#But the more you get past the big 4

[overly-hubristic-mad-scientist]

I find it kinda ridiculous the lengths some movies during the horror boom went to in order to distinguish their slasher from the 5,000 other slashers at the time.

[jacksprostate]

Treatise on why No, the doctor just giving the narrator of Fight Club (full name) his requested sleep medication or sending him to therapy would not have Fixed Him

Firstly, saying giving him the insomnia meds would’ve fixed him ignores the reason he has insomnia in the first place. He is so deeply upset by his place in society that he literally cannot sleep. Drugging him to sleep would not change that. That, of course, is the easy, quick response.

But with regard to therapy? The biggest flaw is that it ignores a central tenet of the book. Part of what tortures the narrator and drives him to invent Tyler is that his feelings about this collective, systemic issue are constantly reduced to a Just Him thing. His seatmates ask what his company is. He’s the only one upset at the office. He gets weird looks if he says the truth of what he does. People will do anything in their power to pretend he is the issue, as an individual, because it is far scarier to consider the full implications of the systemic issues implied by what he is saying. Everyone treats it as if the issue is him, so he goes insane. He does anything to get someone to say, holy shit, that’s fucked up, what you’re a part of is wrong. In an attempt to feel any sort of vague sympathy and catharsis, he goes to support groups to pretend to be dying, because then at least people don’t habitually blame him for his anguish. 

Saying therapy would fix him ignores that his problems are not individual. They are collective. It’s the reason the entire story resonates with people! Something deeply, unignorably wrong with society, where people would rather blame you for bringing it up than try and address it, because it feels impossible. I don’t blame people for this, really, because it IS scary. It’s terrifying to sit and feel like you’ve realized there’s something deeply, deeply wrong, but if you say something, people will get mad at you since it’s so baked into everything around you. Or, even if they agree, it’s easier to deal with the dissonance by pretending it’s individual.

And it’s not like that’s not the purpose therapy and medications largely serve, anyway. Getting into dangerous territory for this website, but ultimately, the reason the narrator was seeking medication was because it’s a bandaid. A very numbing bandaid. For these very large, dissonance causing problems, therapy does very little. Medications do what they always have, and distract you with numbness or side effects. It’s a false solution. He is seeking an individualized false solution because he has been browbeaten with the idea that this is an issue with him alone, when it's plainly clear it's not. 

Don't get me wrong. Obviously he has something wrong with him. But it's a product of his situation. It is a fictional exaggeration of a very real occurrence of mental illness provoked by deep unconscionable dissonance and anguish.  There is a clear correlation between what happens and his mental state and his job and how isolated he is. 

The thing is, even if he were chemically numbed, I do think he would’ve lost it regardless. Many people on meds find they don’t fix things. For reasons I’ll get into, but in this case because even if numbed or distracted, once you’ve learned about deep, far reaching corruption in society, it’s very hard to forget. Especially if, in his case, you literally serve as the acting hand of this particular variety. He’s crawling up the walls. 

So why do people say this?  Well, it's funny I guess. Maybe the first time or whatever. But also, often, they believe it, to a degree. Maybe they've just been told how effective therapy and meds are for mental illness, they believe wholeheartedly in The Disease Model of Mental Illness, maybe they themselves have engaged with either and have considered it successful. Maybe they or someone they know has been 'saved' by such treatments. 

But in all honesty.... What therapy can help with is mentality, it's how you approach problems. For issues on a smaller scale, not meaning they are easier to deal with my any degree, but ones that are not raw and direct from deep awareness of corruption; these are things that can be worked through if you get lucky and get an actually good therapist who helps build up your resiliency. But when your issue is concrete, something large and inescapable? It's useless. At best it can help you develop coping mechanisms, but there is a limit for that. There is a point where that fails. To develop the ability to handle something like this requires intense development of a comfort with ambiguity and dissonance and being isolated and a firm positioning of your purpose and values and and belief in wonder and all the other shit I ramble about. The things that the narrator lacks, which lead him to taking an ineffectual death knell anarchist self-destruction path. Therapy, where the narrator is, full of the knowledge of braces melted to seats and all the people that have to allow this to happen? It fails. 

