#(they are honestly just two completely different characters) it doesnt really change anything between her and edgeworth?? it's quite funny

[the-judicial-assistants-notebook]

Okay. Let's talk about Kay in The Forgotten Turnabout.

I've mentioned in a post before how I think Kay doesn't have a purpose in AAI2 (as in, AAI was all about the Yatagarasu which is her story, but AAI2 generally has nothing to do with her, and you can see this change just by looking at how she's positioned in the promotional material for the two games:

[left AAI; right AAI2.] In the left poster, while she's at Edgeworth's back, it's clear that they're both the main focus. In the right, though, she's on par with Gumshoe).

And I think the result of her slight lack of direction in the game culminates in what happens to her and her character in Forgotten.

From the beginning of AAI2, you can kind of tell that Kay was written to a bit different from how she was in AAI. She's still fairly consistent with how she was there, but the game kind of bounces between her original characterisation and her newer one, where she's slightly denser (see her calling the laser pointer a mole in Target, when she should definitely have known what it was; and them explaining to her what a prison is in Imprisoned like she wouldn't know??) and less concerned with maintaining formality around Edgeworth, although they haven't interacted since the end of AAI (see her partner opening line changing from "Yes?" to "Yeah, what's up?"). She also seems more eager for his approval (there are a few times when she questions/asserts her effectiveness as an assistant when I don't remember her ever doing that in AAI), and, overall just a little more like Maya.

In Imprisoned, when she freaks out, Kay hits Ray, which is notable because we've only seen her resort to violence before on purpose and as a child (whereas Mia/Maya have both hit people out of emotion). I'm not going to go through the whole game, but I bring it up because there's an argument to be made that they're trying to replicate the Phoenix-Maya dynamic and push the Dadworth interpretation in AAI2 -- probably because they realised it'd be popular with the fans -- and this comes to the forefront in Forgotten.

First, just a note about AA's amnesia cases. The thing about these cases is that they're usually done to explore some formerly unseen aspect of a character (as is with Phoenix and the one in DGS), BUT they're always true to the nature of the character (as is most clearly observed with Thalassa). This is... not so in Forgotten.

The parts about Kay that appear to remain in Forgotten are her politeness and sense of honour, both of which get dialed up to 11 and both of which we already know she possess. Everything else about her personality, though, is altered and has always reminded me of Iris (if you made a parody of Iris's soft and seemingly delicate nature). That's mostly because (1) they have similar sprites

and (2) because they're rehashing Edgeworth's mini arc in T&T (which I don't mind because T&T did leave room for that concept to be explored further) where he acts as the defence for, you guessed it, Iris. Looking at it more closely, though, I can definitely see bits of Maya mixed in, too.

The most obvious parallel to Maya, and by extension Phoenix, here is that you act as a... not-prosecutor who defends their assistant from murder charges that even they think they might be guilty of (Reunion, and Turnabout, anyone?). Just like Reunion Maya, Forgotten Kay has poor self-esteem (albeit to a greater, comedic degree), thinks of herself as weak and useless, and becomes reliant on Edgeworth for both her emotional and situational needs (this is not a dig at Maya; she was in jail after having her first big channeling session result in death. Her reaction was natural).

Another less serious but obvious alteration made to make Kay seem more like Maya here is her relationship with food -- which I know sounds ridiculous but!! It's really what tipped me off to her Maya-fication to begin with!!!

You see, in Forgotten, there's a point where Kay talks about hamburgers:

Kay: Umm... OK. I remember a faint scent... It was a wonderful smell coming from the counter of a food stall... I followed the fragrance, only to find a perfectly sculpted burger, resting on two golden buns... The tender and juicy patty made my taste buds sing with joy... Yes, I can remember what I thought at that moment! ...I want seconds!

The thing about this that stands out to me is that you never get a line about food like this from Kay in AAI; and I know this, because not only is the only time Kay ever brings up food in AAI with regards to Swiss rolls (which are notably her favourite treats), you have the option of presenting food to her, which gives you this dialogue:

Kay: It's a box of Samurai Dogs, right? Ah, but see, I'm a Jammin' Ninja fan! So, while I would love to have one... I'm going to be strong and resist the urge!

She would have one but she'll refrain. It blatantly goes against how she acts in Forgotten, and it's so obvious that they only did that to make her more like Maya!!! They even use burgers!!!!

So why am I even getting all uppity about this? There's nothing wrong with being like Maya is there? She's a great character. And, yeah, she is, but the point of Kay is that she's meant to be a foil to Maya... and Edgeworth.

Both Maya and Edgeworth lost their parents at a very young age. So did Kay. But, unlike Maya and Edgeworth, Kay was specifically written to have had the emotional support and strength she needed to move on from her father's death. Her character was created in a way that shows how you can still love and respect a dead family member (and choose to continue their legacy) without being held back by grief and trauma the way Edgeworth largely is. By making amnesiac Kay behave in a way that is so self-deprecating and reliant on other people for her emotional needs, you are implying that this has been who she is deep inside all along and diluting that message of being able to move forwards while still holding onto your love for the people you've lost. It undermines the resilience that has been a part of Kay's core as a character from her conception, and basically flattens everything that makes her... Kay.

Now, this is obviously not great, but what really gets to me about this is that they didn't need to do this for the case to still work. They could have given Kay a milder form of amnesia, where she has a gap in her memory regarding why she was up on that roof and what happened, and the story would have largely functioned the same way. The only reason I can think of for why they do a complete 180 on her personality is because they wanted to use her to develop Edgeworth's character.

Because think about it: we've seen Kay put in a position where she's been accused of murder before, and that didn't affect our or Edgeworth's desire to save her. That drama and the feelings invoked by placing Kay at such risk would still exist; the only thing that would change is Kay's reaction to it. We know from Ablaze that she wouldn't just fold and rely on Edgeworth's help; she would fight back. Her behaviour in Forgotten just doesn't quite align with her usual character (aside from being extremely honourable and polite), which makes me wonder why they did it. And the only answer I can find is that it gives Edgeworth someone to 'save' in the greatest sense of that word (because, remember, she's also extremely emotionally vulnerable and dependent on him here) and furthers his development as a character.

You remember at the beginning when I said Kay didn't have a purpose in this game? I think the developers felt that, too, and they decided that her purpose would be to make Edgeworth a better person and strengthen his arc by giving him someone to protect, without really considering what this would do to her character. This case was never about Kay; it was always about Edgeworth. And, honestly, that should have been obvious from the very moment you realise that Kay is being granted an amnesia plotline, because that whole thing about amnesia in AA being used to reveal parts of a character previously unseen? Yeah, that was never going to work with Kay. Because Kay doesn't wear a mask. She is who she is... until she isn't.

Honestly, I've said pretty much everything I wanted to say about Forgotten and Kay, so thank you if you've read this far. I really appreciate it 💝💖💕 The rest of this is me basically talking about how this change affects my feelings on the game and this interpretation of the Kay-Edgeworth dynamic, so you can stop reading now if that doesn't interest you and still get the basic point of this post.

I suppose I'll start by reiterating that I do like AAI2 despite what it may seem. The characters it introduces are some of my favourites in the franchise, and, in fact, the actual plot of Forgotten with the PIC is my favourite part of the entire game. I thought it was brilliant, but I just needed to get this out because... I don't know, it was bothering me for some reason hskdhdj Like, AA has some amazing female characters, but I know better than to go into it expecting some kind of boundary-pushing piece of new feminist media, believe me; it doesn't surprise me that they used Kay to push Edgeworth's character forwards. It is his game, after all. But I guess it's just a little frustrating to see after they genuinely achieved something great with her characterisation in AAI only to... there's no less inflammatory way to put it, infantilise her? a little? for the sake of developing a male character?

(Especially when I don't think Edgeworth even needed it?? Like, I'm pretty sure he would have been just as adamant about saving her if she had been her normal self so mmm???? It was likely just done to make him seem liked he'd be a good father and up his popularity a bit more, honestly. As if he needed it).

Again, I have no issues with anyone who enjoys the father-daughter (or brother-sister) dynamics pushed by this case; it's literally in the text, I can't say you're wrong for it and like. My opinion shouldn't matter to you anyway! It's fandom, do what makes you happy. But I personally can't get past what is actually being suggested when the game, or fanworks, echo the traits grafted onto Kay in this case within them. Like what it means when she's essentially made to take a few steps back so she's less as at peace with her father's death than she was when we first met her, or less independent and self-assured than she usually is -- especially when this is done only for an older male character (most likely Edgeworth but it could be anyone) to come in and either see themselves in her, thus coming to a conclusion that helps them better themselves in some way, or take on a "fatherly" position that lets them comfort her back to a level of confidence she would usually be at anyway, while simultaneously coming across as being such a good person (which is usually the focus/point of these kinds of things).

And, like, if you don't see a problem with Kay's characterisation in this version of their relationship, that's perfectly fine! If you think I'm reaching and do enjoy the Dadworth dynamic for what it is, then please don't let me rain on your parade. My main thing is that I want better for Kay, and this case just didn't satisfy my need for that.

Anyway, yeah! That's pretty much it. Thank you so much for everyone who read all of this, and I hope you got some amusement out of it if nothing else. Feel free to tell me your thoughts, too!

[iwritenarrativesandstuff]

sorry i have to brainfart this somewhere but mersault chuuya wearing almost damn near similar clothing to his youth got me thinking about dazai and chuuya's fashion choices.

dazai, in all the eras where he was in the mafia....never changes his outfit. it fitting, given his character and such.....so his ada outfit makes him look like a rainbow. dark blue vest, blue gem(?) bolo tie, striped shirt and a tan coat similar to oda's. i think it's cool, to show the stark contrast between his pm days and how he's faring now, aswell to show how much effect oda had on him.

chuuya.....is the complete opposite. boy changes his clothes all the time. but it's so interesting.

his fifteen outfit is very "him" in a sense. street kid, street kid style- red shirt, grey hoodie, green leather jacket, bright blue sheep armband. he fits right in with the rest of the sheep, and hes so...colorful here. almost similar to ada dazai's outfit. and then theres the outfit he wears in the mafia- the first one we saw back in the manga where he seems to be wearing like a..."beta" version of his current outift- but the way it was drawn (disregarding the anime for a second) it looks like its almost ill fitting for him. the vest is too big, the coat looks so heavy, the tie isnt properly tucked, and his pants are baggy. like hes struggling to "fit in".

then theres sb outfit- hes wearing the standard mafia outfit like higuchi, but with his own touches- rolled up sleeves, glasses tucked in his breastpocket, choker, gloves. its not much, but even higuchi doesnt do anything to hers. we kinda see him "getting into" the mafia work, and theres no pop of color here. the dragon head conflict outift is different though- hes wearing clothes that are "his style" again. simple shirt, jacket, choker, gloves. he also has his red petticoat (i think thats what it is? whatever that long cloth underneath his jacket) that, once again, gives him some color. i dunno what spured the outfit change, but i honestly think the red color is his own touch- his own "color"

and then current chuuya. no color at all, maybe safe from the ribbon on his hat. he wears his coat on his shoulders, similar to pm dazai. (also, slight off tangent here- he always loses his coat whenever hes dealing with dazai?? i think?? which is. interesting. given with how glued pm dazai's coat is to his own shoulders. like he actively takes it off/gets it taken off and i SWEAR this only even happens when hes with dazai. idk. ever since asagiri said beast dazai wearing his coat fully to signify him accepting his role as the pm boss ive been. thinking about it. a lot.)

where was i going with this?? oh yeah. why is mersault chuuya wearing his old clothes?? specifically fifteen clothes? like was it his off day or something. bc if you look at chuuyas various outfit as his progression towards the mafia then him wearing his old non mafia clothes either means two things : 1. this is to signify chuuya, under vampire influnce, is well. obviously not loyal to the mafia atm. or 2. something might happen in the future that makes him swear allegiance to someone else which i dont find possible but??? who knows. im overthinking this

Oh my god I opened my asks to find this monster in here and scrolled through it like ?????????

Please feel free to do this anytime this was an absolute joy to read hahaha

"dazai, in all the eras where he was in the mafia....never changes his outfit." His outfit stays pretty similar, you're right, though he does actually change it once during his mafia days. The left image is the outfit he wears in Fifteen and Stormbringer, while the right is what he wears in DHC and Dark Era.

The difference is the blazer jacket he adds under his coat. It's a minimal change but I think it's significant. I mentioned in this post how I believe the change might be related to his change in pronoun from boku to watashi, but really it's more the added layer of distance that makes this significant. Dazai just looks a little... odd, in the first outfit. The coat hangs off him loosely, his shirt is a little baggy. He looks very boyish, and that makes his deceptive tendencies and deeply concerning outlook all the more disturbing to others.

The second outfit makes one change but his clothes now look like they fit him (still with the exception of the coat, which never fit and never will... in this universe anyways. You mentioned Beast so... you know already hehe). In the case of the second outfit, he looks more mature and formal, which lends itself to a person who withdrew further and further away from people (with the exception of the other two at Bar Lupin); who became a terrifying executive in other's eyes, moving away from the "creepy intelligent child" image he had earlier - even though he is still very much a kid. No one knows Dazai - I think the added image of formality and authority here is just one of the many barriers he constructed to keep people from getting too close.

"so his ada outfit makes him look like a rainbow. dark blue vest, blue gem(?) bolo tie, striped shirt and a tan coat similar to oda's."

hjdfvbdjf rainbow - entering his no longer closeted gay era (sorry lol i couldn't resist)

No but you're right about the coat looking a bit like Oda's. He cared for and respected that man like no other and I think when Dazai thinks of "a good person" Oda is the first person who comes to mind. His shirt in the manga is also stripy like Oda's, a little detail that got lost in the anime. :')

"his fifteen outfit is very "him" in a sense. street kid, street kid style- red shirt, grey hoodie, green leather jacket, bright blue sheep armband. he fits right in with the rest of the sheep, and hes so...colorful here."

Yeah. He looks every bit the street kid and blends with the Sheep near perfectly - more than fitting in though, I think it's more than implied that he wants to fit in and changes his look to do so. Chuuya goes to great lengths to give the appearance of fitting in - because he never felt like he truly did (and certainly the Sheep did not treat him like an equal or a friend).

"and then theres the outfit he wears in the mafia- the first one we saw back in the manga where he seems to be wearing like a..."beta" version of his current outfit- but the way it was drawn (disregarding the anime for a second) it looks like its almost ill fitting for him. the vest is too big, the coat looks so heavy, the tie isnt properly tucked, and his pants are baggy. like hes struggling to "fit in"."

YES you get it!! And adding onto that, Chuuya doesn't really have a lot of reason to want to fit in yet. He hasn't found his personal groove yet, because he has little personal attachment to the mafia at this point in time.

Yeah in Stormbringer he's got a few personal touches but is still pretty non-descript (though you're right, it's much more than Higuchi... something to think about for her character too, and how it seems the mafia may be more of a job than an investment to her). By Dead Apple though, Chuuya's outfit is... well, back to his punk vibes, just a little more mafia-classy, I guess. (I don't know fashion I'm sorry, please don't kill me)

"but i honestly think the red color is his own touch- his own "color""

Red makes a lot of sense as a colour for Chuuya. It's energetic, emotional, fierce and aggressive. It's also considered protective, so yeah it suits him for sure. Red clothes, red ability... red camellias...

"and then current chuuya. no color at all, maybe safe from the ribbon on his hat." Ooo ok. So in the anime, this is true but in the manga, I believe his vest is actually a pale red.

Well. Brown with red undertones. Your point still stands though because the colour is very muted. It's not like Fifteen or DHC Chuuya for sure.

"(also, slight off tangent here- he always loses his coat whenever hes dealing with dazai?? i think?? which is. interesting. given with how glued pm dazai's coat is to his own shoulders. like he actively takes it off/gets it taken off and i SWEAR this only even happens when hes with dazai. idk. ever since asagiri said beast dazai wearing his coat fully to signify him accepting his role as the pm boss ive been. thinking about it. a lot.)"

Oh. Thinking on this. Um. Embarrassed to say - I don't think I noticed that actually. Like obviously he loses the coat a lot and that was already something to think on but... only around Dazai, is that right? Hold on, I'm gonna check.

Ok so my check wasn't super thorough (read: I am too tired and drained to go through each and every panel he appears in) but...

By god, I think you're right.

That's. Hm. I'm going to join you on thinking about that for awhile.

I see the coat as a representation of his role and responsibility he takes on, really, so it's interesting that the formality and symbolism of his service to the mafia gets quite literally discarded in the scenes with his foil and equal. Fascinating.

He's also not wearing it in any of these now infamous panels from Chapter 101:

Huh. Well. Thank you anon. You've just given me a whole new thing to whir about.

"why is mersault chuuya wearing his old clothes?? specifically fifteen clothes?"

Honestly, I'm still waiting to figure this out too.

Because of the purplish hue over this piece of new art, I find it hard to tell what the actual colours of his outfit are but it does look awfully similar to his Fifteen outfit. It could just be his "day-off" outfit but I think there's got to be more to it than that. It could have to do with allegiance, like you suggested. May I also suggest the return to a sense of inhumanity?

These are also the clothes he wore when his journey to find answers on himself began. Might he be entering a new arc where he has to "find" himself again?

I still feel we don't have enough information to make a solid judgement. As the meursault pov continues, I think we'll have a better reason as to why he's dressed like this.

[antiloreolympus]

10 Anti LO Asks

1. I wish Rachel hasn’t used the gods to create the comic but rather turned them into human OCs. The fact that they’re rich, immortal and attractive make the stakes so damn low we don’t even have anything to genuinely fret over narrative wise.

2. WAIT I HAVENT READ LORE OLYMPUS IN A WHILE BUT DID SHE REALLY MAKE APOLLO THE SUN GOD?! STRAIGHT UP IGNORING HELIOS THE ACTUAL SUN GOD?????? How could Rachel say she did research and still choose to incorporate one of the biggest misinformations about Greek Mythos.

Look I don’t want poor Helios to be seen in Lore Olympus style if he hasn’t yet, but that’s such a simple thing to get wrong.

From OP: Both of them are still sun gods, the main issue is that RS also made Leto a sun goddess for some reason.

3. im sorry but the only distinguishing factors between literal gods and humans is that the gods are neon colors and thats it is so dumb?? like what about demi gods? how about exceptional mortals? like how can anyone compare psyche to a goddess then if shes not neon colored? also theres a ton of myths where gods are easily able to blend in with humans without changing anything because they are supposed to look like them, so how can they do that if humans are normal skin tones but the rest are neon?

