#Accessibility Misconceptions
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adasitecompliance · 5 months ago
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Accessibility Benefits For Businesses
ADA Site Compliance shows the benefits of accessibility for businesses!
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mwagneto · 10 months ago
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as a child i was always so mad we didn't have a pool. coz all the kids in every show and movie i watched always had pools. and it's like, we have a garden, why don't we have a pool like all the children on tv and thus all the children in real life must do (nevermind that i hadn't and still to this day haven't met anyone who has a pool)??? then i grew up and realised it's coz the people in my tv all lived in the united states of america and we lived in eastern europe
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Angel is rather alarmed one day when he hears Vox call Niffty "Nancy" and she answers to it immediately, calling him "Vaughn" in return.
Names are powerful in Hell– nowhere near as powerful as contracts, but still. When you give someone your true name, they gain a certain level of power over you, which is why contracts are usually signed using human names. Only the most audacious overlords (eg. Alastor, Valentino, Carmilla, Rosie) still use the names they had when they were alive.
Intellectually, Angel knows that Vox isn't in a mental state where he can or would even want to take advantage of this, and it's entirely possible that he may just completely forget Niffty's human name at any moment, but it still puts him on edge. Angel likes Niffty and wants to keep her safe. Regardless of how far Vox has fallen, Angel can't help but still see him as somewhat of a threat.
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j-august · 7 months ago
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John, Lord Hervey, Memoirs of the Reign of George the Second from His Accession to the Death of Queen Caroline
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strangeblueanimal · 9 months ago
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I don't think ill be saying anything new with this, and I'm not trying to I just want to air a thought, but I do think that one of the biggest if not the main misconception that abled people have around accessibility/adjustable settings in gaming is that they are there to make the game easier for disabled people. The point of an accessibility setting is to make it so that everyone can play at the same level. It might make the game easier for someone who doesn't need it normally, but for the people who it is there for it makes the game playable, usually at the same level as an abled player who is not using any alternative settings. If a game relies heavily on audio, it isn't going to be easier to play just because you have subtitles and indicators for HOH/deaf players, it's going to make it, so those players can enjoy the game at the same level as non HOH/deaf players. When I turn on subtitles in, say, minecraft, it's not because I'm expecting the game to be easier, it's because I want to be able to play the game at a normal difficulty level.
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deoidesign · 2 years ago
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A general cane guide for writers and artists (from a cane user, writer, and artist!)
Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!
This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.
This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!
This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!
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The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!
A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.
Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)
(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)
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(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)
When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!
Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.
In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.
Now we come to a very common mistake I see... Using fashion canes for medical use!
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(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)
The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!
Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.
The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!
This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!
However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.
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Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)
Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.
Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)
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(my canes, for reference)
If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!
When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!
For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.
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When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)
When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)
That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!
Happy disability pride month! Go forth and make more characters use canes!!!
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blindbeta · 9 months ago
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Exploring How Toph Beifong Could Be Played By A Blind Actress and Refuting Reasons Some People Believe She Couldn’t
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[Image Description: Toph Beifong from Avatar: The Last Airbender. She is waving her hand in front of her face after joking that she spotted the great library, tricking the Gaang only to remind them that she is blind. She rides on Appa who is flying above a desert landscape. End I.D.]
The live-action adaptation of season 2 of Avatar: The Last Airbender is underway. This means people are discussing Toph again, much like they did during pre-production of season 1. I have seen and even participated in promoting the idea of Toph being portrayed by a blind actress. Similarly, I have come across push-back against the idea.
Instead of if Toph Should Be Portrayed by a Blind Actress, Let’s Focus on How She Could
(should and could are bolded for emphasis)
This post will address common misconceptions that serve as barriers to the idea of a blind actress portraying Toph.
A Few Notes Before We Start
These points come from posts on online forums, YouTube comments on videos related to the casting of Toph, and tumblr posts. No one will be specifically called out here, as while these points may be attributed to certain individuals online, they represent much wider views that are shared by many, even without malicious intent. These common misconceptions stem from unchecked ableism and general lack of information. Keep in mind that my intention is not to call out any individual person, as ableism is a widespread, collective problem. The reasons I refuted in this post showed up repeatedly and were not isolated opinions of one or two people.
1. No, it would not be too difficult to find an actress who is Asian, blind, and the right age
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[Image Description: Toph as The Blind Bandit uses earthbending to create three pillars of rock that shoot at an angle from the ground and smash into her opponent, throwing him against the arena wall. End I.D.]
This point suggests that it is difficult to find candidates fitting Toph’s description. I suspect this is due to racism and ableism, in that a white and abled person is considered default and therefore believed to be more common, especially by Western studio standards. This is not truly the case. People of color and disabled people are auditioning, especially for the comparatively few roles that seek them out specifically, such as Avatar: The Last Airbender.
Blind Asian people exist. Some of these people are also actresses. Some have backgrounds in dance or martial arts, especially because many actors do similar activities to increase endurance and versatility. Finding a pre-teen or teenager to play Toph would not be as challenging as many people believe, especially those who already underestimate the amount of blind people in the world and their abilities.
Those who argue this point may be under the impression that a blind actress would be out of reach due to low numbers and lack of interest in auditioning. Blind people are auditioning. The reason you don’t see them on screen is because most of them are ignored in favor of abled actors. For example, in this video, Molly Burke discusses not being chosen to play a blind character whom she was told was based on her own life. The actress chosen to play the character was not blind. You can watch it here.
Additionally, Netflix has the ability to hold a widespread casting call. They are not a tiny studio doing productions in someone’s backyard. They have access to a wider pool of actresses than the average person might think, particularly if said person is not familiar with the resources big studios often have at their disposal.
In fact, Netflix is doing just that. Below is a link to their casting call, which encourages blind and low vision actresses to audition.
Link to casting call here with alt text.
2. Some people believe Toph isn’t really blind and therefore the actress who plays her needs to be able to see
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[Image Description: Toph as The Blind Bandit using bending, with shots showing her hands and feet. As her bare foot slides sideways across the ground, the camera zooms out to show her sensing vibrations. The image turns greyscale, with circles of white vibrations emanating from around Toph’s body, where they expand and flow outward. End I.D.]
The rationale behind this is probably the same as it is for Daredevil, meaning some don’t consider Toph to be blind because of the way she uses her bending.
An argument could be made that Toph’s powers erase her blindness or that her powerful abilities make her less relatable to the average blind person. However, I suspect that many sighted people engaging with these discussions of Toph’s casting are not also concerned with questions of erasure or relatability. In discussions questioning her blindness, the evidence given mostly centers on Toph’s physical abilities rather than relatability to real blind people.
Her bending aside, Toph is certainly blind. She experiences ableism from her parents and general community. Blindness shaped her life in a lot of ways, even with her bending, which is also influenced by her disability.
We see Toph being guided while running on the airship, needing assistance while walking on ice, and struggling to travel in a desert. She uses her other senses, including hearing and tactile senses. She has limitations regarding how she is able to interact with an unaccommodating world, such as inaccessible reading and writing systems.
There are also lifestyle and cultural implications of blindness extending beyond the inability to see. Being blind is not only about what one can and cannot do, which is true of Toph’s experience as well. Blind people may have different values, experiences with family and friends, different senses of humor, or may place higher value on other sensory experiences compared to sighted peers.
Whether or not Toph is good blindness representation can be argued. However, she is still a blind character. Her blindness influences her whole life, even as she is more than her blindness at the same time. Her life as a blind person is about more than limitations and abilities. Reducing her, and any blind person, for that matter, to only these facets of her experience oversimplifies what it is like to be a blind person.
Claiming that she isn’t a blind character because of her ability to do x, y, and z can be incorrect for a lot of reasons.
Blind people are more than what we can do or what we produce. Our experiences are rich and varied. Our lives are inherently meaningful no matter our abilities or limitations. It is both ableist and inaccurate for sighted people to attempt to put us all into boxes.
Additionally, blindness is a spectrum. [Bolded for emphasis.] You can read about it at the following posts on my blog:
here
here
here
and here.
Here is a good list of legally blind YouTubers with various types of visual experiences.
According to various sources on the blindness spectrum, about 85% to 95% of blind people have some remaining vision:
93% according to RNIB
This Perkins School For the Blind fact sheet estimates about 90 to 95% of blind have some remaining vision
American Foundation for the Blind estimates about 15% of blind people are totally blind and discusses the spectrum of blindness here
The spectrum of blindness is important because our experiences become even more diverse when the spectrum is considered. This means that assumptions about what we can and cannot do become even harder for sighted folks to guess accurately.
This accuracy is important if sighted people are going to try to put limitations on blind people, which they have no business doing anyway. They are not the authority on what blind people can do, what we cannot do, or what is good for us. Only blind people can answer that for themselves.
Lastly, blind people are already used to navigating and interacting with their surroundings. They have had anywhere from months to a lifetime of experience, which would translate better to Toph’s ease with her blindness and confidence in her bending.
While an actor wearing contacts to obscure their vision might stumble around and have difficulty on set, someone who is actually blind could lend Toph’s character a much more relaxed, confident attitude in addition to possessing experience navigating in a way that works for her. She is used to being blind. Therefore, an actress who is also used to being blind brings a lot to the performance in terms of physicality, attitude, and the ability to focus on portraying the character, rather than simulating blindness.
Which leads me into the next point.
3. The idea that Toph doesn’t move like a blind person relies on stereotypes of blind people
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[Image Description: A GIF from the episode “The Runaway”. Toph, Sokka, and Aang all con some con artists and cheer after their victory, Toph raising her arms high before snatching the prizes. They all run away. End I.D.]
There is no specific way of moving like a blind person. Like sighted people, the way blind people move may be influenced by many factors, such as level of vision, how long they have been blind, their mobility aid, navigation techniques, familiarity with their environment, level of confidence, feelings of safety, other disabilities, energy levels, cultural factors, and more.
While there are mannerisms that are recognizable to blind communities, there is no one way to move like a blind person. Just as there is no one way to look blind.
The ideas of “not moving like a blind person” or “not looking blind” come from stereotypes of blindness. In fact, these ideas can be so pervasive that blind people who don’t fit stereotypes may be accused of faking. I explore this subject here.
In this video, Sam from The Blind Life discusses the experience of performing blindness or being pressured to act more blind than he is. Link here. He explains while he has some vision, he uses his cane to indicate to others that he is blind. This is one of the main functions of a cane. Sam explains feeling pressure to adhere to certain stereotypes about blindness or risk being accused of faking.
Similarly, in this video linked here, Molly Burke discusses the stereotype that blind people’s eyes look noticeably different from sighted eyes. This includes the inaccurate belief that all blind people have cloudy eyes, blank eyes, eyes that are always closed, or eyes that simply must be covered in dark sunglasses to protect the sensibilities of sighted people. Molly explains that while blind people can certainly have these attributes, not all of us do. Molly laments that the phrase, “You don’t look blind,” is either used to invalidate her or to praise her for passing as a sighted person, which is ableist.
Just as blind people don’t look the same way, we don’t move the exact same ways either. That applies to Toph as well. For example, she prefers to keep her feet on solid ground for bending purposes, orientation, and possibly due to cultural factors valuing stability and connection to the earth.
4. The idea that accommodations would be impossible to provide is rooted in ableism
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[Image description: A GIF of Toph and Zuko sitting beside each other on the floor at the Ember Island theatre episode. Toph punches Zuko’s arm. Metaphorically for the purposes of this post, she is punching ableist ideas that have nothing to do with Zuko. End I.D]
Here is a thread I shared in the early days of this blog, wherein the topics of blind actors and accommodations are discussed. The entire thread might also be helpful for this post, as I explore the same points, which shows how common these misconceptions are. While this may seem to be an isolated online disagreement, none of these arguments are new. That is why I believe this topic is important— these arguments about accommodations being too difficult or a burden on others also pop up in conversations about other workforces and other disabilities.
A blind character not being played by a blind actor is one thing. A blind person not being hired for a job they are qualified for due to resistance to providing accommodations is not so easy to ignore, not so seemingly isolated a concern. These barriers don’t only apply to blind actors looking for work. They apply to all blind people looking for work.
That means most of this isn’t really about Toph, nor the opinions of random people online. Instead, I hope to highlight common patterns in ableist thinking and dispel these ideas using a character people care about. This is, of course, in addition to my own desire to have a blind actress play Toph.
With that said, let’s explore what work accommodations might look like using examples of blind actors.
Dionne Quan is a blind actress who has an extensive filmography for voiceover work, including popular characters such as Kimi from Rugrats. In this article from when the character was first introduced, she discusses how she performs. Link.
Quote from the article: “Most of the recording was done in a studio with just a mike and a stand for the script. I had the lines in braille, and I would read them on the way over to get into character. You have to have your bag of tricks ready to go.”
Most of the work Quan discusses involves typical acting stuff. The accommodations given to her are similar to adaptations that might be made in an office setting. Additionally, with all the technology available now, it is easy to make a script accessible through large print, VoiceOver and memorization, Word document instead of a PDF, a Braille display, etc.
And as of August 2024, Quan can add adult Toph Beifong to her list of characters. Which is super exciting and, I thought, an appropriate fact to include in this post. You can read more here.
To continue the discussion of accommodations for actors, I would like to discuss Ellie Wallwork. Wallwork is a blind actress who has performed on Doctor Who.
She describes her experiences on set, such as blocking scenes and using tactile accommodations in this short video from the SeeSaw podcast. Link here.
Transcript:
Elie Wallwork speaking:
“Obviously, markers are just normally flat bits of tape on the floor. I had to have some sort of tactile ones so I knew where I was stepping onto. And it takes longer. It definitely takes a bit longer. I guess the thing that frustrates me about the industry is that sometimes casting directors will think, ‘Well, how could a blind person possibly do this, do that? How could they do stunts? How could they even navigate around set?’ But it’s perfectly possible if you— for example, with the crew that I had on all the productions I’ve been on, they’ve all been really kind, really patient with me and able to understand that, yeah, okay, it might take me five minutes longer to block a scene, but that’s fine because it means it’s authentic.”
End transcript.
You can listen to the full episode here.
Lastly, I find that many sighted people are not generally knowledgeable when it pertains to what blind people can or cannot do. Examples of this lack of knowledge include frequent questions about how blind people read, exist in online spaces, cook, etc—and these are simply from posts on my own blog.
Here is a link to a discussion thread that explores ableist assumptions people often make what blind people are or are not able to do. It particularly relevant for this topic. Link can be found here. Please remember that while I did respond to some folks who expressed opinions colored by ableist assumptions, that post is not about them. Just as this post is about addressing ableism in general rather than from a specific source.
The point is: consider why abled people are so comfortable stating what blind people can and cannot do, when one of the most common questions about blindness is still “how do you use a phone or the internet?”
People who aren’t blind often fail to grasp what our limitations actually are. Many people are still surprised to learn that technology or accommodations exist for us, despite having access to various forms of technology themselves. They struggle to understand that we can live our daily lives, possibly because they personally cannot imagine themselves without the vision they rely on, such as that time a professor asked blind content creator Stephanie Renburg [quote] “How do you live?” when the conversation was supposed to be about school accommodations [Link here].
