#And honestly I did like the story and the characters

[uriekukistan]

thoughts on jjk 270, unfiltered for your reading pleasure

honestly the whole chapter feels like a disservice to megumi. i know i say that all the time, and maybe i'm just too jaded, maybe i'm wearing favorite character goggles idk, but as a whole i think this chapter was just. not good so if i wanna talk about it with regards to the Favorite Character, i will

my first thought seeing megumi at tsumiki's grave was that gege was gonna finally give a proper moment where he could grieve and reach some kind of closure, maybe get some of the overdue development he's earned. like to me there's nothing better than when the emotionally reserved character breaks down, and this would have been the perfect moment. i feel like so much of megumi's character has been built around his relationship to tsumiki, and the past 60 chapters-ish have been building up to this moment where megumi can properly grieve and maybe express some kind of remorse to tsumiki for being a bit of a brat when he was younger, but he never gets that. instead, we get this really stale and emotionless ending for their relationship, and for megumi's character as a whole. like idk, this whole time he's wanted to be able to apologize to tsumiki and make it up to her after everything she did for him, and he never even gets a moment to mourn. i hate that for him.

next. why am i getting more emotionally satisfying endings for side characters that i literally dgaf abt than for main characters like megumi, yuuta, gojo (i'll stand by the fact that i think he should have died, but like show people mourning him damn), nobara, YUUJI?????? idk like wtf is going on here. to me there is no reason to get a more satisfying ending for that middle school friend of yuuji's who was relevant for like two pages before i get a satisfying end for the literal deuteragonist of the story

then there's the whole thing w hana. i'm not even saything this from a shipping standpoint, but it's frustrating to me that megumi gets to reach some kind of peace w hana and have a good conversation with her before he talks to itadori, the person who's been by his side this whole time, the person who appreciates him for who he is and not their idealized version of him, the person who he decided to live for, the person who arguably means the most in his life right now. he doesn't get to exchange a serious heart to heart with him, but he gets to have a shallow surface level interaction with hana? idk i just feel like it reduces his character to something very superficial and i hate to see it.

and maybe i'm just dumb but i don't get like. any of these new plot points that have been introduced, but honestly, i don't care to understand. it seems like gege is in fact trying to set up a second part to jjk and im just so annoyed by that, because we get this rushed ending where nothing reaches proper fruition so he can introduce these new plots? like idk, somehow that pisses me off more than if he just fumbled the ending, but i hold that thought until we know for sure that he's making a second part.

this was supposed to be more general, but i got carried away w my thoughts abt how bad megumi's ending was fumbled. anyway. yeah canon doesn't exist to me past 268 :D

[spaceorphan18]

In defense of Season 2 Polin

@somedayillbepeterpan I hope you don't mind, I'm responding to your post, but also making one of my own, because I'm diatribing a bit.

I think -- season 3 makes way more sense after watching season 2. I mean - I enjoyed season 3 without remembering anything from Season 2, but I think Colin's story, in particular, works a lot better with the foundation that Season 2 gives it. Because it's there. (Did I want more of it in season 3 -- yes, yes I always want more, but they had limitations.)

But I mean, Pen and Colin's friendship is solidified in Season 2, in a way that it wasn't in Season 1. Season 1 they had a connection, yes, but it was a lot more like the book(s). There's a distant familiarity there. There's a kindness and respect there. But Season 2 really dug into the friendship, and thus a friends to lovers story. The fact that Pen wrote Colin while he traveled? Huge thing (that wasn't in the books). The fact that they discussed their life ambitions? The fact that they showed character growth in both their individual story arcs? All of this is the foundation for Season 3. Season 3 doesn't work without Season 2.

And it's one reason I really, really love their story because it's not - bam, struck by lightning, now we're in love. It's an evolution. The characters have spent time developing together and on their own. They've grown and matured and had experiences and have learned from those experiences. They've developed a relationship that's built around more than sexual arousal but eventually managed to figure out those romantic feelings on top of the friendship ones.

There's a complexity and multi-faceted story there that is working on a lot of different levels. And Season 2 just does so well to portray that. And honestly, I'm looking forward to Season 4, because we'll get to see a different side to these characters in a post-center piece world. Their romance didn't start in season 3, and it doesn't stop in season 3 either. Something that is unique to just them is that they'll (most likely) get the opportunity to have their story shared over a multitude of seasons. Because (and I mean no disrespect when I say this - the other romances are unique to those stories) their story is not just one story, but does what TV shows do best, and is an arc where the characters have been growing and developing since day one, and will continue to do so until the show ends or Nicola Coughlan pronounces she's done (and hopefully the two will coincide.)

[sanflawoah]

Black Myth: Wukong

More brainrot commentary because I'M NOWHERE NEAR DONE WITH GOING INSANE OVER THIS MONKE GAME.

Cursed texts and massive spoilers bellow. Lots of random bits and wee woo wee woo.

First of all, YEEESSS to everything well written big budget media with heavy cultural elements that isn't western centric. Love it 👏, a thousand more like this please.

HONESTLY can't get enough of the character designs. Watching the old tv show in my childhood got me imagining the JTTW characters as these cute human with animal ears. But since the game took a more serious and darker tone they took the character design to 1000. So many memorable characters with distinct style, drip, and combat.

Ok so whose idea was it to make some of the plants sentient and will beat your ass for daring to pick them up. I now have trust issues with ginseng and mushrooms

The toad bosses reminds me of Gamabunta. For a moment they also gave me a war flashback of Jedi Survivor's Oggdo-Bogdo, I want those things vaporised from earth 🔫🔫

Kang-Jin darkening the environment during her second stage, I legit thought it was a problem with my screen, until I found out other players had it too lmao. Also looove her design, silver loong with holographic glow, prettiest loong in the game

Boss musics are so LIT, I've been looping them for weeks

The Scorpionlord. First I saw him I was like HANZO HASASHI :DD??? But instead of hellfire, this time he uses venom. And the fact that the environments have autumn palette, connects me to MK 11 Shirai Ryu fire garden arena lol

an NPC called Starved Abomination. The name really sends me because ngl it's a relatable concept, I too became an abomination whenever I'm starving.

To punish Wukong for his lifetime worth of trash-talking, the game now choose The Destined One as shy and doesn't talk much except for when he screams during fights. All my grievances of expecting him to be chatty and noisy actually works out the more I understand the story. And turns out it was all part of his journey, you are meant to complete him by collecting Wukong's scattered senses. Lil introverted fur-ball of scream I love you so much. Since the NG+++ Wukong stance actually gave him voicelines, I'm guessing the Destined One is going to complete his development in actually becoming Wukong in the DLC.

Everyone and I mean EVERYONE had a beef with Wukong and now we gotta pick up after his mess. My poor Destined One walked into an area completely clueless and suddenly everyone is jumping on him because "REMEMBER THE THING YOU DID TO ME A FEW HUNDRED YEARS AGO??? WELL FUK YOU, NOW DIE."

~

🐱Yin Tiger🐱. First time I met him I was like ohhh who are you, you look so cool and kinda cute tho, look at those big boba eyes, pspspsps.

He's all busy with his hammer and zabuza sword, thinks you're so annoying for bothering his work. Then there's this "challenge" option and suddenly he rose and casually tossed his hammer to the ground, I was like wait I was just joking aYO I WAS JUST JOKING-, then proceeds to delete my HP in 30 seconds. Anyway I love how he appears big and heavy and yet moves so swiftly. Of ALL the tiger bosses in this game, imo he's the coolest and THE SANEST. I still can''t get over the Tiger Vanguard and Mad Tiger trauma, those orange cats are on a whole new level of insanity.

🕷️Fourth Spider Sister🕷️. I'm actually so INVESTED in her mystery, like why are you helping me? Why do you look so sad? Are those tear stains on your cheeks?? Why did the Immortal Crane said that I'm giving you "false hopes"? What were we in the previous life?

"Think about her, won't you? Should you feel like stirring trouble in your next life." WHAT DOES THIS MEAN, TELL ME. SHE SEEMS SO NICE THO, she's just a sad goth girl what did she do?? What did WE do?? And her journal entry is so interesting.

🐉Yellow Loong🐉. LISTEN.... I literally had to pause for a moment when I saw him. Cutscene plays and I was like Oohh it's going to be that type of charismatic character reciting monologue, and then I saw his name and it's THE YELLOW LOONG??? This suave horned man is The Yellow Loong??

Well damn I have to say that's one handsome loong. He's one of those elegant style fighters, my favourite genre, up there with Whiteclad Noble and Erlang Shen.

