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blzzrdstryr · 3 years

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Galatea

Yandere(?) Albedo x gn!reader

Wordcount: 2410

CW: Panic attacks, hallucinations, slight dehumanization.

...and his creation was so beautiful: silent and non judgemental, pure and demure, it would endure any of his whims of love and passion.

Albedo looks calm as usual as he scoops the honey from the beehive, even though he doesn’t wear any protection; Bees are angrily buzzing nearby, but otherwise not attacking him. It would look strange to you if you didn’t know the answer: insects are not real. The alchemist created them, turning pure slabs of carbon, water and organic matter into tiny fuzzy bodies, as you watched the scene with wide eyes, one moment and a non-living becomes living. He commented on the whole process and while you tried your best to listen to him there were so many scientific terms and jargons in his speech that after some time you zoned out, preferring to observe the birth of insects instead.

There are bones and flesh and organs growing and fusing together. They writhe and convulse as blood starts to fill them. Whose body is it?

“Is this for examination too?”, you remember that Albedo was collecting honey several days ago, albeit in much lesser quantities, and when you asked what the alchemist was doing, he said it was for comparative analysis.

“Well, you could say that” alchemist looks at the full jar and closes the lid, “Previous analysis showed that this honey has the same compounds as the natural one in the same proportions and isn’t dangerous for consumption”. You nod, urging him to continue - even though Albedo isn’t the chattiest person, you noticed how talkative he becomes when you ask him for explanations.

“Smell and taste are usually dependent on the composition, but there is always a place for exceptions, so I decided to conduct another experiment, one that needs your help”

You raise eyebrows - alchemist, despite actually enjoying your company, usually didn’t disclose much of his work :“Is that so? How can I help?”

Small smile appears on his lips, subtle and controlled, “I want you to taste it”. He looks happy.

You have seen that smile long before. You can’t remember where.

You hate sweets, but there's something stopping you from declining. It's bone-deep and chilling, woven into every fiber of your flesh. You can’t get out the needed words, even if you wanted, with your lips somehow shutting tight at the mere thought. There's something stopping you from saying "no" to Albedo and you assume it's gratitude.

***

The honey turns out to be as sickly sweet as the one from the real bees. You frown, as you take another sip of tea, trying to wash down the saccharine taste from the tongue. Albedo sits in front of you and scribes something in his notebook, throwing occasional glances at you from time to time.

“It seems that we’ll need to keep this secret from Klee” you muse, no longer tasting the nectar on your tongue.

“Why so?” he asks, still writing - his handwriting is too small for you to see from this distance. You could stretch your neck to have a better glimpse, but it would be rude to do, so you refrain, curiosity still nipping at you.

“Well, you know what a big sweet tooth she is, and if she learns that your bees don’t sting...”

“But they do sting, just not me”.

“Why?”

“Bees were created with my will, so they just can’t. It’s against the nature of alchemical creation to oppose its creator”

You hum, processing the new information and guessing how far he would teach you that in your own alchemy lessons. You are far behind Sucrose or Timaeus in your studies, still stuck on basics, but Kreideprinz doesn't look displeased or bored with you. In contrast, mentoring you is something he really likes, judging by the rare smiles he allows himself to show. He proposed to teach you one day and you couldn't find it in yourself to turn him down.

You thought it was strange at first how the recluse seemed to favour you, but then as you familiarized yourself with a man you realized that he liked all things unseen and unheard before and your selective amnesia must be the one.

There are large gaps in your memory, but you can remember some small moments - peeking into a cave and plunging deeper into a forest out of curiosity, spending hours in the library, completely captivated by the book before you, feeling satisfied from finally solving an advanced math problem.

None of the memories include people.

It's an identity forming memories, Albedo theorized when you shared your concerns, experiences shape who we are, [First], and maybe that's why you retained them, they define you.

Were you as reclusive as him then?

A bit later you see what Albedo was drawing: a familiar bird and decapitated head. You are disturbed - how does he know my dreams?

***

Mondstadtians are weird, it’s the first time you leave Albedo’s lab and side, deciding to take a quick stroll around the city and look around. Some look at you with wide eyes, as if you just grew a second head before their eyes, some shamelessly whisper things to each other.

The knight that was assigned to look after you for the duration of the walk is no better than them. He also treats you like some sort of oddity, with all that persistent glances and hesitancy to interact with you.

What kind of person old you were to prompt such a reaction?

Walking along the streets of the city you can't remember any of it. Books that mentioned amnesia and other memory related issues stated that visiting once familiar places can help with overall recollection. Walking along the streets of the city you can't recollect any of it, memories slipping past your fingers like water.

You can’t remember the blue cloudless sky above, or the deep clear lake of the same shade or the gentlest breezes playing with your hair. You can’t recall the bright red roof tiles, or the giant windmills that dwarf other buildings, or the statue of the anemo archont overseeing the city. You can't think of once being among the other idle citizens, of praying and worshipping Barbatos, of participating in the windtrace or Ludi Harpastum. There’s emptiness where a familiarity should be, a dull ache rotting and festering at the back of your mind - I don’t belong here, I never did.

You don’t feel like a part of Mondstadt, not even a single part of you does. There’s an invisible yet unbreakable wall separating you from other people. You can smile and chat and be all polite and nice, yet there’s always a certain coldness and caution others treat you with. You want to be both accepted and left alone, feel loved yet be distant enough to avoid any emotional hurt.

Of course, there are people who managed to get close to you - Albedo and Klee, with the former one being your official caretaker and mentor and the latter being as bright as the Sun, you doubt there’s anyone that couldn’t fall under little girl’s charms, except acting Grandmaster Jean.

That must be why you act so warm towards them, why you decide to bare your soul and feelings towards them, no matter how scary it can be. That’s why you play with Klee, engaging her in less destructive entertainment than the fish blasting and that is why you never refuse Albedo in any of his requests, be it a quick walk on a sunny day or assistance in his experiments.

***

A familiar dream.

You see a giant owl, it's yellow eyes piercing right through you. It's a majestic creature, with snow white fluffy feathers and razor sharp talons. Bird looks at you with all knowing eyes, and then spreads its wings, soundlessly flying in your direction. You dodge it, still marvelling at its grace, as the bird continues its way to the giant head laying behind you.

You turn back still tracing the bird's flight, eyes then turning to the bodiless head. It has the face of an aged man with wise eyes, it's lips move silently chanting. There's something hypnotizing in the chant - listen to me and you will now, listen to me and I will tell you, listen to me and you will learn things that he doesn’t want you to know.

You take a step, hand outstretched to touch it. It burns your skin, and the world around you darkens, all sounds stop and soon enough darkness consumes the bodiless head too, leaving you all alone.

A memory comes.

You're absolutely naked and shivering with Albedo hovering above you. He says something but you can’t understand the words, liquid(?) in your eyes and ears. You hear Sucrose and Timaeus in the background too and how excited they sound.

You turn your head, catching the sight of slabs of pure carbon, bottles of water, pieces of lime and ammonia solution and the rest of organic and inorganic matter lying around you.

There are no thoughts and feelings - you are nothing but an empty vessel that needs to be filled.

"Timaeus, bring the blanket" It's Albedo's voice, “Sucrose, check.. [First]’s temperature. I will observe them”

“[First]?”

“It’s a fitting name”

The memory ends. You wake up.

***

You wake up to Albedo sitting near your bed. It's not a rare occurrence with him frequently checking up on your health, but the memories of previous dreams make you almost jump when you see his silhouette again.

"Uhm, hello?" you still sound husky from sleep.

"Apologies for coming here, I heard your whimpers and decided to check if everything was alright". His face looks as impassive as ever, but there's a concerned tone in his voice. He must be extremely worried then.

"I..” you start but then trail off, unsure what to say. Is the revelation that you dreamt even true? Aside from the strange coincidence and sense of isolation that loomed over you, becoming a bit unbearable with each day, you had nothing to prove your nonsensical conclusion: you are not real.

“I saw a dream, of me lying among the lime and carbon and water” Albedo gives you an intense stare, eyes and expression completely unreadable: “it wasn’t just a dream, was it?”

A moment passes and then another and you feel even more stupid with each second to just come to that conclusion, not to mention saying it outloud. And then the most unexpected thing happens: Albedo nods.

“Yes, yes it happened to you” he suddenly sounds tired, as if he admitted a dark, dark secret, that it arguably is. A shock goes through you, as you start to gasp for air - it’s one thing to speculate and guess, it’s completely different to hear a confirmation.

You can’t exactly remember what happens next - you think you broke down right there and then, as alchemist awkwardly tried to comfort you. He was explaining how and why he created you - he thought that your creation would give him answers he was looking for, solve his internal conflict, and then he started to wonder how different artificial life is from the natural one and that’s why he decided to give you memories.

It was hard at first, he says, to push back the existing ones back and replace them with new. Make you believe that you were born too. Memories were his favourite thing to do, he had a theory you see, that people are majorly products of their environment, and he wanted to prove that with you. That’s why he decided to mold you into a person with traits he usually finds valuable.

In the end you found yourself nursing a hot tea mug with a few drops of calming concoction dissolved in it. Albedo is lingering around in his own disquieted fashion, as you rethink your whole life - can it even be called a life anymore?

You glance at the alchemist fretting around you, frowning, and unsure what to do, the warmth and happiness you felt upon seeing him replaced by disappointment and confusion. Albedo isn't the one who you thought him to be, Archons, you're not the one who you thought yourself to be!

Suddenly the way all others interacted you became crystal clear - they treated you like oddity because you were one. You remember Klee and how she always seemed to love calling you her "bestest special friend". No way they don't know of your origin. No way they will ever treat you like a person.

There's an ache when you think about Klee also turning away from you; She is a sunshine personified right now, spreading her kindness and enthusiasm without even trying, but who knows what will happen once she grows up, will she have a problem with her peers because of you, or she'll adopt the general public's opinion of you? The thought is almost enough to send you into a crying fit again. You want to run far away.

"I want to travel" you finally say, there's no way you can integrate into society when everyone knows what you are and will always see it before who you are. You want to run away and start anew somewhere far, so the rumors will never reach that place and no one will look at you with that wide eyed stare again. You say what you think about this whole situation.

"Please, don't" he says and you of course stop, legs no longer listening to you, "I understand you are distressed right now, but running away isn't the solution"

"But I will never be able to truly connect with anyone, they know it, of my birth, right? The whole city knows about it, right?"

"I know that you want to feel loved, I… We are the same - before your creation I felt the same loneliness, I couldn't bond with anyone save for Klee, but interacting with you was far more pleasant than expected. Relationships are needlessly tiring and I never understood why people focused on them so much, yet now, looking at you I can understand them. I love you, [First], you are perfect".

You still again, now stunted by his words and sudden love confession. It's all so sudden and strange and confusing and you are too tired and too shocked to deal with this, so you decide to distance yourself. "I can't love you in return"

"But you will"

"Why do you think that?"

"It's against your nature to oppose me in anything"

Note: Galatea is an ivory statue created by Pygmalion, who later fell in love with it. The head in reader's dream is decapitated Mimir, a figure in Norse mythology who is known for his knowledge and wisdom. His decapitated head was reciting secret knowledge and giving counsel to Odin.

#yandere genshin impact #yandere genshin #yandere albedo x reader #Yandere Albedo #Yandere genshin impact x reader #yandere genshin x reader #Yandere #Albedo #Yandere x reader #Honestly it's not very yandere #My sleeping pills don't work again #my writing

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nocompromise-noregrets · 2 years

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do you know when you’ll write more barduil? all my favorite barduil authors are getting into our flag means death :/

I hate to break it to you like this, anon, but that's...pretty much how fandom works. XD There's no controlling what a writer might be inspired by (and OFMD is really good, I'm percolating a fic for it myself :D ), and although they may get into new stuff, that's not to say they won't keep on with their existing stuff. I know it can be frustrating when creators whose work you enjoy change direction, but the whole point of fandom is to be having fun, and sometimes something new and exciting comes along to have fun with. I've followed some of my favourite creators into new fandoms - in fact, it's happened with OFMD thanks to the fabulous @lordoftherazzles getting into it - I liked the look of what they were creating and checked out the show, and now I am utterly in love with it.

I have chapters in hand for Empty Vessel, Break You and All I Want Is You, but I keep not getting round to posting them (I have this thing where I feel if I haven't been writing then I can't post what I have in hand because then I'll just run out of chapters to post and it'll add to the pressure I'm already putting on myself for not working on new chapters, I know it's ridiculous but I just have this block in my head). I've got a lot going on in real life at the moment, and I've been struggling to write for many months now. The magical combination of inspiration, energy and time hasn't really been happening for me for a while. I'm still percolating the sentence starter prompts from February, working on a few bits and bobs here and there, but mostly it's like wading through treacle at the moment.

I appreciate your interest in my fics more than I can adequately express, anon, but I would like to ask you very gently to bear in mind that we writers are a sensitive bunch, and if we're not writing/posting we are probably beating ourselves up for it quite enough on our own, and messages phrased like this one kind of just pile on the guilt. I'm one of the more robust ones, but not everybody is, and I know of people whose motivation to write will turn tail and vanish into the bushes on receipt of this sort of thing. I'm sure you meant to be encouraging, but it comes across like you're demanding more fic, or a date by which you can expect more, and - well, inspiration is a fickle mistress and there's no telling when she'll be back.

I will try and post a new chapter of one or other of my WIPs this weekend - but if you're after regularly updated Bard/Thranduil fics, I can heartily recommend seeking a friend for the end of the world by BiSquared/@scary-grace, the year of what now by @palmviolet and When The Pale Swan Flies by @eldritchmage, all of which are utterly brilliant and updated weekly/fortnightly or thereabouts.

(and if I can get this coping-with-the-end-of-OFMD-by-means-of-fic thing out of my head, that'll be coming soon too XDDD )

In the meantime, if you want to send me a prompt, I will see what I can do, although I make no guarantees. :D

#my writing

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kindestegg · 3 years

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Switched souls, the knight, and the angel

Alright, so before anything, I would like to give a HUGE shout out to the user @inbarfink, a lot of their theories are absolutely amazing, and without their theory on Kris having originally a cyan soul that got replaced by the red soul, this theory would not even exist. So please, go check that theory out first as it is CRUCIAL to this theory, as well as check out their blog while you’re at it!

So we start from the assumption that Kris’s original soul was cyan and they are using a different one, forced upon them. But there is one thing to ask: where did Kris’s soul go?

Well, what if it went into the vessel?

(WARNING: THE SHIT YOU ARE ABOUT TO READ IS LIKE ROUGHLY 5 PAGES LONG I AM SO SO SORRY I HAVE SO MANY THOUGHTS)

I know, I know. The mysterious voice at the beginning technically tells us the vessel was “discarded”, and while it may be true, that we may never see it again… I don’t think that’s necessarily true.

For one, that intro scene seemed very important, almost too important to amount into nothing. After all, Deltarune for the longest time was only ever identified as “Survey Program” in its original .exe form before it actually came out on Steam or Itch.io. We don’t really answer a survey anywhere else in Deltarune, so we have to assume the “survey” we were completing was the vessel creation. Not necessarily something unimportant.

Two, we know by now Toby has a tendency of introducing things in his games, playing them out as initially unimportant or for a joke, and then later bringing them back. The best example of this so far in Deltarune is the thrash machine. What seemed initially like a fairly entertaining one time gag in Chapter 1 came back as an actually pretty significant aspect of Chapter 2, as it becomes the giant robot you use to fight the queen with.

And hey, isn’t it an interesting coincidence that the thrash machine is also a creation that you have to choose three parts for to customize, get told it will be used, then see it blow up before your eyes, only for it to come back later and become important as your mecha? As a… vessel for your team so to speak?

But even before Deltarune this behavior was present in Undertale. If we want another great example of a pattern that could repeat itself and become a direct parallel in Deltarune to Undertale, look no further than Chara themself. Nowadays, it’s common knowledge that the cutscene we first see of a child falling down that we later name is actually Chara, and not Frisk, but back then, it was a brilliant twist, making us think we were naming Frisk, the character we play as, only to get told later we actually named a different human all along.

Well, what if the vessel is the “Chara” of Deltarune, so to speak? We give them a name, thinking we are going to play through the game as them, only then to get told that no, actually, we are controlling this other kid who already has a name of their own. The only difference here is that the factor of us, the players, the creators of the vessel and the ones controlling Kris, being acknowledged fully as a separate entity, unlike how in Undertale it was left vague.

