#Got to set the tone.

[jinstronaut]

happy 30th birthday, kim namjoon (김남준) !

[strawberryscare]

brennan being like “dude. half your party is stunned and one is dominated. your wizard is surrounded by enemies. you wanna take your action to interact with this bird?” BUT STILL HAVING THE VULTURE DIMENSION READY BECAUSE HE KNOWS THAT THE INTREPID HEROES WOULD NEVER GIVE UP A BIT. GOD BLESS

[dvcky-duck]

some more random art from my au :P

[seasideoranges]

i love your zukka art!! have you ever drawn them in a modern setting? i would love to see you interpret their clothing styles!!

sincerest apologies that their outfits are kinda boring especially sokkas, designing modern clothing for the atla gaang is very difficult for me haha

[muzzleroars]

introductions

[soulless-bex]

nico di angelo finds a recently revived jason todd, helps him recover from not being dead anymore and brings him to camp half blood when it becomes obvious he’s a demigod. and so begins the game of Who Is That Child’s Godly Parent?

some think it’s athena because he’s clearly smart and well versed in strategy

some others think it’s ares after seeing him fight

hermes cabin is convinced he’s one of theirs because the guy is one hell of a thief

turns out it was dionysus all along. jason knew since day one of course. he just inherited the dramatics from his dad, amongst other things, and wanted to see what would happen

[midnightdemonhunter]

am i the original, the remains, or the later writing?

Fresh off my first watching of Sophomore Year, I was desperate for more Nightmare Forest-esque content for my beloved bad kids. Thankfully, I immediately stumbled upon @gilears fic Over and Through! I absolutely adored this fic, bingereading it in one go, and knew I needed to show my love and feelings somehow!!

So here are the six bad kids' personal hells, shown in my order of reading!

[iknowiknowiknowtheend]

DREBLR BIG BANG!!!! I did draws for @subwalls fic! here’s a link to their ao3. at time of me posting the fic isn’t up yet due to accursed pc issues SO STAY TUNED FOR IT!!!!!

[becca-e-barnes]

Ok but what about submissive!dbf!bucky with a praise kink? Maybe one found accidentally? In the drabble where the reader wanted to say he was beautiful, what if she does and he just moans?? What if the word the reader is looking for is pretty? Imagine calling an older man pretty and he nearly finishes just from that?

Back to my current favourite, submissive!dbf!bucky bc I can't get enough of him rn, I have so much I want to talk about

Because ohhhh, I love the thought of him being so totally obsessed with going down on you, to the point that he'd almost do anything just for a taste of you.

And maybe he'd seen you in a pretty little dress at a get-together at your house. Maybe a birthday party or something. You had both been keeping up appearances, pretending nothing is going on between you because he's your father's best friend but he'd taken the risk and approached you, leaning over and whispering in your ear. "Next time I get you alone, I'm going to lick from your ankle to your cunt." That's all he says, his hand rests on your lower back and you barely feel the heat of it through your dress before it's gone again. God, you hope that's a promise.

Of course it is. As soon as he gets a chance to sneak away from everyone else the two of you are tiptoeing up the stairs to your bedroom. After a fierce few minutes of intensely making out, he's laid you gently onto the bed, pushing the skirt of your dress out of the way. He doesn't waste a second, his lips on the inside of your ankle, humming contently as he kisses his way up the expanse of bare skin.

For a man who's kissed every inch of your body, he never seems to get tired of it. His slight scruff scratches your skin and it's lovely to be reminded of how intensely he's worshipping your body.

"You look. So. Fucking. Breathtaking." The words are muffled against your skin, his lips trailing hungry kisses up to your knee. One of his hands holds your leg, keeping you still while the other slips higher under your skirt.

You brace yourself for the groan you know he's going to grace you with and when it comes, it doesn't disappoint. The fingertips of his index and pointer finger trail lazily across your bare sex, gliding easily thanks to the evidence of your arousal.

