflections of the Four Horsemen.
The bookshop being an echo of Eden. The repetition of the "leaving the garden" theme at the end of both seasons, with S1 burning down the bookshop, and S2 with Crowley and Aziraphale leaving it behind.
Twice now, once in each season, there has been a theme of bullets, of getting shot, of miraculously not dying, and no one expecting it.
I'm pretty confident that in S3, Supreme Archangel Aziraphale is going to have his hand forced. He's going to have to execute Crowley for something he has done to meddle with Heaven's plans. And I think Aziraphale is going to have to pull a fast one with very little planning to fake his boyfriend's death.
I can picture it now, with Aziraphale saying something ridiculous to the crowd of witnesses like, "FLAMING SWORD LOADED!" to drop the hint, and the crowd sighs inwardly over what an idiot Aziraphale is, but Crowley looks at him like, "What the fu- oh, we're doing a bullet catch."
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38sr · 1 year
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Hi! I really love the way you color, and I was wondering If you could make a tutorial about it, I of course completely understand if you Can't/don't want to do it thanks in advance If you decided to do it and have a good day/night.
Hello hello! Ooooh, a color tutorial! I've never done one before so I'm not sure if I'll be any good at it haha. But I don't mind sharing my thinking process when it comes to coloring my works. So when it comes to color, I very much have a traditional painter's approach since that's how I learned color in art college. My painting professor never allowed us to use black or white paint, we could only use other colors to create darker colors or new colors altogether. And you're probably thinking, "What the hell? That's insane." And I wouldn't blame you haha. But this approach helped me a lot to not rely on tints (colors mixed with white) and shades (colors mixed with black) when I color. For the most part, I purely thinking about value and hues when I'm coloring.
Finding the right values:
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So for this drawing, I did two different takes (one with direct harsh lighting and one without). The reason why I'm showing this is because when it comes to color it's very important that your values aren't clashing with each other. When I started out, all my coloring felt flat because I was using colors with the same values so there was little to no depth. A lot of people don't realize this but color does have value!
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If we put the primary colors on greyscale, you notice how each color has its own value. Blue tends to be a dark value, red has a mid to dark value , and yellow is a much lighter value. This is why if you ever look at my work, the color I use for shadows lean into blue/purple tones. You can also have warm shadows since red does have a deeper value compared to yellow. But these values are when the primary colors are at the highest saturation. What would happen if we knocked down the saturation levels?
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The values start to become more similar. Since we're not always using the most saturated colors, it's important to understand the values behind the colors you'll use. Once you unlock that, you can pretty much do whatever you want with color haha. That's why I hardly ever use black or white in my digital art when mixing (also I don't mix color with a brush, I just pick from the color wheel which might be insane).
While it's not wrong to use white or black to create darker/lighter colors, color in real life doesn't always act that way. Shadows and highlights can have color. For myself, letting go of white and black has opened a world of color combinations that I didn't think of before taking my first ever traditional painting class. Now, I can freely pick colors and experiment with palettes since I've blocked out what values I need (like the image below).
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Even if I'm using blending modes like in the next image, I'm always thinking about making clear value separations. If I can't understand the image in black and white, then I'll have a hard time seeing it in color.
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And when you get very comfortable, you can start placing characters in different color environments and match them (which essentially is the job of a color designer in TV animation).
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The right image is the official color palette for my character which already uses a lot of blue/purple for the shadows. But on the left side, she's in a night-time environment so I leaned even more into the cool colors to the point that the white T-shirt is actually a very very light purple/pink color haha.
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Or like this example where the left drawing gives a more sunset/golden hour lighting while the right one is more blue hour/night time lighting. But you can read the colors clearly 'cause the values are clear to begin with. While that wasn't really a tutorial this is pretty much my thought process when I'm coloring my digital works. ^^; I very much do follow an academic approach to color theory but even then I think it's okay to break the rules. As long as you have understanding of colors' value, I think you'll be able to unlock any color style you want! I hope that answered your question and was helpful!
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celsfandomrave · 1 year
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Ted Lasso Costume Deep Dive
I asked if anyone would be interested if I did a deep dive analysis into the Costume Design of Ted Lasso and people seemed to be very interested!
I work as what is called a Stitcher for opera and theatrical costumes which means I am one of the people who sews the costumes you see people wearing on stage. I am not a costume designer and I have never worked in TV. That said, many of the people I work with have worked in TV and I work with costume designers everyday, so I like to think I have a relatively realistic idea of what choices are intentional and what are not. This is my costume design degree put to use.