This brings me to an assertion that is often made when sighted actors obscure their vision in order to play blind characters. It is often noted that it was too hard for them emotionally, mentally, and physically. Because of this reaction, the assumption is made that a blind person cannot possibly perform the role.
For example, in the article linked here, this is stated about Jamie Foxx in his role as Ray Charles. “Some actors, including Jamie Foxx as Ray Charles in “Ray” (2004, best actor) and Blake Lively in “All I See Is You” (2017), have chosen to wear ocular prosthetics, rendering them literally blind during their performances. But this creates a new problem: Unlike real blind people, who can spend years honing their orientation and mobility skills, the blindfolded sighted person becomes lost, confused and frightened with the sudden loss of sight — Foxx told interviewers he began hyperventilating as soon as his eyes were glued shut with the custom prosthetic eyelids that the filmmakers affixed over his eyes.”
Being blind is different from a sighted person temporarily obscuring their vision. Blind people have a better handle on being blind because we’ve been doing it longer. Blindness is part of our lives. Of course blind people are going to have an easier time portraying blind characters. This means most of the concerns people bring up when discussing sighted actors struggling with being unable to see won’t actually apply to blind people who have been at this for far longer.
I also wanted to address the idea that hiring blind actors would cost more, according to the assertion made in that thread about hiring blind actors, which you can read here if you haven’t already. While I can understand why someone might believe hiring a blind actor would cost more, I believe it would actually cost less.
Blind actors can use their own canes or other assistive devices used by the character, which saves money on expensive materials
Blind actors likely already have experience with O&M training, saving money and time that would otherwise be spent training a sighted actor, such as described here
Blind actors don’t need contacts or prosthetics, which may otherwise be used help an actor simulate blindness
And blind actors would have an easier time navigating sets, dancing, or doing required physical activities while blind, which reduces the learning curve that sighted actors with obscured vision need
A few Disclaimers:
1) Blind people learn from our communities and through life experience. While we naturally have more experience being blind, our knowledge is enhanced through learning from other blind people and participating in training designed to improve our life skills. I maintain that a sighted person obscuring their vision for a few hours will not have the same level of experience.
2) Reminder that blindness is a spectrum that a blindfold cannot replicate.
and 3) This post is not to say that sighted actors cannot do well or cannot put effort into their performance. According to the article above, Charlie Cox won an award from the AFB for his commitment to portraying Daredevil. However, just because there are sighted actors willing to put in the work does not mean blind actors can’t. I wanted to include this disclaimer in case someone sees the AFB article I shared and worried I’m trying to disparage actors who have already portrayed blind characters and happened to do a good job. After all, I love the original performance we received from Michaela Murphy, who originally voiced Toph. That doesn’t mean studios should not make an effort to cast more blind actors moving forward, nor does it justify any of the silly or explicitly ableist reasons people give for why sighted actors must be chosen over blind ones.
Let us return to refuting those excuses with the last thing I wanted to address.
5. Some people are concerned that a blind person might get hurt doing martial arts, but so can literally anyone else
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[Image description: GIF of Toph dressed in Fire Nation attire. She punches through a rock.]
Kids can get hurt in any kind of sport, yet society doesn’t try to keep children from these activities for their own safety. However, disabled kids—and adults for that matter—are often reminded that we are being kept out of spaces for our own protection. Which we didn’t need, nor ask for.
This need to protect disabled people can be not only infantilizing, but hypocritical as well. For example, a blind person might be discouraged from playing recreational sports in a misguided attempt to protect them. Conversely, structures that keep blind people at risk are allowed to stay firmly in place, such as discrimination around transportation, inaccessible infrastructure, and poverty.
Blind people play sports anyway. Often, these sports carry their own risks of injury, as most sports do. Blind people have the agency to understand this and consent to it. Examples include blind football [link] and goalball [link].
Here is a video of Sadi the Blind Lady discussing goalball with Eliana Mason, a Paralympic athlete who plays goalball professionally.
Transcript: “Goalball is sport for blind and visually impaired athletes. It was created after World War II for blinded veterans and is now a Paralympic sport. The coolest thing about it is that everyone wears eyeshades so no matter what your level of vision loss is—because blindness is a spectrum— it equalizes it. The ball has bells in it and the court is straight with tape over it. It’s on a volleyball sized court. It’s three on three. And basically in offense, we are throwing the ball as hard as we can with a lot of technique involved, about 30 to 45 miles an hour to have it hit the ground and roll and hit the other players on their bodies. And on defense, you are throwing your body out and diving in front of this 3 pound ball and blocking it. So essentially you want to get hit with the ball.”
End transcript.
Getting hit with a ball, especially in the face or stomach area, is going to hurt. That is okay, because as long as safety precautions are taken, pain might be part of the experience depending on the rules and anticipated possibility of injury.
Martial arts and dance, which are backgrounds sought specifically in the Netflix Toph casting call, can also lead to accepted forms of pain or discomfort. While one could argue that sports injuries could and should be preventable, this post is more concerned with the expectation of pain, injuries, and what steps are taken to prevent them, such as protective gear or an experienced coach / teacher.
A blind person auditioning for Toph knows that martial arts will be involved. She will spend time learning choreography, building trust with co-actors, and figuring out works best for her. This structure is similar for blind people playing football or goalball or tennis or fencing or whatever else they want to do.
Lastly, people who aren’t blind also experience pain or injury during sports. Same with martial arts or dance.
The actress who plays Toph might get hurt. She might not. Some pain might even be an expected part of training. That is no reason to exclude a blind person from participating. That is no reason to say Toph couldn’t be played by a blind actress. [Bolded for emphasis]
Lastly, anyone training actors on fight choreography already knows how to do so safely. That fact that this is choreography is also helpful, allowing for memorization of actions and reactions. Conversely, the sports and physical activities I listed above are not choreographed, with the exception of dance, and are therefore less predictable. Therefore, if blind people can get head injuries playing on a recreational blind football team, a blind actress can handle fight choreography.
Closing
Thank you for reading all of this. My points still stand whether or not a blind person is actually cast for Toph.
Too Long, Didn’t Read:
Unchecked ableism can lead to oppression even if it is unintentional
Blind actors exist
A blind actor would better capture Toph’s ease and confidence with her blindness
Blind people can do a lot more than sighted people usually think they can
Blind people also face discrimination and limitations that sighted people may not have considered
Blindness is a spectrum and most blind people can still see something
There is no one way to look or move like a blind person
Accommodations are not that difficult to provide
Hiring a blind person would actually cost less money
Most of the popular reasons people believe Toph cannot be played by a blind actress are rooted in ableism
This post is not only about Toph or actors, but an example of how unchecked ableism can be harmful
For example, low employment rates for blind people, inaccessible online resources, or Toph-related posts shared without image descriptions
Toph Beifong could totally be played by a blind actress
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burntoutdaydreamer · 9 months ago
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Worldbuilding and Magic Systems: Things to Consider
Have a magic system in mind for your fantasy world? Here's a list of things to consider to help you tie this system into the rest of your worldbuilding, so that it feels more believable and realistic.
Source
What is the source of magic? Is it natural or man-made? Can humans use magic or is it a force of nature that only animals or other races can use?
Does magic originate from inside a person or does it require external items to use? If it comes from items, can the items be made? How long does it take to make the items?
Does the magic cost anything- money, stamina, health, etc.?
Can a person be cut off from being able to use magic? If so, how?
Prevalence
How common is magic in your world? Is it so common that everyone has seen it or is it a subject of myths and rumors?
How long have the people in your world known about magic? Has it always been there or is it a new discovery?
How much does the average person know about magic? How much do experts know? What do people not understand about this magic? Are there any common misconceptions? Myths?
Is magic revered or feared? Or if it's common, is it taken for granted? Are there any taboos surrounding magic?
How many types of magic are there? Are some more common than others?
Are there dedicated schools of thought surrounding the study of magic? Is it taught about in schools? If so, is it taught to children or only at the college (or equivalent) level?
Accessibility
Who can use magic? Who can't? Is it something that only the rich and powerful can use? Why? Or do genetics determine who can use it? Wealth?
Are there any physical limitations that might restrict who can use magic? For instance, maybe old or sickly people can't use magic because it requires a lot of physical effort. Does your society provide accommodations for people who can't use magic? Is a lack of magic ability considered a disability?
Does education level determine capacity for magic?
How easy is it to gain access to magic? How easy is it to learn about magic?
Power/Usefulness
How powerful or useful is magic for different parts of society? Military? Medicine? Entertainment? Art? Childcare? Government? Communication? Business?
How does magic affect the politics of your world? How does it shape the economy? Are there feuds over the use of magic? Do powerful groups in your world have an incentive to limit the use and accessibility of magic? Why?
What happens when people no longer have access to magic? Does this cripple their ability to go through their daily lives? How?
Mix, match, and cross-reference these with other elements of your worldbuilding to form a believable magic system that lives and breaths just as the rest of your world does. For every answer you give to the questions above, consider and build upon the implications of what that might mean for your world. A worldbuilder's best skill is the ability to ask "How will this affect ___?" So make sure you're always considering the ripple effects of each element you add to your world.
Happy worldbuilding y'all!
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kaurwreck · 1 year ago
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I think you're right that it's significant, and I think Mori is clever to recognize that Akutagawa is a rook.
Like a rook, Akutagawa is powerful, but generally contained and often undercut by his predictability. However, because he's keenly aware of his own constraints, and because others often aren't (especially regarding variables they've internalized as known), he's able to play into and against his own predictability to paradoxically surprise them.
He moves within the confines of his rigidity to shape outcomes, sometimes more effectively than his more dynamic opponents and peers. Rooks do that too, if you let them.
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Me, knowing nothing about chess, probably overthinking the significance of referencing akutagawa in this scene, but is going to look it up later anyways
#i have very specific chess feelings and thoughts re: rooks (which is what that piece is)#because in elementary school i was in a program for intellectually gifted students - by which i do NOT mean an honors program#i mean i displayed several specific neuro characteristics and struggled in a classroom environment such that i was referred for screening#the results of the screening flagged me for several additional tests and my results on those tests then prompted a comprehensive assessment#which was conducted by a licensed examiner who additionally administered another test chosen specifically based on my prior data#the report from which triggered a review of all of the above data by a panel of specialists who determined that I was wired so atypically#that I required specifically designed support services to avoid an adverse impact my access to education#ie I was not considered academically gifted which is what people are usually thinking of when they talk about giftedness (esp on tumblr)#i prefaced with all of that to counter misconceptions and emphasize that i was not in a program for smart and highly successful students#i was in a program for students with distinct cognitive processing needs that could not be met without specialized intervention#but inanely and entirely b/c of misconceptions the administrators at my school forcibly registered us in an annual chess tournament#which they wouldn't let us opt out of b/c there was a funding incentive for the school if we advanced far enough#ironically chess is a bad fit for this type of giftedness b/c it's rote + relies on bounded conventions instead of creative problem solving#but anyway i did not want to fucking play chess especially not competitively - it's boring and gets redundant#so i intentionally threw all of my games to remove myself from the tournament early#except my fellow indentured chess competitors noticed i was doing that and they were also bored and didn't care for the tournament#and so several of them made a game out of forcibly advancing me as far as they could by outmaneuvering my attempts to lose#horrifically they managed to corner me into winning enough that i was in serious danger of advancing#and so i started AGGRESSIVELY practicing chess in my spare time to learn how to shape the board and get confident in my ability to do so#i played against computers and then strangers online for hours a day and i studied checkmate patterns and how to subvert + reconfigure them#all so i could play well enough to ensure i'd lose even when being actively sabotaged#it worked - i narrowly escaped advancing that year and I don't think they were able to lose to me again after that#they kept trying - even playing me outside of tournaments to try and figure out how i was consistently losing#it's b/c i layered multiple strategies that involved breaking select conventions + manipulating their focus and psychology#BUT the fulcrum of my approach relied heavily on my rooks and select pawns as my most valuable pieces#i got very good at using rooks to shape the board without placing them in a position to be captured until i wanted them to be#once i had a few pawns close to promotion i would shift my rooks into bait b/c once one was taken i could just promote a pawn into a rook#and because absent a potential stalemate people almost always promote pawns into queens#my opponent would forget my additional rooks and would make choices based on the implicit assumptions that my deputized pawns were queens#rooks are treasures
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katzkinder · 4 months ago
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people in universe would have common misconception about both Giotto and Tsuna being super honorable in a fight etc etc
No
They’re mean and they play dirty if they don’t like you, but ESPECIALLY Tsuna.
Never gonna forget that Tsuna pretended he was gonna poke Iemitsu’s eyes out only to blast him right in the face with an x burner when his wrist was caught and even reborn was like “lol nice get his ass”
Then there was also him just straight up snapping Mukuro’s trident in two bc he got pissed off
Ripping Byakuran’s wings off… Burning them to cinders right in front of his face while he was in agony because uh hello that’s part of his body you’re fucking CRAZY
Literally just standing there and allowing Bermuda to take himself out by flying straight into Tsuna’s fist. The sheer disrespect was so immense I screamed irl.
Even against Mochida, before he has access to hyper mode. Tsuna pinned his punk ass and tore all his hair out while making a stupid pun. King shit.
Tsuna’s not a sweet little muffin who talks people down with the power of friendship, he’s a piece of work when he wants to be
He’s just also so… Very kind. And forgiving. As long as you show him you mean what you say, that you no longer mean any harm, that you want to make amends? He will forgive and forget.
This isn’t always a good thing. This opens him up to a lot of pain. But I also think it’s the proof of his strength.
A heart which loves no matter what aches it endures. This? This is what makes him so easy to adore, both in universe and out of it.
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adasitecompliance · 5 months ago
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Accessible Website Design
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Top Seventeen Web Accessibility Myths Debunked: Separating Fact from Fiction
Accessibility is no longer a ‘luxury’.
Incorporating accessibility into a website today comes part and parcel with web development. With the internet harboring users with and without disabilities who use it for information, bookings, enrollments, purchases, and even jobs, websites need to be compliant.
Unfortunately, many aren’t because some misconceptions and myths cause confusion and hesitance to hinder progress. So here’s an attempt at separating fact from fiction by debunking the top 17 common web accessibility myths.
Remember, web accessibility is no longer just a legal requirement; it’s part of digital inclusivity. It increases your reach and demonstrates your commitment to serving everyone in your community.
If achieving compliance seems overwhelming, we at ADA Site Compliance can simplify things for you. Our team of accessibility experts can help you meet these requirements while you focus on your core business.
Top 17 Web Accessibility Myths Debunked
Let’s now examine these widely misinterpreted web content accessibility principles and guidelines. At the end of the article, you will realize that all those misconceptions you had about web compliance are just myths.
Myth #1- Web Accessibility is Only for Blind People and Users with Visual Impairments
False.
