#Given metas

[contactlessdrivethru]

there is something unique and deeply special about monkey d luffy as a protagonist. he’s overwhelmingly ADORED by the fandom. he’s consistently the most or at least top 3 most popular characters in the whole series. peoples takes about him are gushingly positive. and that’s… really uncommon.

a LOT of fandoms i’ve witnessed or been in have a tendency to favor characters other than the main character. especially in anime. the main characters are often written as a blank slate for readers/watchers to project onto, but that makes them not as interesting and so they don’t get the fan attention.

but luffy is so far from that. and he’s ALWAYS been this way. we love him so much. he’s the heart of the story and the heart of the fandom in every single way. and i think that speaks to how well-written he is as a character. he’s fun and charming and complex and interesting and he makes us laugh and cry and cheer and hope and love. he’s able to inspire so much joy in people, both in his world but also in this one. and i think that’s really special. i feel so grateful to have found this story that means so much to me, and i’m so grateful that luffy exists.

[thesherrinfordfacility]

fr tho i understand why crowley wants them to run away together and run from all of it but he just seems to have forgotten that aziraphale does not cower, he doesn't back down, and he. does. not. run.

and honestly, crowley knows it:

[direquail]

I think what bothers me most about how John is talked about in the fandom is the implication that a different (implied: better) person would've done things differently and somehow more right than he did.

When the text goes to lengths to explore how suddenly coming into an incredible amount of power in a fatally constrained situation cannot lead to a good outcome.

If you're putting John in dialogue with the concept of the "magical girl", which Muir has said he is (a little tongue in cheek, but)--these are young, often profoundly unready people, who often get taken advantage of by the people who give them their powers. And like, yes, John is not a teenager, but I think that's part of the point, is that at no point is a person really prepared to become as powerful as he did--even before he merged with Alecto. Even when he was fully in control of his powers, even when they were given with honest intent and trust, even when he used them with the best of intentions and tried to do the right thing, there was no way for him to be prepared, especially given the situation he was in.

And it's funny to talk about how bad John must be in bed, but also, this isn't a scenario where John is some self-deluding Elon Musk-like villain or loser. He is genuinely trying to do the right thing, in terms of rescuing the Earth's population, rescuing the Earth Herself, and doing it ethically (see: M--'s insistence that they perfect the cryo containers until they could transport pregnant women).

I really do think this is something people are blocking out, because it is one of the uncomfortable parts of Muir's message with the series. But ESPECIALLY because the people "critiquing" him as an embodiment of patriarchy and empire are failing to see that part of Muir's critique is of human vulnerability to power: That is, that power corrupts.

And this even has echoes with Gideon & Harrow's story! Harrow begins the series in a deeply unequal dynamic with Gideon! And she does horrible things, not just because she is traumatized, but because she is traumatized and has the power to act her desires out on Gideon. She might have the motive (trauma), but that's not enough without the means (power).

And, yeah, I do have a semi-salty angle on this because people are frequently loath to think critically not just about axes of oppression but individual relationships of power when it applies to them and to people they like. ESPECIALLY when there is a very vocal segment of the fandom that is enthusiastically pro-harassment. It's very convenient to villainize John and actively dis-identify with him, because otherwise, you'd have to face the question of whether you'd do any better in his place. But the thing is, the mission of revenge he embarks on is a lot closer to many peoples' hearts than they'd like to consider.

That's the whole point.

[tanglepelt]

Dc x dp idea 133

Danny is really confused. Like sure he made a fake account in order “use” his parents completely valid and not in biased research on ghosts.

Cause obviously. Their completely legit research disproves multiple peer reviewed and factual papers.

Tucker made the fake account. No real names or numbers. So. They couldn’t know it was him right?!??

He just wanted people to see how wack the papers were and bring to light the very not accurate papers. He figured using botched research to counter claim others would do something.

But??? Why was the flash in his living room arguing with his parents about scientific articles. And proper research??