Part 1: Ted Lasso
Ted has simultaneously the most and least interesting costume design in the show so let’s talk about it and why I am freaking out about Ted’s orange shirt in Sunflowers.
With only very few exceptions here is a list of colors Ted wears:
White
Beige
Grey
Blue (Navy, Light Medium)
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IF Ted wears a suit if will be black with a white shirt and a red tie for special occassions or a black tie for funerals
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IF Ted is seen in his sleepwear it will be a pair of grey joggers with either a blue shirt, a black “Joe Arthur” T-shirt, or a Kansas City T-Shirt
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IF Ted is seen at training or around the club just before or after he will be wearing some combination of (depending on weather):
White or grey polo shirt
Navy Blue Richmond Track Pants
Nav Blue Richmond Track Jacket
Orange Tinted Aviators
White Richmond Visor
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On very rare occassions Ted will wear a RED POLO SHIRT. This is outside of Ted’s normal uniform.
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The first time we see this shirt in Season 1 Episode 6, Ted is taking off his wedding ring. This immediately establishes that red polo means something is off in Ted’s world, even if it’s something minor. He might wear this shirt more than we actually see in the show but I would think of this as the shirt he wears if he hasn’t had time to do laundry.
This rule continues
Season 2 Episode 2
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Ted is dealing with the fact that Dr. Feldstone is staying and the dinamics at the club are changing.
Season 2 Episode 3
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Worn as Led Tasso. As though I needed  help proving this meant something was off.
Season 2 Episode 6
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When he wears the shirt early in the episode it seems like there is very little going on with him, everything is fine. So why do we get red shirt Ted? and then he gets a panic attack in the middle of a game. That red shirt was the only indication that something was wrong.
Season 3 Episode 5
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The Team are in a losing streak following the game with West Ham. He is also wearing it when he finds out about the bullying situation with Henry.
Other exceptions to the rule that I’m not reading too much into, due to them not being quite as noticeable:
Season 2 Episode 5
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Ted wears this brownish yellow sweatshirt under his Navy Richmond jacket. I will let this slide because it is mostly covered by the jacket and it is very cold and snowy during this episode.
Season 3 Episode 1
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Ted wears a green sweater dropping off his son at the airport. The green doesn’t stand out as much as the red or orange shirt do. I do think this is sort of an indication that we are getting a Ted in season 3 who branches out a little bit more.
Season 3 Episode 3
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Ted wears a maroon sweater with a pocket to Sam’s restaurant. Notably, we have seen this sweater in Navy previously. Ted is branching out in colors but only when it is a style he knows he likes. This is also the same style as the orange shirt.
And now SEASON 3 EPISODE 6 he shows up in ORANGE out of nowhere.
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and hopefully you understand why I am freaking out enough to do a breakdown of the whole show.
A few things I’d like to note.
The fact that Ted has a reasonably constrained wardrobe doesn’t really surprise me. The way these sorts of shows tend to work is that they will shop for a character’s closet. Even Keeley repeats, if not whole outfits, pieces of them at times. Ted is not the most fashion forward guy, it makes sense that he has a relatively short number of outfits. That said, Coach beard has much more variated style than Ted.
In the episode, what does the Orange shirt tie Ted to?
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To me, the most obvious answer to this is actually Colin. Yes, you could argue that he is being tied to to Sunflower painting, maybe to the tea, maybe to the warm colors or the houseboat but if you are going to argue any of those, Colin is being tied to the same thing. I could definitely see both Ted and Colin being tied to the sunflowers. We are definitely meant to compare Ted to Van Gogh in the museum seen. Both are Inspiring creative people who are trying to get past their “inner demons”. Perhaps we are supposed to see that Colin is also one of these people or perhaps it is meant to connect Ted’s journey with Colin’s sexuality storyline. I genuinely don’t know the answer, but Ted’s costume tells me that something is going on.
Stay tuned for future parts where I will reveal which 2 characters are wearing the same distinctive T-shirt and have a similar freak out about Rebecca breaking all of her clothing rules.
Part 2
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quibbs126 · 2 months
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Hm, apparently this wasn’t a request. But whatever, I finished them and want to show it off
But yay, I finally got purecacao done!