👁️Erlang Shen⚡. The way I turned up the volume when I heard Andrew Koji's Erlang voice.....It's just so.......pleasant to hear. Something about the way he did his voice, the smug taunts, the gentle almost-whispers, and the gROWLS???

I can't even with the entirety of Erlang's character design in this game, because dAMN BOI what a BEAUTY. I thought the game was going to make his appearance more mature looking, or even scarier, because that's just how it is with game character design formula, especially in games like this. But NOOOOO..... they made him ABSOLUTELY BEAUTIFUL. His face, his voice, HIS MOVESS, the way they designed his martial arts so elegantly. When you perfect dodge everything with him, it really feels like a dance. I have to note that when sometimes you tried heavy attack on him aND HE SIMPLY JUST-.... took one step to the side.... THE ABSOLUTE SLAYYY DISRESPECT💅💅. Welcome back Isshin from Sekiro.

Also I just found out that depending on what transformation you're using, he's going to react differently on each. Particularly interesting one was when you use Azure Dust. Most of the time, when you transform, he's going to transform too and chances are he's going to one-shot you out of the transformation. He doesn't do that with Azure Dust for some reason, instead he got amused because Lmao returning back to your origin?. And this line, "Walking his path is no easy feat, it will test you relentlessly". SOMETHING SOMETHING ABOUT ERLANG HAVING THIS HIDDEN BURDEN THROUGHOUT THE PLOT IS DRIVING ME INSANE, I NEED THE DLC TO EXPLORE HIS CHARACTER MORE I'M BEGGING YOU GAME SCIENCE. You can't leave me hanging with his journal entry please I want him to have some peace and closure.

Powerful quiet character with hidden struggle, the bane of my existence, my beloved.

☂️🐉The Four Heavenly Kings🎸🗡️. MAN I love these guys, their fight feels so rewarding somehow, because after all those struggles with Erlang, they feel more like a reward battle for visual entertainment.

Aside from being relatively easy, they're just so fun to watch. I keep wanting to stall the fight just to see what move sets they could perform because their coordinated attacks are just SO COOL.

South king throwing the sword at us, joined by the West king throwing punches, and then the West king passing the sword back to South king. That brief moment of them passing weapons, they need to do more of that, so sick.

The North king combo with every other kings. The West jumping up using the North's umbrella, summoned the dragon, the South yeeting the sword, and the East buffing up the umbrella thrust attack with his Pipa magic. I'd hate to be a normal human citizen under them during that scene GODDAMN. I'd say the West is the game's favourite king because he's the one with the most screentime. He's the one with distinct glowing eyes and he was the most visible behind Erlang during the opening. The North being the coolest because WTF WAS THAT TYPHOON UMBRELLA WITH THE WEST'S DRAGON ROLLING WITH IT, AND THE MUSIC QUE, ABSOLUT CINEMA. The East probably being the chillest of them all because my man was just serenading the fight yo, I like how his fingers actually moves accurately playing the BGM. I know they're on the heaven's side, but for some reason I want them to be on our side if it's possible in the DLC. If we could get Erlang, then surely we can get them? They're too epic not to have.

🐒THE GREAT SAGE'S BROKEN SHELL🐒

THE MONKEY, THE MYTH, THE LEGEND. SUN. WU. KONG. THE SCREAM I SCRUMPT WHEN THIS MF SHOWED UP ON SCREEN. TEARFUL CHEER AND AND UNIMAGINABLE TERROR. AND WITH THAT BITS OF THE OG TV SHOW THEME MOTIF PLAYING WHEN HE SUMMONED JINGU BANG.

Who would've thought that we're going to fight our former self as a literal your greatest enemy is yourself concept. Like yO IT'S THE G HIMSELF WUKONG but now FUK I HAVE TO FIGHT HIM?? Look, sir, Mr. Great Sage, I know I've been playing around as you and I don't even know what I'm doing, I'M SORRY.

So now we're fighting zombie Wukong. He's literally soulless inside and his voice sounds demonic. YET STILL he radiates that lively asshole energy. You try pillar stance to get away from him, he does the same but his pillar is TALLER than yours. You try to walk off calmly, he does the same but then taunts you for it, eats a peach and then flicks the seed to your head. Kicks you to the sky and transforms his jingu bang into a pillar and plants it to the ground with you under it. He cheats by summoning kintoun and body slammed you. He summoned his clones to kick you in all directions only for the original Wukong to wait on the side yawning, then he kicks your jingu bang back at you like "pick it up bitch", and taunts you with his hand gesture to come at him. Ok now you're raging and you tried to pillar stance heavy attack at him, he's like "shut yo bitch-" and GRABBED YOUR JINGU BANG WITH YOU STILL HOLDING ON TO IT AND STARTS USING YOU AS A FLY SWATTER. Just as you think that these suffering couldn't get any worse, you tried to heal and he IMMOBILISED YOU, SNATCHED YOUR GOURD AND TOOK A SIP, decided that it tastes like shit and threw it back at you. Now THIS is the little shit that I know and love.

The whole time you tried to do a move against him, he returned the favour but better. You think your staff extension is long? Ok he'll extend his staff to a kilometer, and that's STILL him holding back. You can do ring of fire? His is bigger in diameter and burns brighter. The game had to nerf out his lore accurate skills because it's just so atrociously OP.

Ok so you finally defeated him? Just as he got dusted away he still managed to croak a last laugh.

Que good ending animated cutscene with the JTTW plot in reverse serenaded with Celestial Symphony. Happy onions, happy onions tearing up the eyes. Crank the volume up, it's all coming together. That's Ba Jie, that's Sanzang, that's Wujing, that's horse.

MMMMMMM MONKE.

[terukotime]

allow me to be super delulu for a second

if either Eden or Ace are the actual killer, that would mean one of them would be saying their secret quotes in the next coming episodes. but...do we really feel like the situation warrants them saying what their quotes are?

Ace's is: "I don't know what to do with myself anymore."

Eden's is: "You can't go back, no matter how hard you try."

Ace's feels a little strange to say in the trial. we're very close to unearthing the real culprit, and if Ace really is the killer, when would he say that? immediately upon being found out? the quote itself has their air of melancholy and defeatism, and even at his lowest, we know Ace isn't someone to concede or go down without a fight. and if he knows he's about to die, what's the point in saying "I don't know what to do with myself anymore" when he's not even going go be alive in the next few moments? He WON'T be doing anything with himself anymore, he'll be dead.

Eden's, while not as strange of a thing to say as Ace, is also kind of peculiar. when would she say it? while she's admitting to the murder? if Eden did it, sure, it's believable that she'd feel some regret, but the setup to her being the killer feels very odd now that we've gone through this big emotional moment between her and Teruko. honestly, after all that, if Eden really is the killer, i'd be more inclined to believe she WOULDN'T regret killing Arei. it'd seem like her crying and pleading was all just emotional manipulation. it also seems strange to me that Eden would have already had it in mind to kill Arei when she and Teruko found Ace, and took the opportunity to steal the tape to carry it out. i could definitely be wrong, and please correct me if i am, but i think the attempted murder was the same day as what happened with Eden and Arturo? honestly, even if it wasn't, it just feels weird to me that Eden would find some way to disguise her handwriting, set up a murder method even more elaborate than Nico's original version, and then do the whole trial pleading and sobbing for people to believe she didn't kill her and actually have regretted her actions. that shit is so premeditated that everything Eden has done thus far feels like immense emotional manipulation. while that could still be possible...it's not really that satisfying, i'd say. who knows, maybe i'm in severe denial, but i just think this characterization of Eden would be really weird. it would feel less like a betrayal of "man, this character i liked turned out to be awful", and more like a betrayal of "man, this character i liked has made a 180° in their personality without any foreshadowing of having a darker side to them".

and i'm just still really hung up on Hu. her secret quote, "I want to pay for what I've done. But even then, I still want to live." makes total sense in the context of this trial, especially after her secret reveal. and while it's pretty unlikely she took the tape from the gym, there's no guarantee that the person who took the tape at the time HAS to be the murderer. i'm just still hung up on the fact that it feels like there needs to be one last, big twist before the true killer is revealed. a moment where Teruko comes to her realization and the culprit is selected before she makes any actual accusation against them. we already knew Eden and Ace would be the ones Teruko was going to interrogate in the selection because of her explanation. just given how drdt has been written thus far, i feel like they wouldn't hand the potential answer to us like that so easily. like we wouldn't get to the point of selecting the culprit with the story already telling us it can only be one of two suspects.

it's entirely possible that i'm just coping and am refusing to accept that one of my favorite characters is actually the culprit. or that drdt could have a trial that isn't greatly written. it's totally fine if i'm wrong and Eden or Ace really is the killer, i definitely won't enjoy it much but it's not my story, nor would it completely make me drop drdt.

i honestly just needed to rant LMAO. this episode left me with a LOT of feelings.

