#I have got to start writing again

[dr-wormman]

Someone get this man out of the military so he can wear something cuter than that damned uniform

[inkskinned]

i'm still trying to piece together the truth of it. when you left, you said: feel free to spin this narrative however you want. i have no idea if you were being cruel or if you just genuinely don't remember what you've done to me.

it's hard because i'd done so much of the work for you. i had seen the parts that flaked off, the rust underneath. i started separating you into two people - the one i loved, and the one who hurt me. i had this fantasy version of you - my partner - and then i had this stranger, a third person who would show up randomly to shatter me. i am deliriously glad i'm no longer with "the stranger". i miss the gentle (unreal?) "other" you terribly.

at first, i was so strict about my boundaries. i remember telling you to get the fuck out of my house if you were going to talk to me like that. by the end: i would justify your behavior for you, accepting even your mistreatment as "my fault" in the grand scheme. i look back on the person i was before you - smart, independent, confident - and i feel a strange sense of detachment. i don't even recognize me.

even in one of our last conversations, you said: if you want a partner that always talks warmly to you, find someone else. there was a time that a comment like that would have made me leave. and instead, somehow, i just placidly accepted that kind of thing. you were literally telling me that i wasn't allowed to have a reaction to your cruelty - and i just took it, because you'd so fully turned things around on me.

when people are faced with irrationality, a rational brain tries to make sense of it. this is the trap. they're lovely in the morning, gentle and blue-eyed and sweet. like nothing even happened, they breeze around the house and kiss you on the mouth. but at night; who is that? they snap almost randomly; flying into an impotent rage about just-about-anything. it just doesn't make sense. so the problem must be me, and my brain, and how i think.

the traumatized brain just wants peace. so maybe i'm misremembering. maybe you were just having a bad day. maybe it's actually me.

you eventually would fully turn on me and start implying that i am the bad actor in our relationship. that's what happens, right? that's literally in the playbook. you went to therapy for all of a month, told her a half-truth, co-opted therapyspeak. you figured out how to reframe your actions as "seeking peace." any time i stood my ground, i was "gaslighting." when i asked you to be more gentle, you said i was "tone policing." you said, randomly, i had emotionally manipulated you - i still have no idea what that's even specifically referring to. maybe my consistent requests for calmness and empathy?

and while i literally know better, and i'm sitting here, trained by you, thinking: wait, fuck. was i actually the person you made me out to be?

and the thing that scares me is that i literally do not know if you ever actually saw what you were doing to me. when you'd tell me how you remember arguments, you'd always summarize them in a way where you come off as gentle and easy: "i was trying to set an important boundary." what had actually happened was 15 minutes of you shouting at me i know you did something shady, just admit it already. eventually you'd say my reaction to your shouting (when i finally reacted, which usually happened around hour three) was inevitably "disappointing" and "another way i'm silencing your feelings."

how many times did i ask you - beg you - to just take accountability? looking back, i don't think i ever heard you say: you're right. the way i talked to you was wrong of me.

i am trying to tie together the two people into a full version of you in my head. yes, you made my coffee and made me laugh and spent hours on the phone with me. and yes - you would scream at me until i had to run away and hide behind something.

i wish i did have a narrative i could pull out and shape to my whim. i wish i did have some semblance of reality. instead i just stand here, strange and vibrating, wondering: what the fuck just happened?

[americanmoths]

extreme home makeover

“Your father deserves a second Dementor’s Kiss just for buying that piece-of-shit vase,” Harry says in hour six of an intense argument with Draco, when he’s exchanged his legitimate gripes for pettier weapons.

Draco huffs. “Confrigo.” The vase explodes.

Right on schedule: Hour six is usually when they stop fighting with words at all.

“Bombarda!” “Protego!” “Incendio! INCENDIO!”

The curtains catch on fire.