Other people with varied disabilities, such as deafness, limited motor skills, and cognitive limitations, also visit websites for various reasons. An accessible website gives them access to the information they seek, ensuring your website reaches more people.
Myth #2- Web Content Accessibility Guidelines Compliance Ensures Digital Accessibility
False.
Yes, the WCAG provides a framework to enhance digital accessibility. However, compliance alone is not enough for a completely accessible website. Website owners and developers must understand and implement the WCAG principles, as factors like cumbersome user interfaces, poor content, and insufficient testing can lead to incompliant websites.
Myth #3- Accessibility is Only About Making Websites Accessible
False.
Accessibility applies to other digital assets, including mobile applications, PDFs, and other digital documents. Organizations must thus ensure accessibility across all digital platforms for inclusive digital experiences.
Myth #4- Accessibility is Only Relevant for Disabled People
False.
It is not just people with disabilities that benefit from website accessibility. Digital compliance features benefits extend to broader groups, including:
Older adults facing sensory or cognitive challenges as they age
Individuals with temporary disabilities due to injury, illness, or surgery
People experiencing situational limitations, like background noise
Non-native speakers struggling with language barriers hindering understanding and engagement
Myth #5- Accessibility Means Redesigning a Less Visually Appealing Website
False.
Many businesses believe digital accessibility requires a complete website overhaul or poor visual appeal, which is far from the truth. Minor adjustments can significantly create an accessible digital experience without significant redesign efforts.
Myth #6- Digital Accessibility is Only a Concern for Large Corporations
False.
Size is not a criterion for digital accessibility; failure to meet the many digital accessibility laws can lead to legal repercussions and damage a company’s reputation.
Small businesses may face resource constraints, but the numerous tools and online resources can help them understand and ensure web compliance. Embedding accessibility practices from the start ensures web compliance for companies of all sizes.
Myth #7- Accessibility Limits Websites to Text-Only Content
False.
The myth that accessible websites must be plain, text-heavy, and free of multimedia elements stems from earlier text-based web pages. However, modern standards allow visually engaging, multimedia-rich websites that meet diverse accessibility needs.
Strategies like adding alt text for images and captions and transcripts to videos ensure compatibility with assistive technologies. It not only supports users with disabilities but also enhances everyone’s user experience.
Myth #8- All It Takes Is A Quick Technical Fix For an Accessible Website
False.
Web compliance is more than a simple technological adjustment. True accessibility is not just a developer’s responsibility but the joint effort of various teams, including design, testing, and content creation. Relying solely on automated tools or accessibility overlays does not ensure comprehensive accessibility.
Myth #9- Accessibility Can Be Addressed Last-Minute with Simple Fixes
False.
While adding elements like alt text at the last minute may seem convenient, genuine accessibility requires careful planning and integration. Last-minute changes usually require significant counterproductive restructuring, which may harm the user experience, especially for those requiring accessible design.
Besides, including alt text in sites is only one piece of the accessibility puzzle. A truly compliant website involves various other steps, including:
Semantic HTML tags to structure content and enhance readability and interaction.
Keyboard Navigation of the website.
Color Contrast to make text and images readable.
Focus Management highlights elements currently in use for better navigation and clarity.
Using Selective ARIA when necessary to support assistive technologies, as overuse can create confusion.
An accessible design demands proactive attention to these elements throughout development rather than depending on quick fixes at the end.
Myth #10- Accessibility is Expensive and Time-Consuming
False.
Integrating accessibility into an existing website can seem complex, require multiple resources, and be time-consuming. However, prioritizing accessibility from the start can significantly reduce most associated challenges.
In fact, with the right planning and skilled development teams, accessibility can be achieved with minimal additional time and resources as an integral part of the development process.
AI-powered accessibility tools also make digital accessibility more affordable and accessible for all website owners to use and ensure websites are accessible for individuals with disabilities. They help achieve substantial accessibility improvements in just a few hours by automating the detection and correction of many common accessibility issues.
Myth #11- Achieving Web Accessibility Is Overly Complicated
False.
Web accessibility standards can seem complex, but their implementation is not complicated. Multiple tools and resources are available to help developers and website owners ensure digital accessibility.
It is better to start with basic principles, such as providing alternative text for images and ensuring keyboard navigation, and then later delve deeper into more advanced techniques.
Besides, remember that automated accessibility testing alone cannot guarantee complete digital accessibility. Automated tools can help identify issues such as color contrast and structural errors.
However, they cannot fully address complex challenges like unclear language and intricate site designs. Human review by accessibility experts is crucial in ensuring website compliance.
Myth #12- Accessibility is Just a “Nice-to-Have” Feature
False.
Ensuring website compliance is not an option; it is a strategic move with significant potential to impact your business success. An accessible website can do a lot for your business, such as attracting a larger audience, driving higher revenue, enhancing brand reputation, and mitigating legal risks.
Besides, with legal scrutiny, accessibility can no longer be an option. A website owner does not want a lawsuit, considering the financial and reputational risks of overlooking accessibility efforts.
Myth #13- Accessibility is All About Avoiding Legal Trouble
False.
Contrary to popular belief, accessibility is not only about meeting legal requirements to avoid lawsuits. Legal compliance is essential, but its benefits extend far beyond this. For example, implementing accessible design dramatically enhances user experience and boosts your brand’s reputation.
Besides, accessible content opens your entire website or application to a broader audience, ultimately increasing user satisfaction and building loyalty.
Myth #14- Digital Accessibility is Optional
False.
Accessibility is more than an option; it is a requirement in many countries, enforced through laws and regulations. It may not be the top priority for all website owners, but digital compliance is essential for ethical reasons and for creating an inclusive experience for everyone.
Following accessibility standards helps meet legal obligations and ensures your website reaches a broader audience, including individuals with disabilities.
Myth #15- It’s Better To Have Separate Websites for Disabled Users
False.
It was previously thought that having a separate website for users with disabilities ensured accessibility for disabled people. However, this strategy is ineffective and biased, as managing multiple websites is expensive and work-intensive and can lead to content and performance discrepancies.
It is, instead, better to design and develop a website that is inherently accessible to everybody from the beginning.
Myth #16- Accessibility is a One-Time Fix
False.
Many people think digital accessibility is a one-time fix, with nothing else to do once experts ensure compliance. This misconception has led to poorly designed products that users cannot effectively access.
On the contrary, web compliance requires constant commitment and oversight, with continual integration of accessibility features from the initial design through ongoing maintenance. Website owners and developers must regularly review and update the website to meet evolving accessibility standards and user needs.
Myth #17- Only Disabled Individuals Can Test To Ensure Accessibility
No, this is false.
Disabled individuals who frequently rely on assistive technology are effective accessibility testers. However, they are not the only people equipped to evaluate accessibility. All that is needed are the proper training and accessibility testing tools to become adept at identifying and addressing accessibility issues.
Closing thoughts
Dispelling these seventeen myths should inspire a more inclusive web design and development mindset. Remember, accessibility is a legal requirement and moral commitment to making the digital world available to everyone, regardless of individual abilities.
By prioritizing accessibility in our choices, we can create a more equitable, user-friendly online experience for all. It also increases your reach and demonstrates your commitment to serving everyone in your community.
Do not worry if achieving compliance seems overwhelming. We at ADA Site Compliance can simplify things for you. We have a team of accessibility experts who can help you meet these requirements while you focus on your core business!
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moonastro · 1 year ago
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Juno persona chart
jupiter in the houses
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what is a juno persona chart? looking into juno persona chart gives more detailed insight of how the relationship and marriage overall of you and your spouse will be like. it also describes them in a sense as well. The Greek Goddess Juno is described to rule over love and marriage and hence why the asteroid is looked into for that theme.
jupiter represents luck, it expands anything it touches and gives prosperity in that area. in the juno persona chart, jupiter signifies the luck the couple has within the marriage, what possible expansions marriage life of the couple receives and what possibly wisdom the couple takes.
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reminder: this is my interpretation from observations and first hand experiences, so don't take this to heart.
**reminder no.2 that this can be used for signs as well, so for example if jupiter is in aries in 6th house, make sure to check out jupiter in 1st house also as it may resonate.
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jupiter in 1st house: marriage may be full of quick decisions, not waiting around brings luck to the couple. acting right away is the way to go for this placement. the couple may find luck in cars, perhaps you always have access to transport, have access to cars, may even own lots of cars or some sort of quick transport. marriage may bring growth to developing how to cope with anger or short temper, this placement may bring expansion to have healthy coping mechanisms when it comes to short temper or raising voice. marriage may bless the individual with courage to show the real them for example showing off their real style, personality, likes and interests etc. these individuals may have a very nice and luxurious (a grand) home after marriage, exterior of home may look big and expensive so this may be an indication of having a big house after marriage. jupiter here may brings lots of movement to the individual after marriage, their life may liven up a bit and there may be lots of movement during marriage. life can be full of life, full of passion, desire and motivation so a sense of fulfilment may occur and make the individual feel alive.
spouse may have natal jupiter in aries, 1st house, fire sign or fire house.
jupiter in 2nd house: marriage may bring luck to resources, money, materialistic things and ones value. the couple may receive lots of gifts from other people, not cheap also, this placement just attracts gifts and luxury. also expect people offering you to go out for dinner or lunch after marriage, this brings expansion in areas of socialising and allowing oneself to destress and rewind. marriage can be full of relaxation, after marriage the native can have luck in having s stress free mind or a less one. jupiter here may bring growth to having patience with one another, adapting to foreign environments and finding comfort in anywhere one may go. marriage may bring luck in artistic fields related to the voice, the arts, dancing, cooking, food related and beauty related. this placement may have luck in those themes and may have a business or open up a store related to these themes.
spouse may have natal jupiter in taurus, 2nd house, earth sign or earth house.
jupiter in 3rd house: marriage may bring luck in communication, writing, expression of oneself and getting to the point. this placement bring expansion to speaking so couple much talk things out even if they are the tiniest of little misconceptions they should be sorted out rough communication. i feel like this placement also gives luck in education, so this placement go back to school, college or university after marriage or they decide to study something they have been interested in after marriage. marriage may bring this placement extreme motivation and inspiration from their partner so they may want to complete everything at once as ideas keep coming and coming. this placement may find lessons to do with trust and talking behind each others backs, also learning how to stay within each others energy levels and keeping up with each other ideas and supporting each other in that sense.
spouse may have natal jupiter in gemini, 3rd house, air sign or air house.
jupiter in 4th house: marriage may bring luck in family relations. perhaps getting closer to family through marriage, visiting family more often after marriage, spending more time with the mother especially after marriage. this is also an indication of having luck in having a family of your own, so having kids may bring more luck in that field. having a comfortable home of your own will expand your luck, being comfortable in your own home is very important for example, having every detail of the house according to the way that makes you feel warm and cosy can make a different in your growth as a person. this placement is spiritually gifted with their intuition and learning to believe in themselves. Jupiter here has a lesson to never diss oneself and always believe in your abilities after marriage. through marriage connecting with ones ancestors may bring great fortune also.
spouse may have natal jupiter in cancer, 4th house, water sign or water house.
jupiter in 5th house: the couple may have luck in children. this placement really enhances the amount of children the couple may have, so most likely people with this placement have lots of children. also the couple may find happiness and expansion with children, perhaps it helps with their mental health, their spiritual journey, their mindset and their luck in general. also this placement may find growth in their confidence may grow in confidence and have their own way. also this placement most likely will be quite well known whether its within the community, neighbouring, worldwide etc. This placement finds growth in their ego, so usually after marriage their views of life and their mindset may drrastically change for the better especially after having kids.
spouse may have natal jupiter in leo, 5th house, fire sign or fire house.
jupiter in 6th house: marriage may bring luck to health and fitness. this placement may have fortune in their health for example getting more fitter by going to gym, eating more healthy, changing unhealthy life style, changing up their routine for the better after marriage. the couple may find expansion in the field of taking care of something, perhaps taking care of each other, taking care of pets, taking care of friends, taking care of grand-parents and so forth, however, that will bring luck. jupiter here may bring lessons it terms of criticality, judgement, lack of mentality and perfectionism after marriage. jupiter here brings luck in routine, their day-to-day life may be lucky for example someone with this placement may just get opportunities when going to the store or finding a valuable item while walking a dog and so forth.
spouse may have natal jupiter in virgo, 6th house, earth sign or earth house.
jupiter in 7th house: marriage may be favourable in having good relations to each others grandparents. this placement may experience lots of luck in law situations such as legal matters related to the government and documents. the couple may never be involved in problems related to the law or always have luck in that field. marriage may bring luck to connections and relations in general, you may have more ease connecting with other people, you may get on with people more easily. this may work to this placements favour as it can expand the amount of opportunities one can receive, getting more compliments, being liked by people you thought disliked you and so forth.
spouse may have natal jupiter in libra, 7th house, air sign or air house.
jupiter in 8th house: couple may have luck in keeping secrets, what i mean by that is they keep things private very well so that comes to an advantage to them because it shocks the people around them and question things like 'since when??' or 'whatt?' that sort of vibe. this placement keeps people wondering, guessing and interested in your marriage and this placement never gives them the satisfaction. this protects the couples privacy and protects their energy also. this protects the couple from negative energy which protects their luck. this is a very powerful placement to have since this expands the spiritual bond between he couple also. strategizing goals and researching and just planning in general may bring luck to this placement for example, planning outings, shopping, researching contracts and the background of the contract before signing, researching what holiday you'll be travelling to and so forth.
spouse may have natal jupiter in scorpio, 8th house, water sign or water house.
jupiter in 9th house: this placement brings luck to those who travel abroad, living outside of the environment that they grew up in will bring growth and extreme luck. another thing is that the couple may find luck in being enthusiastic and charismatic, also making jokes and taking things with a grain of salt, not over exaggerating stuff will be favourable for this placement. also marriage may be full of discovery, always learning, always exploring. being in a good relationship with parent-in-law brings luck to the marriage so being in good terms with spouses parents may be very favourable for this placement and may bring lots of opportunities related to travel, fulfilment, study and spiritual growth. another thing with this placement is that jupiter being in its home house, this is very expanding and broadening in terms of their conscious mind, jupiter can guide the couple in marriage and incline their mental and astral growth. basically, marriage is spiritually guided by the higher energies, marriage was meant to happen in order for this placement to achieve and complete their mission of this physical realm.
spouse may have natal jupiter in sagittarius, 9th house, fire sign or fire house.
jupiter in 10th house: marriage may bring luck in image of this placement. the couple may find luck in their career, may get promotions, upgrades, bonuses, movement to higher position etc etc. jupiter here gives luck in other peoples view about you, the vast majority of people may have a different perception of you in a good way after marriage. also marriage may bring reputation to your image that expands your opportunities and respect from other people. also people may find you more serious after marriage. an honourable thing to keep in mind with this placement is that over a certain period of time, jupiter brings severe luck through hard work and determination for this placement during marriage, marriage may strengthen and jupiter offers its full expansion later in life in this marriage. this is also an indication of a very long lasting marriage, even a marriage that last until old age.
spouse may have natal jupiter in capricorn, 10th house, earth sign or earth house.
jupiter in 11th house: marriage may find luck in social gatherings, groups and outings. couple may face extreme luck on social media and technology, for example may have a successful social media platform or have extreme luck with technology, long-lasting, fast running and so forth. marriage may expand social groups also, this placement may find more accepting and understanding friends after marriage especially. may also find their true friend group after marriage. this placement may also experience growth in expressing themselves the way its most authentically true to themselves and being comfortable about it after marriage. this is also a placement that brings unplanned events and turns it into the most luckiest thing ever, this placement may find the most luck through spontaneous events, events that happen through spite for example getting calls from an old friend to go to a café the next day, that day turns out to be one of the best, or another example may be getting invited to an important event having only a short period of time of notice, when arriving at event you see people that are well known and receiving offers from them and so on.
spouse may have natal jupiter in aquarius, 11th house, air sign or air house.
jupiter in 12th house: this placement may have luck in spirituality, the couple may be spiritually guided by the universe and have luck overseas. for example when travelling pay just have the best luck ever and may feel complete when travelling long distances in general. this placement often brings luck when it comes to sleeping, for example you may be guided when in bed with your partner if that makes ant sense, like you may feel better you may sleep better and you may even dream better. marriage may bring luck in artistic areas of life for example having luck in being an artist, singer, model, teacher, poet, also tarot reader. this placement may get oversea recognition in these artistic areas. marriage may expand the mind to prioritise mindfulness in order to not fall into dangerous addiction tendencies so it is very important to find peace and a healthy coping mechanism through spirituality.
spouse may have natal jupiter in pisces, in 12th house, water sign or water house.
