#Giving some pieces of advice here and then

[vesppperoro]

hii uhh, i had a little idea that id like to share if thats ok, it might be quite triggering tho so be warned ‼️

a sinner demon reader thats based on a teddy bear, because theyre too soft and mushy personality-wise, and they ended up in hell due to being suicidal. like their whole body is covered in stitches thats supposed to be a metaphor for sh scars

do whatever u want with that info, u can even ignore it if u like, have a nice day ❤️

Hazbin Hotel Cast with a Teddy Bear!Sinner Reader

Includes: Charlie, Vaggie, Angel Dust, Husk, Niffty, Sir. Pentious, Cherri Bomb, Alastor.

A/N: this is such an interesting idea! I’m going based on my own experiences as someone like this, along with research. I appreciate you for trusting me with this <3 I definitely WILL make a p2!! Might write for this sinner more tbh I loved writing them!! I thought you meant a child and I wrote that I’m so sorry 😭

Charlie Morningstar

She truly didn’t understand why you were in hell.

You are such a sweetheart! She adores you.

When you showed up to the hotel one day, without clothes and covered in stitches, she was immediately worried.

She took you in and washed you up as best as she could.

You were like a child! Why were you even here?

She was happy that you wanted to be redeemed, however.

She became a mother figure to you.

You go to her when you’re sad and you hug her frequently.

She traces your scars sometimes and you two share a silent moment together.

A silent moment of understanding.

She loves picking you up and holding you!

She hugs you like you’re an actual teddy bear.

She’s the one you go to for emotional things.

She’s good at comforting you. She somehow knows what you wanna hear at all times.

Vaggie

She became a secondary mother figure to you.

She was Charlie’s girlfriend, so of course she was.

She understood your situation and was pissed heaven casted a sweetie like you because of your lowest point.

She’s the more levelheaded one.

She’s the one who gives you advice and stuff like that. While Charlie is the more emotionally supportive one, Vaggie is the more mature and steady one.

She also traces your scars. Even if you don’t like them, she tells you you’re beautiful no matter what.

When you told her more of your story, she almost cried.

A child feeling this way broke her to pieces. Especially since you were so soft.

Other than the sad stuff, she loves cuddling you.

You, her, and Charlie sometimes have cuddle sessions with you in the middle because you’re so warm + soft + squishy.

She would kill anyone for you. You’re just so adorable!

She tries to teach you to fight but gives up when you don’t want to hurt anyone.

Angel Dust

Honestly, he saw himself in you.

A lost, scared, and lonely child. You didn’t know the cruelties of the world, aside from those cruelties in your mind.

He tries his best to comfort you. He’s not the best with words, but he’s always there for you.

He calls you sugar bear! He loves you to death.

He would go to the ends of hell for you.

He treats you like he wished to be when he was the same way.

You two share a lot of similarities, so you bond well.

He nearly cried when you told him your stitches were scars from sh.

He embraces you any time he can.

He tries to be the parental figure he needed so you can have a better life, somewhere no one would judge you.

Husk

He’s stubborn, like a dad. He acts like one too.

A hardheaded, yet sweet dad.

He’s like the father you never had. Or did have. Whichever.

He’s the bartender, so he knew how to comfort.

But when you told him your story, he almost broke.

You two definitely sing some sort of song together. Maybe Angel or Vaggie joins.

He cuddles you and hides you with his wings.

If you give him baby doe eyes, he might just take you on a flight.

Husk is SUPER protective over you. He’s very similar to Vaggie in a way when it comes to protection.

He gives you good advice but he still hides behind his tough guy exterior.

He doesn’t understand why you’re down here, even if you tell him. You’re so sweet!

Either way, he adores you.

He loves patting your head and messing with your fuzzy ears.

Might even boop your nose once or twice.

Late night talks.

He probably talked you down from trying to commit again.

Niffty

Another tiny person! Yay!

You’re not a bad boy. She may be a psycho, but she would never call you bad.

Actually, she did once and felt bad once you cried.

She likes to hang out with you since you’re both tiny!

She cuddles and hugs you like you’re her stuffed animal.

Bug killers! Even if you don’t wanna kill bugs, she’s dragging you along anyways.

She tries to hide her needle from you since Husk told her what your stitches meant.

Alastor has to babysit both of you basically.

You and her do almost everything together! You’re best friends!

She sneaks into the kitchen and grabs you both snacks so you can watch a movie.

She makes you sleep in her bed sometimes so she can cuddle you.

Sir. Pentious

He’s a dad. Or, he was.

He treats you like he wishes he treated his son before he passed.

He acts like your father. An awkward father, but he still tries.

He also protects you.

Expect him to curl his tail around you and cuddle you when you’re sad.

He literally cried when you told him your story.

He tells you anytime he can that it’s not your fault. Your stitches are still beautiful.

Best girl dad ever.

Buys you anything he wants, even if he’s broke. (Except sharp things)

He teaches you some things about inventing!

You made him a little metal flower and he was so overjoyed. He took it with him everywhere.

He still remembers you, even if he’s in Heaven now.

Cherri Bomb

Chaotic auntie energy.

She would do ANYTHING for you.

She picks you up and places you on her hip like a baby.

She loves your ears! She also adores how sweet you are.

She wouldn’t admit it, but you’re the cutest thing she’s ever seen.

Even if you tell her your story, she wouldn’t see you differently. You’re a child, a child who went through so much.

Hangouts with her and Angel are a MUST.

They try to avoid doing the normal around you and focus on fun time.

She took you with her when she had a territorial fight one time and you almost cried.

She felt so bad that she bought you anything you wanted for a week.

She did anything you wanted to do, even if Husk or someone else said no to you.

Basically, if you wanted something, you went to her.

Alastor

He’s not one to like kids, really.

He was, however, kinder to you.

He did anything to protect you.

He was like your insane uncle.

He was the one who taught you how to use your abilities. Maybe to help you, or to manipulate you when you grow.

He made you jambalaya once and it became your favorite dish to share with him!

He introduced you to radio and he was happy that you loved it.

He started bringing you to his studio whenever he did a radio show.

He took you to an overlord meeting once. That’s how you met Rosie.

He pats your head like a dog lol.

Don’t expect him to be emotionally available. But he will be there to have fun sometimes.

[shankss-magnificent-ass]

Imagine proposing to Shanks

At a bar

You: [brooding over a drink by yourself]

Benn: [comes over and sits next to you, like a concerned papa bear] You've seemed really down lately, what's going on up there in that head of yours?

You: Shanks and I have been together for years, and ... I don't quite know what I was expecting, but I am not happy at the idea of being only his dating partner forever.

Benn: Is this because of the wedding we saw yesterday, down at the Chapple?

You: Sort of, now I know that I'm never going to get a traditional wedding like that, but I would like for him to wife me up.

Benn: You should tell him that because he's never going to come to that conclusion on his own.

You: I know, but I can already picture what his proposal would be like, improvised, sloppy, and probably involving alcohol.

Benn: [mutters to himself] Well, at least you know what you're getting into with him before you marry him.

You: what was that?

Benn: nothing. Can I offer you a piece of advice?

You: [nods]

Benn: Don't wait around for others to do something for you when you could do it a million times better yourself.