When Harry first started sleeping with Draco, Draco had matching houndstooth-patterned furniture. His ottoman had gone first, after Draco met Harry’s conventionally attractive (male) Auror partner. Then the love seat, because Harry learned Draco’s mother didn’t know they were dating. Then the couch and the coffee table and the chandelier, when Draco told Harry he loved him and Harry hadn’t immediately said it back.

“Fuck you! Those drapes were handmade and imported and—uh!” Harry pulls Draco against him, both of them breathing hard, their bodies ready for hour seven of the argument, when they always find more pleasurable uses for anger and adrenaline. But first:

“Your living room looks like a battlefield, and you don’t have much furniture left.” Harry says. “Move in with me?”

--

for @drarrymicrofic prompt: inhale | on ao3

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[madootles]

jon sims losing his mind in seasons two and three <333

the magnus archives has me in a serious chokehold right now

[annasofthe11thdimension]

Pictured: Loop being extremely normal as they lay in their shallow (homemade) grave as they meditate on existence and also if they have annoyed the Researcher enough THIS time for her to murder them and bury them alive.

(Spoilers - they did not annoy her even CLOSE to that much.)

And there is the required reverse image of Odile arriving - she's had a LONG day (i.e. previous loop), and due to this it will take ten minutes before she even acknowledges the shallow grave Loop is laying in, as she was distracted complaining about what Siffrin just did to annoy her.

----

I'd say there's context for all of that, because like...there IS context? Here's the link to the series of fics that HAS that context even! But also...even with context...can't say that it's going to make any of this less weird.

Mostly Odile is looping because due to Loop's wish the universe got rewritten to make Siffrin's repression and emotional issues (the ones bad enough to get him stuck in a time loop in the game) 'someone else's' problem...or at least that's Loop's best theory atm!

Regardless, context or not, I'm quite happy with how the pics came out, and figured I might as well post them here too.

[scarapanna]

ARC 3 of this AU's wilddd

For some context, I've recently started rewriting a proper timeline for Intertwined Opposites' main events. There is a total of four "ARCs/ACTs" i'll be writing down for the main story, with an ACT 0 being the prologue story and ACT 4 being an epilogue during it's ladder half

Right now with all the current animatics, time-line wise the last entry would be "Ivanushka". Which is a closer to ARC 2 and opener to ARC 3, though I'd like to touch more on the previous acts in future animatics, since I feel like what I gave yall's still too lacking in my personal opinion hsjfhd (If school and motivation don't go too hard on me hahdnsnf). There are tons of things I'd like to touch more on aughhhh (Mainly some sweet sweet character dynamics)

[ninja-knox-ur-sox-off]

And if i told you i have temporarily abandoned drawing to write a Crazy Carl fic what then

[violentdelightshavevioletends]

Imogen Cardulo in the ending of Onyx Storm is giving “She had the envelope, where you think she got it from?” vibes… and I may just have enough faith in the character arc to get behind this

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[wardingshout]

Hi Livi!

I finally gathered the courage to send something to your ask box. There’s so much I want to say, but I'm not very good at expressing myself, so if my words seem a bit jumbled, I hope you don't mind.

I started using Tumblr a little over a year ago, and I remember stumbling upon one of your artworks after searching the “alttp” tag. I was so incredibly happy and excited — I loved it immediately, especially because it’s so rare to see ALTTP-related art where I’m from.

Back then, I didn’t pay much attention to who the artist was and just kept browsing. But over time, I realized that so many of the amazing pieces I loved were actually created by you! Honestly, your art is breathtaking. The way you portray Link and Zelda outside of the game’s narrative makes them feel so real. Your inspiration and creativity seem endless.

Your use of bright, intricate, and emotionally resonant colors fills every piece with a sense of story — sometimes with a gentle sadness, sometimes with tiny, charming interactions that make me smile.

I remember seeing that you draw on a particular site, and I tried using it too. It was really hard 😣 and made me admire your work even more — I’m amazed at how you manage to create such rich, detailed pieces on such a tiny canvas and with such limited tools.

