Open Houses are back this week!
Theme: TypographyWed 2/22/2023-Thu 2/23/2023 10am-4pm each day. Free and open to all!
On February 22, 1991, “A Few Basic Typefaces” exhibition opened at the School of Visual Arts (SVA) in NYC. Massimo Vignelli was awarded their annual Master Series award which included an exhibition. He chose to highlight work in only a few typefaces: Bodoni, Century, Garamond and Helvetica. This week marks the 32nd anniversary of this exhibition.
SVA’s Masters Series began in 1988 as “an annual award exhibition to honor great visual communicators—designers, illustrators, art directors and photographers—of our time.” Massimo Vignelli was the 3rd person to receive this honor.
“It was a polemical exhibition to protest the inflation of meaningless typefaces polluting our world.“ Vignelli: From A to Z, p. 187
For our Open Houses this week, we will be revisiting this exhibition and invite you to think about designing type and designing with type. You will be able to view many of the artifacts from this 1991 exhibition plus some designs done after 1991 that includes these 5 typefaces.
From the exhibition records, we found that the exhibition plan originally included designs using Times New Roman as well. You will be able to see these works too. Along with images of the original exhibition, the original exhibition checklist, and other documentation. Plus numerous OTHER typefaces, many custom, that appear in the Vignellis’ work. Futura. Optima. Didi. Bloomingtype. Our Bodoni. Our Futura.
Plus numerous custom alphabets for architectural graphics, logotypes, etc. And we’ll have examples of designs using type that might seem very “un-Vignelli.”
More details about Open Houses can be found on our website: https://www.rit.edu/vignellicenter/events
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also what font do you use for your blog title :)
It's "Bodoni," according to my settings page.
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& so said claudio acquaviva
caludio aquaviva’s well known dictum from his Industriae ad curandos animae morbos [ioannem mersium, antuerpiæ, 1635]; cast, as frequently encountered—transposed. my favorite [non-literal] translation: iron fist in a velvet glove. set in bodoni bold [lanston monotype 275].
letterpress on johannot.
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Sandro Penna :
Un peu de fièvre, trad. Jean-Paul Manganaro, postface de Pier Paolo Pasolini, Paris, Ypsilon éditeur, 2022 »
Croix et délice, trad. Bernard Simeone, éd. bilingue, textes de Natalia Ginzburg, Amelia Rosselli & Pier Paolo Pasolini, Paris, Ypsilon éditeur, 2023 »
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A Printer’s Nod to the Germans
This post is part of my preparation for a first-time ever Norlu Press event that will take place later this year. More posts to follow as the big days get closer.
The form of letterpress printing that the west has known since the middle of the 15th Century began in Germany, when Johannes Gutenberg and his associates Peter Schoffer and Johann Fust combined movable types with an adaptation of wine…
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FMR da Renato Morselli
Tramite Flickr:
Il mensile di Franco Maria Ricci
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@staff
the bodoni font is all fucked up!
(>:c)
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BLOG | ARTÍCULO | 20 Tipografías esenciales para desarrollo de proyectos de diseño – Parte 4 Para finalizar esta entrega de 20 tipografías esenciales para el desarrollo de proyectos de diseño, ahora llegamos a la cuarta y última parte de la recopilación. Así que en este artículo veremos las siguientes 5 tipografías para que podamos añadirlas a nuestro catálogo de fuentes. En la primera, segunda y tercera parte conocimos las tipografías de la 1 a la 15: 1. Avenir 2. Bodoni 3. Univers 4. Futura 5.Montserrat 6. Work Sans 7. Gotham 8. Rockwell 9. Sabon 10. Roboto 11. Adobe Caslon Pro 12. Letter Gothic 13. Avant Garde 14. Helvética 15. Open Sans En esta cuarta parte, les comparto otras 5 tipografías esenciales para el desarrollo de proyectos (16 a la 20). Espero las disfruten: social.titocampos.com/20-tipos-esenciales-diseno-parte4 Click en el enlace para leer artículo ahora ⬆️ Para ver tutoriales paso a paso…no olvide visitar ✅ youtube.com/titocampos Más contenido en los enlaces de la biografía ➡️ links.titocampos.com
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