4. I honestly feel like a big part of why LO is so bad is it's just way, WAY too long. The first few episodes were fast paced and kept you interested, but once it really pocked up on popularity you can see Rachel just started stretching everything out and dragged it back to a snail's pace. I'm all for a slow burn, but that shouldn't for the readers. If it was this long and there were months/years of progress in story I would excuse it, not at most a month in all this time. It's exhausting to read.

5. ok but why do even the humans in lo look so wonky? idk i think her more early abstractions with human forms was really so much better than this more realistic but also more cartoony look, it just doesnt mesh well. sure its technically cleaner looking but it starts to show the many flaws in the art than the previous look didn't. in the early look you could excuse it as coherent stylization, in this current look it just looks like rachel and her team either are very lazy, cant draw, or both.

6. also the disney hercules movie 1) never claims its myth accurate but also 2) its still just a fun movie?? LO in comparison is a self righteous slog that thinks its reinventing the wheel and is more legitimate than the actual texts all while being so wrong its not even"myth fanfic", its just a completely different story with greek names slapped on it for marketing. disney also had the good sense to not make the whole story about a dark topic, meanwhile LO is milking R//PE for a creepy romance.

7. ngl im even surprised rachel would even call hades anything zeus related because she seems so vindictive against anyone who isnt hades/persephone/hera that i would have thought she would make a point to say zeus would rather be be called "light hades" or w/e.

8. Omfg I just realized Hestia and Athena are an incestuous couple. Hestia is Hera's sister and Athena is Hera's and Zeus' daughter. Hestia is literally dating her niece. So the only non-stright couple in LO is incest. I just... how do fail this fucking badly at represenation?

Also, bc I know someone is gonna say it: Yes, incest was pretty much par for the course in Greek mythology, but in LO Rachel seems to actively want to avoid that particular aspect (which is understandable). Zeus and Persephone were orginally biological niece and uncle as well, since Persephone was the daughter of either Zeus or Poseidon and Demeter, but in LO this is retconned into Demeter making Persephone herself without a father being involved, making HxP still sketchy but not blood-related at least.

The Hestia and Athena-situation seems like a comedic mistake RS made. She hastily threw together two same-gender characters to counteract the accusations of homophobia and straightwashing and it just... backfired in the most hilarious possible way.

From OP: Athena and Hestia aren’t technically related in LO but it’s still really odd that Demeter, Hera, and Hestia come from Metis but have no relation at all to her other than she created them. Like, you’d think even Metis’ power would connect them in someway but I guess not. The three even used sisters to refer to each other (although, it was only retconned once and left in the other time) so I still their (Athena and Hestia’s) relationship weird.

9. This isnt just an LO thing but it's ironic Rachel is in that group of WT creators who went to art school and yet have some of the most subpar art i've ever seen, meanwhile the self-taught creators who went to school for medicine, engineering, comms, etc all have some of the most beautiful art i've seen in a webcomic. Anyway LO stans have to stop using the "she went to art school" excuse since it'd pretty clear she's not the only example where art degree =/= good art.

10. ok now im a bit sus about about the LO stats and tbh every other original bc i just saw an original creator say the actual numbers (esp for popular series) are all overinflated by porn and spam bots and webtoons wont get rid of them to make it look like they have more engagement and market them as more successful than they let on💀getting real tumblr will ban boobs but not the n//zi blogs energy from that info ngl

[anakinthetrashking]

BnHA One-Shot Fic Recs (pt2)

 I AM HERE! With more recs for you! The last post was all about DadMight, such a beautiful genre *wipes tear from eye* This time its DADZAWA! if you happen to follow me, you might know that i really really(really) love Aizawa. a lot. So im going to try to keep this to only 10 recs, but,, well,,,, we’ll see anyway leTS GO

Aches and Pains by Badwolf36 Rating: G     Category: Gen     ~2700 words Summary: In which Izuku isn't willing to admit how much pain he's in, and Mr. Aizawa is just as much of a softie for his students as he always is. I’m always SO WEAK to stories that deal with the very real consequences of breaking all of your bones. Poor Izuku. I enjoyed the details of how he’s feeling, the way that the reader’s awareness of his pain waxes and wanes along with Izuku’s (temporary distractions can only do so much, A+ for realism there). Also, soft Dadzawa while not mushy-ooc-Aizawa! Conclusion: I love this and also want Aizawa to make me hot cocoa when there’s storms and i cant sleep!! (sidenote, everytime i see this username my brain shorts out bc my old ff.net account was also Badwolf## lol)

My Neighbor Shouta-ro by Hound_of_Heaven Rating: G     Category: Gen     ~2,700 words Summary: Yamada Hizashi, on Christmas Eve of the year he turns 19, jokingly presents Aizawa Shouta, also 19, with a Totoro kigurumi. Everything that follows after is pure chance. Heeeeeeeeeck this is ADORABLE. I- You guys- this is so pure and so precious and so!! go read it, i died. such fluff.

constrained by my own mind (im not fine) by CamsthiSky (tumblr: @camsthisky ) Rating: G     Category: Gen     ~1,500 words Summary: Midoriya Izuku is a problem child, and for some reason, Aizawa Shouta cares too much to let him fend for himself when the kid is obviously dealing with something First of all this is written by one of my fav Batfam writers!!! I was so hype when i saw this posted and OF COURSE IT WAS JUST AS WONDERFUL IF NOT MORE SO THAN I EXPECTED!!!! A+++++ in character for both Izuku and Aizawa. Izuku is jumpy and anxious and stressed and i love it. That the way Izuku started out, and while i am eternally happy at how much his life and social reactions have already changed, stuff like that doesnt just disappear in even a year, so I love fics that address that and expound on all the progress that he would have to make behind the scenes. and having Aizawa as the catalyst to begin getting actual help? *chef’s kiss* This checks boxes and then proceeds to cover the page in checkmarks LOL

remember from here on in by aloneintherain (tumblr: @captainkirkk ) Rating: T     Category: Gen     ~8000 words warning: spoiler heavy from manga chp 215 Summary: Aizawa glances from All Might to Midoriya quickly. It sounds impossible—he’s never heard of a quirk that can be handed down like a family heirloom—but at the same time, it makes perfect sense. Midoriya’s inability to use his quirk at the start of the year. The strange, familial relationship between All Might and Midoriya. The slow malnourishment of All Might’s body, like his power was being siphoned away. “You’re …” Aizawa begins.“I’m All Might’s successor.” Midoriya’s proud but shaky voice rings clearly down the empty corridor. Aizawa finds out about One for All. Awwwwwwww yiiiiiiiissssssssss!!!!! reveal fic!!!! one of my all time fav tropes!!! Plus it expounds on some future theorys/possibilities(Spoilers!!!) and you get some great interactions between Izuku and Shinsou, and plenty of opportunities taken to wear out our already worn out catepillar-sensei. poor guy needs a break but would do anything for these kids. Incredible characterization, great feels!!

Those Hardest to Love Need it Most by DancingintheStorm Rating: T     Category: Gen     ~8,200 words Summary: Shouta gripped the phone tight enough to make the phone case groan. “So it’s true. Midoriya was Quirkless.”“Until soon before the entrance exam,” Nedzu confirmed. “That’s not relevant now, though, because—““Relevant?” Shouta hissed. “Midoriya is barely functional, socially. He doesn’t trust any adult. He thinks the whole world hates him. He apologizes for everything except breaking the law, and I’m sure I can trace every single one of those things back to his Quirklessness. You call that irrelevant?”  Aizawa visits Aldera Junior High and finds out some disturbing truths. Yes. Just. Yes. Righteous anger abounds, local anxiety-child is told for the first time that his life has worth, more at 10 (I LOVE THIS ONEEE)

The Gaunlet and friendships and how memes tie the two together by averypassionateperson Rating: T     Category: Gen     ~3,500 words Summary: Shinsou walks into his first day in the Hero Course hoping to get politely ignored. He walks out having gotten into a sanctioned fistfight with the entire Bakusquad and a whole lot of new friendships. Also, memes are responsible for most of this. This fic is SOOOOOOOOO much fun. Always sure to bring a smile and honestly all I could want from a fic about Shinsou’s first day in 1A!!!

like light through a window by achievingelysium   (tumblr: @queenangst ) Rating: T     Category: Gen     1,139 words Summary: The first time Shouta sees what Hagakure looks like, it’s because she’s covered in blood. Coming from one of the best Dadzawa writers around, is a delightfully haunting fic centered on Hagakure!! The Dazawa is of course, spot on, the premise makes your heart ache as it plays out like a movie in your mind. So smooth to read, while so emotionally painful. Ouch. It is a fic with imagery that has stuck in my mind like a plant with deep roots, bc i keep thinking about it despite my too-much-fanfic-reading-adhd-muddled-brain. I feel like i had more to say but tumglr erased the paragraph i had originally written. D:   (side note, as i am keeping these posts to 10 fics... this fic came from her series of 30 min fics which you can find here on tumblr ao3  its an absolute goldmine of one-shots, go check it out)

a frozen pond, dark and deep by walking_through_autumn Rating: T     Category: Gen     ~3,800 words Summary: In the aftermath of Endeavour's battle against High End, Aizawa escorts Todoroki to his home for special leave, and they have a conversation that has been long in the making. (Or: Over two car rides and the mystery known as bubble tea, Aizawa divulges information, Todoroki returns the favour, and trust is built over unexpected similarities.) This fic felt just as quiet as the two characters it surrounds, which was really nice. Even deep emotional grieving can be quiet, since everyone feels things and reacts to things differently. It was a brilliant way to chip away at these character’s walls to let light shine through without creating an earthquake event to destroy the walls completely, you know? and it works off of canon so well. ah yes seeing the process of Aizawa realizing that hes has adopted another child is my fav    anyhow i enjoyed it very much!

but still my heart is heavy (with the hate of some other man’s beliefs) by honeyandsunshine Rating: T     Category: Gen     ~3,500 words Summary: Nemuri jerks a thumb to the side window, presumably the one with the best view of the front gates. When Shouta looks, a small crowd, all of which he can recognize from his class, are gathered around a sleazy looking man with a camera and a microphone. Half their quirks are activated. Bakugou and Todoroki are smoking. From the bushes nearby, a rather enraged stag emerges. As he gets up, Shouta just hopes they haven’t already killed him. Or:Class 1-A defends their own. Aizawa suffers, but looks after them anyways. I love how this doesn’t go the way you expect it to. and how much Aizawa loves and trusts his class full of gremlin heroes. The Dadzawa is so soft, his logic is sound, my heart aches, and i kinda want to cry. really, really, really great you guys

bend, don’t break by heyhamlet (tumblr: @hey-hamlet ) Rating: T     Category: Gen     ~4,100 words Summary: It started, as it always seemed to, on what was supposed to be a pleasant day. ---A Christmas shopping attempt gone wrong, Aizawa and Midoriya have to survive a strange nightmare quirk, all while trying to work out how to get out of there alive. Aizawa is injured, Midoriya is panicked. It's less a question of what could go wrong, but more what could go right. Another fic that has not left my soul since i read it. Some of it is truly terrifying in a way that I hope never haunts my own nightmares. and honestly isnt that reason enough to read it? While near death experiences bond people together well, nothing beats being trapped with someone in a nightmare that is feeding off of your deepest fears! If Aizawa wasn’t considering adoption before, he certainly is now. Found family before the monster finds you...0.o go read it, its a treat from another top notch writer!

well, thats 10! the next post will probably be misc. bnha one-shots. Enjoy and don’t forget to give the writers your souls love and comments!

[littlefoxwithbighat]

Hi! This is talking about the plot of the dream smp in a meta sense and its a bit negative. The person behind this blog wants to remind you that you can skip if it's not for you and they still love the SMP. :)

ALL DISCUSSION IS ABOUT CHARACTERS. DON'T ATTACK CCS OR I WILL STEAL YOUR KNEECAPS.

I can't lie; I'm really annoyed and worried at the way the writers are handling Tommys character at the moment, and am increasingly concerned about it messing up the plot.

I wasn't very happy with the finale. I don't think that means all is lost, I think they can pull it back but it's going to take some work. I was worried about the way that things were handled before but the green festival was actually very well handled, so my worries were mostly assuaged. But yesterday? I don't know.

The fact nobody lost a cannon death is kind of disappointing. The weight of blowing up an entire city/ (country?) brutally is somewhat lost if there is no human loss. Nobody was hurt physically and the only people this had a big mental impact on was Tommy and Tubbo, everyone else wasn't very attached to L'manburg or had gone rogue, or were detatched from the while situation. And maybe it's the fact it's happened to them before or that they still have each other or that it seems odd/ frustrating that they still care so much about this place or that it was always a losing battle and they knew it, but I dont find myself really pitying them like I probably should. And I think that comes down to character growth or lack thereof, which I'll discuss later.

Niki and Fundy have started a villain arc, or at least a violent nihilism arc, and I actually don't mind it, in fact I'm a fan but it wasnt really foreshadowed, or really just showing them cracking as much as it should have been. I would guess this has mostly been started for both of them to tie Niki into the plot and I can't blame her for wanting that. Fundys acting is very good, and I REALLY hope the writers handle this well. For Fundy, regarding the fact that his father is going to be resurrected and that Fundy is following in his footsteps... If the writers don't realise that connection and make this a big step in Fundys narrative I will scream. Also Funboo bros are very interesting character foils and I hope their relationship is maintained so that they can play of off each other and also man I just really want them to keep being friends, it's a generally positive healthy relationship that makes both characters sympathetic and we need that right now. As for Niki, her character motivations seem to be mostly centered around Tommy and on the one hand I'm like ehhhh, because Tommy's character already gets a disproportionate amount of attention in terms of narrative, and I get it, but recently he's been a bit TOO much of the protagonist for a multi-person POV improve server... and I'm apprehensive. However on the other hand this has potential for a nice confrontation between Tommy and Niki. If that happens I want Tommy to be aware that this is going to happen and not talk over Niki, and I don't want it to be brushed over. I think it would be best if it was just the two of them. This also gives a nice chance for Tommy to examine his trauma with Dream and explain his motivations and Niki to get her anger out. I also want it to end positively, because it absolutely can and lack of communication when the viewer knows how to fix it is OK as a plot device sometimes but incredibly frustrating if it keeps happening (cough, Tommy and Techno).

Ranboo is reacting to the plot amazingly and I have as usual only praise for him, go, you funky enderman boy, go.

Wilbur is getting resurrected which is a thousand percent because Will wants the plot back and honestly I don't really mind, I think he'll do a good job. However I really hope he speaks to everybody about their characters, particularly Fundy, Ranboo and Niki because I don't want their characterisation and arcs to be thrown away.

Tubbo is doing very well, and I don't have many complaints to be honest. I hope he continues to get in with the acting with no shame, because he's an amazing VA when he wants to be, but sometimes he undercuts serious moments a little too much by laughing. Same criticism for Phil actually. But both are doing good.

On the theme of that, while I don't mind tension relievers or humour in serious moments there are sometimes too many. It was a lot worse about a month back and it was improving, but it seems to be creeping back in and ehhh. It's kind of Marvel-esque and not in a good way? I think it has a lot to do with bloopers and for some reason there are loads at the moment? Like Wilburs arc had almost none and this arc there's at least 2 every moment. Which isn't always their fault but maybe they need to take more steps to prevent them.

Techno is doing OK, he's quite a meta character so I'm not too mad about him undercutting serious moments but sometimes he does do it too much or in the wrong place. Like making jokes about Connor completely over the top of Tommy and Tubbos reunion, you know an event which has been foreshadowed for yoinks, prevented them from getting a proper flow going and kind of ruined it. And that made the reunion really dissapointing, which is a shame because it could have been so cool. However his characterisation is consistent and dedicated, his goals and relationships are clear and he's getting humanised more which is nice, and his monologues are great. I'm curious to see what he does now NL'M is gone but I have total faith in him.

Now Tommy. Oh Tommy. His character is such a mess at the moment, which is a shame because there were moments I saw people doubting his character choices and I was behind him.

Firstly the relationship with Techno fell apart. That was inevitable. Tommy didn't care about anarchy and Techno didn't care about the discs and both of their goals would impede the others. But the way Tommy talks about Techno is so... No? And now I understand that Tommy is going to have a biased perspective on the whole situation, and that's fine and good, but his character is so wrong about Techno it feels weird and painful? Like even from his perspective it went down differently to how he talks about it. They don't listen to each other and it's like watching two people scream at a wall.

The issue is the relationship was fairly well developed. I struggle to see Tommy saying he saw Techno as a friend but Techno never saw him as a friend because hold on, what? Techno, here's a respiration helmet because of that one of thing you told me about your trauma, a disc because those make you happy, plus top tier armour and weaponry, plus I'm going to spend time with you, calm you down from panic attacks, hide you and protect you from Dream, let you wander around L'manburg and achieve your own goals and help you plan things out Techno and Tommy didn't get ANYTHING from that? Plus after Techno opens up about his goals and his trauma, do the one thing that would hurt him the most, (use and then betray him) and then directly oppose his goals after he helped me? Ugh. It just leaves a bad taste in my mouth. I know he would never let Tubbo get hurt and thats fine, but there were ways around that. If you're framing this character as the protagonist, then he needs to be sympathetic or at least grow and Tommy using Techno again without remorse and then refusing to listen to his perspective or show any gratitude for anything makes it difficult for viewers to empathise with him in my opinion. Have him betray Techno and then listen to Techno when he explains why Tommys betrayal hurt him and apologise, fine. Have him listen to Techno and try and find a way to keep Tubbo safe regardless, fine. Have him betray Techno but apologetically and still trying to avoid Techo getting crushed or killed, fine. But THIS? Im sympathetic towards Tommys character but this throws away so much potential character development for Tommy, where at least he saw Techno as a person, and not only that but a nice person who despite everything has set aside everything to help him? And then for him to be exactly where he was at the end of season 1, both literally, and emotionally ? I understand this is a child soldier with trauma but this is supposed to be our protagonist and if he doesn't grow, and isn't sympathetic and destroys someone we care about, how can we root for him?

Now all of this could be forgivable, not great, but forgivable, if Tommy had moved on from the discs. The Goddamn Discs™. And the worse part is all the dominoes were lined up to suggest he had! We had his moment of "he watched me" where he realised Dream was the villain and controlling him, "I've become worse than everyone I hated" good, amazing, I see where this is going, "The discs were worth more than you ever were!" and then he retracts and apologises and you think horray! Tommy has realised the discs were being used to control him and if he doesn't care about them, they hold no value! Now he's going to realise that his friends are more important and he's going to stop going after the discs. His new character motivation can be killing Dream and protecting his friends, especially Tubbo. It's clearly angled this way, and this way the plot progresses and Tommy with it. What marvellous character development. Look at him go.

And THEN, after everything that's happened he says the most important thing is the disc and I want them back!?!? EH !!? Why... Who... Who gave the OK on that writing decision? That's so static and boring and unsympathetic! And then he's back to asking people do fight for L'manburg? What?

