#And now I feel no emotions or attachments to people

[pastabaguette]

sorry for all the posts today, but this one is very important: alternian video game edits.

i actually have reasonings for all of their blood types, and a few classpects, so i'll dive into them here:

monika: i'm thinking that early in the game, during acts 1 and 2, she maybe masqueraded as a jadeblood or higher. only during act 3 does she reveal herself as a fuchsia to the protagonist.

gordon and alyx: gordon is probably a tealblood, or somewhere around there. fairly high, but not too high, i think. alyx is an olive, and eli is an indigo. azian was probably a gold. (or lime?) i did have to keep gordon’s orange HEV suit, though. surely you understand. okay, troll half life lore: i think on alternia, all the main characters in the half life franchise are like, olive or above. the rebels in follow freeman and the guards are all lowbloods, so that the player doesn't feel too bad about sacrificing them, or something like that. i think this would be something that would happen in an alternian video game, at least.

agent 47: 47 is actually a mutant, due to being manufactured in a lab. he's a weird ice-blue color. he's still got that piercing stare. i felt a little sad changing his iconic red tie, but i do have some thoughts on that as well. obviously, red in human culture tends to symbolize passion, among other things, and in this case, violence and aggression, because it's the color of blood. however, because trolls all have different blood colors, i think they might have different meanings attached to colors than humans typically do. i think that typically, the colors that would most commonly represent aggression in alternian culture would be blue (cobalt and indigo) and purple. now, i know that the sea dwellers exist, but since the vast majority of trolls are lowbloods, they would have a lot more contact with the land-dwelling highbloods, rather than the fish. so, 47’s tie is blue. (i also just think it looks cool matching his eyes)

chell: I made chell a bronzeblood. she’s a test subject, but not one of the special ones (astronauts, olympians, etc). she’s just another lab rat. (also, a lot of her outfit is orange…)

now for classpects! i only have two i’m sure of as of now:

gordon freeman is an heir of hope. this one is fairly obvious to me. a common belief is that heirs have the ability to become their aspect, in a way. in half life 2, gordon quickly becomes the main symbol of the resistance on earth. for the rebels, he himself IS hope.

agent 47 is a prince of life. again, it’s a common interpretation that princes are themselves void of their aspect, and they destroy that aspect in others. this is really literal, obviously, but as a hitman, 47 kills people. literally destroying life. as for his own lack of life in himself, it’s pretty simple as well. 47 is almost always described as entirely void of emotion and empathy. others often remark on his soulless stare, a lack of life behind his eyes. so, as a prince, he fulfills both criteria there.

holy hell, that was a lot of words. i didn’t intend to talk this much. feel free to add your own thoughts; i’d like to hear what others think. these descriptions were a bit rushed, and i don’t really consider myself to be very good at communicating my thoughts, so a lot of things may have been lost in translation. i’d be happy to try and elaborate on my reasonings for any of them.

(oh, also, please no alyx spoilers. i haven’t played it yet!)

[youremyheaven]

Jupiter & Rahu Influence Among Popstars

When I look at pop-stars across industries, I have noticed them all often having the same planetary influence showing up one way or another (usually nakshatra's ruling planet but less often, rashi lord as well).

Now, lets look at what or who a "pop-star" is. The simplest definition is that "a pop-star is a highly successful singer of pop music". Some would say that being a pop-star is the pinnacle of fame. They are at the very top of the entertainment industry food chain.

Actors pretend to be other people for a living but a pop-star is one who has to pretend to be an exaggerated version of themselves for a living. Most pop-stars have an alter ego or stage persona that they project, sometimes these alter egos have different names, other times they don't.

If you think about it, being exalted to the status of a superstar, akin to a God or deity and being adored, worshipped and obsessed over by millions of people, for being "you" is a bit bizarre in itself. Actors spend months making movies and playing a character, someone singing and dancing on stage and "being" themselves sounds simpler even though, in truth, it is a much harder job. If your full time job was being an exaggerated version of you, you'd struggle immensely with your sense of self. Most people would have some kind of breakdown, being unable to distinguish between what is "really" them and what belongs to the persona.

I'm by no means suggesting that Jupiter influenced people are exempt from having an identity crisis. In fact, I would say its the opposite. I think due to the expansive and boundless nature of Jupiter, which has a tendency to exaggerate the effects of whatever it touches, most Jupiter natives kind of permanently live in a state of "in-between-ness" , this feeling of being stuck in limbo is reflected in how each Jupiter ruled nakshatra falls between two rashis, one air and another water.