And meds — meds are a fucking scam. We know the working mechanism of basically none of them, the serotonin receptor model was made up and paid its way into prominence. We have very little evidence they're any better than placebo, and they come with genuinely horrific side effects. Maybe you got lucky. I did, on some meds. On others? I don't remember 2018. The pharmaceutical industry is also known for rampant medical ghostwriting, and for creating 'off-label' uses for drugs that have gained too many protests in their original use, then creating a cult of use to then have 'grassroots' campaigns for it to be made a label use (ie, legitimize their ghostwritten articles with guided anecdotes). 

The DSM itself is basically a marketing segregation plot. It's an attempt to legitimize the disease model by isolating subgroups of symptoms to propose individualized treatments for subgroups that are not necessarily all that separate. But if the groups exist, you can prescribe more and different medications, no? Not to mention, if you use the disease model, you can propose that these diseases are permanent, or permanent until treated, considered more and more severe to offset and justify the horrific side effects of the medications. Do you know why male birth control doesn't really exist? Same reason. They can justify all the horrible side effects for women, because the other option is pregnancy. For men, it's nothing. 

And they're not bothering to invent new drugs without side effects. When they invent new drugs it's just because the last one got too bad of a name, or they can enter a new market. Modern drugs don't work any better than gen1 drugs. They still have horrific side effects. At best, the industry will shit out studies saying the old one was flawed (truth) so they can say this new gen will be better (lie). They're doing it with ssris right now. 

Fundamentally, the single proposed benefit of any of these drugs is that they numb you. To whatever is torturing you. It's harder to be depressed if you can't feel it, or if you just can't muster the same outrage. Of course, there is people who find that numbness to be helpful, or worth it. But often, it's stasis. For the people who have problems that can be worked on, it serves as a stopgap to not actually work on said problems. The natural outcome of the disease model is stagnation for those whose need is to develop skills and resiliency. It keeps them medicalized and dependent on the idea that they're diseased and incapable. Profitable. Stuck in the womb. 

I’ve been there. It’s easier, to wallow, and resist growth because it’s difficult and painful and unfair and cruel and you can think of five billion reasons to justify your languishing. But don’t listen to anyone who tells you you’re just permanently damaged, no matter how nicely they word it, no identity or novel pathologization, no matter how many benefits they promise, especially if they swear up and down some lovely expensive medications with little solid backing and plentiful off-label usage and side effects that’ll kill you. Some days it feels like they want us all stuck in pods, agoraphobic and addicted to the ads they feed us to isolate the markets for the drugs they’ve trained us to beg them to pump us with. Polarization making it as easy as flashing blue light for go, red like for stop, or vice versa. I worry about the kids, for fucks sake. That’s a bit dark and intense, and I apologize. But I want you (generic) to understand, there is a profit motive. Behind everything. And they do not mean well. They do not care about your mental health or your rights or your personhood or your growth. They care about how they can profit off of you.

For those struggling with immovable, society problems, like the narrator grappling with how his job fits into and is accepted by society while his rejection and horror in the face of it does not, it can work about as well as any other drug addiction. Your mileage may vary. From what I've seen, recovering from being on prozac for a long time can be worse than alcohol. They put kids on this shit. They keep campaigning for more. Off label, again. A pharmaceutical company’s favorite thing to do has to be to spread rumors of someone who knows someone who said an off label use of this drug helps with this little understood condition. Or, in the case of mental illness, questionably defined condition. And like, damn, I know I'm posting on the 'medicalization is my identity' website so no one will like all this and has probably stopped reading by now, but yall should be exposed to at least one person who doubts this stuff. Doesn't just trust it. Because I mean, that's the thing right?

It's so big. What would it mean, for this all to be true? Yeah, everyone says pharmaceutical companies are evil and predatory and ghostwriting, but to think about what that really entails. Coming back to the book, everyone knows the car lobby is huge and puts dangerous vehicles through that kill people. What does it mean if the car companies all hire people to calculate the cost of a recall and the cost of lawsuits? No one wants to think about the scale that means for people allowing it or the systems that have to be geared towards money, not safety like they say. Hell, even Chuck misses the beat and has the narrator threaten his boss with the Department of Transportation. And shit, man, if every company is doing this, you think Transportation doesn't know? That they give a fuck? You're better off mailing all the evidence to the news outlets and hoping they only character assassinate you a little bit as they release the news in a way that says it's all the fault of little workers like you, not the whole system. Something something, David McBride, any whistleblower you feel like, etc. 

