#Bc they're mentioned

[wallyandco]

Wally have you watched how to make a eggless cake from howtobasic?

"is....is this a TV program? I don't think I have heard of 'howtobasic'....perhaps Poppy or Frank knows??"

((It's the 70's folks))

[wordgirlnextgen]

What I think will be sad and sweet is having Chase and Liam talk about the feelings and experiences of half-siblings along with absent parents.

"we're more alike than you like to think"

"whatever..."

Liam and Chase sat in their assigned spots in detention. The teacher had gone out for a minute to speak to the principal. Liam could hear them saying that they would phone the parents. The blonde had started the fight as he did most times.

Chase didn't throw any hits or even retaliated back. However when the teacher pulled them from the 'fight' Chase said he did. And that was the thing that irked Liam the most. How chase

Never did Liam thought he would have something in common with his enemy-

Chase Boxleitner.

As long as he could remember he held a grudge against the brown haired preteen. Wall not really a grudge. But moreso on the line of jealousy. Here Chase had both of his parents in his life. Except....

He didn't actually.

Liam had assumed all this time given by how many times he saw Chase with his family at the P.T.As and neighborhood cookouts. He even called the orange haired lady mother for Pete's sake! It just didn't make sense. There weren't actually related. Sure Liam's dad married Keen. But he didn't call him father.

It just did not make sense to him.

"...."

Then again nothing made sense about Chase. Liam stared at said boy who was holding the icepack on his arm. Liam looked away not wanting to feel that ping of guilt for hurting his classmate. Being soft meant people would pity him. And he didn't want pity. Still...he felt inclined ask:

"you don't feel replaced?"

Chase looked up at him with his mismatched eyes. They didn't hold malice however Liam could tell he was thinking things over. "No...not really. " Chase says. he paused before admitting. "Sometimes I do feel out of place though...like an oddball"

"you are one." Liam says rolling his eyes. His tone wasn't smug however. He was quiet for a bit before adding "I feel that way sometimes ..."

[melodythebunny]

Steven is a scientist... Why didn't he just clone his wife or something?? Like take a strand of hair add in some sciency stuff and bam he got his wife back

Angst crew wake up we got another-

@ninjastormhawkkat @drtwobrainsstuff. @liloskull343 @spaaceeboyy

I think cloning is a tricky process... Like you have to be careful when it comes to cloning or else the clone comes out unstable like...bunbun

:(

Also maybe rushing things can also be a factor?

(not sure if mr.big rushed the process of bunbun's creation so -shrugs-)

However not saying its impossible to get good clones just look at chase. Perfect clone of both of his dads. also pretty stable too. Maybe it was the alien dna? Maybe not?

This being said...

Steven did consider it. And for a while he didn't think he could do that, A small part of him hoped that Carrie was still alive out there somewhere.

Eventually he caves in and began the process of cloning. It took many sleepless nights but he did eventually managed to clone carrie. Compared to having to explain her sudden reappearance, the cloning was easy.

Having to lie through his teeth to everyone that he found her and she wasn't still missing was stressful. Even to the clone he fibbed. Said that she got into an accident and went into a coma for almost 4 years. (Somehow he 'proves' this)

Carrie, the clone, has zero memories waking up. so she just takes his word for it.

things were fine between them for awhile.

They were happy.

But as time kept on Steven started to become more and more aware of the fact that this was a CLONE and not actually Carrie. Not really anyways.

No one else had a faintest idea. But Steven KNEW.

It started with noticing some things off about her. for the most part the clone WAS carrie. She shared the same face, same voice etc.

But it just felt...artificial.

Like a robot doing what it was programmed to do. Her memories still started from waking up from "A coma" and when it came to trying to fix the amnesia, Steven felt like he was just walking backwards.

Then came the times where the clone would just blank out. Like a pc that crashed. Or a program that reached the end of its coding. Just sitting really still with little to no reaction. Hardly breathing sometimes.

After each episode, she would just continue about her day like nothing happened. Not like she'd remember them with her goldfish memory.

Steven doesn't tell her anything however. As much as it bugs him.

He doesn't want to acknowledge the flaws. He knows something is wrong. He knows she's just a replacement. He just can't let go. He just really can't bring himself to do anything about it anymore.

He's got part of his wife back...so shouldn't he just be at least happy?

[modmad]

hey I really hate doing self publicity bUT. FOLKS WE NEED TO MOVE THESE BOOKS or there won't be room in the Topatoco warehouse for TPoH volume 4, which we plan to kickstart later this year- so yeah!

