I actually tend to hc that all the Links are descended from another at some point.
However, what do you think about epigenetics being a viable reason for such?
You mean epigenetics being the reason they all are similar? Or that epigenetics is the reason they're all descendants of each other? I'm not sure I understand the question.
However, considering that epigenetics regards the condensed-ness (that's not a word but oh well) of the histones and the DNA wrapped around them and that most epigenetic changes are extremely reversible due to being caused by environmental stimuli (the only epigenetic changes that are permanent being CpG methylations in gene promoters, because those control cell differentiation.), I don't think epigenetics would leave a permanent mark on all Links as a whole. If Twilight Princess was Ocarina of Time's grandson or great-grandson, then that would be the only time I could see epigenetics playing a role in more than one Link. However, I think the rest of them are too far apart in the bloodline to have any real epigenetic effect on each other. Generally, epigenetic changes have been reversed after two or three generations, unless whatever stimuli that caused the original modification was persistent. (We used diabetic rats and poor/proper dieting for this study, and research on psychological epigenetics is still very new)
Although now that you mention this, I am curious to see how epigenetics would play a role in BotW/TotK's children.
I hope that answers the question!
For me I definitely hc that Skyward, Ocarina, Twilight Princess and BotW/TotK being all relatives (BotW being descended from TP literally being a foundational piece in my lore). I just don't know enough about the rest of them to decide for the rest of them.
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*Checking the calendar*
Hey it’s Friday the 13th.
Cool ig.
Have a black cat to celebrate that you almost survived the first two weeks of 2023:
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I rise from the grave for Eclipse’s birthday.
My gift? A guided missile launcher.
"WOW! THIS IS PERFECT FOR BLOWING UP SHOP STANDS!!"
"Which is why you won't be using it," Shadow snatched the large weapon from his brother's hands, which made the darkling pout. "You're chaotic enough without a literal firearms in hand."
"But I could be so much woooooorrrrsssseeee~!"
"Exactly my point," Shadow began to walk away, but once he was far enough, he thought to himself
I'm so going to keep this...to...help promote my superior image...yes.
I'LL FIND IT.
DAMN YOU AND YOUR MENTAL RANGE.
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AU where Mr. D claiming to be Percy’s dad accidentally counts as Claiming according to Greek god law or whatever and now all the other gods legitimacy believe Percy is his son, but if Mr. D corrects it, he has to explain to Zeus why he pretended he was Percy’s dad so now he’s like “YEP ol’ Perry Johansson is MY child wowie just look at the little fry, you have your mother’s eyes. Please stop standing next to water or you will blow my cover”
Meanwhile Poseidon is just standing off to the side like “how on earth did I dodge THAT bullet”
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“If you want more representation” okay but what if they did a better job than all the other actors???
Like, with PJO Rick didn’t go “only black people can audition for Annabeth!! Grover has to be Indian! Zeus has to be black!”
No, the actors auditioned, did a good job, and got the gig.
Like instead of crying cause all these white actors didn’t get it, ask yourself if they even deserved the position.
Everything isn’t some “woke” propaganda or “more representation.” They just deserved the job.
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*carefully picks you up and peeks into your conch snail shell*
Ehm... Sorry to bother, but... Could we, maybe, possibly... see Vasco's wife and her lover pictured by your hand? Sorry again, thank you for listening. Take care.
*delicately lays you back into the water to prevent any stress or dehydration*
Unfortunately I don't have her lover figured out yet, but I think Ludovica looks something like this:
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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network suits: okay guys, you got your gay episode last season. we want to see dax being heterosexual in s5. any questions?
robert hewitt wolfe, taking a long drag on an enormous blunt: what if she does erotic pottery with the woman who fucked her to death in her last life. is that allowed
suits: what
wolfe: the woman who fucked curzon to death is played by vanessa williams
suits:
wolfe: it’s set on the swimsuit planet
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