So, I think the vessel is going to come back, that’s for sure. In this theory, the soul that was meant for them, the red soul, was swapped out with Kris’s original cyan soul, while the red soul went into Kris. Another interesting tidbit we could even talk about is how one of the possible favorite colors that stands out for the vessel is cyan.

But if they weren’t entirely discarded, and are holding Kris’s soul, where are they now? While the theory could end here with us imagining the vessel is just some random human now holding Kris’s soul, I don’t think it’s that simple.

PART TWO: THE KNIGHT

So, it’s worth noting that the only two possible people that know the vessel are us and the mysterious person from the game intro, with us also getting to create it. So, what life does a person like that even have outside that void? While it certainly could be cool, I don’t think the vessel is now out there living a peaceful normal human life. It’s much more likely that, while not entirely gone, the vessel stayed right there with our mysterious “friend”.

For the sake of simplicity, I’m going to call the person who creates the vessel with us “Gaster”, but I want to make it clear I’m fairly neutral on the Gaster theories. Personally, I think it could be him and it’s very likely that it is, but even if it isn’t, this being an entirely different character does not hurt this theory at all.

So Gaster, with the help of our power, creates the vessel, but instead of letting us use it, swaps the red soul with Kris’s soul, taking the vessel for himself… claiming to discard it. But we are already on the track to imagining that didn’t happen.

So what use would he have for it?

Probably to do some kind of, ahem, “field work” for him. Don’t you think it’s strange that for all we know of the “strange person” that contacted both Jevil and Spamton, it’s never made explicitly clear this is the same as the knight? After all, didn’t the knight contact the King and Queen? Why would the knight contact random darkners to help on their quest when there are far more influential figures of power to go for?

While one could surely make the claim that there was an attempt first at contacting Jevil and Spamton, if you were the knight, looking for a powerful figure to convince in opening more fountains or protecting them, would you go for some random funny guys or for the literal figures of power that rule over the land?

What I’m getting at here is I don��t think the person that contacted Jevil and Spamton is the knight. It’s probably Gaster, but not the knight.

But if we are to believe Gaster has something to do with Jevil and Spamton, contacting them, and the possible next secret bosses, causing them to go mad, has interested in monitoring our progress, and kept the vessel with Kris’s soul inside, it is only logical to conclude:

He has something to do with the dark worlds

He has use for the vessel yet, and needs it to not be just a body, but animated by a soul

The vessel has narrative importance and will likely be tied to a big reveal

And with that, I present my theory that the vessel could very well be the knight. While the support for this theory is still relatively scarce, I propose this instead as a reflection of its meta importance.

Both Kris and the vessel!knight are being manipulated into a fate they cannot escape from, by powers they cannot oppose. For Kris, this is more direct and taking away their free will, but for vessel!knight, they only have one person to care for them and teach them things, that they had a purpose to fulfill, that they must be the disruptor, the bringer of doom.

Kris has a family and friends, a whole life they have lived, but currently no free will of their own. Meanwhile vessel!knight is technically in control of their actions, but they have absolutely nothing that tells them they should or could act otherwise. It’s the perfect parallel.

If they were ever to meet, imagine the conflict. Kris might want to trade souls immediately, but the vessel would have no interest in it. A truly formidable foe, the knight would be a twisted reflection of everything Kris is right now.

For those who think Kris is the knight, here’s a few things to consider:

Kris seems put off the first time they see a dark world portal, stepping back from it without our input.

None of the characters who said they met the knight recognized them.

While possible they may have opened the dark world portal in the library during the night before, there are a ton of complications in the way: such as the fact their movement is slow and restricted when being without the soul and may not be able to hold on for too long, breaking in and out of the library could be pretty hard, and the way they create the fountain at the end of chapter 2 coincides more with just having learned that any lightner can do it and that all their friends seemed excited for it as well.

While there are tons of reasons why Kris may have decided to open a new fountain, if I had to wager a guess, it could be most likely to simply continue on having adventures, or to achieve some higher goal, like another theory I really like states, that they would be looking for Dess in the dark world. But for whatever reason it is, I do doubt it’s malicious, and do doubt that they are for sure the knight so far.

But… back to Gaster. How does he fit in all of this? If he’s not the knight, but is behind manipulating the vessel!knight, while also contacting the secret bosses, what IS his role?

PART THREE: THE ANGEL

The angel is a figure I’ve seen wayyy fewer theories on. Understandable, there’s way less information on it as for now, but I want to make a few propositions.

If Gaster is not the knight, but is guiding the game to go in the direction he wants to, pulling the strings from behind so to speak, expecting us to connect with this game, play it, observing what is going on, occasionally contacting darkners in a way that drives them mad…

Maybe Gaster is the angel.

First, the angel is seen as antagonistic figure in the legend, whereas the knight is not directly mentioned in it. It’s almost as if the knight is a more “flexible” type of antagonist, while the angel is the one who must be banished. So the knight would not work alone.

Gaster also seems to hold a lot of similarities to a typical “angel”. He is unseen but watches over what is happening and may even influence it, and he brings revelations to certain specific chosen ones (the secret bosses). Specifically in this, angels are often associated with bringing visions and higher knowledge to prophets, sometimes driving people mad in the process, or unable to be understood by others.

Think back to when Jevil is defeated- does the speech he gives at the end not sound like something out of a prophecy? Specially when he is defeated through violence, which is when he talks about the knight’s hand approaching, the queen’s return, and hell’s roar. And poor Spamton, he tried to defy the will of the higher power and grow above it, and was punished into having his mind toyed with, sometimes delivering messages that are not his own.

There is also the figure of the “guardian angel”, which, fittingly, watches over their protected human. We already know Gaster is implied to be watching us, but there are some fun nods to it even in easter eggs. In the basement, if you wait around long enough near the electric sockets, they will begin to contort into an all too familiar smiling face with uneven eyes…

But for what purpose is Gaster doing all this? Creating a vessel with our help, swapping the soul meant for it with Kris’s, watching us go around in adventures while driving random darkners mad and having the vessel open up more and more dark fountains?

Power. We have power.

As chapter 2 was released, a strange person took over the game’s twitter. And among those tweets, a very interesting phrase popped up:

“Deltarune glows brightly from your hope.”

And I want to propose that this wording is more than just meant to hype us up. I think that as we play the game, as we put our energy and time, our hopes and dreams into it, it gains power.

And maybe power is what Gaster wants. To do what? Well, endless guesses pop up, but the most possible one is that he wants to break out of the dark. To be “real” again. To escape the limbo he is trapped in. And maybe, with the power of enough determined humans, all playing the same game, all leading Kris in their adventures, this could be achieved.

Of course, this is still a very vague explanation. How exactly a bunch of people all playing a game is going to translate into Gaster being so full of energy he just sort of… bursts from the dark? I have no idea honestly, but it is the best explanation I can think of right now as to why he would ever think of involving us in the first place. I mean, have you ever realized that he wouldn’t really need us to carry this all out if it was just about tampering with the in-game world? That maybe there’s something he wants out of us? The only explanation I can think of is it being some kind of messed up experiment to measure our engagement with this world, but that is a big maybe.

Nevertheless, the fact remains he benefits greatly from opening new fountains and from having an antagonistic figure to manipulate, as it brings new adventures for Kris to go through, and therefore makes the players more excited to continue on. But with Kris starting to rebel, more conflict will be born, and maybe Gaster’s plan will go off course.

So, to sum it up neatly, in a TL;DR: If Kris’s actual soul is the cyan soul and not the one we control, their original soul must be somewhere, and maybe that somewhere is the only other human we have seen without a soul of their own- the vessel, as we know Toby has a tendency to call back to things that appear earlier in the game’s story. Gaster is the angel of the prophecy as he intends to escape the confines of his limbo and he is using the vessel as the knight to open more and more fountains, gaining energy from our involvement with the game. And in a way, maybe we are the angel’s heaven.

#deltarune #deltarune theory #deltarune analysis #Commander's orders

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mittensmorgul · 4 years

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As Above, So Below

I’m still trying to pinpoint exactly why the focus on “heaven is fixed and actually a paradise now!” is just so deeply unsatisfying to me. And I think I need to preface this with a bit of backstory about me, because I think that gives the rest of this essay some relevant context.

I know this isn’t relevant to my main point here, but this is a metatextual and thematically identical example of the exact thing I’m gonna lay out, because context is always helpful. So please forgive this seemingly irrelevant detour, because I promise it will be relevant by the end.

(plus, would it really be an Essay By Mittens™ without at least one baffling tangent? no, it would not!)

Tangent time!

I think everyone that follows me knows how skeptical I was... or should I say how WARY I was of the way Eileen was returned to the narrative this season. We were warned in the PREVIOUS EPISODE how much Chuck was attempting to interfere in their lives. I was accused of some very nasty things, of hating the ship, or hating the character of Eileen, or of hating Sam and not wanting them to be happy. No amount of pointing at obvious warning signs in the text, no amount of yelling about Sam’s God Wound or the absolute klaxon warning that the wound had become “quiet” and his Chuck-O-Vision Nightmares had apparently stopped seemed to matter. I was declared “wrong” and told to shut up.

And then 15.09 happened, and basically everything I’d been wary of was shown to be what actually happened, but there were still unresolved issues. Eileen doubted her own feelings and walked away. She doubted what was actually real. And at the time, I said many times that I would be thrilled to see those issues resolved by the end of the season, and for her to truly know that what she’d felt growing between her and Sam was real. And by the end of the season, despite my personal horror at her previous situation (and having that personal horror compounded by the fandom literally gaslighting me and attempting to bully me into ignoring this basic actual plot detail of this specific growth process which... in the context of what my personal objection was to accepting her return at face value in the first place having been personal trauma associated with gaslighting and manipulation...) by the time 15.18 aired, I was 100% convinced that Sam and Eileen had fully chosen each other, and felt the traumatic pain Sam suffered during that text conversation with her during the snap. She NEEDED to come back, because she had been set up to be part of Sam’s Win. They were clearly each other’s future.

The show literally put in all the work to make even *me* feel this to be True and Right and Good. And then after that point we never even hear Eileen’s name again. We never were told that she was even returned at the end of 15.19. Sam, who had been so entirely devastated by her disappearance in the previous episode that he couldn’t even process it was apparently hit with an amnesia hammer and just... never even thought about her again through a long greyscale life with a blurry baby Dean factory vaguely in the background of a single scene of his life. I can’t credit or justify how after an entire year invested in making us all truly care about Sam and Eileen and the happiness they found in each other if only the cosmos would allow them to choose each other in the end would just... erase all of that in the series finale.

Which brings me to the second tangent, which is specifically about *me,* and how I feel about the cosmic order in the television show Supernatural. Because I feel a lot about it. Probably more than most people ever did. And this is also important to understanding the main underlying point I need to make here.

Something I’ve been most looking forward to, for YEARS, about Supernatural eventually ending someday was writing a book, or a thesis, or even just organizing and compiling all my observations into a cohesive narrative specifically about the cosmology of the Supernatural universe. I’ve been cobbling together my observations and realizations about the nature of heaven, hell, purgatory, the empty, the alternate universes we’ve seen, and yes, even the cosmic function of the mundane level of the story as told by events that transpired on Earth. So of everyone watching this dumb show for the last 15 years, I don’t actually know anyone who cared more that I did about finding a satisfactory resolution and transformation of every plane of existence-- the mortal world AND the “afterlife realms” we’ve experienced on this show. And in the wake of the finale, I feel cheated out of that. Because in the end, it wasn’t about the triumph of free will and a flip of the script, it was just more of the same.

And now that I have those two preliminaries out of the way, I’ll finally get to the point. :’D

(hooray, it didn’t even take 1k words to get there for once!)

The “main stage” of Supernatural has always been Earth. It’s always been “Humanity.” At the very start, we meet two men whose lives had always been dictated to them by higher powers. At first, that “higher power” was their father who raised them in his vengeance mission, who trained them to hunt the supernatural. It was the inciting incident of the entire series, after all, their realization that forces outside of their control had irrevocably altered the course of their lives. It had forever torn down what they’d trusted in family, in personal safety, and would become something they couldn’t outrun or fight back against for long before another wave of cosmic discord would settle over them once more.

We watched this story play out in ever increasing spheres of cosmic significance, until Gabriel laid it out on the table for them in the simplest possible terms (in 5.08).

GABRIEL: You do not know my family. What you guys call the apocalypse, I used to call Sunday dinner. That's why there's no stopping this, because this isn't about a war. It's about two brothers that loved each other and betrayed each other. You'd think you'd be able to relate. SAM: What are you talking about? GABRIEL: You sorry sons of bitches. Why do you think you two are the vessels? Think about it. Michael, the big brother, loyal to an absent father, and Lucifer, the little brother, rebellious of Daddy's plan. You were born to this, boys. It's your destiny! It was always you! As it is in heaven, so it must be on earth. One brother has to kill the other. DEAN: What the hell are you saying? GABRIEL: Why do you think I've always taken such an interest in you? Because from the moment Dad flipped on the lights around here, we knew it was all gonna end with you. Always. A long pause. SAM and DEAN look down, then at each other. DEAN: No. That's not gonna happen. GABRIEL: I'm sorry. But it is. GABRIEL sighs. GABRIEL: Guys. I wish this were a TV show. Easy answers, endings wrapped up in a bow...but this is real, and it's gonna end bloody for all of us. That's just how it's gotta be. ***

And isn’t that all even 1000x more painfully ironic that it all still happened even 10 years later? It was always going to end with them. And lol, “I wish this were a TV show” because if it was then it wouldn’t have to end bloody.

But this… was a Major Acknowledgement that the meta level of this story was consistent, and was telling us something important. It demonstrated that the Cosmic Structure Itself was the cause for Sam and Dean’s “destiny” in this story. But that’s not what the point of this story has ever been.

Nobody (including me, who is literally obsessed with this aspect of the story) has ever invested themselves in the narrative of Supernatural because they cared about the fate of the cosmic order over and above the fate of the characters who had committed to overthrowing it all, to “tearing up the pages” and writing their own destinies. I mean, we became invested because Sam, Dean, and Cas as characters took us by the hand and invited us to come along with them as they battled against fate for the good of EARTH and HUMANITY.

And certainly, Heaven being a horrific sort of eternal replay of the “highlights” of individual souls greatest hits, where free will didn’t apply as everyone was just boxed away into their individual holodecks to serve as some sort of giant Heaven Battery powering the furtherance of this narrative, this “cosmic order” that had become so powerful it dictated the events and manipulated the lives of people who still existed in the ostensible realm of free will and human life on Earth… that couldn’t stand in the end. But what the narrative (and people I’ve seen attempting to justify the finale as narratively sensible) seems to have forgotten was that all of that was Chuck’s construct to begin with. That without Chuck holding his kingdom in Heaven together, the walls of all those soul cubicles ceased to even be relevant.

After spending their entire lives to this point constantly fighting their way to the absolute pinnacle of the As Above, So Below narrative and pulling the plug on the original creator himself, Humanity should’ve triumphed. And I’d argue that it DID, through Jack restoring the missing essential “humanity” to the divine condition. And, silly me, I thought they’d achieved the promise of “paradise” heralded by Jack’s birth at last, and truly “flipped the entire script of the narrative.”

Ever since they thwarted the original apocalypse, I had hope that they would continue to achieve the same result right up the ladder. Metatron trying to fill the role of Chuck Junior hit his own narrative wall in TFW, while Dean’s battle with the Mark of Cain, and Cain telling him he was “living my life in reverse” and would succumb to destiny by killing his loved ones in the “reverse order” to Cain’s own path to downfall cemented this for me. Dean not only failed to kill any of his loved ones (you didn’t kill your own brother. why?), he SAVED them. He didn’t fulfil the prophecy in reverse, he subverted it. He UNMADE it.

Perhaps I was thinking on too grand a scale, that the ultimate inversion wouldn’t be “God is overthrown and replaced by more of the same,” but “God is overthrown and the entire order of the universe is restructured from the bottom up rather than the top down.

I’d hoped against hope that the conclusion of the narrative would be “As below, so above,” with the fundamental power of human love becoming the new foundation of the cosmic order. It never even occurred to me that “taking back the narrative to rewrite it for ourselves” was not the ultimate goal of Team Free Will, or the ultimate expression of their biggest win.

This whole “well heaven really needed to be rebuilt, there was still work to be done!” seems… irrelevant to me if they’d truly won free of the cosmic narrative. The entire structure of the universe-- including Heaven and Hell-- should’ve defaulted to the paradise state that Jack was literally born to bring to fruition. Wasn’t that the point of his entire role in the story, ultimately?

