#(totally not a thing I did. and still do)

[bixels]

As gen-AI becomes more normalized (Chappell Roan encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use gen-AI because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by tech companies. I draw not because I want a drawing but because I love the process of drawing. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[writer-room]

Listen when people say they want Percy to go on a villain arc most times I see it as they want him to go dark, want him to start murdering, maiming, going full Luke, etc. And I support that. If anyone deserves to kill people it's this kid.

However, let us be realistic for a moment, because I quite like the other alternative. Villain arc Percy usually entails "he's finally had enough of the Gods bullshit & will do things his own way". Let us think on this. What would Percy most likely do in this situation? Would it really be murder right off the bat?

I think he'd be the pettiest, annoying little shit there is. And because one can't usually threaten the Gods in a way that truly matters, but they can make them sweat really hard.

This goes beyond ignoring their calls and leaving them on read. He refuses to give food offerings unless it's the nastiest shit known to man. Bribes the cyclops into hucking huge objects up Mount Olympus before they all scurry off. Finds the olive tree Athena gave to Athens, and while he wouldn't have the heart to destroy it, he'd for sure rip off a branch & mail it to her (Annabeth nearly had to put them in witness protection).

Eventually it gets to the point he has Nico on speed-dial and offers him a shit ton of fast food & a 'get out of Percy's quest bullshit free' pass if he could hop into the Underworld and yoink up some annoying spirits or dead monsters to piss off the Gods. When the Gods get pissed at him Percy just silently pulls out some safe-for-demigods phone like "hang on I wanna see how many happy meals I owe Nico for bringing Typhon back up". They know he is not bluffing.

Could the Gods counteract him? Yeah, sure, Hera gave him amnesia and it was like 90% effective for a while. However, he kind of went off the rails, everyone else went off the rails, and then they had even more Roman nonsense to deal with. If anything it both solved but also made even more problems. And a much angrier Percy. So, frankly, they're very confident it could work, but they're a little worried about what the aftermath would be.

Ares suggests just killing him. Poseidon takes offense to this. Artemis scoffs and says even Ares couldn't beat him. Everyone stops for a moment. The question is not asked verbally. But it is seen in the darting eyes and shifting seats.

Can they kill Percy Jackson?

Well, sure, they must be able to. He's a powerful kid, no doubt, with powerful allies, but they are Gods. Of course they can kill him. So that's not the real question, they wouldn't dare really entertain such a thing to ever confirm if it was true, but this is rather the layer of frosting hiding the real atrocity of a cake underneath it.

What will they lose trying to kill Percy Jackson?

What will remain standing in the face of some 18-year-old who lived one of the hardest knocks of life, loves so much it makes them sick, is so completely unaware of his own strength not even they know its full extent, and currently has absolutely zero fucks to give about the end of a reign longer than he will ever understand?

They decide to quietly shut the lid on that whole fiasco and let Percy do whatever he wants.

Unfortunately, they can't exactly ignore everyone else. And everyone else is who Percy cares about the most. So, think of it more like leaving a grenade in a locked box in the attic. Just hope and pray you've moved out before something gets curious and starts rummaging around up there.

[nocofamilyau]

you see, if I didn't see this image right, this fucking image right here when I was like 11 or 12,, my life would have been normal and not have had any demons

[phannetasm]

"My sweet, how I have missed you~"

for those who loved the rarest of flowers mini series– Alucard and my oc commissioned by lovely @ishiin-esque

[lochallthedoors]

The Times, 8 October 2017

[sysig]

Maybe something with Mousey being jealous of Hunter and Smoker for one reason or another? hehe

Day 7 - There might be a reason for that

Bonus:

[s1lv3rp4w3dc4t]

shout out object shows with canon queer ships. I'm talking on screen kiss or even just verbal confirmation. all things considered it's a bit strange you don't really see them that much when you think about how gay everyone here is. I love you ii but c2bc did what you didn't and I think that's actually really nice.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[d-c-k-y]

Sketch of the dumb monkeys meeting their younger selves

Macaque's younger self asking if the future predictions he heard with his ears will come true and stuff, I think he'll be somewhat shy about it.

While Wukong's younger self will probably just cause chaos with current Wukong lmao- maybe ask if he's immortal now but immediately steals from Pigsy right after -w-

[lunarharp]

revamped looong mermaid orufrey au :')

[xxplastic-cubexx]

Count Xavier and Count Lehnsherr - SIGN ME UP

count xavier and count lehnsherr lore...

you lot figure that i grow weary......

[smile-files]

randall and henry are likened to brothers constantly in this game, which makes it kind of ridiculous that i never picked up on that as a kid. of course, it doesn't necessarily mean they do see each other as siblings, and certainly the way they were raised wouldn't automatically make them siblings regardless (they aren't biologically related and henry wasn't adopted, per se), but the idea that they have a brotherly relationship is certainly there.

to that end, there's nothing inherently incestuous about seeing henry and randall as a romantic pairing, as their status as brothers is entirely dependent on whether or not they see each other that way, something which isn't stated in the clearest of terms. i certainly would harbor no ill-will against the ship or those who ship it...

though having come this far in my miracle mask rewatch, and knowing that at the end of the day the most important things are randall's compassion for henry and henry's dedication to randall (and not any potential romance therein), i'm inclined to shift my personal view of them: to see them as brothers more than a couple. that's sort of awkward, considering how i've posted and reblogged ranhen stuff frequently up until now, but it's really no big deal. there's nothing wrong with it, as i had a different view of them then, but going forward i'd be posting about them in a different light!

