#Anti Records

[nofatclips]

Chancha Vía Circuito's remix of Te quería by Lido Pimienta

[thepermanentrainpress]

Gallery: Slow Pulp @ The Pearl - Vancouver, BC Date: October 13, 2023 Photographed by: Danielle Costelo

[musicollage]

Andy Shauf — Norm. 2023 : Anti-.

! acquire the album ★ attach a coffee !

[lauraepartain]

The lovely Leyla McCalla | Feb 2023

[sinceileftyoublog]

Madi Diaz & Jack Van Cleaf Live Show Review: 3/6, Lincoln Hall, Chicago

Madi Diaz

BY JORDAN MAINZER

"I've got these purple shoes--they're very cool," Madi Diaz shared Wednesday night at Lincoln Hall as she tuned her guitar. Someone in the audience replied, "Tell us more!" Diaz didn't hear them, but the crowd member's response was apropos of Diaz's open-book nature as a songwriter and performer. Over her past two albums, 2021's History of a Feeling and last month's Weird Faith (Anti-), through her unflinching honesty, Diaz has created a solidarity of self-expression, anthems out of moments and feelings we might otherwise be ashamed of (loneliness, crying in public). She's put to song the peaks and valleys and beginnings and ends of relationships with others and herself, the non-linear nature of realizing that she loves, hates, feels a burning desire, and in turn deserves to feel it all. Turns out, a lot of other folks have had experiences similar to hers, making it easy for them to sing Diaz's words back to her and feel a palpable connection.

Diaz

Diaz walked out to Cass Elliot's "Make Your Own Kind of Music", a fitting sentiment to introduce a show in which she laid bare her vulnerability and created an atmosphere for others to do the same. Truth be told, she knows how to start a song, an album, and a set; "Same Risk" confronts a love interest about a level emotional playing field. "What the fuck do you want? Cause I'll give you all that I got," she sings on the Weird Faith and set opener, each subsequent line one-upping the prior in terms of frankness, culminating with the question, "Do you think this could ruin your life?" and the admission, "Cause I could see it ruining mine." Though the album version has the proper canyons of space to give room for Diaz's heavy confessions, the live version was comparatively stripped-down. On stage, Diaz played guitar and sang alongside multi-instrumentalist Adam Popick, who played drums and synthesizer, sometimes simultaneously. Though Diaz's lyrics are often diaristic, conversational, and clear, that they were less obscured by instrumentation as on the album made them all the more in-your-face. As such, a song like upbeat strummer "Everything Almost", wherein she wonders whether she's doing and saying the right things in a burgeoning relationship (and she's even doing the wondering out loud, in real time) is borderline like watching theater: At one moment, she cracks up at the thought of being a needy pregnant partner, and at the next, cowers at the idea that her parents might not be around to meet their grandchild.

Diaz

Diaz's unbridled outpouring can be jarring, but it's undoubtedly powerful. On Wednesday, huge-sounding songs like "For Months Now", "KFM", and "Resentment" transformed into intimate singalongs. "Hurting You", performed solo on acoustic guitar, became an even more hushed ode to picking yourself back up after a heartbreak, learning how to move on from grief. And though Kacey Musgraves didn't show up to duet "Don't Do Me Good", the crowd's belting of the all-timer country chorus was as stubborn as the song's protagonist herself.

If Diaz has grown as a songwriter over time and as she's penned for pop and country stars, it's clear that her time opening for the likes of Waxahatchee, Angel Olsen, and Harry Styles has allowed her to understand that, when performing, just because a space is big doesn't mean it always needs to be filled. The subject matter of her songs could be constantly cried out, but she belted only for maximum impact, contrasting the dulled tom thuds on "Get to Know Me", or holding a single note on "Crying in Public". For the most part, her vocal delivery was subtle, especially when she harmonized with Popick on "Girlfriend" and delved into fatalistic tricks on the unreleased "Worst Case Scenario", a song that tests her "theory of imagining the worst possible thing happening" so that it won't happen, or "expecting nothing and then being pleasantly surprised." At one point, on "Worst Case Scenario", she exclaimed, off-beat, "I'm gonna think of it!" over chugging drums and barn-burning riffs, recalling the tossed-off singing of Jason Molina.

