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#*derisively* men
biracy · 8 months
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I can't remember if I've posted abt this before but regardless: I'm sorry but I really and truly cannot get behind the idea that there is any wide-scale societal "pressure for trans men to be feminine" or "to be twinks" or whatever. You are either conflating a very small online community's beauty standard (usually some kind of transmasc pseudo-appropriation of "femboy" aesthetics, which yes, are often Bad and regressive and fetishized and etc.) with Mainstream Society, or confusing society not wanting trans men to transition with "wanting trans men to be feminine", which are certainly not the same thing. Ultimately if a cis person believes there is any validity to the concept of being trans (i.e. not a Posie Parker-esque "there's no such thing as a trans person" type), they are more likely to think that trans men should be like as masc and buff and hairy as possible or whatever bc that's what cis people think men look like and it's easier for a lot of people to recognize someone who Looks Masc as a man. It is difficult sometimes to see derision of trans guys who are Too Feminine and Not Hairy Enough or whatever (which is not always something someone has control over btw) as anything but "this is Skye who I think is a confused little girl because Skye does not pass" slightly restyled for 2023 "filthcore fagdykes" or whatever lol
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having spent over two months (and ongoing) watching people say that Imogen is masc and butch and the gentleman in the relationship and a stepdad to Pâté and watching them attempt to attach masculinity to her as much possible from how she is described to how her physicality is illustrated and watching them pretend that she isn't super feminine, I am constantly reminded of this image:
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creamiceandsugar · 3 months
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the kid, law and luffy interactions bring me such joy because it'll just be
captain: no i have to do this stupid thing because otherwise They'll win
crew members: win WHAT
captain:
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uten4 · 9 months
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Gordeau has a reluctance to use his claw unless necessary. There's basis in the story for it being a pride or fairness thing-- he loves fighting, but he dislikes group-fighting. He finds it embarrassing and awkward to look like someone who would need to rely on someone else's strength to win battles. Similarly, the claw requires no physical strength to use, has the magical effect of paralyzing his opponent, and he can just stand far away and activate it. He doesn't want to do that; he wants a fair fight!
BUT HERE'S THE OTHER THING.
His "claw" doesn't look like quite like a claw. Most popular human-looking male characters who have claws have them as a metal appendage (like Wolverine for example) or if they're nails they at least look clearly animal-like due to a fur texture or something around them.
But Gordeau just has a normal hand, with very long, purple nails. He basically has a manicure.
This builds on his character trait of having a patriarchal masculinity complex. I haven't posted about this properly yet but in the original Japanese, Gordeau has several instances of accusing men of being gay for him and acting annoyed about it, even though it's obvious (to us at least) that they're not gay and he simply wants to assert his own masculinity and straightness. That's probably the most obvious sign of his toxic masculinity, but I'm sure you could find other ones even in the English.
For instance, the fact that he's so fixated on his perceived weakness that allowed Roger to be killed by someone else, and the fact that even though he knows Wagner didn't do anything wrong, he needs to find her and beat her up anyway, just to feel like he's strong and managed to do something, anything. His reaction to emotional turmoil and self-dissatisfaction isn't to think it over carefully and act on it logically, and it certainly isn't to work on himself in a holistic way. It's to go beat the shit out of the girl who upstaged him.
SO to have such a feminine-looking weapon which he's always hiding in his pocket... It's a representation of his masculinity complex that is BAKED INTO HIS CHARACTER DESIGN! It would help him a whole lot to sometimes not do these things the hypermasculine way (avoiding the pretty purple fingernails), but he can't let himself do that. And as a result it disadvantages him in battles, just like it disadvantages him and those around him in his everyday life to not be able to focus his energy inwards (rather than toxically blaming others and internally hating himself for not being strong enough to kill his friend), and to not be able to tell his friends straight-up that he cares about them (rather than being "masculinely" stoic and letting Hilda become a Re-birth).
A little hint of "femininity" is this man's most powerful weapon, but only when he gives it a chance.
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valyrfia · 1 month
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I need Alex wardrobe and Alex herself
Every day I cry myself to sleep knowing that all her is wasted on a man
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rawr-mortgage · 3 months
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Ryu's stressing me out bro, like what is bro doing, everything that comes out of his mouth just makes the situation worse. like i get he said he'd rather Yoshida be mad than depressed but what's he gonna do when that anger finally wears out, huh?
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NOT TO MENTION, HE MADE HER DROP HER BREAD, LIKE WTF MAN SHE PAID GOOD MONEY FOR THAT
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pechebeche · 1 year
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listen i dont have a strong opinion on "bisexual lesbians" or whatever either way outside of the term's historical context. but yall CANNOT be on this website calling men girlfailures or lady dads or whatever and also insist on a strictly regimented system of sexuality. either you believe in the fluidity of labels regarding sexuality and gender or you dont.
Unless You Are Just Using These Terms To Associate Any Male With Mild Femininity As "Less Men" Then Other Men. but surely none of you would have bad opinions on the internet
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dreamertrilogys · 8 months
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that fact that he’s somehow straight is so truly baffling in ways i don’t even know how to explain. this is so awful
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wastrelwoods · 10 months
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the thing about reba and dee is that there is some fucked up shit going on there and the way it is fucked up also coincidentally does trigger the switch in my brain that goes Et… et… je l'ai… embrassée!… Moi!… moi!… moi!… Et elle n'est pas morte!… Et elle est restée tout naturellement à côté de moi, après que je l'ai eu embrassée, comme ça… sur le front… Ah! que c'est bon, daroga, d'embrasser quelqu'un!… Tu ne peux pas savoir, toi!… Mais moi! like yeah. wow a living woman. imagine. nobody should go near this guy with a ten foot pole and yet i am sighing. resting my chin in my hands,
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ervona · 7 months
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looking for a crumb of content here I've seen a few posts about comic Tos'un and honestly the only problem is he looks too old. in cao he's still relatively young and in cc he's said to be middle aged (elf style) so he shouldn't look THAT old... let's say went from 150 (Mithral Hall) to 300? I think his face is great tbh I wouldn't like him as much if he was generically handsome. again he needs to look like Shaggy from Scooby Drow...
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hadesoftheladies · 2 months
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women's sports is one of the loudest and most successful anti-patriarchy campaigns in human history. what women's sports did and does is prove, over and over again, the excellence, the raw power and strength of the human woman. it completely disrupts ideas on gender.
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you have big, powerful women in rugby. fast, endurable women runners. impeccably strong gymnasts. women with strong, large bodies that take up space. that are HEALTHY. they are not RESTRICTED or ladylike. they are free of the stillness/deadness that femininity demands. no corsets. no (aesthetic) thinness. no hourglass bodies for gawking. women's sports screams to society "we are fully human, not objects, not small men. we are not domestic dolls. we are hunters and foragers. fighters."
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why do you think men are so vitriolic about it? why don't they want women in football? why don't they want it televized? why do they keep harassing female basketball players? why do they insist on dressing women in sexualized uniforms? why do they now make it taboo to exculde men from women's sports?
i firmly believe it's because women's sports tears patriarchal gender ideology apart so effortlessly. it completely spits in the face of patriarchal political propaganda and shows how null it is. it forces all of us to view women as full, as the beginning of human excellence, as central to human history. not as decorative sexual objects, no matter how men want us to be.
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that's why there's so much aggression and derision when it comes to women's sports from men. because women's sports destroys the idea of femininity and depicts women as non-derivative. women must be monsters and cannot afford to play into the childlikeness that femininity demands. the arena of sports forces us to focus on women's physical performance rather than appearance. their strength rather than how attractive they are. their skill and strategy. their humanity. it is a form of entertainment where all female roles are agentive and active rather than passive.