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thanks so much for reading, have a nice day ahead!🌛⭐🌼
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fruityyamenrunner · 1 year ago
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A widespread misconception in much of psychology is that (a) as vertebrate animals evolved, “newer” brain structures were added over existing “older” brain structures, and (b) these newer, more complex structures endowed animals with newer and more complex psychological functions, behavioral flexibility, and language. This belief, although widely shared in introductory psychology textbooks, has long been discredited among neurobiologists and stands in contrast to the clear and unanimous agreement on these issues among those studying nervous-system evolution. We bring psychologists up to date on this issue by describing the more accurate model of neural evolution, and we provide examples of how this inaccurate view may have impeded progress in psychology. We urge psychologists to abandon this mistaken view of human brains.
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rassicas · 7 months ago
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today on splatoon mythbusters: is Agent 4 a country bumpkin?
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no lol this is probably the funniest widespread misconception to come out in recent years A big part of it is because people misunderstood this map.
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I came across this trivia point on the wiki page for agent 4 while making this post LOL agent 4 has better access to public transportation than 95% of you With all that green on the map and nothing marked in between, It seems that people have been assuming the population density of inkopolis looks something like the image on the left. While it's unclear exactly how big the population is of inkadia and the surrounding area is, going roughly off of how irl east Tokyo and neighboring Chiba prefecture look, i think its safe to guess were dealing with an urban area that looks more like whats on the right.
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(side note about population count: i take the account of the Low Water Party with a grain of salt since that isnt even a real number they used. something that is more reliable is that graffiti artist Sally has over 240k followers on social media. while followers can be from anywhere in the world ofc, it sounds like her fanbase is largely in inkopolis. i think its safe to say inkopolis is a very big city!)
If we're to look more at the irl equivalent of the area, it seems the Inkopolis Coastal Connector is based on the Keiyo Line. Following that line roughly to where 4's house is lands us in a ward in Chiba city. It doesn't look like much, but about 100k people live in that area. Not a super crazy urban area like tokyo, but still urban.
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(incidentally, a major landmark on the Keiyo line is Makuhari Messe, where 3 of the irl splatoon idol concerts have been held. maybe a coincidence but maybe gives more credence to the idea that that's what the coastal connector is based on?) Apparently on the Japanese side, there's a theory that 4 is from Yotsukaido, which is a little further north of the area i circled. why there? Yotsukaido means "4 town street"...4...haha
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Ok enough guessing based on "vibes" and real maps that may or may not be accurate to how things are in the splatoon world. The Actual lore: On Splatoon base it's confirmed they grew up about 40 minutes away from Inkopolis by train, close to the city. That's like a nothing amount of distance.
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Another developer interview from 2017 goes into more detail.
Inoue: Agent 3 had a very "I've finally made it to the city" feeling, with a strong desire to become fresh. 4 on the other hand, not so much. Rather than being someone from the countryside, they're more like someone who came from a commuter town within the greater metropolitan area. It's like a place where the limited express trains wouldn't stop at, but the semi-express trains would (laughs).
so agent 4 is very clearly, a city kid. agent 3 is the country bumpkin, from an area so far away its not even on the map. According to splatoon base...
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Far enough away that they moved to inkopolis alone. meanwhile 4 lives close enough that they could just go home to their parents after battling.
Also this is something that I never see brought up. Amidst the dubiously canon early concept comics in the back of the artbook, there's a comic about agent 3 leaving their hometown, mentioning they live in a seaside town called [REDACTED] with a population of 5000.
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Again, these comics are dubious since theyre so old. but there are ideas in these comics that have carried over to the final games in some form, and this is consistent with agent 3's final characterization that they come from a far away small town and had a longing for the city.
anyway tldr i think its funny how agent 4's fandom characterization/backstory got swapped with 3's all because of a misread map
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jayflrt · 1 year ago
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the misfortunes and misconceptions of lee heeseung
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❝ i'll let you in on a little secret: wanting nothing to do with y/n starts with actually wanting nothing to do with her. ❞
PAIRING ▸ slytherin!heeseung x hufflepuff!fem!reader
GENRES ▸ fluff, crack, hogwarts au, idiots to lovers au
WARNINGS ▸ profanity, the classic amortentia trope because what screams valentine's day like love potions, heeseung is down horrendous, sunghoon missing half an eyebrow, jake is babygirl, lots of catastrophizing, minor bending of canon for plot convenience, and a kiss scene of course
SUMMARY ▸ by no means does lee heeseung hold any romantic feelings toward you. the mere possibility is jarring, considering his luck seems to take a turn for the worst whenever he’s around you. from getting hit with a bludger during quidditch to getting into trouble with filch for setting off dungbombs in his office, heeseung starts to think you’re some sort of bad omen. he’s prepared for disaster when you two become partners in potions, but why does the amortentia smell like you?
WORD COUNT ▸ 13,497 words
PLAYLIST ▸ lavender kiss by the licks
AUTHOR’S NOTE ▸ this is jayflrt's valentine for you ♡
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LEE HEESEUNG WAS CERTAIN YOU MUST HAVE HAD AN AFFINITY FOR NEARLY KILLING HIM REGULARLY.
When he, Slytherin’s prized Seeker, got knocked off his broom by a bludger, there was only one potential suspect he could narrow the crime down to in his head. 
In your hand was the very bat that sent the bludger in his way, hitting his miserable self square in the gut. 
This seemed to be a pattern between the two of you, where it was mostly Heeseung experiencing great misfortune because of the Hufflepuff’s mere existence. His best friend, Park Jongseong, told him that he had probably wronged you in a past life for him to suffer this much around you. While Heeseung initially brushed it off as a joke, he couldn’t help but start to question if it was actually true.
Back in his first year, Heeseung met you during the Sorting Hat ceremony, where you accidentally tripped him right before he walked up to get sorted. Everyone in the Grand Hall laughed at him, which was not his idea of a welcoming initiation into Slytherin, so he glared holes into the back of your head for the rest of the year. 
In his third year, you ran into him at King’s Cross station, causing all of his trunks to go flying. While you were helping him repack everything, you two realized that the Hogwarts Express was long gone, and neither of you could even access the magical entryway to Platform Nine and Three-Quarters. Heeseung cried into his hands at the train station until a professor Apparated to pick them both up, and then you teased him about his tears for what felt like forever. 
In a similar sense, Heeseung had somehow always managed to get into trouble when he was around you. Now, he had naturally grown out of disliking you for causing him so much suffering (mostly because he was far more popular now and everyone had forgotten about how you sent him flying during a duel, unfortunately revealing his strawberry-patterned boxers to an entire room of second and third years), but Heeseung was still wary about the adversity that seemed to follow you.
Were you a friend? Heeseung couldn’t tell for sure. You two spent an awfully long amount of time together, but you both also had your separate friend groups that hardly intermingled. Heeseung supposed you were more of a thorn in his side that hurt more when he tried to yank it out.
Now, there was nothing left for him to do now but clutch his stomach in pain and pray that he didn’t need to spend another night in the infirmary because of you. (Madam Pomfrey started to keep a tally; “Oh, Miss L/N didn’t injure you again, did she? Have a toffee, sweetheart,” was what he was expecting to hear from the school nurse.)
“Heeseung! Are you okay?” you asked, running up to him with your other hand clutching your broom. Thankfully, Heeseung had managed to grip his broom with one hand on the way down until he had safely landed, so there were no damages to his Moontrimmer. “Who did this to you?!”
“I know you’re holding the bat behind your back, Y/N,” he got out through gritted teeth.
He watched as you let your arm fall defeatedly to your side, revealing the Beater’s bat that violated practically every safety protocol.
“Oh, how embarrassing,” Kim Minjeong, the Chaser for the Slytherin team, said with a giggle from behind her palm. She was still floating a few feet from the ground, witnessing the damage done from her broom. Heeseung glared up at her. “Not a good look for you, Captain.”
Normally, he would shut Minjeong up with his usual threat that went something along the lines of putting a curse on her bloodline. This time, however, Heeseung was in far too much pain and humiliation to come up with a witty comeback.
Madam Hooch came running across the field to see what happened to her star Quidditch player. On the bright side, Heeseung knew that you wouldn’t get in trouble because game was game; you were just doing what you needed to ensure your victory, even though Slytherin still had a huge lead on Hufflepuff. After momentary deliberation, however, Heeseung realized that the bright side should have been the fact that he was still alive. Why was he thinking about you, anyway? He would pay galleons to see you get in trouble—but not too much trouble (and Merlin’s beard, he was far too soft).
“He needs to be taken to the infirmary,” Madam Hooch said. She spared you a glance before making a shooing motion with her gloved hand. By this time, his friends (Park Sunghoon, a sixth year who Heeseung ‘adopted’ in his second year, and Yang Jungwon, a broody fourth year with a penchant for rule-breaking) had come running down the stands and across the field. “You can visit him after you finish the match, Y/N. Madam Pomfrey can handle this.”
“Yes, of course,” you murmured, turning to Heeseung again and muttering a pathetic apology, to which he cracked a grin at. Maybe he shouldn’t have been grinning since you nearly cracked his skull open, or maybe he had really lost it this time. 
“It’s only been a week since you’ve managed to nearly get me killed.” Heeseung shuddered at the memory of you accidentally setting his cloak on fire last week with a Blasting Charm. “Don’t worry. I knew something was gonna happen sooner or later.”
Words of affirmation weren’t exactly his strong suit. 
But upon seeing the awkward grin on your face, like a blast of light that hit him all at once, Heeseung was suddenly painfully aware of everything—the awfully pleasant scent of lavender wafting from you, the searing ache from his injury, the way your hair framed your face, and the cool metal balled in his fist. 
Wait—metal?
Before he was about to be carried out in a not-so-dignified manner, Heeseung raised his arm to open his palm, revealing the Golden Snitch that sat obediently, fanning its wings out once before closing again. A gasp rose from the crowd, and then the shocked looks from both teams followed. Minjeong nearly fell off her broom. The Slytherin house all but exploded in cheers after Madam Hooch gaped at the sight, fumbled for her whistle, blew it loudly, and then announced Slytherin’s victory over Hufflepuff. 
Heeseung sighed in relief and fully collapsed onto the ground, looking up at the clear sky with contentment lifting the anguish from his brows. And now that he knew the verdict of the match, the pain finally hit him all at once, and he hoped Madam Pomfrey could fix him up before his house started celebrating their triumph. 
“Heeseung! That was an incredible play!” Nishimura Riki, a fourth year Gryffindor, cried as he came running from the stands. If by incredible, he was referring to Heeseung getting bludgeoned to the ground, then sure, incredible—outstanding, even. The flash of Riki’s camera went off, capturing a pathetic-looking Heeseung lying limp on the springy turf. “This’ll definitely make the front page!”
Ever since the Nishimura kid got an internship at the Daily Prophet, the Slytherin team had been worried about appearing on the news unprompted—most likely in unflattering angles, too. It had even gotten to the point of Song Eunseok pinning up a poster of Riki to a corkboard in the locker room, as if he was a wanted criminal at large.
“Er, could we retake—”
“You grab his legs,” a voice from behind him ordered. It was Sunghoon, who had come running with Jungwon to carry him out of the field. “I’ll take his arms.”
Heeseung balked. “Guys, wait!”
But it was no use. He was already in the air, and Jungwon and Sunghoon were both ignoring his protests.
As if he was a rather sad sack of potatoes, Heeseung was carried out, body dangling and his eyes screwed shut as he heard more flashes of Riki’s camera going off. Most of all, he wondered if you caught sight of how pitiful he was. Surely, you found it hilarious, didn’t you? He was certain he would get teased endlessly in Charms next week. 
“Nice game, champ,” Jungwon commented oh-so-casually, and Heeseung’s blood started boiling. 
“Can you put me down already?! We have magic for a reason!” he blurted out, but his two friends ignored him all the same. 
“I saw Sunoo being carried out like this the other day outside of the Dueling Club meeting room,” Sunghoon mused, and Heeseung imagined the poor Slytherin also being hauled to the infirmary like a ragdoll. “I heard he got hit with a nasty Disarming Charm. Someone nearly blasted the poor guy right into the Clock Tower’s pendulum.”
“I know. He’s better at dodging than I thought,” Jungwon replied unsympathetically. “What a shame. I’ll get him next time.”
Heeseung blanched. Poor Kim Sunoo.
But then he remembered his current state and thought Sunoo was better off than him. At least Sunoo wasn’t carried out in front of the entire school. 
Really, the reason why Heeseung was so agitated was because being Slytherin’s Seeker meant that he had an important role. It was a responsibility that clearly set him apart, and it surely had to look impressive to others—for example, you—but here he was, being carried out of the Quidditch pitch like an idiot. It put all of his hard work and countless hours of practice to shame. 
Thankfully, although his failing jock status might have damaged his ego to the point of no return, Madam Pomfrey didn’t seem to think his injuries were too severe this time. After a few healing charms, which made him feel back to normal in no time, Heeseung was ready to leave the infirmary. 
Sunghoon and Jungwon ended up leaving right after dropping him off, claiming that they had to go celebrate their win in the Slytherin common room. Heeseung found it completely disrespectful to ditch the very person who brought them to victory. 
To his surprise, you were waiting outside the door, twiddling your thumbs and doing that annoyingly cute habit of yours where you chewed on the inside of your cheek whenever you were in trouble (which, frankly, happened a lot of the time). He made a great deal of effort to adjust his cape before walking over to you with raised eyebrows, wondering if an apology was coming his way. 
