#I have decided on their relationship

[bubblingsteam]

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[puppetmaster13u]

Prompt 170

Once again on my Ras & Danny being training rivals thanks to time travel bullshit. 

Look, Danny knows about the league of Assassins, but he almost dies of laughter when he realizes it’s the modern name of the league of Shadows. He’s an adult now, has been for a while, he’s allowed to find the situation he’s found himself in amusing. Hell, his sparring buddy who is somehow still alive is laughing too. 

And no one else knows what’s going on, okay? This random man walked into their secret base, completely ignored the many assassins trying to stop him, and called their illustrious leader a “Little Bitch Man” and they are now fighting?

The fighting is familiar, but why the fuck is Ras cackling and saying things like “Ayreh Feek” back. Practically saying “Fuck you,” while laughing and oh Pit, they’re Bantering this is terrifying, why has Ras not won yet, why has this man not died yet and- bodies aren’t supposed to bend like that what the fuck- 

Ras on the other hand, has One friend, who is immortal like him, actually remembers the shit he complains about, is also down for saving endangered animals, and actually knows how to spar! It’s not a proper spar unless someone loses at least a hand that has to be reattached! And honestly, people nowadays should know that the proper greeting to an old friend is to instantly try to kill the other. 

[lunacias]

(Silence. CARPENTER tries to rally HAYWARD's spirits. She's afraid she's going to lose him.)

"All three of us - we can all go on living, Hayward. Just like you said."

[horreurscopes]

this is my brother and i need a shovel to love him (prints)

[1pcii]

zoluko sillies

[blossoms-phan]

many people are afraid to be real lovers. dan and phil are not

[ignitesthestxrs]

there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.

and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.

idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.

which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'

*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.

[lunarharp]

..polly pocket au.. (<- a type of doll.)

[glasscitadel]

Guys... after working on this incrementally over the past 8 months between other personal work and commissions, I finally did it. I have kicked clothing design's ass and have served my archael heirus, Eden, the finest religious sci-fi drip... Very minimally shaded so this can serve as a good reference!

And a version without wings <3

[epiphainie]

no but "tommy's good people. he's good for you" was INSANE like why did they make bobby say that three eps/couple months into their relationship? especially in a scene that was a long-time coming moment of bobby acknowledging how much buck grew up over the years and how proud he is of him, a moment so important to buck and bobby's relationship and extra important to bobby at that time because of what he was going through. like they didn't have to?? bring up tommy?? at ALL?? i feel like im going crazy

[motherofoompaloompas]

Merlin genderswap au where when the gang is hiding Mordred, Merlin gets caught with him by Leon and the knights. They're all "Look! A dark haired child we have never seen before! that must be the druid boy" And Merlin panics and goes full on mama bear. "No! This is my son. I birthed him myself. Don't you dare try to execute him"

So the cover story would probably be something like when Merlin was 11/12 she got SAed by a bandit or a passing knight and gave birth to him young. She left him with Hunith when she first came to Camelot because she didn't know what to expect, but once things stabilized, she wrote home for her son to join her. It was only bad luck that he arrived the day they were looking for the druid boy.

And Mordred's just like "guess I have a mom now" and goes along with it.

Merlin takes Mordred everywhere with her including to work with Arthur. Mordred learns how to handle Arthur and do chores around the castle under Merlin's instruction. When he gets old enough, he starts training to become a knight.

He now gets to accompany his mom and Arthur. And while he is a knight of Camelot, he still has to answer to his mom. So it's just Merlin bossing him around the campsite and making him help with dinner. And he does it because it's his mom and he has been doing this stuff his whole life anyway.

The knights try to make fun of him for it but he's just like "???????? Of course I'm helping with dinner and setting up bed rolls. In fact, why aren't you?"

And Merlin is just so proud of her boy

[imaybe5tupid]

Why bother? (Why bother?) It's gonna hurt me. (It's gonna hurt me.) It's gonna kill when- (Why bother!) -You desert me! (Gonna hurt me!)

