#(or at least it feels kinda messy/chaotic to me)

[tesscourtes]

saw you had asks open, not a drawing request but wanted to know if there was any more story to your human bill’s punishment-for-weirdmageddon-is-to-turn-weak-human au, I really like it (sorry if you explained this a while back, I only just watched gravity falls😭I’m a late-comer to the fandom)

it’s just superepiccool to me, how are dipper and mabel about him being human now? Soos n Wendy, Stan and Ford? What was it like for them (especially Ford) when he just turned human? What was it like for Bill?

oh hey don't worry, I haven't really talked much about the details of the AU like ... ever. I just started reviving it because I got my partner into the show (they are also a new fan! yay, new fans! Funny enough I had no idea TBOB was coming out so the timing was mad exquisite.) and they have just been an amazing help shaping my messy thoughts and coming up with new, fun plots! It's also nice to know there's someone out there interested in it, so thank's for asking! Now that I read TBOB I want to change the premise a bit, but the core is still the same.

Let me tell you this AU is silly. I'm aware Billford is toxic and there are many corners to dive into to picture their messy relationship. But I kinda wanna keep the spirit of the show here and make it equally as fun as it is disturbing. Given that Bill canonically is trapped in endless Therapy gives me even more food to work with, he just out there being toxic and people repeatedly telling him to cut it out.

I'm not gonna go into too much detail because I'm actually working on the first comic chapter for this AU, but regarding the characters: Each of the Pines, as well as Wendy and Soos, are not happy seeing him, but individually grow more accustomed to him and with him. I guess going from "most accepting" to "least accepting", Mabel took it the best. I wouldn't say she was quick to forgive, but quick enough to give the guy a chance. And I honestly have to say that, although this is 100% a Billford AU, there's so many plot ideas for just Mabel and Bill and their amazing, chaotic shenanigans. Put these two together and the stories basically write themselves. Wendy is pretty similar, and the most chill in actually helping Bill figure out human stuff.

Naturally, Ford took it the hardest. I'm aiming for slowburn here, haha. They got to figure out some stuff that I'm so ready to put onto pages... Ford is a lot of emotions. Confused, angered, curious... Meanwhile Stan is Bills biggest hater. (There is a lot of bullying in this AU) He just keeps up with it because his Family makes him. He's very protective and tries to kick Bill out several times. Soos sticks with Stan, but he's also Soos and has a big heart, so in Bills eye, he's very gullible and a target he can mess with easily.

Dipper is not a fan either, he has a hard time adjusting to the triangle just getting to ... be there. He's suspicious for the most part and Bill has to try hard to get on his good side. But honestly he might be more upset with Mabel (and later on Wendy) for making friends with Bill so easily, even though he knows that's just their nature. I just recently started thinking about Gideon and how I'd like to include him, but nothing worth mentioning so far yet.

With Bill himself, one my favorite parts trying to portray so far is how he's dealing with his new mortality. He adjusts to the body fine, he knows how to navigate flesh, but he has a hard time accepting that it's his body. His new prison, essentially. If it's gone, he's gone. If he treat's it like shit, he feels like shit. Then we add the psychological aspect of things. And more importantly, we add Ford to the equation. When I tell you, that demon is experiencing psychological damage here, and it's fully his fault. TBOB really pointed out to me that I need to dive into his obsession with Ford. How do you even get a man you fumbled so bad, to even acknowledge you again?

I love yapping about this AU, thanks again for giving me the grounds to do so anon! I'm an insecure writer so it'll probably take another hot minute to choose which script feels best to draw out, haha. But I'm glad you seem to be up for the ride!!

[glitterpensupremacy]

(NOT MTS CONTENT) Alright, as a Miraculous fan (with a particularly vested interest in Chat Noir) I’m making my thoughts on the new Chat Noir look clear.

I’m not super upset that he doesn’t have a new outfit, since, let’s be honest, Ladybug and Carapace needed it WAY more than he did.

I’m also not that concerned about his new proportions. Yeah, they’re a little funny looking, it that might just be the camera angle. Either way, he’s getting older so it makes sense that his facial structure is changing (plus I give my own CN a slightly more angular face to indicate that he’s a sweet kid, sure, but there’s a lot more to him than just “good perfect bean”.

So then, what’s got me emotionally invested enough to make a Tumblr post? (By now it’s probably pretty obvious…)

The hair.

HERE’S THE THING THOUGH- it’s not that I think the hairstyle is bad or ugly. It’s very stylish, and the smooth swishy look would be more than welcomed on a different character. But that’s the problem, this is the wild and chaotic Chat Noir, the catboy of destruction who tells terrible puns. His hair should not be that neat, and it should not be that perfect (yeah it’s a little messy, but only enough to have that “effortless, natural look” you’d see in a shampoo ad)

Maybe I’m overreacting; after all, it’s just a hairstyle, and I’m treating it like it’s the end all be all for his character in Season Six. However… it’s not just the hair. While watching Season Five, I noticed that Chat Noir doesn’t really joke around as much as he did in previous seasons (especially in the second half of S5), and isn’t really allowed to get mad or be rebellious outside of when his role as the love interest needs him to (trying to cataclysm Dark Owl because of the Married LadyNoir vision, trying to cataclysm Dark Cupid because he’s being a protective boyfriend to Marinette, telling off Nighttormentor because Gabriel forced him to go to London, sure, but the show makes it clear that the REAL problem is him trying to keep Adrien and Marinette apart). Other than that, he’s the perfect well-behaved supportive partner.

In general, it feels like Chat Noir and Adrien are becoming more similar personalities, which is good: I think a lot of us have anticipated this happening for his character arc… but the problem is, Chat Noir is becoming more like Adrien rather than Adrien becoming Chat Noir, because isn’t his arc supposed to be breaking free of the perfect controlled persona his father has forced him into, learning to express himself and become his own person? (There’s also the fact that I think he’s a little more interesting to watch as Chat Noir or the more expressive early seasons Adrien, but his development is the more important issue here.)

This kinda thing has me worried that everyone who believes that the finale was bad on purpose (the secret dystopia route) and that the writer’s genuinely do want us to believe that Gabriel’s actions have been valid and ethical (THEY ARE NOT: BRO IS A TERRORIST 💀.) Either that, or they just want us to watch the cute shipping scenes and not really care about Adrien’s character outside of that. Kinda a bleak view, I know, but that’s how things have been looking lately. (Maybe they’re making him look neater as a part of the dystopia route though? I guess we’ll see but it seems unlikely…)

(I probably should reemphasize that I’m not actually getting this “doom and gloom conspiracy board” over JUST a haircut. It’s more like I saw a bunch of other (personal) warning signs over the last two seasons, and this is just one other thing making me more worried.)

I know this isn’t my usual stuff but I felt like I needed to air my grievances (especially since while I have seen other people not like the new hair, it doesn’t seem to be for the same reasons as me, seeing as I don’t even dislike the hairstyle itself; just the fact that Chat Noir’s the one who has it). Hopefully this was at least interesting or even validating, but if not… Well, I’ll get back to my normal content after this anyway.

[huckleberrykai]

choi soobin ~ birthday bunny

pairing: sub!soobin x sub!fem!reader summary: just two tired horny lovers messily helping each other out. genre: SMUT 18+ only MDNI warnings: subxsub (kinda both switches implied? but very subby lol), 69, very messy - mentions of cum, saliva, etc. uhhh some petnames, they call eachother bunny a lot notes: idea from mooniee! ur brain is giant. also i haven't written subxsub before so i hope this was a decent first attempt 😭 word count: 1k click here for my masterlist!

"please let me eat you out, i'll make you feel so good i promise~" soobin flashed his best puppy eyes at you in an attempt to get you to fold, before pressing more sloppy desperate kisses to your neck - as he had been doing most of the night.

"but it's your birthday bunny... wanted to make you feel good instead." you retorted. he sighed sweetly when your hand came up to brush through his soft hair.

"well since it's my birthday i get to choose." he whimpered into your ear. he hovered over you and pawed gently at your waistband - both of you still fully clothed, having spend the last 20 minutes desperately kissing and biting at each other - hips rutting together in a weak attempt at friction.

the day had been busy to say the least, having a get-together at the dorms for soobin's birthday followed by a chaotic attempt to visit a restaurant together where beomgyu managed to catch the table cloth and send everything flying onto the floor.

by the time you got back to your apartment, soobin was tired and desperate for you - sleepy and subby, wanting nothing more than to make you feel good and maybe get off against the mattress. you were having similar thoughts, completely ready to just let your boyfriend take over and use you as he wished ~ which got you into this situation.

your heads were deep in subspace, and neither one of you had the desire or the energy to take over.

"okay." you caved. if the birthday boy just wanted to be buried between your legs then so be it. he genuinely enjoyed giving you head, and damn did he show it.

"wait.."

while you tried to reposition yourself, soobin stopped you and laid back onto the bed. "turn around please."

you did as he said, letting him pull off your clothes as you sat back onto his bare chest, shirt lost along with your own. your back was towards him, and he gently tugged your backside up for you to sit on his face.

soft whimpers went from his mouth straight to your core as he took in your scent. the whimpers turned to full-blown whines when he took his first taste, your sounds now mirroring his own. you held onto his hips as he held you firmly against his face, sloppily making out with your cunt - soaked with arousal and now covered in saliva.

completely lost to the pleasure, your eyes had been squeezed shut since he started. upon opening them finally, you noticed how strained the bulge in his boxers was. well that can't be comfortable right?~

so like a good helpful girlfriend, you pulled his big cock from his boxers, pushing the waistband down.

"ah-" he reacted to the cold air hitting his hard-on. "mm.. please.. help." he muttered into your messy cunt. the tip was red and leaky, looking painfully hard and in need of your attention.

with a hum you leaned forward to grasp his pretty dick in your hand, smearing the precum down his shaft while he continued eating you out like his last meal - grip on your upper thighs bruising. you couldn't find it in yourself to care though when he started sucking on your clit, flicking his tongue over it while he moved a hand to your core, prodding at your entrance.

you moaned out louder than you thought, the sound slipping out without you being able to stop it. this only spurred your boyfriend on further, pushing two fingers into your weeping hole with ease.

you bent forwards, giving soobin better access to your pussy, and took his neglected cock into your mouth. "a-ah- fuck.. bunny- please" his words were incoherent, but the vibrations went right to your bundle of nerves - causing you to spew out a string of just as incoherent words when you pulled off of him. "soob- ah.. please.. please bunny oh-"

you swallowed thickly as you felt your high approaching, licking at soobin's dick and pumping him in your hand - sticky with saliva and precum, mess dripping down his balls and all over your hand and face.

so desperate to feel good and to please each other, you couldn't care less about the mess.

you took him into your mouth again, bobbing your head and keeping one hand on his hip for stability. he thrust his fingers into you quickly, now keeping his pace as fast and steady as he could while he suckled at your clit.

the room was loud with obscene squelches and desperate mewls, begging each other for release. each sound you made only stimulated his cock more, and you felt him twitch against your tongue.

"m' gonna.. fuck ah-"

before you knew it soobin was shooting thick, hot streams of cum down your throat right as you felt your own knot snap. you pulled off of him with a soft 'pop' and kept pumping him until you'd milked every last drop. he squeaked at the overstimulation while he lapped up your cum - earning a cute gasp each time he grazed your clit.

his cum was all over your cheek and hand, messy pool of spit at the base of his cock mixed with his own fluids. you weren't looking much better either - wetness and spit all over your spent pussy.

you climbed off of your fucked out boyfriend, turning to see the mess you'd made of him - cheeks and chin shiny with cum and spit and a big stupid smile plastered on his face, whispering "thank you bunny."

his eyes closed and he reached out to you with grabby hands to come cuddle with him. "m' love you soob. happy birthday." you breathed out as you snuggled into his chest. "i love you too baby."

you fell asleep before you even had the chance to clean up, but that was a problem for future you <3

smut taglist: @subbyjvnnie @mazeinthemoon @n0-thisispatrick @banggyu0308 @majestyjun

[wavesoutbeingtossed]

Was just thinking about how different the rollout for TTPD has been, like how there’s been next to no promo other thank sparing social media and how (at least so far) the only single they’ve pushed is Fortnight and how the records they’re chasing seem to be album focuzed, and it strikes me again how it really was crafted as An Album Experience. It was one story, as messy and chaotic and heartbreaking and euphoric as it was, and it just kinda feels to me like that was the whole point.