So I don't blame you, if your reaction is "but but but, that can't be right, people wouldn't do it, they wouldn't allow it" or just an overwhelming feeling of dread that pushes you to deny all of this and avoid thinking about it. Just know, that's in the book. That's all the seatmates on the flights. That's all his fellow officemates. It's easier to pretend, I know.

But think about, how the response fits in with the themes of the book. The story, as a movie too. What drives the narrator’s mental breakdown? How would you handle being in his position? How would you handle being his seatmate? It’s easy to say you’d listen. But have you? Have you had any soul wrenching betrayals of how you thought society worked? How about a betrayal by the thing that promised to be the fix of the first? Can you honestly say you wouldn’t follow that gut instinct, saying follow what everyone says, that person must just be crazy, evil, rude, cruel, whatever it is that means you can set what they said aside?

For a lot of people, they can do that, I guess. Set it aside. Reaching that aforementioned state of managing to cope with the dissonance and ambiguity and despair is very hard. The narrator made the Big Realization, but he couldn’t cope. He self-destructed. Even when people don’t make the big realization consciously, they’re already self-destructing. It’s hard to escape it when it feels easier than continuing anyway. When it feels like the only option,

Would therapy fix the narrator of Fight Club? Would meds fix the narrator of Fight Club? No. He knows too much. All meds will do, by the time he’s in the psych ward, is spiritually neuter him. A silly phrase, but really. Take the wind out of his sails. 

Is he fixed if he doesn’t try to blow up town? If he just shuts up and settles in and stops costing money? If he still can’t cope with the things he’s unearthed? Do you see how this is a commentary in a commentary in a commentary?

Fight Club is an absolutely fascinating story because of this. The fact that it addresses the fallout of knowing. The isolation. The hopelessness. The spiral that results from a lack of hope. This is, I think, what resonates most with people, even if not consciously. Going insane because you’ve discovered something you wish you could unknow. It’s a classic horror story. Should our society be lovecraftian evil? I don’t think so. 

Do I think changing it will be easy? No. Lord knows a lot exists to push people who make these sorts of Realizations towards feelings of individuality and individualized solutions and denial and other distractions and coping methods. And to prevent people who make One realization from expanding on it and considering further ramifications. Fight Club itself gets into this; the isolation of men being a strict part of the role society shapes for their sex leaves them very vulnerable to death fetishes, in a sense, and generally towards self destructive violence. It helps funnel them away from substantial change and towards ineffectual change. Many things, misogyny, racism, serve to keep people isolated from one another, individualized, angry, and impossible to work with. Market segregation; god knows even appealing on those fronts has become such a classic ploy that companies do it now, the US military frames its plundering that way, etc. 

I’ve wandered a bit but ultimately, my point is this: Fight Club is a love letter to the horrors of critical thinking, and the importance of not falling into the trap of self destruction and hopelessness in the face of it. The latter is why Tyler was an anarchoterrorist instead of anything useful. The latter is why it was a death cult. It’s important to work through the horrors of critical thinking so you can do it, and stand on the other side ready to believe in each other. It’s worth it.

[artheresy]

Part One (Astral Express

Random post ideas I got, but I'm just listing my opinions on aspects of the HSR designs, including things I may dislike or would at least change about certain playable HSR design, because I am currently planning some of my own designs/redesigns to use for future art

Disclaimer!! I am not a professional character designer, I am not saying any of my ideas for them are objectively better, and I am not bashing any of these designs. I actually like most if not literally all of the playable designs so far! This is just my lil opinions of how I would change them

The List part 1:

Stelle: I actually like the turquoise band around her thigh, I just don't like how they didn't take the opportunity to sprinkle in some more of that color into her design. She had a lot of little details in her outfit, especially the back of her coat, so there's a lot of places where a few splashes of turquoise could be added whether in those little details or in some of her other adornments just so that the band stands out less . I think I would change more than just that ofc, but that's one of the things about her that stood out the most to me. Also honestly? Maybe I would scale down the sheer amount of detail she has on her back (which as someone who has tried to draw her from the back view o h my g o d), and add some more detail on her sides like her arms and her legs maybe? I dunno, I think her design is really really nice, but there are places the amount of details could be more evenly spread to.