I'll be honest I was kind go hoping either Tommy or Tubbo would die with L'manburg. I didn't mind it they didn't, there are a thousand ways to make the plot work without them dying, but this was not a great one.

PLEASE let Tommy have some growth. Yes he's had some from not caring about L'manburg to fighting for it in season one, but that was ages ago and he doesnt seem to have changed since then in any way that really counts. And I know this is harsh and he's traumatised but you have to understand I am talking about this in a sense of characters and narrative and NOT in terms of real life. Tommy needs to be better and dynamic because he is a charcacter and I want him to be a good one.

Having said all that, here are my thoughts on the future of the SMP.

Firstly, I am worried that becuse it is such a good source of content, especially for Tommy that they will never ever kill his character and leave him fighting with Dream for eternity. And I love the Dream SMP but I've seen stories that get dragged out for plot or content, and however much you think you want it to never end, let me tell you, yes you do. It will get stale and repetitive and I want the dream smp, or at least Tommys arc to go out with a beautiful and brilliant and fabulous plot ending instead of being dragged into the dirt. And then maybe new characters take the spotlight. Just please god give it a goode ending.

I also really hope they don't throw other things away to make Tommy the centre of attention, especially if it's destructive to the plot, or kind of weird and obnoxious.

Secondly, I am intrigued about the prison and Schlatts book to Dream and Technos favour and the egg and what that entails and I hope they really think through those plot points carefully and make them work, and don't forget them or throw them away.

Thirdly, I am intrigued for Wilburs return and hope that he manages to fix it cohesively without too crazy a change of pace and style and keeping characters (especially Ranboo and Fundy and Niki) consistent.

I hope they prep for the future and think things thought and communicate with each other.

It might be interesting to see other countries finally discussed but I don't know how much that would intefere with other plot points so we'll see.

That's all! Reminder that this is about characters and plot and this is just a few criticisms. I love the dream smp, but there are somethings I wanted to get of my chest. Please be respectful and feel free to discuss in the notes. Also, again, no hate to any CCs!

[zed-36]

@ 18: the questions weren't actually that strict! you could interpret them however you liked :) that said, im curious what you would add to the story? i love reading ur ideas and interpretations of the characters n stuff!

oh no prob, i did enjoy thinking of what i could change without adding anything new (i will talk too much if i dont contain myself) BUT since you have asked...

ill share these ideas as a general change to the series as a whole (WR and Acceleracers- also i will call Acceleracers AC for short if i need to).

There is a lot i feel needs to change- but two major points are lore (and direction of it in the story) and characters.

The lore of the series is all weird due to what changed between WR and AC, but its also too surface level. its for kids, its probably why its not so expansive. but it does leave a lot of confusion to me and while i would have to spend much more time to fully “rebuild” the world, i will give some ideas on what i would see changed.

One, at least making it make sense all the way through. i think Acceleracers had the best ideas but it shouldve been expanded on in WR- WR barely touched on actual Acceleron lore. Overall i would like to see the Accelerons 100% remade from the ground up. i LOVE aliens and alien society but i feel all we know of them is they race. and thats its. and sadly AC wasnt seen through to where we may have seen a bit more. but they need to be redone, with lore also point to exactly why the drones woke up when they did, what their drive is, etc. Why is Gelorum the way she is too, very important lor aside from characters. I wouldnt want the series to become a huge Lore Dump but there are moments where they intended to drop lore and they just. dont really do that, at least not well. Imagining the series with more extensive lore would obviously see it being longer than what it is, which i think makes sense. in the end if i was to properly write out all lore it would be a huge rebuild of 1) the Accelerons as an alien society, in depth 2) the full origins of the Drones/Gelorums (how they ended up where they did, what makes them how they are now and 3) a more cohesive plotting of events that would lead to lore revealed. also developing what “Scrim” and “clyp” were, along with the actual depth of Silencerz and how far back they go has been on my mind a lot. scrim and clyp just vanish from lore but in my headcanon backstory for Gelorum, i mention how those things existed too. if anyone has more specific questions on lore tho i can answer those individually! its just a lot to go over lol.

The characters though, oh god where do i start. not gonna touch on every individual (feel free to ask about someone and how i would rewrite them/change them), but theres a lot i would want to see different.

Theres some good ideas in the series that are just not explored much, or the actions dont feel like they have impacts. And many characters have literally zero backstory to go off of... Everyone needs at least some kinda origin in mind, doesnt have to be said but knowing where they come from is one key detail that i think is nice to drop some times. characters referncing locations, where they went, etc... its little but its good to have. In the WR comics, most of these characters do have origins! but theyre completely forgotten in the movies it seems. it would have been cool it WR tied together some of these ‘really good drivers’ and maybe they were in the same races together or something. there are 35 people and none of them seem to know each other at least not in detail- other than Vert and Alec who are clearly friends. Kurt Wylde was written to have done some “illegal” modifications in a race, what is someone there knew him? what if it brought up tension/suspicions? Things like that, its all part of where they come from and its a shame the movies just dont connect them very well.

I think theres some specific characters i will give examples to ‘rewrtiting’ and most of it is AC focused!

Kurt & Markie..... i love them, really do! but after WR i just did not like where they went. i get it, kinda ironic for Markie to become such an opposite. buuuut it was a bit much to me. first off, i would actually expand on the “crime” and that would 100% change the outcome of the two. the period between WR and AC shouldve gone different and in turn, i think wouldve changed up MM and Teku completely! i want to imagine Kurt is trying to get away from bad habits after WR but, perhaps has a really good deal with someone who had also gotten him into illegal car part business in the past. he is tempted and ropes Markie in with the idea they could do so more secretly but are caught, and while Markie is nervous and young he spills all the beans, but none of that evidence goes to Kurt and he stays silent, managing to get out of it. However instead of Kurt going to Teku and Markie going to MM.... Kurt tries to join Teku in the idea of joining a less rowdy gang, but Vert believes full Kurt let his brother take all the blame- so they dont allow him in. He goes for MM, which takes him easily but this team’s energy really doesnt help him. In turn, Markie leaves jail and Vert is swift to allow Markie into Teku because theyre friends! and it helps keep Markie in a better place, not wanting to get back into bad stuff. The important thing is tho, this switch up wouldnt result in super harcore, asshole Kurt. i feel like instead, he would be in an awkward place of wanting to improve himself but MM’s rebellious attitude coaxes him into worse attitudes. AND... very much an oppurtunity for Gelorum to manipulate him once more, as the accelechargers are much more important to acquire, with multiple, we’d loop back again. in the end though! i could imagine the story would still bring in the same scenario- Markie gets taken by drones, Kurt saves him, they rekindle and Kurt also comes to realize he shouldnt give in to the ways he used to practice.

i think for AC, in order to find more interest in the characters,  a switch up with the teams would be neat. Markie and Kur swapping was always on my mind, but i have thought about Teku!Taro. I think it would’ve been cool to throw in an background guy from WR into MM... like Harrison Lau. some more familiar faces would bring interesting dyanmics considering their backgrounds. and it think it wouldve fleshed out the teams a bit more in places they lacked.

Another thing i think is clear is there is lots of unexplored potential. Like dyanmics i express with Markie, characters like Lani, Karma, Tork, etc... oh there is so much i would add for them. Karma has a weird thing with being mentioned to look like Gelorum, and her prefectionism too but it was never touched on. What if it caused conflict? What if it made her question their morals? Or with Tork- i would honestly just rewrite how he tackles Tone’s death and the resolution, that whole thing in movie was weird and messy and made no sense to me imo. Lanu had something going for her but she felt so disconnected from the WR characters in AC, which is a shame! oh there are so many to go over lol. i hope to tackle some of these loose ends in the fics i have in mind but yeah... there is so much to say about changing these characters!!

[strrwbrrryjam]

001 zukka, if youd like.

hi! okay, first ask, thank you for asking.

when I started shipping it if I did: ...im going to be completely honest, im new to atla, but not new to tumblr. i actually had a large tumblr that i made when i was fourteen that was dedicated to hetalia. but over the years i got bored of it, so i stopped updating it, i only looked at the blogs i followed and then one day, someone reblogged some zukka fanart, and i loved it. i knew nothing of the characters, but from the looks of each of them and how it followed the classic red-blue gays and representation that i craved as a young lesbian i decided to give it a watch, still in love with a ship i knew nothing about, so imagine my whiplash that i got when they were two people who weren't even friends until the final season, but i never got discoaurged because of all the tension and the parellels and how if either of them were female-male i definitely felt that zukka would be canon and have so much more hype.

my thoughts: im not the best at describing why i love them, but ill try. i love zukka for a lot of reasons, but mostly because... for me relationships are a partnership, you both get benefits from it where you can rely on eachother, where there is a mutual understanding between each other to the point where you know exactly what your lover needs to hear... and sometimes, no matter the mood your in, they are the only ones who can truly make you happy, and thats what i get from zukka. sokka is very much the older sibling, he goes so underappreciated for so long that when piandao tells him he should be proud of who he is and what he can do... he just doesn't believe him. now, this isnt the fault of katara, aang or anyone else, maybe a little bit hakodas fault i mean he literally left a kid with such high expectations of himself to protect the village by himself with what limited training that he had. even when they listen to his ideas, some of which are very much right but have failed to no fault of sokka like walking because appa is too noticable, katara or someone else pokes fun to these ideas for failing miserable, which they may mean in jest, but can still really hurt, so he needs someone to encourage him that sure, maybe this idea has failed, but its just a learning experience. zuko... my god he has trauma. zuko was this sweet and kind and passionate kid born into an environment where he didnt belong and he was abused for everything that he was. ursa while was a safe haven didnt do enough to protect him, as she too was powerless. his sister turned from this sweet and kind sister to someone who quickly realised that being that way makes it impossible to survive so she began to tease and taunt and turn into a mirror of their abuser. while id like to think lu ten was there for the both of them, iroh and lu ten where getting ready for the siege so they were rather busy... and azulon actively wished that ozai kill him, and ozai, fucking ozai man, is there anything else left to be said? once ursa left... everything when down and he was burned and banished for his wish to protect his people. iroh... for all my love of iroh, he doesnt understand zukos intentions or actions, he thinks hes lost his way but... he doesnt see that zuko doesnt want to hunt the avatar, he doesnt want to stay at the tea shop, what he wants is to be home. hes not safe in the watertribes, not safe in the earth kingdom and while he isnt truly safe at home, its his nostalgia(?) and how everything hes used to is at home, its where his mother memory lives... its where his the remnants of his past relationship with azula and where his baby sister is... its as safe as a home they could get. he knows people doesnt like him and he while isnt okay with it, nothing matters more than getting home. which isnt a good reason for his literally capturing of a twelve year olds, fourteen year old and fifteen year olds, but... it is for him, hes sixteen, still a kid, like the one hes chasing and he doesnt realize that the home he hopes for isnt what he thinks it is, at least not anymore. that his father doesnt love him, that his sister is no longer the sweet kid that she used to be and she too was abused, that his mum is no longer around anymore and he doesnt have a happy life or a happy family. he repeatedly doesnt listen to iroh because iroh doesnt get it. iroh grew up loved and cherished and praise while zuko doesnt, he grows up hated with no chance of change, he... is very much an asshole and doesnt listen to anyone, but hes trying in season 3. and then... the boiling rock happens. my god, its... like my favourite episodes. sokka feels like he has to go alone because he felt like he failed, its his responsiblity, it was his mistake despite the fact that it wasnt, that there were many, many adults who it the fault could fall onto, and the fact that the odds were stacked against them completely, but sokka being who he is, still feels responsible, but wants to go alone. except, zuko wont let him, he understands sokka, because thats what hes felt like his whole life. hes

always felt like a failure, not being able to protect his sister, not being able to protect himself so he knows what sokka is going to do, and, forces himself onto the journey. its awkward, at first, because of course it is i mean this is the guy who was chasing you for half a year and was inadvertidely responsible to two of your closest friends deaths/near-deaths. but once they get past this awkwardness, the banter very much starts when they land. and zuko. zuko who never asked for someones opinion, looks to sokka for guidance and listens and encourages sokka. for me boiling rock is peak sokka for how well he plans. sokka is able to express himself and talk and give advice and when his plan fails, zuko is there to help him through it and see it with a different perspective, and they just... the trust, its there. its already there despite how much it shouldnt be. it just works so well and then sokka defends zuko to hakoda and finally hakoda tells him what he should of and... its up from there. they are just there for each other and its... wonderful. they are both absolutely miserable people but... they make each other happy. it happens so fastly too and its just absolutely wonderful.

What makes me happy about them: honestly, i just wrote what makes me happy about them and how much i love them in the above question.

What makes me sad about them: god. how complicated it will be in the actual universe and how they will have to spend most of their lives seperate from each other. ive mentioned before that im a romantic at heart and it hurts, because despite how realistic it will be to have them seperated for most of their early religion, i mean... zuko will have to stay in the firenation despite how much it isnt home for him anymore and sokka is able to move from the southern watertribe to the northern air temple and to the firenation... so id like to think that when izumi comes around, the soon travel together, as by the time izumi is around, things are getting settled and zuko doesnt need such a close eye on everything.

things done in fanfic that annoys me: listen... i dont have anything that really annoys me, except when they play into babified(?) versions of each other, (zuko beng too soft-boy and sokka... being to "daddy" if thats the correct word.) but what bothers me is the lack of sokka-comfort, all of them have trauma. sokka, too. i love zuko. hes... just my favourite/comfort character and someone who i relate to so much, hes just... ive never related to someone more than zuko, but zukka is a more mutual relationship than anything, and i wish we had more fics dealing with sokkas trauma too.

things I look for in fanfic:

Who I’d be comfortable them ending up with, if not each other: okay, okay, okay, for zuko, i have many, i just think zuko and sokka both have extreme pretty boy privilege, and while zuko doesnt realize the effortless charm and how pretty he is, sokka most definitely does and uses it to his advantage. so... maiko, jinko, (platonic/relationship) zutara, jetko and sukka. listen. i love yue and sokkas relationship, but they had such a short time together that i could never really ship them. i think sokka mourns her and it is very valid for doing so but i always felt that he mourned his friend and what their relationship could of grown into. also i am a diehard yueki fan.

My happily ever after for them: that they grow hold together, and are able to see their children, (yes, i said children, as in izumi, varrick and senna with trans!zuko) grow and change the world and have their own families.

who is the big spoon/little spoon: dude. dude i dont know. i want them both to be held. i want both little spoon zukka and big spoon zukka. weighted blanket zukka. all zukka sleeping positions. i like to think that like me the both of them cannot stay still while they sleep, they wake up in each others arms but end up at the foot of the bed or something.

what is their favorite non-sexual activity: god... everything, picnics, roadtrips, reading together, stargazing, sharing letters... just as long as they are their together everything is their favourite activity as they spent most of their youth and twenties and possibliy early thirties separate from each other.

[chikkou]

Will you talk more about Lisa?? Lisa the character specifically but also your feelings on his feelings about Buddy? I just thought your analysis was so good and I want to hear other thoughts you have on her.

yall are honestly spoiling me rn sdhkfdjfks this is like a dream come true 

i already got into the stuff with buddy in this ask here but i have a LOT to say about lisa and the connection between her and buddy so u better settle in!

ok so firstly ill start with lisa. i played the original lisa game (lisa the first) not long after it first dropped in 2012, and im not even kidding when i said it changed me LMAO.... seeing a story about a girl suffering is nothing new, but austin jorgensens approach to it was so fucking unique. you dont just witness it, you get to EXPERIENCE it right along with her. many stories that involve sexual abuse/rape show or otherwise depict it explicitly for the shock value, which is both disgusting and, in my opinion, extremely fucking exploitative. i feel that it is horrific to dignify an act so deeply evil with screentime. but lisa stood out to me immediately because, even though you know exactly whats going on, the game NEVER shows anything explicit. everything is layered in subtext and symbolism, and austin is fantastic with indirect storytelling, so you learn so much from just a little drop of information. this applies not just to the game proper, but to the character as well.

in case its not clear: i absolutely ADORE lisa. she is my favorite character in all of the games, bar none. its going to sound kind of fucked up, but as a kid around her age going through some fucked up shit, her committing suicide at the end felt like a sort of victory to me. she knew she could never escape from marty or what he was doing to her. he leaks into every single part of her psyche, everything she ever cared about or loved is ruined because of him, and even the vague memory of her mother is completely corrupted, and turned into a muddled version of him. lisa the first also had the added benefit of some religious commentary, as there are crosses all over their home and marty is characterized as an extremely religious man, which i fucking LOVE and wish had come back in the painful, but its an acceptable loss. anyway, lisa committing suicide at the end was an act of defiance against not just marty, but martys god, as suicide is considered a mortal sin in catholicism. lisa knew she’d never be free of marty in life, so she escaped the only way she could; she was defiant to the end.

ive seen people complain that the painful has a bit of a “lost lenore” thing going on, since lisas death seems to fuel the Manpain of both brad and buzzo, but i actually disagree. on the contrary, its just like austin himself said - lisa will never be gone. lisa is ALWAYS there, with brad, and buzzo, and buddy, and marty, and yado, and the ENTIRE FUCKING WORLD. i dont necessarily think that there is something paranormal going on in the game, but i AM going to say that, unlike other cases of a girl/woman dying for a mans backstory, lisa isnt just a bittersweet memory they can reflect on and then put away when its convenient for them. she is a presence that is felt throughout the entire game. brad sees her more than once, sometimes watching, sometimes reprimanding him. buzzo is clearly haunted by her, as he cries out to her a few times in the joyful. every character who was directly touched by lisa - brad, marty, and buzzo - calls out to lisa as they die. call it their guilt or call it her actions, but in either case, it is clear that lisa just as significant of a character in the painful as she was in the first, even if she cant always be seen. even in a meta-sense, every game in the series - even the joyful, whose protagonist doesnt even know who she is - is named after her. she is at the center of everything that happens in them. 

that actually brings me to buddy, because i find the dynamic between her and lisa fucking fascinating. as i previously mentioned, brad never talked about his past with buddy, and snaps at her for bringing up his adoptive son dusty (rando), so it goes without saying that she definitely doesnt know who lisa is. in spite of that, though, lisa is a fucking massive part of buddys life, and while she may not know the person herself, i think she is aware that when people (and brad especially) look at her, they arent seeing HER. 