She could have started pushing more singles and videos (and who knows, maybe she will) but my guess is that this is how TTPD is going to be left in the record books. She needed to write it and she needed to release it and she thus became this anthology — a collection of works about a period of her life — and it’s kind of standing on its own. It’s just super interesting both creatively and from a business perspective.

[sanjisblackasswife]

Calling Suguru Geto “BabyGirl” (Black Fem Reader)

He just doesn’t get you..he really doesn’t you are the one person to constantly keep him on his toes.

Out of all the people he has managed to read you still remain an unfinished case, you were unhinged like his best friend and always coming up with new ways to annoy your boyfriend, but he still loved you all the same.

“Y/n…” Suguru caught you at your rarest form: relaxed and on the couch reading. You were actually feeling so relaxed because you were on some medication from leaving the dentist so you were a bit more calmer than usual and Geto knew he had to take advantage of this and talk to you.

He sat at the other side of the couch, lifting your legs on top of his lap, and rubbed your thigh. “You feeling okay?”

“Never better, babygirlllll…” Geto squinted his eyes at you, he doesn’t remember when you started calling him that, but it always made his eye twitch. He wasn’t sure if he hated it or loved it considering you always had a cute crooked smile after saying it as if you were trying not to laugh. He sighed, “Why do you call me that?”

You nearly flinched at his question. He almost sounded annoyed and in all honesty you never wanted to make it awkward with you calling him the silly nickname. You’re eyes were the only thing peaking from out of your book look at him and he never broke eye contact. His hair was in a wet messy bun, coming straight out the shower, the cut short sleeved shirt he was wearing was a bit damp and the side of his body was exposed to show some of his tattoos, before you answered you just kept staring at him…and his features were so….

“Pretty.” You muttered, Geto cocked his eyebrow in confusion at you still rubbing your thigh. “You’re so pretty Suguru…and you have such good qualities about you…everything you do is like..so pretty…..you’re just…so…”

“Pretty.”

“Yes pretty!”

You had the cutest smile to him, he could swear that he sees you wagging your imaginary tail being so satisfied with your answer hoping he was too.

He turned his head down and then to his right not facing you to not expose his reddening face. You thought he was pretty? Geto always carried himself well and though he never cared that much about his looks or even how he acted hearing you make such a cute compliment really warmed him.

“Well…” Suguru sighed heavily and took your book gaining him a “Hey!” From you. He opened your legs and plopped his whole body weight on top of you so now your noses are so close they touch. “If I’m baby girl…then I’ll be it…but just know you’ll always be—-“

“YOU WILL ALWAYS BE MY BABBYYY DODODO UH DODODODOOD UH YEAAAHHHH!” You randomly busted out singing ruining the entire moment making Geto laugh in defeat. Well…at least he got an answer out of you.

Out of HIS baby girl.

A/N: ngl I firmly believe Geto would date a very unhinged, ADHD, weird, nerdy, idk…kinda girl…like a very chaotic good girl. Lowkey keeps him sane.

[creepy-spooghetti]

Heya dear fella! ^^

I was wondering... What about some platonic Hcs for BEN, Jeff, Helen and Toby (Sepparetly) with an early teen fem!reader (like 12-13 years old)?

Like- The reader is just this sweet, kind, caring child who is always trying her best to make people happy always with a smile on her face and make sure their okay (that goes for physical and mental) but is always the one everyone forgets about, the one that's always left out, the one that always fades into the oblivion.

And so one night (at likely 2 am) the creep in question just finds her sitting on the sofa and he, kinda shocked, asks her "hey, you 'kay?"

And then the reader just looks at him with a confused expresion until she starts crying and shaking her head no while saying "I never was!"

This is my kinda prompt :D

Thank you for requesting!!

︵‿︵‿︵‿︵‿︵

BEN

In all honesty, this dude can be pretty oblivious to what's going on around him, especially when it comes down to peoples' feelings. So he genuinely took your blitheful front at face value and assumed you were alright! How could you not be? You seemed so happy all the time!

However, these false conclusions came crumbling down when he spotted you alone in the living room, sporting a blank expression as you stared at what was seemingly nothing. It was a concerning sight, to say the least. So he laid down the food he'd just raided from the refrigerator and walked closer, waving a hand in front of your face.

"Uhh...Y/n? A-are you, like...okay?"

The response he got was certainly not one he was expecting, and it took him greatly off-guard. He was not good at dealing with this sorta stuff, and the way his body stiffened significantly was proof enough of that.

Still, he wasn't about to leave. That would just be immoral. So he took a seat on the coffee table in front of you and tilted his head, letting you ramble on about how no one seemed to care about you even though you made it your #1 goal to ensure everyone else felt heard and accounted for. He held his hand up to halt your words and offered a sincere grin. "Hold up, hold up. I care about you. That counts for something, right?"

Jeff

He figured after seeing you around for a while that something had to be up with you. After all, nobody can be that happy 24/7. But you had never made any effort to signify that you wanted someone to acknowledge the potential struggles you had, so he kinda just shrugged it off with the thought, "if she needed comfort or something, she'd go to someone about it".

This theory of his backfired when he saw you looking so lost and saddened on the sofa, and it honestly startled him; what could have happened that made you so...gloomy? He had just returned from a mission, so his hoodie was coated with patches of fresh blood and his hair was messy, but he figured taking a shower could wait.

Hesitantly, he approached, raising a worried brow. "Y/n, hey. You good?" The glance that he received for that question made his stomach tense, and before he could really process it, you just started to cry, burying your face in your hands and explaining through tears how you felt ignored and insignificant. He blinked in confusion but sat down beside you nonetheless, resting his arms on his knees and leaning forward to get a look at your expression. His voice softened a bit.

"...Has this been happening for a while?" When you nodded, he huffed in contemplation, placing a hand on your shoulder. "Ya know, if you wanted help, you could've just asked. I know this place is chaotic, but bearing a burden like this alone is just not ideal. You gotta let people know how you feel. Otherwise they'll probably never catch on. They're all idiots."

You sniffled, and he gently patted your back, lacing a lighter tone into his words. "Feel free to come to me, okay? I know I can be an asshole but I promise I won't give you a hard time about it."

Helen

Like Ben, he's a bit unaware of what people are feeling, but only because he's always so lost in thought. From the way you carried yourself all the time, he was almost jealous of you. Why couldn't he be that content with his life? What was he doing wrong to prevent that?

He just kinda shut down for a few seconds when he noticed you on the couch, appearing solemn. What was he supposed to do? He's not a 'people person' by any means, and even so, the two of you were never very close. Then he thought back to that time he was being tormented by Johnny and you stood up for him, and a decision was made.

Hesitantly, he willed himself to walk over and sit a couple of feet away from you, staring at the floor and speaking in a low voice. "Are you...alright?"

"No. I haven't been. Not for a long time." It was difficult to comprehend, as you had never once acted miserable in the past, but here he was, and here you were, experiencing it. He listened unsurely to your venting without interruption, and when you tapered into a sob-brimmed silence, he took it as his cue to - albeit reluctantly - place a hand on your upper back and provide words of attempted consolation.

"...Sorry you've had to deal with that. If you want to...you can come up to my room and we can sketch or something? I have some extra supplies you can use. Just to...get your mind off of everything."

Toby

Toby is no stranger to feeling lonely or disregarded, except he never purposefully convinced people that he was 'okay'. He knew that you weren't what you seemed, however, and though he never attempted to further confirm this (he has his own troubles to worry about, after all), he still watched closely on occasion, as he's a naturally observant person.

Seeing you on the couch in the middle of the night rose questions within him, and he didn't put much thought behind the matter before stepping over and speaking with a muted voice. "What's wrong with you?"

"Everything," is what you mumbled after several moments, and he leaned away in mild alarm when you started crying. This was certainly a concerning thing to witness. Still, instinct kicked in, and he sat down close by your side, brushing some hair out of your face.

He didn't say anything, as he was never very skilled with verbal comfort, but when he realized that your emotional breakdown might last a while, he wrapped an arm around your shoulders and pulled you into him, expecting to be pushed away, but you only reciprocated.

And like that, you stayed, until you settled down enough to uphold a conversation. Then he opened his mouth. "Hey... Jane and I are getting together tomorrow to play chess. Wanna join us?"

[fillinforlater]

Eleven to One: Punitive Punishment

Male Reader x Kim Minju and Ahn Yujin

Length: 3033 words

Tags: punishment, spanking, fingering, mind break, rough sex, degradation, insults, brat!Yujin, girls making out, doggystyle, cunnilingus, squirt, gag, shytoslut!Minju, hair pulling

TW: degradation, a little bit kinda dub-con

Credit: @sooyadelicacies for collabing with me. Ty, qt!

(A/N: another instalment of the Eleven to One Universe! Minju’s punishment had to happen one day, right? ;))

"Wh-where are we going?" 

Minju's scared voice with its sweet, innocent tone makes you feel guilty and excited at the same time. You feel the sweat building up in the palm of her hand as you guide her to the elevator. Yujin walks behind her, bare body pressed onto Minju's back while her hand covers the older girl's eyes. 

"I think I know where Daddy will guide you," Yujin says with a horny smirk. Intentionally, you lose your cool. 

"Yujin, shut the fuck up!" 

You harshly slap Yujin's round ass. The echo bounces off the walls and through the cramped elevator. Minju shrieks and tenses in your hand, while Yujin can barely keep her moans hidden.

The elevator ride up is a tense one for Minju. Your hand grips her while you send death glares to Yujin who has a knowing smirk. You shoot up to the upper levels of the high rise and practically bolt down the hall to your room. At times like these you regret not buying a bigger apartment with rooms to spare just for all the sexual fantasies in your mind, but the timing of this is just too perfect, so the living room will have to surfice. 

Slowly, you guide Minju to your large leather couch. Her knees still tremble, even after she sits down. Yujin obediently continues to remove any light from falling into her Unnies orbs. 

"Now, Minju, you need to be punished," you say in a slow, almost threatening manner. Minju flinches and whines as you pinch her adorable chin to feel her soft skin.

Minju manages to whine out. 

"I'm-I'm sorry! I didn't know—I thought, I thought Yujin would appreciate that. I'm so sorry, p-please don't punish me, please don't kick me out of this place. I promise I'll never do something like this ever again, please!"

"It's too late to bargain now," you whisper. Suddenly, your hands rub over Minju's jeans-covered legs, up to her thighs. Gasps and mewls fill the room, most by Minju, but some from Yujin as well. She fidgets, creating friction to stimulate her slit. 

"We are going to play a game Minju. It's very simple. Yujin, you will also participate." 

Your girlfriend bites her lower lip and nods seductively. She is barely able to keep Minju's eyes shut, her arms shaky and sweaty. Tension rises between the three of you. You savor every second of fear and uncertainty running through Minju’ veins. Quickly, your fingers find the hem of her pants and harshly, you pull down. 

"N-no, s-stop. I'm so-sorry." 

"You want to move out tonight, Minmin?" you say in a strict tone. 

"N-no, please. Don't—" 

"Then we play the game, okay?" 

"O-okay." 

"Very well." 

A simple hand gesture, and Yujin backs off. Minju looks adorable with her messy hair, trembling lips and scared orbs. You can't help yourself: before explaining the rules, you peck her cheek. 

