#I am having the flashbacks. You know the ones

[gia-d]

Back in October last year, I started reading This is an Adjuration by @not-freyja.

By the time I had made it to chapter 5, I had already started typesetting this story as I read because I knew this would be one of those stories that I needed to have on my shelf.

When I finally caught up to the story at chapter 31, I begged the author to let me bind this when it was finished.

Nearly a year later, and what is probably the most important bind of my life is finally finished. Check out these glamour shots, and if you want to hear more about the actual binding process and about how this fic actually changed my life, see below.

So funny story, before I get into the technical side of this bind, but this fic actually changed my life. Not as in I was greatly emotionally moved by the story, though don't get me wrong I absolutely was, but genuinely this fic introduced me to some of the best people I have ever had to privilege of knowing (Hello Class, you know who you are 🩷), and also, it introduced me to Freyja, the incredibly talented author, who, as I type this, is curled up in bed next to me fast asleep after flying half way around the world to go on a two week long date with me.

Moral of the story folks is comment on the fics you like. You might accidentally meet the love of your life on, and I can't believe I'm saying this, AO3.

Anyways, about the bind!

This bind was a challenge from day 1. I had to do the typeset for this 300k word fic 4 times, and had to split it across 2 volumes. This was the longest fic I have ever attempted to bind, and it was so thick I couldn't get it in the paper trimmer.

To make this book as durable as possible, I attempted a few techniques. I secured it with 3 tapes, I made an Oxford hollow, I rounded the spine, I made a slipcase and I used 2.3mm boards where normally I use 1.8mm.

The slipcase is covered with embossed faux leather, buckram and plain ribbon, and lined with gold satin fabric. I've never made a slipcase before so this was an experience.

The books are covered with an emerald green silk finish bookcloth which really gave the books the luxury they deserved. I foiled custom end papers as well as every chapter title page using heat reactive transfer foil on toner ink (never again I am never doing that again omg it took days). Huge thank you to @la-sera for letting me use her artwork which helped inspire this fic!

The grey flashback chapters I had to use HTV for the border decoration and I'm very happy with how that turned out because it was so easy and straight forward, unfortunately it just wasn't viable for the whole book.

It feels weird to finally have these books done. They have my blood, sweat, tears and my heart poured into them, and I've been working on them for so long that it's odd to actually have them finished. I'm so proud of this bind, and feel like I've grown so much as a fanbinder by making these.

Anyways, if anyone has any questions about the process, please don't hesitate to ask!

(and if you are an Linked Universe fan and haven't read Adjuration yet, this is your sign!)

[rey-jake-therapist]

Ok, here am I again posting another TROP/Haladriel meta... Feel free to mute me if you can't take it anymore, these are gonna be two long weeks as there are still two episodes left...

We're having a lot of discussions about what we'll get to see in Episode 8 (maybe even a bit in episode 7??), and it's really great and exciting to speculate about what will happen when our two love birds mortal enemies finally meet again.

It seems to be the general consensus that Sauron will try again to convince her to be his queen. Now I may be the dissonant voice, but I personnally don't think it will be that straightforward.

Charlie said several times that Sauron was pissed that Galadriel rejected him, but that it wasn't the end of the world, for him. Meaning: he totally believes he can make it without her.

To the Nerdist, he said :

"Speaking of your old screenmate, Sauron asked Galadriel to be his queenOpens in a new tab at the end of season one of The Rings of Power. How much, if at all, does he still want that by this point? And does he think it’s a possibility? Vickers: I think he probably does think it’s still a possibility because he has this hubris and this self-love. He thinks he’s really cool, and he thinks, “Well, she rejected me once, but next time I come back for her, she won’t reject me again because I’ll be so powerful she won’t be able to.” But I don’t think he necessarily wants that. I think his initial proposal to her was to join him, and they could be king and queen of Middle-earth, but really, he would’ve been king, and she would’ve been his righthand woman. Any kind of dreams he has involve her being number two and him being number one."

(I would love to see him try to submit Galadriel to his will, btw. I mean, c'mon man)

To Collider, he said,

"His getting rejected definitely leaves him with this sour taste in his mouth, and he goes away thinking, “I can make this right.” Whatever that means to him. That's one of his throughlines in terms of his motivation or goals for this second season is how much he's driven and how much this relationship gives him a sense of purpose."