i mentioned it in another post, but even though brad takes it upon himself to raise and “protect” buddy, he seems to almost unwittingly recreate lisas appearance, primarily by allowing her hair to grow long even though he knows what a risk that is to her safety. he also treats buddy in a manner thats incredibly similar to how marty treated lisa (sans sexual abuse, of course) - he insults her, does not let her leave the house at all, and forces her to do unsavory things that no one should ever have to do (in buddys case, this means killing at least two innocent people because brad doesnt want a “weak” daughter). the most literal comparison between buddy and lisa is the fact that they are both very young girls being essentially held captive by their father figures, albeit for different reasons, and both long for freedom from their captors. 

theres also the fact that both buddy and lisa have to deal with misogyny and the effects of rape culture firsthand; they both battle against men who feel entitled to do with them whatever they please, and the threat of ongoing sexual abuse looms heavy over both of their heads. neither one can seek help from anyone; the neighbors in brad and lisas town seem complacent at best, if they even know what is happening to lisa at all, and buddys only allies (sans rando) are long dead by the start of the joyful. this is not just a hypothetical or a distant possibility. this is the real, tangible fate that will befall them if they cant somehow secure their safety.

sadly, because lisa wasnt playable in either of the rpgs, we dont know if she was able to fight as brad was, but it is highly probable that she had the innate skill but was never able to learn it (as marty highly discouraged them from learning “their grandfathers karate,” and seemed disgusted whenever brad did so). however, she did have ONE weapon she could make use of, and this is a weapon buddy ends up using, as well - her femininity. she became close to bernard (aka buzzo), made him fall in love with her, and then used him as a last ditch effort to stop martys abuse by having him mutilate her face. im not saying lisa never cared about bernard - in fact, i think she DID really love and care for him - but her own fucked up experiences with “love” meant she really couldnt understand what it was supposed to be like, or that it was wrong to manipulate the people you care about. lisa did very few things wrong - it pretty much just stops at the maiming of the cat and her manipulation of bernard - but she knew that she would never get away from marty without some kind of drastic action being taken, and scarring herself was her last ditch effort before ultimately committing suicide.

buddy ends up taking a somewhat similar tack in the joyful, and like in lisas case, its simultaneously resourceful and horrific. one of buddys key moves in the joyful is to flash the enemy (which the player obviously doesnt see) in order to distract them long enough to get the kill. its fucking horrible and disgusting and makes you feel so dirty, but then, how must buddy feel having to do something like that just to survive? shes just a child, but in a world where almost every man is out to get you, she knows this has to be done to save herself, very much like lisa. unlike in lisas case, though, buddy is successful in securing her safety in this way - lisas effort is for naught, and leads to her committing suicide not very long after. 

in a way, i sort of attribute buddys brutality to lisas omnipresence; all of the men pursuing buddy are just like marty, monsters who would harm a fucking child for their own disgusting ends, and i think that when buzzo said that lisa wouldve loved olathe, what he means is that she would have loved seeing so many horrible men being punished for what theyd done. so in my opinion, buddy carving out a place for herself in olathe by killing all those who would subjugate her seems very much in the mentality lisa would have had. sure, there are some innocents who sadly get roped into it, but that would definitely not be her intention; for example, if buzzo could have practiced amputation without harming a living thing, i dont think lisa would have asked him to practice on the cat. note the LACK of brutality at the beehive and the swamp bar, two of the few peaceful places in the painful and both devoid of predatory men hunting for buddy - lisa has no qualm with any of them. but marty? brad could hardly even get a full sentence out before killing him on the spot. i dont doubt that that has a great deal to do with lisas presence. 

ok i talked for a while LMAO but basically i think that, in a more metatextual sense, lisa and buddys relationship really strikes me as an accurate depiction of generational trauma. of course it was intentional with the more obvious trauma chain (marty to brad to buddy), but the trauma chain of marty to lisa to buddy is rarely ever addressed due to lisa not physically appearing in the painful. however, i believe it may inform buddys actions a great deal more than people realize - after all, buddys experience is unique, but who could understand it better than lisa? who knows that sort of pain, of being alone on an island, the lone woman trapped with a man (or men) who want nothing more than to cause you harm? even without her realizing it, lisa is guiding buddy, encouraging her to take back what is hers no matter the cost, to punish those who would try to take what they want from her. lisa might be dead, but she is a vengeful presence throughout every game, and buddys actions feel like theyre meant not only to save herself, but to avenge lisa, even if she doesnt realize it. at the end of the day, buddy and lisa both get to exact revenge against all the men who have wronged them, and they succeed. they are aggressive, and violent, and selfish, and ANGRY - and they have every fucking right to be. 

[shyrose57]

Brothers anon and other anon it makes me really happy that you like my au! I only planned for Foolish Jr. To be the name of a special totem Foolish had that he gave to Ran (its special cause while it can be used as a normal totem, if broken it can summon Foolish as a small part of Foolish is in the totem. It can also be used multiple times and repaired as many times as needed, which basically made it Foolish's personal totem). Though for Finley, I have it so the group stumbles upon a desert village that manages to point them in the general direction of Foolish's home. But I realize they wouldn't actually be able to find it, so I'll have Finley find Jackie who manages to convince her to take them to her father's temple/home. 

1: Yep. While Ranbob did tell Ran that his memory has been getting better, Ran still is a bit hesitant and treats everything as if Ranbob will forget it. Ranbob did tell him Dream caused it but Ran didnt believe him.

8: Cletus, Grievous, and Jackie I would all consider anarchists. Although Grievous may be less of one than the other 2. A bored group means finding stuff their not supposed too and screaming. 

11: Shocked, relieved, happy, a bit sad, and impressed. Even when Ran booted him off the top of the King of The Hill, he was still relieved and happy his brother was alive. 

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14: No one in this au, in the sub Brothers + Others. Ranboo, Phil, and even Techno get to throw Jackie. Though Jackie only got willingly thrown by Ranboo and Phil. For Techno he just kinda got in the way so Techno picked him up and threw him into nearby bushes. Also, I HAVE NEWS! I decided Raq will kidnap Ranbob, as this could be the perfect push to make Ran go "Oh fuck. I really do still care for him." And have Ran run out into the middle of the night to find him. With the others following behind by a hour or two. 

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Duel wield :). Just imagine you have to fight Techno just to see him wielding two duplicate strong ass swords and he's like an extention of them cause he's so good at using them. 

More emotional pain than you think, but somehow also less than you think. Don't ask me to explain cause I'm not sure how I just get that vibe from the group to be honest. I'm sorry.

All of the above, Tubbo tells Jackie the long running joke of Ranboo being the main character due to his incredible luck with finding rare things or getting out of situations. And Jackie gives Tubbo blackmail by saying how Ran once willingly stepped into water because he never had a big fear of it growing up (cause Mizu) and he actually forgot that water hurts him. 

If one does spark a city will fall. 

Yeah, they all kind of make group sessions where they all sit down, exchange known information and look at it while trying to piece it together. They also exchange suspicions and conspiracies they have. 

He succeeds in convincing Ran that people aren't always as they seem and that some actions have a much deeper meaning. Like he uses how he lives with Techno and Phil and how they where feared anarchists that once ruled a world wide monarchy and where known as basically immortal because no one could even get close enough to hurt one of them. So he was scared of them when he first moved in, and how while it was rough at first, he learned their reasons for destroying L'Manburg, see how Techno wasnt the monsters others said he was, was given training and praise by Techno, and a father figure and someone who made it clear how much they cared for him by Phil. And he never expected any of that, so he tells Ran to attempt to get close again to his brother, cause his brother hasn't changed that much, but he needs to get closer to see. But he fails in stopping agurements because whenever he gets involved he gets yelled at and he doesnt have enough prior knowledge to completely and truly help. 

Sapnap and Karl say they dont really mind, cause they where never really close at all with anyone in any haunting group (for now). But they also feel a weird separation from everyone else, not a massive one but like there's a small wall between them and everyone else.

Anger, mostly from Techno. Cause Techno is pissed Dream is still around and its when this information gets out Techno basically states that their all staying until Dream is laying dead at his feet. To which Phil, Ranboo, and Sapnap all happily agree. Ranboo is surprised and feels awful. He feels like its his fault that Dream has tortured his descendants. Phil is just as angry and eager to kill Dream as Techno. Sapnap is also pissed and eager to be face to face to Dream so he can say exactly how disappointed he is in him (cause he knows Dream still cares about him, even if slightly). Tubbo and Karl are hesitant to kill Dream. Mostly because their scared of how killing Dream will affect the timeline and are still worried about how they'll get home. 

It doesn't get worse but it also doesnt get better, it mostly stays the same until Ranboo snaps and says something that really affects them. In which the fighting does get a bit better. 

Other anon, here is your reply!

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1: Oh no, that's not good.

8: Sounds like a recipe for sweet chaos.

11: Aww, that's sweet. Also makes the following events more painful.

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14: They should toss Tubbo and Jackie at the same time, just one immediately after the other. Also, very fun! How does Ranbob get kidnapped? How does the whole rang react to it? How quick do they get him back, how do they do that, and what happens in the aftermath?

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Terrifying image, I'd flee immediately. Bad enough that he had one, people must be absolutely horrified that he's gotten ahold of an exact replica of his powerful blade.

Honestly, I think they just radiate that feeling in general, anon.

Pfft. Oh that's hilarious. How many times does Ranboo's Main Character energy come into play? Does Ranbob forget he can't go in water too? How many times have one of the ender siblings just went to step into a puddle or something while their groups panicked?

What kind of pranks do they have in mind to be so destructive??

Interesting. What kind of theories do they have so far?

On one hand, that sounds like very good advice, and potentially offers Ran wanting to get to know the other two more. On the other, all I can imagine is Ranboo being really cryptic and ominous while his descendants are just like '???'.

For now? Do they get closer to them? Does anything spark this?

I'm curious, what exactly invokes those feelings for Techno and Phil? Ranboo and Sapnap I can understand, with Sapnap feeling some responsibility for Dream, and Ranboo for his descendants, but as far as I know, weren't Dream and Techno somewhat allies? Did Dream do something back in the past to gain the two's ire? Or were they angry for a different reason? How do the others react to Tubbo and Karl's hesitation, both before and after knowing their concerns?

What does Ranboo say that does it?

[dahniwitchoflight]

Homesquared Chapter 3

So i have seen smidgens of this on tumblr but just havent had time to do anything about it

and jesus christ Callie Jade is so horrifyingly creepy, and you know the things she’s narrating the characters can also hear which is also hilarious, it just reminds me of that comic about how “yeah sure there’s a giant ominous red floating eyeball in your kitchen, constantly staring, constantly judging, but can you be sure that’s a bad thing?”

and then someone tries to talk to it, but it doesn’t answer and the person goes “fine be an asshole i dont give a fuck”

thats exactly the dynamic happening with Callie Jade right now

Grumpy DaveKat is hilarious

and Hey! we finally get to see how people look, I really dig Roxy’s look

“ROXY: dude doesnt "believe" in "substances"”

This line from Roxy makes sense, as a person wholly ensconced in the idea of their own self and always being in control of themselves and their own mind and faculties they would hate anything at all that causes that iron mental grip to slip

That’s probably why Dirk avoided sleep even when his dreamself was awake, even sleeping and dreaming was considered a form of himself losing control over himself that he couldn’t integrate the idea himself and his dreamself were the same person rather than two identical people and also I remember that the Jujupop didn’t affect him either

Later on Dirk in the narrative will say something about his own trauma, but not really go into what it is, but if I had to hazard a guess (and really it’s not much of a guess at this point)

Dirk probably has memories of a version of himself being under the mental influence of another, Lil Cal, LE, Doc Scratch etc what have you, So Narrative Dirk may actually be a version of Dirk who’s not quite yet poisoned into being a version of those 3, but his words also hinted that just because he’s aware of a certain way that he’s acting doesn’t make him more likely to stop it

Like he’s equating that you can be aware of the influence something else is having on you and in the exact ways it is influencing you without being able to stop, the exact thing he is traumatized and afraid of being most likely

So his one driving fear, is he does not want to lose control of his own soul, his own being, his own way of life and existing, to something else, something other. Even though he most likely is fully aware of the things and mannerisms of the other that have slipped into himself? Like he’s probably fully aware of the similarities between himself and those mentioned above, but maybe the thing that he’s hinging on is that instead of those guys poisoning him into being like them, instead perhaps he can convince himself that it’s his own self influencing others to act like himself instead. His influence reaching out and expanding instead of shrinking as he fears it

Anyway, Dave and Kanaya have a cute moment, I really like that

We get a nice shot of them in shadows against a backdrop of stars and Kanaya starts talking about a story Rose would once tell so that’s story is already gonna be dripping in metaphorical potential

“ A Wriggler Story About A Young Prince And The Beloved Flower He Loved And Lost”

Though that’s a story I’m actually familiar with

KANAYA: A Singular Wild Rose He Failed To Cherish When He Had Her

KANAYA: And His Journey Of Discovering What She Meant To Him All Along

KANAYA: Culminating In A New Quest To Find Her And Win Her Back

KANAYA: The Story Comments On The Nature Of Friendship

KANAYA: And Of Course In Turn Love

KANAYA: How Once They Connect There Is No Distance Or Circumstance That Can Seperate Them

KANAYA: How The Worlds In Each Ones Mind Take On Contours Shaped By Their Memories Of The Other

KANAYA: Places And Moments And Orbiting Passersby Becoming More and More Entangled In The Context Of Their Mutual Affections

KANAYA: Such As With A Garden Calling To Mind An Engagement Once Declared There

KANAYA: Or Something To That Fucking Effect

So obviously Dirk and Rose

Dirk has Rose with him, discovers an actual genuine connection with her, likely because he already viewed her as an equal, despite his manipulations of her, and chapter 4 spoilers but he genuinely wants to play a game with her when there really isn’t any reason for it, so he is actually curious to see who comes out on top of it, Him or Her, so Dirk is probably in some way desperate to have an actual equal partner in some way instead of drowning in himself all the time, not surprising. But Rose, obviously, will leave and reject him, likely when the manipulation comes around and is revealed/Kanaya and all them reach her/that part of the story

But then the story tinges onto a romantic nature and is framing Dirk trying to get her back as a romantic quest to save his partner/friend something something love and friendship, “no distance can separate them” yeah that doesn’t sound like obsession with the first person you’ve ever truly seen as an equal/a real person, 

yeah “A Garden calling to Mind an engagement once declared there” definitely sounds like the garden of eden/adam and eve paradise fantasy that Dirk has been trying  for some reason, to setup on the new planet

Really begs the question for why Dirk cares at all to do all of this? Except we now the answer is already its not the thing itself he cares about, its the value hes putting into the story as something that generates interest in the audience

He doesn’t care about actually making a society or being gods or whatever, he just knows thats what the audience wants to see and cares about so therefore he does it

and the reason he does all of THAT is because is ties into his trauma of his sense of self eroding away becoming a person he’s unfamiliar with

I wonder how he’s going to handle how much he’s going to change in order to fit the role of the story he’s writing when all is said and done

the Dirk at the end of this is going to be very different than the Dirk that started in Homestuck, despite all of his fears and intentions, and that he could not say all of it wasnt his own doing because of the iron control he made sure to have from the very beginning, I honestly think that will be kind of a shock for him if a meeting like that ever one day happened

Specifically for the fact that he seems to be aware of the romantic in nature tropes hes writing himself and Rose into and for now still seems to be avoiding them, not having gone that far, but, well

Maybe this is where we’ll start to see where Doc Scratch’s odd tendencies starting coming from

You know he was always really weird with Rose and Vriska (Maybe because he sees Light players all as extensions of Rose herself?)

Anyway yeah this is def the story metaphor I think we’re going to see in this, but Kanaya doesn’t fully get it, she thinks the story refers to herself and Rose

DAVE: that seems kind of wack for a kids story

KANAYA: Its Possible I Am Projecting Slightly In This Specific Circumstances

KANAYA: It Was Just A Metaphor

KANAYA: But In A Way I Feel As If It Is the Greater Universe Trying To Tell Me Something

KANAYA: It May Simply Stem From My Longing To See Her Again And How Much Is Indicative Of Something More Sinister

Which is cool because it makes this opposing connection between Dirk and Kanaya as opposites, which I like because it solidifies a tiny bit more the idea of Sylph being Passive Create to A Prince’s Active destroy.

Oh yeah, there was a tiny hint of Mind metaphor as well, can’t forget Terezi is with them

KANAYA: How The Worlds In Each Ones Mind Take On Contours Shaped By Their Memories Of The Other

KANAYA: Places And Moments And Orbiting Passersby Becoming More and More Entangled In The Context Of Their Mutual Affections

KANAYA: Such As With A Garden Calling To Mind An Engagement Once Declared There

Basically the idea that your experiences of a person and your memories of them shape who they become as well, the boundary between you and I is controlled by both of us, so each has an effect of the personality Heart of the other through our own decisions and Mind

like the way people tend to mimic those they like and want to be close to, or the way they actively try to distance themselves and what they are like from those they hate

But that at all seems to be more about Mind in general than referring to anything specifically Terezi

though it is exactly that understanding of Mind versus Heart and how one affects the other that could make Dirk realize that in the question of the self he’s only had half the picture the whole time, he’s only had the understanding of Heart and has thus far not been able to understand how Mind plays a role in the sustaining of the self, how what other people do to help you to be you, which is his entire philosophical conundrum

“DAVE: the dude youve spent the last 7 years convincing yourself isnt an egomaniacal anime villain

DAVE: and who isnt actually lying in wait to completely decimate your life and your emotions and shit“

oh, that makes me sad, this is def bringing up some bad trains of thought for Dave ):

“ KARKAT: KANAYA BARELY EVEN TALKS, CALLIOPE WON’T LEAVE THEIR CABIN, JADE JUST FLOATS AROUND LIKE A CREEPY BALLOON THAT’S MOSTLY MADE OF HAIR.

OH RIGHT, I forgot Calliope is actually WITH them on their journey, despite seeming to want absolutely fuck all with Jade Callie, I totally thought she was gonna stay back on Earth C but I guess not!

It’s so odd to see them so terrified of their alternate self like this when they’ve interacted mildly before. I still don’t know what to think of that much, other than they seem to be doing that weird thing that the other kids went through, like how John scribbled clowns on the walls unknown to himself for the longest time due to Gamzee’s unseen mental influence

that’s exactly the type of shit Dirk would be afraid of, so I wonder if that’s what Callie was afraid of as well? Maybe its Jade Callie that’s influencing them this way not Gamzee, to scribble strange things on the walls and not come out, but it’s the same fear of the other regardless manifesting and changing the self.

It is a very oddly non social thing for Our Calliope to do, when the point of different between the two Callie’s was how social Calliope was versus how antisocial Jade Callie is. Worries me ): but at least they’re here I guess

KARKAT: SOMETIMES IT ALMOST FEELS LIKE WHATEVER SLATHERING MONSTROSITY OF A COSMIC HELLBEAST THAT PUT ALL THIS SHIT INTO MOTION...ACTUALLY LIKES ME?