"Nothing to worry about. The game is about answering questions truthfully. So as long as you don't lie, everything is fine. For you at least." 

Point at Yujin, who looks equally horny and surprised. 

"Come over here, naughty baby girl! For every question Minju takes too long to answer, I'll use your body as I wish. Understood?" 

"Yes, Daddy." 

"Y-yes,” Minju adds when you look down at her small figure.

"Minju, tell me about your first kiss." 

"What? What does that have to do with anything, I—" 

The time has already run out. Minju took too long to answer and so you yank Yujin's hair aggressively.

"Not an answer, Minju. Focus, okay?" 

You force Yujin to kneel onto the couch. Her face is right next to her Unnies. Parts of her hair you still pull tightly, the rest a chaotic mess. Yujin smiles in needy ecstasy. 

"Uhm, my-my first kiss was, I—" 

"C'mon, tell me about it. Who was it?" 

"I... can't, I—" 

Your free hand sends a shock wave through both your girlfriend and her friend, although only one of them got hit. Yujin's cheek, already rosy from the heat in her body, turns fully red now. She sinks head first into Minju’s lap, making her scream:

"Ah, what are you—" 

"Minju," Yujin interrupts, drool rolling from her tongue and onto the elders thigh gap, "It's fine. Don't worry about me or the secret. J-just tell him."

"My first kiss was with… Yujin." 

You smirk liking where this was going. 

"Oh? Do you like my Yujin? Do you have a crush on any of your IZONE members?"

"Y-yes. I-I kissed Chaewon too." 

You release the make-shift ponytail of Yujin's hair and rub her soft chin with love and care. She purrs and you closely inspect Minju's reaction. The brunette beauty's eyes widen. She stares at Yujin's puckered lips. Taking her by surprise, you do the same to Minju's chin. It's equally soft, and so you put your plan into action.

"Minju, how do you feel about me? What do you think about Yujin and I? Do you like us together?"

"Uhm, I—hm!" 

With both your hands, you guide their lips together. Yujin is proactive, pushing her tongue through Minju's lips and going all in with her entire body. Minju's wide open eyes become smaller and smaller as the initial shock fades. Her lids fall down and she leans in as well. The punishment, the game, maybe even you, disappear from her mind for this intense moment. Saliva is sloppily exchanged, the sounds get lewder and lewder. 

"Uhm, Minju? Where is your answer?" 

It's impossible for her to respond. No words can come out of her occupied mouth, especially when the other girl climbs on her lap and pushes her deeper into the cushions. However, this is not an excuse to escape the punishment.

You yank Yujin's hair again and pull her slightly away from Minju's lips. 

"I asked you a question. Answer it, Minju! What do you think about Yujin and I? Do you like us together?" 

"I, I like you both. You look great together." 

"You're not fully honest. Tell the truth!" 

Spank Yujin's ass once. Its wobble is always worth a long glance, but when you can do it over and over again, why only stare? You hit it again with more force. Yujin shrieks and moans, while Minju scrambles to find a response. 

"F-fine. Fine! I love you both! I envy you for having Yujin and I—I envy Yujin because of your p-p-penis." 

Minju is red all over. If she could move her hand, she'd probably hide the plainly obvious flush of embarrassment, but Yujin securely pins them away. 

"Very good, Minmin, you are being honest I see," you chuckle, satisfied at the answer. If not for your hold on her brown strands, Yujin would've probably overwhelmed Minju and smothered her in sucks and kisses. Not that you wouldn't like to see that, but there are still sets of questions in your head. 

"So, how often do you masturbate Minju? How does it sound?"

"What-I-I-" 

Another smack on Yujin's ass. 

"How often do you masturbate Minju? How does it sound? More importantly, who do you masturbate to?"

"I don't... I don't masturbate that often." 

"Liar," you shout. With a sigh, you line up your ring and middle finger with Yujin's wet hole and insert them slowly. Yujin releases a wanton groan of bliss and succumbs to moans as you start to curl your digits. 

"How. Often." 

"E-everyday, all the time! I think about Ch-Chaewon a-and Yujin." 

Silence from Minju, mewls from Yujin who rests her head on her friend's shoulder and plays with her chestnut strands.

"Tsk tsk....You only think of those two? What about Hyewon unnie or Eunbi unnie? Or me? You don't ever think of me?" 

You pull your fingers out of Yujin for a second, inching closer to Minju, you get closer to her. 

"Want to know something Minju? I've fucked them both. Your Hyewon and Eunbi unnie. They are mine, just like Yujin." 

You raise those fingers that were just in Yujin's hole and bring them to Minju's face.

"Really?" Minju says, but her voice lacks surprise. She is too deep in trance. The rosy hue on her cheeks makes her look drunk, even more so her glassy eyes that cross-eye your slick fingers. 

"Eunbi-unnie... and Hyewon-unnie," Minju repeats in a low, barely understandable tone, her lips a centimeter away from your digits. 

"Answer me—" Your energetic, amused interrogation abruptly ends when Minju's lips part and her tongue attacks. Gently, yet swiftly, she pulls you into her mouth, licking every single drop of Yujin's nectar.

"Does Yujin taste good, Minju? I'll let you have her juices as a treat every once in a while, only if you behave, do you understand? You'll be a good girl for Daddy won't you?" 

Yujin smirked, knowing that mere question would start a wholly unholy relationship with Minju, but unlike herself, Minju would actually obey.

Minju is passionate. Her eyes are closed, your fingers enter deeper, until your knuckles disappear. She will certainly choke, yet there is no hesitation and so her first gag appears. It's violent, yet cute at the same time. Before she tears up, you retrieve your fingers with a quick pull. It trips up Minju, who's eyes open wide in disappointment. For a second she lingers, then her sense of reason returns—or at least a bit. 

"Oh, uhm, what? I-I..."

You smirk. 

"Let me ask again: you'll be a good girl for Daddy won't you?" 

You say almost like an enchantment, awaiting the hypnotic gaze of her eyes. 

"Do you want more Minju?"

"Yes. Give me more of Yujin's... ju-juice." 

"No, no," you say, jokingly sophisticated, "You have to say the magic word first." 

"Hm? Oh! Uhm, I, please, uhm... Daddy, please give me... more." 

"Very well then." 

Yujin giggles in enjoyment of the scene before her. She looks stunning, mesmerizingly beautiful, adorable with her smile and pink cheeks. That's exactly why you take her by the waist and slam her roughly to the side. The couch is easily large enough to spin and pin Yujin next to Minju. With one hand, you press down on Yujin's throat, with the other you pull down your pants. Your solid cock springs free. 

"Daddy, yes!" 

"Shut up, whore! You'll be a love-liquid-dispenser today. Squeeze it all out!" 

"Make me~"

You slam yourself into Yujin with rage. Her brattiness is something to be conquered and the way to do it is by breaking her perfect body, by shaping her insides to the form of your cock. With nothing else on your mind, your rampage begins once more. Multiple thrusts per second. Yujin screams continuously. Her mouth doesn't close, even as the sound dissipates. Her tongues still hangs out due to your rough fucking. She is feeling the taste of heaven at the tip of it. 

Making Yujin cum like this is an easy task for you, but it's not even necessary. In fact, this bratty bitch doesn't deserve an orgasm today. Your goal is to make Minju yours by giving her Yujin nectar—and then your cum, to mark her as your obedient baby girl. Pump into Yujin with groans, hands never leaving her throat. 

You look over at Minju, excited to see her reaction. It surely doesn't disappoint: the brunette beauty wants to look shocked, but she just drools from the corner of her mouth. Her gaze is stuck on Yujin's body until you pull out. Perfect timing. Yujin cries out her frustration of being edged. Good. She deserves this and a thousand spanks on her fat ass. 

"Here, Minju. Take Yujin's juice straight from my cock." 

"Oh, uhm..." 

Minju's brain seems to lag. Whatever it is of the many things that transpired in the last couple of minutes, it keeps her from reacting in the way you intended. Instead she looks with glassy, mindless eyes from your face to your cock to your face to Yujin's pussy—Yujin is rubbing her clit. 

"Bitch, no orgasm for you!" 

Harshly, you slap Yujin's hand away and hit her cunt at the same time. A genius plan by your girlfriend. It made her cum in the past and after this edging session an orgasm immediately takes over her body. 

"Fuck, yes! Daddy, make me squirt!" 

Angry at Minju for once again being the catalyst for Yujin’s disobedience, you grab her hair and yank her head down towards Yujin’s heat. Pull Minju’s jaw down to open her mouth. Clear spurts of Yujin's squirt shoot into Minju's mouth. She catches most of it with her tongue and moans like she was the one being fucked silly. 

Each second seems to pass slowly. Minju’s eyes roll into the back of her head. She drinks right from the source and makes Yujin’s white as well. Large, healthy thighs wrap around Minju’s head to hold her in place, but Minju does not make any advancements of wanting to get away. This might just end her punishment, and your plan still came to its ultimate goal.

"Drink it all up. It's the sign of our new contract." 

You lower yourself next to Minju, who is still diligently gulping down the juicy load. Give the messy looking, completely hazed, gorgeous woman a peck on the lips. 

"Do you want to be my good girl, Minju?" 

"Yes, Daddy." 

"Fantastic. I'll be merciful for you today and let you have as much of Yujin's pussy as you'd like, but no touching yourself, understood?" 

"Y-yes, Daddy, thank you." 

Minju looks genuinely happy and excited like someone who just won a grand prize. All she got, however, is a Daddy and an exquisite pussy to eat out to her heart's content. 

Yujin's gasps for air  are replaced by soft hums as Minju starts to lick slowly across her wet folds. The brunette being so enchanted by her vulva makes her almost forget that her Daddy walked to his special drawer. In this moment of smooth, uninterrupted pleasure, Yujin does not realize how you get behind. In a split second, you push a red ball into her mouth and secure it around her head. You speak in a devilish hiss to put the utmost emphasis on your words: "I swear to heaven and hell, if you remove this thing and I hear a single sound from you, I'll throw you out. Nude. With a plug in your ass. In the middle of the most crowded street in Korea. You'll only wear clothes in the house that I have approved of and remember: Minju is my girl too."

In a final tease, you rub your stiff length across Yujin's aroused and terrified face, just to withdraw it again. Yujin does not deserve anymore cum today. She might be your designated and tightes cumdumpster, but you know how much she likes it. This is to show her how serious you are today. 

"Minmin," you say sternly, "get on all fours. Lick as much as you want. Your pussy is mine though."

Usually shy and hesitant Minju wastes no time and adjusts her position accordingly. Occupied with her Dongsaeng’s sex, she only squeals twice, one time when you pull down her jeans and panties and a second time when you penetrate her slick, drenched pussy.

Sure, there is a lot to admire about your newly acquired baby girl, from the perfect shape of her body, beautiful back, cute moans, firm ass, exceptionally wet pussy, yet desperation gets the better of you. You just want to finish quickly and Minju has the perfect hole for this endeavor. You can’t wait to see Yujin’s disappointed eyes when Minju is pumped full instead of her. 

“Minju,” you say, hiding the inner smirk with a bland expression, “I have a great name for you: cumdump. You like it?”

Minju pulls out her tongue from Yujin.

“Thank you, Daddy. Yes, I do.”

“Perfect.”

As you pick up the pace to fuck Minju harder, Yujin becomes green with envy. This is her position, the perfect name for her, but right now, Minju takes the pounding. She does it like a champ and Yujin can’t be angry at her Unnie. Nearing her second orgasm, she throws her arms upwards. From your angle, you admire Yujin’s clean, smooth pits. Then your eyes wander to her breasts that jiggle lightly. Finally, you look at Yujin’s orgasmic face of jealousy.

Minju gets filled with hard, rapid thrusts. Your hands leave imprints on the pale of her skin with how tightly you squeeze it. The consumption of Yujin’s juice makes her tighter and in a final rush, you unload into Minju. This is to spite Yujin, so you groan excessively, like it’s the greatest orgasm you ever had.