So first off, I just want to say that these two are post-canon, and Dark Choco’s their older half-brother. I just felt like mentioning that because I made up this whole thing for the purecacao love story
My idea for how Dark Cacao and Pure Vanilla’s relationship went is that at some point, Dark Cacao got feelings for Pure Vanilla, but wasn’t sure how to tell him. But he thought he’d have all the time in the world to say because they were immortal. But then the Dark Flour War happened and Pure Vanilla “died”. When he came back, Dark Cacao realized that he couldn’t just wait anymore, and so sometime during the current story, he confessed his love for him, and after the main story they ended up getting together
Anyways, back to the twins. So Vanilla Bean is a girl, while Cocoa Butter is a boy. Though I’m considering making Cocoa Butter a girl as well. I’m not sure
So Cocoa Butter is a very friendly kid, and very outgoing. He wants to be a warrior like his father (Dark Cacao) and brother, though he prefers the Vanilla Kingdom over the Dark Cacao Kingdom. He also tends to get himself into messy situations, which result in his outfits getting messed up and having to constantly be fixed. In the future, I see him being a Vanillian soldier, if not a commander. Also, despite his want to be like Dark Cacao, his favorite parent is Pure Vanilla since he’s not nearly as serious
Vanilla Bean on the other hand is very shy and quiet. She prefers to read giant tomes and watch from afar. She prefers Dark Cacao since he’s quiet and feels safe with him due to how strong he is. I’m not as certain what she ends up doing, maybe she becomes a healer, but I know she’ll end up living in the Dark Cacao Kingdom
I feel like you can tell which description I did better. I mean, with Cocoa Butter I was haphazardly putting all my thoughts, but by Vanilla Bean I knew how to articulate them better
Despite their differences, they get along very well, and include the other in their games. Also, they both really like their brother Dark Choco. He’s like their main babysitter, and he enjoys their company too
Alright, I think that’s about it for their characters. Now on to designs
So I think I’ve mentioned using the name Cocoa Butter before, but I also decided to use Vanilla Bean a few days ago. My brain thoughts were that cocoa butter is cacao but light colored, while vanilla beans are vanilla but dark colored. It’s contrast (which admittedly I may be doing too much of with these two)
Cocoa butter and vanilla beans:
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So one of the first things I wanted to do was give Vanilla Bean those pigtails, with the idea that they’d look like vanilla beans. Admittedly they aren’t actually in the shape of the beans, but whatever
I was struggling with their eye colors, since I wasn’t really sure what to do. I knew I didn’t want to do heterochromia though. Eventually I tried mixing the purple and I think blue to get this bluish grey color, and I decided to give them purple eyes but with one of Pure Vanilla’s eye colors as the highlights. And also I decided to change the purples to fit more with each highlight, Cocoa Butter’s being more warm while Vanilla Bean’s is more cool
Admittedly I was kind of just making stuff up with their outfits, all I could think of was vaguely mixing Vanillian and Dark Cacaoian clothing, which mostly just resulted in purple + yellow. I know I’ve seen someone do it, but I don’t have refs. I think what I came up with was alright though
In addition to their purples and yellows, I experimented with adding an additional green color to Vanilla Bean to spice things up, and I liked it. But I didn’t want to leave Cocoa Butter out, so I gave him the red accents
Their streaks were a very last minute inclusion, and I really only added them because I remembered that Dark Cacao had those. I feel like you can really tell on Cocoa Butter
Overall I think they’re good. Maybe not my best, but they’re still fine. Maybe I can make them some adult designs that look even better
But yeah, I think that’s about it for them. I hope you enjoy them!
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lilikitsune18 · 3 months
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Well this took longer than I thought it would. Behold the Catnap/Sleep Demon design for the apocalypse au by @neodracunyan that I hinted that I was working on in the Dogday/Eclipse Hound post…….which was over a week ago………but I did get around to doing it so at least that’s something.
Sketches +alt sleep demon w/out smoke under the cut.
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(Lil note)
His teeth are retractable
His knees can be normal when he wants them to be
Those “whiskers” on his face are not whiskers they are extra vents in his face that red smoke can be released from.(allows more to get out faster)
The charm on his katana turns yellow like his critters charm when he’s not doing his whole sleep demon thing
Running around on all fours means that he gets very dirty and I’d like to think that since cats don’t like water or baths Dogday just does any thing in his power to try and get him clean. Cartoon logic can apply to such a scenario with situations ranging from chasing him with a hose to dragging him by his tail into the nearest car wash. (If it’s funny and could get him clean then it could happen. a.k.a. Comic relief)
Sleep demon wears socks and fingerless gloves because he wants to protect his (paws? Hands? Feet? Idk) from debris on the ground that could cause injury (think broken glass)
That’s about all I got for right now I have ideas for some of the others that nobody else has designed yet but I also have no idea where I’d find the time to work on them till at the earliest mid may? (Maybe sooner than that we’ll see) Till then stay cool whomever got to the end of this. Cya later.
