#Edit: I edited the original post since so many people who seemed like they would love to see the interview when he says this were missing it

[jewishvitya]

[This post was originally written in response to someone tagging me and claiming that a free Palestine would mean all Israeli Jews will be kicked out and where will I go, and how they can't understand why I'm so against Israel being our ethnostate. OP blocked me, so I'm reposting with a few edits, because I already wrote this and I might as well.]

Look. I understand your mentality. We're traumatized by a history of violence against us. We were shown that so many in the world want us dead, and so many others won't stop them. I get it. But I refuse to let myself silently become the face of similar oppression for other people.

Israel benefits from antisemitism and maintains myths that got Jewish people killed in the past, like double loyalty. It weaponizes it for propaganda reasons. It's supported by antisemitic Christian zionist organizations with terrifying motivations. It started out with violence not only against Palestinians but against Jews too. Israel isn't motivated by our safety, it abuses that idea. It manipulates and weaponizes our trauma to make us feel justified in causing so much suffering to innocent people.

You're right that I'll have nowhere to go if I'm kicked out of here. This is where I was born. My parents come from other countries that I won't feel safe in. But all of this is hypothetical. The ethnic cleansing and genocide of Palestinians is not hypothetical, it's REALITY. It's happening RIGHT NOW. And I don't understand how, as a Jewish person who knows what this kind of suffering and loss of life means, you seem unable to prioritize that. I tell you I'm witnessing a genocide happening right next to me and you keep telling me "but what if they hurt you instead."

The assumption that Palestinians will pull some sort of reverse ethnic cleansing against us is racist. This assumption is the reason Israel feels comfortable calling the carpet bombing of a civilian population "self defense." Killing them based on a this is not self defense, it's a racially motivated crime against humanity.

And I'm calling it an assumption because I'm not willing to pull from the Hamas charter that they've since replaced. Hamas isn't Palestinians. The only reason they became this powerful is Israeli funding, and Israeli violence giving Hamas free PR as the only ones who will stand up to the state that will keep them trapped and dying.

We control every aspect of their lives. Israel created a place that breeds radicalization. No group of people, living under the conditions forced on Palestinians, would be peaceful. They would fight back. Because peaceful attempts to have the human rights that Israel denies them got nothing. We stomped on every single one. We blocked all other routes and left them with only violence, which Israeli politicians have been using as an excuse for over 15 years to make a show of force with military campaigns whenever they wanted a boost in popularity. We created living conditions with such low life expectancy that half of the population is children because so few adults survive. They don't deserve this. No one deserves this.

Palestine was a land with people living in it. One plot of land can create multiple groups of people, especially when we've been separated for 2000 years. Our connection to this land does not cancel out theirs. Removing them to create our own country could never be right. It's not an argument saying that our connection to Israel gives us the right to move here to live ALONGSIDE Palestinians. That's not what we wanted. We wanted a country that enforces Jewish majority and legally prioritizes Jews. You're justifying this when I repeatedly state that the only way for it to exist is through ethnic cleansing and genocide. There's no way to make this concept into a reality without killing, displacing, and oppressing whoever's left in various different ways, from apartheid to other kinds of discrimination.

I'm not against safety for us. I want to be safe. I want my children to grow in a safe world where we can be openly and joyfully Jewish. I'm not willing to pay for that with the lives and freedoms of other people.

So I will be loud about this: Palestinians deserve to be free in every part of their homeland, even if it's our ancestral homeland too.

If safety for us means we're the ones committing the genocide, maybe we should rethink what safety looks like.

I'm terrified for the lives of millions of people in Gaza. Right now, all I can think about is this, and it baffles me to see people so willing to transfer the horrors of our history to other people.

I had a lovely conversation in DMs in response to the first post, about how zionism encourages us to isolate rather than build bridges in the places where we live all over the world. We can't ignore the way antisemitism saturates culture, but we should also remember the places where Jewish communities thrived for centuries, the places where our neighbors protected us. We're hated, and we're loved. Each form of oppression is unique, so no other group experiences what Jewish people do exactly, but we're not alone. We have a long and rich history of solidarity with other marginalized communities and involvement in liberation movements. We're actively working to make the world safer, and we have people fighting with us. I'm just participating in this fight where I am. The struggle for liberation is a human struggle. You can't use the trauma of antisemitism to silence me about other kinds of bigotry.

Never again. To ANYONE.

[adarkrainbow]

Why was Hansel the meal of the witch?

This is a question I was aked recently, and I thought it would make a good subject for a post. "Why did the witch only try to fatten up and eat Hansel? Why didn't she imprison and fattened up Gretel too? Why did she choose to make Gretel her slave instead of Hansel?"

Which is actually a fascinating question. Now, I do not promise that there is some grand truth or secret meaning behind this. It is just a little detail and some technical workings of fairytales. But it is a point that many authors and rewriters have taken an interest upon, and that if a true well of reinterpretations.

So let's go... Why was Hansel the meal, and Gretel the slave?

If we go by the "canon" of the text (of course "canonical" fairytales do not exist, this is just an expression) - if we go by the Brothers Grimm's text, we... well we do not know. It is not specified anywhere why the witch decides to lock up and fatten up Hansel out of the siblings, and to not do the same thing for Gretel. There is no reason explicitely spelled out or given. Maybe she simply prefers the meat of boys over the one of girls? This absence of justification, and the apparent "randomness" of the choice opens a door for authors who would like to change things: for example in "A Tale Dark and Grimm" (the book, not the Netflix series), it is both Hansel and Gretel that are fattened up by the witch, and she only picks Hansel as the first one to be roasted. The Looney Tunes Hansel and Gretel also were both in the cooking pot of the witch Hazel...

The text only leaves implications for the reader. For example, the need for the witch to have a slave/assistant to help her with the chores is implied by the facts that she is 1) elderly 2) has a very bad sight and 3) walks with crutches (a very important point). So it is understandable she would require a slave to help her - but then why pick Gretel, and not Hansel? Again, the text does not answer. Many people like to portray Hansel as the oldest child of the duo, and Gretel as a younger sister - this is because Hansel seems to be the strongest, bravest and most intelligent one, as well as with how his name always comes first in the text, Gretel being after him. Maybe the witch chose to eat him first because he was precisely older, and thus there was a more developed body to eat? Even if the siblings are of the same age, we can always imagine the very old and present male/female dichotomy that claims that men's body are naturaly stronger, larger and meatier than women's, who have graceful, slender, lighter bodies. Maybe such a concept is at work, putting forward a mindset where a cannibal witch will always go for boys first as a main course, and girls next as an appetizer...

One possible reading of the story is that the witch only had enough place to lock up ONE child and thus had to make a choice. Maybe there wasn't enough room for two kids in her prison for future meals? This interpretation is supported by the ORIGINAL text of the Grimm's fairytale. In the first edition of the brothers Grimm's fairytales (provided by Jack Zipes), there is an explicit mention of the place Hansel is locked in: it isn't some sort of stable or cage as it would later be described, oh no! It is a chicken coop so small Hansel can BARELY MOVE. It is a really tiny prison, in which he barely fits. Of course, on a practical side, it can help with the whole fattening process since having a child eat rich meals without ever moving is certain to make him plump in no time (just look at these horrible industrial farms and how they lock up animals in tiny cages) ; but this detail actually explained why the witch only placed her efforts on one child, and not two: she obviously had only enough to place to lock up one kid, and had to deal with the other in a different way.

But even if we admit all those implications - that the elderly, handicaped witch needed a help, that she had only enough room to lock up one child, that maybe Hansel as an older boy makes a better meal than Gretel - there are still some strange and bizarre logical holes. For example, the witch beats up and starves and exhausts Gretel. This is the complete opposite of what she does to Hansel, who is pampered and fattened up - does this imply the witch maybe does NOT want to eat Gretel? Or does she really have only enough resources to fatten up one child, and can only afford making Gretel more edible once she is done with Hansel?

Again, mysteries upon mysteries. Fairytales are not created to work on practical details or actual psychological processes - they are stories relying on powerful visuals and ancient motifs and a dream-logic-structure. When we are told that the witch locks up Hansel to fatten him up and eat him, and that Gretel is becoming an abused slave, we just accept it, because it works on a set of powerful visuals, such as the malnurished slave sister cooking and feeding her imprisoned and soon-to-be-killed brother. The idea of the sister being reduced to a tool in the process of killing her own brother is a very powerful one, never explicitly stated, but still present and sometimes used by adaptations. There was this German Hansel and Gretel movie released in 2005 that explicitly played on this: the children were never told by the witch her intentions when she locked up Hansel, and for the first week or so of Gretel being a slave and Hansel fattened up, they were left in the dark concerning the real intentions of their mysterious jailers. This was a stark contrast with many Americanized adaptations that have the witch gloating and explaining her cannibalistic desires to her victims, and which opened the door for some interesting plot points - in this movie's case, Gretel being quite jealous and envious of Hansel's new life of feasting and being kindly treated by the witch when she got all the insults and chores. Of course, when they discover the truth, their mutual feelings reverse as Hansel realizes his seemingly "easier" fate is actually the worst of the two.

Still, the text is left ambiguous and open-ended enough for us to imagine TONS of things. There could be a rewrite of the tale where the witch exclusively eats little boys, and hates little girls. One nterpretation of dark poetry of the tale can be found in Znescope's Gretel mini-series. Despite this mini-series having BIG flaws (the choice of the witch's true identity was... quite bad to be honest), it does have a very interestng and morbid answer to the "Why was Hansel the only one fattened up?" question. It chooses to depict this difference of treatment as a sick and cruel game the witch plays with her preys: Hansel and Gretel are both her prisoners, but she fattens up Hansel while she starves Gretel, to make a contrast between the two, simply out of a perverse amusement. There is one particularly striking image of the two children locked in two cages arranged like a weighing scale, with Hansel's cage going lower as he grows fatter and Gretel's going up as she becomes skeletal... It is a nice visual contrast that has been reused by various artists.

Now, I spoke mainly here of the content of the story and of the text itself. However, as I stated before, we must look beyond the story itself to understand why Hansel was to be the meal, and not Gretel. Or rather we need to look at the fairy tale's structure, on a meta-level.

