#I just outed two of my other fandoms

[igottatho]

Now things are getting real and I hope folx are chill with changing a characters race (I’m thinking tentative yes after all the HP/Black!Hermione discourse?)

Anyway, this is my rendition of Veronica. I love Felicia Day and I love Veronica’s character. My reasoning for changing her race was 1) I didn’t feel it detracted from her story, 2) I’m ultimately hoping to create a comic for you tumblr and so 3) I wanted a more diverse set of characters.

I will have lots of People of Color and non-binary Folks as original characters, but I felt like Fallout could do more. I think she should still have the same voice tho 😙 it’s just so iconic. I also think some character history with her magic Black Girl hair would be really fun; a variety of hairstyles could be something that her BOS family passed into her. The only thing I really like about BOS is that they don’t discriminate based on race (just ghouls and super mutants and enclave remnants and -)

Body references for these images comes from Google searches of Sonequa Martin-Green, in character as Michael Burnham (Star Trek: Disco) and as her charming self. I adore Martin-Green as Burnham, but I’d love to see her be a more bubbly personality like Veronica.

What do you think?

PS fuck drawing power fists Good Lord

Edit, Sources

1 - full body shot

2 - close-up

[egophiliac]

Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷

So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH

(P.s: Lovin' the art style ✨)

oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!

and sometimes it's just "weird things my sister has said that I make fun of her for"

[girlboyburger]

today i realized i could draw anything i want, so.

i drew myself a girlfriend

[hitwiththetmnt]

Arm Swap!

(Could technically be P3 to this) @butterfilledpockets

Life is doing it’s thing so doodling has been a bit slow :}

[theminecraftbee]

okay, so in a rare moment for me, there's a discourse thing i want to bring up, and that thing is. okay. so on iskall's stream there's this thing that can happen where someone brings up a criticism of his content or vault hunters. frequently it's self-evidently wrong, but sometimes it's not. and then iskall spends the next thirty minutes shadowboxing this guy, explaining himself, and completely derailed. and this is an iskall trait we all know and sigh bemusedly about, because he cares about the community and wants people to understand his intentions! he wants the community to understand his decisions!

however, it's not the community as a whole he's fighting; he is in fact, arguing with One Guy, who often doesn't represent the wider community, and who normally won't have their mind changed. hell, sometimes it's believable that they're satisfied having just managed to upset iskall, and they'll leave, no change to their mind, perfectly pleased that iskall's responding at all (that's what i firmly believe the people who poke at the 'you don't upload enough and that means you're falling off and a bad person' wound are trying to do, at least).

in the vault hunters community, we refer to this as iskall getting One Guyed, and it's typically viewed as bad, because it ends up focusing an entire moment on a single guy's negative opinion as opposed to on the larger picture. and it's an understandable thing to have happen! but it's frustrating to watch from the outside.

and so now i am looking at that cat poll. and the way everyone is still shadowboxing someone who has since apologized. and the way i would have never ever known about any of the negative comments about jellie if it weren't for fellow mcyt fans constantly putting them on my dash to dunk on them. and it's like. if you look through the notes most of them are just... normal? it's only a tiny few of people (and the pollrunner, who has since apologized) who were being dicks. it's a very, very ignorable demographic.

but. well. there was One Guy. and we had to correct them.

and folks, i don't know how to say that i almost never see "lol mcyt is cringe" type comments unless one of you puts it on my dash. both because i don't go looking through the notes of things that are likely to have them or go looking for reasons to be upset and because it's just... not that common! very frequently these days it is, in fact, One Guy!

i have almost never seen that poll on my dash without at least one instance of the One Guy. instead of being for fun, it's mostly become about explaining ourselves to someone who will not listen and will not change their minds, and treating this as a the whole of the Other Side of that poll, when most people are being... fine. they're fine! the majority of the people voting for the other side are doing it for perfectly normal reasons that don't require fighting about.

and man. let me tell you. after spending as long as i have watching vault hunters development? it can be just as frustrating to watch a fandom get One Guyed as it is to watch iskall.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[fantasykiri5]

Guys look at my OCs

[moonibinbon]

Missing writing them (blorbos) but need to focus on other things (life under capitalism)

[forgettable-au]

Hi !! I was wondering if there was any song that you associate with Forgettable AU ? Hope you'll have a good day!!

EHEHE YEAH

Okay so, I was trying to choose ONE but I can't cause there's like sooo many, I have a whole playlist (THAT IS A MESS, SO I'M PROBABLY NOT GOING TO SHARE THAT)

But, uhh, lately I've been super obsessed with "Slipping through my fingers" by ABBA and it reminds me SO much of this AU, specifically of Sans, and it makes me sad

I am going to make an animatic with that song one day!! I promise!! Cause it was one of the songs that inspired me to make the AU on the first place... the angst........

