Gao Xingjian: By The Lake (2008)
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Good Afternoon, hope everyone is taking care of themselves.
Been a bit busy working on alot of projects recently.
But not to busy to find some memes for you all.
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The Sender #1
- ATSUMU MIYA, TETSURŌ KUROO, TŌRU OIKAWA, Issei Matsukawa, Hajime Iwaizumi, KENJI FUTAKUCHI, Rintarō Suna, Osamu Miya, GAO HAKUBA, SHŪGO MEIAN, Nicollas Romero, Tatsuto Sokolov
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Photographing the Qinghai-Tibet plateau in China by JingXiang Gao
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Graduate Fashion Week Collective - lydia gao - 2023
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Burn, burn, burn, burn, burn the witch
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A long time ago ranger tweeted something like “gao and meian look like they could be cousins” and its been canon in my heart ever since
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Birds That Sing at Night
Black-Crowned Night Heron - Nycticorax nycticorax
Gary Gao / 500px / Getty Images
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the drawrings from the mesmerizer cover i just finished <3
but more importantly, i must now explain to you the hashtag situation i created for myself because of my foolish yet absolute refusal to colour it digitally:
SO doing animation on paper is fine. its normal, hell for me its easier than digital, i just use this shitty lil 15 dollar light panel and go to town you know? historically animation was done on paper and/or clear celluloid/acetate plastic sheets (thats why they're called cels after all) for decades and its still being done that way today.
but usually. nowadays. when animation is done on paper it is still coloured and shaded digitally. we are in the age of digipaint. and thats good. before digipaint we used stuff like poster paints or other flat, consistantly coloured paint and applied that on the under side of the clear acetate cels with the ink lines drawn or xerox'd over top.
but acetate sheets for animation are expensive and hard to source where i live. so. instead of something sensible like drawing all my lines and then digitally painting the final pieces. what i did was um. i still painted it with watercolour. so this was the situation:
faceless...........
i drew the main piece, and then on the same type of paper i used my lightbox to draw on new faces (to save paper i put them all over the paper, using things like quickly traced hair, etc to help line it all up later. for the paint i had to carefully try to match the skin tones around the facial features so when i digitally re-attached them they would match up........ hell of my own creation
i was chatting with my father about it, he doesnt know much about animation at all (his preferred art is b&w sketches and linework) so he didn't understand why i was complaining about the hell of my own creation so much as first. he was like "isnt watercolour what most animation was made with?" and i was like NOOO no no absolutely not <3 backgrounds, the final layer under all the sheets of clear acetate, sometimes may be done in something other than poster paint, gouache, acrylics, whatever paint they used to colour the cels: maybe something like oil or watercolour for stylistic purposes
but no one in their right mind would make even a simple barely moving PV with just watercolours <3 <3 <3 <3 <3
the bg was easy tho LOL took longer to dry than to paint :)
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Monkey Goes West (1966) 西遊記
Director: He Menghua
Screenwriter: Cheng Gang
Starring: Yue Hua / He Fan / Peng Peng / Zhang Zhongwen
Genre: Drama / Action / Fantasy / Costume
Country/Region of Production: Hong Kong, China
Language: Mandarin Chinese
Date: 1966-01-18
Duration: 112 minutes
IMDb: tt0121568
Type: Retelling
Summary:
The story takes place in the early years of the Tang Dynasty. In order to save the souls in the East, a generation of eminent monk Tang Monk (played by Fan He) received the support of the Tang Dynasty king. Under the escort of a large army of soldiers and horses, he went to the Buddhist land in the West to obtain the Tripitaka Sutra. Needless to say, the journey was rough and arduous, and there were also monsters and spirits in the caves and mountains who were ready to eat Tang Seng. The sky was clear just a moment ago, but in the blink of an eye there was flying sand and rocks. It turned out that the monster Demon King Black Wind cast a spell, causing Tang Monk and his followers to be separated, and the monsters fought for Tang Monk even more. Tang Seng fled all the way and was exhausted. Finally, he met the Monkey King (played by Yue Hua), Sun Wukong, who had been suppressed here for five hundred years in the Five Elements Mountains. Wukong received the guidance of Bodhisattva Guanyin and promised to protect Monk Tang from studying in the West. With the help of his highly skilled martial arts apprentice, Tang Seng finally calmed down for the time being.
During the next journey, they encountered Zhu Bajie (played by Peng Peng), Monk Sha (played by Tian Chen) from Gaolaozhuang, and the Little White Dragon from Bailongtan. The magnificent story of Journey to the West was officially staged...
Source: https://chinesemov.com/1966/Monkey-Goes-West
Link: N/A
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