March 7th: While I don't mind her design that is especially center around her top half, March definitely has a clutter design particularly around her waist when you look at her full body in detail. Clutter that manages to mix in some odd color choices too/ I'd probably clean it up, or better place the little bits of clutter to feel like it matches more and change up the colors in order to at least go with the rest of her outfit. Like the gold makes sense, not only with her details of golden buttons throughout her design but also the golden ticket she holds showing she is passenger of the Astral Express, but why the black fabric? How is it supposed to work in terms of construction with the rest of her outfit, I'd keep her black to only the little accented bands on her thigh and neck rather than anything big on her waist. Why is the thing holding her camera orange, why does she have this random bright green button, why does she have seemingly two different belts?? I think March would have a better sense of what goes together than that. Overall, still an adorable design.

Dan Heng: He is very nicely designed, and I think a lot of his personality comes through in it, way better than any alternative for him. I feel like I can get a better sense of his nature and overall how he feels and who he is in it. The one unfortunate aspect of his design for me though is that it feels a bit... bland? for a lack of better word. Not that he's devoid of details or anything, very nice to see him not having a particularly busy design, but a lot of those meaningful details tend to be pushed to his back or his arms. I would probably bring a few more of the details that can be to the front or maybe add more? It just feels as though there is something lacking in the design, maybe more on a coloration front than construction. Speaking of coloration, I'd likely change the way the details around his waist are colored, all the same hue and yet different shades also getting an ombre? It's a little messy, but not a big issue to be honest. That's just my view of it though, still love his design for how much it really lets his character shine through unlike Another One which I will eventually get into and explain my thoughts on in the Luofu post.

Himeko: Listen, she's beautiful, she's gorgeous. I absolutely adore her and her color palette especially, it's such a nice blend of elements with the gold all mixed in. However, her silhouette is awful like it's so messy, and I really dislike how weighed down she feels. I wish she looked just a bit different, wish her clothes looked a bit lighter. She's a Nameless, she's their navigator, she's the one who repaired the Astral Express herself!! I wish she had more details to reflect all of that, and I already have ideas for how it could be done that would end up alleviating some of the weight placed on her with all of those heavy, layered fabrics. Additionally, I think there's a better way to highlight those elements while still making her look elegant, gorgeous, and ornate. Yeah, I love Himeko, I do like her currently design a lot, but I think more could be done to show off more sides of her. She's the one I probably have the clearest image for so far. Like I can imagine her in a nice set of slacks, a deep brown tone that goes well with her coat, and either on the sides or the front of the bottom, they have slits revealing these ruffles showing through similar to the ruffles of her coat sleeves. They have golden adornments along them, very sleek and fitting her figure well to keep with a very elegant appearance. Perhaps she has suspenders as well, maybe only one side to fit with their habit of asymmetrical designs. All with a nice white blouse or even some kind of button up, buttons popped open and collar folded in a more fashionable style. Even more hammering on the asymmetry, maybe for side where she actually wears her coat, the sleeve is much shorter to not interfere with the jacket's ruffles. I don't know, that's just a little idea of changing up the construction of her outfit that I had, but I'll see how it looks on paper when I draw it.

Welt: Okay listen, I need to look up more about his lore before I can truly say anything about him. Looking at his design, and with what I do know about him, I do adore it. His color palette here with the grey tones making up the majority of it for his upper body with the accents of an almost like cool toned brown and the darker shades of grey and black coming in. It's so nicely balanced, I don't feel like he had too many elements or too many overlapping fabrics that complicate the shape. It's a competent design, and while I think someone with more knowledge on him could find more places to add details, with what I know about him, I do really like the way he looks. If I were to change one thing... I would give him more wrinkles. I know why his physical appearance doesn't match what his true age is, but I still think he deserves a few more wrinkles PLEASE that's the only way I can think to truly elevate him at the moment, give him a few more wrinkles he'd look so good with them. Whenever I see art of people giving him more wrinkles I ascend... Okay well, I can think of something I would do color wise, but I'm still on the fence about it.