[fumifooms]

Thistle & Falin

Just my narrative of Thistle & Falin, collection of shippy thoughts and dynamic analysis. Creating some imagery and threads, etc. What if we both made devotion to our loved ones our purpose, what if we both hadn’t lived for ourselves in a long, long time. Who are we? Beyond who we love and our powers, what are we?

Background info: a short Falin analysis touching on Faligon and Thistle + an old thistlin post, compiling most of their moments. Here I delve into further thoughts but for base analysis of what they have in canon and in potential those are good starts. If you want I also have a full Falin analysis.

Disclaimer: Beyond the nebulous 1000 years I place Thistle as a young adult, and though I agree Falin mothers him to some degree I don’t think it’s unsimilar to the way that Marcille is a mom friend that sometimes mothers Falin and Izutsumi especially. Their relationship has layers like every other one in Dunmeshi, reducing it to being incestuously motherly or age discoursy to justify it being problematic is so funny to me, hello did you miss the mind control. Ah yes I love the 1090 yo with godlike powers being groomed by his chicken slave. You can have your own interpretation but canon is ambiguous enough, and dare I say intentionally ambiguous, that I have no qualms with not infantilizing Thistle, same with Yaad at the end of canon. I do ship Thistle and Falin, and although it’s in a nebulous qpr-or-other third secret thing situationship instead of conventionally romantic way, like, I puke on anything giving them a parental framing so don’t come shitting on my doorstep, kid-Thistle truthers be warned. Only nuance enjoyers allowed on this post. It’s valid if you’re uncomfortable with the ship!! Don’t make your issue others’ problem.

I thankfully finished my Falin analysis before posting this, but besides that I also have an analysis coming on the whole Thistle age thing which I think is interesting, beyond the well being poisoned there are things to explore there, idk in how long that’ll be done though. That’s all for plans that are relevant to this, now let’s get into it.

Part 1

So my favorite Falin things are Faligon + her sense of being like a pawn/misplaced, going on autopilot to follow the wishes of others, a feeling of identity being a burden and sort of fleeing from that, and her not really caring in the way/with the intensity that she’s "supposed" to (as per the points I go over in my Falin analysis). Meanwhile, Thistle has a lot of shit going on already but then there’s also how being a dungeon lord is highly wearing on his mind. As Faligon and as dungeon lord Thistle, the way they’re both so out of touch with reality in different ways holy shit?? They have power imbalance between them and it very much comes from mind control lol, but it’s also not something Thistle is fully aware of himself, because the powers are driving him unstable and he’s not even aware there’s someone in front of him really. He’s so out of it that he can’t even recognize that the dragon has been fused with a human and she’s so out of it we can’t even tell how conscious of her actions she is.

And then the interesting thing is that they’re kind of in it together… Mostly from Falin’s standpoint. We see that he does rely on the dragon increasingly so, hanging out with it, being saved by it and embraced by her etc. When he lets them both fall after breaking the web they were hanging from, he automatically, fully and wordlessly trusts her to catch him, instead of relying on magic or anything, and she does. Falin devotes herself to him but he’s devoted to The Cause which is just chasing ghosts at this point. But despite it all there’s a weird comfort here too… From the guy who in his last moment of lucidity reached out for someone, anyone’s hand, from the guy who hasn’t felt companionship in hundreds of years probably, hasn’t taken it slow and slept and eaten in who knows how long, from the girl who feels compelled to care after him like she’s always done with others… And the beast-ness allows her to have some freedom to figure herself out in a weird way, to simply enjoy being beside someone and doing anything her own whims tell her to.

It’s very destructive and weird and layered but like…. I can see the sliver where it works out. Where her kindness reaches him and he has a moment of lucidity where he sees her and it’s like, wait, who are you, you’re not the dragon?? Where finding someone else who feels just as messed up and devoted as them, like they’re just trudging along life like it’s a dream following their loved one, heals them a bit. Where caring for the other becomes a way to care for themselves too, a dark mirror of each other that shows you, oh, this is how bad it can get and I want to choose something else for myself actually. To grow to see the person standing in front of you, instead of only searching with your eyes in what way they’ll reflect on you. In helping each other, finding some companionship that’s weirdly vulnerable and self-healing. He gets her in touch with herself and her own needs again through the arc and conflict they have, and she gets him in touch with the world and his surroundings again. They have clashing ways to be selfless, very self-sacrificial from Falin meanwhike self-centered with Thistle (he ‘knows best’, ‘everything needs to be left to him’, etc etc, he needs the control, but he does it all for others, meanwhile Falin leaves that control to others and only grabs it for herself in exceptional cases like sacrificing herself to the dragon for Laios).