As I said before, the fairy tale works here on a system of duality. Hansel and Gretel are meant to be a yin and a yang, complementary reflections. The boy and the girl, the brave and the coward, the cunning older brother and the crying little sister. The idea that their fates are "split" into the house of the witch not only furthers the anguish of the characters, who at this point were always together but now find themselves separated, unable to face together the same trials, but also keeps on playing on these visuals and motifs. As I said, there is something that many artists read in the tale, in the opposition between a malnourished Gretel and a feasting Hansel. This is part of the same duality of food and famine present all throughout the tale, such as the woodcutter's famished and poor household, opposed to the witch's house made of sweets and with chests full of pearls. The siblings represent two forms of abuse and evilness enacted by the witch, but in complementary forms: with Gretel the witch becomes a domestic abuser and an enslaver, with Hansel she becomes a jailer and an ogress.

One can also read in this an extension of the typical sexist duality between men and women in these old centuries: the fates the witch forces upon the two children can be caricatures of what each gender is supposed to "do" in such a society. Gretel, like women, is expected to do household chores and to cook for her "man" - here it is caricatured into her becoming a slave, and only helping fattening up her brother like some cattle. In return, Hansel, like a man, is supposed to be well-treated and well-fed, but here the caring wife/mother figure is a monstrous hag who only makes him feast so she could eat him later. In fact, it is quite interesting to see how both siblings are dehumanized and reduced to the status of animals - from Hansel being fattened up in the stables like some pig or chicken, to Gretel being fed leftovers like a dog.

All of that being said, there is another much needed argument that must be made: the answer fo thte question can be easily found in the story's structure. This is the most obvious solving of the problem when you consider it all: the story of Hansel and Gretel relies on the idea that the two children must save each other in turn. There is a balance in the tale, which bears the name of the two protagonists as heroes, but one before the other. During the first part of the tale, it is Hansel who takes the lead and the decisions. He is the cunning hero who tricks his parents, saves his sister from the woods, returns home thanks to his plan. Gretel is only seen being scared, and crying, and not doing anything except follow her brother around. In the second part of the tale, within the witch's house, it is Gretel who becomes the hero. Her brother is "out of the race", locked up away and unable to do anything, and it is Gretel who this time has to trick the deadly parental figure, come up with a clever ruse, and ultimately save her brother from death. This creates a perfect balance between the two characters: Hansel starts out as the hero protecting his useless sister, and then it is Gretel who vanquishes her uselessness to become the hero saving her own, impotent brother. The siblings need each other to survive, and thus save each other in turn. This is how the story works. And this is why Hansel must be the locked-up, fattened-up victim, so that his sister can save him. Else it would have been the story of "Hansel", and not "Hansel and Gretel".

All of that being said, a last point must be made about a final theory. A theory and reading of the tale that has been very prevalent and prominent in recent adaptations of the story.

The recent "Gretel and Hansel" horror movie did it. Before the (X horror movie) also did it. Neil Gaiman's Hansel and Gretel also used this idea. The comics Fables toyed with it in a side-way. And this idea is simple: the witch did not want to eat Gretel, but rather wanted to make her a witch like herself. Gretel wasn't the witch's slave, but unwilling apprentice.

This idea is born of course from a reconsideration of what a "witch" is, and the gender questions attached with the figure of the witch. In the original story, the witch is not a witch in the modern sense of the term, in fact she is a monster that is very clearly an ogress by another name. There is no question of learning how to be a witch, or making deal with dark powers, or anything like that. But when you read the tale with the modern sense of "witch", as a symbol of dark and hostile feminity, as a woman of power, who works against the domination of men, or the tyranny of patriarchy - when you consider all the gender questions surrounding real-life witches and the witch hunts, you see the witch's actions under a different eye. Her not wanting to eat Gretel at first, and making her do her chores, and forcing her to live with her, might hint at the fact she still considers her more "human" or more valuable than her brother, who is nothing but food, a mere cattle. Several of the modern reinventions of the tale, such as those stated above, decide to add the twist that the witch actually wants to shape or make the little girl into her image: from a slave doing the witch's chores, she becomes the witch apprentice, who is by her side in everything she does. Some of those readngs remove the elements of abuse towards Gretel, while others do not forget them. Neil Gaiman's take on the story is especially fascinating as the witch is explicitely described as oscillating between periods of sweetness and kidndness, promising Gretel all of her secrets and great powers, and periods of pure hatred and violence where she just insults and beats up the girl - all of it highlighting either the witch's madness, or a form of senility due to her old age.

But this theme of "Gretel as a future witch" or "Gretel as the witch's apprentice" ties in with another subtext well-hidden in the original text, but that many like to weave upon: Gretel as the "daughter" of the witch. In many of those rewrites and reinterpretations, the witch doesn't just treat Gretel as an apprentice, but as an heir or a replacement daughter. This is no surprise since it is very clear that in the original tale, the witch is the dark side of the mother figure, and an evil doppelganger of the wicked stepmother/mother of the siblings. As such, it makes sense for her to impose an abusive and unconsented motherhood upon Gretel - doesn't her forcing the girl to do all the chores not reminiscent of how famous fairytales stepmothers treat heroines like Cinderella? Such a perverse motherhood was already explicit and obvious in her treatment of Hansel: like a mother she nourishes and feeds Hansel (in fact she succeeds where the wicked stepmother failed), but this is all to devour him, in a ritual of "un-birth", she becomes a death-givers who doesn't expel a child out of her womb, but has it return to her stomach. [This is a very common and usual motif among ogres of fairytales, who are all caricatures of parenthood].

More generally, to have the witch act in such a way actually makes the fairytale more "feminist" somehow, but in a quite perverse way. Because in such a reading, we have a women-dominated world. The true active and powerful characters of the story are beings such as the wicked stepmother and the witch, who command, control and influence the other characters - especially the male ones. The father is a weak puppet who can't stand up to his wife, Hansel is reduced to a fat pig in a cage. Hansel did try to escape the tyranny of the wicked woman, but all he could do was push back his doom, and his plans ultimately failed. Gretel, as a woman herself, is given a special treatment - and in the "apprentice/daughter" interpretation, is "absorbed" by this world of wicked, dominating women. But she actually breaks from it, and kills the one that would have "turned" her - and it is telling and interesting that the only one who can have a true an full success, a definitive victory in this tale is Gretel. Hansel's plans work and save them, but only for a brief time, and his last plan fails dramaticaly, before he gets locked up and "out of the story". Gretel meanwhile, when she gets the courage and intelligence to act, proves herself much more efficient and definitive than her brother, as she puts a true end to the threat other them by killing the witch (and by extension killing the wicked stepmother/mother). This is something Hansel couldn't do - all he could was trck the wicked woman, and nullify her plans, but he could not remove the threat of the death and the hunger.

Anyway, as you can see, despite being a quite superficial and silly question, this fact (or rather absence of facts) opens up a whole jar of various interpretations, readings and themes, and proves the hidden complexity of these apparently "simple" stories.

[hockeyandhrsepwr]

Birthday boy

*little Trevor Zegras x best friend (👀) reader insta edit for his birthday**

yourusername

liked by jamie.drysdale, _quinnhughes & others

Yourusername happy birthday Fucker  

view all comments

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TrevorZegras

liked by JackHughes, anaheimducks & others

TrevorZegras best birthday present I could’ve asked for #upgrades #shesmygfnow 

view all comments

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Xxx

[fandomhype]

Plagiarism Somerton

I obviously didn't watch the new James Somerton apology video ON his channel because I did not want to give that man the views and you shouldn't either! It has been re-uploaded and summarised elsewhere so that he doesn't benefit if anyone wants to see it.

The original hbomberguy video was wild to me because of all the stealing, I found it highly entertaining, loved all the Memes and it honestly did my imposter syndrome wonders! but then I watched the Todd in the shadows video and it really upset me.

He didn't just steal from other LGBT creators he lied to his mostly young LGBT audiance who were looking to an elder gay for guidance and to learn about their history.

Todd's video starts with a clip of James lies being spread by another person on a podcast, there's clips of people discussing his made up gay nazi fanfic he has presented as hard facts. He actively harmed his own community for cash! There are young gay men bringing that subject up in conversation being laughed at for falling for it and that leaves a really bad taste in my mouth.

Now I'm not a part of that community but a lot of people I love are so that angered me a lot.

...and then he comes back with another apology video, conveniently within the three months he would have had to post something on his channel to retain his monetisation status weirdly?! In which he blames both a head injury and his ADHD for his theft - at no point does he address the lying in either apology video or any of the apology posts he made that I could find.

I have combined ADHD, when I was first diagnosed the NHS referred to it as ADD with Hyperactivity element but everyone seems to have gone back to calling it ADHD and that is the term used most commonly online so that is what I refer to it is as.

I am medicated but there has been a world wide shortage of my medication and I was without it for some time over winter, which was HELL! I got nothing done.

I am in no way a big creator, Youtube for me is a fun wee hobby that will hopefully grow and allow me to collaborate with other people with similar interests but ADHD is for sure a large part of my journey as a creator.

I've published like 7 videos and currently have around 10 being worked on because, you know... ADHD! *siren noises*

I know that I am forgetful sometimes, just for the record I also had several head injuries and concussions as a child because Lil undiagnosed at the time me truly had no fear of climbing or other dangerous activities so I have my script (because free talking a subject with this brain would be nearly impossible) open in one google doc and my research open in another. It's not hard.

That's the way it was at school, college and Uni too. James claims he went to Uni to do business. Every university uses anti-plagerism software for essays and has done since like the mid 2000's? so he knows not to copy pasta. He's straight up lying there.

Another thing he's lying about is his ADHD making him forget he copied things. Now if you tell me a joke that I like it'll stick in my head and I will straight up tell it as my own later, I've been called out for this many times! But entire articles? whole sections of other peoples videos? (he also flipped a fan Vid he had ripped off of another YouTube to avoid detection and tried to pass it off as his own) No that's not something you can accidentally do even with a swiss cheese brain like mine.

Weirdly all the the paragraphs James claims he accidentally copied were also edited to remove aspects of the Trans, Bi and Ace experiences that James markedly does not believe exist. Strange considering he accidentally copied them and assumed they were his own words? Imagine going back through a paragraph you think you wrote yesterday in the edit the next day and finding swarths of things you don't agree with there?!