The loud ring of your phone pulls you out of this performance. Nonchalantly, you pull out of Minju and look at the bright screen. Hyewon’s number. For her, you don’t have to leave the room. The girl’s in the back can moan however loud they want, Hyewon is not allowed to complain.

“Hello?”

“Master, I did everything you asked of me! Please, breed your bitch!”

The voice through the speaker is definitely Hyewon. Not CEO Hyewon. The new Hyewon you created. Still hard working, smart and tough in negotiations, but with new attributes: needy, submissive, breedable. A perfect slave that will make you billions of dollars.

“Did my slut get the contract through the board of leaders?”

“Yes, Master.”

“Did my slut send the contract to my company?”

“Yes, Master.”

“Did my slut do all the paper w—”

“Yes, Master!”

You scoff.

“Did you just interrupt me? Know your place, whore!”

“I’m sorry, Master.”

“What are you?”

“A worthless collection of holes.”

“And what do you deserve?”

“To be shamed in public and sold as the useless bitch slave I am.”

Her answers have gotten more and more interesting, self-deprecating and degrading to the point where you just want to fuck three loads of seed in her pussy day in day out. She probably sits at home and fondles herself, actually believing the things she says.

“Very well. I’ll be at my apartment in a couple of minutes. Be ready.”

“Thank you, Master.”

“I’ll give you a legacy tonight.”

[joesalw]

i feel like an ex-mormon even talking about this but like, i kinda need to say it out loud;i started listening to her around 1989, and i liked her songs, i liked the general sense of innocent and confused teenhood that transpired from her songs, but only got really into her music with lover (didnt like reputation when it came out although years later it kinda grew on me). i was mind-blown by folklore and evermore, obsessed with her for the next couple years, and then midnights came out. i didn't NOT like it but lets just say i was disappointed, it was underwhelming and chaotic. anyway this was the period i started not giving a shit about her in general, what with the private jets (i just discovered she owns 2?????? why would you need a private jet is one question but why would you need TWO is a wholly different one) and how her persona felt so blatantly merchified more and more with each release. i felt kinda disturbed when it ended with joe, like i was scared for him, knowing her fanbase and imagining just how messy it has to be breaking up with the biggest pop star right now after you dated for six years. then, over the following year i started feeling more and more annoyed by her. her pathological need for public attention really showed when she started dating that idiotic handegg player, becoming a billionaire, times person of the year, her concert being shown in cinemas (cinemas!!! good lord please at least at the movies could you please spare me from hearing about her), and just how… shitty she was being in general. she didn't say a thing about the incoming elections (not that i care for biden but come on a word or two on the fact that trump is literally a criminal would have been the bare minimum from her) and most importantly she didn't say a word on the genocide. not even the bother to say the most generic ass take like "viOleNcE iS aLwAYs WroNg!!!!". to my knowledge, to this day she hasn't said a word about the whole situation. its like she lives in this dreamland made only of fairytales and PR stunts where everyone is her diligent servant and she always gets whatever she wants. also ttpd sucked two dicks and i can't believe there's people listening to it unironically after two songs i couldn't bear it anymore already. now i just feel kinda bad in general, recently my cousin gave me 1989 in vinyl for my birthday and i didn't know how to tell her "yeah i don't care for her that much anymore" so I just smiled and accepted it. the worst thing is it's literally the standard edition!!!! on a double LP!!!! each side is like three songs, half of it is just empty grooves. thank god i never gave her a cent personally, I only pirate cause I refuse to pay for spotify, but I still feel bad knowing I took the effort to download 300 songs of an artist and now I don't even know if ill wanna listen to any of them ever again.

!!

[pardonmydelays]

TTPD - my final thoughts

so... this album, according to taylor, came from a need to write. now i actually have the need to write this essay. it's an honest opinion, i gave it one last listen & i analysed all the lyrics. this is how i've spent my entire sunday. if you're a sensitive hardcore swiftie, don't even bother to read it. i've already lost a lot of followers because i was being honest lol. this is mostly for my friends, because they actually care about what i think. so i went through hell every song once again & those are my final thoughts (warning: i'm not being very nice & this is super chaotic & messy, but so is the album):

FORTNIGHT

super boring production & i usually love jack... i also can't believe it's the first single from this album? i like the music video tho. the b&w aesthetics are everything. she is kinda trying to sound like lana here, at least this was my first reaction when i heard this song. "i was a functioning alcoholic til nobody noticed my new aesthetic" - what the fuck does that even mean, i hate this line. "all my mornings are mondays stuck in an endless february" - i feel like she is trying to be poetic but this is such a weird line? kinda reminds me of how the first verse of "red" (the song) was a masterpiece, but she kinda got lost in the second verse, it's like trying to write as many metaphors as you can but they are just... not good. sometimes less is more. "i love you, it's ruining my life" - i love the way she sings this line & this line in general. i kinda like post malone in the outro (even tho i don't listen to his music). i don't give a shit about the lyrics to be honest, it's just not doing anything to me, i'm so indifferent (except those few lines i mentioned). overall it's a boring song & a skip for me. i tried to like it but i just... don't.

THE TORTURED POETS DEPARTMENT

i don't hate this song, but i don't love it either. it has good moments. but it also has terrible ones. also, it's too damn long. i don't know. "you left your typewriter at my apartment, straight from the tortured poets department, i think some things i never say, like who uses typewriters anyway?" - i absolutely fucking love those lines, simple words, nothing "big" but i feel like this is what i love the most about taylor's songwriting - when she's not tying to be poetic & she is just writing simple things like that & i kinda love the way it rhymes, can't explain but this beginning is so good!!! "who's gonna hold you" - i love the way she sings this line. "we're modern idiots" - i also love this. "nofuckingbody" - sounds like something i would say so i'll take it. "you smoked then ate seven bars of chocolate, we declared charlie puth should be a bigger artist, i scratch your head, you fall asleep like a tattooed golden retriever." - & here we fucking go... i hate the way it doesn't rhyme? i usually don't mind it when things don't rhyme but somehow it really bothers me here? also this is such a terrible line & it ruins the whole song for me... i like the melody in the bridge tho & i kinda like how she mentioned jack there? i don't know why.

MY BOY ONLY BREAKS HIS FAVOURITE TOYS

i like the chorus? "once i fix me he's gonna miss me" - i know everyone loves that line but i don't??? i don't know, i just don't.

DOWN BAD

i kinda like the production. the melody is so great. "for a moment i knew cosmic love" - i just ADORE the way she sings it. "fuck it if i can't have him, i might just die, it would make no difference" - love it, so relatable. i don't have much to say about it but i like this song in general, it's not amazing, not a masterpiece, but i do like it & i will probably listen to it sometimes. maybe even add it to some of my playlists.

SO LONG, LONDON

beautiful intro, everybody say "thank you, aaron". i didn't love it on my first listen, it grew on me tho, i even love the production on this one now. it has simple lyrics, but it's beautiful. "so long, london, you'll find someone" - so simple & i love it. i love her voice in this song SO MUCH. "& i'm pissed off you let me give you all that youth for free" - i hate how much i relate. "i'm just mad as hell cause i loved this place... for so long..." - i had a mental breakdown today because of this one line. i can relate. also i think this is the best line in the entire song, at least to me.

BUT DADDY I LOVE HIM

nothing will ever save this song, even my boy aaron dessner. no, actually, the production is not bad, i have so many issues with the lyrics tho... "but daddy i love him! i'm having his baby! no i'm not but you should see your faces!" - i wanna die i wanna pretend i didn't hear it (also it's not only the fact that this line is fucking terrible, but the way she sings "his" - i don't even hear this word? the lyrics says it's there but i can't hear it? & it bothers me so much???). "stay away from her, the saboteurs protested too much" - is this line about us, the fans? the way i fucking laughed, this is embarrassing. (why is this song so long i hate it so much) ok, i hate how much i love the sound of the bridge because the melody is really really good there but the lyrics... "i'll tell you something right now, i'd rather burn my whole life down than listen to one more second of all this bitchin' & moanin', i'll tell you something about my good name, it's mine alone to disgrace, i don't cater to all these vipers dressed in empath's clothing, god save the most judgmental creeps who say they want what's best for me, sanctimoniously performing soliloquies i'll never see, thinking it can change the beat of my heart when he touches me and counteract the chemistry and undo the destiny you ain't gotta pray for me, me & my wild boy & all of this wild joy, if all you want is gray for me, then it's just white noise, & it's just my choice" - i'm sorry but the way i laughed I WANNA KILL MYSELF THIS IS TERRIBLE TERRIBLE I HATE IT SO MUCH SHE LITERALLY DIDN'T SAY THAT... wild boy, THIS IS SO STUPID OH GOD- i need therapy after listening to this song & i'm afraid she also needs therapy because this is just unhinged. i don't wanna talk about this song ever again, in a perfect world it doesn't exist. let's move on.

FRESH OUT THE SLAMMER

kinda nice melody, don't care about the lyrics at all because it's boring. also, why is she talking about marriage again, she is literally so desperate to get married it's almost scary. it feels like she doesn't even care who she's gonna marry, she just wants to get married, period. oh god.

FLORIDA!!!

i love the vibes, the production is FIRE! love love love florence in the second verse! "and my friends all smell like weed or little babies" - i know what she was trying to say, but i still hate this line lol it's so cringey. "well, me & my ghosts, we had a hell of a time" - love love love this line. ok, but to be fair, i don't know what this song is about, but i am vibing. i love it, it's good.

GUILTY AS SIN?

it grew on me, i love the melody, i love the production. i hate to admit it, because we all know what this song is about, but i actually genuinely love the lyrics. "oh, what a way to die" - love this line & the way she sings it. "i keep recalling things we never did, messy top lip kiss, how i long for our trysts, without ever touching his skin, how can i be guilty as sin?" - i hate myself, i love it so much, god help me. "i keep these longings locked in lowercase inside a vault" - as a lowercase girlie i had no choice but to love this line. ok, idc, i love this song, crucify me if you want.

WHO'S AFRAID OF LITTLE OLD ME?

i love the production, i think it's one of the best songs on this album. the way she screams "who's afraid of little old me?" - LOVE THAT. "well you should be" - love that, it's powerful. i love the entire bridge, it's so good, i just don't like the line "you wouldn't last an hour in the asylum where they raised me", because wtf, is this about her childhood home? come on taylor, please, be serious. i think the way she sings "that i'm fearsome & i'm wretched & i'm wrong" is my favourite part of this song. i genuinely love it.

I CAN FIX HIM (NO REALLY I CAN)

i don't give a single fuck about this song, i just wanted to say the line "i can handle me a dangerous man" is so fucking stupid, now let's move on because i'm bored.

loml

she sounds really good in this one, i love the entire chorus, the way she sings "it's legendary", the way she sings "you told me i'm the love of your life" with sadness in her voice, i love it. somehow "if you know it in one glimpse, it's legendary" makes me think of "sometimes there's no proof, you just know" & i just made myself cry, idk. i hate "mr steal your girl" it sounds so bad in this song. bridge! so fucking sad!!! "it was legendary, it was momentary, it was unnecessary, should've let it stay buried" - i absolutely love this moment, probably my favourite part of the song. "you're the loss of my life" at the end... bro. it should be track 5.

I CAN DO IT WITH A BROKEN HEART

the post chorus, omg i hate the production, it makes me want to kill myself, it sounds so bad, omg. i genuinely wanna die. "lights camera bitch smile" - i hate it. "he said he'd love me all his life, but that life was too short, breaking down i hit the floor, all the pieces of me shattered as the crowd was chanting more!" - i love this. i really do. the best part of the song for me. "i cry a lot but i am so productive, it's an art" - honey, no. this album is the best proof that it, in fact, isn't art. "cause i'm miserable & nobody even knows!" - but... we knew? (i can't stand this production for real) the ending, oh dear god i hate it so much, it sounds bad, it's terrible, taylor go to therapy because you're clearly not ok & it shows.