And to Schön:

That connection will endure as long as the show endures because although they might not be together in proximity when we pick it up, he’s pissed off that she has turned his pitch down [laughter]. That drives him to think, I can make her join me, or I’ll make her pay for this.

Here, there's also an interview he gave for Total Films, where he reveals that there's a "huge amount of urgency in each of them trying to obtain what they want in that situation": https://x.com/totalfilm/status/1830244276539654595

I'm sure I've read an interview where Charlie said that Sauron would probably want to taunt Galadriel with what they could have done together had she said yes. Edit : found it! Interview for TV Insider.

Second to his lust for more rings is Sauron’s desire to get the Elven rings back. “While he didn’t directly touch them, which is a big thing this season, [Galadriel] has this ring that he put all this effort into, and he wants that back,” Vickers admits. Sauron “covets” these jewels, “and particularly hers,” he explains, “because he knows what they represented when he was making them.” Sauron feels “taunted” and “pissed off” that Galadriel rejected him. That makes getting her ring back personal, but Vickers insists that “he’s past ruling with her.” That won’t stop him from showing her “what could have been, what you could have had,” Vickers teases.

Of course Charlie can't give much away. But so far, it matches with what we saw in season 2 : he's in Eregion, forging his rings of power with Celebrimbor, he's visibly happy (just kidding, the man looks exhausted and depressed), but sometimes he can't help but think of Galadriel.

I love how the experience is completely different for him, from it is for Galadriel: while she had a bittersweet flashback of her and Halbrand in the Southlands, he gets lost in the contemplation of Mirdania's hair because she reminds her of Galadriel, and manifests images in his mind palace that also remind him of her (there are several posts about all this on Tumblr, including one of mine... I won't enter into the details again).

It would be very OOC of Sauron to display an outright nostalgia for the time he spent with Galadriel as Halbrand, imho, even if it was only for the audience to see. He's not supposed to be sad and nostalgic, but pissed at her for rejecting him, and determined to move on and to obtain what he wants without her in the picture. He's probably annoyed af to see his thoughts shifting towards Galadriel while he's in the middle of something very important. He's in his "the fuck with her" phase of the breakup, which pretty much matches what Charlie said. In his hubris, he believes that once he has his rings, he will be so powerful that Galadriel will have no other choice than joining him. She hurt his pride, so now he wants to relish the sight of her submission to him.

Regarding the mind palace scene, precisely the one where the guy tells the Galadriel look alike he wrote a poem : it probably remained unnoticed by most viewers, but I think it's very significant that this scene arrived at THIS moment. Let me explain:

To convince Celebrimbor, Sauron first assures him that when the story of this age is written, the Silmarils will be "no more than a whisper". Of course it's meant to motivate Celebrimbor who always wanted to create something that would be remembered, like the Silmarils. But it can be interpreted as a personal goal for Sauron as well :

1) Morgoth found the Silmarils so beautiful that for weeks, "he could do nothing but stare into their depth".

2) Fëanor admired Galadriel's hair so much it gave him the idea of imprisoning and blending the light of the Trees, and three times requested a tress of hers (she always said 'no').

The two people he loved/admired but hurt him the most are connected to the Silmarils in a way, so he could see the creation of something "more precious" as a personal challenge. After he promises Celebrimbor that his rings of power will be "deemed the most precious creations in all Middle-Earth", and Celebrimbor returns to his workshop, his attention is caught by the sight of a couple. The man (whose face remains unseen, because he's a just a self-insert) tells the Galadriel look alike :

"I've written a poem, but I fear your beauty still overshadows anything I could possibly write."

Of course we joked about Sauron's pathetic attempt at poetry (it's terrible lol), but imho there was a deeper meaning to this scene. I think it was his subconscious manifesting what he already knows deep inside of him : that without Galadriel's light, there will ALWAYS be something missing. That what he told Celebrimbor was a lie, no matter how much Sauron wants it to be the truth. The Rings of power are his poem, but Galadriel's beauty/light will always overshadow it.

Hence why it's pretty much granted that he will try to "get Galadriel back". He'll show her how powerful he is now that he has the Nine rings, and his proposal will probably not be as charming as it was the first time. I think we should prepare ourselves to a lot of gaslighting and threatening from his part (he's still pissed off, guys). He'll surely tell her that Eregion is burning because she refused him, that kind of thing. He will definitely use her memories of Halbrand (it's pretty much confirmed by the presence of Halbrand's theme within The Temptation music, and maybe Galadriel's vision of Halbrand enters that scheme too), but will it be to show her what they could have had if she had said yes the first time, or what they could still be? It remains to be seen.