Why am I telling you all this? Well because I wanted to put my two cents in as a creator with this condition, partly because I felt it was somewhat of an attack on us!? He's put it out there that ADHD creators are liable to steal from others and that's not ok by me. Also I just really like the sound of my own typing!

TL;DR : James Sommerton is a suck ass liar and he doesn't get to use his disability as an excuse for what he did! and...

****** ADHD DOES NOT MAKE YOU STEAL SHIT!!! ******

Also watch Todd's Vid, everyone saw the Hbomberguy one but this one goes deeper:

[mariejordans]

i honestly don’t even know where to begin with this post, so i guess i’ll start with hi! sorry, i’ve been gone so long, though probably most of you didn’t even notice i was gone lol. sorry for not giving any warning to my absence, and i am especially sorry to the mutuals who have reached out to me that i haven’t responded to. i was and still am struggling with anxiety and depression and towards the new year it was getting to be a bit much for me, so i decided to take a mental health break from social media.

i’d honestly been contemplating coming back, but today i received a dm from someone with a link to a post that was accusing me of bullying and creating fake accounts to bully other people in this fandom. first of all, i would like to emphasize that this is not true. attached below is a screenshot of all the blogs that i own (EDIT 2/9/24: i have since deleted the screenshot for my own privacy and i believe that since i made this post, there has been more than enough evidence to clear my name.) milfsociety is my main account, which i have linked before on this blog and many of my mutuals also follow me on my main, and the rest of them are just me saving my old usernames or other sideblogs that i rarely use, but all of them have been inactive for two months at least.

i do NOT condone bullying ever, and to be continually accused of it by this person is very disheartening. it started with this post (seen below) that i made back in november after seeing a post discrediting marie as the main character of gen v. i admit that my language was probably a bit harsher than was necessary, but honestly my intention was not to send hate to op (which is why i never tagged it with any gen v related tags) but to defend marie. it also wasn’t meant to be solely specific to this one person but as a general post because at the time, there were lots of accounts discrediting marie and to be honest, i was just kinda venting bc of how sick of it i was. (also, just to mention, i have intentionally left out their username because the last thing i want is to send hate to this person.) this was the only post i made on the topic and later i heard that apparently op blocked me afterward (which does not offend me in the slightest since i have since done the same thing) so this honestly should have been the end of it.

i honestly hadn’t given this post a second thought until a little under a month later i received this ask out of nowhere, accusing me of ableism and bullying. i replied to this ask, which i will link here. honestly this ask came as a complete shock to me, because i had honestly forgotten all about my previous post.

i responded to anon and in the reply i apologized to their friend for my hurtful comments and expressed that it was never my intention to attack anyone, especially anyone with a disability, which i did not know about when i initially made the first post. i also explained my side, stating why i made the post in the first place, which i still stand by. originally, i had linked their post in my reply, which in hindsight was a mistake that i regret and i should’ve known better. again, my last intention ever is to spread hate and negativity or to bully anyone, so i deleted the link when i was asked by a third party. this person has also since deleted that post about marie entirely.

shortly after i posted the reply, i guess i can only assume that whoever anon was told them about the reply. i’m honestly not sure if they’ve ever actually read this reply or not, but they made a response to my reply, accusing me of harassment and bullying. honestly, it really confused me at the time, since i’d only made two posts in reference to them, and one was a reply to an ask, but we ended up having a third party account who was mutuals with both of us acting as a mediator to settle things and i genuinely wanted to move on from the situation. we both had each other blocked and it seemed to me that anon was just trying to instigate more drama between us, so i thought it best to just leave it at that. i was also going through some mental health issues at the time (unrelated to this situation even though it didn’t help) and had been considering taking a break from tumblr, and so i thought it would be best to just go inactive for a while.

this is honestly the first time i’ve used tumblr in the two months since i’ve been gone, so i have no idea what else has been happening regarding any other blogs and this person, but apparently i am being named as the sole instigator here and i just wanted to once and for all clear up this issue and my name. i’m honestly not sure if this person will see this post or if they’ll even accept it as truth. i can’t force them or anyone to believe me as i really don’t know what else i’d have to do to prove that i don’t have any other secret accounts other than making this post.

i will probably continue to be inactive on this account as i think it is in everyone’s best interest. i never wanted to contribute or start any drama in this fandom, but i feel like i am partially responsible in how this situation has turned out, so i would also like to apologize to you all as well. i’ve never had an account of mine get as big as this one has (thank you to everyone who liked and supported my silly little ramblings!) and i can honestly say i have had the best time interacting and fangirling with you all about this show and these characters that i love so much and i will continue to enjoy and love gen v and marie from afar!

goodbye for now,

rose (aka mariejordans)

[gamebunny-advance]

Doodle Dump: Misc. Edition

Time for misc. doodles~

Notes under the cut.

1: "Ikigusare Idols". Like many people, "Injection Girl" randomly appeared in my Youtube feed, and I was admittedly charmed by them. It's like they're from a bygone era, but they just put out another music video last month. Currently, my favorite song is "スーパーZ指定ガール". (Content warning for mass violence in the lyrics.)

2-4: "Clown Doll Redesign". So, since I've started doll customizing as a hobby, I tend to lurk on the Dolls and CustomDolls subreddits on the lookout for inspo and info. Not too long ago, someone posted asking for advice/critique on their doll ideas. So I sketched these (and some notes on the original design, which are not included here) as a response. In the end, I never did reply because I don't actually have a reddit account, and I thought it would be weird to make one solely to criticize someone, so I'm just posting them here.

My main critiques were that there wasn't a lot of contrast in their color choices and that the blue and red hair seemed random when the rest of the design was pink/green. So, my main goal was to increase the contrast between the pink and green, so the different patterns would stick out more and to unify the pallet a bit more. The skintones differ from the reference because the doll they said they were going to use was a G3 Frankie Stein, who has bluish skin and a prosthetic left leg, so I'm not really sure why their sketch uses the original green skin or why the silver leg is on the wrong side, but it is what it is.

The first 2 are straight pallet swaps, but the 3rd is based on a second design that the OP made. They originally asked for users to pick between the two. Most people said they preferred the blue and yellow design because it was more cohesive, but the OP replied that they really wanted to make the pink and green one work somehow, so that's why I focused on using that one as the base, but I still included a version with the alternate pallet and patterns.

Here's a link to the original thread since I'm kinda reposting their art by including it with sketch. Just maybe avoid linking back to me >_<;

5-8: "Music Junkie Soundwave". In a similar vein, there was another user on the subreddit that wanted opinions on a potential Transformers fashion doll line, citing a video that one of their friends made on the idea.

Now despite having a limited knowledge of Transformers, and I'm still pretty green to the fashion doll world, I wrote a whole-ass dissertation on the idea because magical girl/boy robot dolls are totally something I'd be into.

But, for a similar reason to the clown doll, I didn't want to make a reddit account just to critique someone (though I still have the original response in my drafts).

When I finished writing that response, I decided to sketch how I would go about the idea as it'd been proposed, and created this Soundwave doll idea. Admittedly, he's very inspired by Giacomo from Pokemon Scarlet/Violet (never played it, but I do like some of the character designs in it). I dunno if the overalls are a little dorky, but I couldn't think of another way to represent his chest-deck in a meaningful way.

9-10: "Kingsley and Mamuta". I tried to make some human? designs for them, but it's not going great. I really wanted Mamuta to still be monstrous, but designs like that aren't my strong-suit... Kingsley I'm just not satisfied with yet.

11: "OC Line-Up". Just a few OCs of mine. From left to right: Carol, The Prince Formerly Known As Frog, Shapeshifter, and Fizz.

12: "Rival". An idea for a rival to Kun3h0, ala Shadow the Hedgehog and Wario. I made another sketch recently that goes in a very different direction, but I kinda want to finish that so I haven't included it in this dump.

[genericpuff]

Did you hear about the "do not trace or use my work" update RS has on... I think her Twitter? @hestia-is-ace-pass-it-on knows more about this. I'm just wondering if this is going to affect Lore Rekindled at all since your series is an AU thing?? (I hope not cause I really like Lore Rekindled).

lmao yeah I heard about that, frankly I'm not worried, it's not going to affect Rekindled in the slightest as far as I'm concerned because even the panels that are sourced from S1 LO (like the Persephone looking up at Hades one, the Cerberus one, etc.) are still redrawn by my own hand from the bottom up, I don't directly trace them and I'm not copy + pasting them from LO and just calling it a day. Not to mention (and IDK if Rachel realizes this or not) those kinds of "please don't trace/use my art" warnings are more for people who trace/rip art and pass it off as their own, i.e. deliberate theft. Lore Rekindled is advertised as a fanfic/foe fic/AU project with proper credit given to Smythe and disclaimers that Lore Rekindled is not affiliated with Smythe beyond the original idea and art style that it's aiming to mimic - she can't copyright an art style, the Greek myth inspirations, or the brushes that are used, and there's nothing she can do about people making AU comics.

If she theoretically wanted to put her foot down on Rekindled, she'd have to go after the entirety of the fanfic/fanart community 😂 She has next to no ground to go after any derivative or fan projects inspired by her work, not unless they directly try to impersonate her and/or make a profit with the Lore Olympus name/branding/etc. (hence why there isn't a Patreon for Rekindled). Even the direct edit accounts themselves don't try to pass themselves off as LO or Smythe, they always show the original panel and make it clear in their bio descriptions that the accounts themselves are for LO which is easily sourced as not belonging to them.

One could argue that it's generally bad taste on the grounds of it being rude to edit other people's work, and yeah, that's valid. It casts the presumption that there's something "wrong" with how an artist wants to express themselves and that the edit makes it "better". But, for starters, we all know why these edits exist because LO has gone down in quality and people are having their own fun time trying to restore that original vibe in tribute to Rachel's original version of LO; second, it would be a lot more heinous IMO if LO were still some small series being made by a nobody, but ... it isn't, it's a massive commercial product within its industry and fanwork/foework is par for the course with commercial products; and third, there still isn't any sort of legal ground for Rachel to stand on because those accounts still aren't pretending to be her or her work, if anything they may as well be advertising it.

Plus, a lot of those edit accounts are more like redraw accounts, so many of them may as well be DTIYS prompts rather than direct edits (that's not a bad thing, just a statement of fact) save for a few accounts that deliberately try to mimic the old LO style as much as possible when editing new panels. Those kinds of stylized redraws are legit just fanart.