"No panties?" His fingers keep teasing you, trailing from your fluttering entrance to your clit and back again, giving himself time to decide where he wants to start.

"I took them off after you told me your plan and so far you've let me down." If this were any other night, he'd probably tell you to watch your mouth before he fills it but tonight is not that night. Tonight he's desperate to taste you; to walk back down those stairs, look you in the eyes for the rest of the evening, knowing he made you cum against his mouth and no one else in the room can tell. Then jerk off to the memory tonight when he's back in his own bed.

He wastes no more time after that, flattening his tongue against your ankle and purposefully trailing it up your leg to your knee, then on up your thigh. At the same time, he eases his two fingers inside you, curling them against the soft, velvety wall of your cunt.

You hold the skirt of your dress out of the way so you can see him latch his mouth onto your clit, sucking gently and flicking his tongue while he curls his fingers inside you.

This is fucking magical. You know his mouth is flooded with the taste of you, your fingers tangled in his hair to keep his mouth pressed against you. "Fuck, that's perfect." It's the only way to describe the sensation of his mouth and fingers working you in tandem.

He's lost in it. His eyes are closed in concentration, determined to give you what you need. He needs to please you and it's not a need you've instilled in him. It's one he's always had.

"You're so pretty, do you know that?" It's bouncing around in your head and you feel like you need to say it.

He groans against your sex and you don't think anything of it until he mumbles "Please don't call me that. Not right now." His fingers work you faster but your hazy, pleasure addled brain still manages to ask him why.

" 'Cause sweetheart, I don't want to cum in these trousers. I don't have a change of clothes. Didn't even know I was into that." He sounds smaller, almost pleading with you, palming his cock through his dark jeans.

"But you're gorgeous, Buck. You have no idea how pretty you are with your head between my legs." The moan he emits is so rewarding you swear you could get off on that alone, never mind his renewed need to make you finish quickly before you get him to a point of desperation.

[twifairy]

Forgot to post this one to Tumblr whoops

[coridallasmultipass]

HAPPY 413! Here's more of the [non-Sburb AU] Filipino/multiracial Striders I write and draw. Bitter melon was on sale in the store, so I bought a ton, and I was like, 'How can I make this Homestuck content?' Lol. I like the taste, but I thought it would be funny to have Bro bully Dave into eating it as a punishment for being a sneaky vegetable-hating teen. (Good thing Lil Cal is always there to keep an eye on him when Bro is out.)

Idk, mostly wanted to draw the food, bc bitter melon looks so fun when it's sliced like that.

Bro and Dave are both trans men.

Image text below cut:

[Dave walks in on Bro cooking. Lil Cal is seated at the table already.] Dave: the fuck- what are you cooking Bro: Ginisang ampalaya. Heard you're not eatin' your veggies. Dave: cal... fuckin snitch Bro: HEY. Dave: seriously what is that alien dick Dave: ugh its all bumpy too Bro: Bitter melon. It tastes like cucumber skin, but has a better texture. Dave: fuckin gross Bro: What, are you a fuckin' pussy? Too white to try pagkaing Pilipino? ["Filipino food"] Dave: damn right if it involves warty dick-cumbers Dave: aint filipino no more Dave: gonna have to hog the white genes on this Bro: Here. Prob want some cock sauce on that. [The food has crisp bitter melon, melted tomatoes, and scrambled eggs.] Dave: ugh do i have to eat it Bro: Yes. [Everyone is seated at the table. 'Cock sauce' is Sriracha because of the rooster on the bottle.] Dave: oh its not bad Dave: ... [The bitterness sets in.] Lil Cal: HAA HAA Dave: is this even edible Bro: Sure is. [Bro eats it normally.] And if I hear you're not eating your vegetables... Well, I'll just have to cook more of the same thing dad used to make me. There's enough to last all week. Dave: ...fuck Bro: Eat up. It's healthy. Dave: please dont make me eat this Dave: ill eat any other vegetables ok? just not this Bro: That's what I wanna hear. But you're still finishing this one. For throwing out all that food. Dave: ugh END.