“I just wanted to say,” you started, voice uncharacteristically small and wavering, but then you followed up with an incomprehensible mumble that Heeseung could hardly decipher.
“What?”
“Uh,” you raised your voice this time, keeping it steadier with extra effort, “on the way here—funny story, really—I was telling Jake about how you set off a Dungbomb in Filch’s office the other week. Honest to God, I didn’t even see Mrs. Norris!”
Although you didn’t provide a solid conclusion, he was able to connect the dots and figure out what you were getting at. He almost wished he stayed oblivious because how was this happening to him twice in a day?
Heeseung’s face fell. “You’ve got to be joking.”
“Filch is looking for you,” you finished with a guilty look drawn across your face. 
It happened to be your second guilty look of the day, actually. Two too many for Heeseung to handle. 
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There was one thing Lee Heeseung was quite sure of, and it was that he wanted absolutely nothing to do with you from now on. 
The aftermath of his scolding from Filch resulted in him receiving evening detentions for the rest of the week. All you brought him was terrible luck wherever he went, and despite how nice you smelled and how shiny your hair was, he didn’t need your misfortune clinging to him like it would be the last breath he’d take. 
Honestly, any longer around you and he was pretty sure he would be taking his last breath soon.
But it was honestly ridiculous how hard Heeseung had to restrain himself from going near you. He would pass by your unbothered self in the Courtyard, hoping to get some verbal recognition from you that would change his mind about his whole ignoring thing, but you simply just paid more attention to stupid Jake Sim from Hufflepuff. 
Who cared about Jake Sim, anyway? Surely not the several girls in his year that threw themselves at him. There was nothing redeeming about him, not even with his perfect smile and perfect grades and perfect robes. Honestly, where did he get those robes? Heeseung bought his at Madam Malkin’s, like virtually every other student, but they weren’t as perfectly trimmed and fitted as Jake Sim’s perfect robes.
“I’ll let you in on a little secret,” Park Jongseong, a sixth year Ravenclaw, sneered once he saw the glower across Heeseung’s face. “Wanting nothing to do with Y/N starts with actually wanting nothing to do with her.”
“Who said I didn’t not want anything to do with her?” Heeseung fired back, but even he was confused about his response, taking a few extra seconds to process what nonsense had just spewed out of his mouth. “Okay, look, just pretend I said the funniest thing you’ve ever heard when she walks by us.”
“Actually, that was the funniest thing I’ve ever heard.”
Heeseung gave him an exasperated look. “Are you serious?”
“Yeah, I mean, you’re not that funny to begin with. Kind of hilarious that you think you’d be able to tell me the funniest thing I’ve ever heard.”
“You literally just told me I said the funniest thing ever.”
“Funny because it was such a pathetic thing to say. There’s a difference.”
“You’re a stupid git, you know that?���
“Am I now?”
“The stupidest of stupid gits.”
In truth, Jake was the stupid git. Jongseong could tease Heeseung all he wanted, but Jake Sim was the one grinning down at you with a stupid sparkle in his eyes, taunting the Slytherin with those evil, perfect corners of his lips. Didn’t he have better things to do? Like not taking up the oxygen in a place where he was clearly unwanted?
Also, to set the record straight, Heeseung needed to make it perfectly clear (to himself, too, because this was clearly confusing for him and everybody around him) that he was not into you. 
Probably.
Sure, he felt a smidge of fondness because you two had gotten into life-threatening situations before (all your fault, by the way), so there was probably some semblance of friendship that was only due to the fact that shared trauma often brought people together. But that was all it was. Heeseung’s feelings did not extend into anything remotely romantic; he even shuddered at the very thought. 
That was right. He was your friend, and that was all he wanted to be. Heeseung most definitely did not think about anything like holding your hand, or plucking flowers to braid into your hair, or kissing you in hidden corners of the castle. That would be ridiculous and completely unlike him.
And then you really did walk past him and Jongseong, so Heeseung took it upon himself to punch his friend’s shoulder hard and burst into forced laughter. He tried extremely hard to convince himself that this was a very normal thing to do, but soon after the act, he wanted to lay on the floor of the Owlery until the owls collectively decided to fly his body out somewhere far away—hopefully another country.
“Idiot, I’m the one who’s supposed to laugh,” Jongseong reminded him once you were out of sight. (You did not pay attention to his charade, Heeseung was sad to note.) With a scoff, he added, “You should probably hit the books ‘cause acting’s clearly not up your alley.”
Heeseung let out a retired sigh and stood up from the stone bench they had been sitting on. “I’m going to Potions.”
“Oh, you attend class now? Shocking.” 
“I prefer not spending my evenings in detention.”
“Alright. I’ll update you later on the Jake-and-Y/N show.”
“You do that, and I’ll show you how good I’ve gotten at the hair loss curse,” he spat. “I’d start investing in some hats.”
“Is that why Sunghoon’s missing half an eyebrow?”
Heeseung didn’t answer. Honestly, Sunghoon’s predicament had nothing to do with him, but he left it up to Jongseong’s imagination for the sake of intimidation.
As he stormed away (well, more of a brisk walk; Heeseung wasn’t one to storm), he realized that his friends had all sorts of misconceptions about him. He couldn’t wrap his head around why Jongseong would possibly think he was concerned about you and Jake Sim. Sure, he spent a good portion of the morning glaring daggers at Jake Sim, but there was no way that meant Heeseung was that concerned about the Hufflepuff. 
What was there to be concerned about, anyway? Heeseung was the Seeker of the Slytherin Quidditch team, scored five O.W.L.s last year, and he was the top duelist at Hogwarts. Jake Sim was just another pretty boy who Heeseung could crush under the sole of his shoe if he wanted to. 
His mind wandered to thoughts of you and Jake Sim walking back to the Hufflepuff common room together. Your melodic laugh echoing through the halls because of a joke he told; your fingers entwined with his as he carried your books for you; and your eyes practically glowing with admiration as you watched him intently. 
The thought made Heeseung sick to his stomach. Not because he liked you or anything disgusting like that, but because Jake Sim didn’t deserve to receive that much attention—not even in a hypothetical scenario that played out in Heeseung’s wild, almost sadistic imagination.
One thought comforted him, though: You had Potions with Heeseung, meaning you had to pry yourself from Jake’s side to attend Slughorn’s class. 
As he was about to approach the classroom door, Heeseung realized he had forgotten his Potions textbook. He debated whether to go in without it or run to his dormitory to fetch it, and he eventually went with the latter to avoid being clueless if today required brewing a potion. This resulted in him being about ten minutes late to class, which he decided was your fault somehow. 
Immediately upon entering the room, the pungent scent of lavender filled his nostrils, and it was all he could smell. He later recognized that there were a few other smells mixed in—the smell of butterbeer and the smell of fresh ink. The lavender, however, was so intense that it overwhelmed his senses.
It smelled like you.
Before Heeseung was about to blurt out and ask why you doused the entire classroom in your perfume, Professor Slughorn turned to look at him with brows raised in pleasant surprise.
“Ah, Mr. Lee,” he greeted. “You’re early today.”
He was ten minutes late.
“Uh, just forgot my textbook,” he said, holding up the Potions textbook he walked several, brutal flights of stairs to retrieve. 
“If you’re ready to join us, I was just going over Amortentia.” 
If Heeseung’s memory served him correctly, that was either the potion that boosted one’s memory or the potion that induced laughter. He hadn’t exactly been doing his reading over the summer, which was probably not an intelligent decision on his part considering he was in N.E.W.T. level Potions.
Either way, he was a little too preoccupied mentally replaying how his eyes met yours briefly. Heeseung walked over to stand next to you—for research purposes, of course—because he needed to know if you had really drenched yourself in lavender perfume, or if he had just gone crazy.
He nudged you with his elbow and muttered, “You reek.” 
Okay, that was definitely not a chivalrous way of putting it.
“Excuse me?” Your unnaturally high-pitched voice was hardly a whisper, but Heeseung could detect… panic?
“No, I mean your perfume,” he corrected quickly. “It’s everywhere.”
“Is it that strong?” You lifted your sleeve to sniff at it. 
“Yeah? It’s—”
“—the most powerful love potion known to wizardkind,” Heeseung heard Slughorn say as he redirected his focus to the actual lecture. “Amortentia’s said to smell different to each person, according to what attracts them.”
So it turned out that his memory didn’t serve him correctly at all.
Heeseung had his fair share of near-death experiences—probably a few more than the average Hogwarts student.
Never had he wanted so badly to combust into flames on the spot like a phoenix. Except he didn’t want to rise from the ashes; he was perfectly content with staying dead and buried without ever having to relive the last couple minutes of his life, which he was sure would scar him forever. 
Immediately, Heeseung stopped focusing on Slughorn’s lecture to conjure up some lame excuse in his head. Maybe he could tell everyone that his Muggle-born father owned a lavender farm back in the day, thus his love for lavender scents bloomed. But, Merlin’s beard, that didn’t even make sense! Just because he loved the smell of lavender didn’t mean he was in love with it. The smell was always attached to the person—the very object of his desires.
And, of course, it all pointed back to you.
Heeseung should not have had the realization that he was in love with you in the middle of Potions, of all classes. Astronomy? Sure. He thought it would be romantic to come to terms with his feelings whilst observing the celestial bodies in the sky. Divination? Even better. Gazing into a crystal ball for answers made complete sense. 
But Potions? Seriously? This was probably the least romantic place in Hogwarts aside from the haunted bathroom in the South Wing. 
No, on second thought, Heeseung saw some potential in the haunted bathroom. Something about the complete isolation of the facility made it all the more exciting.
Potions, on the other hand, was simply downright dreadful. 
“Amortentia, as you all know, is extremely dangerous. I only have it out here for educational purposes, so do not even think about touching that cauldron,” Slughorn warned. “Instead, for today’s lesson, I want you all to partner up and brew something… more lighthearted—say, Elixir for Inducing Euphoria. You can find it in your Potions books in chapter eight.”
After his lecture, Slughorn made everyone write down what Amortentia smelled like for them, warning his class about the dangers of the love potion being slipped into someone’s food or drink. Heeseung hastily wrote his down on a scrap of parchment before pocketing it where he would surely forget it existed.
He had been hoping Potion-making was going to be individual work today. He despised partner work, especially when that meant Heeseung would potentially be working with you, which didn’t prove too successful for his heart or his grades. 
More importantly, Heeseung did not, by any means, want to work alongside you after accidentally admitting that the Amortentia smelled like lavender to him.
Not to mention you were atrocious when it came to Potions. Heeseung needed more than two hands to count all the times your cauldron blew up in your face this year. Even when Heeseung took the reins and stirred the ingredients himself, you would somehow manage to expertly worsen the situation.
Thankfully, Kim Sunoo also took Potions, so as soon as Heeseung spotted the Slytherin, he grabbed his robes by the nape. 
“You’re working with me.” 
It came off more as an order than a request, but Heeseung needed to be firm to emphasize the gravity of the situation he was in. What if he died working with you? Did Sunoo want him dead? 
“No way,” Sunoo refused. “I already told Sohee I’d work with him. Plus, you never bring the right ingredients.”
Well, that was that; Sunoo hated Heeseung and wanted him dead. 
“Are you serious? Sohee?” Heeseung asked, acting as if Sohee wasn’t one of the top students in Potions. “You’re turning your best friend down?”
“No, I’m turning you down.”
“Okay, ouch.”
“Sunoo, d’you have any Sopophorous beans on you?” Lee Sohee asked as he approached the two, reading off his Potions book. “I have Worm—oh, hey, Heeseung!”
With little enthusiasm, he greeted, “Hi, Sohee.”
“Heeseung needs a partner,” Sunoo explained.
“Oh, really?” Before Heeseung could stop him, Sohee turned his head and cupped his hands around his mouth, yelling, “Y/N! Heeseung needs a partner, too!”
“Sohee!” Heeseung hissed, suddenly wishing Sohee’s head was a Quaffle he could launch into oblivion. He lowered his voice to mutter, “Have you considered that maybe I’m asking Sunoo because I don’t wanna partner with Y/N?”
He shrugged in response. “How was I supposed to know that?”
Oh, this was horrible. Not only did Sunoo hate Heeseung and want him dead, but Sohee had joined in on the cause, too. They were both clearly plotting something wicked against him.
But now he had no other choice. It wasn’t like he could turn you down after Sohee had blatantly lied about Heeseung’s intentions. This was the worst outcome yet; he was probably going to fail Potions because of you, and then he would have to write a make-up paper on the stupid elixir they were supposed to brew.
“No one wants to partner with me!” you complained, shoulders sagging and lips forming a pout when you walked over to the Slytherin. “I can always count on you, though, Hee.”
Heeseung couldn’t believe what he was hearing.
No one wanted to partner with you? What had the wizarding world come to? Where was the comradery? 
He was almost infuriated by how spineless the rest of his classmates were. Sure, Heeseung was complaining about working with you seconds prior, but you said it yourself: you could always count on him. At the end of the day, failing today’s class and writing a make-up paper was nothing in the grand scheme of things. Heeseung would always extend a helpful hand to those who needed it, or someone he was potentially crushing on.
Get a grip, Heeseung, he scolded himself. You do not have a crush on her. She’s just a good friend, that’s all. A perfectly normal, platonic friend of yours who gets on your nerves sometimes… and smells rather nice… and sort of looks extremely pretty when she has her hair tied up… and—
Okay, this was getting ridiculous.
“Yeah,” he got out in an embarrassingly choked voice. “You were my first choice, anyway—well, after Sunoo turned me down.”
There often came a time when a man had to put himself through tough situations to overcome adversity. As Heeseung approached their table, his shiny cauldron gleaming under the lamp light, he knew exactly what he needed to do.
Make sure you didn’t lay a finger on his bloody cauldron.
Sunoo and Sohee were working at the same table, standing at the bench across from them. Heeseung quickly sifted through his bag, and, as Sunoo predicted, he didn’t bring any of the ingredients necessary for the elixir. What the hell was he going to do with Fluxweed and rose oil?
“I have porcupine quills,” you said, pulling a glass jar out of your bag.
“Uh, okay, so I need you to get a Shrivelfig and Wormwood from Slughorn’s closet,” he instructed you, giving you a thumbs-up once you nodded. “I’m gonna beg Sunoo for his Sopophorous beans.”
After you walked off, Heeseung leaned over the table and muttered, “Sunoo, please give me some of your beans.”
“No,” the prick replied. 
“Please,” Heeseung begged. “Eunseok’s table took the last of them from Slughorn’s closet.”
“Maybe, but I want something in return.”
“What do you want?”
A sly grin spread across Kim Sunoo’s face. “Tell me what the Amortentia smelled like for you.”
Honestly, Heeseung was perfectly content with writing another twenty inches to make up for a failed potion. He would even take detention, if needed. Anything to get himself out of this sick and twisted situation. 