For many of these accounts, a lot of it's still work they're doing themselves and they're not trying to pass off their edits as legitimate LO products. No one's ripping these panels and re-posting them and going "look what I drew today!" (ex. Love's Divinity did this and a lot of people rightfully called the creator out on it, thankfully it seems like they've learned and moved on from copying directly from LO and other webtoons) they're going "hey, so this is what the webcomic looks like now, and here's what it looks like in my style" or "hey, this is what the webcomic looks like now, but here's what it would possibly look like if it still looked like S1 LO". None of it's meant to be maliciously stealing or impersonation, the pettiest it can get is just people saying "Rachel, your art sucks" which may as well be the only reason she edited that into her bio in the first place.

Like, if this IS aimed at the edit and redraw accounts, she's basically only upset about the panel edits that call out her obviously declining art IMO. Especially considering she's retweeted edit stuff before, many of them being from the anti/ULO community which I don't think she ever even realized ? 😂 But regardless, she shares edit panels a lot so it makes that bio notice come across less as "don't trace or use my work" and more as "don't do edits that make me look bad!!" when she's already doing plenty of work on her own end to make herself look bad 😂

In my personal opinion beyond the legalese... yeah, her work really does suck nowadays. I get how awful working for Webtoons is, I get that Rachel might not even be into drawing LO anymore, I can empathize with her maybe not being able to put in the same amount of emotional investment or time that she was able to put into it back in S1, but every single edit account is pretty sincere in doing it simply because they want to express how they wish it could look if it hadn't dropped in quality.

Phew, that was a lot of words for a very simple question, but rest assured, I'm not really worried it's going to affect Rekindled. 90% of the panels are completely original compositions save for the few panels that are referencing older moments in S1 LO that I brought back for Rekindled's plot, and even those panels are still redrawn from the ground up and given different outcomes (ex. Persephone punching Hades in the face lmao). Probably won't be doing much of that from here on out but more so just because the plot's going to be shifting even further from original S1 LO; but it's def better safe than sorry on my part to just make that 90% into a 100%, I suppose.

As a last point, I don't blame the edit accounts who ARE stepping away from editing panels out of respect. While it might not be a technically legal issue, I can still respect those who still want to respect Rachel's requests and do better as creatives and individuals. Just because something isn't against the law doesn't mean it isn't a cruddy thing to do, and I say that fully as someone who cut their teeth on edit content. We have tons of other ways of expressing ourselves creatively in this fandom than directly editing old panels.

The DTIYS stuff though, I don't think that should be off limits. It's fanart and that's completely fair game IMO especially for someone like Rachel who's creating a commercial piece of work. It comes with the territory. Welcome to being a pro.

[yvesdot]

yves, if only theoretically wanted to break into publishing or lit mags, do you have recommendations or advice?

My primary advice is to get to know as many writers as you can, as well as you can, quickly. I’ve recommended joining Discord servers for this in the past and will do so again; the most active ones I’m in are Max's @goose-books server (I think you have to ask for an invite?), WTW, and writeblr garden. Participate in book events virtually and in person when you can. When you like someone's work, tell them! And mention that you're an author, too.

Disclaimer: I haven't made it into any paid magazines, largely because I find submitting and waiting for months at a time before working on edits exhausting, particularly in comparison to instant money on Patreon—so have that grain of salt at the ready! All I've done is publish the one book, twice, and release a substantial amount of short fiction on my own. People read it and liked it, and now I have lovely anons like you who seem to respect me enough to ask for industry advice. Thank you! Hope you like long posts.

The reason I say the above is that, in my experience, the entirety of publishing is just one big who-do-you-know. Utterly non-exhaustive list of ways "knowing people" has helped me in my writing career below.

I left a middling review on a trans author's book, and in the correspondence that followed we became friends. Rysz Merey went on to start tRaum Books, and because we were friends, we put out the Something's Not Right anniversary edition together.

When I was at my university, I was loudly opinionated about books and writing and art in all of my classes, and a professor's words about me in an email to an author they knew became the blurb for that same edition of Something's Not Right.

I read Tragic Accident (a flash piece originally rejected by an online magazine for, in my opinion, cisgender reasons) last night at Flash Fiction Forum, the heads of which I know personally because, after a high school internship, I was directed to a friend of theirs to volunteer at her writing camp. I sold a lot of copies of the original SNR to teens at that camp, and I've sold dozens of copies since by linking to the book in the Zoom chat and bringing physical copies to in-person readings.

Tragic Accident may have ultimately been rejected from the venue I sent it to, but I only had that venue on my list because my beloved friend Fer @asablehart posted in WTW a spreadsheet of places to submit. I still use that spreadsheet, filled with dozens of extra places I researched on my own, and pass it on to anyone who asks. Fer also read The Traveler Wife and gave extremely insightful feedback on it; we've since done tons of great critique4critiques together and they're still my go-to if I need wise words on a piece of writing.

When I held my event at Bookshop Santa Cruz, I marketed my ass off. I'd learned from my previous event at the Diversity Center in town and focused heavily on reaching out to individual people: posting in Discord servers, DMing everyone I knew, and telling everybody I met in December that by the way I would be reading at Bookshop Santa Cruz in January. I worked my job as an author and my book and my event into every conversation I had with a stranger that month. Everyone responded positively! People want to know what you're working on.

But at the end of the day, under a third of attendees were people I hadn't previously considered friends in some way. The majority of the people who came were family, friends, coworkers, friends-of-friends dragged along by someone I knew well, etc. One coworker couldn't come but invited their housemates, who bought books and left saying they would read Band Girls at home. One of the friends who came met me when we would ride the same bus every week to class, and I initially spoke to him because I fully thought he was a transgender woman (he turned out to just be an extremely fashionable individual). That guy helped code my website. Of the three people who interviewed me locally for promotion, two are people I'm friends with and one I cold-emailed due to his past work.

One of the major servers I used to invite people to both of my events is one I was only added to because I met a goth girl who invited me to her dorm to watch her inject E into her thigh and when I reported back on this to another transfem friend that friend instantly named her because they were in the server together and multiple people in it knew me from my creative writing efforts so everybody agreed to add me. I literally only had that space to network because I said "nice boots" to a girl whose special interest turned out to be DIY HRT at a protest party about the chancellor getting a raise.

Claire Oshetsky came to my event and I made a point of finally starting to read their book beforehand so I could honestly tell them it was cool when I signed their copy of Something's Not Right (it was cool, and everyone should read Chouette, and also Poor Deer, which I am on page 10 on and can already certify is fantastic). They were incredibly nice to me for no reason—well, because of those interviews I had, which led to them noticing another nonbinary author in the area—and ultimately reviewed SNR very positively on GoodReads. You can see what happened to the numbers afterwards. (I also sold a copy that day; when you sell roughly a copy of a book per week, you can absolutely make these connections directly.)

Tonight was Claire Oshetsky's event, so I showed up having read Chouette in full and asked a question during the Q&A and told them how cool their book was, and they invited me to a little post-event author dinner. (One of the authors introduced herself as "Karen" and described a prolific writing career very opaquely until her friend mentioned the name of her latest novel: Booth.) Everyone was incredibly nice and wanted to buy my book which was unfortunately sold out because of the aforementioned event, and a couple of people gave me email addresses so they could buy it later. I've been trying to meet local authors for over a year, and I met seven by accident because one of them came up to me to say it was nice to see Bookshop Santa Cruz had two nonbinary readers in a row.

Talking to David Sedaris at an event got me a job! He complimented my outfit, I said thank you I wore it for the interview with [x], and he did everything he could to help me network with the [x] people there. I was later told that my "chemistry" with Sedaris, among other things, helped me get the position. I would also find out that David specifically loves the last people in the signing line because they're the most patient; I happened to have waited until last because I wanted to have more time to talk to him.

I have emailed several authors with fanmail, and depending on how popular they are, I have gotten responses! I'm in a correspondence right now which netted me a behind-the-scenes look at an incredible draft, and thank you for reminding me because I need to respond and tell them how good it was.

Patreon is on pause right now, but I believe over half the subscribers are people I'm friends with in one way or another. I've tried nearly everything under the sun to advertise, and so far the only thing that's worked is "telling someone who has the disposable income."

The people who beta-read my latest release, Band Girls (18+), for me (which is the only reason it wasn't an unmitigated disaster) include my butch, who met me in a Locked Tomb server (naturally), a friend from a creative writing class in university who later became my housemate, and a good buddy of my butch's whom they rescued from the aforementioned TLT server. I literally didn't even notice that guy when we were in the server together and it turns out he's also a writer with a Giant Lesbian Women project who also wound up really liking Long Line (18+). Glories are all around you.

(Also, apparently my butch had that "how to write a blurb" post bookmarked and immediately recognized me, which is crazy. Imagine meeting some random author in a fandom server and they ask to see your [redacted] in DMs.)

Hell, my buddy Max Franciscovich read my book five years ago in the back of a car and had a transcendental nonbinary lesbian experience, and because he happened to be mutuals with a high school friend of mine, that friend sent me screenshots of him panicking about how he couldn't talk to me because I was too cool. I DMed him, and we are like each other's female husbands now. Undoubtedly we have each gained a substantive reader base from hyping each other's work at anyone in earshot. Maxserver, which I shouted out above, only has me in it because I know the darn guy. It's a lot more populous than yvescord in part because he is that much more active than I am, and can engage with other people's work more. I'm mooching off the labor of my best friend who pseudo-reached-out to me because I put a pronoun pin on a character's bag in the book I self-published in 2018.

Speaking of which: I self-published the original edition of Something's Not Right as a thank-you birthday gift to the Beta Reader. I seem to remember him reading my writing for the first time and saying something along the lines of "You do realize this is really good, right?" (I did not realize.) That was the first person to appreciate any of my original fiction, and it led to my entire career. We met on a class trip because he was the only person who would listen to me talk about Star Wars.

I try to never ingenuinely be nice to people. This is not particularly difficult, because I like people and give the benefit of the doubt to a pretty extreme fault. I will occasionally be nice out of politeness, but everyone I mentioned here is someone I genuinely like whose work is fantastic. It wasn't hard to honestly say I liked them and their writing.