We probably shouldn't forget that in his mind, it happens like this: "she joins me, or I'm making pay for it".... It should be pretty intense.

Then we've got what Charlotte Brändström revealed about Sauron (bless her heart) :

"I think Sauron even really loves Galadriel and you will see that at the very end”

There are already several threads discussing how Sauron will show his love for Galadriel... Will he spare her? Save her in one way or another? Heal her because she's hurt? Prove her in some way that what he said he felt as Halbrand was real? Something entirely different? Anyway, it will be something that can't be confused with manipulation.

There, I said my piece. Why isn't it next Thursday yet?

[timesomewhere]

in honour of the West End's next to normal closing today I've finally proof-read my 'things I noticed/general thoughts' post that's been sitting in my drafts since I saw it earlier this month. it's very long I'm very sorry.

Act One:

it was really fun watching this show in September given that there's two references to it in the first song

I adore the monologue about the pills that Dr. Fine gives during 'Who's Crazy'. it's rhythmic and funny yet also unnerving. It's such a quick and impactful way to summarise what Diana has been through for the past 16 years

Gabe does a 'one of your French girls' pose on the kitchen counter under the cabinets during 'My Psychopharmacologist and I'

Jamie Parker made direct eye contact with me during the last part of 'Who's Crazy' and it was one of the most intense experiences of my life

I might just be dense but I don't get the point of the neon sign that says 'Fine' which drops down during the Dr. Fine scene. Initially I thought that then one would drop down saying 'Madden' during his scenes to help people differentiate between the doctors but then it didn't so it just feels like a weird extra prop

speaking of random props, shout out to the iPad on the table in the opening scene which Gabe pretty much instantly takes away after telling Diana that she shouldn't obsess over tragic news stories and is then never seen again as far as I remember

Dan in the flashback scene being such an optimist about Diana's pregnancy and the future they're gonna have together... soul-crushing

Caissie Levy's 'I Miss The Mountains.' Holy Shit.

I love how Diana and Gabe are the only characters who sing on/stand on the table. it's as though it's this extra dimension of the house that only they have access to and it's a really neat and subtle way to show that they relate to each other in ways other characters don't

'It's Gonna Be Good' is so underrated. Jamie Parker's somewhat genuine optimism becoming optimism-through-gritted-teeth is incredibly acted

The way Jamie delivers the first line of 'He's Not Here' is devastating. the heaviness of that moment as you feel the audience around you realising what's just happened is something I'll remember forever

Gabe body-blocking Dan from Diana during 'I Am the One' is such good staging. People talk about how Jack Wolfe plays Gabe with a lot of layers and a lot of simultaneous contradiction and this song is one of the best examples of that. how Jack manages to project a character who is goading his father and protecting his mother at the same time is beyond me

also Jack has maybe half-an-inch on Jamie which obviously isn't something the actors control but it does makes Gabe seem just that bit more threatening when he's getting in Dan's face

for the first part of Superboy and the Invisible Girl when it's just Natalie singing, Gabe is actively laughing. He's totally unperturbed by her efforts to make herself seen to her mother. it's only when Diana replies, particularly when she says "you're our little pride and joy, our perfect plan" that you see his face drop and you see him trying to figure out a way to stop her from getting Diana's attention which then results in him kicking her off the melody in her own song

"I'll hurt you" being directed at Dan and "I'll heal you" being directed at Diana as Gabe gently touches her face gets me so bad. but the most painful part of 'I'm Alive' for me is when Gabe looks at Dan as he says "I'm the perfect stranger who knows you too well." that's the first time you realise that perhaps Gabe doesn't just impact Diana, and there's something much larger at play

Caissie and Jack W's voices harmonising on 'Catch Me I'm Falling' was one of my favourite parts of the whole show. Their voices are so magical together and their mother/son chemistry is incredible

The 'I Dreamed A Dance' into 'There's a World' sequence is one of the most tragically beautiful things I've ever witnessed. I went into the show knowing what Gabe was trying to achieve during 'There's A World' and yet Jack's voice is so beautifully haunting you totally forget you're supposed to root against Gabe in that moment