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women's sports events are also hotbeds for female and lgb solidarity like you have no idea!
y'all need to start watching women's sports. not only because it is exciting, but it deprograms the patriarchal bullshit out of you so fast. you realize how much is possible. how much we can all achieve right now.
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dollypopup · 1 month
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I truly cannot overstate just how much I adore Colin Bridgerton as a male love lead, and how important his story is, in particular in a current, modern reading. We live in a time of alpha male machismo that in many ways mirrors the sexism of the historical time period Colin is in, and we have a hero who explicitly rejects it. More than that, we have a hero who first tries on the persona, first tries to fit in, and then determines, with no outside influence and all on his own, that it's wrong. That he doesn't want to be like the men of his society, that he doesn't like the expectation of sex without love and commitment and connection, that he doesn't want to be 'one of the boys', even if it comes at their derision.
Because when Violet says he has always been her most sensitive child, when he has always considered others before himself, when he has always offered a joke or a moment of levity- for so long, he felt he had to. That there was no other choice.
Colin Bridgerton, The Great Pretender, is finally coming into the light.
Take my hand. Come walk with me.
Colin's arc is incredibly clear, and incredibly dear to me. We can track his progress throughout the seasons he has been in, but if we consider his backstory, it comes even more in clarity.
Piecing together a timeline with some influence from the books and loose historical accuracy, Colin loses his father at 12 and then is sent off to Eton. And he is a tiny thing when his father passes, shorter even than his 9 year old sister, Eloise.
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(Yes, I checked!! He's half a head shorter than Eloise, and an entire head shorter than Daphne. This boy is SMALL)
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So it makes a lot of sense to me that this is the start of his fake-it-to-make-it personality. He cannot grieve with his family in these circumstances, he's been sent off to school with other boys who are bigger and stronger than him, and he must realize relatively quickly that weakness in their eyes will never be tolerated. In fact, Eton was well known for corporal punishment and bullying during this time. Older boys were well known to mistreat the younger once, and considering just how small and soft-hearted Colin is, and just how vulnerable he is having lost his father-
Of course Colin would become a target of such.
And despite that, we meet him in Season 1 with an endearing earnestness and hopefulness in the world. Something inside him, something sweet and gentle and warm, thrives to live. And fights against grief to do so. How easy it would have been for him to lose his father and be bitter. How easy for him to see his father die from the steps of Aubrey Hall, to be sent to a boarding school away, and withdraw in on himself.
And yet, he doesn't.
At least, not in the way one would suspect. Instead, Colin becomes a chronic people pleaser. If the people around him are happy, then he will be safe. Will not be hurt. And they have no space for his own hurt, regardless. There's hardly even any space for his mirth, as most people didn't even reply to his letters on his travels the previous season.
In Colin's confession in Season 3, he says 'I have spent so long trying to feel less', and this numbing begins early in his life. He's a consummate gentleman in Season 1. He does everything by the book, everything as he should. He wants to be accepted in his society, wants to be taken seriously, wants to belong. So he sees a pretty woman, and he gets along with her well enough, and he courts her. Openly, honestly, in full view. It isn't a heart-stopping love, but he has numbed himself for years at this point, so affection will do, and if proper men of his society are married, well, maybe he'd finally be taken seriously.
And yet, no one notices him, even still. No one except Penelope. His own mother doesn't recognize his behavior, and worries for him after she does. How long has it been since she's actually seen him? We know from the show that he's incredibly close to his mother, and loves her dearly, but we also know that after Edmund's passing, Violet was mired in grief and post-partum depression. Colin misses much of this as a firsthand witness since he's at school, but that doesn't mean he wouldn't be able to tell, wouldn't be affected by losing his mother and father in one fell swoop. In fact, Colin loses his connection to the majority of his family in being sent to school so soon after the tragedy. So of course he comes back and he tries not to make waves. Tries to do things correctly.
His friction with Anthony proves time and time again that nothing he does is entirely ever able to fully please him, and this causes contention in their brotherly bond. Of all the siblings, Anthony is arguably the most harsh with Colin. And he is also the model for who a man should be in the family, as the head of the family.
So when Anthony sees Colin earnestly try to marry, he scoffs him off. Accuses Colin of only wanting to marry to have sex, and then claiming "It is my fault. I should have taken you to brothels." This is the first on-screen shaming of Colin looking for connection before sex, and Colin doubles down. He wants to marry for love.
But he doesn't actually love Marina. Neither of them truly know each other, and so when it all blows up, and he is humiliated to the entirety of his community, Colin gets his first taste of romantic failure. He tried to do it right, and it ended more wrong than he could have ever imagined. So, maybe Anthony was right. Maybe he is just a foolish, green boy, who has no idea how to go about things. The fallout of his failed engagement echoes in the persona he puts on in Season 3, and the choices he undergoes during them. Is it any wonder he ends up going to brothels to have unfulfilling sex if even his own BROTHER, the head of his family, tells him to do so?
It doesn't happen right away, though. Despite the fact that no one truly checks on him or sees how this breakup effects him (Eloise dismisses the hurt he must feel in light of such events with an honestly rather accurate wave-away "Men are always less affected", and that is true), it is evident that he is NOT okay.
We leave Colin in Season 1 putting on a mask, a happy face to his family, a 'you inspired me' to Penelope, and then spends his travels sad. Depressed. Taking drugs to try to ease his mind, occupying himself with writing to Penelope. In Season 2, he spends the entirety of it trying to be useful. And he does this with Penelope. He feels deeply for her, he cares so much for her, and he even says it to her aloud 'You are special to me' and 'I will always look after you' and how he could never give her up. Season 2 is a season of healing for Colin- he closes his chapter with Marina with a relationship post-mortum conversation after he does a wellness check to make sure she's alive (let's be real here, no one else was going to reach out to her. She made it clear to him that even her own father didn't want her), makes amends with Will, proves himself useful to Penelope, and departs on a high: he thinks he threaded the needle. He thinks he was successful sending Jack off, that he made Penelope happy, and that he's in with The Boys.
But whilst the person he is around Penelope is genuine, the person he is around these men are not. We know from Season 3 that they don't actually like him. They make snide, underhanded comments toward him, and laugh at him. I stand by the idea that end of season 2 is Fife and Co. laughing at Penelope AND laughing at Colin. They don't care about their friendship, they're teasing him for caring about her so openly, and Colin is protective of the relationship he has with Penelope. So he makes a comment for the boys, and puts on his mask. 'I would never court Penelope Featherington' (look, I'm just like you. I walk like you, talk like you, speak like you) 'Not in your wildest fantasies, Fife' (I am one of you one of you one of you- so why does it feel so hollow?)
He gets, now, his first taste of acceptance from them. They come to him to Mondrich's bar, he repays his slight against him, and he feels he is one of them. (Does he truly *want* to be one of them?) And so when we open Season 3, it's a smooth progression.
Colin is walking the walk and talking the talk, and yet his heart isn't in it. He's not one of these smarmy men, but he mimics them. Their behavior. In part, at least. Whilst Fife is out preying on 18 year old women in coat closets, Colin is telling gaggles of girls how pretty they are and how with such nice dresses, they're sure to find a husband. He makes it clear he's not an option, but that he doesn't mind being a fantasy. And Luke Newton does an amazing job making that clear: there are three sides of Colin. The Colin portrayed to his society in the light in good company (1) and the Colin portrayed to his society in the dark, in. . .less savory circles (aka: The Lads)(2), his 'armor' as his mum calls it. And finally, the most important but the one kept closest to the chest: the Colin of truth. The Colin who cries alone in his room after a breakup, the Colin who doesn't burden others with his feelings, the Colin who writes to Penelope, the Colin who loves deeply and feels deeply.