[outrunningthedark]

I dont think he needs to come out defending Lou - Lou can handle himself he’s a grown man and has taken ( I think at least) the best course of action (stay silent until the season starts back up again). However I do have a lot of mutuals who are queer men who feel little hurt by the lack of acknowledgement for this queer relationship. Like getting excited that your favourite show has a relationship that you feel represented (just like with Michael and David) only to have silence from the social media team and the actors (well we clearly know why Lou is currently silent -when he was active he did talk Beautifully about them) can be hurtful. I don’t know if this makes any sense at all. But I did find it a bit odd ( and this is not me assuming malicious intent - I like to give the benefit of the doubt) some of the patterns I’ve seen. At the end of the day everyone is free to do whatever they want - while at the same time fans can feel how they want to feel. I understand both perspectives.

I don’t know if any of this makes sense -it got away from me as I was writing 😂

I know what you're saying, and I agree. I think people are (I assume unintentionally) lumping calling out bad behavior and acknowledging the canon relationship together as the same course of action, but...it's not. (I mean, from what I saw of the reaction to my post there was a lot of hand-waving for why Oliver's "doing the right thing" because fandom is out of control.) I don't think Oliver needs to "defend" Lou or even Tommy as a character. (He didn't defend any of the women on the show until they were gone so why start now, honestly.) But there IS a way to take a stand without even saying anything, isn't there? Post a story. Post a pic. Share a fan edit. Captions not needed. The content would speak for itself. He's not staying silent because he hates the story line - sorry Buddies! - because he definitely knew that if the GA reaction went well BuckTommy was going to continue past those four episodes. He's staying silent because he lets these people behind a screen get in his head and make him feel like he has to walk on eggshells while "interacting with fandom". And listen, we all get it! He's gotta do what he's gotta do to protect his mental health! But you can acknowledge his feelings without dismissing the feelings of the queer fans who are only seeing a guy essentially do a 180 because public pressure is too high. How is he "representing" anybody if he doesn't even celebrate the story he's telling? [There's a quick-fix to all of this, btw. Get a fucking social media manager to do the posting so he doesn't have to see any of this shit with his own eyes if it's gonna drag him down that much.]

[wilcze-kudly]

Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how

One: The Series genuinely wasn’t built around romance.

Two: We do gradually see the characters develop feelings for each other more across the show.

https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share

Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.

Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.

And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.

Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.

Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)

Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.

(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)

We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.

OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.

The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.

[infernothechaosgod]

I geniuenly think we should see mickey fail more often, i dont mean a little fail like not be good at baking a pie then getting a pet on the back

I mean like fail fail let someone get away with something they shoudnt then feel guilty and bad about this, then just think alot, slow things down DONT resolve this by catching the criminal or jerk just let him sit in his home for a story, think alot, be upset, eat sleep talk a bit then over time get over it by accepting we make mistakes and shoudnt dwell on them especially if there not even our responsybility

I honestly think theres alot of mouseverse comics that shoudnt end as conflict free as they did with the character turning around and suddently becoming the biggest person in the room and out of character apologizing or instantly letting go of a slip up, I know some mouseverse comics are written more with younger people in mind but I think slowing things down would be just a good thing for everyone, let us sit with them just doing things in their homes for a moment

Let them make mistakes then fail to fix them because honestly I think a slow "damn i messed up...we gotta go bald" comic would be more refreshing and fun atp

Just my thoughts, i like seeing them on adventures but I think a slow peace comic where there just them at their home would be nice

[spockandawe]

Oh, this is interesting. To me. I'm not sure it's interesting to anyone else! But I'm on my computer for once and FULL of words again, and I'm delighted to talk to myself given half an excuse.

So, I made a post about Long Live Evil! Because I cracked open the book and was absolutely taken aback by how transparently it seemed to be an SVSSS reskin. I wrote up a goodreads thing (it's whatever, I'm going to rehash the main points here too), because I was also full of words and beans after finishing the book yesterday, and after polling online friends, I was surprised to see that the comparison didn't seem to have organically occurred to anyone else, when it was so naked to me. I know there’s a TON of transmigration and isekai stories out in the universe, and pointing at one single book was a big claim, so I just had to assemble all my thoughts! I find this so interesting! And I reblogged my initial one-off post with a little more elaboration about some of the things that jumped out at me, then got on with live and went back to chipping at ORV and GHG, and shotgunned MADK this afternoon.

This is a subtle nod and a wink to my passionate love for these kind of... morally grey main characters! Calling them villains might be a bit much, I don't think there are many true villain protagonists out there (LLE included), and even Devil Venerable has a demonic cultivator who's doing demonic shit and killing loads of people... but with the ultimate balance of the heavens and earth as his priority. This kind of story is my jam. I was recced this book on the basis of transmigration and sketchy protagonists being my thing. I can't rightfully call SVSSS the best cnovel I've ever read, but it is my favorite. And I've probably reread it more times than any other cnovel.

So, that SRB post, huh? I put Long Live Evil behind me, and honestly even following up on the sequel is mmmmmdoubtful, but THIS snagged my attention again. First, the comparisons she's calling out as incorrect are wild to me. Draco and Harry? What? Lan Wangji and Wei Wuxian?? (I had to ponder that one for a hot minute, but I bet you anything it's about 'the golden cobra' and 'the last hope' and that's just silly, they're not wangxian, they're MOSHANG)

I was recced LLE in one friend group, but I had an anti-rec from my book club friend group. My book club friend hadn't been at all impressed by it! And she's cool, and I talk up svsss and mxtx to that crowd every so often, without really expecting them to read it. I talk about transmigration as a plot device that I love, and the things that can be done with it! But with that connection in mind between the books, as I started LLE, I was jokingly defending the honor of SVSSS to this crowd, so I admit I was primed to recognize similarities.

I really truly did not make it far in the book before locking it down. I was getting vibes basically from the moment Rae started gushing about her problematic fictional fave, I referenced 95% certainty shortly after she makes the jump to the fictional universe, the golden cobra was 98%, Lia Mingyan's, I mean Liu Mingyan's lack of sex scenes was 99%, and the first pov section for Marius-jun was where I gave up and called it as a sure thing.

It'll be very funny if I'm wrong! I don't think I'm wrong.

Plenty of spoilers to follow, because I identified this inspiration early, I guessed basically every plot twist early, I don't have the patience to dance around spoilers while explaining how it all lines up.

Now, I said this elsewhere, but it bears repeating: I don't think this is plagiarism. I think it's tasteless to accuse an author of stealing and repurposing characters to her face. But I think it's also tasteless to repurpose characters as nakedly as happened here! Again? If I'm wrong? That's why I'm talking to myself on my blog and not messaging her directly (?????? who even does that). What are the stakes for me being wrong here? I look like a clown online? That would be terrible, I've never done that before! It's not a crime to write in ways I find distasteful. It's not a crime to write a book I think is not good, even apart from the use of fictional influences. But I like talking about my feelings online, and I can't be stopped!

But there's two aspects of this that make me somewhat uncomfortable in a less fun way. Both are contingent on the big IF. If this is inspired by svsss, I think it's not a classy move to take a Chinese story in a Chinese setting, inspired by the modern Chinese literary scene and classical Chinese fantasy, and just dump the characters into a generic western setting. Fanfic? Have fun and try to be respectful. Profic, making money off it? Ehhhhh. The question of how much change is necessary is a tricky one! It's not one I'm equipped to answer, this is not my wheelhouse or my place to speak. But it doesn't make me feel good!

However, here's where I have more personal stake:

Again, if this is inspired by svsss. It really doesn't feel great to see a queer story (a smash hit in more than one country!) stripped down for parts and made into a heterosexual story. It's not all heterosexual, we get side lesbians, we get men with homoerotic tension. But the central ship is now a guy and a girl. And it... stings a little extra, because in the story of svsss, the idea of assumptions about default (hetero)sexuality are such a central theme. A queer man has written a trashy, oversexed stallion novel where the hottest guy in the universe collects the hottest women like pokemon, and it sells so much better than the more personal stories he tried to write. He has to write this pandering trash to make money to live, he can't live on the more authentic stories he tried to tell before. The protagonist is the projection of his own insecurities and self-hate, and the protagonist's right hand man is his projection of his own ideal man. Another man transmigrates into the book, assuming that he himself is straight, assuming the protagonist is straight, and the force of their love changes the course of the entire narrative. In retrospect, it's upsetting to see those load-bearing themes casually carved out of the story and the hollowed-out remains used like this.