Jamie Parker's 'I've Been' is some of the best acting through song out there. Interestingly my friend and I had very different interpretation's of what Gabe's horrified reaction to the blood meant. I viewed it as him being upset about what he convinced Diana to do - he doesn't like seeing her hurt. Whereas my friend saw it as him being angry at himself that she didn't manage to follow through, meaning that he has failed to regain control over her life

'I'm no sociopath, I'm no Sylvia Plath. I ain't no Frances Farmer kind of find for you' is one of the best musical theatre lyrics of all time. I genuinely don't know why I Miss The Mountains is the 'big song' known from N2N over 'Didn't I See This Movie?', it's just so good

Natalie's 'She trusts you!' line is heartbreaking, I was basically watching that entire scene through my fingers because of how high the emotion was

Act Two:

'Pfizer's woman of the year' will in fact be peak comedy every time. Eleanor's delivery is *chef's kiss*

Gabe having just one line in 'Wish I Were Here', and that line being 'Wish I were here.' Yeah. I feel very normal about that.

Natalie's line of "Can I hide my stupid hunger, fake some confidence and cheer?" being pretty much exactly what Gabe has done throughout the entirety of act 1

"And you're not a scary rockstar anymore" got one of the biggest laughs at both of the shows I went to

Dan's desperation during 'Better Than Before.' He is simultaneously trying to cajole Diana into remembering and get Natalie to be more positive. This one song really highlights how he's being pulled in a million different directions while trying to hold it all together and Jamie portrays that so well

Aftershocks. Wow. The way the last word of each line echoes throughout the theatre is great sound design. I've been in exam halls louder than the audience during that song. Holding a room that captive as a silhouette is quite the feat Jack Wolfe you will always be famous

"I don't know where the fucking pieces go" as Diana pushes things off the table as if there's a real jigsaw there that she's rage quitting and choosing to give up on is such a nice detail

"Have you talked of your depression, your delusions and your son?" The gasp in the theatre both times was sickening

the response of "good' in reply to "name?" when technically that was part of his name as they are the "Goodmans". I don't really have a point here I just think it's neat

The 'It's Gonna Be Good" reprise was one of my favourite Dan/Diana moments. Caissie and Jamie are really pushing each other to their emotional limits and they handle it so well

The first "Why stay?" is so fragile as Diana sits against the kitchen island. Also interesting given that Dan and Gabe will also sit against there later when they are at their lowest point in the story. The idea of the characters crawling to the 'centre/heart' of the home when they are at their weakest

"This is one old game that I can play so well" is the line that has stuck the most with me throughout the show. Jack's delivery of it while striding across the kitchen table - seemingly totally invincible - is crazy.

how Caissie manages to deliver "you shrugged and said that no one really knows" with humour and desperation at the same time is amazing

When Gabe and Diana stand on the table and if they let go of one another they'll fall. yeahhhhh.....

Gabe's realisation that Diana isn't going to give up on getting better. Totally collapsing in on himself and beginning to cry. How you manage to feel bad for him after all the destruction he's caused is wild

Diana's "maybe I'm tired of the game" relating back to Gabe's "this is one old game that I can play so well"

the lyrics in 'Hey #3' clearly reflecting things Diana has done, Henry cutting Natalie off at "bleeding in the bathtub"

"I am the one who'll heal you" being said to Dan not Diana this time

"Why didn't you go with her?" is the most devastating line in the whole musical I said what I said. Jamie's delivery of it is heart wrenching

the drums and bass kicking in for the loud part of I Am The One as Gabe becomes desperate to be seen once again

Jack and Jamie's acting in this moment is so intense. there's a moment where it's genuinely feels as though only one of them can make it out of the interaction alive

Jack's emphasis on the word 'loved' in the line "I am the one who loved you" nearly killed me on the spot. how somebody can deliver a line so desperately while remaining pitch perfect is unfair

Natalie coming in to kiss Dan's head at the start of 'Light' like Gabe kisses Diana's in the first scene. I'm such a sucker for a gut punching

the "And are they real?" line about Diana's parent's from Henry gets such a loud reaction from the audience. Some people laugh immediately, some people clearly get shocked out of their sobs. so good

In conclusion, this is my favourite musical of all time and I'm going to be so annoying waiting for the pro-shot to come out

[mari-lair]

What did you think of the latest chapter?

Not many thoughts, but I was wondering where Satou and Yooko are??