THE SMALLEST MAN WHO EVER LIVED

i don't have any thoughts on this song. it's boring & unnecessary, let's just move on (sorry aaron).

THE ALCHEMY

this is the worst song on the album (me about every song). "this happens once every few lifetimes" - taylor, honey, this happens to you with every single man. stop. get some help. all the football references make me want to kill myself, let's just skip it. it's boring anyway. i can't fucking listen to it. oh no, wait... "he jokes that it's heroin but this time with an E" - ???? even MY jokes are funnier. ok, i'm fucking done.

CLARA BOW

not a bad song but the "you look like taylor swift in this light" is so cringey to me. i hate it. it ruins the whole song for me. the production is really good tho, but i don't know. i'm so indifferent. i'm kinda disappointed with this one tbh.

THE BLACK DOG

it's a beautiful song. "old habits die SCREAMING!!!" - the delivery of this line, yes ma'am. "and i may never open the way i did for you" - i love it so much. also the lyrics in the entire song - so simple & beautiful, i love the storytelling here. the melody in the chorus is amazing. "and i hope it's shitty in the black dog" - yeah, me too. i love this song. it's so good & sad. one of the best from this album.

imgonnagetyouback

olivia rodrigo? hello? boring boring boring, i hate it

THE ALBATROSS

i love the production so much!!! i don't have much to say about the lyrics? i don't love it??? but it's fine i guess. but the production is really interesting, & sometimes that's enough to love the song. maybe it will grow on me. i like it now tho.

CHLOE OR SAM OR SOPHIA OR MARCUS

"if you wanna break my cold, cold heart" - i fucking love the delivery of this line, she sounds really good here & really sad. actually, the chorus is beautiful. "so if i sell my apartment, & you have some kids with an internet starlet, will that make your memory fade from this scarlet maroon?" - hello? maroon reference? ok i love this, i also love the way things rhyme in this part of the song. the lyrics is so simple & beautiful, once again, less is more. it's a great song.

HOW DID IT END?

the "oh-oh" in the intro, LOVE IT. i really love her voice here. "my beloved ghost & me, sitting in a tree, D-Y-I-N-G" - heartbreaking. & thanks for mentioning me in a song. "but i still don't know, how did it end?" - it kinda makes me think about all my relationships (not only with guys but also with my friends) & how sometimes you really don't know how it happened that they are no longer a part of your life. it makes me feel sad. i love the song.

SO HIGH SCHOOL

"touch me while your bros play grand theft auto" - oh my god. this is so bad. it's so bad. i don't like it.

I HATE IT HERE

INSTANT FAVE, SO RELATABLE, THIS IS MY SONG!!! "i hate it here so i will go to secret gardens in my mind people need a key to get to, the only one is mine" - me as fuck. that i can say for sure. "no mid-sized city hopes & small town fears, i'm there most of the year cause i hate it here" - the way i literally realized that this is where i spent my last year, it's almost scary but this song definitely goes to my "when the truth pops out" playlist. i'm gonna pretend the racist line in the second verse doesn't exist. "lunar valleys in my mind" - i fucking love this line. "i'm lonely but i'm good, i'm bitter but i swear i'm fine, i'll save all my romanticism for my inner life" - OH MY GOD. I WROTE THIS SONG. I SWEAR. i relate to this so much. i hate it here. i love this song.

thanK you aIMee

so at first i liked it but then i realized it's about kim kardashian & i actually hate it now, taylor, please, can we finally move on? it's been YEARS, imagine how tired we are.

I LOOK IN PEOPLE'S WINDOWS

the production is good, i love the repetitions of "out", "now" etc. not much to say about it, but it's kinda nice? it's so short tho.

THE PROPHECY

i absolutely love the production on this one, it reminds me of "augusta" by gracie abrams & i love this song so much (also produced by aaron). i love the chorus & all the rhymes here. i don't... love the song in general, but i like it & i think it might grow on me.

CASSANDRA

ok, you know what, it's a nice song, but i am so damn tired of hearing about the same thing over & over again... 2016 was eight fucking years ago, taylor wake the fuck up & move on??? I DON'T WANT TO HEAR ABOUT IT ANYMORE JESUS I AM BORED.

PETER

i am genuinely crying right now, because i only have one person in my mind when i'm listening to this song & the words "you were gonna come find me"... oh god (i've had one person in my life who said they were gonna find me one day when i told them i'm gonna leave this shitty town & move to the city of my dreams. they didn't find me tho. the biggest what if of my life. i wanna die right now). it's a good song. i actually love it, probably because it's so relatable for me.

THE BOLTER

i actually like this one. the production is great (good job aaron!), i like the lyrics, i relate to some of this, not gonna get into details tho. none of it is outstanding, but it's a good song. i'm just tired, this album is too damn long.

ROBIN

"way to go tiger" - i love the melody & the way she sings this line. it's such a sweet song & i just learned that robin is aaron's kid's name, i love it. it's nice. nothing amazing, not a masterpiece but i like it.

THE MANUSCRIPT

"if the sex was half as good as the conversation was" - i kinda love this line (no, we are not geting into the details of who this one is about. i just said i love this line). also what a way to end the album: "now & then i re-read the manuscript, but the story isn't mine anymore". i love it, because now these stories are ours. it's like i told bel on friday, i'm gonna make this whole damn album about me & my life.

if you made it to the end, congratulations. to conclude: taylor should have worked more with aaron, less with jack. i usually love jack, but this time i feel like i've heard it all before. i still think this is her worst album. it's too damn long (31 songs!!!). it has some of her worst lyrics ever. most of those songs were totally unnecessary. maybe the entire album was. i genuinely think she should just take a break. i am really disappointed with this album & i am mad as hell because i wanted to love it. well... i made my own version. i think i'm not gonna talk about this album anymore. i also think i need a break from listening to it because i am genuinely tired. bye.

[dollya-robinprotector]

dollyaaaaa ur art is so nice n clean always!! im wondering how u draw so quickly n consistently? bow much time does it take for u to draw stuff ö i love seeing ur art pop up on the tl always, its so inspiring!! have a great rest of ur day >:333

Not gonna lie, I usually avoid the ask related to my drawing time or process. I cannot count how many asks I have received on this same matter, but...

Well, I should clarify one thing: I am not uncomfortable answering these ask. I answer some if I can. I just don't know how to answer most of them. English isn't my first language so even if I want to write a tutorial it's just gonna be... "messy" I think? Also, I have this love-hate feeling when it comes to drawing fast.

As you can see I draw almost daily. To answer asks, to present my own ideas,... there are two reasons for my fast-drawing skill:

I think way too much. My trains of thought often crash onto each other and my brain is just purely chaotic, to the point I'm overloaded and stop thinking. That's not good. So before things get complicated or fade to nothingness I would draw them out. it's how I preserve my ideas, keep my sanity intact, and not shut down from thinking.

It's my practice. I grew up knowing practice makes perfect, so I kinda draw to train my muscle memory. A kind of habit as an artist. I remember coming across an interview with BL artist Hotoku and I saw their comment on how to get through a "slump":

and it was at that moment I realized there's nothing more important than to draw when you are an artist. A "slump" (or artblock, etc...) is a disaster for all art creators, so I choose to prevent and get out of it simply by drawing more.

I remember I doubted Hotoku's answer for some time, but now I understand them perfectly. I, too, love and think about drawing all the time, almost that I don't want to do anything else besides drawing. It's complicated to describe, but I think I gaslighted myself successfully into a drawing maniac.

After all, all that I'm capable of is drawing. If it's not for my artworks, I'd be nothing. I can not satisfy my parents, my coworkers, my senpais, or even myself, so at least seeing some strangers on the internet appreciate my drawing warms me up inside I think, ehe~

As for how long it takes me to draw, it depends. Some simple sketches to answer asks took from a few minutes to maybe some good hours. The asks keep coming and I'm delighted to it, but the most I can do is answer 5 - 6 of them a day, usually, I could only do 3 - 4 or least, so I have to admit and apologize because I can not answer everything sent to my ask box. I do the most I can. The asks are a huge part of my creative inspiration and mental comfort, so I always give them my best. Thanks for sending me these asks everyone~

I called off my work today and shut down all the notifications from my boss, so maybe I'll rest more. But I would get back to draw as soon as I can.

[bigalockwood]

20 Questions For Fic Writers

Thanks @sunshine-rudberg for tagging me <3333

How many works do you have on Ao3?

7!

What's your total Ao3 word count?

175,665

What fandoms do you write for?

Young Royals. I used to write for other fandoms ages ago, but have no interest to write for any others right now.

Top five fics by kudos

(The results to this are kinda skewed, because I started posting my stories for users only after Royally Whipped, which drastically influences nr. of hits and kudos).

Royally Whipped

we'll make a home on the cracks (glowing review)

Simon Eriksson hates breeches

All Is Fair In Love and Secret Santa

arm-biting (vindictively)

Do you respond to comments?

I try my hardest, but when I was writing Royally Whipped I was insanely busy and got super behind on replying. So now I have a mountain of comments waiting for me to reply to . I'm trying my best to go through them and keep up with the comments coming in because of should've said no.

What is the fic you wrote with the angstiest ending?

No angsty endings for me. I guess in terms of what was angsty until close to the end, it would have to be glowing review.

What's the fic you wrote with the happiest ending?

Royally Whipped, I'd say. Season 3 completely derailed my plans for that one, so it's much less angsty than originially planned.

Do you get hate on fics?

Not yet. But I guess there's always first time for everything, right?

Do you write smut?

So far, no. Just weirdly suggestive scenes.

Craziest crossover:

Never written one.

Have you ever had a fic stolen?

Not that I know of. Hope it doesn't ever happen, either.

Have you ever had a fic translated?

Nope! (As far as I know, at least.)

Have you ever co-written a fic before?

In an old fandom, yes. It was fun but also super messy and definitely far from my best work.

All time favourite ship?

Wilmon! No one does it like them.

What's a WIP you want to finish but doubt you ever will?

There's a bunch of stuff in my drafts, but most of those are just rouch ideas or random scenes. So no WIP. I'm usually very good at finishing them (though there is an abandoned twilight fanfiction on another website, but I'm not touching that one with a ten-foot pole).

What are your writing strengths?

Questions like that always throw me off, because I genuinely don't know. But I think I'm pretty good at coming up with metaphors for my characters feelings that are hopefully not too cringy to read.

What are your writing weaknesses?

I ramble. A lot. Other writers could probably tell my stories in three chapters and be done. I'm unable to do that. Also too many details in general. Pretty sure I overuse and repeat certain words all the time. Generally just don't know how to make anything concise.

Thoughts on dialogue in another language?

I don't mind it when reading fanfic (actually barely notice), but personally choose not to use it. If the story is set in Sweden, then imo they're already speaking Swedish with each other, so no need to have them say Swedish words.

First fandom you wrote in?

Twilight lmao

Favourite fic you've written?

You're asking me to decide between my children??? Okay, I'll give it a shot. I think Royally Whipped will always have a special place in my heart because I wrote it in such a chaotic phase of my life. But I also really, really love Simon Eriksson hates breeches (I think it's very funny ngl) and had the best time writing glowing review.

No pressure tags @hergrandplan, @wilmonsfolklore, @gulliblelemon, @nerdyfangirl76, @iwouldnevergetintofanfic & anyone else who wants to do this (I could tag so many amazing people, but I have no idea who's already been tagged, other than those along side me)!

[fumikomiyasaki]

As in Part 1 here is part 2 of the Dreamscape workers... 10 left and then I have them all done, so let me introduce these hosts a little.