But his society has no use for a man like the real Colin, they do not *want* a man like real Colin, so he puts it under lock and key. And so much of this is centered around his feelings about sex, so here comes my 'Colin is Queer' soapbox. Colin does not experience sexual attraction like the rest of the men of the ton. He is expected to find it casual and be cavalier about it. To just want to fuck for the sake of fucking. But Colin needs love and romance and connection to actually enjoy sexual interactions. Nowadays, we recognize this as being on the asexual spectrum, of being demisexual, but he didn't have words for that in the time period he's in, so he has to forge ahead to figure himself out without a community identity to find solidarity with. That's what makes the brothel scenes so interesting as a narrative device: in the first, he's masking even in the midst of it, and in the second, he can't. After kissing Penelope, he finally, for the first time in his life, has a sexual interaction that means something to him.
It's the first one he truly enjoys, and the first one that feels right to him. It clicks for him that oh, that's what it's meant to be like. And the strain of that realization whilst still having to be what his society expects of him puts immense stress on his shoulders. You see how he grows more and more uncomfortable about the conversations, until finally he rejects it outright.
Even when it's very much not encouraged for him to do so. He's even told "You are much more fun this season." That's why he hides himself. From near everyone, even his family, even his brothers. It's telling how Anthony's positive interaction with Colin is when they're at the club, and Anthony praises him for his most recent attention. Have we seen much of Anthony being proud of Colin, otherwise? Not really. So he's reinforced in his persona. Doesn't boast of his travels because it didn't have anyone liking him for it, before. Doesn't even say how many cities he's gone to. Except with Penelope.
In the books, there's a line about their kiss, referencing how his world will never be the same. And it won't be. Because when Colin says that she helps him see the world in new ways, it's in a multitude of meanings.
Penelope refuses to let him wear the mask, because in truth, Penelope is the only one who doesn't like it. Not only does she see the real Colin, but she enjoys the real Colin. Whilst everyone else is simpering over Colin's new look and attitude, rejects who he is in reality, Penelope dismisses it, wants the person she knows him to be instead. It's only when he strips down the facades that Penelope allows him into her life again. And her Whistledown article was harsh, but it was also true. He *is* masking. He *is* putting on a persona and a role. But she was wrong when she asked if Colin even knows which is real: Colin knows very well which is real. And he also knows the realities of him haven't been accepted.
When Colin tells Penelope charm can be taught, he speaks from experience. When he says 'living for the expectations of others is a trap' it is because he has already fallen into it, and if he can't dig himself out, maybe he can keep her from it. Colin tells her 'you do not need lessons' and that she is fine exactly as she is, because just as she sees the real him and loves him, he sees the real her, and loves her, too. But they both live in the constraints of their society, and so they both put on the masquerade. Even sometimes to hide from each other.
The current climax of his arc is when he's out with the lads, after they all go off to the brothel again, and he disassociates from the experience. Playing cards and insisting on sharing sexual exploits, to which he does not want to take part, and makes a lighthearted dig at them. 'There is no gentleman at this table'. He includes himself in that, and then clarifies. He speaks aloud for the first time to them the truth of his heart- 'Do you not ever tire of the expectation to remain cavalier about the one thing in life that holds genuine meaning? Do you not find it lonely?' Can it really only just be him?
And it is. Or, maybe it isn't, but the rest of them aren't brave enough to admit it, so they're okay in making him feel like it is, in outcasting him for being a romantic, for caring about a woman beyond what she can provide for him sexually. Colin professes he doesn't like who he's become, doesn't like the expectations for him to behave the way he has, and they laugh at him. Again. He is made fun of, again.
He goes home and he falls in his bed and he feels like he lost it all. Lost Penelope to his own advice, and lost his newfound shine in his community. But when he's faced with which one matters more to him, he chooses Penelope. Unhesitatingly.
Colin chooses to be sensitive. He chooses to be a warm-hearted, gentle man in a society that prefers sexist machismo. Act one way in the light and another in the shadows. Colin wants to live authentically, as a man he doesn't really have a role model for. He is brave and he is tender, he sees the sexism of his society and he rejects it. He sees the importance Penelope has in his life, the way she makes him feel, and he embraces her wholeheartedly. He wants love and romance, he wants connection and meaning.
Colin, The Great Pretender, sick of pretending. Colin, walking into that ballroom and giving Fife the cut direct when he invites him out. Colin, cutting into a dance in the middle of a ball between Penelope and a man the entire city knows is about to propose. Colin staring deeply into her eyes with such unfiltered longing even *Cressida* can't help but notice what's going on. Colin running off after Penelope in full view of his society, outrunning a *carriage* to see her. Begging her to let him in. Colin on his knees, all but flaying his chest open for Penelope to see his heart. Colin made a choice when that candle flickered out, and his choice was Penelope. His choice was himself. And his choice was to flip off societal expectation and to live for love, damn the consequences.
I think our own world would be a better place if modern men took his example, too. Colin Bridgerton as male love lead in Bridgerton, a global show, is such a refreshing, wonderful example. A man who tried to be like what the world wanted, and who decided to go against the gender norms of his time. A man who prioritizes the woman he loves, who risks ridicule in doing so and comes to realize that he doesn't care. He doesn't care anymore about being one of the boys, one of the lads, one of the guys. Fuck his society if his society can't recognize the beauty of what he feels with Pen. He cares about being the best self he can be. And that best self is around Penelope, inspired by Penelope.
Because how he is with Penelope? God, I could swoon. At every turn, he prioritizes her comfort and personhood. He validates her, he sees her in beautiful, positive light and he helps her see herself that way, too. He encourages her to be brave because he already feels she is, he refuses to let her call herself stupid or a laughingstock, he apologizes without excuses, he checks in on her every step of the way. He's so passionate in that carriage, he's burning for her, he's yearning, but he doesn't do anything until she agrees for him to. He confesses his feelings and when she says they're friends, he backs off. He listens, he cares. He apologizes for overstepping her boundaries, and then when she gives him her consent, the only thing on his mind is showing how much he wants and appreciates her by providing her pleasure. Colin, the people pleaser, dedicated only to pleasing two people in that moment: Penelope, and himself. Because he wants to do that, to give her an orgasm that exists just for her. He's a witness to it, and that's pleasure for him, too. He waits for her nod of consent, he revels in seeing her enjoying herself. And the aftercare- I could cry.
Colin is a man who had every single reason not to be a kind, sensitive soul, and still he chose it. Chose to share it because the headline, even a wallflower can bloom, that's not just for Penelope.
It's for Colin, too.
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pseudowho · 3 months
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Daylight Robbery
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Gojo Satoru likes when other men stare at what they can't have...but maybe he's underestimated Nanami Kento.
Warnings: 18+, cucking, I actually like Gojo so please don't misunderstand me 👀
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When a cuckoo visits a nest, he brings a most precious treasure, places it amongst others like it (but not exactly like it), and leaves.
And this is, of course, the most crucial point; for he does leave, and takes nothing with him.
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"Oi! Nanamin. I've got a favour to ask."
Nanami Kento stood, abruptly, looking at his watch and flapping his newspaper shut-- "My, my. Just look at the time."
"Don't be that way-- Nanamin, come back-- it's about my girl."
Nanami stopped, his hand upon the door handle. Gojo's smirk grew fast, grinning wolfishly, a squirm of possessive pleasure unfurling in his belly and his cock.
"Thought that might stop you...yeah, I've seen you looking. Can't have her though, right? My girl."
Of course, he had looked, at first, Nanami thought, his fingers on the handle. He had looked upon you, in all of your finery-- those glittering smiles, the rubies upon your lips, the marble-carved touches, so deliberately and exquisitely formed. Only after your heart and the life of you, had granted you animation, had Nanami then watched, now art in motion, art with a story.
"You can have her. If you want."
Nanami maintained his composure. Barely. He turned to face Gojo, stern and impassive.
"For one night, and one night only."