and anyway, it's easy enough to reframe my thoughts on them... their relationship is still just as heartwarming and heartbreaking...

imagine you're henry, a small, sensitive little boy. you live in the household of the wealthy ascots, but they didn't adopt you: you're their servant, not their son... and because of that, you have to constantly see yourself as below them, even the ascot kid who's your age. naturally, your self-esteem starts incredibly low... except, for some reason, the ascot kid - a boy named randall - treats you not just as a regular child, someone on his level, but as your brother. it's inexplicable, but it's true, and as a token of this, he's given you his favorite toy robot: a symbol of his love for you. even if his parents will never treat you as their son, he continues to treat you as his brother.

randall takes you on adventures with his friends angela and dalston, the former of which he has a crush on. when with randall, you feel like you're more than just a servant: you feel on top of the world. despite being sensitive and timid otherwise, you're excited to go on adventures with him, picking up some of randall's fervent love for treasure-hunting. perhaps you feel like nothing without him, as he's the only person who has shown you love...

unfortunately, once you become a teenager, mr ascot pulls you away from your childhood, your education, and your friends to train to be a butler: he sees your diligence, your obedience, your thoughtfulness, and thinks you more valuable to the household as a servant than the flighty randall is as a son. now the only person your age you can ever interact with is randall, and then only when he's home... all you have is the boy who chose to be your brother... when he is around, he talks to you about archeology: he knows how important you are, how wise you are, and you help him uncover secrets relating to the mask of chaos, a relic massively important to him. you're more than willing to help randall with this. after all, he chose to be your brother. you'd do anything for him. one part the feeling of subservience instilled in you from your life as a servant, one part the feeling of loyalty towards someone who made you feel worth anything... you want to be his servant, if it means he'll treat you like you aren't one.

but every time randall leaves the house, he spends hours with angela and another boy, a new boy... a boy named hershel... a boy who, like you, balances out randall's energy and ambition. you feel he has taken your place in your absence. you spend every day working menial tasks for mr ascot: when randall is gone, you are nothing but a servant, waiting to be a brother again. and while you are a servant, hershel gets to be with randall. you don't like hershel very much... why, he doesn't even want to go on adventures with randall. absurd! why even be his friend?

randall wants to unearth the treasures of the azran, with the mask of chaos guiding him towards glory. he feels it is his destiny, and in fulfilling it, he would impress angela's parents enough to let her marry him. he needs this, so you need him to get it - and so you help randall prepare for his expedition. you wish to join him, instead of that hershel boy... you long to adventure with your dear randall again, but beyond that, you don't trust hershel to keep him safe. you could keep him safe. after all, if you're with randall, you feel on top of the world, and you'd do anything for him. but hershel? you don't trust hershel, and so you worry about randall. so long as you can't be there with him, perhaps he shouldn't even go... he promises to be safe, and that this will be his last expedition. you trust him, because he has chosen to be your brother, and he loves you, and he'd never lie. you trust him, unlike hershel. you help him sneak out of the house, even if it means seeing him leave with hershel into a wilderness you cannot help him through.

you think randall must come back, for he would never break a promise. and anyway, you cannot fathom life without him. for he chose to be your brother, in a house that used you as a machine. at least while he's away, while you're forced to be nothing but a servant again, you can await his return, and the return of your worth as a person with him... you couldn't bear to be a machine forever... a robot executing tasks until its power runs out...

hershel returns. randall is gone, he says. you don't believe him. you hate him. randall is alive. hershel gave up on him. but randall never gave up on you, so you cannot give up on him. randall is alive. he must come back, for he promised. life without him is impossible. thus, so long as you live, he must be alive as well. and so you dedicate your life - a life which you feel is only worth anything because of him - to randall's life. you are willing to make yourself into a machine, into a robot, to execute this task: loving randall so much, as he'd loved you, that you bring him back from the dead.

and so you spend half your life dedicated to him. you "marry" angela so she doesn't have to marry dalston, ready to be with randall again when he returns. you spend time and money searching the ruins he disappeared in yourself, then organizing search parties to do the same; all of the ruins' treasure is spent on looking for randall, or for building a beautiful city for him to live in when he returns. it is all for him. you work yourself to the bone, just as his parents had done to you. you are randall's servant, for he chose to be your brother. you live for him, for without him you have no life: without him, you are a broken toy robot.

someone has come to destroy monte d'or, the beautiful city you made for randall. and this someone, this "masked gentleman", keeps pinning the blame on you, as if you'd destroy any of this... no, you'd been saving it all for randall... and hershel, who has returned on angela's request to solve the mystery of the masked gentleman, has the gall to blame you for this all. how dare he? not only does he take your place at randall's side, he never even knew the place he was taking... you hate hershel. you only comply to his requests to save monte d'or.

and hark... the masked gentleman is randall himself. you were right, he wasn't dead, even though you were irrational and desperate for thinking so. and he hates you. he thinks you took his angela, and his fortune, and his family, and his glory. he was manipulated into seeing you this way, after almost two decades of amnesia. and he hates you. and he regrets ever choosing to be your brother. but you cannot be mad at him... you can barely even explain yourself... you're lucky hershel is able to do that for you. if not for him, you would never have gotten your brother back.

how lucky you are... giving up your personhood for so long really paid off, and now you just might let randall make you feel like a person again...

[sysig]

Smooth cover (Patreon)

Bonus alt:

[itspileofgoodthings]

ALSO I am learning how to teach very introverted students, something my natural skillset as a teacher does not help me with.

[softnonsensesoftmind]

i’m just gonna drop this and then scurry away like a rat