They haven't shown up in the new timeline yet?? Not even as background characters?? And in Kou's flashback montage, it's always Mitsuba and Kou alone. Just them, no one else.

And we know Kou is Mitsuba's first friend but Kou doesn't imply Mitsuba was his first friend, calling him a loner as if he himself isn't a loner too.

So where are Yooko and Satou?

Was this a mistranslation and Mitsuba is indeed Kou's only friend in this new timeline? Does Yooko and Satou simply don't exist in this new world? If so why? What was the big difference that made Kou not be friends with the two? Cause if having free time was all that changed about Kou he should still be their buddies. It is implied they have been Kou's friend for a while.

( This is from cover 19, what I am assuming is what Kou imagined would happen if he tried to befriend og Mitsuba. And Yooko and Satou are there, being his buddies too.)

So what is up with their disappearance?? Does Kou have any new friends?? WHY ARE SATOU AND YOOKO NOT EVEN IN THE BACKGROUND??

Outside that, I am glad it wasn't an actual teacher who sent Kou to a haunted house. Like yeah, it is a bit eyebrow raising that a 'mysterious someone gave Kou an empty envelope' but I'll take it since he was possessed before.

I also like that the house has a different gimmick: Hanako and Tsukasa don't revolve around wishes anymore, so the house doesn't have a wish granting mechanic either.

[haveyoureadthisfanfic]

i see there's shipping discussion occurring in your ask box so i figure i'll throw in my two cents as well!

i used to be a REALLY heavy shipper, in exactly that shallow "reduce their personalities to the concept of kissing each other" way that tons of people are complaining about. i wouldn't get into ship wars or harass people or anything, but i was totally the kind of person who you couldn't just have a level character discussion with— because i would be pretty intent on just going through the motions with whatever best friend or acquaintance I'd decided they had a huge crush on.

by contrast now my biggest most important "ships" end up all being somewhere between 3-5 people with a lot of care put into the nuances of each connection on the relationship chart— i still refer to them as poly ships (as a shorthand mostly), but of the 3 to 10 different relationships between the characters, i usually only see a few of them as romantic or sexual, with the majority a lot closer to a found family or queerplatonic sort of vibe

honestly i think the biggest reason for the reductive style of shipping was that 1) i wasn't as skilled a writer then as i am now, so i wasn't really sure how to really retain all of the features of a character that i liked, and 2) i wanted the biggest feelings IMMEDIATELY and there's some kind of instant gratification to shipping where the end goal is for them to kiss and you can just draw/write/think about them kissing and you're done.

it's kind of like the instant ramen of fictional relationships to me. it's kind of "one size fits all", low writing skill requirement, low effort, really really fast and easy, and ultimately not really that rewarding at the end of it. and just like how real actual ramen exists separately from instant noodle cups, it IS possible to write a really amazing and beautiful and deep romantic ship fic that successfully plays off of the kinds of people these characters are, but ramen still isn't the end-all be-all of relationships! there are so many different hypothetical dishes that could be made with the same characters!

and my personal favorite is polyqueerplatonic ships for this very reason, because with just a few characters you can get a whole diverse array of interactions and dynamics!!

anyway tldr; i think romantic shipping is fun, and even "cheap" reductive romantic shipping can be fun, but (to return to my instant noodles metaphor) it would be reasonably upsetting to attend an awesome community potluck only to find like 90% cup noodles. and the people serving the cup noodles frown at you whenever you ask if anyone's serving like, gourmet spaghetti or dumplings or something.

so just know that if you're bringing your silly "ouhhh they should kiss" fan works to the fandom, you're appreciated and I'm glad you're having fun, and if you're bringing the super precisely thought-out nuanced relationship fan works to the fandom, you are ALSO so appreciated and additionally i really wish there were more of you in my own fandoms.

flashbacks to the time i looked up a ship that i THOUGHT was pretty popular but it only had like 230 works on AO3 at the time and basically all of them were romantic instead of my hyper-specific one-sided queerplatonic one-sided fully platonic thing i had pictured in my mind....

Okay, as someone who has tried their hand at writing slow burn in the past, I totally get the instant gratification thing. "You know when would be a good time for them to kiss? NOW"

I'd get frustrated at my own characters for not just making out already and I was the one writing them not making out lmao

[rainwalker-dragonblade29]

I started reading puzzle house, and I noticed something. There seems to be an age mismatch... In S6, soren looks about 6 ish. Claudia about 4... in the flashback that Lissa leaves. Which is preceded by kppar's disappearance. Soren is shown that young when Viren saved him. (Image credits : @raayllum and @stuck-in-jelly ) look how young soren is! Abd claudia is teeny weeny!