Ah. I see. You would like that, wouldn't you.
"And I get to watch. What do you say?"
A dozen questions flew through Nanami's mind, and none of them for Gojo. Nanami's cock twitched now, despite himself, calculating on bated breath.
"Sure. I'd like that. Tonight? Tell her to wear something...comfortable."
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You'd only have said yes to Satoru, for the other guy to be him.
As he stepped into Satoru's bedroom, gracing you with a gentle, reassuring smile, you softened, feeling so exposed and foolish in your lingerie. You glanced over at Satoru, barely lit in the dark, fingers on his temples with one pinched between his teeth, the other hand grazing lightly over his already hardening cock.
Nanami stepped over to you, sat on the bed and looking up at him with the tiniest glint of fear. His hand reached out, strong and soft, and cupped your jaw, brushing a thumb over your lips.
"I thought I said something comfortable," he chided without malice. Your lips parted just-so under his thumb, the briefest flick of your eyes towards Satoru, a half-hearted shrug and an awkward smile. Nanami snorted, derisive.
"I understand you," he purred, leaning down to you, both hands cupping your face as he whispered against your ear, "remember...you're in charge, darling, and I am entirely at your disposal."
"Nanami...I-- I don't know...where to start." Kento hummed, nodding, his thumb moving to stroke your cheek. Despite his outward self-control, your face was directly in front of his groin, and you could see a bulge, huge and heavy, under his tan trousers.
"Kento," he insisted, "please. After all...if I treat you as well as you deserve...it's my name you'll be crying out tonight. Not your boyfriend's."
Satoru shuddered in the chair in the corner, smirking, a hushed clink as he undid his belt, reaching down to hook his long, pale, pink-tipped cock free of its restraints. His hand reached down to cup his balls, rolling and fondling them in his palm, until beads of pre-cum began to dribble onto the neat white hair leading down his belly.
"F-Fiancé," you corrected, captivated as Kento's arms moved to bracket you, nosing at your neck, the shell of your ear, hips nudging you up the bed until you settled, feather-light, on sinking pillows. Kento huffed lightly.
"Yes. My apologies. Your fiancé." You were splayed beneath him, helpless as a kitten. Satoru was tall, and big, but...nothing like this bronze Adonis above you. Broad and mountainous, Kento's shoulders rolled, his breathing getting heavier, whiskey-brown eyes drunk on you. It was just he and you in the room, you were sure. And you felt so...safe.
"Well, then," Kento hummed, one hand reaching under your back to unclasp your bra, deft and dexterous, "I'm going to treat you like it's your very first time. Please, tell me if you want me to stop."
"Don't." You urged, swallowing a sigh of relief as your corseting bra unclasped, "Don't stop," and Kento's eyes smiled at you.
"Is that better?" He whispered, kissing your forehead with such tenderness, you could have wept. Kento felt the way you pressed up against him, thrilled, roiling with such righteous rage at your misuse.
If Satoru had not been so captivated by the way Kento trembled with restraint above you, at the way your nipples pebbled as your bra was pulled softly from your body, he would have felt the fine thread of uncertainty that ran through him, as Kento treated you like spun sugar.
Used to dulling himself, Satoru gripped his cock, sighing and cursing as he stroked himself slowly, reaching to the table beside him to grab a bottle of lube, pumping it over his twitching cockhead.
Hearing the little wet sucks of Satoru's hand, masturbating himself with practiced strokes, your head tipped to watch him, teeth gritted and hungry as he watched you graze your hands over Kento's thick, corded biceps.
"Get on with it, Nanami," Satoru sniped, "or do you not know what you're doing with a girl like her? Scared I've ruined her for you?"
You blushed, moving an arm up to cover your face, as Satoru teased you both. Kento shushed you, removing your arm, pressing a kiss to your inner wrist before plaiting his fingers with yours, calm, confident and ungoadable.
"She's a rare gem, it's true," Kento answered, more to you than to Satoru, "and certainly not one that could be ruined by something so...insignificant." You felt a hot appreciative surge in your belly, so overwhelmed by the want in Kento's eyes, by his advocacy of you. His thumb was brushing over your lip again, eyes flicking between your mouth, and looking deeply into the heart of you.
"I'd kiss you," Kento whispered, "but only if you wanted me t--"
All at once, you grabbed Kento by the tie, pressing your lips to his, your first drink after a month of summer, tangling your fingers into his blond hair. Kento grunted against your mouth, pressing his body down onto yours, letting you lead the kiss, but guiding you into unexplored waters. You waded through them, calm, exotic and unfamiliar.
Kento kissed you with all the warmth and precision he had promised. Each time you tried to push the kiss further, he held you warmly back, controlling your desperate haste for your own sake. He pulled away from your mouth, a fine string of spit connecting you, and you seared at his refusal to use you, your breasts untouched, pussy untouched, so virtuous. Kento's mouth sucked at your neck, leaving his mark, subtle and inconspicuous, as he spoke to you.
"Would you like to undress me?" He offered, your hand still clutching his tie. You felt like you'd been given a gift to unwrap.
"Yes," you pleaded, body thrumming with the need for his skin on yours, "god yes, I--I'd love it. I love--...yes. Please."
"Good girl."
Kento continued to lap at your skin, his hands now ghosting over your hips, the soft plush of your belly, the dimpling in your thighs. Your hands shook, never thinking for a second that you could be edged by something as simple as removing Kento's tie, unbuttoning his shirt; simplicity made erotic. By the time you had pushed his shirt off his shoulders, caught on his brown leather harness, your irritatingly stringy underwear felt tight, wet and clingy with your own arousal.
"How wet are you, baby? D'you think he can fuck you as well as me, hmm?" You jumped at Satoru's voice from the corner. Hesitating to answer, unsure if Satoru would like what he heard, you chose silence, whimpering softly as Kento's tongue moved over your breasts, achingly close to your sensitive peaks. Satoru's breathing came ragged, watching another man devour you, just so he could wrench you away after...his hand gripped the base of his cock, twitching and wet, gasping with the effort to not spend himself all over his belly.
Your fingertips ghosted over Kento's harness, thoughtful. Just as Kento was about to graze his lips over your plump nipple, he stopped.
"You like it? My harness?" He chuckled, his hand rising to brush over yours, still fingering the brown leather. You bit your lip, nodding. Kento understood fully; in moments, he had stripped his shirt, replacing the harness only. You almost melted at the sight of him above you, buckling the harness over the front of his pecs, his own nipples being grazed by the tight leather press.
Kento watched you shudder, taking your hand, stroking it over the leather, down his belly towards his belt, feeling the veins of his V-line tracking down to his cock. Your mouth watered, and Kento shivered as your fingers tickled just beneath his belt.
Not breaking eye contact, Kento lowered his mouth back to your breasts, resuming as he pulled your nipple into his mouth, moaning around you at the sweet yielding softness. His tongue traced you so gently-- too gently, for the relief you needed.
"Harder-- please, Ken..." Kento acquiesced, ever your servant, as he drew your nipple deeply, the pleasure tangy and sharp as your nipple grazed the roof of his mouth, his thick fingers kneading and rolling your other breast. Your hips bucked up against nothing, and you whimpered in despair, no longer used to such ceaselessly tender foreplay. Your hands tangled in his hair, trying to push his head down your body, and Kento mumbled, voice husky and rumbling against your spit-wet nipple.
"Where do you want my mouth?" Before you could answer, Satoru interrupted, his voice low and feverish, working at his balls again with one lube-wet hand, flicking at his own nipples beneath his white undershirt.
"Eat her out, Nanamin. I want to see how fast you can make her cum...or, if you even can." Kento smiled at you again, soft, not rising to the taunts, casting an embargo on the forced air of toxic masculine competition.