[red-moon-at-night]

An Analysis of Haruka’s MVs: Distance and Disability

Hello! I’ve recently fallen down the rabbit hole that is Milgram and I have been itching to make some completely normal and sane analysis posts. My silly alternate title for this was gonna be “Things About Haruka’s MVs That Just Make Sense: A Hyperfixation-fuelled Analysis”, because honestly my autistic brain has been having a field day over here.

I am in awe with just about every single music video in this project; the animation is incredible and each one packs so much carefully laid out information. But I have been rotating Haruka’s in my head constantly since I first watched them, and I have a lot of Thoughts. Not about whether he’s guilty or innocent/forgiven or unforgiven. Not about whether or not I can justify his murders. Just some straight up imagery and symbolism analysis, through the lens of disability.

Haruka’s disability has not been specified, but I am confident we can at least say he is neurodivergent. I feel like the cultural differences in names for several things e.g. ‘learning disability’ vs ‘learning difficulty’ will just invite unnecessary drama, and is a little pedantic. What does matter here is that Haruka's experience as a disabled person is heavily intertwined within his story and his motives. 

So, without further ado... let’s get into this!

Trigger warnings/TW: I will be discussing ableism, eugenics and harm towards disabled people. Everything else will be related to the music videos ‘Weakness’ and ‘All Knowing and All Agony’, so any triggering content within them may also be mentioned. Read at your own discretion and stay safe!

Disability: some brief (important) historical context

It is only within the last few decades that those who are disabled have been ‘seen’ for the first time. A modern society is (ideally) expected to be built to include and accommodate for disability, and to acknowledge disabled people’s existence. But for many countries (even the ones making steps outlined above) this is still not the case. For a very, very long time, globally, that has not been the case.

For most disabled people, society makes it very clear that they are a burden to it and are better off not existing. 

I’m going to make this section as succinct as possible because...it’s heavy stuff. But it’s important, and I want you all to get the gist of what I’m saying. The weight of it.

Let’s highlight a piece of history regarding IQ and eugenics, surrounding the publication and subsequent worldwide reception of ‘The Kallikak Family: A Study in the Heredity of Feeble-mindedness’ by Henry Herbert Goddard in 1913:

“In 1927, it was used as evidence in the case of Buck v. Bell, which culminated in a Supreme Court ruling that the involuntary sterilization of ‘mentally defective’ persons was not unconstitutional in the United States. By 1938, thirty-three US states had passed laws allowing for the forced sterilization of women with learning disabilities and twenty-nine had made sterilization  compulsory for people who were thought to have genetic conditions. Many European countries followed suit: Denmark in 1929, then Norway in 1934, and after that Sweden, Finland, Estonia, Iceland, Czechoslovakia, Yugoslavia, Latvia, Hungary and Turkey.”

— Limburg, J. (2021) Letters To My Weird Sisters: On Autism and Feminism, p. 126

This history of a ‘sterilization law’ includes Japan, who between 1948 and 1996 enacted the Eugenics Protection Law which “authorised the sterilization of people with intellectual disabilities, mental illnesses or hereditary disorders.” According to the government, about 25,000 were sterilized.

SO. It’s important to bring this up. To establish how much disabled people are not wanted, just from their governments. Let alone society. To this day, disabled people are hidden away from the public by families that are ashamed of their existence.

Japanese culture values collectivism, and maintaining the harmony of a group...to the extent of excluding those that don’t fit into the mould. That are different.

The question is: where do they go? The ones that are publicly rejected?

Haruka and The Curious Case of Distant Waters

Okay that’s enough of the heavy real-world stuff! Time to delve into some...*checks notes*...heavy fictional stuff. Fun!

Haruka’s MVs prominently display themes of distance and separation through the motif of water, specifically being submerged underwater. 