Punarvasu- Gemini & Cancer

Vishaka- Libra & Scorpio

Purvabhadrapada- Aquarius & Pisces

These 2 elements are very different from one another, Air element is typically associated with the intellect and ideas, whereas the Water element is associated with emotions, spirituality, wisdom etc. So, Jupiter, the planet of luck and abundance, the "Guru" (teacher) is one that is "well rounded" in the sense that it is both practical as well as spiritual and emotional. This also insinuates that, in order to amass abundance and be fortunate in life, one has to have a mixture of opposite qualities and be "well rounded". Duality is an innate theme of Jupiter, and whilst many think of duality as having opposite qualities, its wiser to think of Jupiter as the union of opposites. Light and dark, good and evil, feminine and masculine, peace and violence, love and hatred, all co-exist together here. Due to the scholarly "Guru" nature of Jupiter, it becomes the duty of its native to rise above the lower manifestations of these energies and embody the principled nature of it. In this sense, its not just the "meeting" of good and evil but the triumph of good over evil.

I had already explored in a previous post about how having an alter ego/multiple identities is kind of a Jupiter thing. Most Jupiter influenced individuals majorly struggle with their identity simply because they feel like they're "all things" and this sort of commercial marketing of "aesthetics" and "niches" is very limiting. They're all things, all at once. This can be disorienting for others who struggle with their identity for other reasons (Nodals who struggle with over-attachment and detachment, Malefic gworls who don't have very many hobbies/interests/passions to base their personality off of). Its hard to explain what "being everything" is like to people who don't have a sense of self/reality to begin with, or those who have a very narrow or rigid understanding of themselves. We're familiar with Rahu mania but Jupiter mania often flies under the radar because they seem so put together on the outside, unlike Rahuvians who wear their madness on their sleeve.

Most people would have a tough time figuring out how a Jupiter native actually felt or if they were going through something in their personal life because they're usually stoic af and very well kept. Their world could be falling apart but they will never lose their etiquette or their manners. This can lead to scenarios where they're either not given adequate consideration for their suffering because they dont "look/seem" like they're going through it OR people tear them apart for seeming too "cold/nonchalant" even in the face of crisis. People like to see vulnerability because it makes others more humane and relatable and sometimes the stoicism of Jupiter natives can irk others because it makes them seem robotic or beyond human.

How does all of this tie into Jupiter being the most common planetary influence among pop-stars?

I had already mentioned that pop-stars are idolized for simply existing. Having the expansive energy of Jupiter helps one become a vessel for the projections of others. You can be anything or anyone to everyone. I have observed Jupiter influenced individuals code switching irl, in the sense that they have an entirely different personality depending on who they're interacting with and usually have several different friend groups that have nothing remotely in common with each other.

Many anons have mentioned dating Jupiter men who seem very sweet and giving and then being mindblown when they turn out to be insane party animals who smoke and drink till they drop and go batshit insane at the club. They seem too "goody two shoes"-y to be about that life, yet they are.

Being a performer/pop-star seems to suit Jupiter natives because it gives them an outlet to channel their manyyyy sides. Even their alter egos have alter egos and if they had to live normal lives, it would kinda drive them crazy unless they found some phenomenal ways to compartmentalize all that stuff. Not to rely on anecdotal evidence (I'll cite more "celebrity" examples after this) but there's a guy I know whose chart is heavily Jupiter influenced and he is the most responsible family man ever and provides for his whole family but he is also extremely passionate about weed, does not say no to a drink and LOVES to party. He lives in an apartment complex with a lot of people our age and mf is always at someone's house party 😭😭 I am in no way implying that these things CANNOT co-exist, that you can't both be a hardworking family guy who looks after everyone AND drown yourself in booze but typically the kind of person you associate with one kinda lifestyle is not who you associate with the other, if ykwim

There are many examples of these "contradictions"

Miley Cyrus, Vishaka Moon

She is known for her wild, freaky stage performances and her no-nonsense personality but beyond all that, Miley is a homebody who has a gazillion animals and lives a very "simple" (or simple, for a celebrity anyway) life.

Beyonce, Vishaka Moon

Beyond all her glamour, Bey is veryyyy lowkey and raises honeybees in her backyard and harvests her own honey. She's very spiritual and is all about her family and minding her own business. I know this isn't news to anyone but isn't it interesting how the biggest pop-star of our time, known for her fierce performances and larger than life persona, is actually a tradwife? A proper Southern lady, if you will.

Jennie, Vishaka Moon

In a recent interview, she said:

"Anyone who meets me will say I’m so far from what I represent as me onstage...it's a part of me , a switch inside of me that I can just click.”

(This is SOOO Jupiter coded of her)

Jennie's friend Deb Never described her as:

“She’s shy and really humble and very sweet,” she says. “And then as soon as it comes to music and how she performs, it’s this flip side, this opposite person where it’s like in your face and very outspoken. It’s not like she’s acting. It’s being able to let out a whole other side of you that you don’t get to in real life. There’s a vulnerability in that.”