Adam Popick and Diaz

Where Diaz finds ultimate peace is not in fatalism or nihilism but a sort of existentialism. She spends a lot of Weird Faith looking for meaning in giving your all to someone, and even weather patterns. But on "Kiss the Wall", she proclaims, "Nothin' is a waste of time," connecting the most boring moments when we're waiting in line for something to one's own legacy, perceiving that we all make tiny changes to earth. During her encore, Diaz said she didn't believe a mere two years ago that she could spend time on stage singing about such a raw period in her life. As she wrote Weird Faith "on the backs of mantras," she started to believe in herself. It's clear, now, that one of those mantras is that every moment carries weight. She ended the night performing the title track on acoustic guitar, visibly emotional as she left the stage. As the house lights went up, we were graced by none other than Limp Bizkit's cacophonous cover of George Michael's "Faith", a reminder that even the cruelest of jokes can be earnest expressions of the universe's necessary chaos.

Jack Van Cleaf

Opening was Nashville-via-Chicago songwriter Jack Van Cleaf, an acoustic guitar picker whose songs and performances, like Diaz's contain heart-to-heart chatter. Lines like, "Love is like a rattlesnake / Before it bites, it tries to warn ya," from "Rattlesnake" were perfect bedfellows to Diaz's "Same Risk". And perhaps it was a mix of Van Cleaf fans and Diaz fans attuned to storytelling, but I was wowed by the audience's reaction to his songs as much as the songs themselves. On the unreleased "Using You"--which employs drug metaphors to explore how people use each other for attention during a relationship--the audience reacted with every lyrical twist and turn, despite likely never before having heard the song. After performing it, Van Cleaf asked those taking videos to tag him on Instagram, not for clout, but so he could watch it and fine-tune the song. Yes, such symbiosis carried seamlessly into Diaz's set, but for Van Cleaf in a vacuum, it's easy to see how another unreleased song like "Piñata" came to be given his appetite for feedback. It wasn't just the words themselves but the way he delivered the line, "I'm full of sugar / I'm full of niceties / I'm full of shit," that hit harder than a candy bar after too many edibles. Next time Van Cleaf comes to Lincoln Hall, he might be the headliner making people cry.

Van Cleaf

Van Cleaf

Van Cleaf

[underachievers-please-try-harder]

Track of the day // Katy Kirby - Party of the Century

From the album Blue Raspberry, out January 26th 2024 on ANTI-.

[demiurgicviscera]

people making fun of trans masc and men’s names always falls so flat, because they tend to be some of the most beautiful and classic male names that exist? liam, will, jack, finn, izzy, viktor, lucas, theo etc . and you know if we were instead en masse choosing names like apollo, achilles, hades, dionysus they’d find a reason to make us feel pathetic for it too. one can make anything look stupid if you try hard enough, and people try really hard when it comes to trans men and mascs and what we choose to do with our own autonomy.

[tuuneoftheday]

Waxahatchee - Right Back to It feat. MJ Lenderman

[mwagneto]

fascinated by just how much marvel movies (and shows) managed to perfect the formula of making 2 male characters Just gay enough that the fans who want that will go UMMM IT'S NOT BAIT THEY'RE LITERALLY GAY LOOK!!!! but not too gay that homophobes even pick up on there being any subtext let alone get mad. extremely insidious form of bait. obvious examples being fatws and loki and more recently deadpool 3 and now venom 3

[nofatclips]

No pude by Lido Pimienta - Director: Fitto Segura

[rober-noir]

Glen Hansard - "There's No Mountain"

#glenhansard #antirecords

 "There's No Mountain" by @Glenhansardmusic from the upcoming album 'All That Was East Is West Of Me Now', out on October 20 Pre-order, stream & download: https://glenhansard.ffm.to/atweiwomn 