Anyways, in their place, now we've got running gags about how the heroine's tits are BIGHUGE now and she can't keep her balance because her GIANT HONKERS keep tipping her over.

I'm a little more bothered than I was yesterday! On the other hand, since I saw SRB's post, I've been chewing on that central ship. Full disclosure, it was one of my favorite aspects of the novel! My other favorite aspect is the dynamic between the golden cobra and the last hope (the moshang, which I think some people misdiagnosed as wangxian).

I know that the central ship here is the thing that's LEAST comparable to svsss, and the biggest roadblock in the way of my theory. On the other hand, I think it was the thing that HAD to change if this story was going to repurpose svsss without getting called out for being a classic 'bro can i copy your homework' adventure.

For this section, let's assume that I'm right and let's roleplay an author trying to figure out how to change Bingqiu into something not-obviously-Bingqiu. How do we need to differentiate Rae and Key from Shen Qingqiu and Luo Binghe.

First, we eliminate the martial sect thing. Easy peasy! That's a wuxia concept, and this book goes full nondescript western fantasy. She's not his teacher, he's not her student. And if she's not his teacher and he's not her student, why does this woman have power over this man, to build up the resentment that inspires him to turn the tables on her later? Well, in nondescript western fantasy, she's a noblewoman of some kind, and he's a servant of some kind. Noble lady treats servant like garbage, servant resents her. Doing great.

And to loop back around to the beginning of this a little, I think it really is key to this reskinning that Rae is a SHE. If the central ship remained queer, it would be so, so hard to pull away from the most identifiable thematic aspects of svsss. And pieces of what remain are... kind of bizarre for a normie heterosexual ship where our protagonist is aware that she's transmigrated into an impossibly desirable sexpot character!

Shen Qingqiu never considers that Luo Binghe might be interested in him because Luo Binghe is about to have a HAREM of beautiful women, he's the most heterosexual man of all time, and Shen Qingqiu is straight too! Besides, Shen Qingqiu is his teacher! He half-raised Luo Binghe! Even if Luo Binghe was bent, he wouldn't be interested in an old man like Shen Qingqiu!

Rae is 20, occupying a 24-year-old body. Her character's sexiness is relentlessly remarked upon from start to finish. Key is 18. Why is Rae so sure that he looks up to her as... a mentor, as an older woman? He almost goes down on her! He makes out with her! And she's like 'ah yes, it means nothing. lol. so funny how these things happen.' Bruh, at least after Luo Binghe kissed Shen Qingqiu, Shen Qingqiu finally got hit with the clue stick. Binghe didn't try to blow him only for Shen Qingqiu to keep noodling on about how Binghe definitely isn't into him in any sense, even the most oblivious man in the universe managed to catch on.

Why doesn’t Rae think there’s any chance of genuine attraction here? Yeah, I get that she's coming back from terminal cancer. She's doing great. She knows that the fictional character she occupies is one of the most desirable ladies in the land. He’s a teenager. He’s not expressing disinterest. A lack of horny for sexy lady ought to be more surprising for her. But I guess she’s slightly older than him and that small age gap has been magnified by the transmigration, so she conceptualizes herself only as his teacher, I mean mentor.

I’m not even mad at this dynamic. I love their chemistry, the ‘boss’ thing is cute, but lordt, I have to wonder if it’s meant to substitute for ‘shizun.’ But you know where this comparison really falls apart? Key isn’t really THAT much Luo Binghe.

At least, he isn’t in terms of personality. I mean, we’ve got the mysterious magical heritage, the healing factor, the unbeatable fighting skills, being beaten repeatedly because of the protagonist (tbh it’s sexier when she’s responsible, rather than just being a bystander), being yeeted into the abyss, I mean the ravine, to rise again and assume power as the merciless ruler of all the land. Oh, and he comes back from the dead still bearing the scar that represents her betrayal. In the original novel, he turned on her the moment he got his opening and was responsible for coming up with her gruesome torment.

(Also, Shen Qingqiu being terminally ill isn’t canon, but it’s very popular fanon, and it’s hard to ignore that with how hard the narrative lingers over Rae’s terminal illness as her gateway into this fictional world)

But! But the things that are different! Luo Binghe is a smart and sweet teenager, who had a rough start on the streets and has a tragically deceased single adoptive parent, but that’s their only backstory parallel, he doesn’t blacken until he’s thrown into the abyss. Not like Key, Key is a murder-happy sociopath, a former street kid who fought the odds and made good, and who’s a lot sharper and cleverer than the upper classes think someone like him should be. He utterly destroyed a righteous cultivator clan, I mean glassblowing guild, for the sake of revenge. Once our heroine scores a number of trust points with him, we unlock secret backstory about how as a small child, he experienced deeply formative hand trauma.

He’s Xue Yang.

It took me a moment to process the wangxian allegations SRB mentions in her post, because I was trying to figure out how someone would be aware of wangxian, and read that backstory, and somehow miss it. But it’s fine, I’m pretty sure they were actually talking about the golden cobra and the last hope! So LET’S TALK MOSHANG.

It was so funny. I was liveblogging the book to friends, because honestly, I do not jive with the buffy-esque joss whedon relentless quip-quip-quip writing style. I was struggling to stay engaged when the narrative never took a moment to breathe. And I perked up at the introduction of this new character! He seemed kind of fun, kind of meta, Key came over to share Secret Info with him, and I messaged the friend who recced this to me (also an svsss appreciator) ‘lol, what if he’s shang qinghua. just straight from svsss shang qinghua.'

Reader, a second transmigrator has hit the narrative.

Now, in some ways, he’s a disappointment to me. He’s not nearly as interesting as Shang Qinghua. Adding the author to their own narrative is way more fascinating to me than just dropping a rando into the story. But I’ll take what I can get, I think multiple transmigrators are almost always a fun decision. And for the queer reasons I mentioned above, I think Shang Qinghua ties into the themes of his novel a lot more strongly than Eric does here. I don’t want to call him ‘the golden cobra’ every time, I get more self-conscious every time I write it. And honestly, the reveal of Eric’s full Eric Whatever name feels a little awkward and… pointed compared to the sheer opacity of Shang Qinghua’s existence. Never mind what his name was in the real world, we don’t even know his name before he was a Peak Lord. I’m not upset we got a name or anything, it would make certain fannish activities a lot easier if Shang Qinghua had additional canon names, but it was an interesting detail in light of how parallel the characters are.

Okay! He’s not the author! He’s still a super-fan. He transmigrated into the book years before the LLE main character, and has settled in pretty well. According to canon as Rae knows it, he’s fated to be killed by his own favorite character. He’s fast-thinking and fast-talking, and scattered and all over the place, but dangerous when cornered and more competent than he looks. He deals in information and manages a network of spies. He’s a creative! He and the main character banter relentlessly and get along like a house on fire. He and the king’s trusted ice-cold right hand man share a weird codependent dynamic that’s part hostile, part homoerotic.

Marius has complicated feelings about not-shang-qinghua. Eric is a coward, he’d rather talk fast and lie than stand up for anything, he cowers and cringes and isn’t honorable. He and Mobei-jun also shared a deeply formative experience in their youth, where as a teenager in distress, Eric/Shang Qinghua appeared before them and announced their devotion. In Shang Qinghua’s case, it was offering to serve him (and saving him from huan hua injuries), and in Eric’s case, it was declaring him to be his favorite character (and saving him from sad teenaged isolation), but man. And in the end, after a long, fraught relationship, Marius/Mobei-jun is furious and strangely distraught when Eric/Shang Qinghua abandons him.

Guys, it’s not wangxian.

I think it hits less hard when Marius’s themes of family violence aren’t allowed to sit directly in the narrative, and when it seems like some vague berserker rage thing rather than Linguang-jun just bluntly wanting to murder him for practical reasons, but hey! This was still, genuinely, one of my favorite parts of the story. I wanted more more more of them, I would read this moshang au any day.

After that, the parallels get a little more nebulous! The comparisons between the abyss and the ravine are pretty obvious. I’m not sure why we decided to build our city and palace right on top of the pit of people-eating ghouls rather than literally anywhere else, but it means we don’t need to take a special field trip to Jue Di Gorge, which means we can do the bait and switch where it turns out Key was a heavenly demon all along. The temperamental King Octavian, the young master of the palace, one might even say the xiao gongzhu if they were feeling spicy, jealously tries to romantically monopolize half our main ship and has the other half flogged with a magic whip.