I had mentioned a few times previously about how Jupiter and Rahu's energies can be veryyyy similar. Jupiter has more structure and can keep the mania and obsession under wraps a bit more than the average Rahuvian (Jupiter is a benefic, Rahu is a malefic, so the limitless energies are channelled in more "beneficial" ways by a Jupiterean and in less beneficial ways by a Rahuvian). Looking at the charts of entertainers who were/are highly successful, the Jupiter + Rahu influence recurring is crazyyyy.

Frank Sinatra is considered one of the earliest pop-stars. He is a Shatabhisha Moon.

Elvis Presley, Shatabhisha Moon

Aretha Franklin, Punarvasu Moon, Vishaka Rising

Billy Joel, Punarvasu Rising

Michael Jackson, Shatabhisha/Purvabhadrapada Moon

I am not trying to imply that people without Jupiter influence can't be pop-stars, they can!! But when they aren't Jupiter influenced, they're usually Nodal

Mariah Carey, Punarvasu Moon

Whitney Houston, Shatabhisha Rising

Celine Dion, Venus atmakaraka in Purvabhadrapada and Mercury amatyakaraka in Purvabhadrapada

Taylor Swift, Ardra Moon

Diana Ross, Vishaka Rising

Eric Clapton, Swati Moon

The shapeshifting ability of these natives is what allows them to flourish in an industry where you're essentially selling yourself as a product.

Adele, Ardra Rising

Lady Gaga, Swati Moon

Ariana Grande, Ardra Sun

Rihanna, Shatabhisha Sun

Dua Lipa, Ardra/Punarvasu Moon

Katy Perry, Swati Sun/Mercury/Rising and Vishaka Moon

Billie Eilish, Purvabhadrapada Rising

Shakira, Punarvasu Moon

Lana Del Rey, Ardra Sun, Vishaka Rising

Halsey, Punarvasu Moon & Mars, Vishaka stellium (Venus/Jup/Rahu) and Swati Mercury conjunct Rising

Janet Jackson, Ketu conjunct Rising in Vishaka

Lorde, Vishaka Sun & Mercury

Sabrina Carpenter, Purvabhadrapada Moon & Rising (she's also Bharani Sun and that's why she's an it girl)

Chappell Roan, Shatabhisha Sun/Jupiter/Ketu

Charli XcX- Ardra Rising

[splashstar01]

MBTIs of BBC's Merlin & Arthur Pendragon

Arthur Pendragon (ISTJ)

Introverted (I): Now I know many people see him as an extrovert. I argue he plays extroverted out of necessity. Although Arthur is often in the spotlight due to his royal position, he tends to process emotions and decisions internally. He’s reserved about personal feelings, often keeping a stoic exterior, particularly in moments of vulnerability. His introversion explains why in season 4 finale (the show only has 5 seasons), he told Merlin that Merlin was still his only friend, despite the fact that all the Knights of the Round had already been established! He clearly differentiates knights who would willingly give their lives from real friends. Arthur is so private that he doesn't even tell his wife things. In season 5, she casually said, "Arthur never tells me anything." Arthur only really lets Merlin in. (Because he loves Merlin, duh. lol)

Sensing (S): Arthur is pragmatic and focused on the present. He has a strong sense of duty and tradition, often valuing tangible results and sticking to established systems, like the chivalric code and the duties of being a king.

Thinking (T): He makes decisions based on logic and duty rather than emotions. Arthur strives to do what is right for Camelot and tends to focus on rationality when dealing with political and military matters, even if it means setting aside personal attachments.

Judging (J): Arthur values structure and order. He is disciplined, prefers routines, and is committed to fulfilling his responsibilities as a king. He can be strict, both with himself and others, expecting everyone to uphold the same level of duty.

Merlin (ENFP)

Extraverted (E): I have heard some parts of fandom say Merlin is introverted.... But Merlin has to be the friendliest, most outgoing and open character on the show! Merlin effortlessly connects with others. He’s warm, often initiating interactions with various people across all social classes, and enjoys forming deep bonds with those around him. Basically, the complete opposite of Arthur. Arthur's top knights, Lancelot and Gwaine, became knights for Merlin, because of their friendship with him! Merlin at his best is a happy, bubbly dude!

Intuitive (N): Merlin looks beyond the surface and sees potential and possibilities. He is often focused on his vision for the future, specifically the destiny he believes Arthur must fulfill, and tends to think about the broader implications of events.

Feeling (F): Merlin makes decisions based on his emotions and values. He is compassionate and deeply cares about the people he loves, even risking his life to protect them. His empathy drives many of his actions, as he is guided by his heart rather than just logic.

Perceiving (P): Merlin is adaptable and flexible. He thrives in chaotic situations, often relying on his quick thinking to solve problems on the fly. Unlike Arthur, Merlin isn't tied to structure and routine, preferring to go with the flow and adjust his plans as circumstances change.