I also recognize that much of this is kind of just me blathering about Ws with no actionable advice... but it might give you ideas for where to go or who to talk to about your writing. I also want you to feel just how much of writing is about "networking" in a way that is not cold and manipulative and moneyhungry but actually just involves being genuine friends with other people. I think the sheer quantity of evidence here is helpful to understand just how much you can do for yourself by talking to the people you like.

I also think it's good practice to own the fact that very little of my microcelebrity success has anything to do with how good my work is. I mean, sure, I think it's good, but this should make it clear that my greatest strength has been my perseverance and my friendliness.

(Also, obviously, I have the immense privilege to have gone to college, to live in California, to get to all these places and meet these people and work with them. I had the money in the bank to publish and promote a book. This is not a small factor. I'm hoping to do a full rundown of costs and efforts to promote Something's Not Right's anniversary edition sometime this year.)

I also don't think I'm particularly good at socializing—I have a knack for saying the wrong thing at the wrong time, a difficulty with meeting people's eyes, and a mild stutter when I talk too quickly (which is often). A lot of people find me annoying or insincere because I act like a sentient powder puff, and when I'm not jumping up and down and meowing at people instead of saying "on your right," I'm complaining about the most widely-beloved pieces of pop culture and making two-hour rant videos about video games I think insufficiently scrutinize the concept of the nuclear family. I say all this to head off any concerns that perhaps I am just secretly very suave and social; I love talking to people, but I don't believe this is the case.

If I can summarize: nearly every time I've had any success with my writing, it's been because I made an effort to be kind to people I respected and share my passion for books and writing. I hit upon enough privileges and lucky circumstances to get the right circle of people to make all of the above happen. I think you can do it, too! I wish you the best. Thanks for asking ^__^

[capriciousleo]

OKAY GUYS, IT’S HAPPENING!! While I totally love Genshin and the Harbingers, I still am an astrology and tarot account, which means... I will be combining these two and share very interesting series and posts with you all, my lovelies!!

∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴ ∵ ∴

Part 2, 3

So, my first post in “Fatui Harbingers Natal Charts” series shall be:

𝑫𝑶𝑻𝑻𝑶𝑹𝑬’𝑺 𝑵𝑨𝑻𝑨𝑳 𝑪𝑯𝑨𝑹𝑻

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Sun- Gemini

Moon- Capricorn

Mercury- Cancer

Venus- Aquarius

Mars- Capricorn

Rising- Leo

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First of all, I would like to say that this man gives heavy earth energy for some reason that I didn’t expect😭. He’s very duty-and-goal-oriented, and you can rely on him to complete his job. Even his short phrase — “Jester, I have completed the task you gave me.” gives very Capricorn vibes. Also, agreeing to the negotiation for killing off his segments for a Gnosis... a pretty frosty Capricorn move — Capricorns will do whatever it takes to achieve their goals, and their methods may be shocking to people because of how cold and sharp their decisions can be. And the experiments he makes??💀💀 This man doesn’t feel anything, and it’s also his Venus to blame. But we will get there. Also, the way he hates his time being wasted and he clearly voices this out is another trait of Cappies. However, this doesn’t mean they won’t invest in something that should bring harvest in the future.

It was difficult to pick between Aquarius or Leo rising, but you guys see my verdict lol. Yes, he may come off as disturbingly weird and innovative, but the way he holds himself commands awe and respect — his tone, speech, body motions. Wherever he goes, he takes up the space. Remember his behavior and body language in Sumeru in the scene where he manipulated the citizens — he’s very prideful. He is confident in his abilities and this feeling oozes out of him.

All of the fcked up weirdness, innovativeness, being open to possibilities... I believe it comes from his Aquarius Venus. He enjoys and thrives to learn and experiment on something new. His methods were unacceptable and out of the norm, for which he got expelled from Akademiya and thrown out of Sumeru and he’s still salty abt it lmao. He’s also very detached, which combines with his Capricorn. ‘Emotional intimacy’ is not in his vocabulary — don’t even bother, he will call it ‘silly’, and this being the lightest word I used.

NOW. His Mercury in Cancer... it’s DARK. OKAY?? And I’m sure it’s at a very high degree. I was originally thinking to put Cancer Mars cuz it also fits him, and this placement is completely FCKED UP (many many serial killers have this exact placement and that’s something I found out myself). All of his experiments??? The Underground Arena??? All of the plots and manipulation of literally everyone and everything??? Literally the whole plot revolves around the aftermath of his actions that always affect everyone in Teyvat. And guess what? He is not going to stop nowhere soon. The way he made Scara unlikeable both for regular ppl AND the Fatui members on PURPOSE just so Scara is dependent on HIM AND HIM ONLY. ‘Oh, look, Scara, I am the only one who didn’t turn their back on you and can keep up with you. You have only me.’ Ofc, Dottore needed Scara’s powers. That’s an unhealthy Cancer placement for you. He knows where to press where it hurts the most, and with his Capricorn placements? Oof. He damn knows how to use his words and combine emotions and logic in his manipulations. Dottore is literally a walking “The Traumatizer-3000” machine.

Sun in Gemini is pretty self-explanatory. He is witty, intelligent, unconventional, and enjoys learning and has great oratory skills.

P.S. Share your takes/ thoughts in comments if you wish! I’d love to discuss tee hee💛 And now, I’ll go watch Zydrate edits of him since they flooded my tiktok fyp fhsksksk. Also, excuse if my writing seems kinda funky and hard to understand, I was writing this at 2 am🤠

[aheathen-conceivably]

how do you go about planning your storyline? :) especially for your decades challenge

Hello there dearest! I’m sorry this took me a while. It’s a bit of a difficult one and I wanted to take some time to sort out the chaotic process in my brain before I tried to type it out 😅

This is just a rough outline of what works for me specifically in writing a historical story on simblr. I can’t speak to writing advice in general because it’s not something I have experience with; nor do I think this will be helpful for everyone. So please feel free to pick and choose whatever suits your fancy or ignore it all completely.

Of course, it’s time to take this below the cut, since you know it’s going to get a bit long 😉

1. Find Inspiration (Nonfiction books, Blogs, TV shows, YouTube videos, Period Pieces, etc etc…)

For a decades challenge/history based story I think this is really the starting point for me. Whether it be styles of architecture, clothing trends, a historical fact, or an individual’s story, there’s so much real life inspiration to be found for this type of story. It can often seem small, but sometimes pinpointing what you know you want to include and working it in there can be the crux of so much of a story.

I’ve said this before but one of the very first things I knew I wanted to include was the Titanic, since it was the first historical event I ever became interested in. Other examples are New Orleans as a setting, the inclusion of Storyville, and even something as small as the axe man that I included in this post.

When I find these moments of inspiration, I try to immediately transform them into tangible scenes or plot points rather than simply jot them down as a note or like a “maybe for later”. This keeps me from getting mired in too many ideas or overwhelmed with things I like, but that don’t necessarily have a place in the story.

However, sometimes it also means I will need to tweak ideas as the plot develops, such as changing the original storyline of Rosella and Lord Harrington to Rosella and Georgiana; but even with these edits, this process still creates a sort of scaffolding structure for the story as a whole. It gives me plot points or small, specific scenes that I am working and writing toward. I’m then able to allude to the eventual outcome beforehand as well as weave a larger narrative around it while still having clear points of guidance for where I want to go. 2. Connect the Dots

The “dots” here are the aforementioned scenes and/or plot points that I have written well in advance. I have dozens and dozens of these, and I’m basically constantly adding to the document where I keep my writing. This is all kept in chronological order so I can see the progression as well as where I need more narrative to fill out a decade. I generally look at this structure and ask myself: how do I realistically reach that point?

To use the example of the Titanic again: this meant somehow getting the oldest daughter of a relatively poor and close knit family aboard a ship bound for America. It meant not only putting her in contact with someone who would have access to these tickets, but also giving her a reason to leave the people she loved. Then once those larger dots are connected, I continue to focus on smaller and smaller threads, like the details of Georgiana herself or Rosella’s relationship to Zelda, until the storyline feels fully fleshed out and a character’s motivations are coming through. 3. Character Consistency

That last bit is very important to me, and I always try and think about how the characters are functioning within the framework of what I’ve written and the historical landscape. Sometimes this comes into play before connecting the dots, but often it is actually what finally puts the puzzle pieces in place. Something sim-specific here is that I really do use sims traits as guidance on who the characters are, how they interact with the world, and how the world has affected them. So often when I am referencing a prewritten plot point or scene I will ask myself, how would that character get to this point? What may have happened that would lead them here? How does their personality interact with this historical event or point of inspiration?

Many scenes have often come from more outward facing questions, like, is this trait clear to everyone reading as well as me? Has this visibly impacted their life and done so in a sensible way? This is in part responsible for many extra scenes we saw at the end of the 1920s when a few of my best simblr babes pointed out to me that Antoine’s motivations weren’t very clear. It also helps me to fill in and round out that base storyline structure with more small, real-life scenes that showcase and develop certain traits as characters grow and interact with the world around them.

—

With all that said, this is often a very long process that involves reading or watching historical content, going over my own writing again and again, and just waiting for the day when my brain suddenly writes 5-6 scenes unprompted. Other times I’m flying by the tip of my boots, watching y’all feedback and incorporating it or reading through scenes with friends for their help.

So the process has looked very different at various points in the narrative and through the many months I’ve been writing this story. But overall, having those points to write toward as well as tangible character traits have guided the process throughout.

[darudedogestorm]

making a personal list of all the warriors fangames i can think of since it would be good to have them all in one place. including (most of) the download links on each game's respective official pages, provided i can actually find them - some of these games are quite old, not documented very well, or have obscured download methods.

not all of these games are complete, many are actively updating, on hiatus, or have been outright cancelled. nevertheless i thought it would be worth listing all of them. descriptions are subject to change as i (re)play each game.

ClanGen - link to web version, downloadable version (itch.io page)

DESCRIPTION: Currently the most well-known fangame that has come out in recent times; you take control of a clan and watch as it grows and changes with time, with cats dying, having kits, changing roles, etc. The player has a good deal of control over what direction their clan goes in, being able to pair together cats, send them on patrols (where they can face big successes or lethal failures), and make other important decisions for their clan’s future. Because of this, it has become a very popular tool for people to tell their own original clan stories. Recent updates (not available on the web version) have added more survival based elements (injuries, and the ability to heal them with herbs), and there is reportedly more to come in the future with the cruel season update. The game is still actively updating as of writing this post. Recommended if you want a clan life simulator that allows for more creative freedom to tell a story.