In his head, he imagined Sunoo getting what he deserved, and that was his ass getting properly kicked during Dueling Club. He envisioned Jungwon flourishing his wand and blasting Sunoo square in the gut, knocking him straight into the fountain in the middle of the courtyard.
He gave his friend a reproachful look. “I wish Jungwon’s spell hit you.”
Sunoo chuckled darkly and held up his jar of Sopophorous beans, waving them teasingly in the air. This was almost too much for Heeseung, but he committed to working with you, so he couldn’t let you down while you were off getting the rest of the ingredients.
“Lavender,” he admitted through gritted teeth. “The Amortentia smelled like lavender.”
His eyebrows raised in mock surprise. “Hear that, Sohee? Heeseung smelled lavender. You know who else usually smells like lavender?”
At that moment, you returned with the rest of the ingredients. You showed Heeseung the jars and bottles you brought over, but he was too distracted to properly examine them. His gaze remained fixed on Sunoo, eyes burning with resentment. He prayed to Salazar that Sunoo wouldn’t slip up in front of you.
Sohee, who clearly had no idea who Sunoo was referring to, blinked slowly. “Uh, Professor Longbottom? He probably smells like it—you know, with all the time he spends in the Greenhouse.”
“Yes, Sohee, I’m in love with Professor Longbottom,” Heeseung deadpanned. “Thank you for your wonderful insight.”
You made a face. “You’re in love with who?” 
“No one,” Heeseung replied quickly once Sunoo finally handed him his desired ingredients. He lit the fire under the cauldron, dropping a sprig of peppermint inside to counterbalance the possible side-effects. “Just peel the Shrivelfig and chop the porcupine quills while I stir.”
The potion-making seemed to be going smoothly for the first few steps. However, when you were chopping the porcupine quills, Heeseung’s chest leaped when he heard an ouch come from you. He forgot about his cauldron immediately and looked over to see your finger bleeding.
“What happened?” He grabbed hold of your hand, inspecting the blood oozing from your cut. “Did you slice your finger?”
“M-my hand just slipped.”
This was bad. If Heeseung didn’t disinfect and bandage the wound, then it could possibly get infected and you’d die. (Merlin’s Beard, Heeseung, it’s hardly a flesh wound, his thoughts annoyingly cut in.) He needed to get you to Madam Pomfrey before—
“Heeseung!” Sunoo yelled from over the table. 
He whirled around to see that elixir had turned a deep purple hue, bubbling up to the rim. That was strange; it was supposed to be a bright yellow color by now. Considering he was handling the cauldron the entire time, nothing should have gone badly wrong. Time seemed to slow down as Heeseung speculated what in Salazar’s name he managed to screw up.
That was when he noticed the green bottle next to the cauldron—the Infusion of Wormwood he poured in earlier. Except it wasn’t Wormwood; the brown tag hanging from the neck of the bottle read Flobberworm Mucus.
Before he could curse himself for not reading the label properly beforehand, the failed elixir rose all the way to the top and shot out of the cauldron, spewing purple liquid all over their table and burning a hole through the wood. Slughorn’s head turned sharply in their direction, and he crossed the classroom to see what mess you and Heeseung had caused. 
“Evanesco!” the Potions teacher shouted, making the substance vanish in an instant. Slughorn looked mostly unsurprised as he turned to face you and Heeseung, letting a retired sigh slip. “Five points from Slytherin and Hufflepuff—and twenty inches on the properties of Amortentia by next class.”
“Twenty?” you cried, nearly gasping from the shock. “But, Sir, we have so much work from our other N.E.W.T. classes already!”
“And we have the Hogsmede trip after class,” Heeseung chimed in. 
And, bless his heart, Slughorn was far too kind of a soul to be too strict with either of you. He typically had high expectations for those he taught, especially the ones he sought out for his reputable ‘Slug Club,’ but he had a soft spot for his N.E.W.T. students.
“Alright then, well… you and Mr. Lee can write twenty inches together and bring it to me,” he decided in his bumbling voice. 
When he walked away, Heeseung let his shoulders sag. He couldn’t believe he had to write a paper over this—and with you, no less. He should’ve known that he was cursed to stumble upon misfortune again, but, at the same time, he just couldn’t find a way to blame you. Sure, you were the one who took the wrong bottle from the Potions cabinet, but Heeseung really should’ve double-checked the label before he poured it into the cauldron.
“Oh, well,” Sunoo simpered, wearing a proud smirk, “writing about Amortentia shouldn’t be hard for you, huh?”
Heeseung demonstrated his hair loss curse on Sunoo after class.
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“I might get a D on my N.E.W.T. for Potions, Hee,” you complained to him later when you both had snuck away to the lakefront to work on your remedial paper. There was a nice patch of grass that Heeseung liked to sit on and contemplate his miserable life, so he figured that he’d share the location with you. “Or maybe even a T—oh, Godric’s Heart.”
“Hey, failing with distinction would be much more impressive than just downright failing,” he tried. 
“Not helping.”
“Sorry.”
Heeseung had a total of four words written on his parchment so far, which happened to be both of your first and last names. He wasn’t sure how he would get to twenty inches without delving into the smells of Amortentia, which he already figured he would need to use a personal anecdote for. He was trying his best to avoid that since it would lead to a rather awkward conversation. 
However, everyone was leaving for Hogsmede shortly, so Heeseung was hoping that you would decide to set aside the rest of the paper for later. 
As if the universe was rubbing Heeseung’s misery in his face, Jake Sim came strutting over in his stupid, perfect robes. (Except it was quite a normal walk; no strutting whatsoever, actually.)
“Just got out of Arithmancy?” you asked him with a gut-wrenching, brilliant smile on your face.
“Yeah, Seunghan and I were heading to Hogsmede with everyone else,” Jake answered before his gaze drifted to Heeseung. Something seemed to light up in his eyes and he started reaching into his robes. “Hey, nice game yesterday! Did you see that, uh… where did I put it…” After some rummaging through his pockets, Jake pulled out a piece of parchment which seemed to be a clipping from the school newspaper. “You made the front page!” 
Heeseung peered to see a moving picture of himself laying on the Quidditch pitch, half-conscious as the Golden Snitch rested in the palm of his hand. Next to him, Sunghoon and Jungwon gave the camera a thumbs-up and feigned shock at the sight of the Seeker on the ground. 
He was definitely going to be sending Riki a Howler. 
“Lovely,” he replied half-heartedly, fighting down a scowl when he realized that Jake wanted him to keep the clipping. “I’ll hang it up with the rest of my collection.”
Jake laughed, even though Heeseung was dead serious. He had an archive of mortifying photographs of him that Riki had taken ever since he stepped onto Hogwarts grounds. Collecting them was intentional, of course; Heeseung needed evidence for the Wizangamot if he planned to sue Nishimura Riki for defamation one day. If Heeseung had known how much of a nuisance the Gryffindor would be, he would’ve plotted for the kid to be sent back home right after his Sorting Ceremony. 
“We have a remedial paper to write,” you told Jake glumly, “so I don’t think we’ll be going to Hogsmede today.”
Jake shrugged. “I’ll see you in the common room later, then.”
“Bye-bye.”
Once Jake walked off to find his friend, Heeseung shot you a dark look. There might have been something warm and soupy in his chest whenever he even looked in your general direction, but he wouldn’t let this slide. 
“I’m not skipping the Hogsmede trip.”
“But we have to finish—”
“But Hogsmede,” he whined. “Can’t we meet in the library after and work on it?”
“I have a Transfiguration quiz I need to study for.” You sounded distressed for a moment, but you quickly brightened up. “Who are you meeting in Hogsmede?”
“Uh, well, no one in particular. Just wanted to check out some stores.”
“Then how about we go together?” you suggested. “We can work on our paper in The Three Broomsticks.”
“Oh.” Heat suddenly rose to Heeseung’s cheeks, and although he desperately tried to convince himself that your proposal did not sound like a date, he couldn’t shake how excited he was to spend some one-on-one time with you. “That works for me.”
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On Salazar’s name, Heeseung was going to murder Sunghoon and Jungwon in cold blood.
While you and Heeseung had gotten cozy in an empty booth, brushing shoulders as you two looked over the first paragraph you started, his two dear friends decided to show up where they were clearly unwelcome. Apparently, mouthing get the fuck out of here wasn’t sending the message across.
Sunghoon was on some long tangent about how he barely scraped by on his O.W.L.s, but Slughorn finally gave him the green light to take Alchemy. For some odd reason, Alchemy was only available as a N.E.W.T. class, so Sunghoon had been anxious the whole summer over whether his O.W.L. results would be enough. 
“Didn’t you get five O.W.L.s?” Jungwon asked, bored.
“Six—A in Herbology,” Sunghoon corrected. “I hate plants.”
“Longbottom let you in with an Acceptable?” Heeseung raised his brows with mild interest, but he quickly steeled his expression. He was not entertaining their company, no. He started practicing the fine art of Legilimency to send a message to Sunghoon: go away, go away, go away, go away.
“He said he was especially impressed that I got into his N.E.W.T. class.”
“Oh, yeah,” you spoke up, pointing at Sunghoon. “Yizhuo told me she had no idea you were in her class until you showed up for exams.”
“I also didn’t realize she was in my class until you mentioned that.”
“How’d you even pass?” Heeseung asked.
“No clue,” Sunghoon replied honestly. “The exam was fine, but I thought the practical would be the end for me. Turns out I’m a natural. They even clapped after I ripped the leaves off a Venomous Tentacula. Like, big deal, it’s a plant.” 
Everyone at the table froze. Heeseung practically jumped seconds later, hitting his leg against the underside of the table. He had long abandoned his goal of kicking Sunghoon and Jungwon out of The Three Broomsticks. You choked on your butterbeer, wiping some of the foam off your chin. Jungwon’s eyebrows raised in disbelief. Heeseung’s knee hit the underside of the table, suppressing a groan. There was a shuffle below.
Out of the corner of his eye, he noticed you ducking under the table for a moment. However, he was too astounded by Sunghoon’s story to divert the topic. 
Heeseung set his butterbeer down and asked, “You just walked over and used your bare hands?”
“I suppose not showing up to class has its upsides,” Jungwon said. “Ignorance is bliss.”
“Sunghoon, do you even know what a Venomous Tentacula does?” you asked.
“What? Photosynthesis?” 
“Well, other than the snapping jaws that can either stun or kill you, and the vines reaching out to strangle you when you’re least expecting it,” Jungwon started (which didn't sound like a very pleasant start, to be honest), “there's also the venom that shoots out from its sprouts—oh, and the thorns that can kill you if you prick your finger.”
Sunghoon looked disturbed before muttering to Heeseung, “And they call Hogwarts the safest school on Earth. What a joke.”
You excused yourself shortly after the conversation came to an end, claiming that you spotted a friend a few tables over. Heeseung pretended to listen to Sunghoon and Jungwon trying to guess how old Professor Binns was, but really he was keeping an eye on you. Minjeong was whispering something to you, paused when you wrapped your arms around her, and then turned her neck to say something with sudden enthusiasm. 
Heeseung wondered how it would feel if he was sitting in that seat instead of Kim Minjeong, if your arms were draped around his shoulders like that. He thought of your hair falling into his face, how he’d brush it away and turn his head to kiss you—
Dangerous waters, he warned himself. Do not go there.
“Every time I ask him—and, mind you, it was only a couple of times—he falls asleep before he can even give me an answer!” Sunghoon complained, bringing Heeseung’s attention back to the topic of the ancient History of Magic professor. “Heeseung, has he ever told your class how old he is?”
“Couple hundred years probably,” he answered. “Can you guys leave now?”
They gawked at him, offended. 
Now Heeseung had realized he had driven himself into a corner. He couldn’t tell them the real reason why he wanted them to leave. If his friends found out that he wanted to spend time with you alone, then they would misconstrue the situation into something involving feelings—something which Lee Heeseung might have had but refused to admit out loud or to himself. 
“You two have been distracting us from finishing our paper,” he said instead, pointing at their unfinished essay. “Twenty inches! And we hardly have two.”
Jungwon, who saw right through him, asked, “You just wanna spend time with Y/N, don’t you?”
Heeseung coughed loudly, as if that would cover up whatever the Slytherin just said. “What?”
“It’s so obvious,” Sunghoon said. “Would we really be your best friends if we couldn’t pick up on who you’re into?”
“I am not into—” Heeseung paused to weigh his words. His recent revelation brought him to the point of no return; he couldn’t just lie about how he felt now. He threw an anxious look over his shoulder to make sure you were still preoccupied with Minjeong. “We have a paper to write.”
Sunghoon threw his head back to laugh. “See? You can’t even deny it.”
“It doesn’t even matter; she’s into Jake.”
They went silent. Glanced at each other out of the corner of their eyes. 
“Jake Sim?” Jungwon asked. “And Y/N?”
“Yes.”
“Jake Sim… and Y/N.”
“Yes,” Heeseung repeated with impatience seeping past his teeth. 
“What makes you think she’s into Jake?”
“Uh…” Heeseung was now irritated that he was being put on the spot because nothing was coming to mind. He just thought of you and Jake laughing together in the courtyard and jealousy wrapped tight around his heart. “I saw them together.”
“I saw you in Filch’s office the other day,” Sunghoon said. “Are you two a thing?”
Heeseung scowled at him, but before he could fire back at his friend, Jungwon said, “Just tell us you want us to leave so you can spend time with Y/N, and we’ll go.” A sly grin spread across his face, and he scarily resembled Kim Sunoo at that very moment. “You should probably make up your mind before she gets back.”
Struggling for a way out of this situation, Heeseung gave them both dirty looks. He had no choice but to give Jungwon and Sunghoon what they wanted. You were going to wrap your conversation up with Minjeong any minute now, so he had to act now before his friends terrorized him for the rest of their Hogsmede trip. 
“Fine,” he said sharply. “I wanna spend time with Y/N alone, so leave.”
Right on command, the two boys made a big scene about having to leave, throwing their hands up in exasperation and getting to their feet slowly. Sunghoon shook his head, rubbing the back of his neck as if it was a pain for them to be ordered around. Heeseung sank back into his seat in embarrassment. 
“Alright, alright, we’ll go,” Sunghoon drawled, “but you better tell us all the details after.”
Heeseung gave them his word, even though he was sure the update would simply be finishing their essay. Once Jungwon and Sunghoon strode out of the pub, he turned his gaze back to Minjeong’s table. For a moment, he just watched how your hair shone under the warm lighting. Heeseung had to avert his eyes when you turned around again to walk back to his table. There was a strange look on your face, like you were trying to work through a puzzle in your head. 
“Where’d the others go?”
For the entirety of their Hogsmede excursion, Heeseung had been trying his hardest not to look at you when you were so close to him. Now, though, with his friends gone, it was just you and him sitting almost shoulder-to-shoulder. 
He realized he was staring at your lips instead of answering your question. He licked his lips involuntarily and looked away. 
“Uh, went to check out some stores, I think,” he lied. “Should we get back to work?”