I already mentioned that Rae brings up that Liu Mingyan — wait, I said I’d change some answers so it wasn’t obvious I copied — Lia doesn’t get a sex scene in the books even though loads of other people did, just like Shen Qingqiu praises Liu Mingyan for her untouchable image in such an oversexed, gratuitous book. I don’t think it would be right to call Liu Mingyan a white lotus heroine in either SVSSS or PIDW, but her archetype is in that wheelhouse, and Lia is just a white lotus rival played straight (and played deliberately, another touch I liked). We don’t have made up animals like black moon rhinoceros pythons in LLE, but we do have leucrotas, which are like a lion and a hyena and serve no narrative purpose.

Oh, you know what else I forgot to mention? Rae gives Key one of her red ruby earrings, and he refuses to sell it, and stubbornly holds onto it until the bitter end. Is this Xue Yang holding onto the last piece of candy Xiao Xingchen gave him, or is it Hua Cheng determinedly keeping Xie Lian’s red coral earring with him even through his own death? Por que no los dos?

There are things that are original in here. I know that this presentation undersells how much of the book is original. The trouble is, almost everything I thought was good is something that either was lifted from another person’s creative endeavors, or is being tainted by association with all the other naked lifts. Some of the noble ladies have an archery contest! That’s pretty new and fresh, huh? We didn’t have any archery contests in SVSSS!

Yeah, but we sure did in MDZS. And MDZS is already in play, because we’ve already got one character who’s just copy and paste Xue Yang.

There’s a thermocline of trust in this book that fell off for me sharply, and it turned a lot of this into a guessing game of ‘wait NOW what the refrance? owo'

I’m probably on a hair trigger by now, but I’ve also probably missed some things. And I’m sure this is a synthesis of multiple influences, because most stories are. But this feels like cooking and trying to season your dish with a little salt and then the container lid just falls off.

Emer isn’t a clear parallel to an existing character! Love that for her! Love a lady with an axe, especially if she gets a nice girlfriend! On the other hand, in terms of backstory? Wow, she’s been raised with our protagonist since early childhood, as not-quite-foster-siblings, but she was always the clear unfavorite and harbors a lot of resentment over that. Oh, and once Rae entered the story, Rae started trying to speedrun an enemies to 'hello hiiii we should bestiessss' arc with her. I think she had to have an axe, because a whip or a sword would make the Jiang Cheng and/or Liu Qingge vibes a little uncomfortably strong. She doesn’t follow their character arcs! But the disappointing thing is that it felt like she was just there to facilitate pasting the frankenstein patchwork of the narrative together rather than having an arc of her own.

(why did Marius stop to give her a sword lesson? Why did she immediately sneak onto the roof to eavesdrop on the king?? It’s hard to give her credit for being an original character when none of her original actions make sense in the greater universe)

Oh, I almost forgot, we’ve even got magic plot macguffin plants. While Binghe is in the abyss, Shen Qingqiu needs to get the Sun And Moon Dew Flower Seed so he can build an escape hatch for himself before Binghe wrecks his shit. Rae, on the other hand, needs to secure the Flower of Life and Death by an arbitrary deadline as an escape hatch so she can go back to her original life rather than being trapped here forever. Very different! There’s even little side tangents about how these plants can be so beneficial to others, Zhuzhi-lang is desperately trying to secure a seed to build a new body for Tianlang-jun (which Shen Qingqiu enables him to do, despite not knowing what he wants it for), and Rae thinks about how the flower could “save someone on the very doorstep of death,” and gives it away for that exact purpose. So different!

I need to cut myself off, otherwise I’ll keep going. Truly, there is original content in here. It was just all the stuff I didn’t like. The character quipping was. God. There sure was a lot of it! By sheer volume, that’s a lot of original content. Some of the extended cast was interesting, I enjoyed the Horrors and their brothers, I liked Valencia. Now, I didn’t like how basically every girl ADULT WOMAN in this cast was in shitty teen mean girl mode. I didn’t like how immature every character interaction period was. I lost track of how many times Rae was going around in sexy clothes and rando servants were like “HARLOT,” out loud about a favored noblewoman, you know, as you do. Especially when her bodyguard is pulling against his choke chain just waiting for an excuse to do a murder. I don’t need Rae to be the picture of flawless maturity. But nobody is mature, full stop, not even the set dressing servants.

For a less loaded example, the cumplane friendship dynamic is here, practically intact. Shen Qingqiu can't snipe about authorial choices, because Eric isn't the author, so instead Rae and Eric squabble about favorite scenes and favorite ships and such. But it isn't nearly as charming when we don't see these two characters dropping their dignified Peak Lord cultivator roleplay to talk shit with each other. Rae and Eric never have a filter once in this book. They are always Like This, it isn't a secret face that gets unlocked when they're bouncing off each other, they are never circumspect, never have a filter, never have any idea they shouldn't be speaking their full thoughts at full volume 24/7. Even after this starts to have material consequences when they're inevitably overheard! It's an immersion-breaking level of immaturity, which is terribly frustrating when the original dynamic that I loved is only changed in such minor ways.

And another thing that actually tastes way more sour than it did on first reading – Valencia is probably the least mean girl of all the women in the cast. She’s delightful. Too bad that in every scene but her last one, Rae, who repeatedly references her own experiences having her body and appearance ravaged by cancer, cannot for love or money stop talking about how uggo Valencia is.

I know this is an adult novel. The characters are, by age, adults. There’s almost an oral scene. God, I wish we’d gotten the oral scene. But by every other metric, the characters are all high schoolers and I’m an exhausted adult muttering to myself ‘they’ll grow out of it, please GOD let them grow out of it.’

Again, none of this is a crime! Nobody forced me to finish the book! And I did enjoy the book. Parts of it! But that very distinct partial enjoyment experience almost forced me to dissect my own emotional response. And truly, other than a few flashes like Valencia, almost everything I enjoyed about the book was something I could trace directly back to one author, and mostly to one book by that one author. I… enjoyed half of the book. And if I can track most of that half back to mxtx and svsss, I really think that says something about how much wasn’t done to make the inspiration behind this book the author’s own.

It's disappointing! I read this book because I like svsss, I read it because I want more books like svsss, I read it because I trawl the novelupdates tags looking for more books that will hit me the way svsss did. It doesn’t taste good to be served reheated svsss with expired buffy sauce drizzled on top. It tastes even less good once I have a minute to think about what turning an m/m meditation on sexuality and self-image and assumptions about others into a m/f snooze does to the themes I loved so much. It stings to see an author rehash a book that was/is so important to me, and see what they kept and what they threw out, and be like ‘oh, so… these were the elements that mattered to you?’

Again, I hate to be redundant with this, but. I think calling this book plagiarism would be overdoing it. I think it’s tasteless. I don’t think being tasteless is a crime. It remains wild to me that she’s getting messages calling out her supposed inspiration, even if I’m simultaneously criticizing the judgment of the people making those specific comparisons. And I ABSOLUTELY understand why she’s reluctant to own up to the specific inspirations behind this book, because good lord. If it was me, I’d be professionally embarrassed too.

It’s not my job to be the book quality police, but I think someone as experienced as this should be able to do a better job of synthesizing inspirations into something original. I dropped ‘can’t afford to offend my scheming disciple’ earlier this year, because that narrative couldn’t shake the taste of stale svsss fanfic, and it was much more subtle than this is. Once again, if I’m wrong, this post will be retroactively VERY funny and I’ll be all ears to see what her inspirations actually were. I don’t think I’m wrong.

[frozen-orbit]

Being unaware sometimes has its perks. Because i didn't know what the title of TDP season 7 was when i first watched season 6, and i went through the whole thing wondering what it would be, cause all of the primal sources had been used already. It was not until episode 9, when Aaravos explained what was needed for the spell to free him from the pearl, and he mentioned an object related to each primal source and then said that it also needed love, that i thought "Well of course! Season 7 is gonna be 'Love'! That's it!". And then... well... i found out i was not quite right 😭................................ Or was I? 👀👀👀👀

I don't think this was unintentional. In fact, the more i think about it, the more i realize how closely related both of the concepts of love and dark magic are within the story. I know at this point of the show this might be obvious, but hear me out.