The name Haruka reinforces this concept as the specific kanji used (遥) translates to ‘distant’, ‘remote’ or ‘far away’. As there are many, many kanji choices for the name (including but not limited to: ocean/sea, eternity/permeance, clear/distinct/obvious, and spring/growth/cherry blossom) it feels like a particularly cruel and intentional choice to go with that one.

Through the exploration of this motif, we can see the extent in which Otherness/the state of being ‘Other’ drives Haruka to great lengths to close the distance and escape it.

What I noticed throughout both MVs (particularly AK&AA but note the beginning scene of Weakness), is that whenever Haruka looks at himself in a reflective surface (e.g. the vanity mirror, the fish tank), water either begins to rise and overwhelms him, or is already there and he appears submerged:

I think this is the “All-Knowing” part of AK&AA. He knows he’s different, and he knows there’s a huge ocean between him and his peers, his family, everyone. A disconnect when trying to listen and understand, but also when trying to be understood by others and listened to himself.

You know when you submerge your head in water, and your hearing gets all muffled and incomprehensible? And have you ever tried speaking underwater? You can’t, because if you open your mouth you’ll drown. It’ll just come out as bubbles rising to the surface.

I also think the bubbles symbolise rising tension, between what he wants and what he currently has. Bubbles are everywhere in these MVs, even in places where they shouldn’t logically be? Such as this scene, following the line “don’t wipe me out, don’t wipe me out”:

Immediately pans up to Haruka gasping for breath, droplets of water rising from...somewhere. For about a split second, and they’re gone. 

This boy is really going through it. I’m getting an ‘emerging from the ocean before I drown’ vibe from this one folks. When the line that follows this scene is “I can’t stop, I can’t stop”, what I’m REALLY hearing is “I can’t stop (killing) or I’ll drown”. This is his lifeboat, pulling him out from the depths of being neglected and hidden away, into the spotlight.

Some interesting images from Weakness in relation to that (of spotlights):

Anyways, onto the next point:

Blue to Orange: Water to...Nectar?

So, the orange liquid. It’s clearly representing blood, but I don’t think this is just a “danganronpa pink blood” situation of censoring/getting this video onto youtube without restrictions.

I think it’s most likely honey, specifically nectar.

The etymology of the word nectar shows its compounds translate to “death” and “overcoming”. Nectar is also called the drink of the gods, so it would make sense for it to be a ‘death-defeating’, immortalizing liquid.

For Haruka’s victims to contain nectar is very interesting. It reinforces that necessity to kill, to take the life of another, to sustain himself. To overcome the ‘living death’ he is experiencing by being hidden away from society. 

This is his means of escape from drowning.

However, as we all know, things don’t turn out great for him. By the end of AK&AA Haruka is rejected once again by his mother, after which the door is shut (the light with it is gone too) and we’re met with this imagery:

The nectar floods the room, engulfing him much like the water from earlier. 

There are many things we could take from this. One being that the nectar-gathering/killing-spree has clouded his vision; it’s so sweet, so sickly sweet and he’s addicted to the taste of attention, even if it’s very bad attention. 

Who else has honey imagery in their MV again?

Oh, right. 

Anyway, the nectar/honey situation could also be representing submerging into an even further level of distance. All that murder is gonna push people away, despite his motive being to close the gap between him and normal people. The 'ocean’ has lost clarity and become a maddening, delusional substance. After all, there is a type of honey literally called ‘mad honey’ known for its medicinal and hallucinogenic properties.

That’s enough about honey, though. Let’s move onto less unfortunate... oh, sorry, what was that? *checks notes*...Ah, yes. I meant to say, let’s move onto even more unfortunate symbolism:

The Necklace

So, this necklace. Haruka steals it from his mother’s belongings, and is his only material, physical connection to her. It is taken on the declaration of “making (her) love me again” and getting her attention once more, now he is no longer a child but a teenager closer to adulthood (at least, that’s what I consider the ‘shirt with a vest sweater and tie’ to represent. child him = the blue polo, teenager him = this one, adult him = an amalgamation of his teenager clothes).