Like just let yourself be, damn!!! So then them being like, zombie mentally stunted babies kind of enhances that theme in a way too lol. The way they communicate together is very… Instinctive and basic, and I’d love to see how it could develop into a functional dynamic. They’re in ‘learning to be your own person’ kindergarten together to me. Thistle looking at her coloring wildly outside the lines and being like "you’re doing it wrong" and then you look at his and he colored everything a weird color. The precision is scary but then his crayon goes 1 mm out of the lines and he blows up into tears. Ok the metaphor has run its course

So yeah like the ship/brotp is very, them being isolated and against the world together and like… Slowly regaining their minds together. Getting their sense of identity grounded into them again. In my mind they have a 50k words adventure where they hang out and he slowly realizes there’s more to her than just dragon and she encourages him to dawdle around and eventually just play in water and shit and it’s like, starting to see life again beyond the laser focus you limited yourself to… And she’s allowed to just chill out and do whatever she wants besides the whole searching for Delgal thing. You can’t tie down a dragon! They are a duo they are an unit‼️ He’d have been fucked without her and at this point in time he sort of made her and he’s her world. Traumabonded kittens do not separate but it’s onesided in different ways haha. Honestly it’s sort of reflavored mickuro wait fuck…

If nothing else, they’re a very interesting dynamic to ponder. The depths of it all… I want to use them as a social experiment. I want them to stop to smell at the flowers and learn to work together… They’re master and servant they’re owner and pet they’re mothering and mothered (in a guardian hound way, in a mom friend way) they’re both incredibly (emotionally and physically) vulnerable in different ways…… Master and monster if you will. Mostly I see them as guardian & leader. Like I said I ship them but it’s not really romantic atp I think but it’s not quite qpr either it’s truly a weird secret third thing… What if we were sort of coworkers but also ?!!!>??????! You should hate me but you fiercely protect me I should appreciate you but I only see you as a tool WHAT IS GOING ONNN IN THERE

He wants to be protected even if he can’t really admit it. Here the catalyst was emotional distress moreso than physical threat. Notice how he lays there under her wing for a bit as he (refuses to) processes what Mithrun told him about Delgal dying and betraying him. She’s becoming his safety net, his comfort hound. Somehow, the both of them find they’re soothed in each other’s presence.

It kills me. Them being so toxic at the start of it, then somehow ambiguously just hinting towards how things could have went on to be better, could have been headed somewhere nice and healing and healthier, she dies and he dies everyone fucking dies and they forget each other and it ends there they never speak of each other again. Canon wanted me dead specifically. Like remember too that I was there when the last chapters where being released, my ass really was like "Oh I wonder how Falin will react seeing Thistle after being revived!" 🤡 But yess at least that means there’s a lot of Unsaid, a lot of space for speculation, and I want to see what could have been. I want to see it so so bad. It’s so interesting

Post-canon is also so interesting, where they’re sort of recovered but not fully not really, them actually getting to know each other… And she doesn’t remember him but he doesn’t remember her either, in a way they’ve never met even though they have, even though she was the first one on his side since so long, the first hint of companionship he’s had, companionship that he’s so unused to getting that he can’t even recognize it for what it is. He couldn’t even recognize a human standing in front of him!! He is so disconnected from others and the world!! He spoke to ghosts like they had no worries in the world and everyone was ok!! He’s out of touch, tone-deaf af!! Has always been tone-deaf!! Being tone-deaf when he was younger, a stick in the mud, caused him to be more isolated than he already was… Autism4autism, anyways—

It’s them not knowing why or how to express it but being drawn together, a bond forged together by the fire of circumstances and coincidences— or is it only that? No one can know for certain but there’s a grip they have on each other there somehow. Weird distant caring thing. I dont know who you are but I feel like I should know you

It’s like my headcanon that she doesn’t know why, but on her travels she feels something when she comes across wild thistle flowers… There are just faint remnants, whispers of feelings like ghosts.

They should be remnants in each other’s lives. A deja vu of a person in the way Falin hugs small dolls to her chest, or how Thistle reminisces of something when he sees bird feathers discarded on the ground. < This paragraph courtesy of @cabinette’s huge brain

He canonically writes poems btw… Poems would be such a good way for him to get in touch with himself again post-canon, find desires in again and get creative fulfillment. He should make poems about her. To explore and vent and express all the vague feelings and memories he has, both those of during canon and after canon. He doesn’t remember her but he remembers her, slivers of kind eyes and warm gentle hands and healing magic like a blanket…

Yaad, an unlicensed therapist but the best you're gonna get in fantasy land: Maybe you should try journaling.