Slightly distracted, you replied, “Yes, let’s.”
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The remedial paper was finally at an impressive twenty inches by the time you and Heeseung thought it would be best to start walking back to the school.
There weren’t many students around anymore as most people didn’t want to miss dinner in the Great Hall. Heeseung felt like something was off. You were focused on the paper the entire time, hardly engaging in any side conversation or recalling some fun memory. When you two ran out of things to write about Amortentia and stumbled upon the topic of describing its scent, Heeseung managed to steer away from writing about how the potion smelled for him. Instead, you two went for a more informational route with zero personal anecdotes.
The walk back to the castle was long, but Heeseung really hadn’t expected you to bring up the topic of Amortentia again. He thought hours of writing a paper on the potion would put you off of it for a long period of time. 
“So, you remember Slughorn showing us the love potion in class, right?” you started timidly while the two of you were crossing a bridge in Hogsmede. You didn’t even let Heeseung get to the trail to Hogwarts before you started your interrogation. “What’d it smell like for you?”
Fuck.
Why was everyone so interested in what the Amortentia smelled like for him? It wasn’t supposed to be some groundbreaking piece of information, and it wasn’t a big deal that it smelled like your signature scent! There were far more interesting things to converse about, like how nicely the leaves were arranged on the trees, or how interesting of a shade the sky was. 
But there was no way for him to avoid this question—not when you were staring at him so adamantly—so he resorted to lying. A white lie never hurt anyone, after all. Or, well, anyone important. 
“Like… books,” he answered, trying to keep his voice as level as possible. 
“Maybe you and the librarian are meant to be,” you teased.
“I guess sneaking into the restricted section makes the heart grow fond.” 
You laughed, and, Merlin’s beard, what a melody. Heeseung could listen to your voice all day. Preferably on a warm day while he was stretched out on some grass with your head on his lap, or maybe he’d like to be laying on your lap. Either way, he would be perfectly content just listening to you talk his ear off until—
“Y’know, that’s funny ‘cause… well, you wrote lavender here,” you said, chewing on the inside of your cheek and holding the very scrap of parchment that was supposed to be tucked away in Heeseung’s pocket.
Suddenly, he felt the urge to shut himself in the Slytherin common room and never hear you speak to him again.
In the couple of seconds he was malfunctioning for, many thoughts raced through Heeseung’s head.
First, he wondered if there was still time left to request a Ministry-issued Time-Turner under the guise that he would use it for his classes. Instead, its intended purpose would be to reverse time until Heeseung had somehow gotten himself out of this situation or destroyed that stupid piece of parchment.
The second revelation that struck him was that he must have dropped the paper in The Three Broomsticks. It must have fallen out of his pocket when he hit his knee under the table. There was a moment when he noticed you picking something up from the floor, but he hadn’t dwelled on it, expecting it to have just been a napkin. 
Lastly, he had gone extremely still—to the point of halting in his tracks and staring at you, wide-eyed. His body had completely seized up to the point where he almost thought he was shaking. Shaking—but he was shaking. He was shaking all over. Or maybe he wasn’t. He couldn’t tell. Heeseung clenched a fist to make sure he had control over his body. 
“Heeseung?”
You stopped walking, too, looking at him curiously. For a moment, it looked like you were going to apologize for reading what he wrote down, but you looked down at it again.
“Did the love potion smell like lavender?” you asked in a soft voice. Looking visibly flustered, you said in a rush, “I’m just asking because Minjeong said I always, uh… smell like lavender, and I just thought…” 
He needed to run. He needed to get out of here. He needed to disappear.
Heeseung felt like his blood was rushing through his ears, pumping so loud that he couldn’t hear anything but his heartbeat for a moment. You were saying something, but he couldn’t even make out the words your lips framed. The world had slowed down, and Heeseung wasn’t quite sure if his feet were planted firmly on the ground. 
He would have rather been anywhere else—maybe at Sunghoon’s house where his mother’s baked goods wafted from her kitchen window. He could envision the meadow right behind their house and how he spent the summer in the grass, practicing Quidditch with Sunghoon and his little sister. Jongseong would arrive days later to complain about his O.W.L.s for three hours straight until Sunghoon and Heeseung felt the life oozing out of their bodies. 
But here, with your eyes sparkling with determination, Heeseung felt like he was about to melt into a puddle. He was consumed with the ungodly urge to grab ahold of you and kiss you until his blood felt like electricity in his veins. Yes, he needed to be anywhere but here—anywhere where his feelings weren’t worn on his sleeve for the world to see. 
You started again, “Heeseung—”
Before you could get anything else out, Heeseung, who was overcome with the will to escape, felt something pulling him from behind. In a flash, he was whisked out of thin air with a tug behind his navel, leaving you gobsmacked and stranded in Hogsmede. 
He felt like he was being pushed through a thin vortex, squeezed by the fabric of reality tearing and reshaping itself around him. It took him some gasping breaths to get lungfuls of air into his body, but once he could breathe right again, he realized he was definitely not in Hogsmede.
“Excuse me?” Heeseung asked a nearby townsperson who was walking past him. He must have looked ridiculous in his Hogwarts robes, body awkwardly sprawled over two bales of hay. “Where am I?”
“Feldcroft,” the wizard answered.
He Apparated to Sunghoon’s hometown.
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Not only did Heeseung spend thirty minutes trying to Apparate back to Hogsmede, but he was late for dinner. You were long gone, of course, but it seemed like you hadn’t exactly abandoned Heeseung. When he arrived on school grounds, Slughorn and McGonagall were waiting for him at the gate. This was definitely going to earn him a detention or two. 
Apparently, you ran back to school to tell McGonagall about what happened. The headmistress also noted that you were sobbing because you were convinced that it was your fault somehow. You happened to be under the belief that Heeseung wouldn’t know how to get back, which he couldn’t argue with because he considered himself lucky to Apparate back without splinching himself. 
After receiving a lecture from both professors about the dangers of Apparating unsupervised, Heeseung received two punishments: one week of detention and he wasn’t allowed to go on the next Hogsmede trip. However, he also received a pat on the back from Slughorn and a congratulations from McGonagall for a successful Apparition. 
When he recounted the story to Sunghoon, Jungwon, and Sunoo in the common room the following morning, they were howling with laughter. He had to pause approximately four times for them to catch their breaths.
“It’s not that funny,” Heeseung deadpanned.
Sunoo, who was wiping tears from the corners of his eyes, replied, “It’s kinda funny.”
Sunoo was also missing several patches of hair, which Heeseung generously didn’t point out. 
“Did my mom give you anything to bring back?” Sunghoon inquired. “I’ve been craving her tarts.”
“I didn’t exactly have time to drop by your mom’s and pick up some tarts! I was trying to Apparate back to Hogsmede, if that wasn’t already clear!”
“On the bright side,” Jungwon said, “you’ll probably pass your Apparition exam now. Sunghoon lost half an eyebrow while he was practicing yesterday.”
Sunghoon, with one and a half eyebrows, grimaced.
“So, you left Y/N hanging and she had to walk back alone?” Sunoo asked, tutting lightly as he shook his head. “Now you stand no chance of asking her out.”
Heeseung tried to cover up how taken aback he was by coughing into his arm, expertly hiding his reddening cheeks from his friends. “It’s not like that.”
“Uh-huh,” Jungwon said. “So, you’d be perfectly fine with Y/N going out with Jake?”
Heeseung’s face turned sour as he turned to look at the Slytherin. “She’s going out with who?” 
“It’s a hypothetical question.”
“Well… who she goes out with is none of my business.”
Sunghoon barked out a laugh. “Then why’d you get so worked up?”
“I’m not getting worked up,” Heeseung replied firmly, huffing as he got to his feet. “I simply don’t think she and Jake Sim are compatible, but my opinion’s got nothing to do with her.”
“Yeah?” A ghost of a smirk was plastered across Sunoo’s face. “Why don’t you think they’re compatible?”
There was a fire in the center of Heeseung’s chest, blazing and scorching his heart. He felt as if he would pass out from the immense pressure in his chest, but then his body felt so hot that everything seemed to slip away. He thought of you and Jake again, thinking about how you smiled up at him in a way Heeseung had never seen you smile at him.
The fire in his chest raged. 
“Because I exist,” he answered loudly. “Now, if you’ll excuse me, I have a Defense Against the Dark Arts class to attend.”
Whether they were awestruck or dumbfounded, Heeseung’s friends watched him leave the common room with crooked grins on their faces. He was extremely satisfied that he managed to get his two cents in without his voice cracking or wavering.
After Sunghoon was left in the common room with Sunoo and Jungwon, he slumped back in his seat and asked, “Since when did he go to class?”
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Defense Against the Dark Arts was Heeseung’s favorite class. Not because he particularly enjoyed dueling or any violence of the sort, but because Professor Weasley was the only teacher who didn’t assign papers every other day. He preferred a more hands-on teaching method, which usually involved partnering up and practicing spells on fellow classmates.
Plus, when Heeseung was in moods like these—moods where he felt like he was going to burst into flames much like a phoenix would—he looked forward to blasting someone across the room. Someone preferably like Jung Sungchan, who didn’t take it personally when he conjured columns of fire in rapid succession. 
Because he was so hot with unexplained anger and unrestrained emotion, Heeseung had to set the record straight (evidently for himself, too) that he most definitely harbored romantic feelings for you.
Admittedly, this was clear after he smelled the Amortentia, but Heseung refused to allow Potions to be the class that made him aware that he was in love. He could almost envision Slughorn taking credit for his future wedding, and the very thought made him shudder. 
The fire in Heeseung’s chest grew into more of a wildfire tearing through his body once he saw Jake Sim in Defense Against the Dark Arts.
He completely forgot that Jake took this class, too. The cherry on top was that Jake and Seunghan decided to sit at the desk right behind Heeseung and Sungchan, so he could hardly focus on Sungchan rattling on about Trelawny giving him detention when he was trying his hardest to eavesdrop on Jake’s conversation.
Right when Heeseung heard Jake talking about something potentially dark and dangerous (buying a Pygmy Puff), Professor Weasley raised his wand to signal that he was starting class. 
He started discussing familial curses, which Heeseung found especially interesting because he had almost considered a career path as a Curse-Breaker. It was a dangerous line of work, according to Professor Weasley, who used to be one himself before the second wizarding war, but Heeseung thought it was an honorable job to help remove dangerous curses.
Professor Weasley decided to stray from his usual ‘partner up with the person next to you’ and instead asked everyone to practice the Shield Charm with another student who was sitting around them. This, in turn, made Heeseung’s heart drop to his stomach.
If Sungchan wasn’t an option, then Heeseung was hoping he could partner with Seunghan. He quite liked the Hufflepuff, despite him being friends with the public enemy named Jake Sim. Seunghan had always been fun to talk to, and they became closer in fifth year when they were both sent to the infirmary and had beds next to each other. Madam Pomfrey was eventually tired of the two boys practicing jinxes on each other. 
Sungchan and Seunghan partnered up almost immediately, and then the girl sitting in front of Heeseung had run off to her friend as soon as the words slipped from Professor Weasley’s mouth. There was no one else for him to turn to—no one but Jake.
“Do you have a partner yet?” Jake asked shyly, and Heeseung had to fight down a bitter retort; obviously he didn’t have a partner, or he would’ve gotten up by now. “We can practice together, if you want.”
Heeseung reluctantly got to his feet. “Sure.”
They were an odd pairing, for sure. Heeseung couldn’t help but feel awkward around Jake, and it seemed as if Jake felt the same way, even though he did his best to be overly-friendly. 
Jake decided to be the one defending himself first, so Heeseung was graced with the opportunity to cast offensive spells at him all he wanted. He was having far too much fun casting Expelliarmus and Stupefy at Jake and watching the Hufflepuff draw his wand up just in time to shield himself. 
“You’re really good at this!” Jake said, eyes wide with what Heeseung assumed was fear. “Do you duel often?”
“Not really,” he answered. “I just have good aim.”
“Quidditch.” He made the connection quickly with a far too happy look on his face. “I’ve seen you fly. You’re really good.”
Quit playing nice! Heeseung was yelling at him in his head. It was proving quite difficult to viciously attack the Hufflepuff while receiving compliments in return.
“Yeah?” Heeseung gritted his teeth. “Do you watch Y/N—Stupefy!—play?”
“Y/N?” Jake looked confused for a moment, but his smile never faltered. “Yeah, of course! I always support Hufflepuff.”
Oh, right. They were in the same house. Logically, this was where Heeseung should’ve backed off, but jealousy seized him by the throat and made his head go funny.
He sent another streak of orange light flying in Jake’s direction, aiming right for his perfect hair. Jake deflected it. 
“Anyway,” Jake continued as he started to get the hang of performing wandless magic, “you guys are playing against Gryffindor next, right? I really think Slytherin’s gonna win. I mean, you guys have such a strong team, and…” 
As he kept droning on about how great the Slytherin Quidditch team was, Heeseung couldn't help but feel a bit confused. He was here to intimidate the Hufflepuff, but now he felt like he was at some sort of meet and greet. Why was Jake so bent on praising the Slytherin team? Heeseung assumed that the whole incentive for Quidditch games was for house pride, but Jake seemed to be taking it way too seriously. 
Come to think of it, Heeseung did find it strange that Jake had that defamatory newspaper clipping of Heeseung injured on the ground. Why would he specifically go looking for an article of the Slytherin team’s victory?
Heeseung lowered his wand when he heard a yelp to his right. Hong Seunghan had his wand raised over his head, a nearly-invisible shield circling his body that Heeseung could vaguely make out under the lamp light. 
“Watch it! This isn’t target practice, Heeseung!” Seunghan cried, looking absolutely distressed as he hastily adjusted his yellow-trimmed robes.
Heeseung’s Stunning Spell would’ve hit Seunghan if he hadn’t reacted in time. On one hand, he felt bad; on the other hand, he really thought Seunghan should’ve been patting himself on the back for his quick reaction time instead.
“My bad,” Heeseung mumbled. So much for his so-called good aim.
“And you,” Seunghan said—to Jake, this time, “stop distracting him with all your Quidditch talk!” 
Yeah, you tell him, Seunghan, thought Heeseung, who actually quite enjoyed talking about Quidditch.
To his surprise, Jake’s face started to flush pink. “I-I’m not trying to distract him or anything… I was just making conversation.” 
Seunghan threw him a lazy smirk before turning back to Heeseung and rolling his eyes playfully. “Put him out of his misery and set him up with your friend, will you?” 
“What?” Heeseung couldn’t stop himself from fuming at Seunghan’s words. The fire in his chest ignited once more, blazing with the heat of a thousand suns. 
Sungchan, who had been waiting patiently to attack Seunghan, rubbed the back of his neck. “Er—can we get back to—”
“Seunghan, drop it already,” Jake pleaded, his voice growing smaller and smaller. “It’s not happening.”
Seunghan shrugged and returned to blocking Sungchan’s attacks. The two of them seemed to be having fun with the exercise, at least. Heeseung and Jake were a disaster; Heeseung was far too vexed to think straight, and Jake was as bashful as a first year.