Even being complete opposites (they don't have a single common letter in their MBTI), Arthur and Merlin's personalities complement each other in a way that makes their relationship dynamic, powerful, and balanced. Despite their differences, these contrasts are what strengthen their bond, making them effective as partners and allowing them to grow as individuals.

How their MBTIs shaped their love story:

1. Arthur (ISTJ) – Duty vs. Love

Arthur’s ISTJ personality makes him deeply rooted in duty and tradition, which often conflicts with his personal feelings. As a king-in-waiting, he’s bound by the rules and expectations of Camelot. This sense of responsibility prevents him from openly expressing his affection for Merlin, a commoner and servant.

Suppressed feelings: Arthur’s introversion and thinking function push him to hide his emotions, especially his care and affection for Merlin. His loyalty to his role as prince often conflicts with his deeper, unspoken feelings for Merlin. Arthur’s rational side forces him to focus on the kingdom, keeping his emotions hidden beneath his duty to the crown.

Traditional values: As an ISTJ, Arthur’s sense of tradition keeps him from crossing the boundaries of class and status. His love for Merlin, if fully acknowledged, would defy these societal norms, and his reluctance to embrace that love fully reflects his fear of breaking those structures.

2. Merlin (ENFP) – Love as a Driving Force

Merlin’s ENFP personality is more openly emotional and driven by personal values. His feeling and perceiving traits allow him to express affection, even though it’s subtle and often masked in humor or banter. Merlin constantly shows his love and devotion to Arthur by risking his life to protect him and ensuring Arthur’s destiny as king.

Boundless loyalty: Merlin’s deep emotional attachment to Arthur is clear, as he constantly sacrifices his own desires, hiding his magic and risking his safety to ensure Arthur’s survival. His ENFP idealism drives his belief in Arthur as the Once and Future King, and this belief is tied deeply to Merlin’s personal love for him. The idealism of an ENFP is evident in how Merlin sees the bigger picture of Arthur’s destiny but is also fueled by his personal love and emotional bond.

Unconditional care: While Arthur struggles to show emotions, Merlin’s extraverted nature makes it easier for him to express affection through acts of service. He remains unwavering in his commitment to Arthur, which highlights the ENFP’s ability to love deeply and unconditionally, even when the other person may not fully reciprocate outwardly.

3. Their Banter – The ENFP vs. ISTJ Communication Style

The teasing and banter between Arthur and Merlin highlight their different communication styles. Merlin’s ENFP warmth and humor frequently bring out Arthur’s softer, more human side. Arthur’s ISTJ personality makes him reluctant to openly express affection, so their teasing and sarcastic exchanges become a way to communicate affection indirectly. The playful insults act as a cover for their deeper bond.

Arthur’s respect for Merlin grows over time, despite his reserved demeanor, and Merlin’s ability to challenge him emotionally helps Arthur soften. Their banter is more than comedic relief; it shows how they communicate their care for one another in a way that feels safe and acceptable.

4. Trust and Emotional Vulnerability

Arthur (ISTJ) is slow to trust others with his vulnerabilities, given his reliance on structure and duty. But over the course of the series, he opens up to Merlin more than anyone else, showing a side of himself that he hides from everyone, including his wife and family members (like Morgana and Uther). Merlin’s warmth and loyalty gradually create a space where Arthur can be emotionally vulnerable.

Merlin (ENFP), in contrast, is more expressive and emotionally open from the beginning. His challenge lies in getting Arthur to see past his role as a servant and accept him as an equal in friendship—and potentially in love. Merlin consistently puts Arthur first, and Arthur, in return, eventually trusts Merlin above all others, including knights and advisors.

5. Protectiveness and Sacrifice

Arthur’s ISTJ sense of duty makes him protective of those he cares about, even if he doesn’t vocalize it. His actions speak louder than words, as he consistently risks his life for Merlin. This protectiveness is a manifestation of his deep, unspoken love for Merlin. However, Arthur often couches these actions in the context of duty—saying he would do the same for anyone in Camelot—when, in reality, Merlin holds a special place in his heart. He was about to abort a mission, causing hundreds of deaths, all for Merlin. Also, in one scene, as they were fleeing from a monster, Merlin fell and Arthur went back for him, a mere "idiot" servant. In that same scene, a knight fell (knights are the bread & butter of Camelot), but Arthur just kept running with Merlin....

Merlin (ENFP), with his focus on emotions and the bigger picture, sacrifices everything for Arthur. His feeling-based decisions make his love for Arthur a central motivation for everything he does, even if it means hiding his magic and true self. This constant self-sacrifice for Arthur’s sake is a key expression of Merlin’s love, a classic ENFP trait—giving up his own needs for those of someone he cares deeply about.