You: hmm, thank you for the food for thought.

Two weeks later

Shanks: [tugging on the white collar of his button-up like it's choking him,] Why the hell are they making such a big fuss? Insisting I dress up, just to go on a picnic.

Benn: [straightening his captain's tie] Because they love your dumb ass, for some fucking reason, and they went through the trouble of planning a special night for you two. So you're going to dress up, look nice, stay sober, try to behave, do whatever they say,

Shanks: [mutters] I already do whatever they say

Benn: [gives him the side eye as a warning] And you're going to bring them flowers and this cake.

Shanks: yeah, yeah, it's just it's been ages since we've had time to do something special, we're out of the honeymoon phase, you know? We're like an old married couple, we only have sex once a week and everything.

Benn: Oh, I know, we can hear you two in the crew's quarters, we appreciate that it's the same day every week too. [puts the flowers and box of cake in Shanks's hands] Now get going, if you're late I'll kill you myself.

Shanks: Alright, don't shove.

At the docks

You: wow, you made it on time.

Shanks: I wouldn't be late for our first date in over a year.

You: [winces at the reminder]

Shanks: [realizes he's made things awkward, he holds out his gifts] Uh, these are for you.

You: [can see Benn's meddling] Thank you, but we're actually going to have to wait for the boat to get here. I took your habit of arriving late into account when I made the plans, and the time I told you to come was forty-five minutes before you actually needed to be here.

Shanks: [puts his arm over your shoulder and presses a kiss to your head] You know me so well, and no worries if we have to wait, just means that I get more time with you, my love.

On the boat

Shanks: [looks around the glass bottom boat in amazement] Whoa! Look look! There's a tiger shark.

You: I knew you'd like it, we have it all to ourselves tonight. We'll sail around the reefs, and have dinner.

Shanks: we get to eat.

You: yes, they have your favorite, you can even pick out which lobster you'd like to eat.

After dinner

the boat captain: excuse me, we've landed on Firefly Island, you'll have two hours before we raise anchor and head back to the port.

You: thank you, [turns to Shanks, grabs his hand, and leads him to the heart of the island where all the fireflies are]

Shanks: [visibly resisting the urge to run around and chase them]

You: [rolls your eyes playfully] Go ahead, I know you wanna run, go get your energy out. Why don't you run around the edge of the clearing and herd them this way? [sits on a stone bench beside the pond in the center of the meadow]

Shanks: [kisses your cheek] aye aye

You: [waits until he's tuckered himself out, and has collapsed on the bench next to you] Sweetheart, are you having fun?

Shanks: the most fun I have had in a while, look at this jar of fireflies I caught. [holds up a large mason jar, packed with the luminescent insects] I know if I leave them in there too long, they'll die, but I wanted you to get to open it.

You: [gets down on one knee, positions the ring box on the side of the jar and unscrews the lid to let critters free]

Shanks: Isn't it pretty? [looks down at the jar to see the box on the other side of the jar] What'cha got there?

You: [sets the jar aside and opens the box to reveal the ring inside]

Shanks: [freezes]

You: ... I know I'm not going to get a fancy wedding in a place of worship or even a marriage certificate, but I would still like you to marry me. For us to be marriage partners, even if it's only in name.

Shanks: wh-... how ... [pulls out the ring and slides it onto his finger] it fits and everything.

You: [waiting for an answer]

Shanks: [notices your staring] what?

You: will you marry me?

Shanks: [pulls you into his lap, and kisses you] Of course I'll marry you, and no you're probably not going to get a fancy wedding, and you're definitely not going to get a marriage certificate. But I promise you, you'll get one hell of a wedding.

You: Thank you, love. [peers over to see Benn sopping wet in the bushes, taking pictures with a camera snail] Benn, what are you doing?

Benn: getting engagement photos, obviously.

Shanks: how did you get here?

Benn: I swam, now you two stop moving, so I can take a picture before these fireflies can eat the camera.

List of Up-and-coming works || Master list || Twitter| Kofi || Patreon

[comradekatara]

i don’t normally do this here, but i’m answering this ask anonymously to respect op’s wishes. it’s a very interesting question!

i think the tragedy of yun is fascinating because in many ways it explores the central tension of korra’s arc, but then also magnifies it by revealing that this aspect of his identity which he assumed ontologically elevated him is actually a lie. he’s literally just some guy.

korra grapples with what it means to define her humanity and her agency beyond the box into which she is forced due to her status, but at least she has the luxury of actually being as powerful as everyone assumes her to be. and obviously, this can only really be considered a luxury when compared to yun, because he is cruelly and ruthlessly dismissed and dehumanized once no longer deemed “special.”

he serves no value to the world, to jianzhu’s ends, if he is not the avatar, and so his tragedy lies in the fact that if he cannot live as a fraud, he must be disposed of. he was never simply treated as a human being, because his father figure only actually cared about him as a means to an end, and his friend kyoshi is also the reason he has been so suddenly and violently stripped of value.

there’s this idea that yun seeks revenge because he feels entitled to power and deserving of his status, that he feels that kyoshi was better as his demure servant, and that for kyoshi to be the avatar he always believed himself to be is a perversion of the order he feels owed.

but of course he feels entitled to that power. he was groomed since childhood to be the avatar, and his alternative to that power is living on the street an orphaned child making money off of performing pai sho tricks. and it’s not that he simply basked in this power; no, he took this responsibility very seriously. he was jianzhu’s perfect protege, and so he tied his identity to being the avatar to the point that he had nothing left to give beyond that role.

just because he’s in the wrong doesn’t mean that his pain isn’t understandable, imo. like, just put yourself in his shoes. everything he ever thought he knew was revealed to be a lie, and he was left for dead in a matter of seconds. no one gave him a reason to pause, to consider an alternative. even kyoshi simply told him to let go of his pain, which of course would be an infuriating piece of advice to hear from the person who “won.” even if it’s not her intention, by telling him, essentially, to “get over it,” to simply move on from this existentially significant, defining injustice, she does sound like she’s gloating.

no one ever bothered to put themselves in his shoes, no one ever offered him true empathy. i don’t believe that yun was an entitled brat. i think that, like korra, he was someone who was depersonalized in his role, his image so heavily controlled by outside forces that he lost any sense of identity beyond that role, and was discarded once he could no longer perform it.

to swallow an eye — to reclaim the violence of that dehumanizing gaze, but also to consume it, to internalize it, to project it outwards — was always his fate. so no, i don’t think that there was any way to save him. he was marked for death the moment he was first misidentified as the avatar. his demise was inevitable, because it was born of human error; no one learns anything from their predecessors’ mistakes, they simply repeat the cycle. like all true tragedies, his destiny was fixed for him from the very beginning.

[mariacallous]

In 2022 I wrote an op-ed for NBC News Think about leg hair, of all things. The piece detailed a monthlong experiment during which I stopped shaving. Aside from one paragraph about bodily autonomy and Roe v. Wade, I thought it was a mild article. Boring, even.

The internet disagreed. Within an hour of publication, I started getting angry, all-caps emails. Then it started on Twitter. I was called everything from stupid and self-absorbed to a Sasquatch. I was accused of hating men and pressuring women.