“You can ask her yourself, you know,” Heeseung said coldly, shooting a jet of red light in Jake’s direction. Jake barely managed to cast his shield in time to deflect Heeseung’s spell.
“I can’t,” Jake replied, all meek and timid again, which made Heeseung’s blood boil. 
He saw how comfortable Jake was around you, so why was he acting like this now? He was comfortable enough to walk up to you while you were with another guy; he was comfortable enough to keep eye contact while you smiled so radiantly at him; and he was comfortable enough to ask you to go to Hogsmede with him, so why was this such a big deal? 
Heeseung felt sick to his stomach. He wanted this class to be over so that he could go to his dormitory and wallow in his miserable state.
Jake sighed wistfully. “She probably has no idea I even exist.”
Heeseung blanked. 
He tossed around Jake’s words in his head a couple of times, trying to make sense of what he was saying. Heeseung perfectly understood being shy around a crush, but wasn’t this a bit much? From what he had observed, you most definitely knew of Jake’s existence.
Still confused, Heeseung replied, “I’m pretty sure she does.”
“Really?” Jake’s voice was louder, more hopeful. “She does? I mean, I guess she has to know I exist since we’re in the same class and all, but has she… has she ever mentioned me?”
Heeseung wondered if he should just stun Jake and leave class early.
Deciding against it for the sake of not receiving another week of detention, he answered, “Well, yeah, a couple of times.”
“Really? What did she say?”
“Uh…” Heeseung scratched his head as he tried to remember. “Something about telling you how I set off Dungbombs in Filch’s office.”
It was Jake’s turn to look confused. 
“That was Y/N,” he said.
“Yeah, I know.”
“Wait, did you think I was talking about Y/N this whole time?”
Heeseung had to duck this time when his spell rebounded off of Jake’s shield and went flying in his direction. He stood up straight again, this time with his eyebrows furrowed and his ears bright red from realizing that he was about to embarrass himself yet again. 
“You’re not?” he asked.
“No!”
“Then who are you talking about?” 
“M-Minjeong,” Jake stammered out. “Kim Minjeong.”
Heeseung stared at him. For a moment, he wasn’t even sure if this was reality; this could have all been some hyper-realistic dream—one of those absurd ones that hardly made sense but left him gasping for air when he woke up. 
But Heeseung’s feet were planted firmly on the ground and he had all ten of his fingers, so this couldn’t be a dream. Yet, when he drew in a shuddering breath, he couldn’t shake off the feeling that something was very wrong about this whole thing. Had he really been wrong about Jake Sim this entire time?
Also Minjeong? When he was friends with you? Heeseung wasn’t one to judge people’s tastes, but he’d swim oceans for you yet hardly cross a puddle for Minjeong. (Perhaps that was just because he resented the Slytherin girl for always making fun of his Quidditch screw-ups.)
So that was why Jake had been overly-invested in the Slytherin team. He wasn’t a Quidditch-fanatic whose house pride flew out the window; he was just harboring a crush this whole time! Heeseung was so relieved that the inferno in his chest had quelled. 
In fact, he was so relieved that he let out a shaky laugh without having half the mind to hold it in. Jake must have thought Heeseung was making fun of his crush, but Heeseung couldn’t help but laugh and laugh about how pathetic he had been this whole time. He had lost sleep over Jake Sim, only for him to like someone completely different. 
How ridiculous.
Heeseung crossed the distance between them and patted him firmly on the back, taking the Hufflepuff by surprise. “Minjeong, huh? I’ll introduce you.”
Jake’s eyes shone. “You will?”
“Of course I will. Now, tell me,” Heeseung started, his voice taking on a serious edge as he slung an arm around Jake’s shoulders, “where did you get your robes?”
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It was such a lovely day outside; the grass was greener, the skies were bluer, and there wasn’t a single cloud in sight—perfect weather to fly. Heeseung could even hear the birds singing as he strode down the hallway, trying very, very hard to keep himself from skipping. 
He wasn’t even trying to eavesdrop, but he picked up on the conversation a couple of fifth years were having nearby.
"—heard they both had to go to the infirmary!” one of them whispered to the other. “It was that bad!”
“Over a silly game?” The other girl, who Heeseung named Girl Two in his head, scoffed. “I’ll never understand Quidditch.”
Girl One shook her head. “Not over the game. It was over Lee Heeseung.”
Heeseung, who was slowly realizing that he was the Lee Heeseung they were gossiping about, suddenly felt very engaged in this conversation that he wasn’t part of. His guilty pleasure happened to be listening in on all of the scandalous happenings at Hogwarts. For him to be indirectly involved was even more exciting.
“Lee Heeseung?” Girl Two frowned. “Why would Y/N pick a fight over Lee Heeseung?”
He nearly tripped over his own feet. Heeseung had to scurry behind a pillar before anyone saw him blushing like a madman, but now he was worried about how strange it looked for him to be spying on a couple of fifth years from behind a pillar. 
Yet, he couldn’t bring himself to pull away. You fought someone? And you were in the infirmary? His sick happiness was quickly replaced with dreadful worry. 
(But he also wasn’t too worried; you could clearly handle your own.)
“No clue,” Girl One said. “I suppose they’re dating.”
Heeseung couldn’t stop the giggle from escaping his lips. He clamped a hand over his mouth as soon as it slipped out, and Girl One and Girl Two looked around suspiciously. 
“Who was that?” Girl Two asked sharply. 
“Must be that Ravenclaw girl,” Girl One replied bitterly, taking her wand out of her robes.
Heeseung had no idea who ‘that Ravenclaw girl’ was referring to, but he knew that he was no longer safe in their vicinity. After casting a Disillusionment Charm on himself, he fled the scene immediately, only removing the charm once he was safely down the hall. 
He hadn’t even realized his heart was racing faster than it ever had in his life until he found himself sprinting in the direction of the infirmary. 
“Mr. Lee, no running in the halls!” Professor Longbottom cried over his shoulder, gripping the pot of a Mandrake tightly. “That’ll be five points from—oh, forget it.”
Madam Pomfrey looked unsurprised to see Heeseung walking in, all sweaty and panting. She simply pointed in the direction of where your bed was and walked off to tend to some second year who, judging by the twigs in his hair, decided to test his luck with the Whomping Willow.
You were sulking in bed, turned on your side so that your back was facing Heeseung. It looked like you were mostly unscathed, but when Heeseung rounded the corner of your bed, all he could see was red when he noticed the cut on your lip and gash on your cheek. 
“Heeseung!” you gasped, sitting up straight so that you could swing your legs off the bed. “How’d you know—”
“Who did this?” he asked angrily, drawing out his wand and looking around the infirmary. He remembered Girl One saying that both parties were sent to the infirmary, so they must have still been around. “Who hurt you?”
“It’s not that bad, I just—”
“Not that bad?” he repeated louder. “You’re hurt!”
“It’s not that bad,” you said again, quieter. You held onto Heeseung’s bicep with gentle hands, which happened to immediately calm him down. “Sit.”
Heeseung sighed and sat down on the edge of your bed. He had felt remarkably happier after finding out that Jake did not, in fact, have a thing for you, but now he was riled up again. He wondered what you thought about Jake, but then Heeseung wondered why you were picking fights over him.
“It was the Seeker from the Gryffindor team,” you told him in an oddly calm voice, although he couldn’t help but notice how you were fiddling with your fingers too much. “She was talking down on you during class, so I picked an argument with her after class. That’s how I got these.” You pointed at the cuts on your lower lip and cheek. 
“But you don’t need to worry about her; she’s worse off than I am. I got her with a knee-reversal hex,” you said with a sheepish grin. “Let’s see how she flies after this.”
Heeseung stared at you. “You’re insane.”
“I believe the words you’re looking for are thank—”
“I love you.”
He believed he said it very, very softly, but his words echoed in his head so loudly that Heeseung couldn’t be completely sure that he hadn’t yelled it for the infirmary to hear. If it weren’t for the second year complaining loudly about how unsafe it was to have a murderous tree on school grounds, then Heeseung was sure the room would have been dead silent following his confession. 
You didn’t move. The worst was happening right now; Heeseung had boldly blurted out his feelings just for you to not answer him and soon hate him for the rest of your life. It was fine. You two would graduate soon. He would no longer have to see you again, even though the smell of lavender would be a constant reminder of his first love and first heartbreak. He would die alone now. Oh, and he’d have to tell his parents with deep regret that they would not have grandchildren. 
“Heeseung,” you whispered, and your lips started framing soundless words that you couldn’t get out.
The cat was out of the bag, so all Heeseung could do was stand up and own up to his words.
“You were right,” he said. “My Amortentia did smell like lavender—like you.”
He grabbed the rag on the table next to your bed, soaking it in water and wringing it out. Normally, Heeseung would have been shaking like a leaf, but he was oddly calm as he delicately held your chin, tilting your head to the side enough to get a good look at you. 
“I must’ve fallen in love with you years ago—maybe even from the first time you tripped me at the Sorting Hat Ceremony,” he said softly as he dabbed at your fresh cut, and although your eyes were wide and glossy, you hardly even flinched. Heeseung was pretty sure he had never even admitted what he said out loud to himself. When he was done and set the rag aside, he said, “So… glad I got that out before I kept it to myself for the rest of my life. I’ll get going now and hopefully not kill myself on the way.”
He hurried past Madam Pomfrey, making eye contact with no one except the Gryffindor Seeker, whose knees were bent at an awkward angle. She leered at him, to which Heeseung paid no attention because he had far bigger things to worry about, like the fact that his life was over.
Before he got all the way down the hall, though, he heard footsteps getting louder and louder. When he turned to see you speeding after him, Heeseung panicked and started running himself. 
“Why are you running?!” you cried.
“Why are you chasing me?!” he yelled back. 
“Stop running! Get over here, Lee Heeseung!”
“No!” He was very embarrassed to note that his voice did indeed crack. “I’m scared!”
“Colloshoo!” 
It was like he had rammed right into a wall. Heeseung felt like his shoes were glued to the floor, and, with a grunt, he ended up falling forward and landing on his face when they wouldn’t budge. If only you had waited to hex him after he reached the grassy outdoors instead of the hard, stone flooring of the breezeway. 
“You hexed me!” He turned to look at you, exasperated. “How could you hex me after hexing someone for me?!”
“Now stay there.”
“No.” Stubborn, Heeseung started walking ahead—right down to the Great Lake so that he could wallow in embarrassment in that particularly nice patch of grass. He abandoned his shoes and trudged ahead in his socks. “And don’t follow me!”
“Heeseung,” you warned. 
He groaned and turned on you just before he was looking forward to sitting down on the grass, pointing an accusatory finger at you. “You—you’re terrible luck, you know that? Sheer bad luck. You know I’ve lived eleven years of my life perfectly fine until you showed up? Suddenly, everything goes wrong when I’m around you! And it’s not just missing the Hogwarts Express or blowing up a potion, it’s everything else!”
You calmly listened to him as he continued in his wild craze, “I can hardly breathe when I’m around you! I can’t even look at you for too long, or else I’ll probably combust. You make it so impossible for me to stay away from you, even though the very thing I need for the sake of my sanity is to stay away from you!”
“Are you done now?” you asked calmly, not quite breathing as hard as he was, but your chest was still rising and falling as if you were winded from running. 
“Yes,” he said, “so I’ll go drown myself in the—”
Before he could finish the rest of his sentence, you grabbed Heeseung by the front of his robes and pulled him down to kiss him senseless. He thought he had been hit with a Stunning Spell from how still he was, but when he realized that this was real life and you were indeed kissing him, his hand made its way to cradle your jaw as he kissed you back with searing passion.
He was ashamed to say that he had dreamt about this scenario many times, charted all of his next moves in great detail, and fantasized about doing much more than he’d like to admit. Heeseung felt like his heart was going to burst out of his chest, but he kept his lips pressed to yours like it was the only thing keeping him tethered to reality. 
This was everything and more than he ever expected. He was certain he could never grow tired of the taste of your lips, and he was honestly scolding himself for not having done this sooner. 
Your arms naturally found their way around his neck, and Heeseung took that as his cue to drop his to your waist. Still locked in a tight embrace, you pulled away to catch your breath, leaving Heeseung to chase after your lips.
“—Great Lake,” he finished his sentence in a breath, “and hopefully get eaten by the Giant Squid—”
“Oh, shut up,” you cut him off to kiss him again. 
Heeseung had no further objections. He supposed this meant that he had the shiny new title of being your boyfriend, which he considered a higher honor than Quidditch Captain. This was saying a lot because Quidditch Captains got to use the really nice bathrooms.
Your kiss was slower this time, as if you both realized you had all the time in the world. And when you both finally broke apart, Heeseung let his fingers trace the outline of your lips to commit its shape to memory. 
This time when you smiled, it was far brighter than any Patronus Charm he had ever seen.
“I love you, too,” you told him with a shy grin. “Always have.” 
“Seriously?”
“Since our first year. Tripping you was by accident, of course. I just thought you were cute.” 
Heeseung was pretty sure the average wizard's heart couldn’t handle this overload of emotions. In a few seconds, he was sure he would need to be admitted to the infirmary himself. 
Then, you punched his shoulder. Hard.
“If you didn’t Disapparate on the spot back in Hogsmede, then maybe I could've told you sooner!” 
“It’s not like I wanted to Apparate away, but… but you put me on the spot!” he exclaimed. Heeseung let his shoulders sag. “Either way, I thought you liked Jake.”
“Jake?” You looked confused before you burst into laughter. “What made you think I liked Jake? He’s so clearly into Minjeong!”
It seemed to be that everyone thought the notion of Jake and you liking each other was absolutely ridiculous. If it wasn’t too late, Heeseung was up for pitching himself in the depths of the Great Lake.
Girl One and Girl Two would surely get a kick out of this. 
“Okay, I get it. I’m stupid,” he said, but you wouldn't stop laughing. Heeseung sighed heavily as you wiped tears from the corners of your eyes. “Alright, that’s it, you’re so getting it.”
This time, he grabbed hold of your face (gently, of course, because he didn't want to add pressure to your gash), and he peppered kisses all over your face. You scrunched up your nose, giggling as Heeseung kissed your forehead, your nose, your cheeks, and then finally your lips. 
And this—this moment he had been anticipating for seven years—was loads better than letting the Giant Squid eat him.
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AUTHOR'S NOTE ▸ the next morning, heeseung wakes up and basks in the afterglow of finally confessing to the girl of his dreams!! jay hands him the paper during breakfast and a picture of his shoes glued to the floor is on the front cover. anyways i hope you liked this fic!! so fun to write because i'm deep in a harry potter phase (how did this happen??) but happy valentine's day & thank you for reading <3
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cy-cyborg · 1 year ago
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The Jaws Effect and what it means for media representation
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The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.
Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.
This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.
If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.
This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.
Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.
But the impact of representation, of course, can go both ways.
I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.
But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.
Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.
When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.
[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]
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