Warriors: A New Dawn - downloads are no longer available online, you will need to join the discord (and will have to do a bit of digging to find a working link)

DESCRIPTION: A text based game where you take control of a clan of cats and are tasked with guiding them to become a successful, thriving clan. Rather than being an independent overseer, you act as the clan’s own leader, making crucial decisions like sending out various types of patrols, socializing with your clanmates, expanding your territory, and even leading your clan into battle. Battles are turn based, and as you and your clanmates gain experience, you are able to learn a larger variety of stronger and stronger moves. The game seems to be on hiatus, as no new updates have come out in recent months, though the dev sometimes talks about what they have been working on in the discord server. Recommended if you want a clan simulator that has more survival elements and resource-based gameplay. (fun fact… I was one of the first people who got to play this game!) EDIT 07/02/23: The game has been confirmed to be on an indefinite hiatus.

Warrior Cats: The Game series - official website is here, you can download all 3 games following the detailed guide on the site. tip: the activation code is 7991819.

DESCRIPTION: One of, if not THE first Warriors fangames! Each game follows the events of the first three arcs (with the first game being The Prophecies Begin, etc). It offers basically your typical rpg experience, with the battles include both random encounters as well as story-important events (for example, battling against Brokenstar). The games are notoriously difficult in places (you may need a walkthrough to help you along the way, and grinding is kind of a requirement). However, I would say it is a worthwhile experience for any Warriors fan looking for a good fangame. The games are all complete and no longer updating.

Untold Tales - download here (and for good measure, since it's by the same dev and it's basically cattails lite, you can buy cattails on steam, or take a look at its upcoming sequel)

DESCRIPTION: Another classic, wherein you play as a clan cat. Does not have a story: you just live life among your clanmates, hunting, battling, completing quests, and so on. Uniquely, you are not bound to one clan but are given a variety of options to choose from: You can live in any of the 4 main clans, become a kittypet (allowing you to join bloodclan), or live as a rogue and start up your very own clan. This game shares a developer with Cattails, and you can tell as many of the mechanics in Untold Tales are present and more fleshed out in Cattails (hence why I have also linked it in this post). No longer updating as the dev has moved on.

The Road to Immortality - link to act 1 here (also my favorite wc fan game, please please play it)

DESCRIPTION: Possibly my favorite Warriors fangame to date. You play as a kittypet-turned-apprentice of ThunderClan decades after the events of the main series, during a time where tensions among the clans are sky-high, and only seem to be getting worse by the day. The main appeal of this game is that the choices you make throughout the game can have huge and devastating consequences for you and your friends down the line (in other words: multiple endings!). The battles are challenging yet still fun. I won’t spoil too much about the story itself here: all I'll say is that i recommend your first playthrough be blind - save the walkthroughs for your second run! The game so far has only Act 1 out right now. It was supposed to have an Act 2, but that was seemingly cancelled (and then uncancelled? it’s a bit unclear, and I'm not apart of the discord so I can’t really tell). Regardless, Act 1 makes for an excellent standalone experience which - I cannot stress this enough - I highly recommend.

Warrior Cats: The Next Generation - have not had the chance to verify the download myself, but you can find the forums here (and the tvtropes page here, if needed)

DESCRIPTION: TBA, RPGmaker

Dark Forest Apocalypse - i'm not gonna lie i have no idea where to actually download this game. google does return some pages that could lead to reliable downloads, but i haven't had the chance to test them yet and i'd rather not link something that may be a virus or lead to something entirely different. i did find a playthrough of this game (linked here) which includes a download link in the comments, but i have not had the chance to test that one either.

DESCRIPTION: TBA, RPGmaker

Rise of the Clans/Moonlight Dynasty - official download here for multiple versions of the game

DESCRIPTION: TBA, RPGmaker

Clans Divided - itch.io page here

DESCRIPTION: TBA, multiplayer roleplay

Message of Stars - unverifiable download link, Youtube video here

DESCRIPTION: TBA, visual novel

if you see a game that has been left out, feel free to add it in a reblog or reply!

[the-owl-tree]

not to be cringe but do you have any advice for running a character ask blog? Aiming for something kinda lowkey like with Bean (also I love bean. I love to see what she’s up to)

not sure how helpful some of these will be since they're just what i do for my personal projects but for sure!!!

uuuuhhh basic overview stuff

if you're doing an oc blog, chances are it probably won't receive as much attention as a canon character/story blog. just sort of the way things go! if you want to draw some attention, you might want to think about non-ask related stuff you can post (clangen blogs do this with the mini event posts, keeps the world moving!)

even with canon character blogs, giving pieces of character lore, worldbuilding, mini stories can help keep the world more alive. but that's when you got time and if it seems fun, you should just do things if you want to tbh

i keep all my stuff in a doc and add and edit whenever i put new info on the blog to keep things consistent. i just put them in little sections to help me find things (beanie lore, worldbuilding, spirits, etc.) but simple bullet points are easy.

if you're doing an original character and world, i would highly recommend giving your readers some worldbuilding and lore to help them invest themselves. people don't know the boundaries of things and while you can have them ask, a little nudge definitely helps.

for a canon blog, i'd pick a specific time period. it'll save you grief if you know who's alive and who isn't, as well as the grief that comes with trying to figure out what you want to change (if you want to change things that is. i like fucking with canon but it really is up to you and the story you want to tell).

you can improvise it as you go, but i do recommend jotting them down somewhere after the fact so you can keep things consistent. up to you though, i just have a piss poor memory lol

figure out if you want to try and do an overarching story, mini stories, or no stories. you don't have to decide right away and you can even decide after you start the blog and get a vibe of what people are interested in, but sometimes it is good to jot them down if they come to you right away.

you're supposed to have fun if you're not having fun don't do it, take a break from the blog or steer it in the direction you want. no one is paying you (i think) so everything you do you should do because you enjoy doing it.

art for an ask blog (if ur doing art if not skip this)

your main character should be easy to recreate on model and most importantly: fun to draw!!! overly complicated character designs are fun in the beginning but after five or more you're going to start to hate them.

i'd also recommend against doing too many tiny "floating" bits, keeping things attached to a body part or in proximity to a space easy to recreate them will save you grief. i learned this the hard way after i kept forgetting all those damn tiny scars i put on my fallen stars!firestar design. in comparison, beanie's design for the blog has a few scars but the placement makes it so they're easy to recreate and draw.

(how i style my reference sheets. do not be me. do not fall into hubris and add so many damn floaty scars to a character that is the main damn character of your goddamn big ass au blog. fucking icarus move lol)

if you introduce a new character, make an easy quick ref sheet for yourself. it'll save you grief and keep things consistent.

i'd also figure out if you want to do colors or no colors. no coloring means you have more time to put effort into sketches and can just move faster if you're looking for something breezy and easy. but colors look good, they make it easier to tell cats apart and are just much nicer on the eyes. if you also have a bigger cast in mind, you can rely on colors a little more than body shapes to make sure everyone can be told apart

i color my sketch lines different colors for different characters on the beanie blog but there are plenty of other ways to make sure characters are told apart! @/askcinders does distinct shapes and different base colors for different characters and lines distinct markings so you can tell whose who.

backgrounds are...difficult. i'd recommend simplicity over complexity and save big backgrounds for "big moments", but it's up to you if you like them! i would just say go simple since the focus of these blogs are the characters.

theeeeennn speech bubbles or no speech bubbles. i like doing doing speech bubbles within the text because it gives me more control of the order the reader will read the dialogue, how they read it, the emotions i can elicit from it, and more fun with how i can place the dialogue. buuuuuut that does mean spacing them, and spacing dialogue bubbles can be a pain since it takes up room if you forget to sketch their placement in the original sketch (which i do. a lot).

so the other option is art and then dialogue underneath directly in the post. this saves you room, makes art probably a lot easier, and circumvents the issue of difficult to read speech bubbles! i do both but it's up to you, both methods are tried and true.

aaannnndd that's all that comes to mind? really it's just about having fun. as you work at it, chances are you'll probably figure out your own individual work style. best of luck (and i'm very excited to see what you come up with)!!!!!!!

[bleue-flora]

20 Questions For Writers

One as tagged by @x-i-l-verify and I’m a sucker for answering questions. :)

1. How many works do you have on AO3?

7 (and since it’s not many I’m going to color code them) - Wow that’s actually crazy, can’t believe it’s only been a little over a year since I first posted.

2. What’s your total AO3 word count?

129,165 - Yo, I’ve written a couple novels worth in words let’s go!

3. What fandoms do you write for?

Dream SMP. (though I have a real angsty fic idea for MCU’s Loki that I’ve considered doing…)

4. What are your top five fics by kudos?

(Poor B is for Betrayal is at a disadvantage with only coming out this week lol)

Crow’s Nest

Which makes sense since it is the longest finished work and the most diverse in content, but it’s pretty wild since it’s only been since October. (I’m going to try and not assume it’s just because of all of the co-author, @midnight-fangirl01’s readers lol<3 :)…)

Dreamcatcher

Which I am probably the most proud of as far as my individual work, especially because the concept is really fun to explore. Hoping to finish the sequel soon but we’ll see.

Good Cop ‘Bad’ Cop

This is the shortest non-one shot by like half, so it’s interesting that it ranks higher. I do make some kinda cool graphics for it so I’m glad people like it. Not gonna lie though, a combination of positive feedback and projecting has made it go much farther than the one shot I had originally planned. And since I usually do a lot of planning for stuff it’s no wonder that I have non idea what I’m doing lol. :)

Misery Loves Another Idiot With A Jukebox Where His Soul Should Be (Or umm Misery for short)

(Every time I have to type that out I wonder why the heck I made the title so long, I means its perfect but also you can’t even do a good acronym because that’d still be long…) To be fair the kudo count is really close between Dreamcatcher, Good Cop ‘Bad Cop and this one, which is interesting…

Back in the day, when I first posted this as my blooper reel I did not expect people to like it this much, but I’m glad I’m not alone in my affinity for torture box madness. >:D I still can’t decide which is more unhinged the hopscotch or the crucifixion… like my mental health this year was suffering for real… lol

If The Crown Fits, Wear It

I mean c!Techno should always rank top 5 so it makes sense. ;) As someone who doesn’t love to read one oneshots because I get too attached and sad when it ends, I can’t say I’m overly surprised at its ranking. But also still surprised. Regardless,it was really healing for me and I’m glad it seems to have been for others too.