I think I'll leave things there for now. I don't have as much to say on these designs in particular. I think generally they're pretty solid, and even with the ones I can think of more changes for like Himeko's, I still greatly adore a lot of elements from it. The Astral Express' base designs definitely aren't the ones I have a lot of gripes with or things to say aside from suggestions for Himeko, we'll get to those eventually (those ones in particular are Serval and DH IL, both for primarily character reasons rather than aesthetic reasons like some other opinions I have.) But yeah, the next post will be for the Stellaron Hunters since I couldn't fit them into this so look out for that!

[emuwarum]

Avenday when she was a baby. The size of two praying mantises

[hyunubear]

(@ ckyunstd) 🐶 it isn’t easy to wait (while being in the army). i know it very well and also we, when we’re here, miss our fans a lot. i hope this (festival) is like a small gift for you and that it made the time of waiting feels a bit shorter.

[bigcats-birds-and-books]

Books of 2024: KILLING FLOOR by Lee Child.

This isn't a genre I typically read; HOWEVER!: my dream agent was on an episode of the Writing Excuses podcast about beginnings, and they said this one is Very Good, so I borrowed my dad's paperback copy to give it a whirl.

I'm low-key hoping this will help me sort out some Genre Issues™ I suspect I'm having with a writing project, too, which is a nice added bonus! Excited to see how this goes.

[jikigo]

you ever just see a post and just

. 😭

.⬅️🫀⬅️

[ronanlynchbf]

diversity loss! those ppl correctly gendering u assumed you're straight..

[sanstropfremir]

I genuinely forgot about the MMAs. I remember watching le ssera performance and being meh about it. Bc there was SO much they could have done. Also not too related but back to their webtoon stuff I'm confused why they even have one? There was never any indication of their lore in their debut trailers or in their debut mv and comeback mv. Unless their lyrics do?? I feel like the hybe approach to lore is a sponsorship. Which I guess is fine but it feels so disconnected from the group itself that it's like what's the point of having lore?? Their intro videos like the hydra one were good and played into their model concept just fine.

With newjeans, I agree that their music is not award show friendly. For me, now that the debut glow kinda worn off a bit I'm realizing that their marketing really played a BIG hand in their music being interesting to me. Bc when I don't watch the mv the music feels more okay to me. Dunno if that's just me though. I wish they did some cool arrangement with the songs!! Like they did a dance break but none of them imo are great dancers except maybe hanni?

Ive, enhypen, and txt... I'm honestly confused on what they were going for? Like some parts were cool but others just?? The vcr being slow moving and in the middle felt awkward but not only that it's also they just weren't interesting to me.

i don't know anything about le sserafim 'lore' and i do my best to forget they exist as a group.

tbh it's not just their music, newjeans aesthetic/concept also puts them at a huge disadvantage for doing large scale stages. it's very hard to scale up quirky y2k tweens to something that can fill a stadium without adding something to it. the way that aesthetic has been adapted and interpreted allows for really good multi-medium integration (ie in the marketing), but because it's fundamentally based from existing physical objects, it's hard to scale it up in away that tone matches properly in this specific instance. the only idol that i think could probably pull it off would be yena, because she has that whole superhero bit from smiley that would allow for more spectacle + suspension of disbelief.

you and me both. i have no clue what any of them were going for. not to bring back my 'dont make me tap the sign' meme but if the logic of your performance is based in group lore that is not easily and immediately understandable to a layperson, it's a bad performance. especially at this type of event.

[pepprs]

ok update i just finished making my card and i said / drew (lol) basically everything i wanted to say in it (except for the things i definitely can’t say now that this is happening lol). so i think maybe i might be ok with not saying what i want to say directly to her. but then when i say that im not ok with it at all LOLLLL so i think i need to sleep on it and maybe see what tomorrow brings

[lcecrown]

And yet they haven't bothered hotfixing any of the other issues..... frog farming was pretty soulsucking sure but at least there was SOMETHING you could to do combat all the other rampant bullshit in MoP Remix. I think a culture of mob farming is almost harmless in the grand scheme of the thousands of other issues like;

The HORRIFIC scaling which means if you're in an instance and aren't like level 10-20 with a full cloak you do 1 DPS and take about 2 mil from every enemy.