There's this idea of what love is, that has been constantly portrayed throughout the series. Sacrifice. Quotes such as "i did what i had to do", "i would do anything for you". We hear these kind of phrases and many of us immediately associate them with love, whether it is romantically, platonically, filially, etc. But also, almost all of these quotes have been said in the show referencing the act of dark magic.

And what does dark magic require? The unthinkable, atrocious actions, sometimes betraying your own morals for a greater good. Oh, but isn't that admirable? Isn't that romantic? To have someone destroy themself in order to save you? Why, that's the greatest act of sacrifice anyone could do! They did it for love!

This may be a distorted idea of what love is, but we can't deny the fact that these kind of actions are perceived as acts of love, both in our society and in the TDP storyline. And it's really interesting because those are like opposite concepts: love is good, dark magic is bad; love is life, dark magic is death; yet somehow, they've managed to put them together and the line between one another has become so blurry. Are they really that different? If any despicable action could be done in the name of love, wouldn't that be just as dark? Wouldn't that also corrupt one's soul?

Honestly, i'm so excited to where the writers would go with this, but i don't know if it'll be that much in the face. My guess is that some character would do some huge sacrifice that would divide opinions on whether it was an act of love or an act of iniquity. What do you think?

[ambeer6]

Longer than expected yapping about case 2 of DRDT. (dated ep 14 of ch 2)

Some thoughts about the chapter 2 case. Warnings for all the obvious.

First of all, I think Teruko is right about how the pulley system was set up. Rope over the rafters on the ceiling, then through the seesaw and then around the carousel. Then tying the rope to the correct length before letting go, so there's no worry about stopping the carousel with your bare hands. This simply makes sense.

Something that confuses me, is the amount of people arguing against this idea? Not many people on tumblr thankfully, but I don't really see why this setup would be unbelievable.

Advantages of the pulley:

Using a pulley reduces weight. Arei would be far easier to lift using this method. Even a kid could lift her this way by simply leaning into the carousel.

Using the pulley means you don't have to pick up Arei and hook her into the noose. You can simply leave her unconscious on the ground and hook the noose around her instead, then push the carousel.

Even if you're okay with her dying of strangulation, it's easy to tie the rope to the right length and just let her drop to break her neck. It grants Arei a quick death. (and you'll be done quicker)

Even if the killer is strong enough to just lift Arei into the noose, using a pulley is much easier and means you'll spend less time holding her. I know not everyone would care, but I certainly wouldn't enjoy holding onto an unconscious girl and trying to lift her into a noose, let alone an awake girl trying to struggle. (if you believe she woke up)

Downsides of the pulley:

A lot more work to clean up afterwards. Especially since we know most of it wasn't actually cleaned up, all they did was hang Arei into a different place afterwards. (I wonder if they were in a hurry, or if they assumed that somehow people wouldn't realize Arei couldn't have broken her neck from the short rope on the swingset)

a lot more work to set up to begin with. You'll have to either get up very early, or set it up the night beforehand if you wanted to be completely prepared for the murder. Clearly this wasn't just a spur of the moment thing.

That's pretty much all I can think of, honestly. When talking about the advantages or downsides of the pulley at least.

Other stuff that's maybe a bit silly to bring up:

Those fish are a bit big to have fitted through the holes in the jerrycan handles.

How do we think those jerrycans were attached to Arei? Like, I know the handles are broken (also giggle at the size of the holes and the size of the fish), but my question is more like... did they use rope? It sounds logical to use rope, but they don't mention any rope burn on Arei's body.

Maybe the 'glove is for ropeburn' truthers meant the ropeburn on Arei herself? Did the killer place the glove on Arei's neck before hanging the rope with the jerrycans off her? If they got rid of the jerrycans afterwards, maybe they also took Arei's glove. (disclaimer: I don't think they used the glove this way, but I'm open to arguments in favour of it's usage)

Rose mentioned she memorized the trash. Do you think there's a chance the needle and thread will be brought up by her? I feel like if those are going to be important, then Rose will be the person to mention seeing them in the trash.

Clothes baul.

Something else I want to mention is that the way some people talk about this case makes me uncomfortable. I want to remind people that this is just a story that someone wanted to tell. I understand that the people saying they'll drop hang themselves if the killer is a specific person are just joking, but if I were the dev, I'd feel extremely uncomfortable from just how many people are talking about the case like this.

I understand not wanting a certain character to die and I can't stop you from making jokes about it, but saying that killing off your fave character is a horrible writing choice and you'll kill yourself over it, would put immense stress on the dev, as well as everyone who helped with the project.

Also on the topic of writing: people make illogical decisions sometimes, but especially when under stress. The case needs to make sense, but I don't want people arguing something is bad writing because the killer made one or two illogical decisions along the way.

Another thing I noticed is that a lot of people are assuming what I call the "Ellery Queen case logic", which assumes that the reader (or viewer, in this case) should be able to solve the full murder based on the clues given during the investigation, before the confrontation (trial, in this case). While definitely understandable, it's great being able to solve things beforehand, we need to remember that this is not the only way to go about writing cases. Personally I've engaged more with what I call the "Arthur Conan Doyle case logic", which leaves the most vital piece(s) of evidence hidden from the reader (viewer) until the end of the final confrontation. This makes is either very difficult, or even impossible to solve the case beforehand, meaning you'll have to wait until the very end to even see the final piece of the puzzle.

Now, there's no saying whether Despair Time uses either one or the other case logic style (they could mix it up between every chapter if they want to), so because of that, I ask people to be polite about people's theories, even if they don't explain every single piece of evidence, or if they state that we need to wait for more evidence to be revealed even though the trial already started.

Nothing wrong with voicing your own ideas on people's theories, it can be helpful if they actually misremember something (I misremembered stuff too, so it was good to have it pointed out!) and can help people rework their theories with your arguments in mind, but I just ask that you're not condescending about it if you do.

THAT'S ALL! THANKS FOR READING!

[door-insurance]

So I played Life is Strange 2 for the first time ever

I didn’t wanna play it for a long time not cause it didn’t have Chloe or max (tbh I got sick of their asses around BtS they’re not even my faves)

By that point I was in college and had lost interest in the whole franchise but also I was very apprehensive of white creatives writing racism with no input from the group they’re portraying, they don’t usually do a good job

Sometimes they make it cartoony, sometimes they trivialize it, sometimes they romanticize it

So years later adulthood kicked my ass and I came back crawling to this franchise for some comfort, I finished True colors annnnd I finally started 2 after hesitating annnnd

^sketched this while playing

SPOILERS

I actually liked it

I liked Sean, the drawing segment he does- he was such a likable main guy, deserved better honestly.

I also liked Daniel, he was very adorable and I never got it when people called him annoying like no shit the 9 year old is gonna act like a 9 year old- just don’t be a jerk to him, I know he can be frustrating but that’s what taking care of a kid is like

And lis had always been about realistic complex characters, y’all can’t handle a traumatized nine year?

I have two younger siblings and two nieces plus I’ve been a bratty younger sibling to two older sisters

Maybe I’m just used to it?? But honestly Daniel wasn’t that bad

The racism portrayal in the first few episodes was not all that cartoony and it actually felt real at times, like I can check for American news rn and find stories similar to what you see in episodes 1-3 (minus the telekinesis)

Although the gas station racist hick spouting trump slogans was a bit on the nose, it’s more of dialogue thing

Some people thought the gas station detainment was egregious but it can happen unfortunately, especially to vulnerable people in rural areas and by someone of a higher systematic advantage

One other thing I did not like was the love interests, I thought Finn and Cassidy were alright characters on their own but why do we need romance in this game where the protagonists are always on the run?

I don’t like to compare lis 1 to 2 but when it comes to the romance the former did a better job as it spent more time establishing it, plus max stayed in the same place for the majority of the game- but you know what? Sean doesn’t have to be in a relationship right? It can be a one off thing, that’s fine

Which brings me to my next point

How old are Cassidy and Finn?

Cause Sean is still 16 and no, being on the road didn’t mentally age him- he’s not “mature” for his age

He is still a kid

So for some reason Dontnod never really specified their ages but some articles described them as teens (they look 30 to me) and they can be around 18 right? Their lives are hard stress ages you- it happens, we can with live that, it’s just a two years difference

But teens or not

why did they animate a whole knocking the boots scene???