BUT IN PUZZLE HOUSE.... there's a scene between King Atticus (What a lovely man) and Viren.... he asks Viren how he is doing out of genuine concern!

(Pardon the picture quality my camera is not so great)

THE FOLOW UP OF THE SAME INCIDENT THAT IS IN VIREN'S FLASHBACKS!!!! BUT SOREN LOOKS ABOUT 10ISH AND CLAUDIA ABOUT 8ISH!

Now it is very much possible that the puzzle house happens very much later. Like after a time skip.

Also to note: claudia was given kppar's spellbook. Tge kids had been to his house multiple times atleast to mention "he never let us entertained his tower". Also Atticus asks the question as if it all happened fairly recently. Means tge flashback of s6 happened pretty close to the time of puzzle house no? But soren and claudia look older to me...

Wouldn't it make more sense if soren and claudia were a little older than how they are shown in s6 flashbacks to have known kppar! If soren is saved at an older age it would still work.

I don't know if it was a mismatch between the two departments handling the production of the season and the graphic novel. But their ages don't line up... like if all of those flashbacks of s6 happened with a little older claudia and soren, they would remember that incident much more strongly, and that is fitting for character!

I see three possibilities...

A) This is truly a mistake and there was a mismatch between the teams that made the season and the novel.

B) This is deliberate! They showed the flashbacks through Viren's POV. And maybe its the "to parents their children are always young" or this is just how he is seeing them in the memory of that incident now. Memories become distorted over time... we don't remember details and when we recall, we fill their place with details of how we felt that incident to be like, which is sometimes not what it actually was.... Viren's guilt makes him look at himself like the terrible man who hurt his two innocent children. And what better way to make a child look innocent than to literally age them down! Look at this image of claudia from one of the short stories... here she looks about her puzzle house age, seeing Lissa leave.

So it is true that the puzzle house ages are reality and the flashback ages are Viren's projections of his children as how innocent they were when he hurt their family. I AM ONTO SOMETHING HERE, I REALLY WANT THIS TO BE TRUE!

C) I could be wrong at judging character ages too (in that case it would be a bummer cuz what sort of animation student am I then?)

But what do you guys think? I am leaning towards the ages being shown that way is deliberate...

[lacyssturns]

YOURE LOSING ME! ₊˚⊹ ᰔ

synopsis : reader and nate are secretly dating. reader wants to go public but nate doesn’t want to. can this make serious damage in their relationship?

pairing : sls! reader and nathan doe

warnings : angst , fighting , use of y/n, unresolved angst

“a pathological people pleaser, who only wanted you to see her”

nate had asked me to come over so we could talk. recently our relationship has been off, and distant. a week ago we got into a huge argument that landed up with me walking out.

FLASHBACK

“y/n you just don’t get it!” nate raised his voice, using his right hand to talk with him. “get what nate, i honestly don’t understand.” i yelled back.

he sighed, rubbing his hand against his forehead in stress, “im just not ready to go public yet okay? can we please move on from this?” he asked, eyebrows furrowing as he slightly shook his head.

“you have been saying that for the past YEAR nate?! why! why! you never give me a full understanding of why this must be so secretive, especially to my own brothers.” at this point im just begging, begging for answers.

suddenly, nate slams his hands against the wooden table causing me to flinch backwards. “because y/n im embarrassed.” the tears that were threatening to fall, then suddenly came out. “im embarrassed to be dating someone 2 years younger than me, someone i grew up with and i saw as my little sister for the longest time ever.”

the vision of nate infront of me was blurred out by the tears streaming down my face, “okay then if that’s how it is then im leaving.”

FLASHBACK ENDED

ever since that night i’ve been stuck in bed. nate’s words were stuck with me, they circled around my head creating a tornado that felt as if it was never ending.

my brothers all tried cheering me up or figuring out what was wrong but i just couldn’t get myself to tell them the honest truth.

now here i am, standing infront of nate’s door shivering from the icy wind. once i hear the door open i look up from my shoes. there’s nate, messy hair, puffy red eyes and a black hoodie with matching pajama pants we bought together.