THE PRINCESS AND THE JESTER BOOKS ON SALE NOW!

don't miss the opportunity, there's only a limited number left and they're really gorgeous guys seriously ya gotta get in on this

Want to try before you buy? You can read the Princess and the Jester FOR FREE right here! Go enjoy a free fairy tale! You earned it.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[hellishfig]

for the amount of time i spend thinking about erika ishii, i do not post about them NEARLY enough

everything i've ever seen them in, they have been fully dialed in. they understand the genre, they understand the character they're playing, and they NEVER. FUCKING. MISS

my current dnd character is actually based on multiple characters of erika's that i enjoy. my character is a witch (like ame of worlds beyond number fame [thank you to the witch class playtest]) but she is also a brewer who grows weed and shrooms, and deals them, and does them (and her personality is very much modeled off of danielle barkstock in dimension 20's the seven)

i feel that many of my favorite moments from erika are often focused on other characters. but many of those character moments would not have been possible without erika's incredible roleplay and sense for storytelling

and when the moment IS focused on erika's character? spellbinding. groundbreaking. from ame talking to orima in the overgrown shrine to danielle getting a nat 20 at the masquerade ball, i always fall into the scene and feel it so deeply due to erika's skill and poise and commitment to the story being told

tldr i think erika ishii is incredibly talented and wonderful

[bananaa-fever]

[thehallstara]

anyways happy pride to all my high risk queers out there, to all my disabled queers for whom events aren't accessible to, to my immunocompromised folks who can't risk attending events where people aren't masked or taking covid precautions! happy pride to my fellow cripqueers that want to be out there fighting and celebrating with their friends and family and can't because it's not safe for them to do so– you're not alone and you deserve to celebrate too. we all do.

[solitesse]

Shoutout to Haikyuu!! for showing the diversity of the autism spectrum!

We have :

Ushijima "I have no idea of what’s going on" Wakatoshi

Kageyama "I can’t read social cues & it pisses me off" Tobio

Sakusa "Don’t you dare touch me" Kiyoomi

Akaashi "I felt overwhelmed and anxious so I made some very specific lists to feel better" Keiji

Kozume "I was just looking for Pokémon Tier Lists online and ended up not eating, drinking or sleeping for the last 24 hours" Kenma

Kita "Do not disturb my routine under any circumstances" Shinsuke (+ bonus point for the "crackly" jacket)

[asbestos-11]

they're so sick and disgusting, i need to shoot them on sight (said lovingly)

reblogs highly encouraged *cocks gun*

[hychlorions]

how do i even caption this

[softhairedhotch]

whenever i've imagined the upcoming bucktommy kiss (which is a lot) where buck initiates the kiss at the wedding once tommy saves chim, i imagine buck runs up to tommy and immediately kisses him in front of everyone. which is great and all, but now i think it'd be great if it starts with a simple hug first. like there's a slowmo scene of tommy getting off the plane, looking around for someone he knows, and then buck yells his name and sprints over, we hear tommy let out a soft "evan" before he's stumbling at the force of buck's body colliding with his as he hugs him so tightly. and as buck holds him, there's a few reaction shots. bobby has a slightly raised eyebrow, wondering when they got so close, athena looks a lil confused but happy nonetheless, hen and karen share a look, maybe we see buck's parents share one too (but less knowing/sweet and more worried), and eddie smiles a lil. let's out a sigh of relief because tommy is his friend too and he's glad he's safe. and THEN buck kisses tommy. and oh my god we get to see everyone's face switch immediately. the shock and the confusion and the pride. oh it'd just be so beautiful.

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[luxaofhesperides]

Ghostlight!

"You came?" "You called."

Danny in trouble, Duke to the rescue! (Or it can be reversed!) Maybe they've been online friends or met in person once and bonded over both having all these unexpected powers. Slightly angst.

There was never a point when Danny thought he would need the panic button Duke gave him.

It was a sweet gesture, a way for Duke to show that he cared for Danny and wanted him to be safe. Never mind that Danny can take care of himself, heals quickly from most wounds, and has been the protector, not the protected, ever since the Accident. If it makes Duke feel better, than Danny was more than happy to keep it on him as a token of affection.

The cultists, however, caught him off guard. 

Danny would be embarrassed about being nabbed off the streets so easily if the people who took him weren’t cultists lead by the daughter of a GIW agent, one who disapproved of the scientific approach the GIW took towards ectoplasmic entities and had turned to mystic arts as a way to defy her father. Which, usually, Danny would be all for striking out against the strict expectations of parents and their unwillingness to listen to their kids in any serious manner, but not this time. Not when it ends with him slowly waking up after they chloroformed him, curled up in some magic circle, surrounded by black candles and blue flame, and something in the air that smells of blood blossoms.