Upgrading your gear to compensate does little to fix the above issue; bronze is hard to gain reliably outside of frog farming or achievement hunting, and you still end up behind low-level players with fully upgraded gear when you could've spent that bronze to buy that mount you've been farming for years, or that transmog you've always wanted, etc

There is now a noticeable power divide between those who farmed frogs and reaped what benefits they could, and those who didn't have enough time

And that is literally just scratching the surface. Blizzard once again delivering the message to Abuse Early and Abuse Often unless you want to end up slogging behind the curve trying to wring out as much bronze as you can in the given time period

[madameocotillo]

I've come to notice a major, personal benefit from using a basic tagging system, not only for my original posts, but to the posts I reblog as well

This might seem like a "baby discovers object permanence" level discovery to some, but it helped me solve a major headache on Tumblr.com/themobileapp; You know how sometimes you come across a really thought-provoking opinion in a reblog chain, or flash fiction that makes you contemplate the nature of humanity, or a piece of IRL news that you know your parent is not ready for yet but maybe someday?

So you do the instant reblog because this doom ain't gonna scroll itself, then time passes, and the day comes when you have need for That One Post, but uh-oh! You have no RELIABLE way of finding it again, and are haunted by the one time you spent 15 minutes at a party frantically googling increasingly desperate word combinations to try to dredge up a joke image that would have been SO FUNNY if you had actually managed to find it? But you didn't, and so it wasn't, and you won't be making that social misstep again?

Your opportunity to feel like the Sovereign of Tumblr References (also other benefits) is WITHIN YOUR GRASP, and it is called "Pick a few words that apply to broad groupings of things you reblog, take the extra 5 seconds on mobile to manually reblog, and apply the relevant word as a tag." An example is that I use "IRL" for posts that deal with news/current events, because it's easy for me AND (I hope) intuitive for others that might want to either dive-deeper OR block the tag and free their dash! Do NOT get clever do NOT use complicated puns YES the tag you use for queued posts is very funny but Do Not Try That Hard here; the goal is to make your system as simple as possible so that it is quick and easy to use FOR U, your life's main character.

Of course this method is not fool-proof because (say it with me folks),"Tumblr's search function sucks big time," BUT there is a real peace of mind gained from not feeling pressured to immediately screenshot/save links from (and then later organize files) any interesting post, or risk loosing it to the Tumblr Search Void(TSV).

In any case, starting to play around with your own individual tagging system is Easy & Free, has Many Benefits, and is probably a good practice to have in these ongoing Unprecedented Times, but also like. You do you or whatevs i'm not your mom end rant

[bookished]

HOW TO GIVE PERSONALITY TO A CHARACTER

Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:

Understand Their Backstory:

Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.

2. Define Their Goals and Motivations:

Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.

3. Determine Their Strengths and Weaknesses:

No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.

4. Consider Their Personality Traits:

Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.

5. Give Them Quirks and Habits:

Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.

6. Explore Their Relationships:

Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.

7. Show, Don't Tell:

Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.

8. Create Internal Conflict:

Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.

9. Use Character Arcs:

Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.

10. Seek Inspiration:

Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.

11. Write Dialogue and Inner Monologues:

Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.

12. Consider the Setting:

The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.

13. Revise and Refine:

Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.

Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.

[sreegs]

I reblogged it earlier but I'm glad the Something Awful Forums 9/11 thread was archived because it's an incredibly important slice of internet history. For the record I think 9/11 was thousands of personal tragedies for the direct victims of the attacks but one big national farce that led to America's ongoing slide into fascism, and the nationalism and remembrance around it is a joke especially in the wake of the same amount of deaths every fucking day in the US during the height of coronavirus.

Nevertheless I think it's important that if you do not remember because you were too young or just didn't exist on Sept 11, 2001 to read the Something Awful 9/11 forums to get an idea of what the internet was like at the moment when America changed to 24 hour news cycles and renewed hyper-nationalism not seen since WWII.

This all happened before Twitter, Facebook, before Discord. Before smart phones. Before most people had cell phones. When a lot of people still had dial-up internet, even. Some people in the thread were relying on radio because internet and TV weren't keeping up.