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tarvyunderscore · 4 months
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Lastly (for now) this funky bastard /pos
More info about the thought process below:
I decided to make two designs as I couldn't choose which one I liked more. So you'll get both of them :DD
Also sorry if he looks a bit unfinished, he was made first and I didn't plan on making more of these. Or sharing them, but I'm happy he gets to see the light of day.
Design 1:
Ok so #1 I made it obvious he is mixed. It's really not that hard to do, I'm looking at you Vivzie. There isn't much more to this change other than that. You can't just slap a label on a character and call that representation.
I also wanted him to be more uncanny. He has very dilated pupils as well as a more elongated body. His teeth are also red now which I think comes across as cannibal more than his original yellow chompers.
I made the bullet wound into a scar as I think the way sinners died would be more impactful to their appearance than they are in the show. His deer imagery is more prominent as well. His legs are obviously more deer like as well as his antlers. I put the ears on the side of his head to make them not blend into his hair.
Design 2:
Not much is different aside from the first one, just his skull. This is the one where I went for a more intimidating approach, but I kept the uncanniness as well.
He has the skull of a deer now, with a bullet hole in the center. I gave him carnivorous teeth, showing how he was both the hunted and the hunter. The permanent grin is interpreted as the skull being wedged open, cracking into one.
It's also implied that he has a secondary face under it. Interpret that as you will, I think the mystery is fun. You can see his teeth and eyes.
Both:
Made the clothes more accurate to his time period, and less harsh on the eyes. I wanted to keep him red color scheme but I gave it more variety. The yellow is gone all together aside from his monocle.
He has skeletal gloves now and I changed the design of his radio, his voice actually projects out of it rather than him talking into it. I don't think his mouth moves when he talks in either design. He always has that eerie grin, eyes unblinking.
My biggest change was the gaping hole in his torso, honestly mainly just because it adds a pop of color and looks fucking cool. It's like a soul cage! One literally growing out of his body, the bars are made of ribs. I also like the idea of him eating people souls, good reason for sinners to be scared of him.
He was fun to redesign!! And I hope I did him some justice without making him not feel like the same character.
IMPORTANT: I'm not whaling on the of designs out of malice, these are PERSONAL critiques that aren't intended for animation. I like the series and am doing this out of a love for character design.
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shanastoryteller · 9 months
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same anon and I’m just curious—- are you a fan of barnet newman?
(even if you’re not, you write beautifully about it)
mmmmmm fan is probably a strong word, at least it would have been before i wrote the fic. i actually only knew who’s afraid of red, yellow, and blue iii before writing ta'burni, i didn't even know the print in the iron man 2 was a newman before i googled it. i sort of went backwards with this
i thought that scene of tony taking down the art to replace with iron man pop portrait and pepper getting mad would be better if it was metaphorical. so i decided that the art would be something meaningful between pepper and tony and him taking it down to replace was something pepper would see as tony putting iron man before them and everything they've been through together and tony would see it as him accepting that his legacy was going to be iron man and the merchant of death and not any sort of family he could build with pepper because the palladium was going to kill him before he got that chance. and then i googled what the print was and did some research into newman to see what i could make out of this. luckily, it was newman, so he lends himself to the sort of metaphor i needed rather well. and then i didn't even include that scene in the fic rip
that being said, i do like his work a lot, and i like what he was trying to do and what he was trying to say and how that expressed itself in his pieces. i think a lot of modern/abstract art is context reliant and now that i have context i am a fan
i'm probably about to make an ass of myself here, because i really have zero qualifications to have any opinions about art besides that occasionally i like to look at it. i haven't even taken an art history course
i think a huge barrier to people being able to really appreciate modern art is that society is heavily reliant on self contained art and it's the kind pretty much everyone has experience with. with books and movies and music, they are designed to stand on their own. context never hurts, and can add, but the understanding and enjoyment of these mediums should not be context dependent. if they are, then these works are considered bad. it's a sign of bad artistry to require context in these mediums
then there's, you know, fields and portraits and depictions of history and myth. context always adds, but you can look at almond blossoms or saturn devouring his son and you see a complete picture. you can appreciate artistry without any understanding of what's being depicted or why and knowing why doesn't even necessarily improve the experience. is almond blossoms a different piece now that i know it was intended for a nursery? to some, maybe, but to most, no.