"Let me know...if it's too much," Kento offered, his mouth kissing down your belly. As he reached your underwear, all silky straps and ties, Kento paused, tongue grazing just above them.
"Do you like these?" He asked, sincere. You bit your lip, mortified at having been read like a book.
"No," you whispered into the back of your hand, too quiet for Satoru to hear, "not really."
Kento hummed. His strong hands gripped your underwear, snapping one side at a time. Satoru groaned at Kento's fractured restraint, his thighs and back prickling with the edge of his orgasm; "Oh fuck, baby...you see how bad he wants you? Shit. Gonna look so beautiful with his cock inside you...get on with it, Nanamin."
Kento knelt above you, removing the scrap of your underwear, tossing it aside to his shirt. He looked down at you in reverence, his fingertips grazing past the puffy lips of your pussy, to dip his fingers into your wetness, lubricating himself with you. As Kento brought two fingers back up to gently pinch your clit, rolling it between them, he sighed, whispering again at your mewls and cries.
"Beautiful...gorgeous. You take as long as you need."
Kento undid his belt, chest straining against his harness, abs and pecs twitching as he fingered you with devastating expertise. He had imagined you like this so many times, mathematic in his fantasies, calculating how he would orchestrate your divine undoing. His free hand undid his belt, lowering himself to his belly as he rucked off his trousers, boxers and socks, his desperately aching cock now sandwiched between his abs and the bedsheets.
When Kento removed his fingers from your clit, you shot up on your elbows to look down at him with a cry of remand. Your breath caught at Kento gazing at your slick on his fingers, dipping them into his mouth, long pink tongue licking them clean and shivering at your taste.
Satoru's head pressed back against the chair, arching into his hand with a breathless laugh; "Doesn't she taste good, Nanamin? Don't worry...I'll finish her off, if you can't get her there." Satoru didn't know how much longer he could keep going, his cockhead a deep, angry pink, balls tight and full from almost spilling into his hand so many times, determined to outlast Kento. The thrill of the chase consumed him in holy fire.
Kento's eyes twinkled at you, unflappable, chuckling at how you bit your lip down at him, embarrassed by him tasting you with such enthusiasm. He chuckled as you covered your eyes again, nuzzling your inner thigh as you giggled, sharing a moment of companionable silliness. Kento broke it swiftly, dragging you out of your wall-breaking moment, by nuzzling his nose between your folds, and you gasped, moaning, high and long.
Kento had built you up with such precision, that by the time the tip of his tongue slid between your folds, flicking from side to side to part them and lay claim to your neglected bud, you came with a jolted cry, one hand clutching the pillow behind your head, the other entwined in his hair, pressing his face down into your bucking sex.
"--oh fuck-- shit, baby, are you serious? For Nanamin, huh? Fff--fuck-- so fucking beautiful." Satoru was shaking now, competitive bile rising in his throat, sorely tempted to throw Kento off of you, jealously coveting you in a way he hadn't earlier.
Satoru yanked his balls away from the base of his cock with a stilted growl, gripping himself, staving his orgasm away. He wouldn't waste a single drop of his seed until he could throw Kento out, and show you how a real man could fuck you. Kento knew the rules; he could not stay after to watch, and he could not spend his seed inside you. That privilege was Satoru's alone. Satoru ripped his blindfold off with a hiss, tossing it aside, staring into you and Kento and seeing you both in his own unique completion.
Kento wrapped his forearms around you, looped over the top of your thighs, licking you softly down from one orgasm, nuzzling you until you trembled, before lapping you back into his lips, and beginning to build you again, delicate, piece by piece.
"Kentooo-ooooo...aaahhhhh--put your--put your tongue in me-- please please pleas--"
Satoru almost ejaculated untouched, hearing you beg and twist under Kento's hungry tongue. He could see Kento's euphoria from your taste and twitches beneath his tongue. He could see the way Kento subtly fucked himself against the sheets, denying himself, and looking so cool about it, but still undeniably just a man.
"Shit-- baby-- see the way Nanamin's fucking our bed, huh?...fuck, why wouldn't he-- taste so fucking good, should we even let him fuck you, hmm?"
As lights and stars fell in your vision, rutting your clit against Kento's nose, his tongue licking as deeply as he could penetrate inside your cunt, you wondered faintly, that Kento was not fucking you, but making love to you instead. You felt wholly possessed, worshipped.
With Kento at your altar, you revelled, divine and cumming over, and over, and over, lost in some blissful fever-dream. Time lost meaning as he made you fluid beneath him.
Satoru moved to stand, and, still with his face between your legs, guiding you down from another orgasm, Kento raised one impeding just-a-moment finger to Satoru. Satoru's breaths were ragged, and he released his grip on the arm of the chair, moaning weak little moans as his aching cock sat, sore and in desperate need of something softer than his own hand.
Kento kissed his way back up to your mouth, face cupped, swiping the tears from your lashes with his thumbs.
"What do you think?" He whispered, teeth nipping at your tilted throat as you panted and shivered beneath his touch, "Can I give you what you want, goddess?" You nodded, short and incoordinate, and Kento could have burst with covetous pride to feel you hook your legs up and around his back, urging him, inviting him in.
Kento growled, feeling his leaking tip ghost the puffy tight wetness of your entrance. His breath caught in his chest, pins and needles all over his hips and cock as he bit back his orgasm, his brain fighting him with the image of you with his seed dripping all over your folds.
"Like it's your first time," Kento repeated, dipping his thumb over your tongue, groaning in approval as you sucked it, doe-eyed and supple and desperate to taste him, "I'll be gentle...I promise." You shivered, born anew as he began to press his cockhead inside you, both of you balanced on a knife's edge.
Satoru could have wept; your insistence on Kento taking you in missionary, of all positions, shielded you from his view, Kento's cock about to penetrate you behind the plush of your thighs.
"Stop," Satoru ordered, voice rasping, dry, clipped, "I'm here to watch, and you're here to do as you're fucking told, Nanami."
Nanami caught how your face twisted in frustration, anger at having been interrupted. He rose one hand to plait with yours again, licking your jaw as he stroked his cockhead between your folds, teasing your clit, shivering as he slyly encouraged you to give him a pussyjob. You mewled, feeling a hot dribble of pre-cum over your clit, dripping down towards your entrance.
"I only follow one person's orders here, Gojo," Kento rumbled, pressing his slit over your hard little bud, wiggling them together with a hiss so your most sensitive spots slipped together as puzzle pieces for a moment. You felt yourself, shaking like a leaf, feeling such copious amounts of Kento's arousal seep out around the seal his slit had made over your bud. You felt dizzy, clutching Kento's beautiful, clenching arms.
The centre of your world focused so entirely on Kento, you had placed yourself into the palm of his hand, aching for him to control you in a way that was so thoroughly in defence of you.
"Besides," Kento said, pressing his cock deeper now, husky as he felt your tight, gummy walls suck him in, "you should watch her face instead of her pussy...it's the best part."
Satoru whimpered, moaning as he fucked up into his own fist, lube splattered onto his groin, white hair wet with fluids; all for the look on your face as Kento bottomed out, thick and long and filling you with his oozing perfection. Your jaw fell slack, eyes dewy as you drank in Kento's muscular form, still bound by his brown harness. You sobbed with relief at the blissful stretch of his cock within you.
"So good...not too big for you, sweetheart? So brave...move yourself around my cock when you're ready."
You gripped Kento close, your arm round his chest and gripping his harness from the back, face buried into his chest. Your sob of relief at having been filled, threatened to grow into full tears at the exquisite beauty of being possessed with no selfishness. Kento felt you, one enormous hand tangled in the back of your head, the other leaning above you, intertwined with your free hand.