The deluge lasted nearly two weeks. By the end of it, I had dozens of nasty emails, nearly a thousand social media notifications, and zero idea how to handle what I’d experienced.

Unfortunately, these instances of online harassment are becoming more common. In 2021, the Pew Research Center reported that 41 percent of US adults had experienced online harassment; the Anti-Defamation League reported an increase to 52 percent in 2023. Public and semipublic figures are especially at risk, as noted by recent studies on American journalists, Zimbabwean journalists, and female members of parliament in Sweden.

But the truth is, on social media anyone with an account can experience harassment. Here’s what to do if it happens to you.

Document Everything

Knee-deep in hate mail, I reached out to a former thesis adviser who’d written op-eds. How had he handled the trolls?

His reply: Document everything. If you have to report the harassment to a social platform or to law enforcement, you will need a body of evidence that proves the harassment.

Save the nasty emails in a special folder, either manually or by using keywords to filter and route all of the relevant mail automatically.

On social media, screenshot what people say. Doing this gives you lasting digital proof, which is important if the trolling comments disappear later on, either because the trolls deleted them or because someone reported the comments, which led to them being removed. Save all of these screenshots in a folder that can easily be shared with anyone investigating your harassment.

Documenting harassment is common advice, featured in resources ranging from writing-specific organizations like PEN America to wider organizations like the University of Chicago and the National Network to End Domestic Violence.

Don’t Respond

Another common piece of advice is “don’t feed the trolls.” In theory, if you don’t react to harassment, the trolls get bored and leave. Some have argued that this advice has failed us, as it puts the onus on the victim to stop the cyberbullying; it suggests that it’s not the trolls who need to stop but rather the victim who needs to turn the other cheek.

This is a fair critique; social media platforms should build better moderation systems and restrict users who breach standards on harassment. Ideally, events like the 2024 child safety hearing before US Congress will lead to changes that make the internet safer for everyone. In a perfect world, the onus is on Big Tech.

But internet safety is a work in progress, and in the meantime it’s on us to decide how we want to respond. Many of the accounts spamming me were obvious trolls. They had incendiary usernames and profile pictures. Looking at their comments, which were antagonistic at best, I knew I wouldn’t change their minds by responding. Nothing I could write would make them consider my point of view.

So I followed the American Psychological Association’s advice and let the storm pass. I logged off social media and routed the nasty emails into a special folder, out of sight. I spent my energy on things I enjoyed instead, no trolls involved.

Or Maybe Do Respond

Walking away isn’t the best option for everyone. If you choose to respond, there are both indirect and direct ways to address harassment. The former could include muting threads or blocking accounts. You could also report comments or users for behaviors that breach community standards, such as hate speech, threats, and bullying (which most platforms claim to prohibit). These options may prevent the same trolls from harassing you, or another user, in the future.

If you feel safe and want to respond directly, consider counterspeech, a strategy that addresses and undermines hate by redirecting the conversation in a constructive way. Some choose to reclaim hashtags, such as the K-pop stans who in 2020 flooded the #WhiteLivesMatter hashtag with K-pop videos.

Others create larger discussions around hateful posts, typically focusing not on the troll but on the content of their argument (so, not “You’re sexist” but “Saying XYZ is problematic because …”). This is exactly what I did, some six months after my experience, when I wrote about hate mail for HuffPost, focusing on sexism and the importance of dismantling it. Reframing the conversation helped me feel less powerless.

Though organizations like the United Nations recommend counterspeech, some research has suggested that it may be ineffective: While a 2021 study on anti-Asian hate found that counterspeech discouraged hate, another study on racism and homophobia saw mixed results.

Do Something You Enjoy

Whether or not you respond, give yourself time to work through your feelings. Do something you enjoy, like going to the gym, meditating, or playing your favorite video game. Anything goes!

Social support, in particular, is important for processing your experiences. This is because one of the goals of online harassment is to make you feel isolated; intentionally enjoying time with loved ones can combat this. An older 2014 study noted that social support can come from anyone in your life, ranging from your peers to your family. More recently, a 2020 study listed the myriad benefits of social support for those experiencing bullying, including increased confidence and decreased anxiety.

So text your friends and coworkers. Make dinner plans with family. Rant to your partner—or ask for a distraction. Any and all of these can help you feel less alone. You can also seek professional advice via a therapist or a cyberbullying hotline.

If you decide to take an extended break from the internet, ask a friend you trust to keep an eye on your social accounts. They can continue to take screenshots of new harassment and notify you if the frequency of incidents increases.

If the Harassment Escalates

If rude comments turn into stalking, hacking, doxing, or death threats, it’s time to contact the authorities and get legal assistance. Continue to document everything; you’ll want a body of proof to ensure you’re taken seriously. If you’re in immediate danger, call emergency services.

Practicing good cyber hygiene can help you protect your information. To deter hackers, use strong passwords, which are longer than 16 characters and include numbers and special characters. Don’t reuse passwords, and set up multifactor authentication to ensure that you’re notified if someone tries to log in to your account.

To deter doxing, stalking, and further harassment, adjust your privacy settings on social media. If possible, set your accounts to private until the storm passes. Also, depending on the platform, you should be able to limit the ability to reply to your posts so that only people you follow can republish your posts or leave comments. You can also just disallow comments entirely. If you have both professional and personal accounts, keep them separate so that work-related harassment is less likely to follow you home.

You may want to limit who can see your location data on social media, since many platforms tag every post with geolocation data unless you opt out. This is usually something you can turn off in your profiles’ privacy settings. Additionally, browser extensions like Privacy Party can help you keep your privacy settings on social media up to date automatically, so you don't have to think about it.

If things get so bad that you feel it's safest to minimize or erase your digital footprint, paid services like Delete Me can remove identifying information like your address, phone number, and social media activity from hundreds of online databases and data brokers. This makes it much harder for people to uncover this information in web searches. Services like Tweet Delete can automatically delete years worth of social media posts, replies, and likes—either wholesale or within a specific range—from your accounts.

Online harassment can be isolating and terrifying, but with a plan, you’ll be prepared to respond—and to mitigate its impacts on your life.

[lila-oh]

"- Good job 'Fei, 'Ro's in another space. I totally lost my boyfriend. - What about you? Not reading the book I gave you? - Me? Naaah, I'm a streetrat remember? Gotta maintain the reputation."

I made this for the @gundamzine. I just want them to be fine now.

[starlit-hopes-and-dreams]

11) what aspect of your writing do you think has most improved since you started writing? 21) what do you think when you read over your older work?

(also known as: go edit!)

I'm trying to edit!! :p lol Thanks for the ask! From this ask game.

11) what aspect of your writing do you think has most improved since you started writing? Oy, what hasn't? 😅 Hmm, it's hard to choose. Just based on the chapters I'm editing right now, my sentence structuring, timing, and flow are much better now than they were.

21) what do you think when you read over your older work? *cough* I did my reread and was mildly horrified I'd sent that out to people (betas) to read. Also, holy hell, I've improved so much.

It's hard not to compare to where I'm at now, especially since it hasn't been that long since I finished (my older work consists of a novel I finished in june of last year lol)

[emeryleewho]

I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.

So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."

I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?

It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.

Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.

So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.

Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.

[dotcie]

Writers Truth & Dare Ask Game

🎱 ⇢ post your AO3 total stats  🍓 ⇢ how did you get into writing fanfiction?  🌵 ⇢ share the link to a playlist you love 🕯️ ⇢ on a scale from 1 to 10, how much do you enjoy editing? why is that? 🛼 ⇢ describe your latest wip with five emojis 🥑 ⇢ you accidentally killed somebody, which mutual(s) do you text for help? 🥤 ⇢ recommend an author or fanfic you love 💌 ⇢ how many unread emails do you have right now?  🌻 ⇢ tag someone you appreciate but don't talk to on a regular basis 🐇 ⇢ do you prefer writing original characters, reader inserts, or a mix of both?  🧃 ⇢ share some personal lore you never posted about before 🎲 ⇢ what stops you from writing more in your free time?  🍄 ⇢ share a head canon for one of your favourite ships or pairings 🧸 ⇢ what's the fastest way to become your mutual? 🪐 ⇢ name three good things going on in your life right now 📚 ⇢ what's the last thing you wrote down in your notes app?  🍬 ⇢ post an unpopular opinion about a popular fandom character 🔪 ⇢ what's the weirdest topic you researched for a writing project? 🦷 ⇢ share some personal wisdom or a life hack you swear on ❄️ ⇢ what's your dream theme/plot for a fic, and who would write it best? 🌿 ⇢ give some advice on writer's block and low creativity 🥐 ⇢ name one internet reference that will always make you laugh  🏜️ ⇢ what's your favourite type of comment to receive on your work? 🍦 ⇢ name three good things about a character you hate 🥝 ⇢ do you lie a lot? what's the most recent lie you told? 🦋 ⇢ share something that has been on your heart and mind lately  🦴 ⇢ is there a piece of media that inspires your writing?  🍅 ⇢ give yourself some constructive criticism on your own writing 🐚 ⇢ do you like or dislike surprises? 🪲 ⇢ add 50 words to your current wip and share the paragraph here ☁️ ⇢ what made you choose your username? 🐝 ⇢ tag your biggest supporter(s) and say one nice thing about them 🌸 ⇢ do you have any pets? if you do, post some pictures of them 🎨 ⇢ link your favourite piece of fanart and explain why you like it 🧩 ⇢ what will make you click away from a fanfiction immediately?

[surftrips]

SWEET NOTHING

pairing: luke castellan x reader

summary: y/n comforts luke after he sees percy claimed by poseidon.

word count: 600+

a/n: y'all i know. how many more morally grey characters can i write fics for? i couldn't help it, he's so bf in the first two episodes so this takes place in a world where he’s done nothing wrong <3

You watched as your boyfriend’s face changed after seeing the newest camp member, Percy Jackson, claimed by his father, Poseidon. 

Luke wasn’t one of the unclaimed kids, but he might as well have been. His relationship with his father Hermes was a strained one, but he pretended like it didn’t bother him. 

But now, it was hard not to notice the sadness and frustration that had clouded Luke’s face as he watched the trident appear above Percy’s head. Before you could go over to comfort him, he had already run away from the scene. 

You decided to give him some space, figuring that he had gone back to his cabin. As the other camp members slowly dispersed, you looked around for Annabeth. 

Upon laying your eyes on the dark-haired girl in the crowd of people, you beckoned her over. 

“Hey! Did you see that?” she asked you, excitedly.

“Yeah, that was crazy!” you admitted. “How’d you know he was Poseidon’s?”

“I’ve been watching him.”

“Of course,” you smiled. Luke had told you about Annabeth's desire to find “The Chosen One.” 

“Wait- where’s Luke?” she asked, as if on cue.

“I was gonna talk to you about that- I think he ran back to his cabin.”

“What- why?”

“I think he had some feelings about Percy being claimed, if you know what I mean.” 

“Oh,” Annabeth replied, putting the pieces together. 

“Yeah, I’m giving him some space right now, but do you have any advice on how to approach this? I don’t want to upset him any more.”

“Look, Y/N, you’re his girlfriend. Just do your best to comfort him and I’m sure he’ll start to feel better.”

“I know, but you’re his sister! You know him best, what if I say the wrong thing?” 

“You can’t say the wrong thing. He loves you, Y/N. He just needs to see that someone is there for him.” 

“Okay, thank you, Annabeth,” you gave her a hug before heading in the direction of the Hermes cabin. 

You were relieved to find that the other campers had not gotten back yet. You gently pushed open the door and found yourself facing your boyfriend’s back sitting on his bed. 

“Luke?” you called out.

He turned to face you, hastily swiping at the tears that had fallen onto his cheeks. 

“Oh, sweet boy, come here,” you ran over to take him in your arms. He let his tears fall again, and your heart broke seeing him like this. You knew that he acted brave all the time, but deep down, he was hurting.

“Hey, it’s okay. Just let it out,” you attempted to calm him down. 

“Why doesn’t he care about me?” he cried.

“Baby, it’s okay. He doesn’t matter, alright? It has nothing to do with you.” 

“Yes, it does. Percy killed a minotaur and broke Clarisse’s spear and his dad just came swooping in.” 

“Look at me,” you pulled away to lift his face up. “You are so, so special. Anyone that knows you can say that. Hell, you’re the best swordsman in this camp. But you know what else? You’re kind, and caring, and you have all this compassion in your heart, despite it all. If he can’t see your worth in that, then that’s a reflection of him, not you.” 

Luke didn’t say anything, instead he worked on catching his breath as you continued to rub his back and lay kisses on his forehead. 

“Thank you,” he said after a moment, still sniffling. 

“For what, baby?” 

“For seeing me. And staying.”

“To know you is to love you, Luke Castellan,” you gave him another kiss, this time on his lips.

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[cryptotheism]

Lilly: Good morning New Babel, you're listening to Screw Loose, your favorite early-morning exo rig and rig maintenance rig show this side of the white river, I'm Lilly.

The Bear: And I'm the Bear, and you- are on the air. What can we help you with?

Caller: Hello! Hi! So, uh, first time caller. My name is Zuri. I run a barley and flesh farm about an hour south of Isin. I'm in the market for a new rig. My last rig kicked the bucket. But I have an, uh, odd request that I was hoping you two could help give me some guidance on.

The Bear: Welcome to the show doll, we'd be happy to help. But first, I gotta ask, what were you running before and what happened to it?

Lilly: Yeah! We gotta know what we're dealing with here.

Zuri [beginning to laugh]: So we had an Arcadia Y-400-

[both hosts erupt into laughter]

Lilly: And it broke!?

The Bear: Doll what in the hell did you do to this thing!?

Zuri: [laughing] Listen! Listen! It was my grandfathers! We had been replacing parts on this thing since before I was born! It was its time!

The Bear: Lilly, is she dodging the question?

Lilly: I think she's dodging the question, Bear.

The Bear: Okay okay, so what exactly did you do to destroy this extraordinary museum piece?

Zuri: [laughing] Oh gosh I don't want to say it now.

[The hosts erupt with encouragement]

Zuri: My sons will play this game, where I'll be out working in the field. You know, rigged up, focusing on tilling. They'll sneak up behind me with their rigs on, jump up, curl up into a little ball, and try to lock themselves to my back-jack in the cargo position...