[zeravmeta]

sometimes im normal and then sometimes i think about how robin had been on the run for 20 years starting at age fucking 8 and when we meet her she's actively aiding in the destabilization of a country and gets so many people killed but one of the first things luffy says about her is that she isnt a bad person. I particularly think about her first appearance and her interactions with crocodile, because crocodile is (much like other OP characters) kind of a ridiculous man in his dramatic overcoat and his giant pets he feeds people to and. do you think robin was emulating him in that way with her own personal giant dramatic coat and cowboy fit. on the run for 20 years ever since she was a child, having to make herself useful to people so that they wouldnt suddenly abandon her, emulating her boss not only to gain his favor but also to try and appear intimidating herself? how many times had she done something like this. robin is a character who presents herself in so many ways, always wrapping herself up in an air of mystery and intrigue but shes also so deeply childish, she constantly makes morbid jokes about her situation because the last lesson one of the only people who cared about her gave her was that what else is there to do but laugh. to never stop laughing. having lived on the run she knows that an assassin is most effective when their weapon is concealed and yet she freely shows off her powers just to gain their trust. to play with luffy and chopper and usopp. how gratifying do you think robin felt when nami called her a sister. in skypiea she's constantly providing tactical assistance in how to survive in the wilderness but she's afraid when luffy and usopp start laughing at her suggestions. lets make a bonfire, robin! we're out camping, this is what you're supposed to do! she freezes in the same way she did when the kids on ohara laughed at her but even when the straw hats happily invite her to party she still stands on the edge, sitting further from the rest. she doesn't know what to do there. she had no will to live after luffy had saved her but one of the truly happiest moments she has is when she's not even cheering, just sitting in awe seeing the ancient city in the sky. was she thinking of her friends then? she never had friends her own age, just scholars multiple times her age and yet they were still her friends, who would never get to see this sight. when aokiji reappears and nearly kills them, shes stonefaced upon waking up that the straw hats even considered having a sleepover in her room. because they were worried about her. she's never had a sleepover, and it's something so simple to the straw hats, that of course they wouldn't see their friend as someone to use. she's never escaped the headspace she was in when she had to run away from the mountains of corpses of a burning ohara. the first and last thing her mother ever said to her was that she didnt know her, no matter how much she wanted to embrace her daughter. she never had the chance to say goodbye. she never had the chance to grow up.

sometimes i think about how nico robin was in many ways raised by her friends in the straw hats with their love for her and hauve covid

[starflungwaddledee]

from: @starflungwaddledee to: @post-it-notes7

message from santa: "happy holidays post-it-notes! 🎄🥳 i know you very politely only wished for a few modest things- characters high fiving, or struggling in christmas attire- but i hope you'll still enjoy this given that i kinda went the opposite direction entirely! i'm an enormous fan of your work and most times you post anything i wind up browsing your art tag from tip-to-tail in enraptured delight. as such, i thought it was only fair i give back something a little more significant in gratitude for all the joy your work has given me. i knew i wanted to do a comic, so i was thrilled you already had a whole storyverse for me to work from!! this scene seemed the most obvious choice (chapter 8 of "wishful thinking" on ao3) given that i enjoy a dramatic fight scene 😂 i tried to stick as beat-by-beat to the writing as i could and worked in as many details as possible; i hope it'll be fun to see it envisioned this way! merry christmas! ~starflung 🎀🔔 "

[arithmonym]

re-reading the locked tomb, and i'm thinking about how harrow identifies alecto as a "girl" rather than a "woman."

obviously, john had other sources of inspiration... but did you know that the original barbie doll was only supposed to be nineteen years old?

[centaurianthropology]

One thing that I think a lot of Disco Elysium meta misses (likely because a lot of it is very clearly written by young Americans writing from an intensely American-centric cultural perspective without even really realizing it) is that one of the singular and central themes of the game is massive-scale generational trauma in a home that is economically collapsing as its resources and people are being drained by an occupation.  People have noted that no one tries to help Harry, despite the fact his mental illness is incredibly obvious to everyone around him.  He tells Kim that he completely lost his memory, and Kim politely asks him to focus on the work.  He tells Gottlieb that he had a heart attack, and Gottlieb tells him that if he’s still alive it couldn’t have been that bad.  That he’ll drop dead sooner or later, but then so does everyone.

And that’s the most important thing: so does everyone.  Look at Martinaise.  Look at the world in which Harry lives.  It is not our own, but it is adjacent to ours.  More specifically, it is clearly adjacent to the states of the Eastern Bloc: overtaken and occupied by a faraway government that clearly doesn’t care about Revachol or its people.  And that is obvious in every tired face, every defeated citizen, everyone trying to eke out a little happiness or meaning in spite of the overwhelming trauma and damage around them.  The buildings are still half-destroyed.  The bullet holes are still in the walls.  The revolution was decades before, but it still feels to the people there like a fresh wound.  The number of men of Harry’s generation who are not alcoholic or otherwise deeply fucked up are very few.  Some, like Kim, hide it better, but the deeper you dig into his history, the more you realize how damaged Kim is.  He’s more than a little trigger happy, and hates that about himself, but he is a product of his environment: Kim’s entire life is seeing people he cared about shot and killed, so his instinct now is to shoot first himself, to protect those few people left who still matter to him.