ROXY: fucked up if tru

Karkat is really popular as a character in the fandom lol

and that’s that one, time to get to Chapter 4, which has a lot more juicy exposition

With all the Garden of Eden metaphors though I can’t help but think of the Apple of the Garden of Eden when I think of “story exposition” now

The juicy tantalizing forbidden red fruit that when you bit into it you suddenly understand and know things you did not before and you’re eyes are opened, I wonder if that’s enough to just make Apples a solid Symbol of Light in Homestuck’s context? Most of it’s association with knowledge is external to Homestuck, just referenced symbolically, it’s not actually used in any cirumstances pertaining to knowledge, but more as the metaphor of it being the gate to leave the garden of eden, more like a teleporter, Rapture and Revelation in general rather than just Knowledge itself

aka my new headcanon is that one thing needed to Alchemize a Transportalizer is inexplicably going to be an Apple, if that ever comes up at all

[autumn-foxfire]

A couple of disjointed notes on jjk designs

Along with female characters having you know personalities, motivations and arcs they also have very nice and non sexualized designs. Like its been so long since i saw so many female characters non of which felt like they were dressed up a certain way for the audiences sake. Like we got so many! We got five known girls out of just students so far and they all have varied designs in the way they wear their uniform and all of them seem to speak more about their personal sense of style and aesthetics rather than being made with horny teenage boy in mind. Like Maki has the shortest dress but she never once feels sexualized in it, its really great.

N like i didnt fully expect this because i remember watching the first ep and seeing yujis classmate get groped by a curse n sitting there like ah :) anime. But i think this was something that was on its way out of geges artstyle even then (with exception of meimeis brand new almost tit shot but meimei already makes me uber uncomfy so thats not out of line considering we barely see anything). Like in the prequel we also see a woman get groped by a curse n maki isnt wearing her hhh whats the english word stockings? So her legs are more bare but even then we dont ever see like anything we arent supposed to even tho she like does splits n stuff, mad impressive. So that leaves to me an impression that even back then Gege was hhh about this sort of stuff n maybe did it here or there cuz 'this is how shonen is done' but fortunatly decided to completely drop it by the time Nobara joined the team n honestly mad props cuz its rare that a manga makes me feel so comfortable about liking female characters, like off the top of my head id name nozaki kun n ouran and have beastars balance on that line sorta, its just so rare, especially in anime. N as a woman its so much easier to relate and love the female cast when they arent constantly being presented as blow up sex dolls. Its just really refreshing n really good n god bless geges soul for putting miwa in a suit to joy of every lesbian ever bls give her a scythe next BLS.

On a slightly different note, Momos anime design....YIKES. Like i think the anime so far did a p good job with colors, as far as im aware they changed toges color scheme p much entierly n he looks great, yuji has this dusty pink that looks real nice n maki has this dark green that looks very good. Miwa is sitting on a line for me tbh like she looks ok but i do think her hair color should have been idk like a little less pure blue? Little less saturated? Idk art lingo, but for me shes sitting on a line of 'she looks ok but ciuld have been better'. Like its weird in the op she looks nicer, the lighting gives her hair this silver-whitey feel that works very well for her but then in the anime her hair is just a tad bit too bright blue for me, still digestible tho.

Momo in my humble opinion looks like a disaster n im not just saying that cuz for some reason i thought her hair was sorta dusty pink like yujis. Like her hair is just so...bright. its this weird lemoney yellow that is such an eyesore n distracts me whenever i see a group photo, likw my eyes immidietly fly to her she sticks out like a sore thumb between everyone else with more natural looking/ better made unnstural colors. Like maybe if they went with a darker or more natural looking blonde??? Idk. Her hair is very bright n her face is the sort of pinkish pale n the two colors together seem to at the same time clash n melt into each other where at the same time the outline between her face n hair doesnt seem clear n they both just scream at you. Ill probably get used to it as the anime goes on but rn the prevailing feeling is '...is it too late to fix that?'

Oh also gojos eyes have been bothering me less so i think i got used to them after all, but mad props to both gege n the mappa (it botheres me more in anime cuz also color) to be able to convey a feeling of an ultimate top of the chain predator through eyes alone like SKILL. i think they also bother me cuz without his blindfold gojo just looks like a completely different character to me like if you showed me the two pics of him before i watched/read jjk i would probs say those are brothers not the same person. In conclusion im basically like a baby who starts crying when her dad shaves off his beared cuz she cant recognize him anymore.

That ends my notes on design for now

XD Lucy, I’m so glad you’ve fallen in love with JJK like I have. 

It’s a really interesting manga and I can’t wait for the anime to animate everying we’ve seen from the manga so far (it’ll hurt so good T-T). I especially love the girls designs because they just feel so much more... natural, then most female designs you get in anime. They feel like girls (also, can I just say how much I love how excited Nobara was to get a tracksuit of all things. It’s not something you really see in manga/anime and yet a girl that gets excited over comfy clothes is so much real to me XD).

I have similar feelings about Miwa’s hair. It’s way too bright in comparison to the rest of the anime designs, they should have dimmed it or something, she just stands out in a way that she shouldn’t have (though I do admit that I like the colour of blue... I’m so conflicted). And I don’t really mind Momo’s hair too much though I do think it could have been better colour of blonde (JJK using bright colours even though it’s such a heart-breaking anime T-T).

Gege and Mappa really did do a great job though T-T

[roguestarsailor]

thoughts on a court of mist and fury *spoilers*

***** lots of spoilers folks *****

- MY GIRL FEYRE IS READING!! SHES READING LIKE REGULARLY AND CASUALLY IM SO PROUD

- RHYSAND MY LOVE I TAKE BACK ALL THE BAD THINGS I SAID IN BOOK ONE AND YOU ARE A BABY THAT NEEDS TO BE LOVED AND PROTECTED AND DESERVE PEACE AND QUIET AND MORE LOVE

- tamlin needs therapy like pronto; we dont stan a unsupportive partner and partner who is unwilling to share pain!! CANCEL TAMLIN 2020

- rhys popping up during the wedding scene was *chef’s kiss* and i noticed that he didn’t “claim” her as he said he would for like three months after everything. i suspect he was being a good person and literally letting her live her life. also for loving someone, tamlin was super chill and just kind of let her go??? idk i thought there would be more of a fight??? when feyre was literally like why are your claws retracting man?? fight for me??? hello??? but then again rhys is definitely more powerful than tamlin and probs some unspoken laws and such between high lords i guess ¯\_(ツ)_/¯ anyways tamlin aint shit

- page 296-298! fucken shook me to my core. that self awareness, that confrontation, she identified the core of everything and it was such a turning point and im just so proud of her!!! She's recognizing her traumas and is healing!!!!!!!!!!

- yeah i immediately ship cassian and nesta; i hope she fucks shit up in the next book  😀 😀 😀 😀  

- maybe az and mor are truly the slowest of slow burns   ¯\_(ツ)_/¯

- i pictured pollution from good omens as how Amren is suppose to look like

- rhys is such a strong leader and im just -- baby deserves all the love. He's really good at plotting. He really made feyre learn all these things so they can nurture their love but also be a strategic advantage its interesting that even tho theres love there he still treats her like a weapon

- the joy in his rhys eyes when they winnowed into his regular ass town house that feels super lived in. and his friends banging on the door like he isn’t the feared night court high lord that he is. that was so refreshing to see that hes a regular person and not that high lord man who lives in a near empty mansion. he puts on a mask for everyone but he himself is just a regular fae.  

- reading about the peace that velaris was able to live through was beautiful. i imagined a city like san francisco with the hills and views of the ocean but kind of like the peace found in super small towns or cities in asia; maybe even some european cities (which is prob where this location is inspired by but i haven’t visited many euro cities). the scenes of ppl dining out, making art and music and just chilling is so lovely esp given our current pandemic. art is so treasured there and im like thats the epitome of a great society isn’t it? being able to do things because you just can without the pain of financial insecurity, civil unrest, etc. i definitely would love and die and for a society like that. its just so wonderful. i was filled w happiness while reading those scenes. :)

- rhys and his inner circle taking feyre out into the town and just being casual. nobody treats them like theyre royalty or anything special. theyre just a regular group of friends who enjoy hanging out. its super nice and nostalgia inducing esp during this pandemic when friends are so far away and not like it used to be.

- when rhys immediately saw how under weight and dead freye looked when she was in spring court -- AND IT WAS THE FIRST THING HE SAID TO HER WHEN HE SAW HER THROUGH THE DOOR WHILE TAMLIN DIDNT FUCKEN NOTICE

- i also take back my frustrations in book 1 when freye always wondering around the grounds in spring court esp during calanmai. i thought it was because the author needed to move the story forward but its just freye. she doesnt sit still and now that shes w rhys, we are seeing soooooo many things about prythian and thats beautiful. tamlin was truly a hinderance huh

- rhys sent her music when she was in the cell in Under The Mountain which was found in velaris. maybe he wasnt risking a lot but he just showed her a glimpse of the forbidden world right under aramantha’s nose holy shit he saved her from destruction!

- when rhys had his nightmare and feyre came to comfort him and kissed him on the cheeks and gave him such tenderness made my heart sing~

- rhys is literally opposite of tamlin is soooo many ways. RHYS DID THINGS OUT OF LOVE, WHILE TAMLIN DID THINGS FOR LOVE. everything from how rhys made sure feyre can grow into who she is meant to be, to how he introduces her to his friends and how he interacts w everyone in his court, how he handles pain, everything is so different than tamlin. tamlin feels pain and just bulldoze over things, doesn’t think about how his actions are hurting others even as he is hurting. he doesn’t talk, he doesn’t share, he doesn’t try to get himself or feyre out of this misery and just sees threats everywhere and hits them. he was also supper passive honestly. no doubt hes riddled w guilt and grief but can’t figure out how to handle it so he uses feyre as his crutch where if he can “save” her he will be free smh

- rhys PAYS feyre!! HE GAVE HER FINANCIAL INDEPENDENCE AND RESPECT FOR HER WORK!! THE INDEPENDENCE THAT TAMLIN DIDNT FUCKEN GIVE.

- THOSE NOTES THEY SEND TO EACH OTHER SINCE FREYE CAN READ AND WRITE NOW

- Ianthe was sus from the beginning!! i knew it!! although i did bet she was gonna sleep w tamlin on the side. But she's a lot worst so we don't like her either

- the throne room scene was steamy af this time its fine because there was ~consent~ and also because we see the dynamic and growth between the two and how they work together. this was great although I was kind of like pls get a room tho

- RHYS SMILING!!! FEYRE AND RHYS LAUGHING TOGETHER UGH I LOVE THEM SO MUCH

- THEY ARE MATES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! FEYRE AND RHYS FOUND EACH OTHER AND HAD SO MANY SHARED TRAUMAS AND WORKED IT OUT TOGETHER AND GREW TOGETHER AND LEARNED ABOUT EACH OTHERS QUIRKS AND ITS JUST LOVE IN ITS PUREST FORM UGH THAT SCENE WHERE RHYS WAS CRYING AND FEYRE HEATED UP FOOD FOR THE BABY AHH MY HEARTTTTT  MY WHOLE ENTIRE HEARTTTTTT IS BURSTING WITH LOVEEEEEE

- LUCIEN AND ELAINE HOLY FUCK WHAT A LEFT FIELDER i hope this is the push that will propel lucien to defy tamlin. going back to the contrast between how tamlin vs his court and rhys vs his court, rhys has a group of unwavering loyal friends and are treated equally esp letting them joke around so much and it feels like a casual group of friends hanging out. tamlin has just as much loyalty from lucien but theres still a power structure that tamlin maintains. luciens words doesn’t have much weight whereas rhys’s friends do. both tamlin and rhys have so much power and sway and similarity in traumas and tragedy but both execute things completely differently. tamlin only wants to upload what he is familiar with, maybe what he thinks his father wants whereas rhys actively tries to think of something better, to change the system regardless of how hard it is.

- tamlin you dumbass. He didn't learn from amarantha. He again let his pride fuck over a bunch of other ppl. He shat on amarantha and fucked over his court. Now he fucked the rest of prythian and human world by bargaining w the king. Smh goodbye tamlin

- I straight up knew the queens were bad!!! I knew they had to be plotting something. The sixth is "ill" my ass.

- LADY OF THE NIGHT COURT LETS GO FEYRE AND WOOWW WE STAN A MAN BREAKING TRADITIONS AND SUPPORTING EQUALITY

- when hybern was destroying velaris. I WAS GONNA THROW HANDS BRO. I'm glad we saw the extend of how powerful feyre could be and how she was clever and we can really see how she's completely different from before. She has bite and fight in her and it's so refreshing!

- how about we let az and cassian live in peace. Those boys had to deal w the blunt of literally everything. from being the only shield in valeris to poison/hurt wings against the king, just beat up all the time 🥺

- suriel is their version of a wikipedia

--

I read all 600 damn pages in like 2.5 days and I was loving it the entire time! My heart sored when feyre and Rhys were getting close and starting to break down their walls and really connect. This was a truly good enemies to lovers, slow burn tale and the drama is so great. There were good stakes that changes a character and their behavior and a good balance of action and excitement but at the same time so many little moments that let u see the character and how they interact w each other and the world. a lot of big plot moments, slice of life moments, a bit of romance and comedy. overall, an amazing book but super long. thus far this is my favorite book and im hoping the rest of the books can be just as charming and lovely but not too heart breaking. i hope rhys and feyre makes it. i cannot predict what to expect in the other books in the series (isn’t there gonna be 8 books total???) 

[ohjaimelannister]

Do you think Hoppers actually dead though?

O K A Y.

I’ve been looking for an excuse to pull all of this together so here we go! NO Anon, I do not think that Chief James Hopper has gone and died on us. There’s no REAL evidence (there are easter eggs though) however and the Duffer Brothers could still pull the rug out from under us but hey.

No I do not believe that Hopper is dead. Although some things can be interpreted as pretty final and if the Duffers really kill him off I will never watch this show again, because it’s horrifically SHITTY writing and im already super tired of that this year lmao.

One - There is no body? We were never showed a body or what’s left of one? We have seen bodies for Benny, Barb, Bob and Billy (and even people who were in it for like 5 minutes). THEY EVEN PRODUCED A FAKE WILL WHEN THEY WANTED US TO THINK HE WAS DEAD. THEY AREN’T AGAINST SHOWING US BODIES!!! Which brings me to my next point!

Two - They also aren’t against to showing us death. Lots of gory detailing death, WHOEVER it is. Billy died horrifically but you saw it even though hes a kid. Bob got ripped to shreds.  And even those dudes at the beginning of S3 died horribly? They still showed it. Hopper’s death??? It cuts away. You see NOTHING. AT. ALL. There aren’t even any remnants OF a body where he was standing, and Joyce goes down there and LOOKS. Surely shed find something? Gooey grossness like the bodies at the beginning? Nope. You could argue that they’d be against showing us the death of a beloved hero and a main character but. Again. Bob was beloved and arguably one of the sweetest characters in the show and he was ripped to bits in front of us and Joyce. Billy was a kid for all intents and purposes, still he died a horrible death. Not one bit of that was cut away.

Three - If you look in the shots hes not on the platform when the thing explodes????? like at all? Either that’s badly shot or its done deliberately because he’s just not there anymore? There’s the portal to the Upside Down and you can see a ladder in the shot too, so maybe he either went into the Upside Down or down the ladder and got caught by the russians?? We just don’t know.

Four - We see the devastated Eleven and the aftermath of what happened at Star Court. Then it jumps to three months later? Okay, odd that were not shown anymore of the grieving or the funeral. Then of course Eleven read the SPEECH. Think about the end of it specifically and about LEAVING THE DOOR OPEN 3 INCHES!! You can see from one of the final shots of Star Court that the gates not CLOSED. It was healing but it never fully closes. So Hopper could be in the Upside Down, or travelled through it to Russia on the other end?? Who knows. Point is, they included this line at the end for a reason. Whether the reason is that hes actually dead and they’re just being profound or that its a hint about his fate, its meaningful.

Five - During the ending the song HEROES by Peter Gabriel plays, this is the same song that was placed over them finding Wills fake body, and after all the goodbyes and the ‘speech’ where it ends with “keep the door open three inches” well. Come on.

Six - Then it cuts to Russia and you hear the “not the american” line, and Hopper was called “the American” throughout the series by that Russian baddie. Should I start waving Red Flags here or???? Then again, a lot of people are saying this could be Brenner. Okay I 100% get your logic Im with ya, and for a few days I’ve also thought it could be Brenner. But here’s the thing. Elevens powers. Brenner makes her use them to spy on a russian man in Season 1. Hinting that there’s more going on here than just super powers, kids and other dimensions. Don’t forget that in the 80s the world was in the grip of the Cold War, and things would have started reaching a boiling point for this long before 1985 when it ‘officially’ began. We were never given any answers about why Brenner was spying on this man, or even Russia. Or even if he WAS spying for the US. Nothing, it’s a throwaway scene. Or IS IT? Russians show up in Season Three somehow knowing about the Upside Down, having failed at their own attempts to open a gate in Russia. They somehow know that its Hawkins they need to be in to successfully open their gate and potentially get monsters to use, oh I don’t know, in a WAR???? How would they have known any of this information to begin with?? Oh I wonder. We were told all about Brenner being alive and out there in season two (and we were never told WHERE and this is not referenced again), but as far as I can remember Eleven has never shared this with anyone else, even though it’s completely RELEVANT information. And as far as I can remember (its been a hell of an emotional few days) I dont think were given any explanation about how the Russians knew about the Upside Down, Hawkins or anything. So maybe the reason they knew is BECAUSE BRENNER is the one giving them their directives? Because hes worked for THEM this whole time???

Seven -  Interestingly also Eleven lost her powers? JEEZ ISN’T THAT CONVENIENT!!! Because the first thing shed use them for is to look for Hopper even if she was told he was dead. Shed look, 100% for the man who saved her, gave her a home, loved her, worried for her, cared for her like she was his goddamn OWN. Conveniently though now SHE CANT??? Interesting.

Eight -  And now. There’s the voicemail message. In one of the episodes (my brains so fried I cant remember which one sorry) Murrays gives out his landline number, and when you call it you can hear him give a message to Joyce. You can listen to it here.  You can tell this is after season three, because why would he talk to Joyce Byers? Surely if he was trying to reach someone for information it would be Hopper?  “I have an update, its best if we speak in person" an update??? About what??? Why is he coercing with joyce???  Notice how he says “it’s not good or bad but its SOMETHING” and then says “we’ll talk about it in person” (or something like that) why would he be calling joyce with an ‘update’?????????? AND ON WHAT EXACTLY?? INTERESTING!!