-Luna: is to many quite intimidating at first but he is a sucker for cute things.. loves flowers a ton and does have quite the cute motions at times... A Hrothgar with fondness of Plushies, affections and given he is one of the least popular to many he does appreciate each customer that does choose him a ton

-Aspen: is… a bit of a tough love kinda guy, he is quiet but sweet… he usually doesn't go to the quiet customers himself he is a good listener and advice giver… he is a more loving and carefull one, gives you assurance, asks a lot if you feel good… make sure to give him the patience and he makes it worth it

-Dandy: A Roe that is the main bartender and drink maker of the place, he is a country boy also taking care of Chocobos staying nearby and fond of just spending time with them... with Customers he does share good stories and often knows quite what to say in problems... is fond of Cowboy aesthetics

-Gold: A hyur that is quite materialistic... he only thinks himself he is a pretty face and only worth that so his view about himself is not the most healthy... Its hard to get him to be genuine romantic but he is more flirty active with customers... making sure they feel desired. He is a bit bold and fakes being the most expensive one here

-Cashmere: is surprisingly versitile… he is good at figuring out peoples interests and how to butter them up… he is also the main person to help the themes for events… bit of an organizer… he loves to read and plan a lot. So he might share some books recommends but also can talk a lot about stories

-Desire: The most seductive host in the club, he is straightforward about what he wants, hits hard with flirts but also has it hard to hold back if he wants you. His eye is blinded, only has one scar hence he wears the eyepatch but he also things it gives him a flair that draws even more people in

-Destiny: chaotic and messy... if he likes someone he is gonna tackle hug them as well as he is quick to jump to action and be a bit too much. Eager to get to know people and get them in his circle... also very touchy and clingy... so it takes a lot of energy to handle him.

-Alizeh: Competitive Big Ego Au Ra, Tries to do better than any of the other workers and overdoes it with that... he often picks fights too and wants to prove he can win a lot, gets upset when he doesn't... many are just interested in him to see if they can melt him down but so far he has a good track record.

[briebysabs]

PH ~Complaints~

This is the first of several pieces I will be making about this series. Reading Pandora hearts was an experience to say the least and I wanted to organize my thoughts into separate categories, because it’s too much to post out normally. Also I’m insane and I think it’ll be fun for me at least. These posts will contain spoilers but maybe it’ll spark people’s love for the series. Maybe it’ll get people to buy the manga volumes. Maybe the stars will align and it manifests an anime reboot (delusional).

With that out of the way, we will start with my complaints and nitpicks of the series. Which isn't a lot but there will be explaining to do here. As a disclaimer, these are things that I found worth mentioning and may not be any issues you had reading. I am going off my initial reading of ph too so if I miss anything, don’t come at me lol.

-> The most notable complaint I need to talk about first is early ph. But I bring it up because this is the main thing that can turn people away from the series. “The early chapters are slow” is a complaint I heard before starting ph. Upon looking back, it wasn’t necessarily slow for me and I enjoyed those parts. But when reading, it was chaotic and felt like nothing was moving. It felt like we were rushing to nowhere. I took several breaks because it was so overwhelming. And I wasn’t reading them physically but off of sites, I know a lot of you remember Bezarius, Liam, Shalon lol. The wonky translations in the early chapters aren’t mochijun’s fault of course, but it didn’t help matters for me.

So much information was jam-packed with an already intricate story. And granted, later on in the 50s-60s chaps, the world makes more sense. But when you haven’t gotten to that point, it’s a lot to take in. You can compare early parts of ph and vnc to see exactly what I mean. VnC’s introductory chapters are much more polished. And some stories work better that way but in ph’s case for me, the direction wasn’t clear. I mean you know the objective, finding Alice’s memories but after that it was just a bunch of “huh???” It wasn't until we met Elliot and Leo, eventually Rufus that everything became more coherent. And you can argue, “yeah you’re supposed to be confused” which is valid but it was a bit messy for me, and I know it's inspired by Alice in Wonderland.

But not only was it confusing and can be perceived as slow (though again not for me), these chapters are long. Certainly not a complaint, I loved having long chapters. But if you’re confused af, you feel as though the plot isn’t moving, and you have these long chapters to add. I see why people may drop the series because “it’s too convoluted and the author doesn’t know what they’re trying to say.” I don’t agree with that but I understand if they weren’t able to go past chapter 35 or something. But we all must remember this was mochijun's first real series. So I understand as well why its beginnings aren't that grounded and can forgive that.

->The second complaint is that there wasn't enough characterization of the Baskervilles squad (as in Lottie and her gang I'm excluding Zwei here) as individuals. What do I mean by this? You can say “well they weren’t that important” which I kinda disagree with because they were the antagonists we were worrying about for half of the story as they searched for their leader Glen.

We got depth given to them as a group, we see that there is a genuine, familial bond. I wanted to know their past or backstories and the most we got from was Lily. You can say we got Lottie too but I don't know I was left wanting more. We know Doug and Fang got Lily’s tattoo in solidarity which is my favorite moment from the squad. But who are they y’know? Fang had such a cool design, how did he join the Baskervilles? Doug is a nothing character. I haven’t read the light novels so these questions could be answered there but having read the manga, we should’ve gotten more.

-> Going from that, the whole Glen thing. Again, might be explained more in the light novels but from manga content, I wish we got more explanations and lore. Who was the first Glen? Who is Levi? He’s someone who we deserved more insight into and what made him so detached.

-> I wish we had more chain on chain fights. I read somewhere that mochijun had struggles mapping out action scenes so they were kept to a minimum. But I think due to that, we don't get to see the true extent of these chains' powers. And yes, Break's condition prevented him from using his chain much. But Break and Vincent's dynamic was great, a final showdown between them with their chains would've been so cool. Mad Hatter vs. Demios we were robbed...

-> Isla Yura in general. Not gonna lie, I forgot he existed. I can respect the role he played, especially knowing now mochijun based Dr. Moreau off him. He was a worthy threat and his obsession with Jack makes sense. But his personality just wasn’t it and rubbed me the wrong way. Stereotypical queer antagonist from the 2000s, we did not need this.

->This might be a biased one but Cheshire should've been a prominent character. We see he’s important to Alice but we got a whole mini-arc with him in the beginning, him appearing in the Break backstory and then he's gone until the final 8 chapters. I also wish he behaved like the cat he’s inspired by. Sassy, mischievous with a dash of dark humor. (though now I say that, Oz does have some of that). There was just so much potential that we simply didn’t explore with him.

-> Speaking of such, Sharon and Ada were so underused. I was expected more from Sharon’s arc and her Eques chain is so cool but that didn’t happen. Every moment with Ada was fantastic but she’s mostly put to the side which sucks. Her relationship with Oz was lacking for me, he comes back from the Abyss and we do not see him think of Ada until 15 chapters later? Her overall reactions to Oz dying essentially after the finale, learning her father’s death, none of this is there. These two had potential, Sharon even being part of the main five, that wasn’t delved into.

-> Vincent and Ada. Okay, lemme break it down. I kinda love them, they didn’t get together which was sad but was the best choice to make. But I do question why this relationship exists. To be honest, until the last 14 chapters I thought she dropped them completely. I was wondering what was the point of making them a whole thing and having read to the end, I still kind of think that. We got two or three main interactions with them and then we just never got back to Vince/Ada until the finale. It was as though the plot simply couldn’t make time for them, it was tightly knit at this point and everything was heading for utter insanity. But then, we get the emotional climax of Vincent’s character. We get Ada telling Vincent “I forgive you”. It hits hard because Vince is a top 5 character for me. But in terms of their relationship, it didn’t feel earned. I don’t think it was developed enough to get such a heavy moment like this.

Their last encounter from what I remember was in the headhunter arc, Ada telling Vince she’ll always be by his side. And while we see he cares about her safety then, I don’t think that means what they have is strong enough to break the self-hatred Vincent has built up for years. Why did it have to be Ada? I know Gil wasn’t getting through to him but if he told Gil what’d he had done. That he indirectly caused the tragedy of Sablier, and Gil really said fuck it, held him down and screamed “I forgive you! The outcome might’ve been the same. Vincent respected Elliot. Vincent looked up to Jack. Vincent grew to care about Ada. But to me, the only person he loved in this world was Gil. And in his last moments, that is all he had. So this whole Vince/Ada thing, while I enjoy them and definitely needed more, at the end I doubt how necessary it was for either of their characters.

->At last, the ending. I love the ending, let’s get that out of the way. Two things I need to say though. One, it did conclude faster than it should’ve. It’s not to a degree where it significantly brings it down but we could have used 5, 6 more chapters. Chapter 104 should’ve been cut in half, 104 ends with “see you later Gilbert” and 105 is total epilogue. That way, the events of 104 get to sink in with the reader. Second, and I know you saw this coming, Reim marrying Sharon. This is the one thing I see most fans have an issue with for the ending and I completely agree, this did not make any sense. It felt like the biggest last minute decision. I think mochijun and the magazine had reached the end of their rope because no one got together in the end. Oz and Alice didn’t become canon really, Gil is too gay, Elliot’s dead so we couldn’t even get elleo implied canon.

(Though you can make a whole other thread arguing how their entire relationship already was from how intimate they were) We all knew Rufus wasn’t gonna marry Sheryl, Vince and Ada went their separate ways. So it was just “alright, um….someone’s gotta get with someone.” And from what I know, there’s no artwork or moment in the series that hints in the slightest that this would happen. We never get a teasing moment from Break about them, Reim and Sharon are friends but the main connection between them is Break. I don't buy the whole "Break's death affecting Sharon deeply and she found comfort in Reim who shared her pain" because you don't have to marry someone who understands your grief. They can just be there for you as a friend. And there was no signs of romantic attraction AT ALL.

Which makes me doubt mochijun planned or even wanted to do this. Her hands might’ve been tied by higher-ups and she had no choice but to include this to deliver the finale she had in mind. This is pure speculation so I could be wrong but with that, this essay I guess, wraps up. There’s other stuff I may not have mentioned, like the jury thing is so absurd but I want to reserve that for my mochiverse theory. When it's all said and done, Pandora hearts is still an amazing series, mochijun has definitely improved as an author. My vnc-ph comparison post which may be after this one will elaborate on that in more detail. Thank you for listening to my rant. What are some complaints or nitpicks you had with ph?

[thebottomfromhell]

hi I absolutely love your writing!!! may I request the upper moons walking in/hearing reader singing a love song that they're so sure is about them, along with their reactions?

not necessary to add, but it'd be funny if reader had that song playing in their head over and over due to how in love they are while in the middle of a meeting with muzan and him going "what the fuck, who is this for, you're pathetic"

thank you so much for your time!

My brain after reading this ask in bethesda game quest format: *skyrim quest initiation drums* Find a song that at least have love included that represents the Uppermoons.

I loved this concept, call me cringe or whatever but if you have never liked a musical song (movie songs included, don't you go on denial. If you liked disney the stfu) or appreciate a good Opera (the LUNGS these people have, try singing in a threater loud enough for everyone to hear you without a mic, I dare you), then you're missing something.

I'm very sorry for the wait, I hope you like this one too. Thank you for the request too, it's something different and I had fun with it.