I wasn’t sure if this was an opal or pearl/mother of pearl, but I’m leaning towards opal from the other depiction of it in Weakness:

Opals are fun because they can symbolise both good luck and bad luck, usually to do with whether it’s your birthstone. There’s something to be said of Haruka’s belief in his ‘misfortune’ and the superstition surrounding these gemstones.

But they are even more interesting for the powers they supposedly have; in medieval times the opal was considered the ‘patron of thieves’ for their ability to grant the wearer invisibility.

There is a deliciously sad irony to Haruka’s theft with that titbit of information.

Now, if this isn’t an opal, and it’s a pearl/mother of pearl there’s still some fun interpretation to be had! A little less sad, even. Pearls invoke strong imagery of the sea, of purity, and of a connection to the maternal. If this is the last thing he has relating to his mother, I can see this necklace representing a lifeline when he’s deep in the ocean. A reminder of why he’s doing all of this killing, and who it’s for.

His mother’s attention (or the idea of having a mother at all, any mother) is his driving force in life.

Speaking of that...

So We Really Need To Talk About That Fish Tank: AKA, Why Haruka’s Mom Wins ‘The Worst Parent of The Year’ Award

This fucking fish tank.

Okay, I’m gonna start by saying: I don’t think this is reading too far into things. When it takes an animation team months, sometimes years to create a 3-5 minute music video, and one as detailed as this...you don’t just wing it. There are storyboards, there are key frames and there are choices made down to the smallest of details.

From the sheer volume of animal/insect/fish décor that resides in the Sakurai household, you bet I’m gonna pay attention to what type of fish are in that fish tank.

For one thing, they live in saltwater. This is a marine tank, aka the harder choice of aquarium to have. I mean, way, WAY harder. For the experienced only.

These fish right here? One is a clownfish, and the other is a yellow boxfish.

Boxfish are a nightmare to keep alive. This article goes into more detail than I will, but all you need to know is: if there was ever a fish out of all the fish you could possibly want in your tank, this is the one to avoid like the plague.

They release deadly toxins when stressed, as a survival instinct. Boom. All your fish are dead. They need to eat a shit ton of food, but are notoriously clumsy swimmers and slow eaters. Boom. Starving, stressed out boxfish. Boxfish either dies from starvation or dies from stress and toxins.

For Haruka’s mom to have not just one of these fuckers, but a tank consisting ONLY OF MULTIPLE BOXFISH AND CLOWNFISH...

This is a high-maintenance tank. And it shows how much time and effort, how much care she puts into the things she loves.

How neglectful she is as a parent of a disabled child in contrast.

There’s something about the last scene between Haruka and his mother that reinforces this for me:

Haruka’s relationship with animals and himself: AKA, “why don’t I just become the damn fish tank?”

Let me backpedal a little bit. This subheading will make sense in a minute.

So, like I said earlier we have a lot of décor in this house relating to insects and fish. We also have a lot of pets. Both living and dead, taxidermized creatures in one household, proudly on display.

I think this may have created some confusion for Haruka regarding the value of animals being alive or dead, as in his perspective his mother values both equally. The fish in a tank may be full of alive creatures, but they’re still on display as if it’s artwork. Isn’t breaking the glass of a framed picture of a fish equal to breaking the glass of a tank with a ‘picture of living fish’?

(This isn’t to say Haruka is clueless to the impact of his actions, nor to justify any harm to animals. I just find the train of thought to be intriguing.)

So when considering these ‘objects’ are proud trophies of his work:

This is a carefully arranged display, which by the way, doesn’t contain a single fish. In fact the only piece of that moment visible here is the...large piece of driftwood? Okay. Keep that in mind.