And if that wasn’t the case in the end, why did we never learn the fate of Hell? Was it just… irrelevant and unchanged after this? Or just… abandoned as a concept entirely? It’s just strange to me to put such a focus on heaven being the sole sphere of import in the end that it undercuts the essential humanity of the narrative for me.

The story itself had kept Heaven on a back burner for years, only occasionally mentioning that the structure of the place was falling further and further into disrepair with a dwindling force of angels struggling to keep the walls in place at all, that it seems like it could’ve been an afterthought at the end of the series rather than a focus so large it required the death of both main characters to make sure we all understood that Heaven Had Changed Now. Because TFW had never been fighting to make Heaven right. They’d been fighting to save the world itself, for humanity to all have a chance to live their lives as their own.

And we didn’t need to see that in the final hope they might get their own lives on Earth to explore. In the end, the fundamental narrative that Life On Earth was dictated by the cosmic structure of creation was never fully subverted. And for me, that’s the main reason I just… can’t accept the finale. It wasn’t a victory of free will and humanity, in the end it was just more of the same.

I appreciate the attempts to take the essential bones of the story we did get and apply a different polish to the surface of the skeleton, but to me it still feels like we’re looking at completely different beasts in the end. Like… to me this was as jarring a revelation as those drawing of modern animals reimagined as dinosaurs entirely based on their skeletons. Like, all along the narrative told me I was looking at a swan. They told me this skeleton they’re building out from is definitely a swan, without a doubt. I know what a swan looks like-- a graceful feather-covered bird with magnificent wings. I trusted that in the end it would be at least remotely swan-looking. And then the finale ended up looking like this

and I just don’t even know where everything went so wrong. Or maybe all along I just assumed they actually knew what a swan looked like, but weren’t sure they could actually pull it off and settled for whatever the heck this is instead. Either way, I’m actually kinda grateful to the finale for being so entirely disappointing on every level, because otherwise I probably would’ve tried to adopt the monstrosity of it anyway. And I’m really, really glad I don’t have to.

#spn 15.20 #spn cosmology #heaven hell purgatory and the empty #and this is why no amount of narrative defense of the finale is capable of making me feel any better about it #i admit i thought too big... but it was all right there in the narrative to see #oh well at least all i have to do to hold on to my grandest notion of the universe is throw out the finale :'D

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lilmissbacon · 3 years

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Frozen 3 concept

I'mma start off with explaining that I'm not the biggest fan of Frozen and I'm definitely not a fan of Elsa's character in general.

But as much as I love the songs and outfits of the second movie, the inconsistencies and how it never explains how sh🤬 works in the world with magic and such are just infuriating. As well as why the spirit that connects them controls ice which is just a variation of water. And how the Frozen franchise just loves to make Elsa more special within every installment.

I am so very tired of it. So I came up with a way that it could all be fixed and make sense if they make a third movie.

Also to note that Anna and Elsa are supposed to be two halves of the fifth spirit but that's VERY briefly touched in movie (quote: well actually a bridge has two sides and mother had two daughters) and Disney themselves take Elsa as the fifth spirit alone so that's stupid.

Why Elsa specifically controls ice

We all know how we're frustrated with the fact that Elsa is supposed to connect all the elements when she only controls ice.

But let's think about it from another prospective. The first movie is based about the seasons. It's a seasonal theme rather than an elemental theme like in its sequel. So why not bring that back?

The enchanted forest cannot be the ONLY place that has mystical spirits. What if there were three other forests with their own fifth spirits and each fifth spirit represented a season?

And each seasonal spirit's magic is a mix of two elements.

Elsa/Winter: Ice = water + air

Spring: Plants = water + earth

Summer: Lava = earth + fire

Fall: Lightning/Storms = air + fire

This still fits in with the fact that the fifth spirit can play back moments in time as well. Each spirit has their own Ahtohallan. Elsa's is made of ice because it's just frozen water and the water is was plays back those moments in time.

Spring's would be like an island made of plants, fungi and marsh. Plants have water running within them so they can take the form of moments in time like Elsa's ice statues.

Summer's would be a volcano with a river flowing through it. Lava and water can mix to create lava rocks. When doing so the memories within that water would be imbedded into the rocks they form and therefore be able to play moments in time as rock statues.

Autumn's would basically be a fog bank with almost ghostly figures making up the memories since fog is a mist, aka: water. Kinda like the scene where Elsa fights the wind spirit and their powers mix for a moment.

Where the others come from

For this, I decided to look around other lands within that side of the world that has legends of spirits. I decided upon:

Spring = Scotland

Summer = Arabia

Fall/Autumn = Japan

I chose for Arabia to be summer, of course , because it's a desert country so it very hot. Japan is autumn because it's culture and everything just always reminded be of the beauty of fall. And Scotland is spring because that's what was left and when I think of Scotland, I think of it's green forests and plants.

Nothing too deep.

Personalities

You think I'd make Summer hotheaded and spring, giddy and bouncy, right?

No, because you see, as I've stated in another post of mine; Why Frozen Doesn't Work In The Big Four, I explained how Elsa's personality reconciles more with summer. The opposite season of her own.

Elsa is kinda quiet, gentle, diplomatic, practical, worries silently and is angelically innocent (even though she doesn't deserve to be).

All are traits relating to summer. So if her personality is opposed to her season, then it'd be the same for the other fifth spirits.

Spring would be a leader, confident, energetic, true to a cause, dependable, easily irritated and stubborn.

Summer would be reserved, well mannered, a good listener, natural poise and pessimistic.

And autumn would be energetic, tender-hearted, optimistic, friendly and overly talkative.

How the spirits work

I fully believe that the spirits have no physical form but rather inhabit certain things. Basically possession but the spirits don't have control over themselves once they choose a vessel and depending on the solidarity of what their element is, determines what kind of vessel they need.

The wind spirit is said to be a playful spirit and would want to make its own choices. Being an element you can't hold, it doesn't really need a host.

Water is liquid and needs something to be it's host but doesn't necessarily need something alive. Therefore it can inhabit a small animal or it inhabits its own element, hence a water horse.

Fire isn't a solid or liquid but it's not necessarily a gas either. Fire always needs to burn on something in order to burn. Therefore it cannot just make out it's own body like water but it doesn't need a large vessel. Hence, a little salamander.

Earth is the most solid of them all so it would need multiple hosts in order to sustain itself. That's why there are multiple earth giants and not just one like the other spirits.

I believe the spirits don't have control over their actions once they choose a host because all the spirits (besides wind) seem to not know what's even going on most of the time. And that would explain why the spirits didn't get rid of the dam themselves, because their vessels didn't know that was the problem.

I also believe that they need a host to begin with because they are actually susceptible to death. As it has been confirmed that Elsa is NOT immortal and there wouldn't have been a legend of a fifth spirit if people hadn't seen one before.

It would also explain how the spirits drove the citizens out of Arendelle without physically being there; they managed to leave their hosts for a time in order to do so. Along with what the light that Elsa was following at Ahtohallan, was. The fifth spirit was able to sustain itself by staying in its birth place and activated the memory of Elsa's mom singing, to bring Elsa there and when Elsa's dress transforms is when the spirit possesses her.

Why does the fifth spirit need to be human? Because humans are more durable. The fifth spirit doesn't control anything completely solid like rock so it doesn't need multiple vessels but it also controls more than a single element, therefore is too much to figure out/control for just any animal.

That's why it chose a very young child to give it's powers to rather than the person who actually did the deed of saving their enemy. It needs to be someone who will have the time to learn and control their powers by adulthood.

(Despite Elsa not truly being worthy and being a horrible sister, she was already chosen at birth and she at least gets the job done. At everyone else's expense but still.)

Plot

How would the seasonal spirits meet? Why would they leave their homes for this? What brings them together?

The four sided snowflake represents the elements connected to the winter spirit. Every season would have their own version of this. But there are also four seasons just like there are four elements.

So, could there be a fifth spirit for the fifth spirits? A fifth spirit to connect the seasons and if so, what is it? What's their power?

I believe, much like the winter spirit called to Elsa, the ultimate fifth spirit will call all the seasonal spirit's to come together at a single location. Anna would come with Elsa as well, of course, and during their journey, they'd all eventually meet each other along the way.

Eventually Anna would start to feel a little neglected when Elsa keeps talking to / about the other people who also have magic. Anna doesn't wish for magic, but she wishes for Elsa to finally see herself and Anna as equals (because Elsa clearly wouldn't after finding others like herself, let's be real). So Anna goes off to have her own sort of "Show Yourself" moment and is the one to find the location they've been looking for which is where she becomes their fifth spirit; the Aurora Borealis.

It was in one of the original scripts for the first movie that Anna was gonna have the power to control the Aurora Borealis, but then the creators decided that took away from Elsa's agency for self isolation due to her powers.

It's true that Anna having been able to accomplish what she did without powers is one of her best attributes but Anna becoming the light spirit is really the only way she's gonna get any appreciation within the fan base or the disney community. Plus Anna's done all the work to begin with so she deserves it.

With the other spirits being seasonal & elemental, it would only make sense for the one to connect them all would be light.

But all the spirits also have an opposite to balance them out:

Fire | Water

Earth | Air

Winter | Summer

Spring | Autumn

So maybe the reason they were all being called there is because Light's opposite is Darkness and it's plotting to take them all out. They are in charge of keeping balance and darkness wants to create chaos. But you also need darkness for balance, so maybe someone else will be with them through the journey and become the vessel for darkness in order to control it. Because, again, spirits have no control once they have a host.

This could be a possible redemption arc for Hans. We could learn about what he's been through and what truly drove him to be the bad guy because from what we know of his brothers, they were really bad. I think he just really lost a nerve due to unintentional (or intentional) abuse and was trying to prove to his family that he was better than they believed. People who suffer from abuse can be irrational like that.

I think it would be a phenomenal thing for him to overcome his inner darkness while also taking control of the literal spirit of darkness.

Metaphorical-wise it's beautiful.

Art/Designs

I edited the other seasons + Anna off of concept art for Elsa's white dress while Hans is kinda my own creation but I still used his concept art for a base. Everything after that are purely original.

Location they are led to ⬇️

Let me know what you all think 👍

#frozen #frozen 2 #disney #fifth spirit #concept #elsa #anna #frozen 3

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recentanimenews · 3 years

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SPOILER-FILLED REVIEW: Talking About That Evangelion 3.0+1.0 Ending

A note on safety: The following movie review undertook the strictest of safety procedures to watch the anime film in cinemas in Japan, including washing hands with disinfectant before and after, sitting in seats apart from others, going to a cinema outside of the busy metro area, and wearing a mask during the entire runtime of the movie. We strongly urge everyone to follow the recommended safety protocol in your country and always wear a mask when in public — not just for your sake, but everyone else’s as well.

For those who are outside of Japan and want to know how the latest (and final) Evangelion film stacks up, we have already published our completely spoiler-free review. For those that want to know more, please read on.

After the airing of the NHK documentary which followed Hideaki Anno and the four-year production of Evangelion: 3.0+1.0 Thrice Upon a Time, the unofficial “spoiler ban” was lifted by Studio Khara on March 22. This means, as much as Khara is concerned, we are free to discuss anything and everything Evangelion: 3.0+1.0, like how [omitted for spoilers] kills [spoilers] and LCL [spoilers].

Seriously though, if you don’t want to read any spoilers for Evangelion: 3.0+1.0, then leave. Immediately. Close the tab, don’t scroll down.

This is a warning.

I’m not kidding.

I’m putting an image here as a buffer. It's sweet right?

If you scroll past the next image you will be spoiled for everything in the film. This is your last warning.

"Asuka" as a kid

Welcome to Evangelion: 3.0+1.0 Thrice Upon a Time where I may have lied in my previous review, cause things go tumbling down — but in a good way. You’ll have to forgive me if I don’t recall the exact right terminology here on out: between the Doors of Guf, the hundreds of Evangelion models and ships we see, and that ending, it’s hard to keep it all in one head. That’s why this film has four directors.

If you’re already here, you’ve probably read the synopsis going around the internet right now. Yes, it explains what happens on screen, but experiencing it is a different story. Evangelion 3.0+1.0 takes a lot of cues from The End of Evangelion in its final act, but prior to that it is mostly a story of growth for Shinji, where he rejects being depressed (after a heart to heart with black-suit Rei, who then turns into LCL), learns that things aren’t 100% his fault. Shinji goes on to tackle his source of depression head-on; owning up to his past mistakes and taking down his father, who is now literally just a vessel of his own desires.

Unholy Gendo

Something truly missing from Evangelion 3.0, and one of the reasons I loved Evangelion 2.22, was just the gang hanging out together and interacting with the — very scarred — world around them. That scar has vastly grown throughout the 14 years Shinji was missing from the actual 3rd impact (the one at the end of 2.22 was a “near-impact event”) which saw the world covered in the red haze we saw in 3.0. Luckily, WILLE has purification pods that keep the core-ification of the world at bay. We saw that being used in the 12-minute preview, but throughout the film, they’re used extensively to keep the Evangelion wandering the landscapes on the red earth away from the villages that are helping the WILLE cause. They need to get food from somewhere.

This is where we spend a lot of time learning how the characters from Shinji’s class all survived, got paired off, and that Asuka is staying (and is probably in love) with Kensuke. She confesses to Shinji that she loved him when they were kids, but 28-year-old Asuka can’t keep loving someone who hasn’t changed in 14 years. Shinji does accept the confession, saying to her that he loved her too, and she turns into LCL — though that’s in the Anti-Universe and after Asuka meets the “original” Asuka (I’ll get into that). As I said, it’s The End of Evangelion 2.0.

Rei discovering herself in the village

One of the nicest parts of the film is black-suit Rei discovering human emotion and society in the village. Being a clone that likely spent all of her time locked in her room (and without the love of the now inhuman Gendo, which original Rei got), it was unlikely that she learned anything that makes humans human. The concept of “hello” and babies from Toji and Hikari confuses her as she finds a place herself in this village. Admittedly, it was sad to see her go and turn into LCL (from a lack of LCL exposure), but serving as the catalyst for Shinji to get over himself and face his demons was worth it … I guess?

After this, Shinji grows up. Even Mari on a re-introductory sniff claims as much. During his time in the village, he discovers how the settlement stays afloat and that the 14-year-old son of Misato and Kaji (the latter perished in the real 3rd impact) helps keep the village alive. A picture of Shinji and Kaji Jr. helps warm Misato’s chilled heart and gives her the confidence to let Shinji pilot Unit 01 again, much to the disdain of multiple members of the WILLE crew.

All of this is nice. Unlike the despair and hopelessness felt in 3.0, the entire first three parts of the film are uplifting and bring moments of joy. Seeing black-suit Rei smile as she came to terms with herself was just utterly beautiful.

Then Shinji decides to get in the robot.

This is where I’m going to get into the Hideaki Anno talk, because this film, as well as the rest of the anime versions of the Evangelion franchise up to this point, is basically just a self-examination of the man’s mental state. In the spoiler-free review, I called Evangelion: 3.0+1.0 the antithesis of Evangelion: 3.0. And that’s true, but it is also an antithesis to The End of Evangelion: A rejection of the depression Anno felt while creating the 20-plus-year-old film. There’s no doubt in my mind that the journey of Shinji through these Rebuild films is the journey of Anno creating Evangelion, with 3.0 being the lowest point.

But this isn’t just felt in the story of 3.0+1.0, it’s also felt in the way it was presented. The entire final act of the film is basically a happier version of the “tumbling down” scene from The End of Evangelion, just with some more interesting aspects to it along with some inventive filmmaking — including making Lillith’s face live-action. That was haunting.

This includes the above scene, which got a lot of flak on social media for being very poorly animated when it appeared in a trailer. Even I was confused over the inclusion of such poor animation in what is one of the most hyped anime films of all time. Funnily enough, it was Anno trolling. The scene comes from the ending, where the two Eva’s fight through the history of Evangelion, with this scene either representing a testing stage for CGI or one of the many Evangelion video games. The poor animation makes sense in the film … mostly.

Over multiple film-like sets, the two Evangelions duke it out — one with Shinji, the other Gendo — over their ideals. This takes them to Misato’s apartment, the school, and even where Pen-Pen (or his offspring, I don’t know how long Penguins live) resides in 3.0+1.0. Before cutting to each of the different scenes, an Eva smashes through the set wall and onto a production stage.

I also said in the spoiler-free review that Anno “takes everything he knows about animation and filmmaking to deliver the perfect end to Evangelion,” and it shows when you see the (animated) production stage filled with props, miniature cities, and controls that you’d probably see on a production stage for a live-action Evangelion. Again though, this part is animated.