Uppermoons and GN reader confessing over a song (Musical AU with modern music and spotify/music youtube)

Songs used: [vid with lyrics + translation if needed]

Gyutaro - Your love is my drug (Kesha)

Gyokko - Prisoner (Jeffree Star)

Sekido - Dark red (Steve Lacy)

Karaku - Perro fiel (Shakira ft. Nicky Jam)

Urogi - Balada (Gusttavo Lima)

Aizetsu - Name of love (Bebe Rexha and Martin Garrix)

Nakime - Boyfriend (Dove Cameron)

Akaza - Love story (Indila)

Douma - Shut up and listen (Nicholas Bonnin)

Kokushibou - Tsuki no curse (Reika Okina)

Warnings: My broken taste in music, sexual content mentioned (in song), sexual content implied, slight drug use mentioned (in song), Akaza sings in french and slight angst, yandere behavior (in song),

Gyutaro:

"Maybe I need some rehab. Or maybe just need some sleep. I got a sick obsession. I'm seein' it in my dreams." Holy SHIT you listen Kesha? He listens Kesha too! His sister was the one to introduce him to the artist and, he admits, the songs are very catchy. "What you got, boy, is hard to find! I think about all the time.I'm all strung out, my heart is fried. I just can't get you off my mind" "Your love is my drug" is not really his favorite from her, "blah blah blah" and "cannibal" take that prize by far (no, it's not because it's fun to sing as if he was high, he doesn't sing... at all... no, Daki, he just said he would not-)

"Because your love, your love! Your love is my drug! Your love, your love, your love!" Fuck. He really didn't mean to, he just... did it. You look at him surprised, you didn't even know he was around. Still you laugh a bit with him as he keeps singing as he forces you into his shoulder and back like he does with Daki. "I said your love, your love, your love is my drug! Your love, your love, your love!" He moves slightly, careful not to drop you, he just looks so active and joyful.

You are addicted to this side of him to, this one it barely shows, that side of him that is actually fun to be with, chaotic and messy the same way he is intimate and caring. This is your guy. "But left to my own devices I'm addicted, it's a crisis. My friends think I've gone crazy." He interrupts again. "OH! I like this part! My judgment's getting kinda hazy. My steeze is gonna be affected if I keep it up like a lovesick crackhead." You let him keep singing, until it gets to a part that is important to you, in ehich you get off Gyutaro to cup his face in your hands, making eye contact.

"I don't care what people say. The rush is worth the price I pay. I get so high when you're with me. But crash and crave you when you leave." There, you got it, you see his eyes glow a little as he keeps looking at you, face blushing. He gets it. He always gets it, even when he doesn't want to. "Wow. Ne, just... wow. This song is perfect for you, y'know?" You chuckle a little at that. "How about you? Do you also feel like that?" He looks at the other side a bit embarrased before nodding. "I do, ne. The song is good. Really good." Maybe that is why you spend the rest of the night singing it, along with other songs from Kesha. It was lovely (Also, he nails it at blah blah blah), you wilk repite it again.

Gyokko:

"I got no regrets. And I remember the day that we met. There was no way that I could forget you.So I followed you home. And I waited 'til you were alone." Ok, Gyokko doesn't even own a home, staying at the house of his victims for a week or so doesn't count, even if you have followed him to one or two of them. He was the one to invite you, the behaviors of this song is not yours. If it had to be someone's, it would be Gyokko's. "And I know this seems so wrong. But I'm just a lovesick criminal."

"Oh! I knew you had good taste, but this is amazing!" You never stfu faster than that, closing your mouth the second you heard Gyokko's voice. You turn around and he seems... cheerful. "You can arrest me, baby, I don't wanna leave. Lock me up, throw away the key. I don't care if I'm in trouble deep. I'm addicted to your love." He keeps singing it, moving with the beat. You knew the song was his taste, but you didn't expect this outcome. "I love that song. One of my favorites. And the fact that you love it too! It's magnificent!" Still, if he is aware of the main reason you like the song, he doesn't let it show.

"I'll be your prisoner. I'll be your prisoner tonight." You keep goin, not knowing if it's to pretend nothing happened or if you are just vibing with it, but you both keep going. "I, I, I, I'm under your spell. And I just can't get enough!" You don't talk about it until you finish the song, but... you will, you can sense it. But you can also see Gyokko smiling, enjoying the time with you. "I'm prepared for all the consequences." "Believe me, I have the worst intentions." "I'm prepared for all the consequences! Believe me, believe me!"

You will be fine.

Sekido:

Sekido is NOT going to apologize, he never even thought about it. Sure, he was rude to you and maybe crossed a line or two, but you made him angry first. You also crossed the line this time! He doesn't even remember what you said to each other, but he remember it was bad. Why would he apologize if he is wondering if he even should forgive you. "Something bad is 'bout to happen to me. I don't know it, but I feel it coming. Might be so sad, might leave my nose running. I just hope she don't wanna leave me." He stopped when he heard your voice.

Sekido was never the one to plead, he was never the one to even ask for things. He is by far the most prideful of the clones. But if you were actually to go, to leave- "Don't you give me up, please don't give up. Honey, I belong with you, and only you, baby. Only you, my girl, only you, babe. Only you, darling, only you, babe. Only you, my girl, only you, babe. Only you, darling, only you." Wouldn't he beg like this, so pitiful and needy, because even if he doesn't want to admit it... he loves you. "Y/N."

He interrupts you, making you just realize he is there. "Is this... how you feel. Or am I reading this wrong?" He gets close slowly, but you can't really answer. You also don't want to be the one to apologize first, to admit you need him as much as he needs you without knowing what he is feeling. After some seconds of silence Sekido looks away and starts singing what you just sand, but more like a murmur, if the lips separated less then it would onlu be a hum. "Don't you give me up, please don't give up. Honey, I belong with you, and only you, baby." It sounds sincere. It is.

None of you apologizes, you both just keep... singing and huming. Just staying together, not wanting to leave. At all.

Karaku:

"C'mon, what were you humming, hot-stuff? I heard you just now. I promise not to laugh even if it's a lame virging song." He is teasing you. Of course he is, but he won't leave you alone until you obey. "How about you sing it? Since the song is clearly stuck in your head." How did he actually convince you? Only Karaku knows, but in the end you do as he says. Maybe you wanted this, to take it out of your chest. He has no way you actually think about him everytime you hum this song. Is like conffesing without actually doing so. "Aquí estás. Ya no puedes detenerte. ¿Dónde vas? Si estoy loco por tenerte." He seems to recognize the song, raising an eyebrow while smirking. "¿Cómo lo iba a saber? Que te vería otra vez. Tú me confundes no sé qué hacer...." You stop.

This is embarrasing, you better leav- "Yo lo que quiero es pasarla bien. Yo tengo miedo de que me guste, y me haga enloquecer. Si eso pasa yo seguiré. Contigo aquí como un perro fiel." Oh.... oh. He likes the song, and you don't know why, but that alone raises your confidence. Specially when he grabs your hand to make you spin around, as if dancing, laughing cheerfuly and loudly when you follow the lead. "Yo tengo miedo de que me guste, y me haga enloquecer." "Like that! Keep it up." You do, sometimes he moves as if to dance, mostly keeping himself roamimg around you, interrupting to sing himself or cheer up at times.

"Dicen que tú eres peligrosa. No le hago caso a esas cosas. Dime qué está pasando. Me tienes como un loco, soy un loco enamorado, eh." "Crazy man in love", that parts come from your heart, because you are in love. He puts one hand behind your head and the other in your waist before going the next part. "Quiero saber cuánto me vas a insistir. Y hasta dónde llegarías por mí. Siento mucho la espera. Pero valdrá la pena cuando te esté besando." "When I kiss you", and he just finishes the verse by doing so. And damn if it isn't worth every damn second of yearning. He speaks again after pulling apart, only inches away from your face. "Best love confession ever, hot-stuff. Very nice to use a "romantic" language. Keep coming for me and I'll keep you as mine, got it?"

What else were you meant to do but nod? Damn, you don't have to be a genius to know where the night is going. And you are going to like it.

Urogi:

For context... You were singing, only to stop when Urogi appeared from the sky. Now he has been following you "C'mon, sing again. PLISS? I like that song, I promise. I just want to hear you sing it." It took less than an hour of whining and puppy-eyes to convince you.

"Eu já lavei o meu carro, regulei o som. Já 'tá tudo preparado, vem que o brega é bom. Menina fica a vontade, entre e faça a festa. Me liga mais tarde, vou adorar, vamos nessa" And Urogi interrupts, to your surprise, singing the next part as he flies around you, grabbing your hands in his, exagerating movements as if dancing. "Gata, me liga, mais tarde tem balada! Quero curtir com você na madrugada! Dançar, pular até o Sol raiar! C'MON, IT'S YOUR TURN Y/N!" You follow the song and repear that same fragment before Urogi steals the next part again.

"O tchê tcherere tchê tchê! Tcherere tchê tchê! Tchê, tchê, tchê!" The song barely says anything at all. It's barely has content, but... it fits Urogi. It's more a thing of vibe than of actual words. "Se você me olhar vou querer te pegar. E depois namorar, curtição. Que hoje vai rolar." Really, it's simple, the song could be sintesized in a "let's party and if I catch your eye let's stay together the whole night", but it's cheerful, full of joy, very light... very Urogi. Maybe that is why you like it.

You are unsure if Urogi gets what you are really feeling, but he gets completely the song. And he does want to stay with you and have fun the whole night. It's a win. You will be able to explain things to him later, but for now. "Gusttavo Lima!"

Aizetsu:

"If I told you this was only gonna hurt. If I warned you that the fire's gonna burn. Would you walk in? Would you let me do it first? Do it all in the name of love?" Just after you finish that part you feel a hand on your shoulder, you turn around to see Aizetsu. You blush at the realization he found you singing, though he is blushing too. "Would you mind if I sing with you?" He doesn't explain himself futher as he asks shyly, you can only nod as he takes a breath to continue the song.

"Would you let me lead you even when you're blind? In the darkness, in the middle of the night. In the silence, when there's no one by your side." He looks at you as if waiting you to join, smiling softly as he offers his hand. "Would you call in the name of love?" You take it. "In the name of love, name of love. In the name of love, name of love. In the name of." You basically also hum together the instrumental, in a softer version. You spare glances on each other, deep and adoring.

"When there's madness, when there's poison in your head." It's almost as if you were actually talking. "When the sadness leaves you broken in your bed." You sure get that Aizetsu means it. Every word of it, that is why he wanted to sing with you. "I will hold you in the depths of your despair." "And it's all in the name of love" And so. "I wanna testify." "Scream in the holy light." "You bring me back to life." And it's all in the name of love. That you look at each other, hold your hands, talk. Because you do talk once you both finish.

"I love you a lot. Do you.. it would make me sad if you were not singing for me like I was singing for you.... but I would unders-" you must interrupt him "I was singing for you too." He smiles softly at you. "Can.... can I kiss you? Please?" No, because you kiss him first. What a lovely song, lovely night, and lovely romance.

Nakime:

"I could be a better boyfriend than him, I could do the shit that he never did. Up all night, I won't quit." Not the type of melody Nakime is used to, the opposite, but it's a nice song. "Thinking I'm gonna steal you from him. I could be such a gentleman." You sing with the most care, because you know she is watching, she is hearing, even if you can't see her. This is her castle, after all.

You know what you are doing, the message that you are giving. Nakime loves music, what better way to confess than with a song. And this is a song which just... vibes with her. You have no idea if she has ever heard it before, but it seems it doesn't matter. "I don't need to tell you twice. All the ways he can't suffice. If I could give you some advice. I would leave with me tonight." It doesn't, because she is talented in her art. So she plays the biwa, making a beat for you to follow. "The universe must have divined this, mmm, mmm. Ladies first, baby, I insist."

"I could be a better boyfriend than him. I could do the shit that he never did. Up all night, I won't quit. Thinking I'm gonna steal you from him. I could be such a gentleman." She sings this part with you, using the biwa to also change the settings. It gets a bit dizzy, but you love the display. She is very proud of her power. "Plus all my clothes would fit." She sings that part alone once you are both in the same room.

You look at her, she smiles at you. Seeing you are not going to sing anymore, she speaks. "I liked your song. Let's do this again some time. It's a date." She says, just before leaving you in your home. A date... you are proud of yourself, that's it. The lesbian power of the song did it trick, like you knew it would. You. Won.