We proceed into Haruka’s mother opening the door and seeing her son, for the first time in any of the MVs. Note the way they composed this shot:

I’m obsessed with this scene. The blue eye framing Haruka, with a literal fishbowl effect on him...

He is the goddamn fish in the aquarium now. His mother’s full attention is on him and him alone, with only the dead animals, the books, the lamp and the driftwood as window dressing to this wonderful display.

Doesn’t it just scream “Look at me! Look at what I did, mom!” to you?

That blue spotlight is on him once more. He is not just drifting deeper into an endless ocean, but contained in a vessel to be stared at.

One Last Observation

I didn’t know where to fit this in but I think the end feels appropriate.

His clothing here:

Is a frankenstein-esque mash up of clothes from his younger years. He wears this throughout AK&AA, and as I mentioned before it signifies him as an adult. However, I should clarify what I mean here as Haruka says “he thinks he’s 17″ and “doesn’t care about his age”. So... not an adult, but on the cusp of adulthood.

But I think he actually does care about his age, and quite a lot too.

This outfit feels symbolic of refusing to let go of the past, and of himself as a child. He’s literally grown out of his clothing, but he still clings onto it. He’s attached to the past because it not only contains his happiest moments, but the change from being loved to becoming neglected.

As a disabled person, you’re often treated with a lot more forgiveness when you’re younger. That is to say, some people don’t realise that children with disabilities grow up into adults with disabilities. There is a point where even support from medical and social services drops off like a cliff edge once you turn 18.

The ill-fitting clothing in this context becomes more than a reflection on Haruka’s feelings, and extends to reflecting society’s feelings on disabled adults ‘refusing to grow up’.

I don’t blame Haruka for holding onto his childhood like this. He’ll be even less publicly visible and seen once he is no longer a pitiful child, but a ‘weird’ adult in ill-fitting, children’s clothes.

[icantalk710]

Upper body gym day today wasn't too bad 😌

[mleemwyvern]

do you like team rancher? would you like to fill out a tierlist of 64 different flavours and tropes for them? well, i love ranchers, and i made a tier list template of (some of) the many different ways to ranch.

have fun!

[the-l00ker]

(to clarify I mean this from a writing perspective. Like I don't think the writers necessarily, originally intended for Stolas to be racist and when you break it down I think they were going for him being more classist but at face value he seems racist.

Put together, and at face value he's racist. Breaking it down and from a narrative point, it seems he was supposed to be classist. WHICH IS STILL A BAD not defending the man in that front

Genuinely don't think they intend for Stolas to be a completely racist person/didn't intend for old (season 1) Stolas to be racist, but when you look at it all put together he's definitely got SOME racist energy.

But they definitely doubled down in season 2 on "old Stolas was racist bc of the people he grew up with"

But I'm just breaking down why I DON'T THINK THEY ORIGINALLY WANTED IT TO BE THAT WAY and it wasn't really an error, it was more of a one-track mind approach)

Someone on twitter said that Stolas is racist

ALSO DON'T GO TRACKING THEM DOWN TF?!+

...

BUT HE'S NOT-

(from a writing perspective/break down perspective)

He has been conditioned into being classist. Stella's the racist one-

✨🧵AhEm🧵✨

When lil Stolas was meeting Blitzo for the first time, and he bows to him, paimon says something along the lines of "don't bow, he bows to us idiot" before smacking him over the head

Paimon implies ( and outright says) that he should bow to him because he's not worth it, because they're better then them. Richer. Power. Just "better"

However Stolas, continues to treat them like equals even when they're playing. He doesn't look down on Blitzo for being an Imp. But Stolas doesn't acknowledge that they have different lives because Stolas is rich.

He just assumes Blitzo could read, has a education and wants to learn but changes his tune when Blitzo awkwardly stares at him and suggest something else.

In the future right after the whole "omg you slept with someone" happens to Stella.