Mari at the End

The surrealness doesn’t end here. When Shinji “wins” and chooses to reset the world without Evangelion, the animation breaks. Shinji devolves into key animation, then layouts, then into a storyboard, which is then broken by Mari bringing color back into Shinji’s world on that beach. No “how disgusting” here, only happiness.

The film ends with an adult Mari and an adult Shinji at Ube Station. As the music of Hikaru Utada’s “One Last Kiss” swelled up through the speakers, the animated backgrounds slowly transitioned into a live-action drone shot of the area surrounding the hometown of Hideaki Anno.

A poster for Evangelion: 3.0+1.0 showing Shinji on the tracks outside Ube Station, which I discussed when the poster was first released.

This is how I know Hideaki Anno is done with Evangelion. While yes, he has said he is done and feels no personal connection to the franchise anymore, the end of the film is a deeply personal one that clearly shows the anime creator cares about his creation and is now happy enough to see leave home and become its own thing — if anyone else chooses to pick it up.

Shin Evangelion (the Japanese name for the film) is the true form of Evangelion that Anno set out to create over 25 years ago. While it wouldn’t have looked anything like it does now, the emotion poured into one of the longest animated films ever made makes that point as clear as the bright blue sea.

Some other various interesting spoiler points:

I’m not sure if character designer Yoshiyuki Sadamoto was lying about him not knowing Mari’s story and just making that one-shot chapter of the Evangelion manga on a whim or whether Anno took what Sadamoto wrote and expanded on it, cause Mari was right there in school with Gendo and Yui exactly as the chapter laid it out. Unless she’s also a clone...

There’s a really good shot of CG Asuka trying to force-feed Shinji, which was a direct evolution from this test footage back in 2018.

On the topic of Asuka, she had a small version of a purification pod in her eye that, when opened, unleashed an angel, and in turn let her meet her “original.” It’s not explained whether the original is Langley Soryu from the TV anime series or not.

Also, she’s a clone, like Rei and Kaworu as part of the “Shikinami” series. Interestingly, Mari Makinami also has “nami” in her name...

Ritsuko did nothing but shoot Gendo, mimicking the scene from The End of Evangelion. The shot was as useless as her character arc in the Rebuild films.

This film has to be set in at least the third continuity of Evangelion, as the TV series is directly referenced in the production stage and thrice does mean three...

Sakura is one of the most grounded characters in the film, with her asking the true question of “why the heck are you letting him in ANOTHER Evangelion?!” Let’s hope the live-action world she is now in is good to her.

Evangelion: 3.0+1.0 Thrice Upon a Time is currently showing in theaters across Japan, there’s no word on an international release at this stage.

Daryl Harding is a Japan Correspondent for Crunchyroll News. He also runs a YouTube channel about Japan stuff called TheDoctorDazza, tweets at @DoctorDazza, and posts photos of his travels on Instagram.

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features.

By: Daryl Harding

#Anime #News #Latest in Anime News by Crunchyroll!

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austarus · 4 years

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Harrison Wells (Eobard Thawne) Integrated Revelations (3/3)

**A/N: The picture/edit/gif does not belong to me.

**Hey guys, enjoy the final installment! Meanwhile, I’m going to go cry about physics because our physics department is shit and I’d rather much learn from Eo or Harry physics since they’ll actually teach me. Please don’t forget to comment, like, and reblog. It means a lot to content creators of all kinds!

Part 1 Part 2

Word Count: 5770

“Right here,” future Barry responded calmly as he entered the Cortex. Both versions made eye contact before future Barry sighed to himself. He knew he royally screwed up big time. The speedster was supposed to be in and out with the speed equation. I didn’t intend to get them all tangled with- with that Time Wraith… What’s done is done, but at least I know Thawne and I are in the same boat. Barry took a glimpse at you. Not that it’ll matter anyway. He won’t deny the immense hole that would dig itself in your chest a year from now. Stoic and devoid of any of the warm emotions you normally bring to the labs. It… is what it is. Eddie made his choice that day, ‘there are no such things as coincidences’.

“Okay,” Cisco stepped out of the small lab with Caitlin following behind. “Not how I expected today to turn out.” You gave Eobard a look as if to say, you trained him. Eobard ignored the meaning behind your glance while you both remained in the side lab, observing the interaction between these four.

“Yeah,” Future Barry agreed quietly to himself.

“Okay, so I'm-who are... who are you?” Present Barry stumbled over his words, his mind trying to catch up with what his eyes were seeing.

“Who is he? Who are you?” Caitlin chimed in with an arched brow, eyes moving between the two Barry’s

Present Barry frowned at the biological genius. “What do you- I'm Barry. I'm Barry. Your Barry. He's-”

“-Your doppelganger.” You face-palmed at Cisco’s revelation, whispering an ‘oh my god’ to yourself while directed your gaze up to the ceiling. Eobard started to wheel out of the small side lab, where you and held be at the back of the standing group.

“No, not yet.” Eobard gave Future Barry a subtle incredulous look as he continued to talk. He clenched a fist tightly, resting an arm on the armrest of his wheelchair You mouthed, ‘Bro, just shut up!’ and even made hand gestures to your mouth. “I am you, Barry. Just… different.” Present Barry nodded in awe.

Cisco looked between the two, an urge to know which Barry’s a fraud or not, and if any of this is actually real, “Wait a second, how do we know which one's the real Barry?”

A hurt look crossed Present Barry’s puppy-like expression, “Dude, okay, I've watched ‘Wrath of Khan’ with you like five times.”

“Imposter!” Cisco pointed an accusatory finger at Future Barry. You know, the one that’s been running around this entire time after the comms incident and insistence on a speed equation.

Eobard just shook his head at the nonsense between the two Barry’s and Cisco, trying to somehow keep it together before he popped a blood vessel. “Yeah, and every time at the end, you turn to me and you say, ‘I have been and always shall be your friend’."

“Haha! You, imposter!” Cisco cried out in frustration, both arms directed at the two different Barry’s. Caitlin just narrowed her eyes to a squint at Present Barry. “What is going on here?” You were just baffled at this point and 1000% done with Bartholomew Henry Allen aka the best person to run his mouth and reveal everything.

“Okay, guys, I'm sorry. This was not supposed to happen. The tranq dart that Caitlin made,” Eobard started gesturing for Future Barry to not mention anything, “was supposed to last a lot longer.”

“I did not give him a tranq dart,” Caitlin defended herself, arms up as an act of innocence.

“Okay, no, yes, not you, the you from the time that I am from.” You were now just screaming on the inside because Future Barry just kept talking, revealing things he shouldn’t be and exactly what he did to knock his past self out. Eobard just gave up sending visual signs and mouth words to stop talking like any sensible person. You just gave Eobard an a ‘I don’t know what to do with this one anymore’ look, and you’re pretty sure he was have the same thoughts. You sighed inaudibly when Eobard just shook his head in defeat and shrugged his shoulders at you.

“The time that you are from?” Present Barry asked with a high level of disbelief, the words sounding foreign on his tongue.

“I think what he's trying to say is he's from the future,” Eobard finally stepped in (not literally, just figuratively), wheeling himself forward. His eyes hadn’t left Barry’s, maintaining a sort of placid look, but the emotion behind his eyes were far from stoic. Of course, now he was dealing with two ridiculous speedsters of his archnemesis. You saw Eobard run his thumb over the tips of his fingers on one hand while the other remained on the control panel of the wheelchair.

“The future?”

“Yeah.”

“The future?”

“Yes.”

“Wait, the future,” Present Barry was cut off the third time he asked.

“Yes,” replied for the third time in a flat tone, Eobard’s mind already launched into various ways to keep Present Barry from learning the truth of his identity and intentions. More importantly, all the ways the yellow speedster can keep you safe and out of the scarlet speedster’s grasp for any sort of leverage against himself.

“Are we saying I can time-travel?” Present Barry finally questioned his future self.

Future Barry chuckled lightly, nodding gently, “One day.”

“Oh, that explains the white on the symbol.” Cisco piped up once more, ideas whirling through his mind already. You saw your other best friend’s excitement rise at the possible time theories. “Well, wait a second. Suppose we now change your emblem. Will it be because we got the idea from this? Or, I mean, that would mean-”

“Stop talking.” Eobard shut Cisco up before rounding his heated gaze to Future Barry with a pointed finger. “You stop talking too, all right? More you say, the more the timeline is disrupted. Now I'm going to assume that your presence here is the reason that thing is attacking us. Hm?” Eobard tried a 3rd time to signal Barry to play along without giving any more information of the future to his past self and the others. The tone change should have been a clear indicator too.

“What? What thing?” Present Barry’s face contorted in confusion at Dr. Wells.

He legit looks like a lost puppy.

“Have you ever seen ‘The Frighteners’?” Cisco asked his present time buddy, who nodded at the reference. “It's sort of like that, but scarier and faster and it's after you-after him.” The mechanical genius corrected himself, pointed at the future version of his best friend.

“Yeah, it's been chasing me ever since I got here,” Future Barry confessed.

“Okay, so how do we stop it?” Present Barry looked to everyone for some kind of answer.

“We don't know.” You responded with Eobard, glancing at one another before running a hand through your hair tiredly. You wanted to just go home and lie down on a bed with a fluffy blanket with your boyfriend beside you, threading a hand through your hair while you give him teasing kisses just to hear that deep chuckle. Three Barry’s is too much in one day, if I’m going to be honest.

“Then what are we gonna do?” Present Barry raised an eyebrow in confusion.

“The one thing we can.” You and the others watched Eobard roll away, he had a plan or came up with some sort of reasonable plan. Both Barry’s glanced at each other once more, but this time a look of awe and a wave of thrill definitely rushed through both. Possibly infecting Cisco along with them. But they knew better, knew that this Time Wraith creature could hurt anyone and that the Team needed leveled heads to eradicate it.

***

“What-What are we doing here?” Future Barry questioned, entering the Time Vault with you and Eo. His green eyes couldn’t help but glance over the yellow suit with Dr. McGee’s Tachyon device attached to it. The staged night mulled through his mind rapidly thanks to his speedster abilities. How they were all tricked into essentially handing it over to the Reverse Flash. Either way it seemed that Thawne was going to get it. Charging it up for the next time Eobard would need it. Pressing your lips to a thin line, you immediately drew up the necessary schematics and scans for the city on your tablet.

“We're here for the answer to your speed equation...” Eobard held up an odd flash drive as he stepped over to the plinth, popping it in. The villainous speedster turned back to you and Barry. “The reason that you traveled back to this time, and the key to running faster. Tachyon enhancement.”

“The tachyons should give you just enough speed to time travel back to your time without getting caught by the Time Wraith.” You added in, not really knowing if this Barry has actually used Tachyons before or not. “If anything, you just need to time things right to get through the breach and have someone on the other side destroy the Time Wraith. Either way once you start using your speed it’ll find you.”

“I know what it does, I just don’t see why you’re needed here when you can be helping the others out there,” Barry scowled at you, to which you rolled your eyes with lips pressed into a thin line. You’re already done with this shit attitude since he’s been here, but the frostiness in his demeanor honestly did hurt in some part of your heart. The corner of Eobard’s mouth twitched with the amount of disrespect that he’s been showing you since this version of Barry Allen had traveled here.

“That’s it, if you keep talking to her like that then there’s going to be more hell to pay for it. You won’t be just dealing with the Time Wraith, Allen.”

“Is that a threat?”

“It’s a warning,” Eobard looked at Barry with dangerously feral eyes. “You have a problem; you deal with me. Don’t you dare think of involving her in this feud.”

Barry kept his mouth shut for a moment, “This was not the deal.” He gestured to the plinth.

Eobard retracted the flash drive from the white column plinth once everything had been correctly copied to it. “If you think that I'm gonna hold your hand this entire way, you're sadly mistaken. Everything you need is on this drive. You follow its instructions; you will enhance the Speed Force in your system and run faster...” He dropped it in Barry’s open palm, “than you ever thought possible.”

“If this doesn't work, I'm coming back.”

Yeah, please don’t. I’m content without dealing with another Barry-time incident.

Cisco’s voice erupted from the comms set up all over the labs. “Dr. Wells, we need you.”

Eobard gave Barry one last look, whether it was a warning or a threat, you couldn’t tell. “Time to go home, Flash,” he responded sardonically.

***

The futuristic speedster exhaled through his nostrils, rubbing his face harshly as we stepped up from his wheelchair. The labs were vacant at the moment. His mind reeled through all the events that happened today. Tropical waters blue eyes flickered to the windows, he noticed that the sun was still in the air from the amount filtering into the Cortex. Eobard shifted his focus to the computer monitor, a thought whirling in his mind ever since both versions of this present time’s Barry had showed up. Words, phrases, hints. Everything that both had said to him about his future. I can’t trust either. With furrowed eyebrow’s, the dark-haired Wells impersonator ran a finger over the knuckles of his opposite hand. Not with my life on the line and her heart caught in the crossfire of it all. Guilt welled up in his chest, causing his stomach to churn uncomfortably.

A few seconds passed, he pulled out his phone to check the time. That was the excuse he gave himself because Eobard Tiberius Thawne knew exactly what time it was, there were clocks almost on every monitor screen in the cortex. But really, he was checking his lock screen picture. It was a picture of you on the beach of Coast City, gazing out onto the shoreline with the sun setting behind you. The fluffy clouds were dusted with velvety pinks and fiery oranges while the sun dipped to meet the cool blue waters. A candid picture, if you will. The sight of you allowed his tensed muscles to relax slightly. Eobard remembered how his heart had forcibly stopped, urging him to take a picture. How you added even more beauty to nature’s elegant scenery. How the waves gently glided with each, only to cascade onto the beach. You had coaxed Eobard to finally get out of the labs for once, to just take a trip somewhere for the evening. He had some speed after all. Just some time for you and him, that Barry and the others can handle one evening without him for guidance. “They’re adults Eo, let them handle a meta situation by themselves.” His heart ached if he were to… pass, leaving you here to face the others… alone.

His thoughts flickered back to the current situation at hand. He didn’t- He didn’t want to go down that trail of somber thoughts. Eobard had finally managed to convince you to go home for the day, he saw the exhaustion on your tensed shoulders, and he worried. He had allowed Barry to speed you home, that way you’d have arrived safely. The speedster knew what you would exactly do once you got home. Change into that new set of pajamas she recently bought, make some food while singing at the top of her lungs. Probably scare off a few birds and squirrels in the process. It’s sushi night, tonight. That’ll be interesting to see her make. Reluctantly, Eobard had to push thoughts of tonight off to the back of his ind.

“Alright.” A long sigh left his lips as he plopped down on a chair, adjusting his dark-clear glasses and recording remote in hand. Eobard slipped off his glasses, pressing his lips together tightly while avoiding the gaze of the camera. He needed to record some kind of will in case… Finally, looking up, he saw the determination in his own eyes, the realization of how his words could also be a possibility of occurring. “Hello, Barry. If you're watching this, that means something has gone horribly wrong.” While Eobard gathered his thoughts, he paused as an image of you popped into his head, he looked away. He swallowed thickly, “I'm dead and the last 15 years have been for nothing. Bummer.” He quirked an eyebrow ironically as his eyes meet the camera once more.

***

You pouted slightly, staring down at the bottle of painkillers on the granite-top island before your eyes glanced to your boyfriend’s alcohol cabinet. The headache would just not go away! With socked feet, you stood in the chilly kitchen in a new oversized sweatshirt and cotton running shorts. Your hair was in a loose, messy bun with the hood up over your head because the bum look is the most comfortable look, if we’re being honest. Do I want to make good choices tonight? You swallowed a bit and tapped a finger to your chin with your eyes flickering between the two once more. Your left arm crossed over your chest with your right elbow resting in your left palm, clenching and unclenching your right hand. Eeny, meeny, miny, moe, you chanted in your head as a pointed finger went back and forth between the Ibuprofen and alcohol cabinet. Halfway through the nursery rhyme, you found your gaze lingering more and more to Eobard’s tempting stash. Bad choices it is. With that you push the pills further away on the island and stomp over to the cabinet.

Why the fuck is bourbon the only thing here? You tilted your head with a raised eyebrow at the two fancy glass bottles. I swear this is the only thing he drinks when he needs to let loose a bit. Fancy bastard. Puffing out a breath, you grabbed the weighty glass bottle and shut the cabinet. I should get him to try a margarita or something. Pouring yourself half a cup of the amber-ish liquid, adding in a few ice cubes as you had seen Eobard do. You sealed the alcohol and put it away. You took a small sip, mentally knowing whether it tasted good or bad, you’d finish it. The liquid burned the back of your throat, allowing you to cough a bit before really tasting the drink. You shrugged looking at the cup. Not bad… I can see why he’s addicted to it. Though I still prefer my fruity drinks to hard liquor.