[The hosts are howling with laughter]

Zuri: They're- They're damn good at it too! My oldest, Zair, can do it in on solid motion. Its like one moment I'm minding my own business, the next moment I have a whole kid in a 100 pound work rig locked to my back!

Lilly: What a riot! Oh this is just dangerous to put on the air.

The Bear: Ahem, to all the parents at home we apologize in advance, please don't sue us.

Zuri: So- So one day- One day my youngest tries it, but he doesn't twist around fast enough, and the aux battery on the left arm clips an exposed spinal neurohelix. Zap! Neuros are fried. My legs and arms lock straight like stilts! Now I'm swearing up a storm, you know- "You little rats!" But I'm hobbling like a circus performer trying to chase em down and they're just dying. Musta been the funniest damn thing they've ever seen.

[The hosts continue to laugh uproariously at this]

The Bear: Doll we gotta get to advice part of the show or the network is gonna give YOU a show.

Lilly: What a way to go! You hit an aux to the spinal braid? That's fried. Done. Kaput. You gotta scrap that thing.

Zuri: Yeah, we've already gutted it. Old girl is rusting in the barn for parts now. Zair is a whiz, so I'm hoping he can get some good use out of it.

The Bear: So we hear you're looking for a new rig?

Lilly: What's your price point love?

Zuri: We've got a good chunka cash built up. We're looking at something in the 600 to 700 washer range.

The Bear: That's pretty good for a work rig. You've got a lot of choices.

Lilly: I have a sneaking suspicion that this price point has something to do with your special request?

Zuri: So, my oldest, Zair. I recently learned that he's been uh. Well gosh now I'm embarrassed about this too!

The Bear: Doll c'mon don't hold out on us!

Lilly: You called, we can handle it!

Zuri: I learned that Zair had been using the Arcadia to race on the weekends. He and some of the local kids would run street races at night. He's been rigging a grapple harness to the waist-jack, and stripping it before I need the rig for monday morning.

[The hosts laugh at this, though not as hard]

Lilly: Ha! So what you're saying is you want the biggest, slowest, beached-whale rig you can get? Something just impossible to race?

The Bear: I'm thinking an HR&R Pauldron, Heavy Industrial. With that type of money you can get the new 900 series. Ask for the high-stability option-

Zuri: No no! No you don't understand! The damn kid keeps placing last because he's been racing in a junker! What I'm lookin' for is something I can use as a work rig for the days, that's easy to strip and good to race on the weekends. I want it safe, you hear me? I can't stop this kid from racing, so I might as well get something that'll keep his skull together.

[The hosts explode into laughter again]

Lilly: You! You're a good mom! What I wouldn't give for a mom like you!

The Bear: Ma'am, one day, when I grow up, I wanna be like you. I wanna be that typea mom.

Zuri: So, can you help me?

[The hosts can be heard stage whispering for a moment, followed by the sound of cracking knuckles.]

The Bear: Okay. You've got a lot of good options here. My friend here wants you to get a sport rig, but that's not gonna have the torque you need for farmwork: Here's what you're gonna do-

Lilly: Would to! Have you seen what the Roadrunner 600 can do? Six point neuro uplink! Eighty pneumatic helices per leg! Tell me that's not good enough to rig a plow!

The Bear: The dirt Lil! We need solid-body articulation! Using a pneumo-helix for farmwork is like pouring sand into clockwork!

Lilly: You replace the dermis with a synthetic sheathe! I get no respect around here!

The Bear: Zuri, doll, here's what you're gonna do: You're gonna go to your local Post Office outpost. You're gonna ask if they have any old courier shipping rigs. You want middlegrade. Ask specifically if they have an Albatross W-500, or if you're lucky, an LH-640. These are long-haul light-load shipment rigs. They're ugly, but they're sturdy as hell, built for carrying things long distances through rough terrain.

Lilly: The kicker here is that they're both light-combat certified. Built-in medical and shock response treatment. You'll need to replace the medical gel canisters every few months to make sure they're fresh... And if a certain someone wanted to maybe engage in a little bit of light illegal street racing...

The Bear: Well the Albatross line is built to be constantly refitted for different weathers and terrains. So someone, not saying who, might have a real easy time stripping the plating for speed. That sound good doll?

Zuri: That sounds perfect, thank you so much girls!

The Bear: Perfect! Thank you for the call, you'll have to tell us how it goes!

Lilly: Please love we beg you! Call again! Toodle-oo!

Zuri: Thank you again!

[The caller hangs up, the show transitions into a commercial break]

[schmergo]

If I could give one piece of life advice to my fellow humans, it would be this highly specific little chestnut: "If you ever sprain your ankle, get medical care."

One of the most common things I've heard from older people than myself is, "Oh yeah, I twisted my ankle in (insert grade of school here) and it's never been the same." Or, "I have a bad ankle. I can't tell you how many times I've sprained it." And one of the most common things I've heard from younger people is some variation on, "Yeah, I think I just twisted my ankle. I think I have some old crutches from high school at my parents' house. I'll just use those for a few days."

I didn't learn this until after I sprained my ankle last year, but 20% of ankle sprains lead to chronic ankle instability, which was grimly defined by my doctor as, "an unending cycle of ankle sprains."

Another thing I didn't fully understand is that "sprain" is an umbrella term for any of those ligament injuries. Yeah, you could simply stretch the ligament-- twist it. Or you could tear it. Or you could completely sever it, and those are all sprains. If you're not a doctor, it's likely hard to tell what degree of sprain you have. The worse the sprain, the higher the chance of it healing weird and becoming unstable. If you are having trouble putting weight on your ankle and it's not feeling better the next day, please get it checked out!

I know medical care is expensive and many of us don't have health insurance, but it might cost you more in the long run if you don't get care for a hurt ankle. Otherwise you might spend a lifetime of having to get MORE ankle injuries checked out, missing work or social opportunities due to ankle injury, having to limit exercise, surgeries later in life, and more.

When I hurt my ankle and foot last year, I assumed the broken foot bone would be the bigger concern, but my treatment plan was almost entirely centered around the ankle ligament tear. My doctor said that was the more serious injury and the more finicky bit to heal. I worry when I hear a friend mention they sprained their ankle and were just treating it at home, 'trying to stay off it as much as I can.' That usually means a few days, but I had to stay completely off mine for 4 weeks, followed by a walking boot, a brace, and months of physical therapy. It was intense!

Ankles are annoying because they support your entire darn body and you don't realize how much you need them until you hurt one. So that is the one nugget of wisdom I hope to leave all of you with!

[marvelfilth]

Family dinner

Pairing: Natasha Romanoff x f!reader, Kate Bishop x Yelena Belova, platonic!Kate Bishop x f!reader

Warnings: a very poor attempt at humour

Summary: your best friend Kate needs backup after a mishap with Yelena's family

Masterlist

“I need you here yesterday!”

“What?” You whisper-shout, looking around the office to make sure no one noticed you ducking away to take a call from your best friend.

“Please, I'm desperate! I can't do this alone, they're like sharks and I just spilled blood!”

“Kate, what the hell are you talking about?”