6. Destiny and Fate – The ENFP Belief in Idealism

Merlin’s ENFP idealism sees Arthur as not just a king but the Once and Future King, destined to unite Albion. This belief in Arthur's potential drives Merlin’s unwavering devotion, and his love for Arthur is inseparable from his belief in their shared destiny. Merlin’s visions of a better future are rooted in his love for Arthur, and it’s his idealism that keeps him fighting for that future.

Arthur (ISTJ), being more grounded, is less concerned with abstract concepts like destiny and fate at first, but over time, Merlin’s unwavering belief in him helps Arthur grow into the king Merlin always knew he could be. Arthur begins to rely on Merlin’s intuition and instincts more and more, eventually embracing the destiny Merlin foresaw for him. Though Arthur may not openly express it, he comes to understand that Merlin’s faith in him is born out of deep love.

7. The Final Goodbye – An Emotional Climax

The emotional 'I love you': In the final episode, Arthur’s ISTJ stoicism breaks as he finally acknowledges the depth of his bond with Merlin. When Merlin reveals his magic, Arthur is hurt and betrayed at first (typical ISTJ reaction to broken trust), but eventually, he softens, realizing that Merlin has been protecting him all along. In his final moments, Arthur shows his vulnerability, thanking Merlin for everything—a rare moment of emotional openness for him. He simultaneously mouths 'I love you.'

Throughout the series, Arthur’s ISTJ sense of responsibility made it difficult for him to prioritize his personal feelings over his role as king. But as he faces death, duty and love become inseparable. His final act of trying to kiss Merlin shows that, even though he had been bound by the expectations of the crown, in his last moments, his love for Merlin overrides those constraints. His inability to express affection easily is part of his ISTJ personality, but in his final moments, he sheds that restraint, finally allowing himself to express what he’s likely felt for a long time. For Arthur to mouth 'I love you", even silently, is monumental. It’s a complete surrender of the emotional guard he’s maintained, signifying not just love but trust, vulnerability, and a breaking of the social norms and responsibilities that have constrained him. The fact that he chooses to say it at the very end shows that he always cared deeply for Merlin, but only now, when there’s nothing left to hold him back, can he express it.

Arthur, having always struggled to communicate his feelings, finally mouths the words "I love you" when it’s too late to make a difference. This is reflective of his ISTJ personality—he needed to be pushed to the very brink of death before he could allow himself to be emotionally vulnerable and express his love. The timing makes this moment all the more tragic because Arthur had to die before truly opening up.

The almost-kiss: Arthur’s instinct to pull Merlin in for a kiss reflects the ISTJ desire to do things physically, practically, and decisively, even in the most emotional moments. It also shows how Arthur, who had been in control of so much of his life, wanted to take control of this final expression of love. Yet, his inability to complete the kiss mirrors his inability to fully express his love for Merlin throughout their time together—blocked by the weight of his responsibilities as king.

For Arthur, to attempt to kiss Merlin in his final moments is a gesture of complete vulnerability. An ISTJ like Arthur rarely breaks emotional barriers, but in this moment, he lets go of everything—the crown, his duties, his stoic exterior—and reaches for the person who has always been there for him. It’s the ultimate sacrifice of his own emotional walls.

Arthur’s attempt to kiss Merlin shows that he is finally willing to defy the traditions and expectations that have held him back for so long. As a prince and then a king, he was expected to follow societal norms, but in his final moments, he’s free of those chains and can express his love for Merlin without fear of judgment or duty holding him back. The kiss is the ultimate acknowledgment of the love he had hidden behind his royal duties.

Throughout the series, Arthur has hidden his true feelings for Merlin behind duty, status, and responsibility. His inability to express affection easily is part of his ISTJ personality, but in his final moments, he sheds that restraint, finally allowing himself to express what he’s likely felt for a long time. As he faces death, duty and love become inseparable. His final act of trying to kiss Merlin shows that, even though he had been bound by the expectations of the crown, in his last moments, his love for Merlin overrides those constraints. Arthur, true to his ISTJ nature, often preferred action over verbal declarations of emotion. By attempting to physically pull Merlin in for a kiss, Arthur shows that his love for Merlin transcends words—it's something he feels deeply and wants to express through connection, even when he doesn't have the words to say it outright.

Merlin's internal turmoil: As an ENFP, Merlin had always worn his heart on his sleeve, even when his love for Arthur was expressed through loyalty, service, and protection. The fact that Arthur finally mouths "I love you" just as he's dying would shatter Merlin’s heart, as it represents the culmination of everything Merlin had been hoping for but never dared to fully expect. Merlin, the dreamer and idealist, had believed in Arthur’s greatness, and now, in this moment, Arthur’s love is revealed, only for it to be taken away immediately in the "bury (or kill) your gays" trope.

For Merlin, the attempted kiss is heartbreaking because it represents the closeness and intimacy they could have had if circumstances were different, as Merlin said, "I always thought if things had been different, we'd've been good friends." ENFPs, with their emotional expressiveness, seek connection and intimacy in their relationships, and Arthur’s attempt to kiss him in his final moments is a bittersweet acknowledgment of the love that Merlin had always known was there, but could never be fully realized. The fact that they were so close to expressing that love makes the loss all the more devastating for Merlin.