There are voices speaking, but he can’t make out what they’re saying over the pounding in his head, his heartbeat stuttering in his chest with each gasping breath he takes. 

Whatever they’re doing, whatever’s got him bound in the circle, makes his blood feel like its been lit aflame, agony coursing through his veins. He tries to grit his teeth and bare it, but it doesn’t become any more manageable.

No, it gets worse the longer he’s awake.

Danny tries to move, tries to get to his feet, but all he can do is curl up tighter, a sob forcing its way out of his throat.

“I know you’ve got some connection to Phantom,” he hears someone say, both by his ear and so far away he can barely make out the words. Danny whines, trying to insist that they’re wrong, he’s got nothing to do with phantom, but the voice continues. “Come on, cooperate with us and this will end sooner for you. You can’t lie about this; you wouldn’t be feeling anything if there was no connection.” 

A hand brushes against his forehead, burning hot, and Danny turns his face towards the ground trying to move away from it. 

“I knew ghosts had to have some tie to the living world. And a living anchor would make the ghost stronger… If only dad would listen to me.” The voice sighs, and the words help him put the pieces together and realize this is the daughter of the GIW agent that came closest to finding him when he first ran to Gotham. 

It’s been close to a year since then. He thought they’d stopped looking. 

Really, he should have known better.

The hand leaves his forehead and he hears the leader bark out an order. Voices surround him, chanting, as they rise out of the dark. 

A red glow begins to fall on everything, enough that Danny can see it through his barely open eyes. A shudder runs through him, and he feels his transformation try to begin.

NO, he thinks desperately. He tries to force it down but it fights against him. It’s agony, pain on a molecular level, the feeling of dying over and over and over again.

NO, he thinks, STOP I DON’T WANT TO DIE SOMEONE PLEASE HELP ME.

And then, unbidden, a single word rising in his mind. Duke.

Duke will help him if he knows Danny needs help. Duke has been kind and welcoming and helped Danny find his footing in Gotham, never judging and always quietly offering a hand in support. He’s the person Danny’s closest to in Gotham, someone dear to him, a light in the dark. 

He gave Danny a panic button.

Contrary to popular thought, Danny isn’t an idiot. He knows Duke is the Signal. A few too many incidents where Duke had disappeared and the Signal appeared to save him tipped him off. It didn’t help that Duke acted the same in and out of costume, and he always, always grabbed Danny first at the elbow, then slid his hand down to his wrist. 

Besides, who else gives panic buttons to their friends? Danny would have done the same to Sam and Tucker if they weren’t always attached at the hip. He’s a (former) teenage vigilante too, he knows how being involved in this kind of thing invites trouble into the rest of his life.

Duke can help him. He’s a hero. He’s saved Danny before.

He’s his friend. Danny trusts (wants to trust, so badly) that Duke will help him even when he’s not fully human, fully alive.

With trembling hands, he reaches into his jacket, to the panic button. It’s a simple necklace with an unassuming metal rectangle dangling off of it. It’s flat and thin, but the top gives way to a button that Danny clicks three times in quick succession. 

He waits a moment, trying to breathe through the pain, and clicks it three times again.

Please hurry, Duke, he thinks, hand falling limply to the ground. 

“Let’s try this, instead,” the leader says, and the chanting falls to a quiet murmur to give way to her voice as she begins reciting something.

It starts at his feet. They cramp up suddenly, then pain crackles up his bones like lightning, digging deep into him. It feels as if a thousand knives dig into his abdomen, cutting in deep and twisting.

Danny chokes on his breath, then screams, trying futilely to scramble away. All it does is make him writhe on the ground, back arching enough that he can feel the strain of it on his spine, but it doesn’t matter because he’s forcing down his transformation again, smothering Phantom as much as he can.

His breath mists out before him. His fingers go numb, frost spreading across the floor.

Tears slip down his face as Danny pants for breath.

It hurts. It hurts like nothing has ever hurt before, but he refuses to give in. If they find out he’s Phantom, they’ll only do worse. 

Please, he thinks again, deliriously.

As if hearing him, a window shatters above him and the cultists break off in screams. 

Forcing his eyes open, Danny squints through he tears and watches as the shadows around them rise up, roiling, and crash against the cultists. The force of it knocks them down, leaving them to claw desperately at their faces as the shadows cover their nose and mouths, cutting off their air. The leader is yelling, rage clear in her voice, shooting out magic spells at the Signal.