“uhm hi” he said to me quickly moving to the side so i can move past him. i gave him a little smile while walking in, being enveloped with the warm air.

nate led me to the couch and once we sat together at least 2 other people could sit in the distance we had between eachother.

we sat in silence for a moment, enjoying the small time we’re spending after a week.

“y/n, i love you so much please never doubt that. i know you’ve been wanting to go public with us and i told you my reason why we shouldn’t. i regret telling you that because im not embarrassed by you..” nate told me, just as i was about to open my mouth he continued, “but..i can’t give you everything you want sometimes especially opening up to your brothers about our relationship.”

i felt as if my heart was ripped out of me and crushed down onto the ground, “what..” i whispered as he just nodded at me, not even making eye contact. “so are you saying that we’re..” he interrupts me to finish my sentence, “over.”

my breath was taken away as i scooted closer to him, “no nate what? please i can’t lose you! if you don’t want to tell my brothers that’s okay but please don’t leave me.”

nate inched himself away from me, causing a pain in my chest, “im sorry y/n..”

i couldn’t breathe, i could barely breathe. my mouth open but yet no words coming out. i feel a sudden sob start to come out me, letting out what was needed. i feel nate lean in to put his arms around me but i stand up.

“no, please..don’t touch me.” i murmured loud enough for him to hear. i grabbed my small bag off of the couch, rushing to get out of the place that used to feel like a second home.

getting into my car, i take one last glance at him. he’s standing in the door way staring, no emotion on his face… nothing. i quickly drive away.

i pull over a few blocks away from nate’s home. breathing uncontrollably, feeling the tears drip down onto my bare legs and head resting against the driving wheel.

⋆˚࿔ the end 𝜗𝜚˚⋆

@jetaimevous @mbbsgf @mattsdirtylittlehoe @valentinasturniolo @blahbel668 @memea32221 @ellelovessturniolo @ifwdominicfike @dominicfikeenthusiast @sunrisemill @mattsdolll @444alexis @frnkocnlvr

[black-flag-if]

Sooo...I'm not good at these. Not even sure if people like to be updated but for those that send in messages asking how its going, this ones for you.

I am still on Chapter One. I know, wow ...crazy. What have I been doing? A lot, actually! Coding just takes up a lot of time. 😒

But, I've been working crazy on the prologue and I'm much happier with it. The non-Lanemancers might not like it but I think it explains some of MC's turmoils back then. It starts with a flashback during first meeting. Then the qualifications, like it is now, except MC gets small flashbacks and quotes from that time and the impact it had on them.

Also, there's a very early choice for non-Lanemancers to turn off their romance route completely.

I'm also trying something new with the relationships. Not sure how it'll go but I'll update that when I figure it out myself. All in all, I'm super excited to continue. Coding is super time-consuming. So, I'm wondering if I should just write scenes and worry about coding later. Maybe it'll be faster? I don't know. It's a learning process. 😮‍💨

I hope to be done with the rewrite by the end of the year and finally leave the two chapters behind!! Even better if I start on Chapter 3!

Hope you're all well! 🫶

[poorly-drawn-mdzs]

You made her cry, time to die.

[First] Prev <–-> Next

[thepersonperson]

Sukuna is Peak Gap Moe. I’ll never be over this. This bastard talks tough, eats people, and kills like a woodchipper and yet…he is a poetic little sap. Getting mad over an improper haikus, the misidentification of flowers…and confessing his feelings to Gojo Satoru under several layers of wordplay no one except those well-versed in ancient Japanese would catch.

I've been over this in greater detail in Sukuna's Negative Rizz, but @tangsakura added more context in the replies to that post, making Sukuna's use of 凡夫 (bonpu) for Gojo even gayer.

In summary, 凡夫 (bonpu) can be translated as painfully ordinary or unenlightened. But in the individual kanji readings, 凡 is mediocre and 夫 is husband. You could read this as Sukuna calling Gojo his mediocre husband. And that's just the modern readings! The ancient readings...

So you can read this line from Sukuna as the following:

“You were born in an era without me and hailed as 'The Strongest'

1) And yet you turned out to be…painfully ordinary.”

2) And yet you turned out to be…unenlightened.”

3) And yet you turned out to be…a mediocre husband/wife/spouse.”

4) And yet you turned out to be…the ordinary one who could stand by my side.”