“Yelena's family! They're scary as shit on a good day, but now we messed up real bad, and I think they're gonna decapitate me,” she whines.

“Okay, let's backtrack. What did you do?”

“...”

“Kate?”

There's shuffling on the other side, a deep sigh and then, “Melina found the handcuffs. With the fur. They were still attached to the bed.”

You snort, loud enough to attract annoyed looks from your coworkers. “Happens to the best of-”

“And the whip. It was on the bed too.”

You chortle, this time not caring about your surroundings, and swiftly move further down the hall. “She knows Yelena's a big girl, she can ha-”

“Natasha was there too!”

You stop in your tracks. Now that's interesting.

“She'll never let you forget it,” you say with all the confidence you have, even though you've never met the woman before. You know just enough from what Kate and Yelena told you to be sure of that.

“She's not letting me forget it now! She got all sneaky and secretive, whispering with Melina and looking at me, and now I'm on my way to a family dinner. A family dinner with my girlfriend's family, while said girlfriend got called away on some emergency mission,” she huffs angrily.

“There's no emergency mission, is there?”

“There better be!”

You chuckle, shaking your head. It's never a boring day with Kate Bishop.

“So,” she starts, aiming for a nonchalant tone, “I'm downstairs.”

“What?”

“Yep. Waiting for you at the front. Better hurry, parking is expensive as hell.”

“Kate.”

“I'm your bestie. And my girlfriend's mom found the handcuffs. I need you.”

You check the time, noting that the workday is nowhere near it's end. With a sigh, you head for the elevator, not even bothering to come back for your bag.

“I love you.”

“I haven't agreed to-”

“I know what that sigh means!”

You groan. “Yeah, yeah. You owe me.”

×××

Turns out, Yelena's family is even scarier then you imagined.

“So, Y/n,” Melina starts, looking at you like you're one of her lab rats, “Do you usually leave your… sexual… stuff after you're done?”

You turn red, choking on the wine. Kate sends you a look of pity.

Natasha smirks.

“I don't… I'm not sure- Um. Well, no.”

Melina hums, nodding to herself. “Good.”

She digs into her food, and you exhale in relief, feeling like the worst part is over.

“So where do you keep your stuff, Y/n?” Natasha asks over the rim of her glass, her eyes full of mischief.

Kate slides lower in her seat, boring holes into her fork.

Melina perks up, once again regarding you like one of her subjects. “I would also like to know. To pass the advice to my daughter and her girlfriend.”

You gulp.

“Well?” Natasha prompts.

You shudder from the intensity of the look she's giving you.

“Can we move on?” Kate whispers, looking around nervously.

“Yes, of course,” Melina nods, her eyes lighting up like she was waiting for a subject change.

Natasha sends Kate an amused smile, and you relax slightly. Now the worst part is over, you're sure.

“So, Y/n-”

Fuck.

“-are you single?”

You nod, shoving a forkful of some meat salad - which mostly consists of mayonnaise - to avoid talking.

“And you're gay, correct?” Melina asks, peering into your very soul.

You nod again, chewing fast.

“Why are you gay?”

You choke on a piece of potato, wheezing and reaching for a glass of water. Kate almost falls of her chair in haste to smack you on the back. Natasha just looks at her mother, unimpressed. “Really?”

“What?” Melina shrugs. “I'm a scientist, I'm conducting research.”

The redhead groans, rubbing her eyes. “Of course.”

You feel a little better now that Natasha is annoyed.

Melina still looks at you, expecting an answer.

You sigh, “Are you gay?”

She blinks, looking like an owl. Natasha chokes on a laugh, sending you a look of appreciation. Kate mutters something about bathroom and darts out of the room, hopefully to call Yelena and fix all this mess.

“Well,” Melina starts, deep in thought. “I suppose I've never given it much of a thought.”

You nod, feeling accomplished in swaying attention from yourself.

“Natasha.” The older woman turns abruptly. “You are gay.”

The redhead groans, sliding down in her seat. “Mother, please.”

“She's gay, and you're gay. You're both miserably single.”

“Huh?” You frown, affronted.

“Fuck my life,” Natasha mumbles into the table, her face pressed tight against it in a feeble effort of disappearing.

“Yelena's on her way!” Kate walks back into the room, triumphant.

“Finally,” you sigh, pointedly looking at the ceiling to avoid Melina's penetrative gaze. “Where's she, by the way?”

“Hiding, probably,” Natasha snorts, shaking her head. “Escaped the scene of crime and left her girlfriend to pick up the mess.” She raises her glass in Kate's general direction, “You're doing good so far, Bishop. Even brought reinforcement - good thinking.”

“Yes-yes,” Melina nods, her eyes darting between you three. “Yelena's a bit of a coward in that regard, but we have an important matter to discuss.”

Natasha glares at her mother. “No, we don-”

“Natasha can cook. Well, she can microwave.”

“What did I miss?” Kate frowns, settling back into her seat. “Actually, no. I don't want to know.”

“As I was saying,” Melina clears her throat, paying no mind to the murderous look Natasha sends her. You'd feel gleeful at that - Natasha's plan came back to bite her in the ass - if you weren't the other victim in this scenario. “Natasha can cook. She's excellent with knives. She's an excellent shot. She can dismantle a bomb in a matter of seconds. She's a… a catch.”

You smile at the miserable expression on Natasha's face, her cheeks dusted with pink.

“Oh…” Kate whispers, looking at you from the corner of her eye. “Well, actually, Y/n is-” she yelps loudly when your heel connects with her toes, and turns bright red at the shooting pain. “-a bitch. She's a bitch.”

The look in Melina's eyes turns gleeful. “That was excellent.”

Fucking hell, no matter what you do, your grave turns deeper and deeper.

Natasha snorts, chugging her wine like it's water. Melina's mouth opens again, and you say a stupid thing to save yourself from further embarrassment.

“Can we go back to Kate's handcuffs, please,” you mutter with a sigh.

The look of betrayal your friend sends you doesn't work the way she intended, because you don't feel guilty at all.

Melina's mouth snaps shut, her eyes widening. The sight alone tells you you said the wrong thing.

“Have you and Kate ever-”

“No!” you both shout, before the older woman can finish the question.

“Sounds defensive,” Natasha chuckles, reaching for the bottle of vodka.

“Wha- What?” You hiss, glaring at the spy.

“She's- Y/n’s not even my type! And I'm not her type either!” Kate splutters.

“Mhm,” Natasha hums, “that I can see.”

You gape, not sure if you're supposed to be offended. “What?”

Natasha smirks, planting her chin on her fist. “You need a firm hand. Your best friend is anything, but firm.”

Her eyes trail down your body, pupils darkening ever so slightly. Your cheeks burn and, suddenly, it's hard to breathe. You clear your throat and gulp down the last of your wine, carefully avoiding her gaze.

“O-okay. That's- okay, yep,” Kate mutters to herself. “Fuck my life.”

“Am I wrong?” Natasha husks, reaching across the table to play with the golden bracelet on your wrist.

Really, right in front of her mother?

The front door opens with a loud bang, and you jump up, relieved to see Yelena. The feeling doesn't last long, because a second later you notice the bleeding wound on her torso.