It was a live event of internet denizens reacting to the biggest national event (and among the biggest international events) of the past 25 years. It was also a slice of what the internet was like at the turn of the millennium. Not only that, but people accurately calling out who was responsible, and what would result before the attacks even finished.

Keep in mind that the links that follow contain images of the event, lots of Islamophobia, people calling for the Middle East to be nuked, people blaming Palestine, casual racist and homophobic language (this was Something Awful after all), etc etc. They preserved the first 17 pages which spanned about 24 hours during the events. It's the origin of the "WATCH BUSH START A FUCKING WAR" screenshot.

Links under the fold. I've also annotated the pages with notes regarding the timeline and any posts of interest. Note the thread was preserved in Pacific Time even though the page says times are Eastern. That's incorrect. Post timestamps are 3 hours behind Eastern Time, which is the time zone where the attacks occurred:

Page 1 - Note the first post was edited to include images of the second attack. The thread started after the first plane hit. Second plane hitting the WTC happens here too.

Page 2 - Poster accurately calling out Bin Laden was responsible at 9:14 AM EST

Page 3 - "WATCH BUSH START A FUCKING WAR"

Page 4

Page 5 - First official acknowledgement it was a terrorist attack.

Page 6 - Pentagon hit

Page 7

Page 8

Page 9 - Commercial flights grounded by FAA (Federal Aviation Administration)

Page 10 - First mention of towers collapsing at end of page

Page 11 - More reactions to collapse of first tower. People thinking it was a bomb or yet another plane. Rumors about a fourth plane just missing the White House (these are false and predate the actual 4th plane crash by minutes)

Page 12

Page 13 - By this point there's just rampant speculation about more bombs at the WTC, the US Capitol building being hit, etc (all false). Remember this is all just people reacting to TV news and radio and the rumor mill via phone, AIM, IRC, and maybe text messages.

Page 14 - By this point internet news sites are overwhelmed

Page 15 - Second tower collapses. First acknowledgement of the fourth plane that crashed in PA.

Page 16 - There's an abrupt time jump in the threads, I think it was the result of admins pruning the activity or the SA forums going down. This page starts on 9/12 even though it is page 16. American flag signatures and ribbons start appearing.

Page 17

[lennythereviewer]

My favorite Kingdom Hearts fact is that one of the biggest plot-holes that Nomura has never been able to meaningfully retcon or write his way out, a plot-hole so big that it fundamentally breaks the very rules the series is written on...

Is the existence of Steamboat Willie

Let me explain for the uninitiated:

In Kingdom Hearts 2, there’s a small detour in the story involving Maleficent trying to invade Disney Castle, the home of King Mickey. She can’t step foot in the castle due to an artefact of pure light that wards off darkness locked in the basement.

Pete, who is working for Maleficent, opens a door into the past (Before Disney Castle, this land was known as Timeless River) and decides to remove the artifact from it’s place in time so it won’t be there to stop them from getting in.

Sora, Donald, and Goofy chase Pete into the past thanks to another magic door provided by Merlin, and through some shenanigans involving old cartoons and teaming up with Pete’s past-self, they lock the door the villains are using, and return the artefact to it’s proper place so it can exist in the present.

You with me so far? Pretty straightforward-ish time-travel plot right?

Here’s where it goes off the rails.

Time travel would go on to become a staple of Kingdom Hearts going forward and would come with a very strict set of rules over how it operates:

1. You can only travel to a point in time where a version of yourself exists

2. You basically give up your body to do so, and travel as a disembodied soul unless you have a vessel to inhabit

3. You can’t alter the past in a meaningful way, what’s going to happen will happen

4. You lose your memories of said trip once you return, but your actions could leave a lingering instinct on your other self that could influence their decisions

“Wait” you may be thinking “Why should anyone go through all those hoops? Wasn’t time travel super simple that first time?”

And you’d be totally right, because the existence of Timeless River completely renders all of these rules and restrictions meaningless. 

There is no version of Sora that existed in Timeless River before he step foot there, everyone kept their bodies, the trio and Pete were able to mess with the timeline as freely as they pleased, and they all very much remember their trip. 