You saw a torrent of red lighting flash past the front door and to the direction of your shared bedroom. Someone’s home early. Shutting your eyes for a moment, you leaned back against the opposing counter to the island close to the fridge.

After a few moments, your speedster boy toy (yes, you use that phrase to describe Eobard mentally, ignoring its actually meaning because well… he’s your man and… he vibrates. Like a toy. You’re welcome.) strides through his home and to the kitchen, a towel hanging around his shoulders as he uses one hand to dry his hair. Eobard shot you a concerned look after seeing the bourbon and painkillers out.

“Don’t worry, I decided to make bad decisions with only alcohol.” You stand with one leg crossed in front of the other, handing him the cup so he can take a sip. He wouldn’t ever refuse his bourbon. “What happened to conserving your speed?”

“Couldn’t miss out on sushi night, also I wanted to wash up from all the... You know. I had too many Barry’s around me and I needed to scrub that off.” He shrugged at you, sipping the whiskey drink. You giggled, shaking your head at his dramatics about ‘Barry germs’. Eobard smiled to himself at your giggle, the sound of it made his speedster heart do multiple flips. He threw the towel in an empty bin by the laundry room.

“Sushi is located on the bottom shelf of the fridge.”

Eobard set the cup down and slightly narrowed his eyes at you. “Oh, you’re evil.”

“Learned from the best,” you winked at him, taking back your cup and downing the alcohol. Payback’s a bitch for all the times you purposefully put my things on the highest top shelf.

Slipping out the plate of sushi, there were six rolls left because obviously you ate some while you waited for him to come home. To be fair, you would have devoured the rest if he decided to stay in late at the labs. He took a roll and ate it while you poured yourself another drink with a second cup for him as well. “Mm, these are actually good. Nicely done, kitten.” He teased when he fully indulged in its taste and texture with that boyish smirk of his. You couldn’t help but play along.

“Are you insinuating that I’m not a good cook?”

“You’re just questionable at times, depends on the recipe.” Eobard continued eating, savoring every delectable sushi roll.

“At least I didn’t burn the pasta last time.”

“That was one time and I had to deal with Cisco and Barry on the phone!”

“Excuses, excuses,” you replied with a satisfied hum, pushing his glass to him.

“What about the time you added sugar instead of salt to the Königsberger Klopse?”

“They look the exact same and they were beside each other! It was an accident and you know it.”

“Excuses, excuses,” he mocked you with a cheeky grin, picking you up and setting you to sit on top of the cool granite island top. He leaned down to plant a kiss to your lips, a hand trailing to up your thigh. You shivered at his touch.

“You know, I didn’t notice it until today, but Barry’s a bit taller than you.”

“Your point?”

“Think it’s kinda ironic though. You’re shorter than he is, and you don’t have all your speed right now.”

“…”

“Is that also another reason why you hate him?”

“He’s like an inch taller than me, hardly anything to compete with him about. And my speed exceeds his own, especially in the past and with experience.” Eobard growled lowly, “Less thinking about him, more focus on kissing me.”

A cheery noise left your lips when he leaned once more for another kiss. This time hungrier with a hint of possessiveness. You knew how to push his buttons. Wrapping your arms around him, you pulled the speedster closer to you which allowed him to slot between your open legs. He smirked against your lips, feeling himself press against you. You played with the little hairs at the back of his neck as he began to nip at your lips. A little gasp left you which allowed his tongue to enter, exploring your mouth as you made a little satisfactory noise. His lips devoured your own. Your body moved on its own, pressing closer to him, his hands roughly wrapped your legs around his waist. The air felt hot and sticky, his speedster body warming up significantly at your every touch. Your hood fell off your head from the passionate kiss, loose strands of hair falling out from your messy bun. It felt exhilarating! Pulling away with one slow and sensual kiss, Eobard rested his forehead against yours as a heavy breath left him. His half-lidded eyes glossed over yourself- cheeks tinted red, breathing raggedly from the intensity of the kiss, and lips wonderfully swollen.

You both shared a small breath, feeling the world spin and spin, but the moment was just intoxicating. Neither of you wanted the moment to end. Letting out a yawn, you covered your mouth and Eo just chuckled lowly. Your hands now rested against his chest, feeling the pounding of his pulse underneath your palm. Eobard licked his lips at you, kissing your neck and nibbling lightly on your collarbone. You sucked in a breath, one hand running through his dark locks. His ears perked at the sound of his name leaving your pouty lips. Kneeling down for a moment, Eobard kissed the inside of your thigh before glancing up at you. You had your bottom lip between your teeth, gently gnawing at it as you observed him. The speedster only winked at you, wiggling his eyebrows suggestively before giving you a few more kisses and nibbles. He stood up once more to tower over you, kissing your temple as another yawn fell from you.

You’re too cute, my precious queen.

Eobard sped you to the bedroom with fiery red eyes and a coy smirk on his face, plopping you on the plush king-sized bed. A bed you had to continually badgered him to get with the promise that ‘rolling around in it’ would be much more fun than just with a queen-sized bed. He had already propped you up against the large pillows and under the comfort of the blankets. Eobard took the spot beside you, carding a hand through his now wild tresses. The speedster noticed your pained expression when you reached for your forehead, his insides churned at the sight. He reached out a cool hand to gently massage your temples. A little hum of relief escaped your lips, shutting your eyes at his cold fingers. The scientist assumed your alcohol consumption tonight was to lessen any pain from your head.

“That feels nice,” You mused to your boyfriend, curling up beside him. He curled his arms around you, your head resting on his sturdy chest. “The Barry that traveled with his daughter, I saw a few things when they talked.”

“I figured, have… you seen anything else?”

You shook your head ‘no’. “Only Savitar and Cicada, just the general foresight of their appearance,” you fiddled with the necklace he had given you, looking away. Eobard’s eyes caught the shift in your mood.

“What’s wrong, kitten?”

“Hm, nothing.”

“You only ever play with your necklace when something’s bothering you.” Eobard ran his teeth of his lower lip before taking one of your hands in his. “I swore to you that I would tell you whatever’s on my mind, especially when prompted by you. We both promised to be honest with each other, especially when it’s about our feelings.” His thumb rubbed soothing circles on your skin. The dark-haired man’s other hand hooked a finger under your chin, tilting your head to look at his softened gaze. He waited patiently for you.

You pulled away from him, “I just-I don’t know which Barry to trust. You… what if your plan to go home still fails? Even after they’d assured you’d go home when you help them? Both versions!” Your headache started to form once more, but not from your psychic powers. There was something else you weren’t entirely sure of either…

“…” Eobard exhaled through his nose soundlessly. He hadn’t wanted you to pick up on those clues… It broke him that you did. “I can only do what I can to go back. Failure isn’t an option. Not anymore, especially with how far I’ve gone.” The murdering, lying, stealing, scheming, and masquerading. All of it. “Do you trust me?”

“Always.”

“Then trust my plan… I’m doing everything I can with the least amount of collateral damage being caused in this time period.” You just nodded at his words, but that didn’t alleviate the certain weight you now secretly carried in your heart. Sighing to yourself, you decided to push it aside for the night.

“I hate how you can read me like an open book.”

“I hate that that beautiful mind of yours doubts yourself.” Eobard ran a hand over his face. I like that I can read you because then I can understand you. Especially if it’s when I can be doing better when it comes to us. I’m harder to read because… I’ve never really had someone quite like you in my life. Someone I can trust with no doubt in mind that you’re using me or going to backstab me. I’ll do better, I promise. For you, I’ll be good.

Pressing your lips into a thin line, you shift away from him on the bed to sit up with a serious look in your eyes. “I-I need you to be honest with me.”

“Always.”

“No lies. No shading the truth. None of that.”

The dark-haired speedster nods, returning your seriousness by adjusting himself. He wouldn’t dream of lying to you, ever. When he came clean to you and swore to you, Eobard intended to keep his word. You were the one thing that… that he wouldn’t mind spending the rest of his life with. Someone as precious as you that had grown so close to his crooked heart. His love that he could confide in all his fears and doubts and thoughts. You’re his special person.

“Eobard,” you started, “What do you think of me? Like, when you look at me?”

He remained quiet for a moment, looking past you before refocusing his eyes onto your locked gaze. A smile twitched at the corners of his lips. “I think of a cheeky and persistent person that can be a real pain in my ass sometimes.” You raised an eyebrow at him and crossed your arms as he continued. “But a spectacle, nonetheless, put together with strong willpower and fierce determination to achieve whatever she puts her mind to. I think of that kind heart of yours and… how it accepted a flawed and corrupt man as myself. I see a queen that keeps me grounded, a person that encourages me to grow and achieve my goals. I think of home.” You had unfurled your arms, your gaze softening as your heart ached at his words. “A home that I can return to at the end of the day with no shame. I can just be a man with none of my baggage or sins. I-I can love you with no guilt or shame or doubt. All your imperfections and quirks, they’re mine to cherish.” The scientist had traced the side of your face as his piercing gaze held you down, hypnotizing you.

“Eo,” you trailed off as he took a hold of your hand, softly kissing each knuckle. Leaning forward, you place a chaste kiss on his forehead before reaching for his lips. The kiss was soft, heartwarming, pure. All the things that the Reverse Flash was not because of his atrocious deeds in this time period and hunger for revenge against Barry Allen in whatever way possible, yet… Another thought flickered through your mind as your lips parted his. “Is Gideon able to tell you what happens to your future?”

Eobard simply shook his head, tucking a stray strand of hair behind your ear. “It only reveals the article about Barry, my supposed final battle with The Flash before he disappears.” After a Crisis, but which one would come first?

“But then what happens to you?”

“I don’t know.”

You sucked a breath in before opening your mouth once more, “I don’t want to be without you.” Is that selfish?

Eobard’s eyes widened a fraction, his stomach fluttering.He licked his lips slowly, eyeing your desperate gaze. “If I wasn’t a selfish man, I would have stayed away. But I am selfish and just the way you look, even then, it fuels my desire to be by your side. At every moment. Until death do us part.”

Your breath hitched; you should have been scared- terrified- repulsed- by his words. Red flags that would have gone off in any person’s mind, but- “I’m selfish too,” you whispered the words that came from the heart. Eobard watched you with electric blue eyes, a feral flash of red flickered behind his irises. You trailed a hand over his chest and over his heart. “Your mind, your heart,” You glanced at him under your eyelashes, “are mine. I don’t want them to belong to anyone else.”

“I’m not a good man. I can’t be what you want me to be.” I will never be good for you.

“…” You pressed your lips into a thin line. “You’re not good man, Eobard, but you’re more than enough for me.”

“You should have run the first time you found out.”

“I should have, but I don’t regret choosing you… I don’t want anyone else but you, Eo.”

“I am yours, and you are mine.” The speedster was truly smitten by you, gingerly he cupped your face with a firm hand as his azure eyes met yours. “I would do everything in my power to come back home to you.” He craned his head down to reconnect your lips together. There were no limits to how far Eobard Tiberias Thawne would go for him to remain by your side.

Even if it meant killing another person.

***

Barry and Nora ran through the speed-force, memories and events weaving past them as the sped through to return to their present time. “Back in Time,” by Huey Lewis still played in the background right as the touched the concrete ground of the Cortex.

“Did you even go?” Ralph asked with a terrified-ish look on his face.

Caitlin and Cisco just chuckled at their friend. Cisco shut of the music, “Told you time travel was weird.”

You had stopped in the corridor, overhearing the team in the hallway. Frozen in place as things started to set in your mind. A headache washed over you, but you had gotten used to them by now. You had to after Flashpoint. But you knew things had gone south, and by south, they had to take a detour. You were digesting the immediate revelations, all of it integrating together as things in the past now made sense. Both versions of Barry Allen knew the outcome. Yet Nora and her father revealed more than they should have to Eobard. After all, your psychic abilities allowed you to see what happens if the timeline that you’re involved in. Especially when it had to do with one handsomely intelligent and driven speedster by the name of Eobard Tiberias Thawne.

But did things really change? I’m still here. And Eobard…

You ran a hand over your face, pinching the bridge of your nose. Your feet carried you to the Time Vault while the others prepared for tonight. Pressing a hand to the wall, you unlocked the futuristic door into the neutral-colored room. A chill ran down your spine as you approached the plinth. Waving a hand over the circular center, you activated Gideon. The AI appeared in all its holographic form.

“Yes, Ms. (Y/N)?”

“Gideon,” your fingers ran over the chain of your necklace, “I need your help with something.”

“I am at your service.”

“I need you to…” you ran your tongue over your lips. Heart pounding in your chest as you chose your next words carefully. “I need you to tell me where Eobard is?”

“I’m sorry Ms. (Y/N), but I am unable to process your request right now.”

“Why?” Your voice rose, red was now seeping into your vision.

“It is not within my programming capabilities.”

“Is Eobard alive?”

“I’m sorry, but that is also out of my-”

“Then what good are you for?” You yelled in pure frustration, a fist slamming harshly onto the white column. A tear had left your eyes. Your body trembled as your voice shook when you spoke up again, “Gideon please, anything. Any news about Eobard is all I need. Any sign that he is alive. I can’t-”

Until death do us part.

“…” The AI was silent for a moment while you collected yourself miserably. “There is a hidden message for you that Dr. Wells wished for you to receive. Would you like to read the message?”

“A-a message, what-” You ran both hand through your locks, glassy eyes searching the placid look on the AI. The stone of doubt was slowly eroding away from your heart. “I-I, yes! Please!” The AI pulled up a screen, three simple words were configured in medium-sized black lettering. Your heart stopped for a moment as your hands tingled. Blinking a few times, you reread the words over and over and over- as it stared back at you.

Wait for me.

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snowdice · 4 years

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Rats, Pizza, and Supply Closets (Part of the Cuffed Universe Series)

Fandom: Sanders Sides

Relationships: Logan/Remus/Virgil (a bit more Logan/Remus focus)

Characters: Logan, Virgil, Remus

Summary: Logan is very surprised by the fact that Remus did not come to this pizzeria with the goal to capture him, and now that they’re both here, it turns out their objectives align far more than expected.

AKA: The First Truce

This is a Cuffed Universe fic.

Previous fics in this series:

Tea, Cookies, and Handcuffs

Matboards and Subway Sandwiches

Espionage and Iced Coffee

Popcorn and Podcasts

Extras:

Moving Day

Notes: Non-consensual drug use mentioned, morally grey Logan, cop Remus, being restrained, one theoretical mention of eye injuries, human trafficking mentioned

Look at the boys! They’re getting along! Well.... Remus and Logan are getting along.

One would think, that is, one would think if one had even a single iota of sense in one’s monkey brain, that it would be difficult for a new hire to so quickly gain access to the location that one’s underground drug dealing operation ran out of. Particularly, one would think one would be cautious after having recently refused to pay for services from a cybercriminal.

Luckily for Logan, it seemed Haynes had a few disconnected synapses in his brain, and all it had taken was a fake ID and some forged paperwork to get hired on as a handyman for the business he used for money laundering. In addition to his work dolling out controlled substances, Haynes also owned a local rip off of a Chuck E Cheese called Cheeezeee the Cheese Rat. It was a dirty establishment with questionable food offerings and even more questionable decor.

Many times this week, Logan had found himself distracted by the large mural of a rat made out of cheese who was holding a smaller hunk of cheese as though he planned to eat it. Logan couldn’t help but stare at the image in horror, his mind desperately searching for some meaning in the piece. Was it meant to be a visual representation of pantheism wherein all things no matter the way humanity views them are ultimately the same and are god? That god is the creator, consumer, and consumed and god is reality itself. Was is a commentary on thoughtless, damaging consumption whereupon in one’s hunger and lust one eventually consumes themselves thereby destroying the vessel which one seeks to feed? Was the commissioner just deranged?

“Dude, for the 50th time, it is just a mural of a dumb character for kids,” the woman standing at the counter in the middle of the kitchen said as she sprinkled what could maybe pass for cheese on slabs of glorified cardboard the establishment called pizza crust. “I don’t know what to tell you. Just stop thinking about it and fix the sink.”