Sukuna seems to be saying these things all at once. (It’s no different than the Megumi Activities wordplay he uses with Enchain. Alt. link if the Twitter dies.) Gojo apparently makes him feel very conflicted. He’s boring, he can do better, he shouldn’t even call himself the Honored One, he’s his equal, they’re married. The irony here is that no one except Sukuna can understand this.

[silverwhittlingknife]

hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?

GREETINGS CAM <3333 THAT ART WAS SO CUTE

Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.

I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:

Where does Elinore / Zitka - the animal - appear in comics?

Did Dick ever have a stuffed elephant toy in comics?

Where does Elinore / Zitka appear in comics?

We're gonna go in chronological order!

Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:

Aww. Such a cute elephant!

Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!

Here's the part where Elinore remembers Dick:

SUCH a cute elephant. I love her.

(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)

Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:

Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.

Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.

Here's Dick with the newly-christened Zitka in Titans 16:

Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:

... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.

Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.

For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.

Did Dick ever have a stuffed elephant toy in comics?

In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.

Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.

Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?

tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later

Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!

The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.

(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)

Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.

By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.

So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)

Post-Crisis: stuffed animals, yes or no?

tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do

Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.

(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)

The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.

Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."

But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.

Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)

Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!

(Technically I don't know if Bruce ever joined the mob but you know he would.)

Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.

Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?

tl;dr it's in WFA! Probably not anywhere else, but it could be.

Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.

So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.

And look, here we are:

Aww.

Whew - that's everything I could find!

Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[buttercupshands]

wait a minute

stop.

stop it.

[pocketramblr]

tan yuster wookiepedia page you will always be famous. to me.

[aziraphale-is-a-cat]

I know some people are less than excited for Chalice of the Gods because it's just been tacked on the end of the franchise to promote hype for the TV show, but I think it has the potential to be truly heartbreaking.

There's a running joke in the fandom about how everyone sees Percy as some brooding powerhouse when he just sees himself as a kid with a sharp stick. The brooding hero is a fair assumption given what he's gone through; he's a veteran of two wars and he's seen a lot of people die, but it's never truly gotten to him the way it does for most people. He's never processed that grief and trauma because he's never had the time to. It's always fight this, stab that, don't let your guard down.

Percy has been in survival mode for the entirety of the time we've seen him, and in that constantly moving state he's just repressed absolutely everything.

But in Chalice of the Gods he's had the pleasure or sitting down and building a life for two of three years safe from most godly interference. He's exiting that survival mode he's been in since he was twelve, and I think by having to go on quests again after so long he's going to be forced to suddenly revisit and emotionally reconcile with a lifetime of trauma.

There's precedent for it in Rick's work, you can track how he handles tough emotions in his books by seeing how he handles death- progressing from nothing but burned shrouds to the actual depiction of an actual dead body over the course of the franchise. And in the Sun and the Star he brings up enough childhood trauma to kill a small bear.

Anyways, if I'm right then this book is going to hit like a folding chair

[meowsticmarvels]

i think i mightve talked abt this a bit in my longpost about how insane phi as a character is to me but yknow what i really wanna point out? all the nonary game shit she has to go through happens in really quick succession to her - she doesn't really get a proper "break" in between VLR and ZTD for her mentally. junpei and akane at least have about a year between the two, and sigma has 45 years (not that either of those situations were particularly good either though, looking at how sigma and junpei especially turned out, and sigma spent years WORKING on the AB game, just not participating in it). but for phi? she has a matter of DAYS in between the two. the time sigma spends she spends in cold sleep, so mentally to her, her consciousness goes from the events of VLR's phi end to DCOM almost instantly. dcom only ends up lasting for about 5 days, and even then the prologue states that phi/sigma/akane spent most of it worrying about radical-6 and the future + the flashback with diana shows phi is just so Tired after everything after just that. and then the decision game happens. my point is just that i cannot imagine being in a death game like that (not to mention everyone had radical-6, so she went from a body that Did have it to one that didn't, which i can imagine would probably a pretty weird experience considering one of its symptoms is messing up your perception of time. and also she was on the moon.), spending 5 days like god how did the apocalypse start i can't let it happen this time and then being in Another death game that is much more gruesome and violent. not to mention both of them in a way HAD to happen because of her (2074 nonary game bc it needed to train sigma and phi's SHIFTing abilities to a good enough degree and decision game one of the reasons was to ensure she and delta were born). in summary: i would fucking die at that point if i was phi dealing with that All At Once. in the span of a few days. and with the memories of my + others' deaths. what the fuck