Nine - Theres this interview with the cast specifically ABOUT Hopper, the death and the post credits scene. And I love David Harbour but, you cannot lie for shit my angel.

Ten - Millie has said in an interview “ Her dads gone, or so she thinks” COME ON.

Eleven - Again WE KNOW DAVID HARBOUR IS LIKE THE MARK RUFFALO OF STRANGER THINGS. And hes bad at keeping shit to himself. Hes already told us at the end of last YEAR, literally a month after they finished filming season three that the Duffers have told him the ending to the series as a whole. Why would any creator do this for a man they have effectively just fired, because his character died? Why would they tell him? They wouldn’t.

Tweleve - Again. David Harbour, bless his heart, I think its trying to give us HINTS and bread crumbs to follow. Last week he changed his instagram photo from Hopper in S1 to the number 6. Odd. Today he changed it to the number one :

Twelve continued - Basically if he changed it to an 8 next, we know hes trying to hint at Murrays voicemail message and this is a clue for Hopper. Because why else would he bother?

Thirteen - Theres also this screenshot from Cara Buonos instagram where she literally SAYS about him being in Kamchatka, and uses the Russian word for PRISON. (Of course this could just be a joke between the actors

Fourteen - Theres also the fact, which is not evidence mind you, that its incredibly shitty writing to have both the men that Joyce Byers loved/loves to die in front of her? And actually having her put the action in motion that kills the man she loves? No. I wont accept that. And weve been shown her non willingness to believe in peoples death, everyone and their mothers told her Will was dead and she was being crazy. Did she listen? No. And she got her boy back. Will she think once she has a clear head that Hoppers dead? Maybe. Which is why she asks Murray to investigate. Hence the Voicemail Message.

Fifteen - Its also incredibly shitty and hard to swallow, for Elevens sake too. I mentioned already how much she loves Hopper and finally got a true parent in him. Do you honestly think they’d put her through all of that just to lose him NOW? Like i said, its convienent how shes lost her powers at this very crucial moment.

Sixteen - DAVID. HARBOURS. BEARD. RIGHT. NOW.

And SEVENTEEN -Just in case y’all are having trouble with any of that it looks like David Harbour has let sorta slip (my god I fucking ADORE THIS MAN LET ME TELL YOU). I dont know how reliable this is mind you because its not coming from a BIG source, but HERE he hints at knowing who the American is, after telling everyone else (see the interview above ^^) that he doesnt know and he cant say anything. 

‘During an interview with David Harbour, I attempted to delicately get around the fate of Jim Hopper. Harbour, however, came right out and gave it to me straight. “This is the question I’m going to have to dance around–” I began, only for Harbour to interrupt me and ask, “The ending?” “Right,” I said. “Is there a way you can talk about the future of Hopper without…” I trailed off here, only for Harbour to ask: “Well, did you see the post-credits scene?”I had, of course. And so I straight-up asked: is that Hopper behind the door? According to Harbour, that’s the most likely scenario. Throughout the season, the main Russian baddie refers to Hopper as “the American”, and having another Russian refer to the mysterious prisoner in the same way was the big giveaway.Of course, knowing that Hopper is alive, and knowing how he survived and ended up in Russia, are two different things. We’ll have to wait for season 4 to get that answer. And we’ll have to wait to see how things unfold from there. Will a big chunk of season 4 involve Hopper escaping that Russian base, and trying to get back to America? Time will tell. One thing is clear: Hopper still has a long journey ahead of him; not just physically, but emotionally.’

SO, basically Jim Hopper has not left us, Joyce or Eleven.  And if the Duffer Brothers have done all this to screw with us, well. Im not gonna be responsible for what I do.

I FEEL JIM HOPPER IN THIS RUSSIAN PRISON TONIGHT!!!

THANK YOU FOR COMING TO MY TED TALK!!!!!!!!

[kncrowder88]

Olay, so I remember back when Frozen first came out and people got annoyed at the "omg disney made a movie about the power of love between sisters" and went on rants because you know ...... Lilo and Stitch exists. Well, my mom after Frozen two while we were leave we were discussing different things we like and Elsa not getting with anyone and people wanting her to get a girlfriend (that was me there, this lead to the rest of it okay). And my mom commented on liking it being about sisters and not a romance between a princess and her prince for a change (despite anna kristoff that's not entirely the focus, which admittedly it's not despite it being there).

And like, I pointed out Lilo and Stitch to her and her response .... it wasnt a great relationship. It was conflict and blah blah blah and I was like "yeah but she took care of her sister and raised her and didnt want her out of her life" like for a moment I was just stuck surprised that my mom didnt see the LOVE in that movie because it's literally a movie about family and family sticks together. There is almost zero focus on romance. And like ..... she doesnt realize that.

And now that I think back on that ...... I realize the reason is because the sheer difference in how the two are portrayed.

Both relationships are not the best. Nani and Lilo are doing their best in a shitty situation. They lost their parents. Lilo, young as she is believes a fish could prevent future such lose, and Nani is desperately trying to just stay afloat. She barely manages to maintain food, finances, a car, really anything. Lilo reaction to many things is to take photos of tourists and to draw photos that paint Nani in a negative light. Nani reaction is to snap and yell at Lilo (who yells back at Nani as well). But they apologize, they laugh and try to make it up to each other and Nani even plays along with Lilo's belief about the supernatural. They show a sibling relationship that isnt in it's best state but NORMAL. Its rocky because it's been hit with something tragic and it's going from simply sibling to sister becomes parent.

Elsa and Anna we see as loving and playful siblings that turn into "control dont feel elsa". She gets ripped away from her sister and completely isolated. Completely separated. She is turned into someone Anna never sees and never interacts with until they are grown and then suddenly ..... they are distant but okay. Tiny moments of "chocolate" and such before "oh no shes got powers".

The biggest difference between the two (beyond obviously ethnicity which DEFINITELY PLAYS A ROLE) is the fact that society (very likely) expects the much older sibling to play that parental role with ease already and NOT do so like its suddenly an unexected/surprise/etc thing like it clearly was for Nani (which honestly just tells me Nani and Lilo had a healthy childhood prior to their parents death and Nani was allowed to be a teenager who wasnt expected to just tend to her little sister because she was old enough to -she was given a choice to help when she wanted to). Where as Elsa and Anna, closer in age, arent expected to take care of one or the other.

But yeah .... dont know if anyones ever talked about the perception of the age range for the characters at all outside the obvious other reasons effecting this issue. But it just hit me. Because like yeah ...... I dont know I have other ideas as well.

[let-it-raines]

Second in Command (Epilogue - Part Seven)

Summary: Life as the “spare to the heir” isn’t all that it’s cracked up to be when you’re the supposed screw-up of the family, but people don’t know what really happens behind closed doors.

Rating: Mature

A/N: You guys are totally going to be annoyed with me for how I left it on a cliffhanger when I totally didn’t have to except to show some character growth and how things change...which I guess is exactly the reason I ended it that way :D

Found on AO3: Beginning | Current

Tumblr Chapters: | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14| 15 | 16 | 17 | 18 | 19 | 20

Epilogue Parts: 1 | 2 | 3 | 4 | 5 | 6 | 7 

Tag list: @nikkiemms @resident-of-storybrooke @kmomof4 @wellhellotragic @ekr032-blog-blog @bmbbcs4evr @onceuponaprincessworld @jennjenn615@a-faekindagirl @mayquita @captainsjedi @captswanis4vr @kristi555 @teamhook @skyewardolicitycloisdelena91 @branlovesouat @dreadpirateemma @alys07 @andiirivera

“Can I come in, son?”

“Yeah, of course,” Killian answers automatically, the shock of his father just showing up at his door stunning him for only a moment. It’s not like he never visits. He usually just calls or texts first. “I didn’t know you were coming over, dad. Why didn’t you call?”

“Oh, I was visiting the kids and thought I’d drop by since I knew that the two of you had returned home.” His dad steps inside, squeezing his shoulder before leaning down to pet Indy. “Hello, darling,” he then greets Emma, kissing her cheek before wrapping her up in a hug. “How are you feeling today?”

“Good, good,” Emma insists, her eyes still blown wide as if she’s actually been shocked. He knows she’s still a bit rattled from the flight and her nausea. The same thing had happened when they went out sailing the morning of their anniversary, before the disaster of the rest of that day, and even though he had been wary of it, Emma insisted she was fine. She never said she wasn’t, but the green of her face told him otherwise. “How are you?”

“Kicking pretty high for my age.”

“You are not old,” she laughs, tugging on Indy’s leash. “Do you mind if I take Indy for a quick walk? Let her run around a bit. She’s been told she’s going outside, and I’m afraid she’ll freak out if she doesn’t get to go.”

“Of course, dear. I’ll chat with Killian, and the second you two come back inside, I want to hear all about how you’ve been since you left us to go holiday in the warm sunshine. I swear it’s rained for the past week.”

“Sounds like a plan.” Emma takes a step over toward him, leaning up and kissing his cheek, whispering that she’ll be right back before taking a step outside with Indy and leaving him with his dad.

“Do you want something to drink? Eat?”

“I’m fine.” His father begins walking to the living room, settling down into the recliner he prefers when visiting all while Killian sits down on the couch next to him, only a side table between them. “So how was your holiday?”

He almost chokes on his own saliva thinking of all of the things he absolutely cannot tell his father about their holiday as well as wondering if he should bring up the privacy issue just yet. He doesn’t know, is never truly sure about these types of things. He could have a nice, normal conversation with his father or it could turn into another tense, stressful one. He’s had enough of those for a lifetime, but he also knows that he doesn’t have all of the time in the world to fix this. He’s got fewer than four months, really.

“It was wonderful,” he finally answers, his lips ticking up on one side. It really was wonderful to get away with Emma and only have each other for awhile despite the disaster that was their anniversary. It got better, though. It wasn’t completely bad. They had the sailing trip and the takeout meal that was better than anything else they’d eaten if only for how comfortable they both felt. He felt his son move for the first time, which was bloody brilliant and most definitely his new favorite thing. “It’s a gorgeous island. Emma mentioned something about asking you to make our beaches like that.”

Brennan barks out a laugh, the wrinkles on his face all gathering together while his gray hair shakes the slightest bit. If Killian was a betting man, he’d guess his dad is getting his hair cut in the next two or three days, keeping up with his lifelong schedule of haircuts. “If only I could. That would be bloody wonderful. But I like the way she thinks.”

“She’s definitely a brilliant dreamer.” He trails off toward the end of his sentence, looking down at his hand and twisting his ring around his finger, his constant physical reminder of his lifelong commitment to Emma, as if he really needs one. “Can I talk to you about something, dad?”

“Of course.”

“I know, well, I know that things were different when I was a kid, that technology wasn’t as advanced, that I was a bit of a surprise child and that you were on the older side when I was born.”

“Well, why don’t you just call me elderly then, Killian? And you have absolutely no proof that you were a surprise child.”

His dad laughs when he speaks, but Killian isn’t finding a lot of humor in it, knowing that he’s likely going to upset Brennan with his words.

“What I mean is, I know you weren’t really, truly involved in my life. And I’m not blaming you or trying to make you feel…upset, but I need a very particular kind of advice that really only you and mum or Liam and Abigail can give. And I’m honestly not even sure you can give it.”

“What’s wrong, Killian?”

He takes a moment to collect himself, hundreds of words on the tip of his tongue but none of them feeling quite right. But he has to say something, so he might as well speak the truth.

“How the hell am I supposed to be a father in a world where I can’t protect the privacy of my wife and my child? There were, um, photographers who rented out a house and used scopes to take pictures of us on the beach. And Emma and I got into a pretty nasty argument about it. She’s worried…I’m worried about Andrew’s privacy. We want him to live a life as normal as possible. We don’t want photographers following him to school or to the park, and I just – I don’t know how to fix it.”

He’s been clenching his fist all while he talks, the tenseness in his hand almost painful while hot tears form in his eyes, every fault and every insecurity he’s had long before the fight with Emma coming back and assaulting his senses, making everything a dark, cloudy blur.

Brennan looks calm, secure, the blue of his eyes not changing while his eyelids rapidly blink, his brows furrowing and the lines on his face increasing. Has he said too much? Shown too much emotion? Asked for the impossible?

“The fact that you have very obviously beaten yourself up about this proves that you are a better dad than I ever have been.”

“That’s not what I meant, dad. I didn’t – ”

“I know, Killian. I’m not taking offense to anything. I was a poor excuse for a father for the majority of your life. I was focused on Liam, on my job, on the protocol and the way that my father raised Albert and me. All I knew was that fathers were not supposed to be close to their children, and as much as that hurt me as a child, I stupidly believed it. The fact that you have forgiven me is something I still can’t believe.”

He leans over and places his hand on Brennan’s knee, patting him before leaning back and wiping at his eyes. “I did it for me, but with the way you’ve worked to change, you deserve it.”

“Thank you, my boy.” His father smiles, settling back into his chair and crossing his hands together in his lap. “But this is not about me. This is about you and your family. So you don’t want Andrew in the public eye? At all? Is that what you’re saying?”

“I mean, we haven’t discussed it in serious length, but yes. I’m sure that Emma will be okay with releasing the occasional photo or having him join us when we go overseas so we don’t have to be apart from him, but I think we’re going to have to take a step back in traditions. And when he gets older, I think we may need to move somewhere much more private.”

The front door opens then, the alarm beep sounding at the same time that he hears the click of nails and the squeak of sneakers as well as Emma’s voice. He straightens up, fixing his hunched back and sitting against the couch in as much of a relaxed position as he can.

“Go find, Killian, girl, yeah,” Emma coos, her voice getting louder the closer she gets to the living room. And then she’s in view, Indy running in first and jumping up on the couch before getting down once she spots Brennan, less familiar people always more exciting than him. Emma walks toward him, sitting down in the seat Indy just vacated and reaching around him to tangle her fingers in his hair, stroking the strands. “What’s wrong? Your shoulders are tensed.”

How the hell does she always know?

“Killian and I,” his father answers for him, seemingly understanding that Killian wasn’t sure what to say, “were simply talking about how you two seem to be suffering from some privacy issues and are worried about your child’s future, that you want Andrew to lead a more private life than normal.”

“Oh,” Emma gulps, her hand stilling in his hair before beginning again, “well, yeah. I know that we all grew up differently and that my childhood isn’t really an option, but that’s what I want, what we want. We want him to be able to be a kid, you know? I don’t want him to be used to cameras everywhere he goes. I don’t know how we’d fix that, but that’s definitely my top priority right now. And forever probably.”

His hand finds Emma’s knee, thumb running back and forth over the material of her leggings while she speaks. He’s here with her, for her, consistently, and he hopes that she knows this.

“Why don’t you two give me some time to think things over? I’ll meet with security. We’ll work out some plans and ideas. You two should probably talk to Liam and Abigail. It’s not, well, it won’t be exactly the same. You have more freedom than them, and they’re not quite as private as the two of you. But they do have experience in all of this.” “Thank you, Brennan,” Emma sighs, leaning back into the couch and scratching at his neck, his eyes fluttering closed for a quick moment.

“Of course, but at the end of the day, above everything else, we’re a family. How you two feel is far more important than any sort of duty and tradition we have, even if I do ask that we stick to the important ones.”

“Actually, I have something else that I want to talk about.”

His head snaps to her, eyes searching for what she has to say, but she’s not looking at him, her gaze trained on the wag of Indy’s tail while her fingers tap over his on her leg, the hand in his hair having stilled.

“What do you want to talk about, love?”

She looks at him then, the smallest of smiles on her face that comforts him the slightest bit, before directing her gaze to Brennan. “I don’t want to walk out of the hospital all made up hours after giving birth. Kudos to Abigail. She is a badass woman for that, but that’s not what I want. Andy doesn’t need to be exposed to so many people as a newborn. I don’t need to be all dressed up when I’ve just given birth. I don’t care about tradition when it comes to this. This is what I’m doing, and I really feel like it’s the first step in taking a stand about him not being some kind of public property.”

He didn’t know she felt that way about any of that, nearly every word she said news to him, but he gets it, supports it. If that’s what Emma wants for this, that’s what they’ll do. He’s never quite understood that tradition anyways, and he likes the idea of a more private celebration with just them and their families while Emma heals and they adjust to the terrifying process of being parents for the first time.

“I’m not sure we can do that, dear.”

“What?” His head snaps over to his dad, trying to process the words. “You literally just said that how we feel is more important than any duty we have.”

“But that we need to stick to the important traditions, yes. New family members are an important tradition.”

“Brennan,” Emma grits, her voice strained as she tries to keep it friendly, “I respect our family and all of the traditions we have, but I am not some kind of human machine who’s only here to produce babies. Yes, of course this is a big deal, but it’s a big deal for us as a personal family, not as some part of the institution. You can still put the sign up, make any and all announcements you want. Hell, I’ll release a picture if we have to, but all I’m asking is that we’re allowed to leave and travel home in peace.”

“I agree, dad. I mean, really. Of all of the things we break and bend, of all of the things we change, surely you can let this one thing go? It’s not hundreds of years ago where people are faking pregnancies and paternities to keep the line intact, which was ridiculous then. I think letting family be family is the most important thing, don’t you?”

“Aye, it’s just…you’ll have to forgive me.” Brennan runs his hand over his face, visibly warring something within himself, the lines on his face stressing. “You were right earlier when you said things are different now. These are not things that I really went through with you, not as prevalent as you. Emma, dear, I’m sorry. I don’t…I shouldn’t have ever considered making you do something you’re not comfortable with. I love you dearly, and you and Killian know what’s best here, not me.”

“I don’t want to disappoint you,” Emma says, getting up from the couch and sitting down on the edge of the coffee table so that she can squeeze Brennan’s hand. “You are so brilliant, and you uphold this family so well. I know that I’m different, that it was difficult to accept me, but change can be good, you know?”

“I know.”

Brennan stays for a little while longer, hashing out a few more details with them before accepting a cup of tea and some food, finally listening to them talk about their holiday all the while scratching behind Indy’s ears, her eyes closed in bliss the entire time. It’s peaceful, relaxing, and he feels his shoulders loosen the longer the conversation goes on, Emma’s laughter and joyful voice sounding throughout the room. In the back of his mind, though, he keeps replaying the conversation, thinking of everything he said, everything they all said, and he’s amazed it all went as smoothly as it did, surprised that his father acquiesced to their private exit from the hospital so easily. He had no idea that Emma wanted that, and he wonders how long she’s been toying with the idea, how many late nights she’s spent worrying about bringing it up. He knows she didn’t just think of it now, that it wasn’t spur of the moment, and he tries to remind himself to ask her about it later, to make sure that there’s nothing else she’s hoarding inside.