Logan tore his eyes away from the monstrosity he’d been staring at through the kitchen food window for the past minute and turned his attention back to the tool kit he’d been provided. He selected the correct tool and climbed back under the sink. He listened to the sounds of the woman continuing to make the “pizza.” Honestly, even if Logan did not know they were selling drugs out of the back, he still may have reported them to the authorities based solely on their food handling practices. In fact, perhaps the food was a worse offence considering that those buying their drugs knew they were purchasing and consuming harmful substances.

The underside of the sink he was under was disgusting, but the work wasn’t difficult. He’d learned enough about being generally handy from his father when he was young, and he had brushed up on those skills in the first apartment he’d shared with Virgil as that landlord did not care enough to fix things in a timely manner.

He still had his head under the sink when he heard footsteps enter the kitchen. He recognized Haynes’ voice as soon as the man spoke. He was explaining a few things about how his operation ran to whoever else was there. He used vague terms, but it was still a rather risky move with Logan and the “chef” in the same room, though it was quite possible she was in on the drug selling as well.

Logan finished fixing the sink without paying the conversation much mind; he already knew why he was here, and it was not to glean information. Logan intended to swipe what the man owed him as well as a steep amount of interest for his trouble. Then, he planned to send all of the information he had acquired about the business to the local law enforcement and let them deal with the rest.

He slid out from under the sink and glanced up. Immediately, he met the eyes of one of the room’s occupants and froze. He and Officer Remus Royal stared at each other for a few long moments before Remus tore his gaze away and looked back at Haynes. Logan breathed a sigh of relief that he wasn’t stupid enough to attempt to confront Logan in front of the drug dealer. That would have very likely ended badly for them both.

No longer being directly watched, though he imagined Remus was still tracking his movement from the corner of his eyes, Logan cleaned up his tools slowly and stood. His next task was to change a few lightbulbs behind the stage of the animatronic show, and while things had inevitably just changed, he still planned to at least keep up appearances until he could come up with an escape plan. He left the kitchen and moved towards the supply closet. He stored the toolbox there and his hand hovered over one of the screwdrivers for a moment, but he ultimately decided to leave it be. Remus was an inconvenience, but he couldn’t see himself stabbing the man through the eye socket with a screwdriver. He turned to the box of lightbulbs, wondering if he should take them with him or just completely throw out any pretenses of still intending to complete his handyman duties. That decision was made for him when the closet door suddenly opened.

Logan tensed for a fight, mind analyzing the situation. He didn’t have the element of surprise and Remus was bigger, but it was a smaller space that was more familiar to Logan. For most opponents, he’d want to try to angle them away from anything that could prove a fatal or extremely harmful improvised weapon, but in all the times Remus and he had fought in the past, the man always gentled his touch before it could do any true harm and never applied excessive force. Logan had found himself extending the same courtesy. So, in this case, the strategy would be to try to push him towards more deadly weapons which he would be unwilling to utilize. Of course, Remus still had the advantage as he was nearer to the door and Logan was more pinned into the back of the closet, but there was also a light switch right next to Logan and if he could turn it off…

“What are you doing here?” Remus asked the second the door closed behind him.

Logan hesitated. “You seem surprised. Are you not tracking me?”

His body language seemed to communicate that he didn’t intend to jump at Logan in the immediate future, but Logan still eyed him suspiciously. “Believe it or not,” Remus said. “I do have other jobs to do besides chasing you. I honestly did not expect to find you fixing a sink in a crappy pizzeria.”

“You’re truly not here for me?”

“You sound hurt,” Remus teased. “Apologies, I thought you knew this was an open relationship. I see other criminals all the time. Don’t you see other cops?”

“You’re the only one who’s ever been able to even partially keep up with me.”

“Well, I’ve been told I have quite the stamina,” he said, eyes sparkling.

Logan shifted slightly to the side but stilled again when Remus’s eyes immediately tracked the movement. “Stamina doesn’t provide much advantage when stuck in a closet with your opponent,” Logan said idly.

“Oh, I’d beg to differ,” he said lowly.

“So why are you here?” he asked instead of engaging.

“I’m undercover to help bring down Haynes,” Remus said. “He’s into some even skeevier stuff than his rat-infested restaurant”

“I’m aware,” Logan said. “I was actually planning to send an anonymous tip to local law enforcement when I was finished here, though it seems that will be unnecessary now.”

“You were?” Remus asked. “Why?”

“He owes me money, and besides that, he’s an asshole.”

“Asshole might be an understatement for a human trafficker.”

“A what?” Logan asked.

Remus raised an eyebrow. “Didn’t you know?” he asked, and suddenly the rat themed restaurant for kids took on an even more dark nauseating tone.

“I wouldn’t have done any work for him at all if I’d had even an inkling that he partook in that business as well,” Logan spat. “I’m taking him down even harder now.”

There was a moment of silence where Remus considered him, eyes unreadable and head slightly tilted. “So, we’re both here for the same reason,” he said.

“I guess we are.”

“Huh.”

“If you attempted to arrest me, it would blow your cover,” Logan pointed out and tilted his head, “and it would make my objective more difficult as well. Considering the severity of his crimes, would you be willing to make a temporary alliance just to make sure Haynes gets what he deserves?”

“Are you going to drug me at the end of it?” Remus asked.

“We’ll institute a 20-minute grace period after we’re finished. You don’t attempt to arrest me, and I don’t attempt to incapacitate you after we complete our objective.”

Remus took a moment to think through the offer, and then shoved his hands in his pocket. “Deal.”

“Very well,” Logan said. “So…”

The closet door was opened suddenly by a figure in one of the restaurant’s uniforms. “Wha-?” he started, but Remus reacted quickly, grabbing the person and slamming his hand over his mouth. Logan leaned forward and shut the door once Remus has wrestled him inside.

“Virgil?” Logan asked.

“Oh! Hey Virge,” Remus said in surprise. “You’re working at a pizzeria now?” Virgil tried to respond, but whatever he said was muffled by Remus’s hand. “Oh, right,” Remus said. “I’m going to uncover your mouth, but you have to promise not to scream.”

Virgil nodded vehemently.

“Wait,” Logan said, his eyes narrowed on Virgil. “He’s lying. He’s going to scream.”

Virgil shook his head in denial.

“I know you Virgil,” Logan said. “I can tell when you’re lying.” There was always a crinkle between his eyes because he overcorrected on trying to look earnest.

Virgil made a muffled whining sound in the back of his throat.

“Look,” Remus sighed. “I’ll take my hand off your mouth. Don’t scream, and we’ll talk it out, okay Virgil?”

Virgil nodded again, crinkle still prevalent between his eyes, and Logan pressed his lips together to watch.

Remus slowly removed his hand from Virgil’s mouth. There was a short moment of silence. Then… “AAAAmphpmphmpmphpm.” Logan slapped his own hand over the man’s mouth when he started to yell.

“I told you he was going to scream,” Logan commented idly.

“Mphfmkr,” was the angry reply as he tried to fight against Remus’s hold.

Remus sighed. “I was trying to be nice to you, Virge. Now we have to gag you.”

Virgil’s struggling increased, but Remus was easily able to hold him. Logan and Remus awkwardly managed to exchange their hands, so Logan was able to turn around and search the shelves for something to gag him with.

“Here,” Logan said. “This rope is still packaged so it should be clean.”

Virgil whined it protest.

“Well it’s that or duct tape, Virgil and I don’t relish in the pain that would doubtlessly result from the process of removing it.”

“Fmf. Ff.”

It was a struggle to get the rope between his teeth, but they managed it after a bit of wrestling. “Can I borrow your handcuffs?” Logan asked Remus.

“This time he asks,” Remus snarked, but handed them over.

Virgil made muffled irate noises behind the rope as he was cuffed to the metal shelving unit; Logan imagined whatever the man was trying to say was quite inspired.

“Sorry Virge,” Remus said, patting him on the head. “See you later.”

They shut the closet door behind them, and Logan locked the door with the keys he’d been provided. He handed the keys to Remus. “You’ll let him out after?” he asked.

“Of course,” Remus said. “I’ve got the emo.”

Logan nodded and turned from the closet. “Let’s go get a rat,” he said darkly.

Want to read more? The next installment is:

Kisses and Thai Noodle Leftovers

#sanders sides #logan sanders #remus sanders #intrulogical #virgil sanders #intruanalogical #adriana writes #cuffed universe #cop remus #morally grey logan #non-consensual drug use #drugs mentioned #being restrained #eye injury mentioned #human trafficking mentioned

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doorbloggr · 3 years

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Monday 31/5/21 - Identifying with your Videogame Proxy Character

Videogames offer a unique experience over other story-telling media forms because the player is in charge of the character, and influences how they interact with the world. But controlling the character is not the same as becoming the character. Different gamers may have a different experience across different videogames, in regards to how they view themselves participating in the world of the game.

Pictured: A Gamer

So today, I asked myself, some close friends, and polled twitter:

Is the videogame protagonist an extension of yourself?

The first question I asked the class was how you identify with a character that already has a name and backstory. Sure, when you're reading a book or watching a movie, you may see some of yourself in the main character, but ultimately, you are rooting for them on the side-lines.

Many videogame characters, say for example, Sora from Kingdom Hearts, have pre-established goals, motivations and often full personalities, BUT we direct their moment to moment actions. So do people see themselves as the character, or is it still watching as a bystander? I queried my friends on this with the following Poll:

Is it me, or Mario?

Super Mario Galaxy 2, 2010

Overwhelmingly, everyone voted that they are controlling Mario. Sure the experience they are having in the world is theirs, but Mario is not this world's version of them, he is simply a puppet, a vessel in which they drive their actions through. The main character is not me, its Mario. When we discussed this part further, my friends also added that in games where the main character is an established character, but nameable, such as many Final Fantasy or Legend of Zelda games, this did not change their perspective of their place in the world. Yes I may call Link "Mitchell", but I am simply along for the ride of Mitchell the Hylian's story; we may share a name, but they're still a different entity.

Who is your character?

Next, I asked my friends if the answer changes if the character is a blank-slate and also customisable. In World Simulation games such as Animal Crossing or Stardew Valley, or Free-Roam Adventure games such as Skyrim or Cyberpunk, your character, how they look, behave, grow and specialise, is all up to the player.

Animal Crossing New Horizons, 2020

The response was a bit complicated on this one.

One friend used Pokémon as example on how self-insert characters work for them. The trainer that they control and run around with is not them. It is a character separate to them who they are in charge of. BUT, the Pokémon they use are their Pokémon, it is just the proxy trainer they control who commands them. Another friend used farm sims such as Stardew Valley to express a similar opinion. The character they play as is not them; but the farm, the crops, livestock belong to the player, not the character.

Pokémon Sword/Shield, 2019

So to summarise, Mitchell is just a Pokémon Trainer who shares my name, but the Pokémon Mitchell uses are mine. That is my Mudkip, not Mitchell the Pokémon Trainer's Mudkip, he just uses them.

I would say that in very few games, I do consider myself to be the main character, but Animal Crossing is the only example I'd personally use. Echoing that statement my friend said earlier, the island, the landscaping, and taste in décor, they are all of my design. But even if I can't say the Villager I control is a 1-1 Animal Crossing me, they are as close as I'll get to myself in the game.

How do you make your character?

The Elder Scrolls V: Skyrim, 2011

The last query I asked my friends about is when you do have varied character customisation in front of you, do you try to make yourself in the game, or do you create something else entirely? I didn't use a poll for this one, since the range of responses was sure to vary.

In most cases, the responses seemed to push towards using character creation to just design a character that looks cool. One of my friends said that if there are options to make a character look like himself, he will only do so if the game specifies in-game that this is "you, the player", but he will still consider this character separate to himself. Just a look-alike he controls. But most often, given the tools, he would choose to "just make characters think look cool or dumb as hell."

Bloodborne, 2015

As an artist, I use the term OC, or Original Character, a lot. And even if it is a bit out of context here, I have likened my friend's use of character creators as a way to make OCs. Games like Darksouls and Skyrim have the tools to make the player character a total rad-looking badass or maybe the ugliest MF on the planet. Why obey reality when fantasy has so many more options?

Since a lot of the time spent in Action-Adventure games is spent looking at a character's back, why wouldn't I give my character a look/outfit that accentuates their butt? Another friend said that she's never interested in making a character into herself, "I make someone super pretty with the big boobs". I myself hand-picked my Monster Hunter character's physical attributes and fashion outfit to look as cool and cute as i could. And then I treat her like I would any other Art OC.

Monster Hunter Rise, 2021 (Right),

My drawing of my Hunter (Left)

In Conclusion

If the character has a name and backstory, players see themselves in control of them, but do not put themselves in their boots at all.

If the character is name-able and customisable, then in general, players will still say that character is not them, they just control them. But the actions and possessions of that custom character are owned more by the player.

When players have the choice to make a character look however they want, rarely will people make themselves, rather they'll make an original character who's as cool or ugly or sexy as their imagination and the tools given allow.

Thankyou for taking the time to read my little case-study on Proxy Characters and Self-Recognition of their Players.

#blogpost #blog #videogames #proxy character #self insert #oc #original character #gamers #character customisation

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verstappenfan · 3 years

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The scar on my right palm

People often ask me how I got the scar on my right palm. It usually happens when I go to shake hands with people or just accidentally show them the palm of my hand. They look at my hand and say something along the lines of: “What’s that? Let me grab your hand real quick and put it right up to my eye so I can stare at that weird line on your hand. Dude, is that a scar? How did you get a scar there? That is weird my guy.”

Not the biggest fan, but I can’t really help it. Scars fade, but they never go away completely, they are always there whether you like it or not. So people are free to stare and poke and prod because that is their god-given right, apparently. I probably wouldn’t be that different if I hadn’t had my scar if I am being honest. Everyone is curious and constantly seeking information about each other. And anyway, how many people do you know that have a scar on their right palm?

The healing process of a scar goes as follows: Right after the scar has been made the inflammatory process begins, this usually lasts only for a few days. During this stage, the bleeding will stop and our best friends, the white blood cells, will come running as fast as they can and fight any nasty infection you might have. The scar at this point will look red and swollen. Afterwards, the proliferative stage takes place and lasts for three to four weeks. During this stage, fibroblasts (let’s call them skin and tissue creators) gather at the site of the injury just like people would gather at the sight of a violent murder. These fibroblasts will then create a thing called “Collagen”. The collagen strengthens your wound and pulls the edges of said wound closer together. At the same time, tiny blood vessels are formed to aid the healing process. At this stage the scar will become thicker and uncomfortable, many people usually worry at this stage because the scar looks worse, but there isn’t any need to, it is simply a part of the healing process. Lastly, the remodelling stage can begin. This stage can take anywhere from several weeks to many years to finish, depending on how bad the scar is. The scar will go from thick and red to thin and white, barely noticeable. But don’t worry, it will still be there, it will never go away.

But you might ask, “How did you get this scar then? And what was the point of telling us the healing process of a scar?” For your second question, the answer is simple. The more you know the better, right? I gave you information for free, be grateful. For your first question though, that is a bit of a story if I am honest. See I had this friend, we will call him Kyle, short for Kyloffer.

Kyle was my first real friend, and by that I mean someone I actually wanted to hang out with, not just some classmate you pretend you are friends with for about four hours while you smash your toy trucks together at terminal velocity. Someone you can actually talk to and feel like they aren’t judging you. Kyle felt the same way about me, friends forever and all that jazz.

But you see, back when I was a little smaller, let’s say around fourteen or fifteen, Kyle told me he was moving away during the summer. His parents had got a new job somewhere, so they had to move, as it would be much easier for the parents to live closer to their work. Besides, you can just change school like you change the background of your phone without having too big of an impact on your life, right? But I shouldn’t talk, mommy and daddy know best.

Kyle and I would still be able to talk, of course, but it would be over the phone, and I don’t know if you know this, but hearing someone’s voice and seeing them in person can’t really be compared when you actually think about it, no matter what people try to tell you. So, fearing that we might somehow lose contact, we decided to do something drastic! Now, now, calm down, we didn’t create a suicide pact where we both would jump in front of a train. We did something less drastic, but it was still a pact, a blood pact. We had heard about people being bonded forever with the help of blood pacts, so we decided to do one.

We met up one evening with two knives, we had to be a bit sneaky with them because two teenagers with kitchen knives just walking around would arouse no suspicion at all. We went into the forest and walked in as far as we could without getting lost, so about twenty meters off the path basically. We took out our knives and looked each other in the eye. No, before you ask, there was no romantic or sexual tension in the air, thanks for asking.