“So that was an actual mission,” you mumble, missing the way Natasha snorts in your haste to get Yelena to the couch.

Kate looks pale, but swiftly starts helping Yelena undress. Melina's ready with the first aid kid by the time they finally tear off the shirt.

“So?” Natasha whispers into your ear, sending goosebumps down your skin. “Am I wrong?”

Apparently, not even her bleeding sister can stop her.

“No,” you reply, “you're not wrong.”

She hums, satisfied. “I am miserably single, you know?"

You let out a loud laugh, not even bothering to quiet down when Yelena sends you a murderous look.

“I am miserably single, too.”

She smiles, nodding to herself.

“Want to fix that?” She asks after a bit, her eyes glinting in the soft evening light.

“They'll never shut up about it,” you groan, stepping closer to her.

“Yeah,” she hums, her grin stretching wider. “So?”

"A little help?" Yelena wheezes, glaring daggers at the two of you. "Hello? Your sister is dying."

“Yes,” you reply, not taking your eyes away from her green pools.

“Perfect,” she breathes, before pressing a gentle kiss to the corner of your mouth. “I'll pick you up tomorrow at six.”

"Fucking unbelievable," Yelena mutters and yelps when Melina shushes her with a pinch and a hissed "don't ruin my hard work".

Kate just looks like she's about to faint.

You grin. "I can't wait."

[prehistoricmancunt]

if a friend is experiencing/has experienced a loss and is grieving, and you don't have any experience in the arena of loss, please allow me to offer some advice on navigating conversations about the deceased loved one.

not every mention of their person is the saddest part of their day. sometimes saying "this was their favorite song" "oh they would have LOVED this" "God I wish they could hear the conversation happening at the next table" "I wish they were here" is lighthearted. the mention of their person can be joyful. or melancholic. or, of course, sad. it can be all of those things at once. but no matter, react to the sentiments as just another piece of the conversation.

you don't need to drop a 55 pound weight onto the conversation and stare at us in pity or silently stare in a combination of confusion and discomfort and sadness.

it's okay. we know they're dead. you acknowledging that in an equal state of nonchalantness will not shock us to death, it's not tasteless or crude. it's a relief. our dead people are still parts of our lives just like anything else, and giving your loved ones the space and comfort and safety to talk about their person is huge.

you can always respond by asking to hear more, by mimicking their tone. your friend laughs and says "they would have LOVED this", take it as a chance to learn why! was their favorite color yellow? did they love kitschy little throw pillows? did they utterly DESPISE kitschy throw pillows? are they referencing a specific story?

if they see someone that looks like their person and get a little sad, ask what reminds them of their person. what was their favorite feature of their person? does it make them mostly sad to see someone who looks like their person? did it make them feel a little bit happy for a moment?

we want to talk about our deceased loved ones. we yearn to mention people who shaped us. the way our society has conditioned us to behave around grief, to respond to the grieving, and to grieve ourselves is so backwards and void of empathy, so we often don't say what we wish we could say. (bell hooks has a wonderful chapter on this in all about love, new visions (ch 11))

by offering opportunities for people to reminisce you are truly making an impact and fostering a safe environment for those around you to grieve in ways we're often not offered.

[ao3commentoftheday]

Idk if this is too broad of a scope for this blog, but if you could answer this, it'd be great.

I've been in a writing rut since I started getting serious about writing, and I've identified the issue in the past month or so: I slant heavily on the gardener end of the writing spectrum and all the advice on writing I've ever seen was for architect-style writing. Not once in the eight years I've been serious about writing did I find any guides on gardener-style writing (and if it says it's gardener-style, it'sreally just architect-style with gardner aspects), and my experience has just been more or less jamming a square peg into a circle hole, getting nothing written and feeling bad about it.

Now I'm unlearning all the architect-style habits that are destructive to me as a writer, but I can't find any resources for gardeners aside from Stephen King's On Writing. If you or any of your followers know how to help a gardener's writing, that would be great. I have so many fic ideas I want to write, but can't since I'm learning to write all over again.

For those who don't know what gardener and architect refer to when it comes to writers, a gardener is a writer who starts with the seed of an idea and lets it grow in whatever direction the light shines. They prune it and weed it as they go but otherwise let the idea lead the way. An architect, on the other hand, plans their stories out first and then writes them. They have a structure and the details all mapped out first and then the writing is just executing on that vision.

As a gardener myself, my biggest piece of advice is to avoid writing advice. Like you've said, the majority of it is aimed at people who do things like plan and plot and worldbuild ahead of time. Because of the structure that that writing style enjoys, providing "one size fits most" writing advice works well for it.

I tend to find a lot of that advice to be counter to what I need to do. Planning a story out ahead just makes me feel like it's already written. Building out the world before I start writing it feels like a hollow exercise - more like writing an encyclopedia than developing a land and culture for my characters to inhabit.

What I find useful is taking an episodic approach to writing. The entire story will be like a season of a television show and each chapter is like one episode. I always have my eventual "season finale" end goal in mind, but any particular chapter can meander closer to or further from that goal. It's alright to take a circuitous route, as long as I get to my destination in the end.

It's also alright if my destination changes as I'm writing. Sometimes those meandering paths take me in a more interesting direction than I was originally going down, and that shifts the story. As long as you're vaguely following a three-act structure (or 5 act or 7 act), the flow of it will feel familiar to your readers and they probably won't really notice it happening.

This advice I'm giving might not ring true to you either. You didn't have a specific problem to address, so I've been wandering a bit in my reply. Really what it comes down to is paying attention to yourself and your needs. Figure out what it is that keeps you writing and what it is that makes you stop. Do more of the former and less of the latter - and don't worry if what you're doing is "weird" to someone else.

I write directly into the AO3 window (which AO3 specifically tells you NOT to do, btw) because drafting first in google docs or something takes the fun out of it for me. I post my chapters without previewing them first. I write in 800 to 1500 word sprints, and I focus on dialogue, and I almost always try to end on a joke or a pun or a cliffhanger. These are all things that make writing an activity that I want to do.

I can't really say anything much more specific given your ask, but I hope something in here was helpful. Let's see if any gardeners out there have some resources or advice that might work for you.

[talaok]

Keeping up

Pairing: No outbreak!Joel Miller x reader

Summary: You convince Joel to go on a hike with you, but being that he's 56 years of age, he gets home barely in one piece, which means he needs a massage, which may lead to something more...

Warnings: age gap (reader's 25 and Joel's 56), a lot of sexually allusive jokes and stuff, and very soft and fluffy smut (unprotected p in v sex)

"Keep up, Grandpa!" you called, turning around and catching him taking yet another break.

He had his knee popped to the side and his hands on his waist as he pretended to take in the view while really just trying to calm his heavy breathing

He had fallen behind a while ago, but kept insisting you continued at your pace.

It took a lot of convincing to persuade him to go hiking with you, some unconventional, but definitely effective methods of persuasion were used, and finally, this morning, you had managed to make him cave in.

It was only a two-hour hike, but he was acting like he'd been walking for ten days and nights with no food and water.

"I'm coming!" his voice sounded through the woods.

"You sure?" You couldn't help but grin, watching his chest rising and falling way too quickly

"I just need a moment"

Letting out a breathy smile, you retraced your steps on the makeshift track to reach his side.