(Ok though for real my first fic Hell in a Box being the lowest makes me kinda sad not gonna lie. Like it’s true that I think I’ve certainly gotten better at writing, which is actually why I edited it this summer, but it is the one that started it all and while it’s not my favorite work at his point it does have some really cool scenes and holds a special place in my heart.……)

5. Do you respond to comments? Why or why not?

Always. Every one. They took the time to make me smile so the least I can do is share the love or fun. Especially when I spend a maddening amount of time on specific details it makes me so happy when someone noticed and enjoyed. <3 :)

6. What’s the fic you wrote with the angstiest ending?

Yes. Oh wait lol I mean technically it would be Misery since there is both no ending and it’s more so a complication so technically it probably won’t get one. But if we are talking a finished work with an actual ending then probably Dreamcatcher I guess, because it’s kinda a sad realization, though technically it would have been Crow’s Nest if not for the co-author spoiling my plans lol >;)

7. What’s the fic you wrote with the happiest ending?

I mean easily Crow’s Nest… I mean the ‘epilogue’ is like 13,000 words so that’s how you know it’s good. ;D

8. Do you get hate on your fic?

No not really. And honeslty my self esteem is low enough I’d probably quick if did. :) I did receive a hurtful but also wild accusation (from what I discovered to be a bot) that Good Cop ‘Bad’ Cop was written by AI, which is funny because honestly that fic is really uniquely formatted with literal nutrition facts I designed at the end, like heh? An AI doesn’t come up with this.

9. Do you write smut?

Nope. And I do not read it either. In fact, I originally thought that all fanfiction was smut but after reading my first one that was recommended by a friend I was pleased to discover there is plenty of fanfiction that isn’t.

10. Do you write crossovers?

Haven’t yet? But I wouldn’t be the most opposed to it…

11. Have you ever had a fic stolen?

Not that I know of.

12. Have you ever had a fic translated?

Yes, someone is translating Crow’s Nest into Russian, which is pretty cool.

13. Have you ever co-written a fic?

Yes with @midnight-fangirl01 and it was pretty fun. Though the short timeline and time difference made it difficult as well as my canon compliance extremism. But overall, I think we made a really good pair and I certainly got some new writing skills. It is by far the longest fic I have worked on so I’m pretty proud of it and certainly couldn’t have pulled something like it off without her.

14. What‘s your all-time favorite ship?

Umm I don’t really do ships, but Drunz is one that is cute, and I always try and keep my fics kinda open and up for interpretation for anyone who does ship them. I think in general my opinion on their relationship doesn’t change much on whether they are platonic or not.

15. What’s the WIP you want to finish but doubt you ever will?

I intend to finish everything I post whether it’s how I planned or less so, because it makes me sad when works are unfinished, and I like closure, however sad or open-ended it is. At the moment I’m struggling with Good Cop ‘Bad’ Cop because my writing is based on projection and spurs of creativity so I guess I’ve struggled to project onto c!Bad recently. I will say I actually wrote most of the end the other day, so worse case scenario I just post it, but I do have ideas for chapters before then. It’s just whether or not I get inspired to.

16. What’s your writing strengths?

I’d say despite generally disliking writing it, character/actual person sounding dialogue. Also my detailed descriptions that help you visualize the scene.

17. What’s your writing weaknesses?

Probably pacing, like I don’t seem to cover a lot of ground in my fics. And for the Dreamcatcher sequel I’ve been struggling a lot with exposition.

18. Thoughts on writing dialogue in another language for a fic?

If you mean because the character speaks it then yes that’s fine I love character accuracy but there should be translations. Otherwise it ruins my immersion and it’s rude to make me switch screens on my phone and get blinded by the light just so I can translate. Like lots of people don’t translate for Ranboo and it’s really annoying.

19. First fandom you wrote for?

Dream SMP.

20. Favorite fic you’ve ever written?

How dare you ask be to choose between my babies! XD lol… I mean… I don’t know Misery is the most fun to write because I get to just be unhinged and I can stop or start wherever I want. Crow’s Nest is the one I’m probably the most proud of since it look a lot of lost sleep, research of characters I hadn’t done yet and we basically wrote it in a month and that just blows my mind. But I don’t know my favorite? Maybe Dreamcatcher I guess…

Hmmm tagging: @midnight-fangirl01 @elmhat @catsandgoodbooks @mistythedritten @draconixiaa @swordfright @the-final-sif … umm I don’t know I have no wifi so trying to figure out people to tag is hard but if you’re a writer and you see this consider yourself tagged and feel free to participate I’d love to see your answers. <3 <3

[evelhak]

📚

Since some people have evidently found my books through Tumblr despite of me not being very active on the Finnish side of it, I thought: why shouldn't I post about my books? It doesn't matter they are not available in English (yet, anyway) because I would be curious enough to read about stuff my mutuals do even if I couldn't read the actual material.

So, I plan to make a post about every book I write, do cover art for, or am otherwise involved with. Best case scenario is someone finds something new to read, worst case scenario is someone is bored.

This time, I'll introduce you to my debut novel:

☁️ Unitytöt ☁️

(dream girls)

Published: 2021 by Nysalor

Genre: New Adult, Fantasy, Slice of Life, LGBT+

Certainly not the first book that I wrote but this is my first published novel and my first cover project. ✨ I wrote this book in 2017 when I was about to graduate university, trying to juggle a full-time job as a mail carrier, nearly daily ballet training and writing both my original work and fanfiction which I also started doing the same year. The schedule turned out to be too much for my autistic brain and physical conditions. Regardless, I'm so happy I wrote this book!

It's a story about a technically bodiless creature, Venna, and a human, Aiju. Venna's species lives in people's heads or musical instruments because they need music to live. Venna is an outcast, and has been living in a wind chime to avoid people and their overwhelming array of feelings, which Venna's kind experiences directly in the human brain they are living in. Circumstances force Venna to move into the head of a young woman, Aiju, who is starting her studies at a temple (=a magic university). Unlike Venna's previous humans, Aiju can hear and feel Venna and is curious for, rather than scared of a new friend in her head. Aiju is also able to control and create elaborate dreamworlds where she and Venna can meet in their own separate forms. The two begin to live their life together, studying, enjoying music, maybe even falling in love when an older student is intrigued by Aiju's peculiar behaviour. It's a story about sharing a body and partially a mind, about merging, sense of self, neurodiversity and particularly sensitivity, and also abuse and healing. It's a slow love story, a fantastical exploration of the subconscious, a fantasy focused on characters and dreams that also touches on the larger context of the universe and existence.

I wrote this book because I had read many body sharing stories and was dissatisfied with the lack of portrayal of the ordinary every day experiences that would come with it, as well as I was with the ease with which body shifting creatures always seem to adapt to their new circumstances. I wanted to see more of the reality. I wrote this book because I had briefly introduced and later edited out a music eating demon in another fantasy story of mine, who possessed a girl and made her dance in a tavern until she fainted. I was curious what a story about a similar but gentle creature would be like. I wrote this book because themes of merging and separating your sense of self were relevant to me and I wanted to explore them through a fantastical world but also reality based concepts.

I was so much more nervous about the cover project than I was about actually publishing the story. I had zero experience apart from my personal cover doodles, no graphic design studies, and had only recently started learning Photoshop. Thankfully I'm still pretty happy with the cover, although there are technical details I would do differently. The most glaringly obvious one is the ginormous bar code. It was hard to tell how big it would actually look and my publisher had warned me not to make it too small, so I overdid it. My publisher is small so there are no resources to make test copies of the books, and it's due to the smallness of my publisher that I even had the opportunity to design the cover myself despite having no experience, just some visual skills.

I still like the cover art itself, the only problem which I did suspect back then too, is that in an attempt to make the cover dreamlike, it turned out a bit like children's literature. I was the only one who was worried about it, but in some libraries people have clearly thought this is aimed at 12-year-olds. I'm sure some of them would enjoy this, but it's a bit off. A lot of people have told me not to underestimate children, but it's not that I'm doing that, I'm simply aware that this book is not written in a way nor does it contain themes or life events that are relevant to very young people. It's a very psychological story and its issues are the most relevant to people in their late teens and early twenties. It's not that there's anything in this book that a 12-year-old couldn't handle, it's just going to be boring for most of them because it would be a lot to ask from a child's attention span to be interested in stuff they can't relate to for 400 pages. Even if many 12-year-olds still like to read about characters older than them, characters they can look up to, this book is written with people in mind who can relate to 20-year-olds. Of course there are exceptions. I probably would have loved this book as a 12-year-old. But I'm sure 90% of my peers would not have cared enough to finish it.

The cover seems to have done some of its job well too, because I know some people (adults) bought this book because they thought the cover was pretty, so that's good at least. Most of the feedback I've received has been really positive, the book seems to have found some of the readers it was clearly meant for. Some relevant criticism has also come my way and I believe I've learned some things since writing this book. The only really negative review I came across so far contained so many factual errors that it seemed the reviewer had been too busy to actually process the book. From that perspective it seems like the cover has also worked well enough to draw mostly the intended people towards the book.

The most memorable experience in its publication process was probably how it was chosen for an interview at the biggest national book fair by high school presentation/communication students who hold interviews on one of the stages there every year. It was such a good interview because the two students interviewing me clearly loved the book, related to it, and were excited to talk about it with me, and asked really thoughtful questions. I couldn't imagine a better first interview as an author. It was also the day the book officially came out. It was also my first time at that book fair (I don't often visit the capital) and I was the first author from my publisher to land an interview there, so I was really very nervous at first. I was unfortunately a COVID debut author so this was the only place I was able to present my book physically that year, which obviously affected its already marginal distribution. But it was such a lovely event for me that it is the more memorable for it.

I wish this book would find more readers who love dreamy, character driven and fairytale-esque fantasy. It's not without plot, mystery, or danger, but it's definitely not the best pick for someone who needs an epic, fast paced and world-shaking chain of events from their reading experience. This is for the other sensitive dreamers out there who just love to drown in characters, experiences and subtle magic, and would rather stop to contemplate it than to rush forward at all times.

