#A GOOD ANGRY SONG

[kaleidoscopiccc]

oh you hate musicals? oh so youre allergic to all fun and whimsy then? youre against all joy and giddiness brought in front of you huh? you just hate any and all happiness and silly times dont you?

[chaoticace2005]

Dang, Charlie and Emily really are calling out society:

“Was talk of virtue just pretension? Was I too naive to expect you to heed the morals your purveying?”

“That’s what the fuck I’ve been saying!”

“If Hell is forever, then Heaven must be a lie. If angels can do whatever and remain in the sky. The rules are shades of gray when you don’t do as you say.”

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[ryssbelle]

N2 Floyd in the first movie

Sad little man got himself captured :(

He also gets punched in the face, but that's neither here nor there lmao

Also sorry for not posting for a fat minute I've been busy XD

Bonus: What John and Branch be doing

RIP in pieces John Dory, you were a brave troll and will be missed

I've got some more doodles of them going through it in the first movie, maybe we will see them soon teehee .

[lavernius]

So I felt like the biggest asshole...

[targarrus]

so nice of joker out to release a song for all ldr survivors out there

[qrevo]

Was tagged by @humanaaa to make a list of 13 songs I've been listening to lately!!

Haven't listened to many different songs lately (currently my main playlist is a Disorganized Hell), but these are the ones that I've been listening to the most:

Deep Cover - Milgram

Chimera - Deco27 (MegaTeraZero Cover)

Bug - KairikiBear (Chogakusei Cover)

Zombies - Deco*27 (Giga Remix, Chogakusei Cover)

This Is How To Be In Love With You - Milgram

Overdose - natori

Turing Love - NanawoAkari & Sou

Dramaturgy - Eve

PLATONIC GIRL - MikitoP (Amatsuki & luz Cover)

Double - Milgram

Say It - Yorushika

Aesthetic Sense - wanuka

Conveying Love Or Something Like That - aimyon

(Of course Deep Cover would get first place JKSKDBKSDF!! Been hearing it non-stop since it released. Like, go seigi girl!! Banger!!)

Besides that I've been hearing mostly songs from Milgram, Deco*27 (he can't stop releasing banger after banger❗❗), and some other vocaloid producer songs. Tho I usually prefer to listen to human covers (sorry Hatsune Miku i hope you can forgive me 🙏)

I'll tag @tokyogruel @good-beans @cubelogic @nilovalentine @mukuberry and @rainbowghostcat!! As always, no pressure tags, and anyone else can join :3

[an-actual-attack-helicopter]

That was. The best goddamn Helluva Boss episode so far. I need to infodump about this. The animation. The voice acting. The music. The moments. The dialogue. Oh, the dialogue; probably the show’s most impressive aspect. Let me get into it.

Right off the bat, the characterization is sensational. You can tell the thoughts and feelings characters are EXPRESSING and suppressing. You have them all figured out.

I also really like the shot below where Blitzo looks like an angry toddler. Because that’s kind of what he is.

He is childish and shitty. The establishment of that fact kicks off the plot of the episode: not Blitzo apologizing, but Blitzo taking a real good look at what he’s done.

Blitzo still isn’t taking things seriously when he first arrives at the party.

None of his “apologies” have been sincere. It would take more to crack him. And more apparently equals a killer classic-rock-like musical number and a confrontation. But I’m getting ahead of myself.

So, as Blitzo watches the party progress, he he slowly…

begins…

to feel…

horrible.

I love how this is demonstrated through his behavior with Stolas and Verosika.

Like, in this scene Blitzo goes super quiet when Stolas tells him how he wants someone to love him. Blitzo wants to tell him but he figures out that that isn’t what Stolas needs. He needs Blitzo go work on his own problems. Those problems have reached a breaking point where Blitzo actually admits to Verosika that he wants to change.

He has fucked up so much and he knows it. He has finally been forced to take a sec and look at the damage he persistently denies.

And so, Blitzo lets Stolas be. He lets Verosika be. He lets everyone he has wronged hate him in peace. Blitzo knows he should probably do some self-reflection or something before he goes breaking more hearts. Great ending.

[ace-beef]

actual image of me going to bed while listening to Cha Cha Cha, Blood and Glitter, Promise, and Who the Hell is Edgar on repeat

[riecaloca]

I've reached the point in my "not supporting taylor swift era" where I've gone from "I still respect her music a lot" to "Fuck her AND her music," and I think that's very sexy of me.

[ghost-bxrd]

How would Talon!Dick react to Red Hood having a bomb built into his helmet? 🦉

Ver, VERY angry hooting.

Jason is not allowed out in the streets for a week at least. And when he goes to put on his helmet he finds it’s gone. Even the spare two. But no matter how much he yells at Dick the Talon refuses to tell him where they are.

(They all got dropped down a cliff in the caves.)

[chaoswarfare]

dp x dc prompt #9

When his family and friends die in the explosion in Amity, Danny refuses to go with Vlad and is put into the foster system. When all his rogues follow him, and nobody can see them without the level of ecto-contamination in Amity, and the damage from the fights he refuses to fight as phantom, he gets dragged to psych ward.

When none of the professionals can figure out what’s wrong with him or fix it, eventually he gets transferred to the best and most secure asylum in the US. Arkham, in Gotham.

based off a song:

[potatobugz]

I HOLD MYSELF IN CONTEMPT

[buggiesnax]

Happy pride month :)

[canisalbus]

I'll give you the productivity I had set aside for today, I had some cleaning planned for today but I got a booster yesterday and I'm too sore lol

🤲

.