so you have modern art, abstract art, performance art, ect, and you need context. context is half the piece. sometimes the whole piece. it's like seeing two earthlings without knowing the title and going, yeah, that's a nice painting, and then seeing the title and getting that little oh of connection to a species that's been dead for longer than humanity has been alive. and that's not even abstract art! that's a painting fully capable of standing on it's own merits even without the gut punch of context
portrait of ross in la is incomprehensible without knowing that ross died of aids. unfinished painting (1989) is something you can look at and go, okay, that's a piece of art, but without the context that it's basically a the self portrait of keith haring's life, also cut short by aids, do you really understand the art? is it hitting?
is tableu i anything more than straight lines and crayola color paint if you don't go a little deeper and go, maybe this is the start to every artist's journey, maybe this is every stray thought i corral and put into place and attempt to explain?
i think a lot of people stop at "i don't get it" and then shy away because either they think the art is bad or that they're stupid and they want nothing to do with either. but "i don't get it" should prompt exploration, it should prompt a search for explanation. not only in art, but in life. "i don't get it" in history, art, politics, science should always be the start of a journey, not a destination, but a lot of the most commonly consumed art accidentally trains people to reach "i don't get it" and give up
newman is so earnest with his work that i even if i hated every single one of his lines then i could still not help but love it
i do wish that instead of trying (and miserably failing) to restore who's afraid of red, yellow, and blue iii they had just let it hang, destroyed, all three slashes on prominent display
shakespeare's soliloquies were originally a type of call and response, because back in the day audiences were not as quiet and well behaved as they are today
the audience heckling the actors were no more authors than the guy who vandalized newman's work is an artist
however, that being said
who's afraid of red, yellow, and blue? this massive canvas of mostly red calls out
the response: three long slashes, rage and fury and fear in every one of them
claiming bravery, but proving cowardice
and it would have been better than letting some idiot go over it with a damn paint roller
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jesterable · 1 year
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am i danganronpa posting in the year of 2023? yes. i am. anyways sdr2 will forever be one of my favorite casts of characters and i love them all dearly. so i basically just drew all of them as stylized as i could. 
these were 90% done from memory except for mahiru bc i forgot what she looked like entirely besides her color scheme.
thought process for all of them under the cut in order of when i drew them
mikan: my brain went to that one sprite of her as it does. and she’s purple and honestly doesn’t have enough specific craziness to have more than one color so she’s very one-color 
kazuichi: very sharp. very square. very pink as well, but just pink didn't feel right. he has to have that gross green 
akane: i couldn’t see her colors being changed v much but not so much that its. too normal.
 teruteru: very proud of his face. he's very oval.  and still not crazy enough for many colors 
hiyoko: it was a very specific vision to have her with the UGLIEST yellow hair. also i don’t like the banana shape so i tried several other pigtail shapes to be normal about 
gundham: took me about 3 tries to get his drawing right. i still have a crush on him. he’s mostly magenta but i felt like that was too little so i gave him red eyes
ibuki: i am proud of her. needed her to look fucking radioactive 
sonia: silly girl! she's relatively normal looking but she is not a normal lady. very :3 coded 
chiaki: im sOOO proud of my color choices for her. idk why but the dull pink and blue combo is my fave. also i completely went off base with her design on purpose bc i don’t like her actual design. my girl is a GAMER. let her look like one. 
mahiru: i don’t know much about her i actually had to google just her so i knew what her hair looked like. ok bowl cut you eat that up! 
nagito: he’s fucking insane. don’t like how his hair looks ingame so i made it better. i also totally forgot his outfit if you couldn’t tell. love giving crazy people neon eyes 
fuyuhiko: made him accidentally smaller than the rest but i think it fits. baby face... little fucker 
peko: tried to make her colorful but at the same time incredibly gray. she gives gray to me. she radiates gray
monokuma: i don’t like the strictly black and white design so i might it alot more red, and just made all the extra bits bright fucking red 
imposter: i didn’t know what to do with him but my brain told me to make him orange so i did. 
nekomaru: originally he was just gonna be blue, but my brain was like no... give him a more prominent smile. so i did ! 
monomi: had to make her soo pink and silly coded... gave her a closed eye, a tongue out, and made her folded ear just tilted down a bit more. 
hajime: i tried to make him the most normal looking out of all of them. he just had to be.
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