We placed the knives on our palms, let the sharp end pierce our skin like it was butter, and grabbed each other’s hands with a firm grip. Any businessman would have hired us on the spot, trust me. We sat there for a few minutes, not really knowing when to stop. We stopped when we heard someone coming along the path. We got scared for a second because what would a person think about two teenage boys with blood on their hands and knives on the ground. Thankfully, it was just a jogger with her dog that ran past without a second look.

We laughed about it when she was out of earshot. We decided that the best way to walk home was with our bloody hand in our pocket. We promised each other we wouldn’t wash away the blood from our hand until the morning, so it really worked or some dumb thing we made up on the spot to make a ritual that we just did somehow actually work.

A scar never leaves you, it may fade with time, but it is always there. Just on your body, sitting there, telling you it will never leave you. You could say a scar can be your best friend, it is always there through your highs, but also your lows. Always remaining by your side until the day you die, and even then it stays until you decompose enough for it to finally not exist anymore. It is a soothing thought actually, that something will be with you when you die.

But a friendship can also fade with time, but unlike a scar, it can go away. Kyle and I talked all of that summer, even hung out for a week when my parents decided to take a mini-holiday in their city. We showed each other our scars and how they were still there. Just resting on our palms.

We started talking less and less when school actually started, we had always talked about how we would study the same thing, but halfway through his first year away from me, he started talking about how he wanted to do other things. I was okay with this, of course, people don’t need to do everything I want them to do. That would be selfish and egotistical to think everyone should revolve around me. But I still felt a bit hurt.

He met some other friends, the good kind. The kind I would probably like if I got the chance to interact with them. He started hanging out with his other friends more and more and spent less time talking to me. He often made up excuses like “Homework is overloading me”, “I promised -insert name here- I would hang out with them” and “Dude I just have a lot going on okay?”

Every time the excuses got more and more that he didn’t have enough time any more. I was okay with this, of course, people don’t need to do some of the things I want them to do. That would be controlling and selfish and egotistical. The world should not revolve around me, Kyle shouldn’t have to make his life revolve around our phone calls. But I still felt a bit hurt.

We started talking about once a month, it was supposed to be more, but sometimes he didn’t pick up the phone. When I got my driver’s license I asked if I should come over that summer so we could hang out, like the good old times. He said that he wasn’t sure if he would have time, the summer holidays are so short and all, right? But a few days into it, he called me for the first time in a long while (I had been calling for a while, not the other way around). He said that I should come over, it would be nice to reminisce.

So I got in my car and I drove through the hours and kilometres it would take to get there. When I finally got there he welcomed me in. We sat and he offered me a beer, I thought that was weird as he had never liked beer before. People change I suppose. I declined his offer and we just sat there. I asked him about the last few weeks and he did the same in return. He seemed to be mostly just using my questions and letting me make up new ones to keep the conversation going. I finally got around to asking him about his scar.

I will never forget his reaction, it pains me to this day whenever I think about it. It actually hurts to just think about it. He said “Scar?” Then he paused for a few seconds before getting hit with a realization as I was hit with a wall of something I can not describe in words, it was like my lungs had collapsed, my eyes began to water and my fingers twitched. “Oh yeah, sorry, yeah the scar is still there. Sorry, I forgot about it.” I simply responded that it wasn’t a big deal. I looked at my clock. I said, “Oh look at the time”. I looked up at him and said I had to go. He just stared at me confused, I had only been there for an hour. I left without saying a word, he followed me out to the driveway. He must have realized what he did wrong because he started apologizing for forgetting the scar, I simply said it was OK, no big deal. He then changed his answer when I opened the car door. He started saying that it was a long time ago, it was a childish thing, it wasn’t that big of a deal, I shouldn’t be so upset about it. I agree, I shouldn’t be so upset about it.

I slammed the car door and drove away, holding back the floodgates the best I could. In the safety of my home, I fell apart. Scars are always there, always a part of you. They will always remain by your side no matter if you are at the top of your game or have just hit rock bottom. Scars are there when you are sad, scars are there when you are happy. Scars are your closest friend.

When people ask me why I have a scar on my right palm, I simply respond with: “Oh yeah, as a child I was stupid and tried to catch a falling knife with my hand. Stupid. Little. Me.”

#writeblr #writing #original writing #fiction #short story #VerstappenFan Writing

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agusvedder · 4 years

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A theory you won’t like.

Okay so I was thinking... I’m having troubles to digest Archangel Michael stuff in episode 15x08 “Our Father Who Aren’t in Heaven”. He doesn’t look at ALL like the Michael we been knowing all these years. I know I know, we been hearing by Lucifer and Chuck that Michael in the cage was crazy mad and stuff but this isn’t the point ‘cause they were lying and we can see that now. Even Michael’s plans were to stay with Adam on earth because when Adam asked if he’s going back to heaven he answered “My brothers are dead. My father never returned. In so many ways, I'm alone” but at least he had Adam.

The thing is that, as soon as he’s confronted about his loyalty to his father, he never doubted, he trusts him blindly.

When Lilith confronted him about it, he said “If that's true if he can come talk to me himself”.

When Cas confronted him, he said “ You've come to tell me that God, my father, creator of all things, is my enemy?”

When Sam and Dean confronted him, he said “I'm not aware of anything. You're asking me to trust you. You, who doomed me, you, who let Lucifer walk free while your own brother sat in hell” - “If my father is back, he will usher in Paradise” (Yeah Mike, he was in Paradise, Vegas) - “ I won't hear this. You're lying. I don't know what your agenda is, but you're lying”

But the interaction that hurt the most was then Adam confronted him.

Adam: “The point is parents keep secrets, right? Does it hurt to ask the question?” Michael: “It would. It would mean that I doubt him. The good son, the favorite, doubts his father”

And then Cas went taunting him again to achieve planting inside his head all the memories he had from Chuck, and as soon as he walked in, he said “I'll spare you the effort. I'm not gonna betray my father and everything I've believed in.”

I mean, he was pretty confident that he wasn’t betraying Chuck or wasn’t going to do anything against him, because he is his FATHER.

“Leave, Get Out, I want you dead, We didn’t bond”

That’s what he said to Cas minutes before he changed his mind. That easy? It just doesn’t convince me.

He made the whole bunker tremble just to let them know he reached a conclussion... or maybe it was something different that made the Bunker tremble? Maybe Chuck fulfilling his son’s wish to talk in person? Chuck is a manipulative bitch and he can make anyone believe anything, especially to his son, the one who keeps defendind him after being locked in a cage in hell for 10 years (take note that 10 years for an Archangel as old as the creation itself is not that long). What if Chuck invented a whole story and showed him a different reality? Who would Michael believe? His father or Castiel?

The answer is pretty definitive for me: His father.

Michael decided to help them, and he looked sincere, he really did, he definitely looked hurt by what his father has done. But maybe it was a TRAP.

Yep, A TRAP (15X09)

What if Michael sent Dean and Cas back to purgatory because he wanted to trap them there for Chuck to have time to abduct Sam, and to be free of danger if Dean noticed he was missing? I mean, it wouldn’t be a surprise for me at least, because I remember the Michael we met. Like my friend @verobatto-angelxhunter pointed in her post about the Michaels and Dean we were very surprised to see this Mike is not the same as the AU one, or even the same archangel he was in season 5 when he possessed John Winchester and Adam. But he is. He wasn’t with Adam, because they have a different relationship, they’re friends, partners and only have each other. But why would he change his mind so drastically just in a couple of minutes?

Besides, maybe it’s lazy writing, but the ingredients for a spell to lock GOD away (I mean, GOD.God.) were all things they had in the Bunker except ONE? Nah, it just doesn’t look plausible to me.

And that Ingredient happens to be A LEVIATHAN BLOSSOM.

Purgatory is a place Chuck created to get rid of Leviathans because they were creatures who eat angels. “The Piranha that will eat the whole aquarium”, and I want to point out something definitely super interesting that @staycejo1 said some time about Leviathans.

“Leviathans are all black goo. Does this remind you of ANYTHING or ANYONE? Maybe the EMPTY created he Leviathans and that’s why he’s so pissed at Castiel”

This will destroy the theory that God created Leviathans, and it actually makes sense. They were the first beasts and then God locked them away. Maybe God and The Empty were pals until he did that and they parted ways. Reminder: this was long before archangels and humanity were created. What if the Empty was like “Okay, you lock my children away? I will soak in empty every angel you create after they die”

(This will also explain why the Empty is helping Billie to plot against Chuck, and why Old Death would lie about the origin of the Leviathans).

You can read my meta about Chuck, Billie, The Empty and the Old Death here.

Leviathans are creatures Cas had inside himself, that would be the first point for the Empty to be interested in Cas, the second one was that he’s the one that got away, and the third is currently the deal they’re holding. When Cas achieve happiness, he will die and go to the empty.

Now, pointing this out, the deal Cas and The Empty made, was sealed in heaven. God is absolute there, he knows everything about it and it’s probably aware of it.

What if God thought the only way possible to get rid of Cas was in the hands of Leviathans, children of his enemy and eaters of angels, so that’s why he manipulated Michael into send them to purgatory, close the rift and TRAP them there?

He knows there is a human portal there and Dean already crossed it, so Dean would be safe, Cas on the other hand...

Chuck is desperate to get rid of Castiel, so maybe this is the only “poetic way” he found for his ending not to be ruined by solving everything with a snap of his fingers. So either he’s planning Cas to die in Purgatory or planning for him to stay stuck there forever because there would be no way out for him.

What Chuck won’t see coming is the obvious solution that will allow Cas to cross the human portal...

VESSEL SHARING.

Not only @emblue-sparks , @verobatto-angelxhunter and @paper-lilypie talked about this in their metas, but now I bring more evidence for this to MAYBE become real.

In the 15x09 promo we can hear Dean screaming “The monsters are everywhere” so they definitely found troubles along the way, also we can see Dean ALONE in the images of the promo, so... hear me out.

What if this time Dean convinces Cas to ride shotgun inside of him like he did with BENNY the last time?

“Together, we are one” or “We’re together, we’re one” That’s what the spell mean. And it remind me of certain profound bond I know and love.

(”WE ARE” rings a bell?)

So if Cas rides shotgun (letting Dean take complete control of his body, because he respects him, not like AU!Michael) he will LEAVE his own body, so he will be inside Dean until episode 12 that Jack comes back and maybe between him and Billie, they will rebuilt his body. I mean, the empty sent him back with a new tan, a new trenchcoat and another hair style so anything is possible!

(This is part of what @paper-lilypie wrote on her theory! go read her!)

So they will come back home with Cas hidden inside Dean’s body though the human portal. and Cas will stay there hidden. It’s not like Dean doesn’t trust him enought to let him inside his head.

*LilithsGifFORESHADOWING.gif*

THAT was in episode 14x03, and then in 14x10 this happened.

Cas went again inside his head, this time with Sam on his side.

So they will be sharing Dean’s body for a while, and the prayer will be with Cas inside his head, so that’s why we won’t have an answer from Cas’ side right away.

Okay and another thing I wanna point out is that season 15 is from beginning to end FOR THE FANS, so they’re bringing characters into the show not by coincidence, they’re bringing them with a purpose, for us to REMEMBER specific things.

First they brought Belphagor in Jack’s body, who reminds us to Dean's time in hell, to Michael in the cage and to spice things up between Cas and Dean. Then they brought back Kevin, to remind us there’s no way for a soul to go into heaven because now god is an enemy. Then they brought back Eileen, knowing well she couldn’t go into heaven, Sam brought her back by using the spell Jack used on Mary that it didn’t work. Then they brought back LILITH, to remind us the original apocalypse and how much the guys have upgraded. Then they brought back Rowena, to give the guys an ally in hell. Then they brought back Adam and Michael.

So why would they bring Benny for 30 seconds letting him die under a red light?

That’s right, for us to remember the vessel sharing.

Coincidence? Nope.

This is the season to bring back.

Cas will return one way or another, just like Jack.

We just have to wait and see.

Disclaimer: THIS IS A SPEC BASED ON EVIDENCE I FOUND ALONG THE WAY.

Tagging: @verobatto-angelxhunter @metafest @bre95611 @legendary-destiel @mrsaquaman187 @emblue-sparks @paper-lilypie

#Supernatural Meta #SPN S15 #SPN 15X09 #The Trap #Castiel #dean winchester #Sam Winchester #Chuck #Billie the Reaper #jack kline #SPEC

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childhoodgrave · 4 years

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whats dtl about ifff ud like 2 talk abt it i see cute sprites & decide i wanna know things.. hehe the top hat n cape guy gif is in sync w my music hehe

IM SO GLAD U ASKED this game is probsbly my favorite game ever its been a special interest if mine since i was 7 and i dont think its a GOOD game per se bt i love it a lot and it impacted me a lot as a little kid w a mild interest in art :)

so basically the game is a little 2d adventure platformer where u get to draw and design the character u play as. its p clunky and the way ur character moves looks rlly silly bt again this game was released in like 2010 on the ds so its ok .. the game also gave u templates to go off of and use too just in case u didnt want to design a character from scratch

the story of the first game is abt this world that was drawn into existence by “the creator” in the book of life. u hav this little sequence where u get to draw the world, and the forrests and the creatures tht wld inhabit it. the creatures tht inhabit the world are callec raposa and they r little fox creature w funny ears :)

like this guy (his name is zsasha and hes a thief but hes like a bad one who ends up returning all of the stuff he steals and also watching over a little orphan girl who he basically adopts LOL)

in the universe if the game the “creator” eventually went silent and the raposa lost hope in them ever returning. the world was slowly shrouded in darkness and gradually all of the raposa inhabiting this little village were either lost or left on purpose bc it was slowly falling apart. the game starts when one of the remaining raposa, mari, prays to u, the creator, to come back and help restore her village, saying that everyone else has lost hope but she still believes you can return to her. u can answer, and either say that u will help or you wont, but either way u end up agreeing to help her and she goes to tell her dad, the mayor, abt it. you create a “hero” to be the vessel you will speak thru, and thats the character u end up designing and playing as. the game is abt going to various areas from the village and rescuing all of the raposa that are lost there, as well as restoring the village to what it used to be and drawing in bits of the landscape, like the sun and plants and stuff.

the villain of the story is a guy named wilfre, who was another villager in the town who ended up drawing in the book of life bc he wanted to create things the way the creator had. he ended up making these big inky monsters and got consumed by them, and when u meet him at the beginning of the game he tears up a bunch of pages in the book of life which get scattered across the land and you have to collect them in order to restore the village.

so u basically just go around saving villagers, collecting pages of the book of life, and redrawing bits of the town that were lost to wilfres shadows. eventually wilfre ends up like, killing maris dad (the mayor) and then after youve restored a majority of the village you enter his realm and kill him!! yay :)

throughout the game you also meet these two weird npcs called heather and mike. heather is a little raposa girl who has half of her face covered in shadows, and shes mostly mute. shes found early on in the game and is taken care of by another one of the main characters named jowee

mike is a character u end up rescuing later on in the game, hes p confused and doesnt know how he got where he is, and hes also different from the other raposa bc he doesnt have ears like they do and kind of just looks like a normal human (even tho none of the raposa know what that is and they just think he looks rlly weird)

in the first game heather is shown to take a liking to mike but it isnt explained why and she doesnt talk to its left unexplained

so yah the first game ends with you, the hero, defeating wilfre. mari takes on the role of her father and becomes mayor of the town, and all of the raposa (+ mike) live happily in the town youve restored. the hero goes dormant because theyre no longer needed and u get a scene at the end of the game w them sitting by the ghost of maris father.

the SECOND game takes place a while after the first game, in which wilfre returns and captures heather at the beginning of the game. he also kidnaps a bunch of the other villagers and transports them somewhere else, and he drains the color out of the village the raposa were in. they end up fleeing on a giant turtle with an abandoned town on its back that appears while the color is draining from the village. inside mari and jowee find another mannequin similar to the one the creator had drawn the hero on in the first game. they pray to the creator for help and thats when u draw the hero u get to play as for that game!! the hero doesnt seem to remember mari and jowee or any of the events of the first game, but they agree to help them rescue heather and all of the villagers wilfre stole.

jowee also has like, this magic pendant that belonged to heather that he found after wilfre took her, which seems to be leading them to where heather is. they use that to navigate the turtle thru the ocean to a bunch of other islands on the world. the second game is basically about traveling to different islands and helping them restore the color thats been drained out of them by wilfre. you also meet these two characters, salem

who is a villain in the first island u travel to, and sock

who is a villager on the first island u visit who ends up befriending jowee and traveling with them while they try to save heather.