Kento was stock still, mumbling into your hair, kissing your ear, as you rolled your hips upwards, sweeping your slick pussy up and down his length, fucking him as he caged you in. Kento cursed, sweating and groaning, the leather of his harness creaking as his chest strained against it. His brow furrowed, and he cupped your hip in one hand, guiding you to keep sliding your pussy around his throbbing cock, rutting deeply down into you to meet your thrusts.
Hearing your gorgeous little mewls at Kento's blunt cockhead kissing your cervix was Satoru's last straw. His hand stuttered around his cock as he threw his head back, his orgasm hurtling over him with force.
"--agghh shit-- no more, I can't-- fuck you Nanami, you piece of--piece of shit--" Satoru's seed spattered over his belly, dripping down his hand, cock and balls as he groaned, interrupted by breathless, fractured gasps. He watched Kento's hips pick up pace, and watched as you pressed your forehead to his, all honey-rich and sweat as you panted into each other.
Kento couldn't have cared less about Satoru's jealous spitting, for he was wholly possessed by a primal urge to take you, and make you his. He kissed into your belly with his cock, gasping, feeling your walls clench around him, milking so much pre-cum from him that he shook, hot and thirsty, grunting against your clamouring lips.
Kento locked your ankles behind the small of his back, tipping your hips back into a press, pushing you past your pussy's limit to take any more of him. He rutted into you hard, barely pulling back, bullying your spongy walls with savage attentions, fully feral.
"--come on, girl--such a good girl, gonna--ahhh fuck gonna--hold--hold onto me--"
Taking full advantage of Satoru's dopey post-orgasm laxness, Kento pushed himself past the point of no return, loving you greedily and with no intention to share. Kento felt his balls tighten up, his seed loaded and ready to spill.
Satoru realised a moment too late; "--Nanami--pull out--don't you fucking dare--"
Kento came with a bark, feeling his cum start to pulse into you in long, thick spurts. Satoru darted forwards, still messy with his own cum, still half-dazed. Kento slung out an arm, his fingers fixing round Satoru's throat as he grunted, deep husky moans as he continued to spurt inside you, Kento's face the picture of serenity and rage.
Fingers gripped tight around Satoru who stood, teeth bared and considering murder, Kento came down from his high, panting, still rutting lazily into you. You lay, euphoric and full of thick cum, so sticky that it coated your inner walls, clinging to your slick pussy, barely leaking out as Kento pulled out.
"Sorry," Kento huffed, voice uncharacteristically light, "not sure...what came over me. You know what it's like, Gojo."
Kento released Satoru, reaching down to swipe your hair from your eyes, his own amber and affectionate; "Want me to run you a bath?"
You laughed softly, trying to cover your blushes. Satoru gripped Kento by the shoulder, throwing him back. Kento stepped smoothly into it, still looking longingly into you like Satoru was less than the most fleeting of irritations.
"Shut the fuck up, Nanami. Get out."
Satoru climbed over you, pressing you back onto the bed. Feeling his once familiar, adored body and kisses felt so curiously alien. As if you had been overwritten by something so much...more.
Satoru mumbled sweet nothings into your throat, restraining and possessive, as he lined his cock up with your entrance. A core instinctive knowing took control, and you closed your legs with an odd finality.
As Kento did up his last button, you looked to him as his eyes caught yours, fire burning within. He stepped away with a gracious nod, and with the click of the door, your stomach fell.
For Kento had left something behind, blooming within you, and took a part of you with him, pocketing something which you would surely be obliged to follow.
+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+
It took Satoru many years to accept his own mistake. He did not accept it, when you told him you were leaving him. He did not accept it, when Nanami opened his doors to you and your suitcases, in the wee small hours of the night. He did not accept it as he watched you bloom, belly round and full with Nanami's growing seed, Nanami's hand overlaying yours, holding you and your baby. He did not accept it as he saw something between you and Nanami, that he had never felt between himself and you.
His mistake, was that Nanami Kento would not partake in cuckolding.
For Nanami Kento was not a cuckoo at all, but a thief, of the highest calibre.
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skzdarlings · 4 months
Text
bets and situations ; skz ; minho x reader
original ask: requested by anonymous: minho and “is that how you usually get out of these situations? by fucking your way out of them?” please
Tumblr media Tumblr media Tumblr media
pairing: lee minho/reader content info: rivals to lovers. street racing. stubborn!reader. placing bets, betting sex (still explicit consent), fucking vs making love. outdoor sex. sex on a car. explicit sexual content. word count: 3400 words.
masterlist. part of the valentine’s day stories series. credit to prompts. requests are closed.
enjoy! <3
-
Sure, you are a little insufferable. 
But Lee Minho is worse. 
He carries himself with an elitist pomposity, like he is above the other drivers just because he once raced professionally.  Trophies or not, he is out here with the rest of you, illegally racing cars down desert roads, placing bets in the dead of night. 
You were content until this fucker came along.  Lee Minho and the stupid pretty face that won him fan clubs and brand deals.  Ugh.  You hate him for having that life and for giving it up when it is a fantasy for you.  The world of professional racing is notoriously hostile to women.  You admit there is a tinge of bitterness on your side of every interaction, but he goads you like an asshole.    
He arrives with his usual entourage.  A couple of them are racers, though not professionals, and a couple just spectate and mind his vehicle.  He has a nice car, almost as pretty as him.
You whistle as he approaches.  He looks at you with his usual exasperation, delicate features pinched with annoyance.  His hair was a vibrant red in his racing days, quite the act of showmanship, but it’s a natural dark brown now, framing his mean, stupid, handsome face.
“Hey, pretty boy,” you say.  “Finally gonna grow a pair and race me?”
His scowl turns to a bitchy little sneer.  He laughs sarcastically. 
“Not worth the mileage,” he says.  He shoulders past you, his leather jacket against your denim.  “Winning against a little girl does nothing for my massive ego.”  He says this with a sarcastic flourish, mocking your derision of him. 
You know the comment is a deliberately cheap shot.  Unfortunately, in reality, Minho is the least chauvinist racer you have ever met, treating the women here with the same basic dignity as the men.
It’s just you he hates, because you hate him too.   It was inevitable.  You were hostile when first meeting.  You challenged him to a few too many personal races.  You were a sore loser and even worse winner.  What started as an effort to prove something spiralled into a rivalry. 
You won the last couple races.  You gloated a little too hard and now he is refusing to race you again. 
“Sure,” you say.  “Sounds to me like you’re scared to lose for the third time in a row.” 
He just keeps walking, ignoring you, which is so much more infuriating than when he snaps back. 
You decide to keep your distance tonight.  If you continue to agitate yourself, you are going to develop a stress aneurysm.   So you keep to your own group, race your own races, and collect your own winnings. 
But, ugh.
He is right there. 
Just in the corner of your eye, just skirting the periphery of your space, just breathing the same night air.  When you are looking at him, he captivates you.  When you look away, he is like an impossible itch, begging for your attention again.  You constantly catch him looking at you too, which does not help matters. 
By the end of the night, you feel like a live wire, all electricity and unbound energy.  Not a single race has satisfied you.  You won three of four, making way more money than you lost, but it is not enough.  It is never enough.  You already know how good you are.  You know you can beat most of these guys blindfolded. 
Your only perfect match is Lee Minho.  The only victory that matters is that one. 
As the crowd disperses and everyone departs, you march towards him.  He is saying goodbye to his crewmates, his back to you, but his buddy cracks a grin when he sees you coming.  He smacks Minho on the shoulder before turning away. 
Minho turns around with a befuddled look on his face.  When he sees you, it slackens to that unamused vexation.  He pockets his hands in his leather jacket and slouches against his car.  He shakes his head as you stomp up to him. 
“One race,” you say. 
“No,” he replies, without missing a beat. 
“Why not?”
“Because I said so,” is his insufferable reply.
“That’s not an answer,” you say.