And too the thing is their relationship with each other in a way is ONLY about themselves, even when Falin is being self-sacrifical it’s less about him and more about how she generally is, that sort of instinct to latch onto someone and just follow along with whatever they do and ask, meanwhile to Thistle she’s only ever been a factor in his plans. Idk idk them getting to that point where they see and know each other, stumbling into that through canon or actively working towards it post-canon, there’s weird beauty in that Like. Thistle cares about her because he’ll take anyone as long as they fit the job description well enough, he’s desperate to find Delgal and will grasp at straws to find him. In a similar way that he’ll reach for someone, anyone’s hand on the verge of death, she seeks to protect someone, anyone. That’s how she centers herself, makes someone her compass and her world. Falin wants to protect someone and Thistle would use anyone, pushed to the states they were in they would latch onto anyone for comfort (caring for him, grabbing Marcille’s hand).

Mirrors truly truly. And Thistle likes to shatter those, and silence anyone who tries to talk to him about reality, so then the option left is to be by him quietly and subtly gradually, gently (her specialty) nudge him in the right direction … Nooo but actually why did he shatter those mirrors. Very interesting to think about. Would seeing himself in others anger him?

I like to call him a ghost of who he was sometimes, a ghost of the past, he’s so haunted, and I think there’s fun imagery there too. The care she offers Thistle somewhat reminds me of the one she offers ghosts. I wonder if part of it is that she sees herself in ghosts, that she wants to offer them freedom and peace of mind she can’t get for herself.

And of course meanwhile on her end, the thistlin arc is also about growing self-respect. I don’t want to see Thistle as a lost cause in saying that her efforts are wasted on him, but being so permissive and invested in him is obviously not healthy for her. She needs to learn when to put her foot down

Oooh, just realized that choosing to eat in this scene was a big character moment all things considered. By eating she faltered in her task, stood up for herself and her needs, was selfish for once (/positive go get your damn food girl). She chose to eat. Anyways

I bet he’s the one who healed her wounds after the Shuro party fight. And on that note— it’s interesting he could change her form from Falin to Faligon without touching her isn’t it? Healing by everyone else like Marcille and Falin always required touch, physical contact between the healer and healee, which some like Chilchuck say is a negative, but… The dungeon lord not needing to touch to heal makes a nice metaphor for how isolating the powers are I think. Truly clinical instead of warm. Theme of community and freely offering affection in Dungeon Meshi etc etc. Like I said, Thistle is out of touch.

The way that he has the powers to change her form and heal and like soo much magic power but he can’t even realize when he’s hurting himself and she’s the one who has to heal him. He’s so fully devoted to the cause even when he acts selfishly that he neglects himself too, and she has to remind him to take care of himself, to eat, etc. That she feeds him. Eating is an act of love to yourself and to life. The berries, the curry, the soup that Thistle refuses to eat—

Do you see the vision. Do you see all the narrative relevance and themes and parallels of their dynamic. To chase ghosts, to cling onto them so they stay with you no matter how warped and ugly they get, and to soothe souls, purifying them and helping them depart for the afterlife… Both magic prodigies whose lives revolve around protecting and caring after their loved ones more than anything else. A family member who looks elsewhere while they are their whole world. They can flee their emotional issues together 🤝 Who are we? Beyond who we love and our power, what are we? I think about the way she cradled him in her arms just before they fell down into the dungeon all the time idk idk

^ End notes from the one fic I wrote about them so far: Slivers, on AO3. For a moment, they were both slivers of themselves, bound together.

Thistle feverishly holding onto ghosts of the past and his source of power, meanwhile Falin cradles the people she can protect in the now with the powers that reside in her… Him cradling his book, her cradling her master……… Parallels

Interlude

And yess it’s important to remember too, Thistle became a mage only after delgal asked… He had innate talent, but moreso than Falin it’s through studies that he learned to actually harness his magic etc. Idk I think it’s an interesting parallel that could have interesting stuff be done on it. People often characterize him as predominantly bratty but. He’s smart and composed he’s mainly smart and composed… He’s unstable and everything during canon was happening all at once with the winged lion being freed and Laios’ party and the canaries and agh </3 He can have a meltdown as a treat he’s smart and cool-headed if it wasn’t for the dungeon wearing on his mind ok… Obvi I love my chars with anger issues but saying he’s overly childish is having tunnel vision I think