A Tragic Love Story Cut Short

The final scene where Arthur mouths "I love you" and attempts to kiss Merlin before dying is the ultimate expression of their hidden, unspoken love. Arthur’s ISTJ personality, which had kept his emotions guarded for so long, finally breaks, allowing him to express his true feelings. Meanwhile, Merlin’s ENFP nature, always driven by emotion and idealism, is left devastated by the cruel timing of this revelation.

Their MBTI types add layers to this tragic love story. Arthur’s love, expressed at the very end, shows how hard it was for him to balance duty and emotion, while Merlin’s eternal grief reflects the ENFP’s idealistic belief in love, crushed by the harsh reality that they were too late. Their love was always there, simmering beneath the surface, but in the end, fate allowed only a fleeting moment of acknowledgment before tearing them apart.

After Credits/The Once & Future King:

1. Merlin’s ENFP Hope and Eternal Longing

Driven by Idealism: Merlin’s ENFP personality is defined by hope and idealism, traits that keep him believing in Arthur’s eventual return. Even though Arthur died, Merlin’s unwavering belief in the prophecy—that Arthur will rise again—fuels his determination to keep waiting. For Merlin, his love for Arthur and his faith in the prophecy are intertwined, so he continues to hold onto the belief that their story isn’t over.

Endless Loyalty: ENFPs are known for their loyalty to people they care deeply about, and Merlin’s waiting for over 1,500 years is the ultimate expression of that loyalty. He never moves on, because his heart and soul remain connected to Arthur, and he believes that their bond transcends death and time itself.

Living in Grief and Hope: As a feeler, Merlin experiences the full emotional weight of Arthur’s loss, but his belief in Arthur’s return sustains him. The fact that he has to wait so long makes his grief even more intense, but the hope that Arthur will rise again keeps him going, even after centuries of loneliness. His ENFP nature ensures that his love for Arthur never fades, and he continues to hold onto the possibility of their reunion.

2. Arthur’s ISTJ Rest and Duty to Return

Waiting for the Right Moment: Arthur’s ISTJ personality means that, even in death, he is waiting until the precise moment when he is needed most. His sense of duty to Camelot and to Merlin persists, even after death, as he waits for the time when his kingdom—or Merlin—truly requires him. The prophecy reflects Arthur’s ISTJ nature, as he will return to fulfill his duty, not a moment too soon or too late.

Faith in Merlin: Even in the afterlife, Arthur’s deep trust in Merlin remains. Although he is resting, there is an unspoken understanding that when he rises, Merlin will be by his side, just as he always has been. Arthur’s loyalty and sense of responsibility mean that he trusts Merlin to carry on until the moment of his return.

The Final Act of Duty and Love: Arthur’s rise will be his final act of duty as king and as a friend and lover. His ISTJ sense of purpose and structure drives his eventual return, knowing that Merlin and the kingdom will need him again. When he does come back, it will be out of love for Merlin and a deep sense of responsibility to his people.

3. A Love That Survives Time

Merlin’s Endless Vigil: For over 1,500 years, Merlin has waited, watching the world change, but his love for Arthur remains constant. His ENFP personality clings to the belief that the prophecy will come true, and when Arthur finally returns, it will be the culmination of centuries of waiting. Merlin’s idealism, rooted in his deep emotional connection to Arthur, sustains him through time. He doesn’t seek out other connections because, in his heart, Arthur is the one he’s waiting for.

Arthur’s Timeless Love: Even though Arthur is resting, his love for Merlin isn’t diminished by time. When he returns, his ISTJ loyalty will kick in, and he will fulfill his promise—coming back to be with Merlin and to save the kingdom when it’s needed most. His return is not just a matter of destiny, but also a testament to the bond he shares with Merlin, one that surpasses life, death, and time itself.

4. The Ultimate Reunion

The Prophecy Fulfilled: When Merlin and Arthur finally reunite after over a millennium, the moment will be one of overwhelming emotional release for both. Merlin, with his ENFP emotions, will have spent centuries holding onto hope, and Arthur’s return will be the answer to his deepest longing. The reunion will allow Merlin to finally let go of the grief he’s carried for centuries, knowing that Arthur is back by his side, just as he always believed he would be.

Arthur’s ISTJ Return to Duty: Arthur’s return will be a moment of intense duty and purpose, but also of love. His ISTJ nature ensures that he will rise again when Merlin (the last remaining piece of Albion) needs him most. Their reunion will be both the fulfillment of a prophecy and the completion of their love story.