“That’s too bad.”  He gives you a final shrug then turns, opening his car door, preparing to leave. 
“Wait,” you say. 
You heart is racing.  Somehow, you feel like tonight is different from every other night.  Maybe it is the perfect crispness on the breeze, the remarkably clear sky, or maybe just the way those jeans seem to hug his thighs.  Stupid hottie.  You will have him and his attention.  You will get the better of him, one way or another.  It was all leading to this. 
“One race,” you say.  “A bet worth the mileage.” 
“I don’t need your money,” he says.
“I’m not offering money,” you reply. 
Finally, he closes the car door.  He sighs, a very loud and dramatic sigh, like you are the biggest inconvenience on earth. 
“What are you offering?” he says, facing you.  The disinterest in his tone is betrayed by the curious sweep of his gaze, an up-and-down perusal like he expects to find his prize somewhere on your body. 
Oh.
You feel flushed inside, realizing that it exactly what he is thinking.  Looking at you with a hungry, lecherous gaze, anticipating you are about to offer up yourself as a potential prize. 
It makes your heart stutter and your lips do the same, your next words all tangled up on your tongue.  It did not even occur to you to offer such a thing.  You hate him, so of course you would never think about him that way.  But now that he is looking at you like that, his expression coloured with interest and suggestion, you find yourself too shocked to even parse your feelings. 
The only thing that is obvious, abundantly obvious, is the punch of heat in your gut.  No, lower.  Heat that curls up inside you and makes you second guess.  Heat that is curious about the look in his eye. 
Then you shake your head.  You resist the urge to smack him for throwing you off.  You were in control and now you are flustered. 
“Not me,” you snap. 
His eyes, which have made their way down your whole body, follow the same path up.  He meets your gaze eventually.  Then he says nothing, because he is the worst, and just lifts an eyebrow at you. 
“My car,” you say, with no-nonsense finality.  “I bet my car.” 
He blinks at you.  Long, slow blinks like a cat.   It takes him a second to find a sentence. 
“Your car,” he says.  He tilts his head and squints, looking at you with scrutiny, like he is trying to see through your ploy.  “And what do you want if you win?” 
“Admit I’m the better driver once and for all,” you say.  The words feel a little foolish leaving your mouth.  You have been chasing the high of that confession, aggravated every time he dodged it, but saying it out loud makes you feel needy.  You clear your throat and stand straight like you are unbothered.  “That’s all I want,” you say.
He rubs a hand across his jaw, laughs incredulously, then swings his arms out at his sides. 
“Fine,” he says.
By now, everyone else has gone.  It is just you and him under the streetlights, the long empty road stretched across the dunes ahead.   You stare at one another, like there is no road and no sky, no world at all outside each other.  It is intense and all-consuming.   
You hold out a hand.  He takes it and yanks you closer to him.
“I would have told you that for free,” he says.  “Since it’s the truth.  You just had to ask.”
Now it is your turn to blink, looking at him with shock.  You would have been less stupefied if he called you a tirade of rude names, or tried to weave doubts in your mind.  Instead, he smiles at you, and it is not half as smarmy as usual.  He drops your hand and turns away, leaving you gawking at the air as he ducks into his car. 
He honks the horn, snapping you to attention. 
The heat rushes back in a hurry.  You swallow, then walk to your car on suddenly shaky legs. 
-
He wins.
Of course he wins.
You were distracted by his parting words.  You and him are so closely matched in skill that a fleeting weakness is all it takes for one to overtake the other.  You were faring well at the start, but his engine revved and your attention strayed.  Your prize was somewhat nullified by his confession, your behaviour embarrassing in hindsight.  You bet your car.  What were you thinking?
You weren’t.  And it was all his fault.   
Your car skids to a screaming halt just seconds after him.  You smack the steering wheel with frustration. 
Maybe I should have just bet my body, you think to yourself, a thought that has you shivering from something other than adrenaline.  Thoughts like that are not like you.  And Lee Minho is the last man on earth you could ever want.  Even though he is simultaneously the only man you want, or at least the only one with an opinion that matters, the only man whose attention you ever want.  He is always the highlight of your night. 
Oh god, you think with a nervous twist in your gut, I like that arrogant loser. 
Facing him is hard and it has nothing to do with losing your car. 
He is not gloating because he is not the type.  He is just leaning against his vehicle with his arms crossed, watching your nerves and passion get the better of you.  He does not flinch when you get right in his face, huffing from exertion.
“Do-over,” you say.
“Absolutely not,” he replies. 
“You got in my head on purpose.” 
“I can only do that if you let me in,” he says, looking smug.
“One more race,” you insist. 
“You have nothing left to bet.”
“Me,” you blurt.  “I bet myself.” 
You feel some satisfaction at the flicker of surprise that creases his brow, but then he is just staring and blinking again.  Your heart still thinks it is in a race, stampeding so far ahead that your whole body is awash with heat. 
“You,” he finally says.  His tongue darts out to wet his bottom lip, then he tilts his head in that studious way. “What does that mean?” 
You feel so hot it is making you a little woozy.  It’s just aftershocks from the race, you tell yourself, even though that heat comes from somewhere much more intimate. 
You cross your arms stubbornly.  You look away.  You even stomp your foot. 
“You know what I fucking mean,” you snap. 
“Is that how you usually get out of these situations?” he asks in a teasing tone.  “By fucking your way out of them?”
You refuse to answer.  You arms are still crossed, your face still turned.   
He touches your chin, a painfully delicate touch.  Whenever you do fuck someone, it is hard and fast, like everything else you enjoy.  Your greatest rival should be touching you with the roughest touch of all, but it is the very opposite.   It is a suggestion of a touch, little more than a caress as he turns your face to his.  You swallow until the intense focus of his sharp eyes. 
“I don’t fuck like that,” he says.  He bats his pretty eyelashes while smirking like a devil.  “I don’t have to make bets.  I make love to people because they want it.  Sorry.”  He rolls his eyes and turns away, wiggling his fingers in a sarcastic good-bye wave as he slides into his driver seat.  “You can keep your car.  I don’t want or need it.  Good night.” 
You put yourself between the door and car, stopping him from closing it.  He looks at you, eyes narrowed more intensely. 
“Now, now,” he says. 
“I’m a big girl,” you snap.  “I don’t need you protecting my honour.  I wouldn’t offer to let you fuck me if I didn’t mean it.” 
He stares at you, contemplative behind those dark eyes.  He has just returned your vehicle so you have no reason to make another bet, other than to prove the veracity of your previous offer: that you do want to fuck him, even if you don’t want to admit it.
“I told you that you can keep your car,” he says. 
You are amazed smoke is not blowing out of your ears, considering how hot your face feels. 
“I heard you,” you say. 
He gets out of the car slowly, holding your gaze the entire time.  You take a step back. 
Then he walks at you, which forces you to take another backwards step.  Step by step across the tarmac.  The breeze tousles a bit of his hair, but nothing stops his stride and his eyes never leave yours. 
You find it difficult to catch your breath.  Garnering this man’s undivided attention has been your only goal for months, and the reality of it is heady.  He is intoxicating. 
It seems the feeling is reciprocated, given how he looks at you, which just makes you stumble in your backwards trek.  He catches your wrist, tugging you upright, yanking you closer.  You collide with his chest, disoriented from so little. 
“So,” he says.  “If you win, we fuck.  And if I win, we make love.  Is that correct?” 
“Whatever, there’s no difference,” you say.  You are instinctively combative when flustered, redirecting the source of your embarrassment to confrontation. 
It seemingly works.  His attention diverts and he says, “Yes, there is.”
“No, there isn’t.” 
“Yes, there—”  He stops himself from retaliating with the same childish rejoinder.  He props his hands on his hips, shaking his head at himself as he stares up at the stars.   