Ok so the elephant in the room… First of all how present is Falin in Falugon exactly…… We have no clue. The end sequence does show her in purgatory with a dragon foot holding her down, which can easily be read as it suppressing her personality- with how it’s shown though it feels like she’d be fully suppressed by that? And we know that’s not the case, since not only does she recognize Laios and calls out to him, she hesitates to hurt Kuro because of the dog association, she’s excessively kind towards Thistle, the latter which her Adventurer’s Bible profile confirm to be "her kind nature remaining as the chimera". Maybe it’s a dream-like state? Maybe the dragon is the driving force with the instincts, and it’s only bits of Falin and her personality that show through? A state of mind very primal and not very think-y, even if Falin has enough brains to think of sharing the berries, gesturing and oh- of course, casting magic. No issues with controlling the human half of her body as well. To some degree, her and the dragon are working in tandem. My own preferred interpretation is the driven by instincts one, a state of mind like an actual dragon’s, which in my Falin analysis I delve into the significance of it for other parts of Dunmeshi too. So yeah, dreamlike mindless autopilot… I think exploring her pov as Faligon would go super hard. Aware of her surroundings but sort of disconnected with it, and disconnected from herself too, entirely living in the present… And like with her talking to Laios— the only time she speaks in her chimera form, a simple observation, "Laios, brother", sometimes her human thoughts peek through more sharply, short moments of lucidity… I think it’d be interesting to see an arc where as the chimera, she learns to share the "brainspace" more with the dragon.

It’s also unclear if Thistle had a say in how much of ‘Falin the human’ is in control? He very well might have suppressed her somehow when he changed her form to be more dragonlike. That might also be due to just getting back the dragon meat though— and the dragon meat itself might be why/how the brainspace is shared. There is a lot less of Falin’s body in the chimera than there is of the dragon, body mass wise. Dungeon Meshi is a lot about physicality so I wouldn’t be surprised with this reasoning. But there’s the whole mind control soul bond situation too…

The mind bond is another thing that’s left mostly to interpretation when it comes to the details. She feels compelled to listen to the dungeon lord’s orders as a monster created and owned by it, like the dragons Thistle summoned during the fight at his house, but again like we see with the dragons, if the monster has a "strong will" it can disobey to some level without being punished by the bind or anything. The eyes of the magician, the small wyverns, level-of-control wise can’t be accurate examples because they’re sort of like familiars, Thistle can see through their eyes in real time no matter where they are but it’s only this species as far as we know. So otherwise the mind bond is more subtle… There’s also the question of how much the control is shared between the dungeon lord and the demon, which again Thistle’s situation is exceptional because he managed to seal his demon in a book, presumably all the power goes through Thistle without the intermediate of the winged lion, though we do see he has some reach since he reaches Laios through his dreams. ANYWAYS all that to say. I do really ponder about how a dungeon lord's monsters get their orders, like... For the fight on the first floor, did Falin just feel Thistle's agony in her bones and came clawing and barging her way in desperately and angrily to protect him because of his distress, or did he more directly demand she come, consciously or not?! Idk, since Falin is actively protective of him unlike the dragons who reluctantly listen to him, her being very fast and intense about it doesn’t have to be forced… It’d be interesting if she can sense his feelings, wants or thoughts, bc I don’t think it’s as conscious as like, telepathically communicating "hey you, do this"…? Pondering, pondering. Mind bond <3 Soulbound <3

They’re both very trapped in the past… I wonder if as Faligon a lot of her mind goes back to memories of Laios and such, if she’s in a dreamlike state and not just sort of absent, where would her mind retreat... I don’t think so like I said I think she’s mostly driven by dragonlike mindlessness, but still… Thistle stuck in the search of Delgal, thinking back to everything they’ve shared and where it all went wrong obsessively, and Falin, sort of larping that she’s still beside Laios, not unlike how Thistle treats having the corpses of the royal family at his house like them being safe. Delusions. Idk I just want more character studies.

The metaphors in this truly… It’s not literal, like def not something that happens during canon at no point are they or could be ever atop a mountain of frames and paintings of the Golden Kingdom’s royal family and fine art lmaoo, so then like the meaning behind it all… She offers him reprieve, an outsider from all the Golden Kingdom expectations and drama, just someone warm to lean on, someone who’ll stay…….. I love Faligon pushing him to rest and nap so much. Man has first nap in a thousand years. Feather duvet like a nice warm pillow. The peace she offers him man……. Live in the present bbygirl Unfortunately it doesn't help. Look at them eyebags… Man needs to sleep!!

Part 2

^ This panels drives me crazy It’s the possessivity. It’s the "my". It’s the "stealing".