Harry is not unique in his trauma.  He is a distillation of an entire culture of people who tried to rise up and make something beautiful, and were instead routed and occupied.  He is trapped between the occupation and the people on the ground, along with all the rest of the RCM.  Their authority comes from the occupying government, but it is implied that they were formed out of the remnants of the citizens militia which sprung up from Revachol itself as a way to try to mitigate some of the horrors being committed on its streets.  The Moralintern sure as hell wasn’t going to get their hands dirty, so they happily conscripted (and therefore could better control) this group, who are only recognized in certain places, and whose authority mostly amounts to giving out fines.  The RCM is corrupt, but it is corrupt in the same way its culture is.  Bribes are considered standard with them, not a moral failing, but a necessity, so long as those bribes are correctly logged as ‘donations’.  It’s how the RCM stays afloat, and the rest of Revachol completely understands that.  Everyone would take a bribe if it meant they kept eating.  Everyone would take a little under-the-table money if it meant keeping a roof over their heads.  The officersof the RCM certainly don’t make enough to see a doctor.  They have an in-house lazarus, and if he can’t fix them they just die.  Mental health care?  What mental health care?  Harry doesn’t get it for the same reason no one else does: it doesn’t really seem to exist.  There are no counselors, no psychologists, no psychiatrists.  How would they even start?  If the world is what is broken, if everyone is suffering a similar catastrophic amount, it makes sense that Harry’s trauma would simply get rolled up with all the rest.  Kim asks him to get on with the job because Harry’s suffering is not remarkable in Revachol.  He is one of an entire generation who have an astronomical number of orphans from the revolution, and so many younger people are left more or less orphans as their parents drink themselves into oblivion like Cuno’s father.  So Harry’s truly unique attribute is embodying all that trauma, having it all inside of him, filling him to bursting.

To really engage with the themes of the game, engaging first and foremost with the reality of Revachol is imperative.  Imposing our own reality onto Revachol, particularly if coming from an American perspective (which tend to have the habit of both viewing the world through an American lens and not realizing they’re doing it because they’ve never experienced a different lens), will always feel shallow to me because of this.

All that is to say, I would love to hear some more explicitly European meta about this game, and especially Eastern European meta.  If anyone can point me to some good, juicy essays from that perspective, I would be grateful!

[theriverbeyond]

Waiting for Alecto the Ninth (2023)

[essektheylyss]

Okay but you know what's really clever about the choice to include off-screen campaign content in the Nein animated show, is that it puts the audience on far more equal footing.

There's a lot of intrigue going on in Wildemount behind the scenes, and those of us who've seen the campaign have an idea of what that is, but rarely a clear answer. There are a lot of interpersonal dynamics that we don't see but that make a major impact on outcomes for the character: not only Essek's dealings with the Assembly but his relationship to the rest of the Dynasty's upper echelon, the Assemblies' interactions amongst themselves, Astrid and Eadwulf's dynamic with Trent or other scourgers, or Lucien's relationship with Cree and the other Tomb Takers. These alliances make or break the characters' decisions with regard to the Nein depending on how much loyalty or trust they share, and they shift a lot while the Nein aren't present.

I think there's a bit of this in tlovm with the happenings in Whitestone and the dynamic among the Chroma Conclave, but these exist primarily to ground the antagonists, because it's not the same kind of story; Vox Machina's story is about how they become Big Damn Heroes. There is political action happening, but while it does have an influence on them, it always exists to an extent to be either a boon or an obstacle to them, because it cannot deal with the threats at hand without heroes (not necessarily Vox, but in the archetypal sense). The Nein, in contrast, are in a story about being the tangential players to numerous plots of intrigue that occupy no small position of power in the world, plots that in fact actively resist the role of heroes, and the struggle for personal agency that comes with that.