Set after Nightmare. Laios is reminiscing and contemplating.

[ocegion]

Thinking about Max and how her arc began with her being discarded by Eleanor. And how she then goes on to progressively become more and more like Eleanor until she ends up on the other side of the same choice regarding Anne.

Because Max was discarded by Eleanor just like Eleanor had been discarded by her father. And even if Max wanted to appear much more nonchalant and cynical about it, she did as Eleanor did before her and tied her sense of identity and her worth to Nassau and its success, so she could become someone who couldn't be discarded by others.

And then, the difference ultimately comes not to the choice they make, but how the deal with the consequences. Because Eleanor doubled down on what she did and hung to something that was constantly fighting to slip away from her, because it's just sand. And Max ends up realizing that her relationship with Anne, that human connection is what's going to make her feel fulfilled, more than a position in a system that can replace her as easily as she replaced Eleanor. Their difference comes down to how Max has the chance and the willingness to admit she made the wrong choice, while Eleanor only realized it far too late.

Max is a successful version of Eleanor, not because she's more politically savvy (which she is), but because she is willing to let go of power rather than of people (even if it's a lesson painfully learned).

[ganondoodle]

so, inspired by the warm welcome the captain received with that rough doodle i posted, i made an updated design for Ki'ita as well (basic and with clothes)

i removed the piercings she had bc considering that they spend the majority of their time in arctic waters i think having metal directly in your skin is a bad idea, no matter how thick your blubber is; i also gave her typical white markings a green hue bc ... i liked how it looked and makes them stand out a little more

(i will not repeat what i wrote on the post about the captain but wanted to add a bit of more info about Ki'ita herself)

(i dont have ALL of their backstory done yet but) the captain and Ki'ita worked together in another organization, one in which the father of the captains child also worked at, before being betrayed and barely managing to escape, after which the both of them founded their pirate crew (possible name is the Solar Pirates bc of their solar powered boat stuff); since the captain had her daughter shortly afterwards Ki'ita managed most of the organisational matters at first, including the construction of their base on an abandoned island they had initially fled to

over the years they invented the solar powered ships that allowed them to gain control over a large part of an important trade route, leaving normal ships (mostly) alone but attacking those of hunters and similar, rescuing demons and mutants, even some humans from them, most of which also join the crew and it quickly lead to them becoming their own little community

Ki'ita does not like to spend alot of time among large groups of people, no matter how much she cares about them, and her originally being from norther lands gave her the idea to explore, and if viable, do underground missions in those norther areas to disrupt the infrastructure the hunters had built in recent years and overall keep the crew informed about things that may otherwise stay hidden; with each of their travels her time absent from the base increased but the patience of the captain is wearing thin so its likely a serious talk is underway on Ki'itas third solo mission she nearly died due to entanglement in abandoned nets made by hunters from an unknown material that she could not break, the massive scars on her tail especially come from that, only surviving bc the date they were supposed to return to the crew had passed and the captain grew to worried about her and made the entire crew rush into an emergency search, including the captain herself and her toddler, who were not suited for the cold climate just like the rest of crew, taking a huge risk that Ki'ita still feels ashamed of for causing; they stayed within the base for a whole year afterwards, not just to recover but also as a silent apology, taking time preparing herself to ensure theyd not get into a situation like that again

(before departing on their next mission the captain gifted her a sword with the blade made from the material of the net, a wooden handle, bc of the cold, and a blue wrap around it reminiscent of the captains striking blue teeth; a reminder of what had happened, a means to defend herself when their strength and teeth are not enough, and also a promise to always return again)

the oldest members of the crew know Ki'ita well and treat her like an old friend, among the newer members she has more of a .. cryptic status, the mysteriously absent vice-captain who only appears every few months or so out of thin air, throws a big party, sleeps for a few days and then vanishes again, the only hint to when they will return soon again being the captain getting noticably grumpier

(OC art, Ki'ita, she/they)

[amanitacurses]

Sparkler