Your compositions and the way you frame your scenes are incredible too — the perspectives you use, whether it's looking up, down, or close-up, show such skill and depth. I’ve been obsessed with your artwork for a long time 🥺🥺

And the outfits you design for Link and Zelda — they’re absolutely beautiful. They’re so different from the classic green tunic, yet they feel *exactly* like something the characters would wear. I don’t think any language could fully express how much I love your costume designs. Please allow me to scream for a moment here.

There’s still so much I want to say, but now that I’m writing, I find myself at a loss for words. So I’ll just say this: you are truly an amazing artist. Your work is astonishing and deeply captivating.

Also, I drew some of your versions of Link and Zelda — I hope you’ll like them! (Screaming again, their designs are just too beautiful 😭😭)

VIOLET HI!!! 💕💕💕

I'm sorry I have no idea where to start here, I'm feeling so overwhelmed in the best way ever! I just barely managed to load this ask before leaving the locker room at work yesterday and ended up hiding there until everyone else left bc I didn't want them to see my cry haha���,,

I don't think there's any beginning or end to how emotional this got me and to how honoured I feel to have my art described in such a way;; this is!! absolutely everything I've ever dreamed of reaching with my art, so having someone else putting it into words just from looking at is so incredible !!!! ;v; even if it's hard to feel happy about my own stuff it seems like I can still portray the things I want to, this makes me so happy 🥹💕💕

and especially because a lot of this is stuff I absolutely love about your art too!!!! you have such an incredible way of creating soft, yet somber atmospheres and your compositions always come off so intentional and interesting !!! the way you blend so many different colours into everything looks both natural and interesting and it's one of my absolute favourite things from art !! ✨✨✨

Seeing you back on tegaki was such a joy too !!! ;v; even if it ended up feeling difficult, I was so excited to see you there and getting to check your posts for new comments brought me so much joy !!!! I always wanted to send you more comments but got so caught up in the excitement of you posting smth yourself I got distracted from it too often...

in general I'm always so excited to see you post new art !!! and super grateful we get to see a lot of your sketches lately too !!!! you art has such a consistent and pretty style and always comes off so smooth and effortless and interesting and it has inspired me so much !!! 💖💖💖🥹💕

I'm feeling a bit lost for words since there's So much I want to say it's difficult to phrase it properly. but you bringing up fun tegaki memories reminded me of the most fun way to thank people! (I tried bringing out the classic palette too!)

and since I also really love the way you draw them too and I was sad I missed maid day (yet again) them !!

I've been absolutely losing my mind over the way you drew my little guys!!!!!!!;; I've been looking at them so much already they almost feel ingrained into my brain, to the point I almost forgot they were real !!! there's no way I could properly thank you for all of this; the amazing art, the incredibly nice words and all the art inspiration you bring me by sharing your work!!! I'm feeling so so lucky and again so so honoured ;v; 💖💖💖💕💖💕

[buttercupshands]

MHA didn't create some miracle way of helping others. It was never promised to be this way. And when it came to villains...

Spoilers for manga all the way to chapter 423.

The only way to get anything in life in MHA was to be born "normal" like everyone else and that way of thinking never left Izuku with Toga getting the same treatment she did before from everyone from her family to her "normal" classmates. It was Ochako who helped Toga even if just a little by lifting the weight of all the feelings that Toga had.

She couldn't save Toga the way one could save a civilian by saving them from harm. If it worked that way Dabi would've saved Toga even before Ochako could apologize for failing to notice Toga. She was so lazer focused on saving everyone else, that she was just another villain to stop, not a human.

Even if by the end of it Ochako helped Toga to deal with her grief, acceptance as it was wasn't something possible when a quirk makes you want to drink someone's blood from jealousy.

We got a bittersweet ending with Toga, in which she probably died from blood loss just like her double did in MVA. If it wasn't for Twice she would've died back then.

Giving away her blood for Ochako wasn't a redemption or a way to save Toga in the end, more as it was her being true to herself until the very end.