5. Symbolism of Eternal Love

Waiting as a Form of Love: Merlin’s long wait for Arthur shows that love isn’t confined to one lifetime. His waiting is a manifestation of his deep, undying love, and it reflects the ENFP’s capacity for emotional endurance. Even though he’s spent centuries alone, his heart remains tethered to Arthur, and when Arthur finally returns, it will be a moment of profound emotional catharsis.

Arthur’s Duty Transcends Time: Arthur’s ISTJ sense of duty extends beyond the grave, showing that his bond with Merlin is eternal. His return will not just be about fulfilling his destiny as king, but also about being reunited with Merlin, the person who has always been by his side. This reunion will be the ultimate proof that their love and duty to each other cannot be broken by death or time.

Conclusion: A Love That Defies Time

The prophecy of Arthur’s return turns their story into an eternal love saga. Merlin, driven by his ENFP idealism and emotional depth, waits for centuries, believing in the prophecy and holding onto the love he has for Arthur. Arthur, waiting in Avalon, as the prophecy foretold, remains loyal to his duty and his love for Merlin, waiting for the moment when he is needed most.

When they are finally reunited, it will be a moment of ultimate emotional release, where centuries of love, hope, and loyalty finally come together. Their story is one of timeless love, with their bond surviving beyond life and death, waiting to be fulfilled in a future where they can be together once again.

[yuurivoice]

Hi Yuuri I just wanted to say I miss Howell. That’s all I hope you have a good day😊

I do too! There's still a lot about him I want to know and figure out. I was able to delve into him a bit more (and get some much needed closure) with some friends. I don't think he's really a character that I want to do various iterations of in different worlds and campaigns, because it's that specific story of his that I love. If it's removed from that world and story, I'd rather have another shot at a new character.

I was able to salvage a couple of relationships out of the rubble from the entire ordeal surrounding TnD, and I've got no beef with anyone who wasn't literal human trash, so Howell's place in my heart is unscathed in terms of being attached to a really shitty time and situation.

Reflecting on those days, that shit was a nightmare scenario. Obviously my own emotional turmoil pales in comparison to the literal criminal and victim in our midst, don't get that twisted because those most directly impacted by one asshole's actions should be the primary concern. It is a hell of a pill to swallow having something that dear to you go up in flames in such a public and grotesque way.

I don't blame anyone who feels any type of way about how it was handled and the aftermath of it. The truth of it all is, one person's really fucked up actions had widespread effects on a lot of people. The radius of that bomb was no joke.

Howell is very dear to me, and those Sundays were genuinely the favorite day of the week for me over that time. The backlash, anger, resentment, and then emptiness of it all really took its toll, as I'm sure it did on everyone caught in the blast zone.

The bad guy got got in the end, and I'm thankful for the folks who made sure that happened.

That year as a whole was really difficult. That wasn't the only heavy thing I had to work through that year. There was a stretch of six months that were probably the worst of my adult life in terms of interpersonal turmoil. The universe really took a bat to my kneecaps.

Saying ALLLLLLLL of that to say, if I had lost my love for Howell, it would have taken a significant toll on me creatively. I would not so freely share the parts of myself it takes to create the stories and characters I do now. I can pretty confidently say that something like Echoes or Shattered would never happen.

I struggled mightily with BitterSweet Chapter 3 for that reason. It was hard to want to carve out pieces of myself to share with the world, and certainly very difficult to work with anyone else out of fear that their bad actions could rob me of my passion even more.

But I learned a lot, and over that time I also think I was able to show my community how serious situations get handled while I'm at the helm. I hate that me and the team have been on the frontlines of a few really serious community PR nightmares, but I do think we've been able to exhibit an ability to treat things with maturity, respect, and direct action.

So Howell means a lot to me. We've been on two journeys, one fictional, and one real...and boy we've gotten our asses kicked more than a few times.

There is a chance, albeit a small one, that there's a DnD story to be told with Howell and some friends, for the world to partake in. Don't know if it'll happen, but the chances aren't 0%...

[all-pacas]

7.04:

HOUSE: […] Yes, [Chase has] been dating at a near-Clooney pace recently, but at this point, the only hole he's trying to fill is the one in his soul, which means it's the emotional connection with Cameron that he misses.

7.10:

WOMAN DOXING CHASE: When we were talking, you seemed like a nice guy. So either you're a great actor, or you're a nice guy who lost his way.

7.14:

PATIENT : Haven't you ever done something in a relationship you wish you could take back? CHASE : Maybe. PATIENT : How'd you handle it? CHASE : I told the truth. Eventually. PATIENT : How'd that work out? CHASE : Not well.

7.19:

CHASE: My time here changed me in ways not everyone in my life thought was for the better. […] MASTERS: Were those people right? CHASE: I think when you do change, it's not so simple to go back.