She goes through enough, has gone through enough over the years, and she shouldn’t feel like she has to hold things back from him.

But he saves his thoughts for later, letting his dad leave and letting Emma take a nap, her eyes falling shut without her even laying down on the couch. He wakes her before she can get into too deep of a sleep, though, knowing that it’ll hurt her back, and helps her go upstairs to their room, ignoring the curses she’s muttering under her breath about him waking her up. While she sleeps, he goes downstairs to his office, answering emails and clearing out his inbox that he left alone while they were in Spain.

Summer is normally a slow time for them, June and July full of engagements while August is usually taken off to spend in Balmoral. Emma’s due in September, though, a few days after his birthday, and she’s not working after August begins. He is, though, doing his regular work and making a few short trips, making sure never to never travel more than three hours away in case he needs to be home.

But that doesn’t mean he doesn’t have things to do now, organizing his files and reviewing the financials for Kidding a Goal until Indy comes walking into his office, her nails clicking against the wood until she’s staring up at him with her mouth wide open, tongue practically falling out of her mouth. He checks his watch and sees that it’s far past seven. He’s surprised she didn’t come and get him two hours ago.

“You ready to eat, my girl?”

That gets her tail wagging before she takes off, running toward the kitchen at such a pace that she’s probably there before he even gets up from his chair. Sure enough, she’s already waiting next to her bowl like the most well-behaved dog in the world, which is not something he expected when he and Emma decided to get a dog last year. But she’s done well, their training working most of the time, but Indy does have the tendency to lick his face when he’s sleeping. He’s not a fan of that.

But she’s his best bud and a constant companion on his runs, so it all evens out.

After feeding her, he hears footsteps coming down the stairs, Emma wandering into the kitchen with sleep-rumpled hair and pillow streaks on her face, her pajama top falling off of one shoulder. She immediately heads toward the fridge, grabbing a bottle of water and some yogurt before settling down on a barstool.

“How’d you sleep?”

She grunts in response, opening her yogurt and eating a large spoonful. “I hate being pregnant sometimes.”

“So not well then?”

“Nope. I felt like my guts were all being squeezed out, but do you know who’s not moving now that I’m awake and out of bed?”

“Andy.”

“Yep.”

She keeps eating her yogurt, quickly finishing it up before getting another carton. He should probably fix something for dinner so she doesn’t consume the entire yogurt supply in their fridge.

“Hey, sweetheart?”

“Yeah?” she mumbles, pulling her spoon out of her mouth and looking up at him, her hair deflating the slightest bit from when she came down.

“You want to tell me what that was earlier? With my dad. When did you decide you didn’t want to do the public announcement?”

“Oh, um, I first thought about it a few weeks ago, but it was really driven home after last week. Why? You have an issue with it?”

“No,” he laughs, leaning down across from her and propping his elbows on the counter. “I think it’s bloody brilliant, that you are brilliant. I like that you want to do things your way…our way. It’s very sexy.” “Oh boy, if you’re looking to get laid right now that is not happening.”

“Well damn. Now I have no reason to compliment you.”

“Shut up,” she groans, tossing her spoon over into the sink, the metal clanking. “But seriously, you’re okay with all that, right?”

“Of course. I want you to do what makes you comfortable. I’m not the one giving birth.”

“Damn right. I think I’m going to give your dad a heart attack though.”

“Aye, definitely. I know he’s trying and he’s being accommodating, but I could practically see the fear of breaking traditions rolling off of him in anxiety-filled waves. But he’s seventy-three. Some things just aren’t going to change.”

“So basically we hit the jackpot today?”

“Yep.” He walks over to the fridge, opening it up and seeing what they have left over from before they left. “What do you want for dinner?”

-/-

“Bloody buggering hell,” he curses, bringing his thumb to his mouth and soothing where he just jammed his finger on the wood.

Building a crib should not be this difficult, but it apparently is. He’s been following the instructions exactly, making sure that each piece is doubly secure, and he’s not sure how it’s taking this long. He should be finished, this crib should be made, and he should be able to move onto the shelves or Emma’s glider that she was insistent on them getting.

He’s spent more time in this room in the past month than he has in any other room in the house, June somehow running away with itself all while he’s been hidden away within these four walls. It took a month and a half for he and Emma to decide on a simple light gray, one that he’s pretty sure is also in their bedroom, but honestly, once they both agreed on the color (likely because they have agreed on it once before), he wasn’t going to say anything else. He did pick out the gray-ish blue that’s on the wall with the shelves (or at least where they’ll go once he gets to them), so he’s pretty proud of it.

Neither he or Emma are much one for designing, though they have gotten a bit more into it since the remodel of the apartment, but he’s pretty proud of how Andy’s room is shaping up, even if the lad will stay in the bassinet in their room for awhile. It’s a simple room, clean lines and clean colors. All of the furniture are different shades of white and warm browns, woods really, with natural accents. Abigail gifted them a large wooden giraffe along with some leaf and animal prints, so those are sitting in the corner waiting to be placed after all of this furniture is built.

His favorite part, though, is definitely going to be the little sitting area by the shelves and the changing table. He’s not under any impression that this is going to be a calm room, a place to relax, but he figures there have to be times when he’s rocking Andy back to sleep in that very spot, the shelves filled with colorful children’s books that’ll become routine reading one day as well as being filled with several stuffed animals and photo frames that he can’t wait to update with pictures. Of course, the cabinets below will be filled with the essentials, the things no one likes to talk about like diapers and nipple cream (that was something Emma did not want to know about, and he honestly doesn’t blame her), but they’re definitely still in the dreamy, picture perfect nursery phase where the messiness of a child isn’t quite a factor.

Really to him, as much as he knows this is real, as much as he sees the physical proof, feels the physical proof (which holy shit is it incredible to be able to feel his son move), it’s still difficult for him to comprehend that in two months he and Emma will have a child. It’s something they’ve talked about for years, something they were planning on, but it’s difficult to put into words just how much love he has for his son.

And his wife.

She’s a rockstar in every sense of the word, and if he doesn’t mention it enough, Emma sure as hell will. He loves her fiercely, and that love is another thing that he can’t quite put into words. He honestly doesn’t understand men who moan and groan about their wives constantly. If anything, he finds it disgusting. Yes, you’re going to have disagreements with your significant other. That’s natural when you decide to spend your life with someone who has their own wants, needs, and opinions, but at the end of the day, his wife is his best friend. If there’s anyone he wants to spend time with, it’s her. No question.

If the answer to who your best friend isn’t your spouse or the person you’re marrying, he doesn’t understand why the hell you’d bother getting married. His mates are great, but they’re not Emma.

Maybe he is a bit of the cheeseball that Emma always claims him to be, but he likes it that way.

He’s definitely going to embarrass his kids. All of the time. He can’t wait. He’s got a few years, but he can’t wait.

“You know we can hire someone to do this, right?” Emma asks, a bit of laughter in her tone that makes him roll his eyes. His best friend, most definitely. The teasing is just a small part of that.

“Aye, but I’ve started it, and I intend on finishing it.” “Okay, but the crib doesn’t need to fall apart while there’s a baby inside of it, and the glider doesn’t need to fall apart while I’m sitting on it. That’s, like, a double disaster, and I know you lived by yourself for a long time, but I’m pretty sure you’re not capable of that anymore.”

“Oh, really? Because I was just going to make them as unsafe as possible so that I could live by myself again. I miss being able to stretch out in the bed.”

“You’re so funny,” she teases from the other side of the nursery where she’s putting away the washed clothes in the closet, organizing them by size. He swears they have enough clothes to last Andy for the first two years of his life, and that’s not counting the piles of things he knows David and Mary Margaret have at their house. “I think I may have bought him too much stuff. I don’t even think I own this many things.”

“You don’t mess your clothes up multiple times a day.”

“Good point.”

“I tend to make those.”

“Eh. Debatable.”

“Not at all debatable.” He turns back to the crib, looking at the instructions to see if he can remember where he left off before Emma distracted him. “Shit, this is impossible.”

“I can call my dad, babe. It won’t be a problem. He’s a bit handier than you.”

“Please, I am plenty handy.”

“Okay, well being handy with me is not the same as being handy when it comes to building things.”

“If we call your dad, he’s going to take over. I want to do some of this myself.”

“I will tell Dad just to help. Come on, babe, you love spending time with my dad.”

“Only now that he doesn’t give me the scary speeches anymore.”

“Yeah, I bet those were a lot of fun.”

“I mean, it’s been a solid half a decade since I’ve gotten one, but he still shakes me to my core.”

He hears Emma laugh, snort really, before she makes her way over to him, slowly settling down on the floor next to him and waving her hand until he gives her the instructions. She looks over them while looking at the crib, her eyes continuously darting between the two.

“You put part G in backwards. That’s why nothing after that is fitting.”

“Bloody hell,” he curses, reaching over and taking the instructions from her hand and checking to see if she really did just solve his problem, “how did you see that when I’ve been staring at it for the past hour?”

“Fresh eyes, my love. Fresh eyes.” She leans forward and kisses his cheek before falling back against the wall. “And that’s exactly why calling my dad and asking him to come over in the morning will be a great idea. I bet Mom will want to come too, and she does a mean job with a power drill.”

So Emma calls her parents who agree to come over in the morning. On top of moving, they’ve also begun to change around the hours of the pub, opening it earlier and letting Will close it out at night. And it’s because of this that they show up at eight in the morning, he and Emma both still asleep when their doorbell rings. Emma groans when she hears it, burying her face into his chest and making it impossible for him to get up without disturbing her. He can feel Andy summersaulting around in her belly, and he smiles to himself knowing that she’s going to have get up. She can’t sleep when he’s moving around like that.

He can’t sleep when Emma’s basically running marathons in bed, but that’s not something he’s going to voice out loud. He can get up and sleep in a guest room if he needs to. Emma can’t get up and walk away from the person who’s running marathons in her stomach.

There’s two human feet inside of her. That’s pretty weird if he thinks about it too much.

Okay, so really weird.

Slowly but surely he gets out of bed, letting Emma flip over into his spot, and heads downstairs to open the front door. David and Mary Margaret have a key, but they never use it, always waiting for either he or Emma to open the door for them, which he appreciates after one too many times having them walk in on he and Emma.

“Hi,” he greets, opening the door and ushering them inside. “Emma’s still asleep, but I’m sure she’ll wake up soon. Do you guys want some breakfast?”

“We ate at home, sweetie,” Mary Margaret greets, giving him a quick hug before David does the same. “So Emma said you guys were having some issues in the nursery.”

“I believe that it was more like Killian not being able to put together a crib in under three weeks.”

“So funny, Dave,” he bites, rolling his eyes and locking the door. “I did eventually figure it out. I just think this mid-July heat is obviously getting to me. Or maybe nerves. I’m not too sure.”

“Well, let’s go help then. We’ve got to be at the pub at two, but I think we should be able to get things done.”

After he fixes himself some coffee, not nearly as wide awake as David and Mary Margaret, they head upstairs and begin working in the nursery, assembling the shelves and drilling them into the walls in half the time that it would have taken he and Emma had they done this by themselves. So maybe help isn’t all bad. Before Emma even wakes up, they have the shelves installed and pictures securely nailed on the wall. There are books already being stacked, stuffed animals and knick knacks being placed, and all of the fun nipple creams and breast pumps being placed in the cabinet.

They’re working on the glider when Emma finally wanders in, her hair falling out of its band so that half of it spills down her back while the other half is piled on top of her head, and she’s got her glasses on, something she only does when her eyes feel too puffy to put her contacts in.

“Hey, sweetheart,” David greets, finishing tightening the screw he’s working on before getting up to embrace Emma. “How are you feeling?”

“Rough today. I think the little dude’s a giant or something because he crushes my lungs and my bladder at the same time. So I can’t breathe, and I have to pee. So, yeah, it’s fun.”

“I’m sorry.”

“Thanks, dad. It looks fantastic in here. You guys have done so much. I feel like we’re not going to have anything to do in the next two months if we finish all of this.”

“That’s kind of the point, love.”

“Yeah,” she yawns, covering her mouth, “I know. Mom, do you want to come and rest with me in my room? My back hurts today, and I just can’t sit on the floor in here with you guys.” “Of course, hon,” Mary Margaret answers, walking away from the closet and stepping over to Emma before she rubs up and down her back. “Are you sure you don’t want Killian to join you? David and I would be fine to work on our own.”

“No, it’s fine. I bug him all day, and I’m kind of thinking that you can paint my toes for me or we can watch movies or something. It’s been awhile since we’ve done that.”

“Text me if you need me, love,” he tells Emma, his eyes tracing over her in a bit of concern. It’s difficult watching her be uncomfortable or miserable on some days when he literally can’t do anything about it.

“Yeah, babe, I will.”

Emma and Mary Margaret walk out of the room, their voices fading away as they walk into their bedroom one room over, and he’s left with just David who promptly gets back to work finishing building the chair. Music plays in the background, an eighties’ playlist he thinks, and it doesn’t take longer before the chair is completely together and he’s sitting in it testing it out. It’s comfortable, probably one of the best seats they have in the house, and he can definitely understand why Emma insisted on this one after shopping around a bit.

“How does someone so small have so much stuff?”

“My child is twenty-eight years old, we don’t even live in her childhood home anymore, and I swear things of hers still pop up all of the time.”

“That’s likely because Emma leaves everything all over the place.”

He folds his hands behind his head, closing his eyes and rocking back and forth while Cherry Bomb plays in the background, which is definitely not a nursery appropriate song. Or maybe it is. Who needs Mozart when you can have The Runaways?

“So is Emma like that every day?”

“Like what?” he asks, popping an eye open to look at David who’s sitting against the shelves, which can’t be good for his back. God, how old is he getting if his first concern is for someone else’s back?

“Exhausted.”

“No, not every day. She’s usually got a hell of a lot of energy, even if there’s always a nap. I think she had a restless night. She’ll tell me like it is, though. If she’s having a bad day, she’ll let us know.” “What about you?”

“Well, I don’t have a baby crushing my lungs and my bladder.”

“True,” David laughs, running his hands through his short hair. Killian swears it’s gotten more gray in the past year, the blonde nearly disappearing. David is only fifty-two, so he’s not exactly older. Hell, if it weren’t for the wrinkles on his forehead and the gray hairs outnumbering the blonde, he’d look much younger. “But I remember being a dad for the first time. It’s terrifying, so you’re allowed to be scared.”

“I am. It’s…” He reaches up and scratches behind his ear, his hair getting long enough that he knows he needs to get a haircut soon. “Emma and I try to make sure that we keep up our normal routines, that we have our normal conversations without talking too much about the baby, but it’s kind of hard, you know? It’s like we’ll be talking about going out to eat and two minutes later we’re making a list of middle names or speculating if he’s going to look more like me or Emma.”

“I know. But it’s an exciting time, Killian. There will never be anything like it, and if you want to talk about the fact that you’re having a kid, you should. You and Emma have been together for so long, and I really don’t think your relationship is going to struggle if you’re not sitting around making references no one else understands for hours on end.”

“Oi,” he protests, resisting the urge to pick up the toy elephant next to him and throw it at David, “that is your daughter you’re mocking, and she can still kick your ass.”

“Trust me, I know. Who do you think raised her to be like that?”

“Mary Margaret.”

“You’re walking a thin line.”

He winks at David, his lips ticking up on the right into a smirk. “I know. You and Mary Margaret did such a good job, still do such a good job, and even with all of the times you’ve messed up – ”

“ – which is a lot more often than even Emma has probably told you.”

“I just…you’re a good dad, Dave. To Emma, to me. I hope I can do half as good as a job.”

“You’ll be great, Killian.” David smiles at him, something genuine, and Killian’s reminded of how much David really has impacted his life in all of the best ways. “I promise. And as much as I love you, I do love my little girl more, and she’s going to be amazing. She’s always…she’s never been too open to a lot of people, but the people she loves, she loves so fiercely, you know? And she’s already doing so well at being a mom. She’ll call me at nights, and I can just hear the happiness and excitement in her voice. At the end of the day, that’s all you want, you know? For your kid to be healthy and happy.”

“Yeah, I know.” He smiles to himself, thinking of how happy he is. “Also, how dare you imply that you love your own daughter more than me. I thought I meant more to you than that. I thought we had something special, man.”

“I can still give you hell. I’d watch yourself.”

He and David finish up in the nursery for the next few hours until David and Mary Margaret have to go to work, leaving after the three of them eat lunch down in the kitchen, Emma staying upstairs for a nap. When the Nolans are gone and he’s finished eating, he heads upstairs, bypassing the nursery and walking into their bedroom where Emma is sitting up on the bed watching TV.

“Your toes look nice,” he compliments, grabbing onto her big toe and moving it back and forth. “Do you feel any better?”

“Yeah,” she sighs, twisting onto her back and scooting up the bed, “it’s just one of those days, you know? I’m not usually this miserable.”

“I know, but it’s okay to have bad days, love.”

“Come here,” she tells him, crooking her fingers and motioning toward him before she turns on her side and wraps her arms around her pillow. He does as she asks, kicking off his sneakers and crawling up into the bed, the mattress moving against his weight until he’s pressed up behind her, his knee stuck between her thighs and his arm wrapped around her waist while the other rests above her head. This is how she’s been comfortable lately, and he can’t say he minds. “Did you guys get a lot done?”

“Aye, it’s almost all finished.” He moves her hair off of her neck, placing a kiss there before resting his chin on her shoulder. “It just needs your finishing touches, I think.”

“And we have to unpack all of the boxes that are in the guest room and put them away in the closet.” “That too, but we’ve got time, Emma.” She hums, and he can feel the vibrations as well as Andy moving around under his touch, the movements following how he taps his fingers. “Has he been active today?”

“Not since I woke up, but he always responds to your voice.” “Yeah, he recognizes me?”

“Of course, you talk so damn much. How could he not?”

He turns his head and presses a kiss against her jaw, biting a bit just to tease her. “You are not a very nice woman, my love.”

“Oh please, I’m, like, the seventh nicest person you know.”

“Seventh?”

“I figured it was conceited to put me at number one.”

“Possibly.” He moves his hand against her stomach again, snaking his fingers up under her pajama top so that he can feel the warmth of her skin. “So he really does get more active when I talk?”

“Yeah, it’s pretty weird to think about, but it’s true. He likes when you talk. I think it’s because you’re a much better story teller than me.” “I mean, obviously.”

“And that he’s probably just glad to hear someone else besides me. Imagine being stuck with someone for nine months. Good God.”

“Well, I’m stuck with you for forever. Good God.”

She groans and curses him under his breath before she scoots over and turns in his arms, slowly but surely moving to face him. “Don’t be an asshole. Also, so I was talking to mom today, and she wants to be called Mimi. I think Dad wants to be called Papa, which I like as long as that’s not what you want. I know that’s what some kids call their dads.”