Stella says "You slept with an Imp in our fucking bed!" now today isn't a discussion of how much of a narcissistic bitch Stella is so we'll leave it out there to chill

BUT Stella says you slept with an Imp. Not a person. But an Imp. STELLA IS THE RACIST ONE BECAUSE SHE ONLY SEES HIM AS AN IMP AND NOT AN ACTUALLY PERSON

(and if you don't see it, imagine saying "I can't believe you slept with a person of colour!" that's basically what Stella said)

Stolas doesn't even acknowledge it, saying he didn't have enough time to get a Motel. Stolas doesn't say anything about Blitzo being "just an Imp" he just talks like he's sleeping with anyone.

You could literally change Blitzo name for anyone else and I'd still work.

But here's the thing, Blitzo is one that see Stolas as a bit of a racist because he thinks Stolas was the one who bought him for a day or so.

Like he thinks Stolas bought him. But it wasn't Stolas. It was Paimon, he bought him so that he won't have to deal with Stolas being upset. Stolas didn't even have a choice in the matter so it wasn't his fault.

But here's how he's UNINTENTIONALLY classist.

AhEm

Literally the entire relationship and dynamics-

Stolas technically bought the IMP services TWICE, once in the trailer/pilot and another in the Loo-Loo Land episode.

Stolas rented Blitzo team out for the day, because Stolas was paying him to do so. He practically bought Blitzo's time.

He looked down on Millie and Moxxie because he really only intented to buy out Blitzo time and not there's. He didn't need protection as we can see at the episodes end, he just bought Blitzo's time for entertainment. FOR ENTERTAINMENT

Stolas initially thought that he was entitled to Blitzo's time because he bought out THE WHOLE BUSINESS SERVICE FOR ONE DAY.

And at the beginning of the Stolas literally says "We're rich and we're hot, people want our money and our bodies" HE'S IMPLIES THAT HE'S SUPERIOR TO EVERYONE ELSE NOT BECAUSE THEY'RE IMPS OR HELL-BORN DEMONS

IT'S BECAUSE THEY'RE RICH! AND HE ACKNOWLEDGE THAT!

And then he tells Blitzo that he'll pay him for his time- HE'S LITERALLY THROWING MONEY AT HIS PROBLEMS HOPING IT'LL BE OKAY BECAUSE THAT WHAT HIS DAD DID!

And in the Harvest Moon episode Blitzo defends Stolas because Stolas is literally the secondary breadwinner with in his business. If Stolas dies then Octiva gets the book and then Blitzo doesn't have it, so they can't make money anymore.

Stolas again is in someway shovelling money to stay in someone's life, taking advantage of the fact that Blitzo NEEDS HIM.

But in the episode Truth Speaker, that's when Stolas changes his mindset (all be it, off screen) he realizes when Blitzo is endangered but he can't just throw money at problems and actually has to do something to keep him safe.

This is the first time that he is not thrown money at a problem and it worked.

Moving on in the story Stolas has some on screen and off screen character development, in which the power dynamics and throwing money as every single problem isn't right anymore and it was never right.

Because before then he'd been practically throwing money in the face a not-so-successful-at-the-time Blitzo just for his company.

That was some level of autonomy in that relationship but it was mostly him just throwing money and buying him out and buying his time.

It Highlights the absolute wealth difference between the two characters.

Before the episode Truth Seeker, Stolas was indeed a classist character it may have not been as obvious as some other characters but he was a bit classist at the least.

Before the episode Truth Seekers, Stolas saw Blitzo as somewhat below him, because he could just afford to buy him out. But after realising that he was indeed a person and could be hurt, I believe after that episode is when he actually begun to care.

Ozzie's was the eventual big push for him to get better. It was obvious that Stolas WAS embarrassed to be with Blitzo. And not because he was an Imp like Ozzie implied because Stolas could have just clapped back with "AND TF ABT U BITCH?? HUH?"