Just like Twice chose to stay with the League even if Hawks offered him a way to survive that battle. He refused and died protecting his friends who accepted him instead of choosing to betray them and accept Hawks' offer.

After Twice's death... It was a matter of time that more 'active' LoV members would join him as well. As sad as it is, we now can return to Izuku.

Who, after his time OFA-AFO quirk space, now wanted to help a "crying boy" he saw in Tenko just as before with Katsuki in chapter 1. He didn't forgive Tomura and didn't excuse the way he chose to solve his problems.

It didn't mean that Tomura would survive in their battle, even if Izuku didn't see killing others as a way to solve problems. He didn't understand Tomura, but he still wanted to try, and try he did.

The rest of this post was nothing more than a contextual prologue to understand that it's not the first time a hero failed to save a villain and in Twice's case we know that he died and his death was the reason Toga started thinking about her own possible death and Dabi finally revealed himself as Toya.

The goal of saving a "crying boy" never was an end-goal for Izuku in the Final arc, since helping Tomura deal with his feelings just left him hollow with a goal that clashed with Izuku's. As being a hero for villains meant destroying the world for them to help them live freely.

But that was before AFO resurfaced.

Sadly after that Tomura who was talking about making his own choices for a while now stopped doing that. Even if he still had a goal of helping villains and only villains, Tomura was almost gone. And his goals were now unreachable.

Izuku helped Nana who in turn kept Tomura from fading away entirely. In MHA there were countless situations where Izuku's help affected people by helping a different person to keep hope, All-Might being the first one and Nana being the last one at the moment.

Hollow after Izuku helped him to get rid of his hatred Tomura could do the only thing he did - accept the situation as it was.

Accepting AFO as his Sensei, accepting Stain's ideals and Overhaul's deal was the way he solved his problems. Just like Izuku had a problem of understanding something outside of his norm, Tomura was accepting too many things, which lead to his downfall after accepting AFO's quirk.

Just like Twice could've given up everything that he had for his friends so did Tomura.

With Izuku helping as much as he could let Tomura to finally rest as he wasn't really living ever since waking up in the hospital. With his body now affected by AFO's wishes instead of his own until the end.

In a way Izuku didn't succeed in his wish for Tomura to stop ever since PLF war arc. As he "kept fighting to destroy" no matter how hard Izuku tried to stop him.

The only thing he succeeded in was changing Tomura's mind about himself, instead of viewing himself as a monster he accepted that he was a human just like Izuku said. A "crying boy" who couldn't really destroy Izuku's hands in the end.

For a group of Villains who weren't supposed to get profiles of their own at the start of the series, League is slowly fading as the most memorable group that there was in MHA, getting backstories, their own Villain themed arc all the while being as human as anyone else.

As sad as their story is they were not "unlucky", they didn't need a happy false ending where they would need to change to be normal - they chose to live this way and they lived it to it's fullest.

[bluerosefox]

Of Godsons, Fruitloops, and Lois 'I will drag all secrets out into the sun' Lane

Danny loses his parents due to their own lack of safety in the lab (death? Coma? People finally putting their foot down about the Fenton's endangering their kids? Idk pick). Jazz can't take him in due to being in college and living on its campus (and he didnt want to force her into an apartment just to keep him, he saw the prices and knows she'll have to work to make rent) and Danny fears the only place he can go to is... Vlad. (Sam's parents would never let him live with her and Tucker's place doesn't have the room)

Vlad's been lording it over Danny, smug about it all, after all he IS Danny's godfather and he has the space and money to provide for the boy in his time of need.

Only, when digging into Danny's files, his social worker discovers Vlad isn't Danny's godfather, he was meant to be but the Fenton's forgot to send/sign in the final paperwork (even if those documents were the only contact they had with Vlad over the years before the reunion)

No Danny's godparent, the person to take him should anything happen to the Fenton's is....

Lois Lane.

His mom's childhood friend.

[buglaur]

this is kit, please commission some art from them on social bunny 🙏

[front-facing-pokemon]

[pa-pa-plasma]

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.