[u2fangirlie-blog]

Good Omens Aziraphale's Sad Bastard Breakup Playlist

After the breakup, Aziraphale has a new job in heaven, having taken Gabriel’s vacant position. Aziraphale is haunted by sad music reminding him of his time with Crowley. The songs are dramatic, tragic, melancholic, angry, wistful, romantic, and sentimental. How does he listen to music at his new job in the head office? Are material objects allowed? Does he keep a secret stash of tea, cake, and records and a phonograph player in his office? Does he have a celestial radio that can tune in Earth radio stations? Does he sneak off to Earth to hang out in record shops and bookstores? Or more dramatically and emotionally torturously, does he remember every note, every nuance, every feeling, of every song and replay them in his mind? He's stuffing his face with angel food cake and tea while crying and listening to sad bastard songs and hiding from Michael and the Metatron.

See note after list on song selection process.

Songs include:

“Lacrimosa” – Mozart, Requiem in D Minor, Vienna Mozart Orchestra

“Commendatore” – Mozart, Don Giovanni, Amadeus film soundtrack

“Ja, tot katoramu vnimala” – Rubenstein, The Demon, Nicolai Ghiaurov

“D’amour l’ardente flemme” – Berlioz, The Damnation of Faust, Maria Callas

“Liebestod” – Wagner, Tristan and Isolde, Waltraud Meier

“Ach ich fuhls” – Mozart, The Magic Flute, Gundula Janowitz

“Thy hand, Belinda … When I am laid in earth” – Purcell, Dido and Aeneas, Janet Baker

“E lucevan la stelle” – Puccini, Tosca, Placido Domingo

“Celeste Aidia” – Verdi, Aida, Mario Lanza

“Ich bin der Welt abhanden gekommen” Mahler, Dietrich Fischer-Dieskau

“Der Wanderer” – Schubert, Dietrich Fischer-Dieskau

“Love is a Plaintive Song” – Gilbert and Sullivan, Patience, D’Oyly Carte Opera Company

“I am a Courtier Grave and Serious” – Gilbert and Sullivan, The Gondoliers, D’Oyly Carte Opera Company

“The Gentleman is a Dope” – Rodgers and Hammerstein, Allegro, Blossom Dearie

“A Hymn to Him” – Lerner and Lowe, My Fair Lady, Rex Harrison

“Could I Leave You?” – Sondheim, Follies, Alexis Smith

“We Do Not Belong Together” – Sondheim, Sunday in the Park with George, Bernadette Peters and Mandy Patinkin

“On My Own” – Schonberg, Les Misérables, Frances Ruffelle

“As Long as He Needs Me” – Bert, Oliver, Judy Garland

 “Stranger in Paradise” – Wright and Forest, Kismet, Richard Kiley and Doretta Morrow

“A Nightingale Sang in Berkeley Square” – Sherwin and Maschwitz, Vera Lynn

“Night and Day” – Porter, The Gay Divorcee, Ella Fitzgerald

“I’ve Got You Under My Skin” – Porter, Born to Dance, Shirley Bassey

“Bewitched, Bothered, and Bewildered” – Rodgers and Heart, Pal Joey, Sarah Vaughan

“They Can’t Take That Away From Me” – Gershwin, Shall We Dance, Fred Astaire

“Mon Deu” – Dumont and Vaucaire, Edith Piaf

“Non, Je Ne Regrette Rien” – Dumont and Vaucaire, Edith Piaf

P.S.: Aziraphale likes Les Mis because it reminds him of that time Crowley rescued him from the Bastille. Don't tell anyone. It's a big secret.

P.P.S.: “Bewitched, Bothered, and Bewildered” reminds him of the time he and Crowley got drunk in the backroom at the bookshop the day the anti-Christ was delivered to Earth. Basically, this song reminds him of every time they went out for drinks or stayed in and drank.

P.P.P.S.: “I am a Courtier Grave and Serious” was the song Aziraphale planned to play when trying to tempt Crowley into learning the gavotte. It reminds him of the ball in the bookstore when he finally danced with Crowley.

P.P.P.P.S.: “Non, Je Ne Regrette Rien” is as close as Aziraphale can get to telling the world and Crowley to eff off. He has no more effs to give. Or at least he’s trying to convince himself he no longer gives a f***. He’s going off to his new job at the head office and Do Good.

Note on song selection:

I selected songs that thematically fit with the relationship between Aziraphale and Crowley. I think the songs tell a story of Aziraphale’s struggle to reconcile his conflicted motivations. They reflect Aziraphale’s fears and desires. He fears being hauled off to hell for disobedience. He fears Crowley’s death and being alone in the world. He desires to be emotionally intimate with Crowley. (Dare he risk physical intimacy with Crowley?) He feels self-righteously indignant, but he’s soft and squishy and weepy and misses his best friend.

I don’t have much knowledge of opera or musical theater, but I have some experience with choir and solo performance. I did a lot of research into opera, art songs, musicals, showtunes, and standards to create a playlist on YouTube. Selections were based on availability, popularity, and sound quality. My big question was whether or not Aziraphale is a strict originalist or if he likes different versions of songs. In some places, I chose newer versions over original versions due to the sound quality of the recordings. I tried to keep selections accessible to a wide audience with varying degrees of musical knowledge. You may not like my choices, so your mileage may vary. You can make your own playlist.

You can listen to it on YouTube.