What if you have fear of abandonment and think you have to prove your worth for people to stay by your side. What if belonging to someone makes you feel like you belong and you feel loved and soothed by it lowkey, feel like it makes things easy. What if I was bought as a slave and servant but I was adopted into a pretty loving family. What if ownership is what love looks like to me. What if that’s why I have no problem rationalizing keeping people against their will in a glorified kingdom-prison, because that’s just what someone with the power who Knows Better does, and… Did he always call her his dragon hello? Feelings

He is not letting it go damn He hates when people mess with what's his. Or Delgal’s.

But imagine. The dragon is like, the last thing he has. The Golden Kingdom has moved on from him, everything is shit, but his dragon is the last thing he still has some realm of like. Ownership over. But that ownership is kinda just his sense of belonging. His role, his duty.  So it’s like "Don’t steal the last thing I have" especially if post-canon… It’s thinking from his time as a jester bought into a loving family that ownership is natural in love and care. It’s thinking that’s the way you get to belong beside someone, beside earning that through achievements and being useful and capable. Everything is being stolen away from him. Control and things and people and even the importance he has to the Golden Kingdom as he becomes part of the background & past history and the kingdom switches into new hands aka Laios’…

My dragon, not the dragon. I do like to imagine especially after the berries he’s starting to feel differently about her. He keeps being like "you’re acting odd, dragon". His dragon is special. She’s not just another regular monster npc to easily replace, there’s human contact in there. His dragon just for him. <3

I do think Falin has some issues with like, asking to be with the people she loves, feeling safe in asking for that, that she’s worth that. She follows them and is quiet and just takes the crumbs of love that they offer, she doesn’t ask Marcille at the academy to spend lunches with her, doesn’t ask anything of her distant busy father and ill anxious mother… The person she did ask things of, Laios, who she always asked to go travel the world with him and whatnot, left her behind. Like how Delgal left Thistle. Theme of leaving </3 theme of family and abandonment issues </3 So she just follows and cares after them and makes herself useful and is grateful she gets to be beside them at all. So yeah what I’m saying is being owned/belonging to someone might feel yeah like, belonging. Being One Person's. He’s seen her at her worst and most bloody and raw, and still wants her? Very comforting And especially post-canon he doesn’t need her to be witty or useful or such, he just needs her love and that’s what she has lots to give.

Do you think Falin wants to be needed… Do you think she’s a little restless if she doesn’t feel like she is, like she thinks just like Laios people might leave you behind and you never see them again.  It’s also because of what she said, that she put others before herself, that she just followed/imprinted on her parents/Laios/Marcille. She avoided conflict, she wanted to be liked and live in peace. The only times she was selfish, she hurt people (left school for Laios, sacrificed herself for them, teleported them out despite possibly hurting people on the surface), so she chooses to be selfless instead. "One of the most selfish things i've ever done was barely even for the sake of myself" - Falin and Toshiro both hah Falin is often told she doesn’t care the right way or not enough, you’re cutting classes Falin, I’m upset you left me and you don’t even seem to think it’s a big deal Falin, you shouldn’t have sacrificed yourself to save me (her not noticing her ostracization in her village wasn’t told to her but I’m including it also). And with Toshiro when considering her proposal, she was worried to accept because yeah it’s have been convenient but she wouldn’t be reciprocating his feelings in the way he wants and expected her to with what he asked of her… And she’s worried it wouldn’t be right… Bc she doesn’t care about the proposal on the same level he does….. I just think that’s neat I think that Falin caring both too little and too much, with laser focus on Laios & Marcille neglecting even herself, is a big part of her. She focuses on others and their emotional needs so so much always, babygirl be selfish for a while…

Thistle’s interaction with Laios is interesting too, especiaoly when Kaios heals him. How he looks at his shoulder, surprised and confused… Guy who's used to not having his personal needs met because he's so busy doing everything for the people he cares about receives care??? Woah that’s crazy Something something being so unused to human contact and affection that you don’t know how to process it and don’t recognize it when it happens/stares you right in the face. Thistle the Toudens are gonna make you open up ur heart to humans again on god…

What if… He doesn’t want to admit she’s not the dragon. If he admits it’s not the dragon that means giving up some control… This was not in his plan, he doesn’t know how well he can control a chimera rather than a dragon, it’s weakness it’s vulnerability it’s feeling like he’s losing his grip on everything again and thus losing his place and purpose. Hmm…

Finding yourself through someone else… Because defining yourself through others is what you’ve always done… Yeah. Yeah.