Eventually he huffs, rakes his teeth over his bottom lip, then looks at you. 
“Fine,” he says.  “We’ll race.” 
Your heart is already revving like an engine.  You take another couple steps back to smirk at him triumphantly.  You walk right into your car, that smug face dropping in surprise.  It gives him the opportunity to crowd you against it, planting his hands on either side of your head.  You hold your breath. 
“You have to pass my test first,” he says. 
“Excuse me!”  Your own incredulity resounds.  You smack his chest but he does not move. 
“It’s just two questions,” he says.  “You’re a smart girl.  You’ll figure it out.” 
He is tormenting you.  You hate him.  You hope he never stops. 
“Fine,” you snap.  His smirk makes your whole belly swoop with anticipation. 
“Good,” he says, then stands back. 
You hold his stare, refusing to show any weakness.  At least you can catch your breath in the space between you. 
Then he says, “Get on your knees.” 
Your legs are already shaky – from nerves, from the dwindling adrenaline of your race.  There are a lot of reasons your knees buckle.  Plenty of explanations for why you do not hesitate, sinking to your knees right there on the road. 
Your gaze drops, flustered by his demand and your response.  You look at his shoes, all black, well-worn, scuffing the tarmac as he steps towards you. 
“Now tell me,” he says, then gathers a fistful of your hair and yanks your head back.  He meets your gaze as he says, “Is this fucking or making love?”
Then his fingers are in your mouth.  You let him in without any hesitation, like your whole body is instinctively attuned to his.  His grip is firm, his fingers relentless, undoubtedly fucking your mouth with the sloppy, mean thrust you would expect from an enemy.  Still, it feels good, unbelievably so, your mouth wet and hot and his fingers sliding over your tongue, the soft suction of your lips making his eyes blaze and his throat bob as he swallows. 
When he slides out, a trail of spit connects his fingers to your lips.  Your lips quiver with a shuddering breath. 
“Well?” he says. 
You swallow, but eventually manage a weak, “Fucking.” 
“Good,” he says, grinning that wicked grin.  “That’s one out of two.  How about this one?” 
He drops to his knees.  You are face-to-face now, kneeling on the road in the dead of night.  There are no witnesses to this scene except maybe the stars, the clear night revealing all your secrets. 
His face is as open, his expression suddenly so devastatingly soft and vulnerable.   Your breath stutters before he even moves.  He cups your cheeks with both hands and draws you to him.
Your eyes close when your lips touch.  He strokes his thumbs across your cheeks and licks into your mouth with decadent slowness, like he wants to savour every second of your taste.  Your mouths move together like they were made for each other, never racing too far ahead. A perfect give-and-take. 
When he stops, you feel dizzy and bereft, but only for a second.   He cups your jaw and tilts your face just so, then his fingers are parting your tender lips and the taste of him is on your tongue once more.  Your eyes close and you moan thoughtlessly, bobbing your head to the gentle rhythm he sets. 
“This,” he says in a feathery-light voice.
You shiver as he slowly withdraws his fingers.  He wipes his thumb across your lips to clean you.  You let him cup your chin and tilt your face, this time so he can look you in the eye. 
“Tell me what we’re doing,” he says.   
The suggestion makes you throb.  You are hot and aching when you admit, “Making love.”
“Good,” he says, then pecks your lips before rolling onto the balls of his feet and shooting upright.  “Now we can race.” 
-
It is a perfect draw. 
You are both distracted.  When you slam on the brakes in the same place at the same moment, it is with a singular purpose in mind. 
Doors slam.  You meet in the space between your vehicles. 
“I won,” you say, just to be argumentative. 
He is shrugging out of his jacket.  It his the ground.  He does not break his stride, already going for his belt.  Your knees nearly buckle again. 
“Fine,” he replies.  “Then get over here.  I’m fucking you on the hood of my car.” 
Fucking you is exactly what he does.  It is not making love.  He strips you methodically, your jacket and shirt and bra.  Your jeans get shoved down past your knees and he bends you over the hood, still warm from the purring engine.  You are hot and frantic, cheek pressed to the hood of your rival’s car while he works you open and shoves himself inside you. 
You make a sharp sound then a low moan, hands plastered to the hot hood.  He fucks you like he races you, without holding anything back because he knows you can take him. 
It feels as primal as a race, the animal instinct that conquers you in a rush of adrenaline.  It is your singular focus, the steady thud of him inside you.  You do not care about appearances, about seeming ridiculous, meeting every thrust and moan with your own.  He sounds good and feels better, your bodies in harmony, chasing each other to the finish line. 
He yanks you up, your back arching as he turns your head for a kiss.  It puts you over, clenching hard around him, setting him off.  He makes a soft sound then groans with pleasure.  He stays there for a minute, both of you breathing hard.
“I want you to keep your car,” he finally speaks, “because I need you to come back tomorrow and race me again.” 
You gasp when his hand moves between your legs, working you up again, slowly but surely.   
“Because next time I’ll win,” he says.  “You sounded so good getting fucked.  I want to see your face when you come on my cock again and again from making love.”
“Won’t happen,” you say, even while your on the cusp of doing just that. 
“Mm,” he says, then laughs that light, evil laugh as you come all over his hand.  He kisses the side of your head and says, “Wanna bet?” 
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rebellum · 2 years
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Begging people to understand that homophobia doesn't mean "being mean to gay people because they're gay", misogyny doesn't mean "being mean to women because they're women," and transphobia doesn't mean "being mean to trans people because they're trans."
These are all intertwined systems of oppressive social control.
The whole THING is that gender policing of all types is used to keep people in line to make them act "normal" (to act as their gender should).
When a young boy doesn't want to play football and his brothers do, and they call him a sissy, they are being homophobic, transphobic, and misogynistic. Even if he is straight and cisgender.
If a cishet woman is derisively asked "what are you, a lesbian?" For having short hair, she has experienced homophobia, transphobia, and misogyny.
One of the reasons it's so necessary to discuss them is because they are systems of control. The words aren't just describing types of hate crimes etc perpetrated against certain groups of people, it describes the violent aspects of cisnormativity, heteronormativity, and the patriarchy.
This post was made bc im mad about ppl being like "how would a person not lgbtq experience homophobia" (something I literally just saw) and "trans men can't experience misogyny and especially not transmisogyny" and "I'm a wholeass lesbian I can't be homophobic" (both sentiments I've seen multiple times before almost word for word). Those are just a few examples of the stuff I've seen said online from people who unfortunately don't understand how systems of oppression work to keep everyone in line.
Transphobia, homophobia, and misogyny are all inseparably intertwined because they come from the same place and have the same purpose.
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anarcho-smarmyism · 9 months
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"Sex between men wasn't against the law in Japan during this period, but it was frowned upon: men who slept together risked being regarded derisively as "woman-haters". Sex between men and wakashu, however, was legitimate: men were expected to be attracted to both women and wakashu. The practice became known as shudo, and the association of shudo with high-ranking samurai helped to increase its social status. An entire genre of literature and art sprang up around shudo, in which the visual features that made wakashu different from men and women -their hair and clothing- were eroticized, seen as arousing markers of their sexual availability. This emphasis of difference means that, again, we can't accurately interpret shudo as "homosexuality": instead, it's better seen as sex between two different genders.
Like al-Dalil, and others, wakashu were exclusively penetrated by the men they had sex with, rather than penetrating them. While wakashu could also sleep with (and penetrate) women -indeed, many of the plotlines of shudo literature revolved around women 'stealing' attractive wakashu from their samurai lovers- they were still often seen as submissive, seduced partners in these scenarios. . . In this sense, the gender of wakashu -again, a gender distinct from men and women- was bound up with their sexual practices, their appearance and their age."
-Before We Were Trans: A New History of Gender by Kit Heyam
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