The Signal is usually a friendly figure. He’s safe, something whose meer presence makes people feel safe. His smile means everything’s alright and when it’s directed to Danny, he feels like nothing bad can ever happen to him again.

The Signal isn’t smiling now. 

He’s furious, expressionless and stone cold, bashing away the spells with shadows or light, advancing on the leader like an avenging angel come to deliver justice. 

He takes her out with hard hits, striking methodically. It’s not quick. She doesn’t get the kindness of being knocked out; no, he snaps a wrist, breaks her nose, slams her down on the ground and cuts off her air with a knee until her struggles die off and she’s left limp on the floor. 

When he rises, surrounded by shadows still moving restlessly, illuminated only by the flicker blue flames of the candles, he should look terrifying. 

All Danny feels is relief so sharp it worries him that his chest was cleaved in half without him noticing until now. He shivers against the floor, too weak to reach out to the Signal.

It’s a good thing he doesn’t have to. 

The Signal picks him up with careful hands, checking him over for injuries.

“Duke,” Danny murmurs, slurring a bit. The torture is definitely at fault for it, but the sudden absence of all that pain doesn’t help him sound any more coherent. “You came.”

“You called,” Duke says, “Of course I came. I’ve been looking for you for hours. You never showed up for our study date and I know you always try to reach out if you can’t make it. I’m just sorry I didn’t find you sooner.”

“S’okay, ‘m not mad. Was scared, but you made it better. The panic button…”

“It’s how I found you. I’m so glad you were wearing it today.”

Danny tries to smile, but the most he can manage is a twitch of his lips before his head tips forward to rest against Duke’s armored shoulder. “I always wear it.”

Duke’s grip on him tightens for a moment, then he begins walking, taking Danny away from the magic circles and the prone bodies of the cultists who had watched him be tortured and decided to keep going. Danny shudders again, his entire body aching. His transformation is still fighting to come out, but it’s not as strong anymore. 

“Let’s get out of here,” Duke says into his ear. “I’ll take you to the hospital.”

“No! No hospitals, please. I can’t let them know… they’ll find me…”

Duke shushes him soothingly, tucking him more securely against his chest. “Alright, Danny. No hospitals. But I am going to call Batman for a pick up to get you to one of the people we trust for medical care.”

“But Batman doesn’t work in the day.” Danny’s too exhausted to sound confused, but it must go through anyways. Duke laughs lowly, and the sound helps unwind the last of his nerves coiled up tight in fear. 

“Danny, it’s well into the night. You were gone for hours. Longest hours of my life.”

“Sorry,” he mumbles, 

“Don’t be, it’s not your fault. Hang on, Batman’s nearly here.”

In any other circumstance, Danny would be excited to meet another hero. Especially Batman, one of the original heroes of the modern age. But all he wants is to go somewhere safe so he can curl up and cry, then sleep for three days before he pretends to be a normal human again. Ideally, he’d stay with Duke until he felt safe again, but he doesn’t want to take Duke away from the city that needs him.

His ears perk up a bit when he hears the smooth rumble of an engine stop in front of them. A door opens with a click without Duke needing to grab the handle, and then Danny is carefully being deposited in the back seat.

“Wait,” he says, trying to grab for Duke’s arm only to have his fingers fumble and grab nothing. Duke doesn’t move away, though, and instead grabs Danny’s seeking hand. “Stay? Please? I just—” his voice shudders, cracks, fractures apart. “I just want to feel safe.”

There’s a pause, a stillness in the air, before Duke says, “Okay. I’ll stay.” And then he’s sliding into the backseat, pulling Danny in to lean against him, curl into his embrace.

“Signal,” Batman’s low, gravelly voice says. There’s something in his tone that makes Danny tense up, prepared to take off, and his transformation pushes at his skin, ready to come out.

“He knows who I am, B,” Duke replies. “He’s trustworthy. Besides, just because he knows me doesn’t mean he knows you.”

“We will be discussing this later,” Batman says, dark promise in his voice. It’s just how he talks, Danny’s sure, too used to years of making himself the scariest thing in the dark. That doesn’t change the fact that Batman can be terrifying, and Danny can’t imagine he’ll take kindly to the fact that Danny knows Duke’s identity.

Fear slithers up his spine, and he can’t stop the transformation this time. The rings of white light flash over his body in a second, leaving Phantom in his place. 

Danny lets go of his legs first, glad to be free from their aching weight, and without a body made of flesh and bone, the hurt begins to fade away until it’s just an unpleasant memory. 