I do love it tying into Falin’s arc of finding herself. Like, she doesn’t remember her time as a chimera, she just remembers this guy she has conflicted but fond feelings of for some reason, so say if they travel post-canon, traveling with him would also be a way to figure out more how she’s feeling, and then there’s how when looking at him she gets the feeling that it’s been a long time he hasn’t lived for himself either… And like for him traveling is about seeing the world a bit too. Seeing it not as something to control or always dangerous but something to explore, and just enjoy the little things instead of worrying about the court. And just. Aghhhh. He hasn’t had someone on his side for centuries. Sighs. Of course Yaad also becomes that largely but traveling post-canon with Falin… Would love to see that in fancontent

Them growing to SEE each other, with the film in front of their eyes slowly fading away. Both of them coming out of it more genuine than they’d been even before meeting, before becoming warped, growing more comfortable in their skin and with the thought of connecting with others. It’s the mutual care <33 it’s having been on each other’s side at both your ugliest <3 Unconventional caring...

Toshiro saying "you can’t tie down a dragon" is always so good… Someone should so do stuff with that. "But you can tame it" / "I tried to once" / "but she chose to stay with me anyways"… Musical theme of How to Train your Dragon starts playing in the distance

When/after they get together, I feel like their relationship isn’t something they like to label… If anything it’s like. Partner. Or calling each other by name… Him calling her my dragon, except now it’s warm and personal would be so. Aughh <3 But then that just also makes the first time he calls her by name so huge.

Conclusion

They and their relationship is weird and unusual but that’s just how they are, and how they need to accept themselves (again: as they are) and roll with it! And make a place in the world for them anyways!

Magic forced them to be vulnerable in front of each other but it’s them who have to like… Be pushed out of their passivity and do something with that vulnerability.

BROTHERSSS THEY’RE BOTH ALL ABOUT BROTHERS. LEAVING. OUT OF TOUCH WITH REALITY. OUT OF TOUCH WITH THEMSELVES AND THEIR OWN IDENTITY. In a twisted way only the other would understand what it’s like.

Thistlin is so crazy, in humanizing you it humanizes me, in recognizing you for what you are I get more back in touch with the world again.

Flighted birds have hollow bones. With freedom there are risks and drawbacks. Thistle was Falin’s.

It’s not everyday you can have a ship where both characters are out of touch with reality and others and themselves and have this weird almost innate bond of her being compelled to protect him and care for him and him holding onto that unknowingly… Even if he didn’t need to, keeping her by himself and sitting on her while he plans and has a panic attack….. And also he owns her and robbed her of her freedom & body & full mind but she still wuvs him. Weird intimacy with the guy who horrifically changed you into something else, and yet is not even aware he has done it.

Falin loves nature and Thistle is named after a flower… Her post-canon coming across wild thistles and feeling a rush of fondness and she doesn’t know why… Thistles have thorns, but they taste sweet. Just gotta peel them off and enjoys the sweet taste of it once it’s open <3 Eat it like them honeysuckles

Slice of life 40k words thistlin sitcom I need you. Don’t make me write it myself. Sob

You are so so close sweetie…

wutiwant

I don't know what I want But I know it's not this These words don't mean nothing Once they left my lips More awake inside of my dreams Was that really you, next to me? Give me what I want, who am I supposed to please? Who am I supposed to please? Who am I? Who am I? I? Give me what I want Give me what I want

Some links, since the pair is small enough that finding stuff for them can be hard: Falin & Thistle search on pixiv Falin & Thistle search on danbooru Ao3: Thistle x Falin, Thistle & Falin Ship names: ファリシス / シスファリ. Thistlin

My own spotify playlists: Thistle & Falin, Thistle, Falin

source v

[polarisbibliotheque]

Can You Hear The Rumble? - Vergil x Reader

Music Inspired Fics (Devil May Music) - Cirice, by Ghost

Pairing: Vergil x Reader

Summary: Everyone knew the kind of demon a hunter should be wary about is the one who plays with their victim's minds. You and Vergil were very proud on the outside - but how would it be when having to save each other on the inside for the first time?

TRIGGER WARNING: A lot of blood, cuts, bruises, scars and suffering on both Vergil and the reader's sides. The reader also struggles with perfection and self-loathing - in a "I'm never going to be a good person" kind of way, because I needed to get more intimate on the reader's part as well - and there are scenes with the reader covered in cuts and bleeding, though not self-imposed, it could be read like that. Those scenes are the reader's and Vergil's internal images of themselves. Reader and Vergil meet each other on their imperfections and the darkest parts of their souls, so BE WARNED. This might not be everyone's cup of tea and there are lots of potential triggers.