So giving more information to the audience about those other happenings means new fans get a lot of the information that existing fans will go into the show with much sooner, while existing fans are receiving new information at the same time. By the time the characters find out what the audience knows, the audience is more or less on the same page waiting for that shoe to drop.

[macchitea]

thinking about how they might fight together :)

scav king dedede design by the wonderful @peculiurperennial !!

[thesherrinfordfacility]

unhinged that gabriel had such a heartbreaking reaction to beelzebub giving him something because noone had given him anything before, because now it's got me thinking about angels existing in an environment and under a regime where you don't really have anything to call your own - all your own. so what potentially did crowley first give to aziraphale to call his own and what book do you think it was

[spocks-kaathyra]

thoughts about the Cardassian writing system

I've thinking about the Cardassian script as shown on screen and in beta canon and such and like. Is it just me or would it be very difficult to write by hand?? Like.

I traced some of this image for a recent drawing I did and like. The varying line thicknesses?? The little rectangular holes?? It's not at all intuitive to write by hand. Even if you imagine, like, a different writing implement—I suppose a chisel-tip pen would work better—it still seems like it wasn't meant to be handwritten. Which has a few possible explanations.

Like, maybe it's just a fancy font for computers, and handwritten text looks a little different. Times New Roman isn't very easily written by hand either, right? Maybe the line thickness differences are just decorative, and it's totally possible to convey the same orthographic information with the two line thicknesses of a chisel-tip pen, or with no variation in line thickness at all.

A more interesting explanation, though, and the one I thought of first, is that this writing system was never designed to be handwritten. This is a writing system developed in Cardassia's digital age. Maybe the original Cardassian script didn’t digitize well, so they invented a new one specifically for digital use? Like, when they invented coding, they realized that their writing system didn’t work very well for that purpose. I know next to nothing about coding, but I cannot imagine doing it using Chinese characters. So maybe they came up with a new writing system that worked well for that purpose, and when computer use became widespread, they stuck with it. 

Or maybe the script was invented for political reasons! Maybe Cardassia was already fairly technologically advanced when the Cardassian Union was formed, and, to reinforce a cohesive national identity, they developed a new standardized national writing system. Like, y'know, the First Emperor of Qin standardizing hanzi when he unified China, or that Korean king inventing hangul. Except that at this point in Cardassian history, all official records were digital and typing was a lot more common than handwriting, so the new script was designed to be typed and not written. Of course, this reform would be slower to reach the more rural parts of Cardassia, and even in a technologically advanced society, there are people who don't have access to that technology. But I imagine the government would be big on infrastructure and education, and would make sure all good Cardassian citizens become literate. And old regional scripts would stop being taught in schools and be phased out of digital use and all the kids would grow up learning the digital script.

Which is good for the totalitarian government! Imagine you can only write digitally. On computers. That the government can monitor. If you, like, write a physical letter and send it to someone, then it's possible for the contents to stay totally private. But if you send an email, it can be very easily intercepted. Especially if the government is controlling which computers can be manufactured and sold, and what software is in widespread use, etc. 

AND. Historical documents are now only readable for scholars. Remember that Korean king that invented hangul? Before him, Korea used to use Chinese characters too. And don't get me wrong, hangul is a genius writing system! It fits the Korean language so much better than Chinese characters did! It increased literacy at incredible rates! But by switching writing systems, they broke that historical link. The average literate Chinese person can read texts that are thousands of years old. The average literate Korean person can't. They'd have to specifically study that field, learn a whole new writing system. So with the new generation of Cardassian youths unable to read historical texts, it's much easier for the government to revise history. The primary source documents are in a script that most people can't read. You just trust the translation they teach you in school. In ASIT it's literally a crucial plot point that the Cardassian government revised history! Wouldn't it make it soooo much easier for them if only very few people can actually read the historical accounts of what happened.

I guess I am thinking of this like Chinese characters. Like, all the different Chinese "dialects" being written with hanzi, even though otherwise they could barely be considered the same language. And even non-Sinitic languages that historically adopted hanzi, like Japanese and Korean and Vietnamese. Which worked because hanzi is a logography—it encodes meaning, not sound, so the same word in different languages can be written the same. It didn’t work well! Nowadays, Japanese has made significant modifications and Korean has invented a new writing system entirely and Vietnamese has adapted a different foreign writing system, because while hanzi could write their languages, it didn’t do a very good job at it. But the Cardassian government probably cares more about assimilation and national unity than making things easier for speakers of minority languages. So, Cardassia used to have different cultures with different languages, like the Hebitians, and maybe instead of the Union forcing everyone to start speaking the same language, they just made everyone use the same writing system. Though that does seem less likely than them enforcing a standard language like the Federation does. Maybe they enforce a standard language, and invent the new writing system to increase literacy for people who are newly learning it.