Nomura has never been able to meaningfully explain this super simple, easy way of time travel and the more convoluted method co-existing other than a cheap-throwaway line from one of the villains saying that Merlin “broke the rules” 

The hilarious part about this line is that it implies that PETE of all characters is actually more powerful than the actual villain of the series, because Pete opened a door into Timeless River through sheer willpower and nostalgia for “the good old days”

But the all-knowing chess-master of a villain who had an evil plan several decades in the making with countless moving parts and contingencies to account for had to use the roundabout, more complicated method of time travel where a lot could go wrong.

Pete though? Dude just casually broke all the rules of time travel because he felt like it. He's just built different.

TL;DR: Steamboat Willie breaks Kingdom Hearts lore in half, Pete is more powerful than Master Xehanort, and I fucking love this beautiful trainwreck of a series you guys it means so much to me

I love Kingdom hearts so much.

[afeelgoodblog]

The Best News of Last Year - 2023 Edition

Welcome to our special edition newsletter recapping the best news from the past year. I've picked one highlight from each month to give you a snapshot of 2023. No frills, just straightforward news that mattered. Let's relive the good stuff that made our year shine.

January - London: Girl with incurable cancer recovers after pioneering treatment

A girl’s incurable cancer has been cleared from her body after what scientists have described as the most sophisticated cell engineering to date.

2. February - Utah legislature unanimously passes ban on LGBTQ conversion therapy

The Utah State Legislature has unanimously approved a bill that enshrines into law a ban on LGBTQ conversion therapy.

3. March - First vaccine for honeybees could save billions

The United States Department of Agriculture (USDA) has approved the world’s first-ever vaccine intended to address the global decline of honeybees. It will help protect honeybees from American foulbrood, a contagious bacterial disease which can destroy entire colonies.

4. April - Fungi discovered that can eat plastic in just 140 days

Australian scientists have successfully used backyard mould to break down one of the world's most stubborn plastics — a discovery they hope could ease the burden of the global recycling crisis within years. 

5. May - Ocean Cleanup removes 200,000th kilogram of plastic from the Pacific Ocean

The Dutch offshore restoration project, Ocean Cleanup, says it has reached a milestone. The organization's plastic catching efforts have now fished more than 200,000 kilograms of plastic out of the Pacific Ocean, Ocean Cleanup said on Twitter.

6. June - U.S. judge blocks Florida ban on care for trans minors in narrow ruling, says ‘gender identity is real’

A federal judge temporarily blocked portions of a new Florida law that bans transgender minors from receiving puberty blockers, ruling Tuesday that the state has no rational basis for denying patients treatment.

7. July - World’s largest Phosphate deposit discovered in Norway

A massive underground deposit of high-grade phosphate rock in Norway, pitched as the world’s largest, is big enough to satisfy world demand for fertilisers, solar panels and electric car batteries over the next 50 years, according to the company exploiting the resource.

8. August - Successful room temperature ambient-pressure magnetic levitation of LK-99

If the claim by Sukbae Lee and Ji-Hoon Kim of South Korea’s Quantum Energy Research Centre holds up, the material could usher in all sorts of technological marvels, such as levitating vehicles and perfectly efficient electrical grids.

9. September - World’s 1st drug to regrow teeth enters clinical trials

The ability to regrow your own teeth could be just around the corner. A team of scientists, led by a Japanese pharmaceutical startup, are getting set to start human trials on a new drug that has successfully grown new teeth in animal test subjects.

10. October - Nobel Prize goes to scientists behind mRNA Covid vaccines

The Nobel Prize in Physiology or Medicine has been awarded to a pair of scientists who developed the technology that led to the mRNA Covid vaccines. Professors Katalin Kariko and Drew Weissman will share the prize.

11. November - No cases of cancer caused by HPV in Norwegian 25-year olds, the first cohort to be mass vaccinated for HPV.

Last year there were zero cases of cervical cancer in the group that was vaccinated in 2009 against the HPV virus, which can cause the cancer in women.

12. December - President Biden announces he’s pardoning all convictions of federal marijuana possession

President Joe Biden announced Friday he's issuing a federal pardon to every American who has used marijuana in the past, including those who were never arrested or prosecuted.

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And there you have it – a year's worth of uplifting news! I hope these positive stories brought a bit of joy to your inbox. As I wrap up this special edition, I want to thank all my supporters!

Buy me a coffee ❤️

Merry Christmas and Happy New Year!