7.20:

CHASE: I think you're stuck. Last month or so I've turned my life around. I'm happier than ever. FOREMAN: Sleeping with ten women instead of four? CHASE : Try none. […] FOREMAN: […] None? CHASE : Was having tons of sex, and I was bored, hating myself. Was never gonna be ready when something real came along.

[He sleeps with a nurse at the end of this episode, and looks conflicted about it.]

8.10:

ADAMS: Do you think people can change? CHASE: No. But I don't think that's gonna change your opinion, because… people don't change.

8.12:

HOUSE: You can do anything. So you come back to the same building you've worked in for years. Guess you can cross that off your bucket list. CHASE: Can we get to my patient sometime soon? HOUSE: As soon as you admit that you're a confused mess, sure.

-

HOUSE: Or you're terrified of intimacy, which is why you're a serial slut. But right now you're grasping at an emotional life raft. Ideally someone for whom intimacy's not an option.

8.16:

PARK: You were jealous of me. My family. CHASE: Maybe you've got too much, and I've got too little.

8.17:

CHASE: I have meaningless sex with random strangers. Thanks for the insight, but I stopped that months ago. I actually had a relationship. HOUSE: With a patient. You just date whoever happens to cross your path. CHASE: My dating is getting in the way of my dating? HOUSE: You don't go looking for the right person. You just shack up with whoever's in the room, and then you get surprised and/or divorced when it doesn't work out.

anyway, chase's dumb whoring as a symptom of his loneliness. his immediately falling for cameron at the first scrap of affection as a symptom of his loneliness. he sleeps around after his divorce and then stops. he sleeps around after his stabbing and then stops. it takes him a long time to get over his divorce -- there's a running theme of him wanting to change, feeling like he can't, that no one can, that it is a problem, that all he can do is what he's stuck doing, but he keeps attaching to the first people who show him affection (which he mostly interprets as sex) because he doesn't know what other relationships look like.

[roadimusprime]

T-shirt that says "I was emotionally and mentally neglected as a child"

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[brainman1987]

@all my Gideon Coal lovers (hello hi nice to meet ya howyado) how about This Prompt

Gideon loses to gricko when he tries to hit the man with the weird bowtie but misses, and ends up giving an iou to Gricko instead! Yes normal plot we stan yes? Anyways the Sow Pig the strange not frog not human but something worse and the tall moon faced woman all meet him, Sow Pig goes "you don't have your TickEt" yadda yadda yadda and instead of someone important to him Gideons Manacles get taken away from him

Because y'know. It's something of equal value they have to take yeah? And Gideon doesn't consider himself a very materialistic man, only owning a two maybe three shirts two pairs of pants, it was always easier to forget and leave behind things that had emotional value because then it was easier to run or fight without abandon because what did he have to come back to? So when the Sow Pig came he thought he wouldn't have anything, nothing it (not she that thing is some horrible not human at best) until it reached out to him and took his Manacles. Idk just. Y'know hehe

Gideon stumbling and feeling... maybe... unprotected? Useless? Suddenly Very Much not con-fi-dant and boisterous as we all know him to be! Maybe a little empty! Anxious! Idk I might just be going crazy! anyways toodles ✨✨✨

[lokittystuckinatree]

2 months later almost to the day and I’m still literally sobbing into my pillow about the Shakespearean tragedy that was Sylki

[jitteryjive]

i need to remake my cup bros ref… both cup and human designs… it’s been almost a year(?) and i’ve developed the headcanons and i would like to share with the class!!! (i wrote thirty tags. Please help me)

[qqqqqqqqqqq0]

i've been having some trouble falling asleep lately

[floralovebot]

i think a lot about helia being saladin's grandson and how it's heavily implied that he's close with codatorta too and him being codatorta's best student at some point. and how most of the characters either immediately assumed nepotism or weren't exactly disagreeing with it. and how saladin and codatorta go out of their way to Not treat helia better and how all of that combined can really fuck with a young teen's mind and perception of themselves.

he never thinks he's good enough or the right person for the job. he always wants to prove himself. he's really sensitive to making mistakes and immediately assumes everyone hates him when he makes one. always tries to prove his worth in physical and mission related ways. feels responsible for red fountain and guilty for having other interests. manages a stable art career but ultimately goes back because he's too emotionally attached to everyone and especially rf. it's just... dude...

[maerrine]

man i am a little bummed about how this means that all this time we thought dazai was struggling for the first time was actually all just faked though. i hope we get to see dazai out of his depth at least once before the end of the series.

[d0d0-b0i]

always get so pleasantly surprised when people really like my stuff i post :) love you all. whether you celebrate something or not around this time i wish you all the best <3

[girlscience]

I hate finding a fandom that likes to take a slightly emotional character and makes them cry and have panic attacks constantly in every fic. Least favorite fandom trope ever

[vaugarde]

Sitting on these but I may rename my Cubone hero "Vega" (referring to the "fallen star" meaning) and Skitty partner "Milo"