And I can imagine it being a kind of purely digital language for some people? Like if you’re living on a colonized planet lightyears away from Cardassia Prime and you never have to speak Cardassian, but your computer’s interface is in Cardassian and if you go online then everyone there uses Cardassian. Like people irl who participate in the anglophone internet but don’t really use English in person because they don’t live in an anglophone country. Except if English were a logographic writing system that you could use to write your own language. And you can’t handwrite it, if for whatever reason you wanted to. Almost a similar idea to a liturgical language? Like, it’s only used in specific contexts and not really in daily life. In daily life you’d still speak your own language, and maybe even handwrite it when needed. I think old writing systems would survive even closer to the imperial core (does it make sense to call it that?), though the government would discourage it. I imagine there’d be a revival movement after the Fire, not only because of the cultural shift away from the old totalitarian Cardassia, but because people realize the importance of having a written communication system that doesn’t rely on everyone having a padd and electricity and wifi.

[damianbugs]

it's just a little interesting that people love genuinely kind and good hearted characters but somehow batmans unwavering belief that people can be better and people can be changed is not enough? even characters within the same media are praised and respected for being the bigger hero and choosing to save rather than to hurt and yet bruce's no-kill rule is often a point of ridicule for his character.

what is so wrong with having a immensely complicated character have slightly less complicated morals about empathy? for a character who loves and hurts and loses why is this something so unbelievably unrealistic for a hero to believe in. what is outlandish about people being people before they are a product of their misfortunes?

of course it isn't a perfect mindset, it isn't even a healthy one in a lot of cases — but it is something that has stayed true to its mission and so i think it deserves a little more thinking before being dragged around as lazy writing.

[archiveoftragedies]

In mdzs, when the public opinion started shifting and everyone turned on jgy it made me feel vindicated. Finally they're siding with me against the guy that keeps pissing me off. But that only lasted an instant. Slowly, progressively, I started going wait. Wait no hold on. Go back. I didn't mean it that way go back. Because they were saying about jgy the exact same bullshit they had been saying about wwx the entire novel. And suddenly it felt really off.

Then, during the flashbacks leading up to Nightless City, I kept thinking back on that thing wwx tells nhs in volume one, when nhs explains his family's solution to their haunted saber problem. "Well, that's hitting a bit close to the demonic cultivation path". Doesn't nhs refuse to swordfight as well? Is he even carrying a sword? How come he can get away with this (and wwx can't)?

Wwx and jgy have similar origins but were raised in different environments. They learned similar survival methods and tried to play by the rules up until they couldn't anymore. They had the two more prominent roles in winning the sunshot campaign, and yet everyone forgot about that the second they decided they were irredeemable. They met similar ends, fighting and protecting people they loved.

Nhs became the kind of person his brother would despise in trying to avenge him. He became like his brother's murderer. His survival method is also trying to make himself seem harmless, not with polite smiles or clever distractions but with tears. The only reason he didn't meet the same end as the other two is that he managed to stay out of the public's eye, and because his reputation was unstained from the beginning. Although I should note that he is Nie Mingjue's half-brother, which might hint at a more complicated heritage, more similar to that of the other two, than one would suspect at first glance. But whether that's the case or not, the point is that nobody would call nhs a bastard, and that means that people will overlook certain things he does that have condemned the other two to death.

That's what makes them such great narrative foils. In the end all three of them are cheating, but nhs had better cards to begin with.

[izartn]

Anyways Charles having to drag Edwin away from Niko's corpse in episode 8 so they avoid Death was a perfect acting choice. Holy shit.

The way Edwin is noticeable subdued for the rest of the finale; most clearly just in the aftermath at Jenny's with Crystal and Charles, but even to the end already back in London you can notice the difference to before. He's also been to hell and back and been tortured by Esther so like. What an ending to their visit to USA.

Niko truly was his friend, and died trying to free him from Esther and protecting Crystal when she was only a human without even psychic powers. So I love we both hear him when she's stabbed and that it has such an effect in him he doesn't seem to be able to leave her. Just. Perfect choices.