Of all the games in the series, the only one that gets a sex scene is the one with the much younger protagonist and his ambiguously aged older looking love interest and I think it’s only with Cassidy you get to do it in the tent

Alex Chen was robbed of a on screen booty call from a beanie wearing lesbian with a sexy radio voice or a buff ass Adonis of a man who was Smokey the bear’s regional manager or something

Anyways I’m gonna move on I’m uncomfortable lmao

*im not hating on people who ship Sean with either Finn or Cassidy, I’m not even tagging your ship names- im just stating my personal preferences on my blog

One last thing I did not like about LiS 2 and it was the one thing that kept me from playing it for years

That one scene from episode 4

So at this point Sean Diaz went through the following:

-lost his father, had to abandoned his loved ones, education and home

-was accused of killing a cop

-had to take care of his little brother on his own while on the run, the same brother with telekinesis and none of them know how to control it

-was harassed, beaten then detained by a racist white man

-had to take refuge in an abandoned cabin with little resources

-the dog that they adopted at the gas station eventually gets mauled

-the one time they found solace at their grandparents house they had to leave abruptly cause the police was hot on their trail

-on their way out they can potentially witness the neighbors kid that they befriended get hit by the police car that’s chasing them

-they find shelter at a nomad campground but oh no they get involved with drug trafficking cause they barely have any other options to make money (unfortunately this happens a lot IRL this isnt egregious)

-Sean now has to deal with the trafficking, making sure that Daniel doesn’t get into any trouble with his powers while fake ass giancarlo esposito is breathing down his neck

-and guess what happens next… Daniel gets robbed into pulling a heist on temu gus fring and it goes badly, Sean can potentially lose a love interest/friend in Finn

-Sean gets hurt, Daniel goes so mad that he blows the whole place up; a shard glass flies into Sean’s eye and he ends up losing it

- Sean wakes up from a coma and learns that his brother is missing and he’s about to be taken to jail

- the one thing that consistently brought him joy during this trip was his art and because of the missing eye he can’t even do it the same anymore cause it hurts now

- Sean has to escape the hospital with a hot wired car, little money and has to drive across two states just to get to his brother

-on the way he dreams of his father, he wants him back he wants his old life back but that’s not gonna happen so he has to move forward

Im not listing all this as examples of bad story telling, a lot of these are real life experiences of homeless people. im just painting a picture of the shit that Sean had went through so far

Cause right after the dream sequence, Dontnod didn’t think all that was enough no you had to see Sean get hate crimed by two lifetime movie, sitcom special of the week racists- be made to either sing or suffer a brutal beating

It added nothing to the plot, it didn’t need a choice system either- it’s a hate crime, you’re not asking Joyce for fucking pancakes or eggs n bacon at the whales diner or hosing down Lisa the fckin plant.

This to me went straight to trauma p*rn category, it’s wheelchair Chloe all over again

I hated it then in LiS 1 and I hated now in LiS 2, this is why I don’t dick ride Dontnod that often

They always had this tendency right before the end they single out a particular character and mentally whip them, they become the writing teams punching bag- they think we didn’t get it the first time that this character is going through it, they just hammer it in with the subtlety of a heart attack and I hate it

“Yeah but it’s there to show Sean’s resolve to find Daniel-“

HE ESCAPED FROM THE HOSPITAL AND THE FEDS, HE HOT WIRED A CAR TO DRIVE ACROSS TWO STATES

He’s starving, dehydrated, suffering from chronic pain

That’s enough

Let the character breathe

You ask why not a lot of people wanna play this game and I’m gonna tell you, as much I enjoyed it myself it’s not an easy game to play- it gets brutal, especially right around the end

I’m not against bleakness or extreme conflict, I’m into that but sometimes that doesn’t translate well to any gaming format- especially a choices matter game that’s meant to be replayed

Some people have asinine reasons not to play LiS 2 like it dealing with racism and those people suck, lis had always dealt with progressive themes like calling out objectification, cyberbullying and sl*tshaming

Racism shouldn’t be the exemption

but misuse of racial trauma and not knowing when it’s appropriate to invoke it is a huge turn off and hella triggering to a lot of non white players and I remember when LiS 2 dropped I’ve seen (mostly white) lis fans at the time proclaiming that not wanting to play it meant that you were racist

Like I said there were probably racists who didn’t wanna touch the games cause of the main characters skin but there were people like me who were apprehensive of the “Let’s go to the mosh pit Shaka brah” people handling racism

This is the same studio that had Ms Grant (one of the few black characters from LiS 1) claim that the white settlers peacefully shared the stolen land with the native Americans

I find that shit harder to believe than the time traveling powers

And they were doing alright in the first episodes they covered stuff like unconscious biases slipping through, dog whistles, polite racism from the grandparents segment, police brutality, racial profiling and being targeted/othered- some of these things I went through when I visited western countries

Then they did the bullshit I feared theyd do…

I really don’t blame myself for being hyper vigilant at the time and honestly I was going through a lot then, even if I wanted to I wouldn’t have touched LiS 2 cause it’s a very heavy tasking game to play

I know I kinda made it seem like I didn’t like this game but I did, its the best one in terms of the choice system

It had more weight to it, seeing Daniel internalizing what you say to him or how you act around him was so cool

Also what the second game has over the first one aside from the choices system is the ending selection- I never liked picking the endings for max, I wanted her to pick the ending or her coding/script to do that

Its definitely more fleshed out technically even though LiS 1 has a special place in my heart it’s always gonna be no. 1- but im also glad that I got to experience the 2nd game for the first time, I liked it

Personal lis ranking

1: Lis 1

2: Lis 2

3: True colors

Discount bin: BtS

My personal fave moments from LiS 2:

- beating up the racist bully and giving him a concussion

-mushroom (rip icon)

- victorias letter

-winning that that bear from that claw machine

-gorillaz song that was not feel good inc

-Brody pointing at a fucked up looking arcadia bay yelling “that’s the past!”- that was hilarious

-Sean paying tribute to Arcadia bay in his sketchbook (this fucking kid man, he’s so sweet he deserves the world- what did he do to make DONTNOD mad at him)

- the wolf animation and the story that plays before every chapter

-this was the worst hate crime in the whole game

[simplynims]

My thoughts so far on David from Redacted Audios, I haven't listened to all of his stuff yet as I'm still at the decorating video but I will say I do like how he's developed so far!

I'mma be completely honest I didn't really like him at first, but that's probably just me having a bit of a bias against the whole 'tsundere' trope altogether. I like the trope when it's done right, usually when you see the trope in media there isn't a good balance between their harsh personality and their romantic affections when dealing with the love interest. I have more to say about this specific character trope but we're getting off topic!

I thought it was going to be a similar case with David especially during the first few episodes when he was being particularly mean and that balance wasn't there just yet, but what dragged me into holding out longer for him was that episode of him being jealous. You get to see a peak at how his attitude and actions impacted the listeners ability to trust him to not overreact, because honestly? It's understandable what they did. Does it excuse them hiding it? No, absolutely not. I do not condone them hiding any phone calls or text messages between them and their ex, even if it was for medical stuff about their old cat. But them walking on eggshells around him about this innocent issue because they weren't certain on how he'd react? That's not a normal reaction between two people in a supposedly trusting relationship.

What I think Redacted Audios did right with this situation was having David acknowledge that he needs to work on his overall attitude, moods and apologizing to Angel. And we can see he's tried to improve it as his series progresses, he's less harsh with his words and we see his softer side more often. He's still mean but you can tell it's more in a playful way, it's just how the twos dynamic is like.

I really wish he made the episode longer so we could see how a proper conversation between the two would play out. Like a REAL heart to heart conversation about it where they discuss it like adults and talk through why Angel felt that way in the first place. I think it would have given us a more understanding of David as a character and would put him in a more favorable light. But seeing as David isn't much for talking about his feelings due to his status as a alpha, I can see why it was kinda pushed the side like that.

Overall, I enjoy David as a character and I hope to finish his playlist soon. He's not really up there with my top favorites, but this stance could absolutely change when I finish up his story. We'll see!

[karioke13]

My Transformers One thoughts!!!

✨Spoiler free✨

Holy moly this movie was just so…WOW!!! Before I start with my thoughts, I would like for y’all to know that I’ve never been this hyped for a movie in a long time! I was so excited I was shaking from excitement that my family kept asking if I was okay! 😂

Ok now to my thoughts. First off, I just want to mention how good the voice acting was. Chris Hemsworth did such a phenomenal job as Orion Pax, later Optimus Prime. Whenever his character gave a speech, I was crying because of how amazing and inspiring it was. And Orion in general was just so adorable and fun to watch! Now Brians voice acting was spine chilling! His decent from good friend who sticks to protocols to becoming the revenge seeking Megatron just flowed ever so nicely! The writers did an incredible job with his villain arc. Plus, Brians voice acting just made it even more incredible! And Michael Keegan as Bumblebee was ABSOLUTELY HILARIOUS! My mom loved him she thought he was so funny! He was kinda, sweet and always willing to help his friends. The chemistry that Optimus and Elita have with each other was *chefs kiss* you can tell she really cared for him throughout the whole movie! Everyone’s chemistry with each other was amazing!!! Every single character had such well done chemistry with the others, showing the good writing in this movie!