Akaza:

Akaza doesn't know why he hasn't shown himself, he just... got lost in the song. It's one he knows, the melody,, the lyrics, the meaning... "Il n'est pas fou. Il l'aime c'est tout. Il la voit partout. Il l'attend debout. Debout une rose à la main. Non, non plus rien ne le retient." It's a lovely song, he can't think other way to describe it that is not deppressing, to be honest, and he doesn't want to think this song as sad, even if his chest aches a bit with it. "Dans sa love story!" "It's a love story", as said before, he knows the lyrics, he knows the meaning, and Akaza likes it. You keep singing for a while before even realizing he is there, but one second you open your eyes and turn around, facing the golden eyes.

"Em... how long have you been standing there?" You ask embarrased, blushing as Akaza also has some red in his cheeks. He doesn't answer your question, just takes some steps forward to grab gently yet firm, somehow desesperate, your hands into his. "Can you please keep singing? Please?" He asks twice, looking away as he whispers the secon pleading. You decide to just keep singing. "Je serai riche. Et je t'offrirai tout mon or. Et si tu t'en fiches. Je t'attendrai sur le port. Et si tu m'ignores...." "And if you ignore me...."

You know, you have seen, that Akaza is mourning, yearning, or something. You don't know, he himself doesn't know, but that nostalgia and melancholy.... sometimes you feel it takes him away from you. That is why you didn't want him to listen you sing about him, to confess. Because you are unsure id he will "Je t'offrirai mon dernier souffle de vie." "Give you the las breath of my life" and yet he keeps singing for you without letting your hands go. "Dans ma love story!"

"Et il y a toi..." Akaza waits for you to continue, tender and adoring eyes, "Et il y a moi." Yes! There is you. There is! And you are hopeful Akaza is there, is here, too."Et personne n'y croit. Mais l'amour fait d'un fou un roi. Et si tu m'ignores.... J'me battrai encore et encore!" "C'est ta love story!" You take that as a confession, and it shows in your blushed face and adoring eyes, he seems to agree in it. "C'est ta love story!" And of course, you join. "C'est l'histoire d'une vie! Love story!" You just look at each other, not bothering with the world, and giving in to tentation. You both kiss.

(And actually have to talk things through AFTER, you know? This is not a musical, as romantic as it was.)

Douma:

"Shut up and listen. Look at my eyes, don't tell me lies. I need you to tell me truth." You started singing on your own, but Douma got in the room, looking curious. He doesn't move besides closing the door besides him, doesn't speak, just... stands ghere, watching you. But part of you feels like he is urging for more. It's hard to tell, because he always urging for more of everything. "You gotta be clear, tell me the details. I gotta know as much as it hurts. I need you to tell me the truth." More violence, food, attention, power, sensations, pain... it's unclear most of the times. It becomes really hard to tell if he actually likes you.

"Bet you like it when I show up in a gown. Let my body work it out, slow your grind. Don't tell me to stop it, just let me on top and. Baby, you want it, yeah." He sings after you repeat the same part, maybe he hust wanted to do that. If it's because he wants to share the song with you or if he is just messing around... Douma himself probably isn't 100% sure. "When you tie me, do it slow, forget the time. Move position, take me south, ease your mind. Don't tell me to stop it, just let me on top and. Baby, you want it, yeah." He goes to grab you, to press his body against you. He understands the lyrics, not being able to recognize emotions doesn't make him stupid or inmune to sex. This is probably how the night will end.

Maybe it's better that way. "Slow it down if you need to, oh. Show me how just to please you. Ooh, work it out in the sheets. Do me and see through, I want to you feel you." Staying safe, showing intimacy in a way Douma can actually understand it, instead of leaving him guessing and wondering how he should feel. How a normal human, even a normal demon, would feel. You wish these things could be explainede with words in a language Douma fully knows. But the language is not the problem, nor is Douma or you.

You spend the night together, limbs tangling both bodies. Douma is content, satified, you too. Even if you feel like there a lot more things to say, but there is hardly a moment or a way to do so....

Kokushibou:

"Tsuki no kaasu tsumetai yume no naka de....." If you ask Kokushibou, music that is not in japanese is not real music. He is stuck in his own ass, always too focused on tradition and hierarchy and how japan is the "raising sun" blah blah blah. Sometimes he gets very annoying like that, to the point loving him does feel like a curse. "Kotoba no nai sekai de. Bokura wa ai wo kataru. Itsuka kimi ni todoku made..." wait a sec- Kokushibou is behind you, isn't he? You turn around and yep, he is. "Kokushibou-san...."

He keeps quiet for a while, like always, until he finally thinks he has something worth saying. "I like that song. Can you keep singing for me?" You really wanted to say no, but you also wanted to sing for him. After all, this song is recorded in your mind just for him. "Tsuki no kaasu. Tsumetai yume no naka kara. Kimi wo tooku tsuresaritakute. Dokomade yukeru. Ai wo shinjite ii basho made." Maybe another person, demon or human, would have joined and singed with you. Kokushibou did not.

"Dokomade yukeru. Ai wo shinjite ii basho made. Yoru no mukou futari dake de." Ypu finished the song for him, barely getting any reaction. This song is really perfect for you both. "Thank you for singing for me." He barely understands, it's not a surprise for you to have to actually explain it. "I did it because that is how I feel about you." Silence again, you are more than used to it. Kokushibou is not a person of intimacy, of sharing feelings, he clearly doesn't know how to answer back, and part of you feels guilty for putting him in the situation of having to. "I see."

He leaves after that, and you know he will evade you for at least a week or two from know own. If you are lucky he will want to talk about it after that and tell you he feels the same. But until then... it's a "Moon's curse in this icy dream."

Bonus:

Muzan: And then Nakime is going to su-

*Song from above starts playing in the background*

Muzan: Excu- *looking around* ..... Who is playing....?

Akaza: Is something wrong, Muzan-sama?

Muzan: Am I the only one hearing this?

Gyutaro: ..... I don't hear anything.

Nakime: Sorry.

Kokushibou: Hmn?

. . .

Y/N humming with the song on their head: Mhmnhmnhmn mhn hmn hmn mhn.

Muzan: SHUT THE FUCK UP, IT'S BEEN 5 HOURS WITH THAT SAME SONG! AT LEAST PUT SOMETHING DIFFERENT! Pathetic creature, who is this even for?!

[flares-of-arcadia]

Some messy thoughts on RE7 (with mentions of 8)

just beat RE7. I wish I had paid more attention when it first came out and I watched my brother go through it, because holy shit I fucking loved it

Under a read-more for length

After playing through 7 on my own, it's hard to believe that I didn't really get into the fandom until Village. Or, well, it does track that I saw scary women in 8 and started paying attention... I am nothing if not predictable

And honestly, a big part of why Village sunk it's claws into me is because it's flawed, or at the very least felt like it had a lot of missed potential. All of the antagonists were so interesting, and I felt like they didn't get as much attention as the Bakers did (there are so many things to look at, storytelling in the environment, AND we learned more about them in the DLC). Wanting to fill in those gaps for the 4 Lords and Miranda is what made me so invested in the fandom

(also because I'm really gay)

If you're familiar with my main blog, you might know that my biggest gripe with Village is that we don't get anything between Mia and Miranda. Having now played through 7 (and read literally every file), I feel even more strongly about what was missing. Or, at the very least, what I wanted from it.

Annnnd that's just in terms of story, gameplay is a whole other thing, but I'd want to replay 8 before getting too much into it.

But back to just talking about 7 for a tiny bit longer, as chaotic as my thoughts are:

Loved the soundtrack. Also hated it because, as a horror soundtrack goes, it was Very Effective. Didn't appreciate one of the tracks having some monster noises, tho. That was already a tense section and I hated getting false alarms about whether or not there was a Molded around the corner. And!!! Honestly the version of Go Tell Aunt Rhody didn't need to slap as hard as it does. I'd listen to that shit in my free time

Ethan is an interesting protagonist? I love him, don't get me wrong, but there are a couple kind of quirks that make it hard to interpret him. Most of the time he feels like a silent protagonist, but in cutscenes he's very vocal. It gets weird once the cutscene ends with something dramatic and he immediately shuts up.

Like, after we first reunite with Mia, we reach a dead end, Ethan goes to check another room, and while our back is turned we hear Mia scream. Ethan yells her name, we rush back to the room she was in, and then Ethan just doesn't say anything else. Doesn't call out to her, doesn't say anything about the new pathway, nothing. There are more examples but this was supposed to be quick

I love Mia. She's a badass, she's a liar with temporary amnesia, and she's a Fucking Badass. Seriously wish we had a chance to play as her again in Village. I do kinda wish we got more glimpses into her relationship with Ethan, but hey that's what fanfiction is for

I feel so bad for Eveline. I get that she was beyond the point of saving, but fucking hell, you read the files and you look at the photos (and you think about what we know from 8 about Miranda's role) and she's suddenly very understandable. It's tragic, everything that happened to her, even if she went on to inflict tragedies on others.

Okay I have more thoughts but my thumbs are tired from gaming + immediately typing on my phone. Love y'all byeeeeee

[kinnenvy]

i am having thoughts about brian and his parents (jack joan debbie). it's messy and chaotic but i need to take it out of my brain and put it somewhere

Jack and Joan

There's like a pattern that he must go through with his birth parents, especially in season 1 it feels as if brian likes to present his relationship with his parents in one way, when it's actually very different.

He feels troubled by his own fatherhood, by Justin's relationship with his dad and the first thing he does is search for his own dad. he tells justin he never sees him, but then at the end of ep 1x09 michael talks about brian's visit and heartbreak over jack like it's something that happens routinely (and it does for sure, considering that it seems like jack is depending on him for money). "When will you ever learn?" NEVER! HE WILL NEVER LEARN!

until s2 ig. to me his relationship with joan is the most puzzling. he visits her, brings her flowers, but it doesn't feel like he ever tries to indulge her in the same way he did with jack. i wonder if that's because he didn't grow up being scared of her, so there's no instinct to get into her good graces...? im not qualified for this kind of analysis i dont think

they've both surely put him under intense distress, in different ways maybe, but it's distress nonetheless. living in that house must have been like being taken apart constantly, nowhere to hide, no comfort, only pain.

im not sure what the timeline is, but it's possible that the first time brian felt loved and wanted must have been THAT DAY in the showers after school. it could be also why he has that twisted perception of what happened. (or maybe it's just early 2000s writing who knows)

Debbie

she honestly makes me kinda mad. she saw a 14 y/o break in her liquor cabinet, get drunk and thought "this kid's kinda troublesome idk :/". i think making big speeches and saying pretty words she doesn't fully understand is very much part of her character (ben), but the way she does it with brian in relation to his parents is horrible to me.

(surely without knowing) she uses Brian's need for approval from his parents and convinces him to come out to his dad, what does that achieve? brian has to hear his father tell him he should die. brian has an important, vulnerable moment with her after his diagnosis and she shares it with joan without him asking or even wanting her to. what does that achieve? we remember what it achieves.

I think it's fair that she thinks about michael first and then everyone else, but i feel like she's softer on everyone else (david????) compared to brian. sure he kept their relationship vague enough to make him believe they could become a couple, but he isn't doing it to have a laugh, they're codependent. when brian is forced to break it off by debbie, she's happy to let brian take the fall on his own. she understands what he did, so instead of maybe idk helping him get at least Lindsay's support, she keeps her mouth shut, calls brian a good kid, gives him a pat on the back and is ready to send him his own way.

which brings me to the way she acts like she understands brian. it feels like the writers are telling us she understands him, but does she? idk. she picks up on things he does in secret one moment and then gets him totally wrong the next. she calls him a selfish asshole in front of everyone, but when it's just the two of them she suddenly has always known he's a good person. why is she never saying good things about him when everyone's around? why does it have to be just the two of them?

"Brian would hate it" "Brian would cringe himself to another planet" Sure but maybe Brian would also get home and maybe for once feel like the adult he imprinted on approves of him with no compromises :// idk