Directed by Myles O'Reilly

 Produced, Recorded and Mixed by David Odlum 

Written by Glen Hansard 

Mastered by Bob Ludwig at Gateway Mastering

 Earl Harvin : Drums Joseph Doyle : Bass, Vocals Rob Bochnik, Guitar, Vocals Ruth O’Mahony-Brady : Piano, Keyboards, Synths Glen Hansard : Guitar, Mandolin, Vocals Piero Perrelli : Percussion Paula Hughes : Cello Katie O’Connor : Violin Una O’Kane : Violin, Viola and String Arrangement

(vía (126) Glen Hansard - "There's No Mountain" - YouTube)

[localvillagecryptid]

Combatting the "illiterate/dumb/insert classist assumption here" headcanons being circulated about Zaunites (particularly Vi) with my own headcanons.

Headcanon that Zaunites are actually super into literature and poetry. Like, culturally. Headcanon that music and poems were there for them when they had nothing else. The bridge song is the only song we hear being canonically sung by a character in the show and it's literally baby Powder (and Vi hums at the end of s2). The only other songs being played in-world are all by Zaunites. Art is a form of expression that they took refuge in as a community.

Headcanon that they generally love storytelling. Regardless of if they do or don't have access to books that are in good and preservable conditions, storytelling (via reading or memorization/orally) is a super important part of their culture. No one population has a 100% literacy rate even IRL, and not being able to read doesn't make anyone stupid anyway. But Zaun has a decently high literacy rate, especially considering their circumstances. They prioritize it because of how fundamentally important art/storytelling is to their culture.

Headcanon that Ekko and his Firelights tell stories to the kids at the base every night before bed. That a lot of these tales are from people he loved, like Benzo or his birth parents, or even Vi, Jinx, Mylo, and Claggor.

Headcanon that Vi in particular loves reading. She's a total bookworm. The few moments where she gets to do things for herself, she chooses to read and collect poetry and literary works. She's only ever kept one classic for herself (sold the others), but the things she keeps, she treasures. Young Vi likes to spin tales for baby Powder. Some are based off of stories she's read/was told by the adults in her life. Others are entirely made up on the spot, for Powder's own enjoyment.

Headcanon that Vi would've maybe wanted to be an author if she wasn't more preoccupied with protecting her family. That she considered pursuing those interests a pipe dream, something for a different version of herself.

Headcanon that Sevika remembers more about her dad's stories than about her dad himself. Headcanon that Renni the chembaron read books with her son whenever they both had a day off from work.

Headcanon that a lot of Zaunites know how to sing. Headcanon that Vi can sing. And that she used to sing lullabies for Powder until Mylo called her a baby for still needing them. And even after Vi punched him for it, Powder insisted she was too big for lullabies- so she and Vi settled on bedtime stories.

Headcanon that Jinx still remembers those stories. That she tells them over and over to herself whenever she can't sleep.

Headcanon that Silco told her stories when she became comfortable enough to tell him about her insomnia as a kid.

Headcanon that he would tell her anything from true stories of his past to things he's read or heard to things improvised on the spot. And they were different from Vi's stories because these usually had some moral/message to them, even the ones that he made up- but she loved them just as much as the aimless, endless tales of wonder and adventure Vi would spin for her.

Headcanon that now, she replays both Vi's and Silco's stories in her head at night. That when Isha came into her care, she shared some of those stories with her, too.

[musicollage]

Christian Lee Hutson — Paradise Pop. 10. 2024 : Anti-

[lauraepartain]

Leyla LcCalla | Feb 2022

[nebulo-philiac]

We gotta stop pretending that the "censorship/antishipper" movement is run by dumbass children when most of the people who actively participate on there are GROWN ASS ADULTS who say stuff like this, this person has 25+ on their bio😭😭😭😭😭😭😭

[underachievers-please-try-harder]

Track of the day // Waxahatchee - Right Back To It feat. MJ Lenderman

From the album Tiger's Blood, out March 22nd on -ANTI.