so ur doing all of that but THEN, halfway thru the game mari is shown to be talking to wilfre, and then she dissapears. jowee assumes wilfre has captured her too, but shes later seen on the turtle again, and rips out a bunch of pages in the book of life the way wilfre did in the first game, and then wilfre appears to take her away and says that shes working with him now. jowee is heartbroken but resolves to get her back as well as heather

THEN, sock, jowees friend from the first island whos been tagging along and helping out, is ALSO revealed to be wilfre in disguise and he betrays jowee and steals heathers pendent, leaving jowee with basically no means of finding heather and wikfre and mari by extension.

so eventually they do end up finding where wilfre is and mari is like “jowee you dont understand wilfre has shown me the truth of our world and who the creator is and thats why im helping him” and jowee is like “i cant believe yoy are helping him how could you i cant believe you bla bla bla” and so wilfre is like “FINE ill show you the TRUTH of this world” and takes jowee and then the hero is kind of left ln their own for a bit to like wander around the world and try to keep rescuing ppl and such. and eventually jowee comes back and is like shaken up but kind of vague abt what wilfre showed him, but he still decides to side with the hero and the creator and eventually mari is convinced by him to join them again as well

so u fight wilfre again and EVENTUALLY wilfre reveals that if you defeat him basically the entire world will dissapear and thats what hes been trying to avoid by fucking w things and messing with the book of life. so all of the raposa have a bunch existential crisis abt them ceasing to exist if they go thru with this but then they decide to to it anyway bc the alternative is just as bad blah blah and u go and kill wilfre and he does this when he dies which is cool

[the gif was fuckjng broken im sorry but like look up his sprites and youll fjnd it 💔]

and now heather is back!! and her and mari and jowee are all talking about mike and how important he is and meanwhile mike has no clue whats going on and is kind of freaked out by all of this, but theyre all like “mike you need to wake up” as theyre all fading out of existence and shit around him and eventually him and heather are the only ones left and they dissapear too

and THATS when you get the ending and find out it was all like a dream mike was having while he was in a coma after a car crash anx this plays while the credits role lol https://youtu.be/Kur0qaYM1jM

youtube

^ they ended up releasing different versions oft he game w a less dark (but still w the whole ‘it was all a dream twist’) and thats it!!

there was also another game released for the wii that like gave wilfre a girlfriend kind of but i never played it to completion bc it used the wii remotes motion controls to like draw and shit and it was rly janky and hard so i never finished it and most ppl did the same. i kind of rlly want to try playing it again tho bc it was a p cute looking game even if the controls were fucked up

AND YEA thats drawn to life its a weird silly little series tht i was obsessed w when i was a kid and it still holds a special place in my heart :) i basicaly just spoiled the entire series i guess but if u have a ds or a 3ds (bc the game is backwards complatible ! ) id still suggest like getting a cartidge off ebay or something and playing it bc its honestly a rlly sweet and beautiful looking game and i think a lot of it still homds up even if the controls r rlly janky now

#theres also rumors of another game in the series being released on the switch so :)#THIS IS SOOO LONG HAHAHA IM SORRY I RLLY CARE ANT THESE GAMES #long post

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marshmallowprotection · 3 years

Text

For some reason I’m becoming really fascinated with my own character, Nymeria, because of everything about her- Her miserableness with the life she has right now, her swearing of revenge against the entire world due to the insanity her powers caused her, and her eventual possession by Aya, the “Vessel of Destruction” and shadow of Kaya, and then Nymeria’s final sacrifice: Killing herself, bringing Aya down with her to rid the world of Aya.

i keep listening the song “The Song I Heard Somewhere” (link: https://www.youtube.com/watch?v=ieRplpDRXJ8&list=RDieRplpDRXJ8&start_radio=1 ) and writing stuff in a almost-poem-idk-what-it-is-honestly-way.

Hence yet again I made something similar to the last writing thing I wrote, which may be easier to understand whats going on? idk:

A bright light pierces the sky, A woman stands, Her face looking to the sky. How did I survive the keen blade which had been created to kill my kind? How did I survive the attempt on my life?

Upon awaking, realizing she had survived, She ordered the destruction of all “God Blades” which had been specially created to destroy the souls of the gods. With their destruction, Officially no physical weapon was now capable of destroying the goddesses. The assailant was found and executed brutally and personally by Nymeria.

Now with that out of the way, she was left to think on it all.

Her mind had officially been lost, twisting and turning into a desire for revenge. What had triggered this sudden insanity?

It may be that upon surviving a fatal blow, she realized something, That this world was cruel and unclean. That everyone in it had the potential to be evil. And by allowing her existence, Somehow it had wronged her. The insanity caused by the powers of the creator had now caused insanity to the goddess of time. It should have been billions of years before that point, however, But I suppose anything can happen, right?

Now swearing revenge against the world and Kaya herself, She began her revenge plan. Bring instability to the world, and then destroy it all!

(“Now, destroy everything!”)

Emerald eyes gleaming for once after billions of years of miserable living, She chose her path. Now her destiny is officially sealed. “Ever Changing Fate” Whilst destiny will never change, Fate, the chosen path, May change often.

Hence the name of this story, This story of the time goddess and a girl who found out something she never should have found. And the ensuing civil war, Theda will fall into chaos. And Nymeria will fall, She will be sealed away on a distant island in the middle of the ocean. And the story of the Destroyer will ensue years later, The goddesses will fall into sleep, And the world will go on without them, This story of the miserable life goddess Will finally end with Nymeria’s sacrifice five hundred years later…

I used to actually despise Nymeria as a character, yes even tho she was my own character I hated her, but that was meant to be a good thing because she was made to be hated. And she still is made to be hated. She’s still an arrogant, self-absorbed bitch. But I have a bit of sympathy for her because she honestly had no control over herself by the time the assassination attempt happened, her insanity was starting to take hold. It’s a mystery why her insanity so much earlier (as it’s only 996 T.C. by the time her insanity starts, which is 549 years before 1545, the beginning of my story) than the other goddesses insanity had their insanity eventually start, and even then Nymeria’s insanity acted very quickly and she had already basically just lost it within only a month. So, in a way you can feel bad for her, but she still had some self control and chose to do a lot of things on her own will and now instinctively in a sense, like she does it just on impulse and regrets it later, no, she doesn’t regret a lot of what she has done originally, at least not until she dies does she finally regret everything.

The insanity of the goddesses causes them to wish to destroy the world because the goddesses powers are simply parts of Kaya’s powers, the powers of the creator, and the insanity basically makes them want to destroy, opposite to the powers being able to create. Whilst the goddesses’ powers are not actually able to create on their own and instead manifested based on their personalities and everything, their still power that was originally within Kaya and thus were originally creation powers.

So even though the world really has done nothing to her, it was Kaya the entire time who had wronged her (albeit she never had malicious intentions, Kaya was desperate and didn’t think of how wrong this was to force part of your power onto someone else who has never before had this power unlike her whose had it for a few trillion years at this point), and basically she channeled the insanity into: I want to get revenge on Kaya and the world, and the easiest way is to destroy the world Kaya loves so much and then kill her!

So, yeah, ._. Nymeria is just messed up in the head.

— Submission

She’s clearly got a lot going on. They’ve clearly lost a sense of themselves along the way, but I’m not sure that that that makes them “insane”. I think it just is more along the lines of them losing the idea of what it means to have their job. Since they more or less control so many functions of reality and are supposed to be in harmony with humanity and everything that is tied together with that fact, and if they lose that control...

Well, it’s a mess.

It’s the story far too told in history in many cultures... where the gods, goddess, and more lose control and their sense of meaning the more they’re pulled from what it is that makes humanity— humanity in the first place. That’s why they’re always drawn to humans. We hold things that they do not and that comes to a cost for many people.

#oc #ask #not mm #littleghostlyrose #mod kait #submission

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littlemisssquiggles · 4 years

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Ruby could get kidnapped in V8 but with everything going on V9 will need to be something less stressful. Still I would be down for Oscar and Ruby reuniting and THEN talking about the trauma together. V8 though I do want self-reflection since Oscar is basically back in V4 status(all alone with Ozpin). Along with Ruby wondering what more she has to sacrifice whether it be Oscar or her life like her mom.

On the contrary Ghost; with the way things are going now with the events of the Atlas Trilogy, I feel like the showrunners are just going to keep upping the stakes. So perhaps Ruby being kidnapped for the next volume wouldn't be too bad of an occurrence.

I mean I've been an advocate for Ruby becoming a prisoner of Salem along with Oscar since V5. Salem has been interested in capturing Ruby since V4 and it wouldn't surprise me if she'll have her eyes set on capturing Oscar too; especially since she knows that Oz has been reincarnated.

As I was telling @crystalandbrass, what if…in V8, as a reverse parallel to V4, Tyrian Callows is once again sent to retrieve Ruby. In my interpretation of this hunch, I imagined Tyrian leading his own faction of Winged Beringels to ambush and overpower an unsuspecting Ruby who just happened to be out alone in Mantle with only Qrow as her company.

In the Wizard of Oz story, it was said that the Scarecrow was almost destroyed by the flying monkeys when they came to capture Dorothy Gale. So what if…we got a RWBY equivalent to that moment in which Qrow is overpowered by Winged Beringels and forced to look on helplessly as Tyrian relinquishes an unconscious Ruby Rose over to a Winged Beringel which takes her away to Salem.

Meanwhile, Tyrian stays behind to finish off Qrow only for the Branwen man to be saved in the nick of time by Jaune, Nora and Ren arriving to aid him; much like how he had come to their aid back in Anima in V4.

I quite like the concept of Ruby becoming Salem’s prisoner by the conclusion of V8. Perhaps this could lead into what some of Rosegardening Pineheads and Rosegardeners have been itching to see---a scene in which Oscar comes to Ruby’s rescue to parallel all the times she has protected and looked out for him over the past few seasons. I think it could be a neat moment for Oscar if he ended up challenging Salem to save Ruby.

Perhaps…we could even see my ole Oscar the Golden Cap Pinehead headcanon coming to fruition too with Oscar becoming so great and powerful in his magical abilities that he’s able to use his power to take control of Salem’s Winged Beringels (see my Oscar’s Luxx Pinehead headcanon right here)

In the Wizard of Oz story, the Wicked Witch was only able to control the flying monkeys through the power of the Golden Cap---a cursed magical artifact that allowed its wielder to control the flying monkeys at least three times.

Although Salem is the creator of the Winged Beringels on the RWBY universe, she did so via the power of the Grimm Pools and her own magic.

Therefore, this squiggle meister thinks it would be a really neatorrific magic trick to see Oscar use the power he inherited from Ozma that he has come to make his own during his time with Ozpin to take control of the Winged Beringels; making him the RWBY version of the Golden Cap.

Gold is in his name after all and much like the Golden Cap from Oz, Oscar is a vessel of magic. Just saying.

I mean, I doubt we’d actually see anything like that for V8 but it would’ve been something cool. As a Rosegardening Pinehead, I really love the thought of Oscar immediately daring to challenge Salem on his own upon learning that she has Ruby.

I can definitely see this being a possibility, particularly in the event that part of Oscar’s story and development for V8 would be the young huntsman coming to terms with the importance of Ruby to him; mimicking how his fairy tale counterpart---the little prince---came to revere his beloved true rose.

Perhaps it’s even a case where Salem uses Ruby to lure out Oscar. Imagine if… Salem ends up capturing Oscar by forcing him to surrender himself over to her as a means of protecting Ruby.

Or…as an alternative to that, imagine if…Oscar sacrifices himself for Ruby’s sake. Like it’s a case in which Oscar gives Salem an ultimatum in which he trades his life and freedom to become Salem’s willing prisoner in exchange for Ruby’s salvation. Basically picture a moment in which Oscar boldly proposes for Salem to imprison him and do whatever she desires to him--- torture him for the rest of his days, even kill him---in that moment, the little prince was willing to lay his life at the mercy of the wicked witch so long as no harm came to his rose as part of their deal or exchange.

Equivalent exchange, am I right?

Kind of like how Azlan surrendered himself to be “killed” by the Ice Queen in place of Edmund Pevensie in the Chronicles of Narnia: The Lion, the Witch and the Wardrobe,

Bruh, imagine if…we got a scenario where Ruby is left unconscious for most of the finale after being poisoned by Tyrian and by the time the Silver Eyed Rose regains consciousness, she awakens to her allies begrudgingly informing her of Oscar’s sacrifice for her. Imagine a scenario in which for the majority of V8, Ruby and Oscar never truly reunite. Even though we spent more of the story with Oscar fighting to get back to his friends and Ruby; in the end it’s a case where they still don’t get to see each other or rather; Ruby never gets to see Oscar again since he gave himself to Salem for her sake. Thus, Ruby has to live with Oscar making that sacrifice for her and her mistakes this time.

Y’know what I realized---much like Ozpin (and by extension Ozma and all the Wizards in his cycle), Oscar has become the proverbial martyr to constantly pay the price for others actions even when he attempts to rectify them.

Between V5-V7, Oscar was mainly chastised because of Ozpin’s actions and past mistakes. He became an immediate foe to Hazel Rainart who he was forced to combat due to his beef with Ozpin concerning his sister. He was punched by Qrow (technically while Oz was in control but Oscar still felt the aftermath of that) out of the bird man’s anger and frustration towards Oz for the lies he told him and others. And just last season, Oscar literally got shot and sent to his presumed death by Ironwood for trying to correct mistakes made by both his predecessor and his allies.

And what’s worse about that is that Oscar had no say in any of that. He more or less just has to accept punishment for the actions of others whether he liked it or not.

So imagine if…for another time---presumably the last time--- Oscar makes himself a martyr; paying the price for Ruby---only this time, it’s his choice to give himself up for the girl he loves.

Doesn’t that sound like an interesting plot point to see? Perhaps this could be another way for Ruby to see the weight of her own actions and mistakes in a way.

In the Lost Princess of Oz story, I recall Princess Ozma being captured with her best friend (and closest confidant) Dorothy Gale being the one to lead a rescue party to save her. This is why I’ve been more inclined towards Oscar becoming Salem’s prisoner with Ruby the one to ultimately save him as his closest companion and potential love interest. I still like this possibility very much.

Then again, this could also easily go the the opposite direction in which both Ruby and Oscar become unwilling prisoners of Salem. While in captivity, Salem makes sure to keep both smaller, more honest souls apart in order to play off of their bond and devotion to one another and sort of maliciously manipulate and torment them into submitting to her will. That’s another possibility that I like.

The way how I see it, V9 could potentially be a standalone Dark Domain season where either Oscar is captured by Salem after sacrificing himself for Ruby leading to her leading their allies into the Land of Darkness in order to rescue the imprisoned little prince or….it could be about Ruby and Oscar dealing with being prisoners of Salem.

For me, my money will always more be on Oscar becoming Salem’s prisoner especially if he does it in Ruby’s place because I still love my headcanon of Oscar becoming the Boy in the Lonely Tower with Salem imprisoning him in a castle of solitude like how she was first locked away before Ozma found her. I still love that theory.

But who knows. Neither of this ideas could become a thing, as far as I know. Even if the CRWBY Writers mentioned something along the lines of reading fan’s comments for certain things to happen for certain characters, I highly doubt any of em would lend to any of this squiggly Pinehead’s million and one headcanons. As always, these are only my theories, thoughts and ideas for things for RWBY.

Either way, I will say that I do think that something big could potentially go down for both Ruby and Oscar respectively next volume.

I do think we could get that self-reflection on Oscar’s part like you want Ghost---I’m just unsure how it will work given the whole 1-2 days’ timeline. Given the fact that Oz has been gone for probably a month or some weeks since the heroes got to Atlas, it would’ve been better to see more time pass in the story in order to make Oscar and Oz’s bond growing within that time more believable, y’know what I mean? At least for me. This is just my opinion here.

I mean I guess I can look at it from the perspective for their bond being forced to grow faster due to the emergency of Salem’s arrival OR….perhaps V8 could only be the start of Oscar and Oz finally learning to coexist with one another and in the event that Oscar does indeed become Salem’s prisoner---if he’s captured, that will prove the PLOT more time to have Oscar bond with Oz since for a second time, the young boy will be all alone with only Oz as his companion. That could be something.

But who knows, y;know? I guess we’ll only know once more news of the next season drops, I suppose. In the meantime, I hope I was able to answer you, Ghost. Let me know if I did, please.

~LittleMissSquiggles (2020)

#squiggles answers: rwby #oscar pine #ruby rose #oscar and ruby #rwby rosegarden #rwby theories #rwby volume 8 theories #ghostpegasus #squiggles answers

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