Now the music and animation, was OFF THE CHARTS. They both flowed so well together. The music made me feel so teary eyed because of how beautiful was! It made you really feel in the moment. And the animation was absolutely STUNNING! Seriously yall, shoutout to all the animators for doing such an amazing job with the animation style. It was just so incredible. So if you are really into animation and/or music definitely check this movie out!!

And finally the plot in this film. I swear this plot is absolutely heartbreaking in this movie. So many moments that make you feel. The friendship bond between Orion Pax and D-16 to the long known enemies Optimus Prime and Megatron was simply so sad to watch. And it really makes you feel hooked to the story watching D-16 going through his good guy to bad guy transformation. It really makes you feel for the guy. There were also so many dark moments too which was pretty shocking but honestly pretty valid for the story and I like how they didn’t try to shy away from all that. The writers really embraced it, show the horrors and the reality of war, corruption and betrayal. Honestly, I haven’t been this hooked on a plot for a movie in a long long time!

I had so much fun watching this movie. It made me feel like a little kid again, getting excited about a movie and what will happen and why the characters change. Seriously shoutout to everyone person who worked in this movie yall did an amazing job! I’m really considering watching this movie because of how good this movie was. 10/10 movie rating for me. I definitely recommend yall to watch this amazing movie, it has such amazing characters as well as a really good lesson from this movie! I can’t wait for more of this Transformers story! I had a really good time! 🧡🧡🧡🧡🧡🧡

Also I brought my Optimus Prime plushie and my Bumblebee funko pop, along with my new Transformers One shirt to the movies with me! And I also took some pictures during the movie as well! (No spoilers i promise!!) Have a look! 🤗

[alpaca-clouds]

Something I find so weird about the entire fandom purity culture thing is, that people have no problem accepting that someone enjoys stuff like thrillers, crime stories and dark fantasy with copious amounts of violence and torture, without assuming that person would enjoy violence and torture in real life. We just accept that this kind of violence is absolutely normal in fiction, but would be horrible in real life and that everyone is in agreement on that topic.

But as soon as it goes into something sexual, people need to police it. You like a romance story where one partner is toxic? Oh, you must approve of toxic relationships in real life. You enjoy reading non-con smut stories? Oh, you are romanticizing rape now! You like the forbidden romance aspects of incest? You idealize fathers raping their daughters then! You have a story in which a character who is underage (even if they are like 17) has sex? You basically are promoting child porn and are probably a pedo yourself!

It is absolutely silly.

And I also find it stupid how people are forced to hide behind "Well, I am working through trauma" and stuff. I mean, a lot of folks writing about some of those things work through one kind of trauma or another. But some are not and that is a-okay!

Folks can like stuff like that for the thrill, just as people enjoy violence for the thrill of it.

Hells, even if someone gets off on some Underage Fics on Ao3... Guess what: Better they get off on that stuff, than on actual CSEM. Because other than with actual CSEM, nobody in the real world gets hurt because, I dunno, some folks write Ash Ketchum getting fucked by Giovanni or something.

I mean, really, folks. Chill.

(And honestly, I am still trying to figure out where this fucking discourse came from. In my early fandom days, some folks sure were disgusted by some ships - but they did not turn it into a big moral quandry.)

[stressedoatmeal]

I fear ya’ll do not understand Ronan and Adam like I do. Granted I read the entirety of td3 within 16 hours and it feels mostly like a fever dream (I genuinely had to reread a good portion of Greywarren to believe sweetmeatles were actually a thing) so take everything with a grain of salt. but the decisions those two made? Understandable. Not right but not wrong. They’re kids. They’re kids who are both mentally unwell. They have never understood what proper communication is. It was NEVER taught to either of them. Ronan abandoning Adam for Bryde? That’s fucked but sounds like what a kid fresh out of high school would do. The ecoterrorism? Honestly dudes a literal god who doesn’t know he’s a god. He’s gonna do some bad stuff. Adam abandoning Ronan when Ronan goes to sleep? Shit man that’s messed up.. but also Adam tried and tried again to help Ronan and states in almost every book of trc that he is not going to babysit the dude. Ronan has to understand the consequences. Also god forbid a traumatized 19/20 year old try and figure shit out and do the wrong thing. Ronan is 19 in call down the hawk. Adam is also 19. The shit I did at 19 was fucked. I don’t understand why people are putting these characters, who we love for how realistic and three dimensional they are, on this moral pedestal. They’re gonna do bad things. Teenagers do bad things. I don’t know how long it’s been since you guys were teenagers/young adults but it seems like it’s been a while.

Not trying to make people mad with this and I’m totally fine with criticism to what I say, Speak your truth. I’ve just seen so many ppl ripping the trilogy apart due to these things in particular and I’m like ? Sounds like normal teenage decisions (or as normal as it can be considering the nature of the story)

[youcouldmakealife]

Do you ever mix up names? I love your stories, but I am shit at names and as your pantheon/league grows I find myself increasingly turned around by all the north american dude names (first, last, AND hockey nicknames!!!). I can usually keep track of the on-going series names and names that are less common in North America (Kiro, Sven), but if I'm reading, say, an ask or rereading I usually have remind myself who is who first.

I don't mix them up between themselves and other characters in either a similar name way (James vs Jake, say) or roles (mixing up say, Wheels and Craney and Matty).

(This got so long and off topic, why does this always happen)

What I do mix up is sort of more of a...muscle memory thing, maybe? I'm writing the word, say, gorgeous, and I have to delete georgieous first, because my fingers apparently have become a phone's autocorrect function. I actually did write James as Jake a few times when I was deep deep in editing BTT, but again, it was just sort of like...an autofill error between my brain and my fingers.

The names themselves I'm pretty good with, though I do worry about whether I'll continue to be as a) the pantheon continues to expand (I love this by the way, and now I'm probably going to spend the rest of my evening mentally assigning characters places in the pantheon) and b) I get older. And both things seem pretty inevitable to me.

Unfortunately, the two things I appear to have in common with Leo Tolstoy are brevity and 'these people have three names, and I'm going to use them all interchangeably'. (ie Vinny is Thomas to himself, but Vinny to literally everybody else including me. And sometimes Tommy but only to Anton and his parents and only sometimes. Anton's alternately Anton, Petrov, Tony to Vinny and teammates, or Antosha to his family.)

I'd honestly apologise for it but it's one of those things that's really inextricable from the sort of...falling into a perspective way that I write, the same way I write in American English for American characters and Canadian English for Canadians, or use Christian (and specifically Catholic) references in Robbie or Georgie's POVs but never, say, Mike's or David's, unless we count Mike's very liberal usage of the word goddamn (and it's lowercase with him, but it'd be Goddamn to Robbie.)

And the different vocabularies extends to names. Like William Dineen is William to Robbie, he specifically asked to be called that when he was a teenager who wanted to feel more adult, and Robbie respected that then and continues to now. Georgie respected it in another way -- he was Willy to him, and now he uses Will, which William is fine with, but only with immediate family.

But in the text itself Georgie would never use William, because it'd feel distant to him, and Robbie would never use Will because he'd consider that disrespectful after William specifically requested to be called that, and me choosing one or the other wouldn't be in character, so he's Will and he's William, but never Willy (that's Tate Williams).

I make this all sound like a much more conscious process than it is. A lot of this stuff I've only figured out via metacognition of my writing process, which is, by necessity, done in hindsight.

My original answer to questions like 'why did you do _____ that way?' is invariably '*shrug* felt right', and people tend to find that...unsatisfying, so I often investigate further, and the answer becomes 'felt right because of <this reason I was in no way consciously aware of during the writing process>'. As I've said to my poor beleaguered editor, a lot of my writing process is 'just vibes'. I follow good vibes. Bad vibes tell me something's not working, and I adjust accordingly. I think a lot (I cannot tell you how many times I've been accused of overthinking things), but when it comes to writing, most of it's happening beyond my own perception, so instead it feels more like gut instinct. (which is, indeed, what gut instinct often boils down to: pattern recognition going on beneath one's conscious awareness)