“Aye, it’s what Lizzie calls Liam, which is weird since Alex doesn’t do that. But I’m okay with dad or daddy, so David can be called Papa.”

“Yeah, I kind of like it. Mimi and Papa. And then your parents are Gammy and Grandpa, right? That’s what Alex and Lizzie call them.”

“Aye, but I know Mom didn’t want to be Gammy. It’s just what happened. She says it makes her feel old.”

“Your mom is not old.”

“I know, but considering your parents are barely fifty while my parents are in their sixties and seventies, it doesn’t help.”

“I’ll tell my parents to get older then.”

He smiles at her before closing his eyes and settling into his pillow, letting his head sink down into the softness. It’s calming in here, the lights turned off and curtains closed while the ceiling fan hums a steady rhythm above them. He could fall asleep like this even if he’s not the biggest fan of naps, always somehow ending up groggy when he wakes up, and it doesn’t help with the way that Emma is playing with the hair at the nape of his neck, her fingers scratching into his scalp.

“Are you working tomorrow?”

He pops an eye open, looking at Emma and smiling when her nail hits a particularly sensitive spot on his neck. “Aye, I’ve got the Investiture ceremony at ten. Why?”

“Just wondering. I was thinking we could go somewhere. Just us. Maybe take Indy to Berkshire and let her run around, spend some time outside.” “We can do it in the afternoon, if you want. I think the weather is supposed to be nice.”

“Yeah,” she sighs, leaning forward and sliding her lips over his for a brief moment, “I think that would be nice.”

The next day after he’s finished with the ceremony, he hurries home, changing out of his suit and into shorts and a t-shirt, slipping a baseball cap onto his head and grabbing something to eat for lunch while Emma does the same, her hair falling out of the back of her hat in a long ponytail. They’ve got all day, but the afternoon’s weather is pleasant enough that he’d like to go now so they can stop by a café for dinner, even if that’s the absolute last thing that Thomas will want them to do.

They want their privacy, but they should be able to go out to dinner.

So he and Emma load up into his car, letting Indy sit in the backseat with the window rolled down so she can feel the mid-July breeze blow through her fur. It doesn’t take long to get to Windsor, pulling into their parking garage less than thirty minutes later, and instead of going inside like they’d usually do, he hooks Indy up to her leash while Emma grabs some water bottles and they head to the private gardens, avoiding the visitors wandering around on tours.

As much as he prefers the spring, mild July days are near the top of his list of favorite things. Everything is brighter, more pleasant. The grass is actually greener, the flowers contrasting against their background to create a landscape of whites and shades of purple, while everything is covered in a clear blue sky, only a few white clouds scattered throughout. New life blooms, and he gets to be the one to appreciate it, to revel in it. England can be so dreary sometimes, the weather somehow reflecting the moods of most people on their morning commute to work, so he appreciates when it’s not. He’s always loved the outdoors, and if there’s any complaint he has about his home, it’s the small private garden that they have to themselves. He’d like something larger, more space to run around, and sometime in the future, he and Emma plan to spend more time in Bucklebury so that they have the privacy.

That’s what they’ve decided on since returning from Spain last month. There’s been more lengthy, draining discussions with his parents and their security team than he’s ever wanted, and as much as he feels like they haven’t really accomplished anything, he knows it’s a slow process. Of course, there are drawbacks to every positive. They’re still going to have to spend most of their time at Kensington. It’s closer to their work, to their families. Hell, Emma’s parents just bought a house so that they could have the ability to spend time with their grandchild, and now they’re going to move away from them. It’s less than an hour drive, but it’s not nearly as close as they currently are.

But everyone understands, and they don’t plan on moving any time soon, not until Andy’s a bit older. They want to be near all of their loved ones when he’s younger, and they’ve spent so much time working on their home, making it exactly how they want. It’d be difficult to leave full time, so it’ll be nice to have the option of both.

It’ll be even nicer to give Andy the most normal life that they can possibly give him.

Emma whistles next to him, her fingers between her lips, while Indy runs back to them from where they let her loose. She was about five seconds away from jumping into a pond full of fish, and as much as they’d usually let her swim, they don’t need to have a wet dog with them for the rest of the day. So she runs back to them as quickly as she can, her legs leaping in the air with her black and white fur bouncing the slightest bit. He’s convinced that she shouldn’t be able to be that quick, but she’s still just a young dog, less than a year old, and though her legs will get longer, he doesn’t think she’ll ever be full of this much energy again.

If she is, he and Emma are definitely in over their heads.

With the dog.

He’s going to choose to not think of what it’ll be like with a toddler than can run and a dog that he can run after.

After she calms from her almost pond dive, Indy walks along in front of the two of them, occasionally wandering off the stone path to sniff around in the plants, nearly tearing up several flowers until they call her back to keep walking. They stay wandering for a little over two hours, not caring where exactly they’re going or if they’re circling back around in the same spots. Indy and Emma get tired around the same time, so they settle down onto a stone bench with a patio cover that’s next to another small pond.

In the distance, he can see the Chapel where they were married, the steeple rising up above the other buildings and stone walls, and he smiles to himself thinking of that day. In the grand scheme of things, he knows that when it comes to he and Emma, as important as it was, they had so many smaller, inconsequential days that he holds just as fondly in his heart.

But that was a pretty damn good day.

He stretches his arm out over the back of the bench, wrapping it around Emma’s shoulder and tangling his fingers into the ends of her ponytail while she leans her head on his shoulder, the bill of her hat hitting him in the chin for a brief moment. He’s glad she suggested them getting away from London for a little bit, for suggesting that they change up the routine and spend a day enjoying summer, especially since they’re missing out on Scotland with the rest of the family.

A month in the same place as everyone is likely a bit long, anyways. He loves his family, but that’s a lot for anyone.

“I love you, you know?” Emma asks out of nowhere, her gaze never falling away from the rippling of the water in front of them, a fish leaping up out of the water while the lily pads float around.

He squeezes her shoulder, rubbing up and down her arm and kissing her head even if she can’t feel it through the hat. “I know. I love you too.”

[caps-clever-girl]

thoughts on endgame.

fair warning, i am not going to be kind. i enjoyed watching this movie, for the most part. it was funny; it had many good jokes and good, pure and well done interactions between multiple characters. but i didnt like it, and here are the reasons why.

unfortunately, this isnt a ‘nitpicky’ post. my main problems are with a lot of the bigger points points of the film, and had quite a few. this is a LONG post.

• “marvels first gay character!!!!!!!!!!!!” shut up. you joined the ‘fad’ late for brownie points and it was a cameo character who got about 3 lines. there are plenty of canon queer and gay characters who could have been introduced, either as cameos or in earlier films. dont even get me started on the fact that tony has more canon bi material than most others and marvel could have taken the time or even the slightest bit of effort to make this. while i enjoyed the jokes about steve being Incredibly Hot and his ass being Gods Gift To America (which honestly??? correct!) that could have been expanded on. several characters made comments about how nice steve’s ass is, and could have been used as actual material for a queer character, instead of sticking a random chharacter in there. i get the whole ‘gay people could be anyone! its normal!’ thing by giving the ‘role’ to a regular person, but you would also prove that by making any one of your 30+ main cast actually queer instead of making gay jokes and hints that could be retconned and explained away by humour.

• slapping someone out of a panic attack, and treating the panic attack like a joke. yeah, i get it, they didnt have a lot of time. still, come on. did iron man 3 teach you nothing? apparently not since tonys ptsd was pretty much never brought up again.

• speaking of thor. now, i am not an expert, but when a person gains weight, they do not keep their abs. certainly not after five entire years - not even asgardians. i also found it odd that thor became the way he did. i understand gaining weight and comfort eating after all the trauma thor went through losing his home and brother and people, i really do, but 1.) do it properly, at least, and 2.) thor is the leader of his people. does he want the task? not particularly. he hasnt wanted to be king since the first thor movie, but hes been forced into the role. even depressed i dont think thor would shy away from it, not completely. hes always wanted to do right by his people and i think that hed stuck to it, especially after The Snap backing him into a corner, if that makes sense. to clarify, i dont have a problem with chubby/fat thor. (IF done right instead of with weird, shitty cgi, that is.) i have a problem with the fact that thor, even though he doesnt want to be king, would abandon the last remanents displaced people to build a new home all on their own and become a hermit gamer boy. ESPECIALLY with valkyrie around. she’s been through a derpressive, alcohol fuelled time in her life and thor pulled her out of it. (mostly anyway, asgardians are party animals and im p sure she still gets trolleyed on the reg) i have bo doubt that after years of wallowing she would do her damned best to try and kick his ass out of it, even if it were just because his people need a leader, instead of letting him drop everything on her and just let him stew while new asgard gets on with it. i also didnt like the fact that all of thors emotional moments were treated as jokes and made to be funny when hes genuinely Fucked Up about eveything thats happening and made his image into a whiny crybaby.

• professor hulk. more of a personal one, this, simply because i just didnt like it. fair enough if y’all disagree on this one, im not going to fight it. i just never saw him wanting to combine himself with the hulk. ever. when he apleared on the screen i was completely blindsided, and his explanation, and the way he interacted with the kids????? i just want to know where all of this confidence suddenly came from. i use the term ‘suddenly’ loosely, since its been five years, but bruce has never been the guy to care about strength or looks or fame. hes always been shy and nerdy. not afraid to stand his ground or make his opinion known. hes bot a catchphrase, posing and flexing ‘hell yeah lets take a selfie’ guy. i get that thats maybe the result of the hulk and bruces combined personality but it just felt WEIRD to me, like, there wasnt a time in the film where i felt comfortable with the character. this was the final avengers film, with all of the original six avengers in it. but it didnt feel like that, it didnt feel like bruce or the hulk was in the film, even though there was a lot of funny and good moments with orofessor hulk, it felt like a stranger with some familiar characteristics. it ruined any feelings of nostalgia for me. i like bruce, and i like the hulk. i like the way their differences add to the story and the way they interact with eachother, and the slow change in their relationship. sorry if its petty but i prefer them seperate, theres just so much more to them for me.

• clint and natasha’s journey for the soul stone. both times, in infinity war and endgame, a male character and a female character went to get the soul stone. both times the male came back and the female died, and we lost possibly two most developed and main-line female characters in the entire mcu. now i understand the reasoning for both, and out of the characters that went there, i agree with the choice. thanos and gamora; it was thanos who was aware of the sacrifice and who chose to make it. gamora didnt get a choice and was unaware until it was too late. thanos was never going to die there. he knew there would be a sacrifice and chose to take gamora, because she would be the most likely sacrifice to actualky sucsesfully yield the soul stone because she was the most loved by him. i get it, but we lost gamora and i dont like it. clint and natasha; looking at it completely objectively, clint has a family, a wife and three children, that he wants to get back. natasha does not have any children, nor any (blood) family. if i had to choose, based on facts like that, id choose her too. but i still hate it, because there goes the only female member of the avengers. also, nebula (and i think maybe rocket?) KNEW that a sacrifice would be made and either accidentaly or deliverately left out the terms of aquiring the soul stone. it would have been easy to tell, if not easy to solve. but nothinb was said, and two best friends had to make a fucking awful and horrible choice when they might not have had to.

• on the ‘feminism’ tangent; the random congragation of women in the end scene??????? i dont????? okay so i am marking myself as a hypocrite here because i did love this scene!!! it made my lil gay heart go boom to see so many good and strong women all in one place - ESPECIALLY rescue - and it also made me realise how many women there actually are across the mcu??? which was really nice?? but it just felt... so forced? the way they ALL suddenly apleared and stood together even though they were all mixed in around the battlefield. it was a wonderful thought and i did enjoy it, but it seemed too Off and Odd to seem as much more than a bid for Feminism Brownie Points.

• captain marvel. i dont know about you, but i was actually looking forward to her being in the film. for a character so hyped to be the saviour of the avengers and the end of thanos, she was barely in the film. ‘i have other planets to save, the earth isnt the only one affected by thanos’ yeah but earth is the only plannet actively attacked by him. its where the people who are rallying to fight him and reverse what he did are. dont you want to stick around and help them? surely it would be a hell of a lot easier with your help, and faster too. yes, she blasted theough the ship at the end, but she did fuck all to help defeat thanos himself, and the help she did give with the ship came at the end. i genuinely think they kept her out of the movie because she was too powerful, and would have made fighting thanos etc too easy to get all the suffering and noble sacrifices in. if she had been a side character i dont think id be as mad, but she got a whole MOVIE in which she is clearly the start of the entire avengers initiative; she is their HISTORY!!!! she is so powerful!!!! and yet she has 5 mins of screen time!! it pisses me off that she was So Strongly implied to be the character the avengers NEEDED, the one that without whom it would be IMPOSSIBLE to defeat thanos; the woman that really tipped the scales in there favour, and yet she did fuck all. (and lets not even get started on the carol/rhodey and carol+tony bromance we COMPLETELY missed out on.)

• (speaking of bonding what the fuck happened to tony and nebula????? after they were rescued it was like they never met)

• the whole entire concept of time what the fuck!!! ‘dont change anything’ okay well for the most part you did okay, and the PLAN and CONCEPT was actually really easy to grasp, at least to me, which is hard when working with paradoxes and wibbley-wobbley timey-wimey stuff. but that went out the water when past!thanos and his army were brought into the future and disintergrated. does this mean they’re dead in the past - since they would have just. Left and not come back and therefore ceased to exist from that point???? or did tonys Snap simply send them back to their point in time, with no memory of what had occured? idk because it aint explained.

• speaking of; loki. again - his past changed; he managed to escape, with the tessarect. this is not explained nor expanded upon. assuming the events of thor 2 came about - which were impossible if he escaped - then his timeline would carry on as normal, and would PERHAPS explain the tessarects wacky timeline. (i dont know for certain, because i cant work it out anyway). but loki disspearing means he wouldnt have gone to trial on asgard, nor would he wouldnt have been in thor 2 - also by extention meaning that frigga is still alive. technically if he went back to get odin off the throne anyway, everything else after thor 2 involving loki/asgard would still come to pass. either way, we dont know. it was a nice way for endgame to give fans what we wanted; the posibility of loki coming back. but it doesnt make a lick of sense, and we have no idea if hes still alive/escaped or not, and why. personally i have no fucking idea and im pretty sure it was a cop out so they could give us what we wanted. which brings to my other point:

• giving the audience what we wanted. we got loki interaction. we got loki ‘escaping’ and ‘surviving’ (????) we FINALLY got rescue, who many fans have been asking for since i think iron man 2, and even more so since The Badass That Was Pepper Potts in im3. we got morgan stark and tony and pepper married, we got jokes about steves ass, and more jokes about male characters admiring how hot other male characters are. and, most importantly, we got tony having the nice relaxing life he wanted out in his cabin in the woods with his wife and kids (even if it was a horrific way of getting there). i dont quite know how to explain it, but to me it seemed like they were shoving as many ‘fan-requests’ into the film as possible - so that when they killed off 2 of the original 6, and removed another by ageing him out of use, they could lessen the backlash and justify the changes by going ‘but you got so mych that you wanted beforehand!!’. a tactic they drenhed us with because one of those 2 was a fan favourite that people were BEGGING not to be killed off because they felt that he hadnt recieved anywhere near the peace or happiness he deserved so far - and now never will. which brings me to:

• tony’s death.

there are two parts to this.

one, i was incredibly pissed off because strange’s Big Plan, the ONLY reason he saved tony in infinity war, was so tony could use the gauntlet and kill himself anyway later. anyone in that film could have used that gauntlet - and many wouldnt have suffered fatal injuries; captain marvel, steve, t’challa, peter quill to name a few possibilities - basically, anyone who is in anyway enhanced would have had a better chance of surviving and would have therefore been the better choice; aka, half the mcu. i think it was a proximity thing; tony was closest. he had the oppertunity and the others didnt. but tony didnt know about the option of using it until strange looked at him and gave him ‘the signal.’ the signal to sacrifice himself. and of course, this is tony stark. when is he ever going to refuse that.

but reason two, and this is the one that stings the most; tony started the mcu.

in my opinion, he is the character who has put the most in during the whole ten years. he, of ALL the characters, deserves his happy ending of marrying the love of his life and having a kid, without constantly fearing that hes foing to have them ripped away from him, that hes going to have to fight to the death to keep them safe.

one of my friends, when i complained about tony dying, said; “it was his time. plus, he had a legacy! with pepper and morgan, and the iron man name. how can you be upset?”

i can be upset because tony got the happiness he wanted after losing exactly 50% of what he held dearest. i can be upset because hawkeye got his family back, but tony only got five years with his wife and less with his kid, instead of getting the oppertunity to grow old with his wife and watch his kid go to collage like clint will. i can be upset because the character that has gone through the most trauma, both physically and mentally, who spent the last ten years trying to better the world and everything in it and protect it, who got the most shit for every decision he made and who ended EVERY SINGLE FILM with a broken limb or his face littered with bruises and cuts while every other film centric character ended the film usually scrape free, didnt get his happy fucking ending. sure, he has a legacy. but i dont give a shit, because that legacy - of iron man, of morgan and pepper and stark industries - would have been there whether tony was alive to see it flourish or not. but he wont be.

this goes beyond being a ‘tony stan’ or tony being my favourite character. out of every single character, from start to finish, anthony edward stark fucking deserved a happy ending and by god he deserved it the most. i will argue that until my end of days.

i watched tony stark on screen for ten years, and i watched him get progressively more scarred and fucked up. his parents. the ten rings. losing yinsen. obie. vanko and hammer. the palladium poisoning. new york; the nuke and the wormhole. the ptsd, the panic attacks. the iron legion and retirement attempt. killian and extremis and the end of that returement attempt. wanda’s vision. jarvis being destroyed. the accords and subsequent civil war. finding out about the winter soldier and his hand in his parents death. finding out that steve knew. siberia. struggling to balence iron man and the accords. losing peter. being stranded on titan, in space for weeks.

tony in that wheelchair, shaking and rail thin and unable to stand for more than a few moments will haunt me forever.

i watched him suffer for ten years - longer, even, in-universe - clawing for his quiet, happy ending while fighting for the happy ending he thought the rest of the world deserved, and instead of getting rewarded he just got beaten down and beaten down. after ten fucking hears of watching the backbone of the entire franchise get nothing but shit piled on him until he struggled to breathe for it, excuse me for thinking he woukd finally get the chance to crawl out from under it and be happy. no strungs attatched, no awful, sacrificial price to be payed, just for a man who had given so. fucking. much. to finally get something for once, and be allowed to keep it.

well i was wrong. and i feel so incredibly fucking stupid for even hoping otherwise.

and thats what i didnt like about avengers endgame.