"Tired?" you asked, already knowing the real answer, and the one he was gonna give you.

"Nope" he lied, making you chuckle.

He was so predictable

"Ah" you hummed, mocking him "so you're choosing to walk ten steps behind me"

He turned to look at you, his hazel eyes sparking with mischief

"Well, I don't mind the view these leggings of yours are giving me..." he arched a brow as his hands reached for your ass through the fabric.

"perv" you smirked

"Yup, that's me" he nodded, bringing you in for a kiss.

He could never get enough of you.

He had no idea how he had managed to make you fall in love with him, and so he acted accordingly, kissing and touching you every chance he got in case one day he was gonna wake up and this turned out to be just a dream.

"at least you admit it" you joked, biting his bottom lip playfully.

Oh how he fucking loved you

"C'mon now, we're almost there" You smiled that stunning smile of yours that made him almost forget how tired he was.

"You said that an hour ago too, angel" he reminded you

"I did, didn't I?" you smirked, starting up the hill again, and leaving him behind to wonder how the hell he had ended up there.

But then of course he knew... his ability to say no to you seemed to disappear every time his cock was in your mouth.

__ __ __

"goddamnit sweetheart" he groaned, laying on the bed face down.

He didn't bother to change into his clothes simply because he couldn't, the towel around his waist was gonna have to do.

By the look of it, your advice of "A hot shower will help you out" hadn't really worked.

"Poor baby" you cooed, setting your book down on the nightstand to pay attention to him.

"I'm never hiking with you again" he sighed "I'm hurting everywhere"

"I'm sorry" You stifled a smile at his pained expression "Here," you said, getting an idea "How 'bout a massage?"

"Mh that does sound good" he considered

"Yeah?" you asked, getting on your knees beside him

"Yeah darlin'"

You smiled, as you gingerly straddled his hips, not wanting to hurt him.

You rubbed your hands together to make them hot and then gently pressed them against the very top of his broad back, slowly starting to make your way to his shoulders to rub his pain away.

He groaned in pleasure beneath you

"fuck that feels good" he breathed once you applied more pressure.

You chuckled "I've heard that one before"

"Mh, I'm sure you have, angel" he grinned, closing his eyes as you took such good care of him.

You smiled as you started massaging his lower back too, drawing circles with your thumbs and relaxing his muscles one at a time.

"You're really good at this sugar," he spoke, as his hand found your right leg and started caressing it slowly to try and pay you back a little bit.

"Why thank you" Your lips pulled into a smile "I'm a woman of many talents you know?" you murmured sultrily, bending down to gently press a kiss to his neck.

"I know that very well, darlin'"

"Good" you nodded, finishing up his back "Now turn around"

"Yes ma'am" he obeyed immidately once you got off of him, just to climb back immediately once his back was on the mattress.

His heart couldn't help but skip a beat at the sight above him.

You looked so fucking sexy drowning in that shirt of his, and the fact that he was pretty sure you only had a pair of panties underneath it, only made it worst for him.

You didn't seem to notice the way he was practically eating you up with his eyes as you started massaging his chest.

God those hands of yours deserved their special place in heaven

He watched you biting your lips to concentrate as your fingers made all his pain disappear for just a moment.

Suddenly, he noticed a smirk splitting your face as you looked up at him.

"I see somebody isn't as tired as you" You raised an eyebrow before gently rubbing your core against his growing bulge.

"oh fuck" Joel breathed heavily 

"Sweetheart..." he murmured pleadingly as you did it again

"What?" you teased

"Trust me I'd love to fuck you right now, but I'm afraid that if I move one single muscle I'll have to go to the emergency room"

The chuckle that left your throat sounded more like angels singing to Joel.

"Who says you have to move a muscle?" you asked mischievously, as your hand slowly reached for the towel around his waist, undoing it in one swift move.

"Oh darlin'" he grinned lazily, "I'll never know what I did to deserve you"

You laughed softly at how happy he looked, before getting rid of his towel and taking his cock in your hand.

He was throbbing already

You stroked him a few times before you let your fingers find your panties and quickly pulled them to the side.

You wasted no time sinking down onto his length.

Giving him this massage had worked you up just as much as him.

his groans merged with your moans at the motion

"f-fuck" you muttered

No matter how many times you had sex with him, your pussy never really got used to the stretch.

"goddamnit darlin', you feel so good" he breathed

You smiled down at him before deciding to take off your shirt.

You didn't want it to get all sweaty...

He groaned even louder at the sight.

Your perfect tits bare before him, your perfect cunt hugging his cock so well, your perfect mouth parted as you sucked in ragged breaths, and then finally your perfect blown-out pupils staring down at him like he was the most handsome man on earth.

You were a fucking vision.

"fucking christ angel-" he growled as you started moving up and down his shaft "Look at you" he whispered, not able to stop his hands once they reached for your waist "How are you this fucking perfect?"

You just let out a breathy chuckle, continuing to bounce on his cock.

God, it felt good.

He always managed to hit that spot inside of you that made you feel better than anything else.

Your nails clawed at his chest, no doubt leaving some scratches, not that he minded... he loved when you marked him up.

Suddenly, you sped up your movements, making him tighten his hold on you

"Jesus Christ sugar" he groaned "How do you still have any energy left?" 

I mean every muscle of his had given up even trying, while you... well while you still had the energy to ride him like a damn pornstar.

And he would have liked to say this was the first time something like this had happened, but the truth was that the difference of age between him and you had made itself heard more times than he liked to admit.

He wasn't a teenager anymore, his back wasn't the same, his stamina wasn't the same, and you... Well, you were the exact opposite.

You were unstoppable, and fuck but you were insatiable

Before you, Joel got laid maybe once every six months, and now he found himself having sex at least twice a day.

Not that he was complaining obviously, it's just that he sometimes still wondered how the fuck you managed to pull it off.

"That's what being 25 will do to ya" You smiled, leaning closer to him to kiss his neck

"Mhh" he hummed, as one of his hands reached upwards to grab your tits "You're saying I'm old?" 

The soft sound of your laugh tickled his ear 

"I'm saying I'm young" you answered, rubbing your nose against his beard until his mouth was right in front of yours and all you needed to do was kiss him.

One of your hands had to grab at his shoulders as you felt your orgasm approach.

"oh fuck baby" you breathed, ghosting his mouth

"you coming?" he asked, watching as you shut your eyes, lost in pleasure.

"mh-mh" you managed to nod, before you hid your face in the crook of his neck and bit down onto whatever piece of skin you could reach.

"That's a good girl" he praised as his left hand found your butt and gave it a good squeeze "Give it to me angel" he urged

And without another word, you did, squeezing him and making him come just as you were coming down your own climax.

If he had to be honest he had been close since you had taken off your shirt.

"mhhh" you hummed satisfied, as you leaned away a little to look at him.

His lips looked way too delicious, so for good measure, you met them with yours for a brief moment.

"goddamnit sweetheart, you're gonna kill me one of these days" he smiled, gently stroking your sides

"Yeah..." a mischievous smirk erupted from your lips "and that day might be today"

"What are you talking about?"

You grinned

"Ready for round two cowboy?"