[snailsgoingdowntown]

Finished watching hazbin hotel and uh

Spoilers under cut plz don't come for me, I did enjoy the show.

Written at 3am not proofread or edited

While I did enjoy it, it was hard to actually feel any sort of attachment to the characters. I'll do research in a bit since I heard that Amazon Prime only gave them a limited amount of episodes to work with, but regardless, the pace was way too fast. I didn't even realize five months passed because it felt like it was only a week after Charlie's meeting with Adam.

Almost little to no showing of Angel Dust's and Sir Pentious' character development. Angel dust was more focused on, which makes since since he's the original resident of the hotel, the original sinner who agreed to the Hazbin Hotel project.

Yet it was Sir Pentious who got sent to heaven? Don't get me wrong, I think it's great he got sent there, however, in a narrative sense, it doesn't make sense. Throughout the episodes it was indeed that he wasn't a 'bad' guy, more so socially awkward who wanted a place in Hell but couldn't get one. But tell me, was a single episode, not including the last one, that Sir Pentious was the center of attention? Aside from being caught as a spy for Vox?

Aside from the episode where Charlie and Vaggie went to heaven for a meeting and they were watching ANGEL DUST? It was shown he had a crush on Cherri sure, that he was trying his best to get her attention/hook up with her but like... That didn't show me much about his character.

Just that he's a socially awkward shy mess around his crush is understandable, I was like that too. But that's it. Aside from the scene he got dragged into the 'sex room' after announcing he was going to have sex with everyone in the club/bar.

Keep in mind that this ep was supposed to be centering around Angel Dust back in Hell while heaven watched.

And yes, I know it was shown he would die for his friends but to me that barely says anything about a character at all. Just that they care about their friends which is usually the case for many people.

Imo, there was absolutely no hinting at Sir Pentious going to heaven. The series barely focused on him at all, even his eggs/minions were given more attention with Alastor.

Which, btw, are adorable and I wish they were shown more and interacted with the other characters more as well.

Enough about Sir Pentious - now let's talk about the Husk x Angel Dust ship

I like the idea, I can see it happening, and I'm so glad Vizipop didn't immediately get them together, if they are end game. I heard the Twitter said they were but I haven't looked at it yet so I'm not sure if it's true or not. But God, I wish we got more interactions between them. The chemistry is there, both platonic if they aren't meant to be a couple, and romantic if they are.

Niffty - I love you my little bug obsessed queen. But, while it was slightly amusing she was the one who killed Adam, it was also slightly... Disappointing? Like, all of this man power used against him and what killed him was Niffty? Obviously it was to take the audience by surprise, but it doesn't sit right with me. It held no substance - literally just Vizipop going "they'll never expect this!!" And that's it. Just to catch us off guard and was slightly taken as a joke before Lute went to him where the scene became serious again. Which would have been heart touching if their relationship was more drawn out. Show don't tell type of stuff. Which it was but not much.

Also, I did see a post that I'll most likely add here that said Adam most likely felt betrayed by the humans who sinned because he did so much for them as the original human, as shown by the line "ungrateful losers." Which makes sense and I kinda hope that is the case because he does seem very bitter towards the sinners who are, in some regard, still his people - they were still human, at some point. I really hope that they'll be able to show us in detail about how Adam was as a person rather than the Angel and original human known as 'Adam.' His character wasn't deep and it felt more like Vizipop needed a villain to shit on more than anything else.

The reveal about Vaggie being a former Exorcist was foreseen by many, meanwhile i thought she was the daughter of carmilla carmine because they look similar + implied military like background before the reveal + the duet they had when Carmilla was talking to Zetial and Vaggie singing about how she wants to protect Charlie or something. Ig they had the 'duet' because they were both about protecting someone. But I do like how Carmilla was like "bro it's so obvious you're a former Exorcist - the eye, the fucking angelic weapon you have there."

What I didn't like about the reveal was how Charlie just... Hated the fact she lied? I think anyone would be upset about that, I would be, but that's just it. She's just upset she lied which again, makes sense. But Vaggie killed her people, Adam even said she was one of his best girls. Meaning she probably killed hundreds if not more - and charlie wasn't upset about that part? She did question if their relationship was a lie, which makes sense, but the genocide of her people, the one that her gf took part in, wasn't mentioned after it was first revealed to her. That part was literally just... Thrown out the window. And on multiple occasions it was both shown and told that Charile, the princess of hell, loved her people. But it looked like the team/Vizipop decided to forget that part when it comes to the big reveal that Vaggie was an angel or whatever you want to call her.

I do like how In the end, the audience is reminded that Alastor is not a good guy. He's a horrible person, treating Husk like a pet and most likely only lets Niffy do as she pleases because he finds it amusing. Either that or they have a lot in common, and I do mean a lot. I wish this relationship between the three was shown more, developed more. But if I must add... Some scenes with Alastor... Truly felt like a Tumblr moment. Fan fiction. BUT I adore how at the end he's weak compared to some and that his deal is most likely the only reason he has any power at all. The mini break down he has? Beautiful. Prior to this he was shown and told to be this all powerful being until Zetal stepped into the ring, until Adam fucking bodied him which I love. He's a coward, he's awful, he's horrible but is shown to be able to feel attachment - I don't think he truly cares for the hotel staff. There might be a fondness but no real connection which is shown, thankfully instead of it just being told.

Then there's the discourse of his usage of Voodoo... I'm not properly educated in the practice so I have no right to comment on it.

Lucifer... My dorky little man... Beyond depressed just like me /j

I like him, love him even. But I was hoping he would be a bit more... Sinister. Instead he's a broken man who gave up on nearly everything but his daughter. Which I kinda like but also don't - it's a love hate relationship. But he's adorable so he gets a pass

Okay. I'm going to be the one who says it - I don't like Charlie's and Lucifer's demonic forms. They look nice, sure, but not king and princess of hell -like. It gives off Tumblr girl vibes which is fine. But I still don't like it. Literally uwu human cats. Which is adorable but adorable does not fit well with... Whatever this is. I wish it was more... Animalistic, barred fangs, skin stretching out, more like a demon you would typically imagine.

Also, while I do understand why Charlie didn't want to kill Adam it was... Bleh. Like girl, you already killer many of his Soilders why would you let their leader live? Idk maybe I'm thinking about it in the wrong way.

The three Vees/V's.. All horrible as ppl, especially Vlatoino, the other two as just as bad since they know what's going on and are either ignoring it or encouraging it. Vox is a slaty ex and Velveet(?) Is just trying to vibe but the other two won't let her.

Again, ironic considering what I write. As I always say - I don't condone any sort of abuse, sexual or otherwise, in real life.

Also did Lucifer sleep with Eve?

Why did Vizipop say him and Lilith were HAPPILY married when she's on a beach sun tanning in heaven and he's always 5 seconds away from jumping off the nearest building?

So many questions that will hopefully get answered in the 2nd season. And hopefully they'll be able to flesh out the characters and their backgrounds more, their personalities and how they either improve or decline as a person/character.

I have more to say but it's 3am and I'm pretty sure this is gonna get me death threats because hey, it's the internet. Just look at Twitter lol.

Please remember that I am not a film critic, I am just stating how I feel about it.

I watched it, enjoyed it, but still have icks about certain things with it, as anyone else would. Would I watch season 2? Yes, because I like the overall concept but I just wish they were able to do more with it.

I had someone ask if I would write for it, and honestly, I don't know. Maybe, maybe not, only time will tell.

[aita-blorbos]

AITA for preemptively attempting to imprison an extremely dangerous intergalactic threat?

I run a peacekeeping group whose duty is to maintain… well, PEACE across the universe. We apprehend and/or destroy anyone who we think may be a threat to others, especially if we anticipate they are going to abuse their powers.

This all started because of an incident with a detestable individual, who I’ll call GK. Both GK and I were part of a great, ancient, multi-planetary civilization many years ago. While I was no-one special, GK was considered a hero amongst our people— he saved us from many dangers… and everyone loved him. But one day, mysteriously, GK snapped. He began to go on a rampage, slaughtering innocents and destroying planets.

My home was one of such planets destroyed. And while I was able to escape with my life, my lover, was unfortunately not so lucky. He was slain during GK’s bout of madness.

Eventually, GK was stopped. The other members of our ancient civilization imprisoned him in crystal, ensuring he’d never hurt anyone again. But I wasn’t satisfied by that. I wanted to make sure that nothing like this ever happened again PERIOD, and so I stole the artifact they used to seal GK, running away with it and vowing to destroy anyone who may threaten the lives of others like he did.

This was the origin of my peacekeeping organization. We are the guardians of the universe… those put here to stop any who may endanger it.

Recently, we learned of a terrifying individual, who I’ll call K. K is young, but incredibly powerful. He may be even stronger than GK was. K has singlehandedly killed multiple godlike entities. I cannot express just how dangerous he is.

He hasn’t done anything yet, but I realized that didn’t matter. No-one that strong could be left free. I decided I’d imprison K, just like GK was imprisoned all those years ago, that way he was stopped before he could inevitably snap and hurt anyone innocent.

K’s friends intervened though, and they seemed quite angry with me. They told me that I had no right to try and hurt K— that he was a kind soul and had in fact PREVENTED interstellar disaster before. But that doesn’t matter to me. Once upon a time, people believed GK to be kind, too. He also averted apocalyptic scenarios. He still destroyed my home and murdered the love of my life. I won’t let that happen to anyone else.

It’s not about what kind of person K is. It’s about the power he wields. No mortal should be allowed to possess that much strength. In existing, that sort of person inevitably endangers others, whether they intend to or not. He must be sealed away, for the good of us all.

AITA?

(EDIT: One of my underlings wanted me to add that K also ‘pals around’ with extremely morally dubious individuals. He’s friends with the likes of a once-extremely-notorious-and-violent colonist, the right-hand-man of a terrifyingly tyrannical ruler, some sort of disgusting, exceptionally cruel clown thing, and more. This seems all the more evidence to us that K cannot be trusted. Even if he has no ill intent now, surely he’ll be influenced by these monsters. I’m more or less convinced. K MUST die. But I’ll keep my post up since all of his insolent friends are still insisting I may be an asshole and I would quite like to prove them wrong.)