No, it's because Ozzie made the Association that since he was with an Imp, then that equals poor, which equals embarrassment, which equates to him asking why did you throw away your marriage for someone who is poor?

Because I don't think Ozzie would have been racist, on stage, infront of other Imps and his Imp boyfriend.

After this episode we can see that he has a change of heart and a change in which he views things. After this episode he realizes that Blitzo's feelings could no longer be bought because he'd made him genuinely upset and there was no amount of money you could throw on that 🔥dumpster fire 🔥to make it okay

By that point the business was already successful so it was no longer a matter of money.

After this Stolas has some off screen development it seems. Better himself as a person and truly beginning to see equals but as a consequence he had to acknowledge over pain and the sheer power he had in the relationship.

That's when in the episode Oops, Stolas decides to get Big Boss Ozzie-mozzie Crystal to try and end this constant power dynamic and classism that was in their relationship.

I'm in the episode we can Stolas helping out his "equal" when it came down to Fizz. He didn't just turn around and go "well he's an Imp, icky not helping him. I'll come back later"

He sat there through the entire thing helping Ozzie out, not out of obligation. He literally could have left but didn't because he didn't see Fizz as Ozzie's problem, he now saw Fizz as a genuine person.

And the set up to this was great because Ozzie would have had to sign away alot of money to get Fizz out of trouble, and its a nod back at when old him would have probably just threw money at this problem but instead of that he advises his "equal" to NOT throw money at the problem and instead read the entire contract to make sure that everything goes well.

LIKE OLD STOLAS WOULD NOT HAVE CARED ENOUGH TO READ THAT ENTIRE THING, AS MUCH AS HE LOVES WORDS

this act alone not only let Fizz and Blitzo work shit out but also showed the viewer that he had changed for the better, and he was going through character development to not be a dick

And now we're at Full Moon and at this rate Stolas has already had all the necessary character development off-screen to no longer be as classist as he was before, and it's a bit disappointed that this was in highlighted a bit before but you gotta read through the line sometimes

Stolas now sees them as equals. But he hadn't shown Blitzo that. Blitzo is still scared of Stolas and his influence and status and money, last Blitzo check he'd had to spend time looking for Stolas daughter so that he won't be as mad and he won't banned him from the book.

An honestly if he had it his way Blitzo probably never would have went to the human realm to help look for his daughter.

But at that rate it was out of sheer obligation-

And as much as the episode tries to play it off as a gag, Blitzo still has to drop everything to help him out, YES because he does care but also out of fear of losing his only source of income.

So for Stolas to rock up in Full Moon and be like, "I see you as an equal and I love you" WOULD HAVE FUCKED BLITZO SHIT UP

Because all Stolas and his family did was, BUY HIM, BUY HIS TIME AND MAKE HIM FEAR FOR LOSING HIS ONLY SOURCE OF INCOME ON MULTIPLE OCCASIONS-

He'd only been inadvertently put down by Stolas not because that was Stolas intention but because that's what is actions gave off in terms of vibes.

And that's why in the Helluva universe Stolas is unintentionally a classist character, to which he didn't know about it UNTIL IT WAS TOO FUCKING LATE-

No I will not be taking question. Yes this took me 30 minutes to write because of my inability to spell. Shush!

[pepperpixel]

Some new art of a very very old oc of mine! From like, when I was an 8th grader in middle school to freshman in high school I think, I haven’t thought about this character or the world she’s from in like… years, but my brain suddenly remembered she existed! And so I drew some art of her!

Visually, she’s absolutely mostly the result of my child self sticking Toko Fukawa from Danganronpa and Peacock from Skullgirls in a blender and lettin it fuckin rip. Personality wise she’s a bit different tho… she’s into politics! As in,,, she’s in politics ghgh, she’s like the chief of the surveillance department for the country of (mostly) witches that the story takes place in. And one of the advisors to the head ruler witch,,, she sucks! Hardcore! she’s def a villain lol