“What—” Duke starts to say just as Batman says, “Signal—”

They must have some sort of silent exchange. There’s only a heavy tension in the car and the barely audible rumble of the engine as they drive towards their destination, whatever it may be. Danny sinks into Duke some more, sighing in relief as a hand comes up to card through his wispy white hair. 

“Danny,” Duke says, “What’s this?”

“It’s why they hurt me,” he mumbles against Duke’s chest. “It’s why they keep hunting me down. I want them to leave me alone. I’m tired.”

Embarrassingly, his voice cracks on the last word and more tears fall down his cheeks. He hears Duke move, and then hands, bare and gloveless, wipe his tears away with a gentleness that makes his heart ache.

“They won’t be able to hurt you again. You’ll be safe from now on, Danny, I swear it.”

“S’okay if I get hurt,” he says, “It always happens. Promise to save me if this happens again?”

“I’ll do whatever I can to make sure it doesn’t happen again. But if it does, then I promise to always save you. I gave you that panic button, didn’t I? As long as you keep it, I’ll always find you.”

“You’re a good person, Duke,” Danny says, voice falling quieter as his exhaustion catches up to him. “I’m glad I met you.”

He thinks he feels a soft touch to the top of his head. A kiss, maybe, though it’s not likely. But he wants comfort, and he’s endured a lot a pain so he allows himself to hope and be delusional. With the warm that spreads through him from Duke’s soft kiss to his head, Danny gives in to the siren call of slumber.

“Get some sleep, Danny,” Duke says, voice hushed. “I’ll stay with you as long as you need.”

I know, he doesn’t say, too tired to open his mouth again, You’re always here. Thank you, thank you, thank you.

He falls asleep easily after that. There’s nothing in the world that can hurt him while he’s in Duke’s arms. He’s never been safer.

[redrobin-detective]

Something I think is very funny is that Ice King, Marcy and Bubblegum have been in each other's orbit for centuries before the main series. Early Marcy, hurt and isolated, I don't think would talk to or about Ice King all that much. I think she just straight up avoided him as much as she could. But she did date Bubbleum pre-series for a while and probably was at least a little emotionally vulnerable.

So I think she mentioned Simon, off handedly, like he wasn't once the most important person in her life. So imagine you're Bubblegum and your notoriously free wheeling, punk rock gf starts talking about this Simon dude. How he saved her from the wasteland, raised her, loved her as a dad and then left without explanation. This... doesn't sound like a real thing that happened. Bubblegum definitely files all Simon stories under "Things Marcy For Sure Made Up."

Now a couple of centuries pass and you learn, all in quite a rush, that not only was Marcy's "Simon" actually real but he's alive, here right now and has been the annoying Ice Wizard that has been kidnapping you for hundreds of years. I think I might lose my mind a little.

[thedreadvampy]

The thing is. Bad/gross food is rarely a DISH - when food is bad it's because it's been badly made, whether because of skills or available ingredients. but a dish p much only exists recognisably and has a name because someone likes at least one version of it.

which is to say. there isn't really a way of naming a dish, school of dishes or specific food culture and going EW ISN'T THIS DISH UNILATERALLY CONCEPTUALLY DISGUSTING without denigrating quite a lot of people.

like you don't have to like it in any form. but it's eaten and shared because it's good to a not insubstantial number of people when cooked right.

(and I don't really understand how you approach that with total incuriosity when it's a dish you haven't tried like. ARE rocky mountain oysters good? Maybe! I would very much eat some to find out!!!!)

this is actually something the British food poll did in a way the American ones I've seen haven't really - they described how the food they're imagining is, specifically, badly prepared (grey meat and veggies; unseasoned shepherd's pie). which is wildly tipping the scales by calling it British Food but. like. that is an on point definition of why that food is gross.

(this also applies to American chocolate, which like. Broad category but I think most of us understand this refers to low-cocoa high-sugar chocolate, probably with bucolic acid. so we are being invited to imagine Badly Made Chocolate not. the concept of chocolate)

personally I just think it's very rarely a good or funny idea to shittalk how gross any given food culture is. partly because food is important and culturally evocative for most people, partly because it's very...alienating? to be like WHO COULD EAT SUCH A THING? just because you wouldn't, and largely because to be frank it says more about you than about the food that you have so little imagination or curiosity that you can't imagine why a food might be enjoyable to folks who aren't you.

yes this includes jello salad, I would like to try it. ONCE. if it wasn't appealing to someone it wouldn't be so widespread.