Author's Note: @tokkis-shelf asked me if Vergil's part of the Halloween special was inspired by Cirice, and here we are now. It is what kickstarted the song-fic requests! As with a lot of people, I think, Cirice is pretty personal to me.

In the video, it was so comforting to me seeing the black sheep being represented hahahaha and I guess that's why people love it so much. The part where they hold hands? I died, I'd never let go, I cry my soul out upon watching. (I did a very similar drawing to that scene when I was in school around 15 years ago, so it drop-kicked me out of my body xD)

Now, when writing this, I kept in mind that this song has a double meaning and can be quite comforting and quite manipulative at the same time - hence why I use the "can't you see that you're lost without me?" in two different situations, 'cause I think Cirice can be interpreted in so many ways and each person takes what they need from this song. I hope you guys like it!!

Plus, the song the reader and Dante sing at the end is The Power of Love, by Huey Lewis and The News

Cirice, by Ghost

“Can’t you see that you’re lost…?”

It happened every time Vergil walked in the darkness.

That voice in the back of his head, silently taunting him, the hiss of a quiet viper in the hopes of taking him back to the darkest parts of his soul. Quiet, lurking, whispering… Mundus always there, somewhere in the folds of his consciousness, guiding him back into the void – luring Vergil back into his shackles.

“Can’t you see that you’re lost without me?”

As if Vergil couldn’t belong anywhere else, as if his place was in Hell. After all he had been through, after all the sins he perpetrated, he believed wholeheartedly there was no hope for him at all – only a fool’s hope; only a glimmer of a wish he wasn’t as tainted as he was… A desire to not be such a monster as he was.

Pacing quietly through the empty cathedral, Vergil had already learned not to give in to those thoughts – to keep them at bay, as only a whisper in the darkness, of trickster voices that would always remind him of how inhuman he was.

It was times like this Vergil longed for the faint glimmer of the moon, or the warm ghostly light of a candle. It was easy to get lost in the dark, but a single ray of light could help through the direst of situations. That night, though, it seemed like the moon had fallen asleep behind the curtains of the clouds – Selene hiding her tears for her earthly lover in his eternal sleep.

None of you knew what that night entailed – you weren’t even certain what you were dealing with. That was the reason why Lady strutted in the Devil May Cry, not too fond of taking a job she didn’t know if it was up to her abilities.

“Well, looks like I have a new one for you to pay your debt, big guy!” Her singsong voice interrupted the ambience of the jukebox; Lady entering the shop with Kalina Ann and all.

“Eh, I’m never gonna be free of my debt, Lady, let’s be honest.” Dante sighed, putting his feet down and throwing his magazine across the table, shooting her a serious glare. “But things have been borin’ lately, so one of your odd jobs’ not gonna hurt. Whaddya have for me?”

“You talk as if I never help you enough to maintain this place.” She lifted one eyebrow, approaching the big desk at the middle of the shop.

“Gotta give the woman credit, Dante. Last month’s bills were on her.” You shrugged as you had finally come out of your shower, happy to see Lady around, still drying your hair with the towel as you went down the stairs.

“See? Someone who has a bit of common sense.” Her smile was nothing short of devilish as she gestured towards you.

“You know where you are, Lady. ‘Common sense’ isn’t much of a thing in this household.” You greeted her by quickly blowing her a kiss while passing by, making your way towards the couch where Vergil was quietly reading.

“Ey, you’re hurtin’ my feelings like that.” Dante put one of his hands over his heart, laughing alongside you as you kept on your way. “But fine. I’ll give ya that, Lady. So, what’s up? What job do you wanna throw at me this time?”

“I am not throwing it at you.” And there it was: you could always see when Dante stroke a nerve when Lady got defensive and with that fiery stare on her multicolored eyes. “If you wanna do it, great, if you don’t, I can deal with it myself just fine. I’m here to be a good friend since you can barely afford all that pizza you keep stuffing yourself with!”

As you sat by Vergil’s side, you both exchanged a telling glare. Just like you, Vergil was used to observing people. Granted, he didn’t know Lady as much as Dante or even you, but he did know her since he was very young. That fiery, easy-to-anger personality had been there since they first met at the Temen-ni-gru – and Vergil argued it was one of Lady’s traits that would never change.

Something he was quite pleased with, if he had to be honest with himself. It was a good trait for a human demon hunter like her. Dante always praised human’s hearts and particularly their love and empathy – Vergil praised their burning anger that made them unconquerable in the direst of circumstances.

“Jeez, alright, alright, don’t shoot me!” Dante raised his hands as if he was at gunpoint, making you wheeze quietly. Vergil side-eyed you for a while – half judging, half holding his own laugh. “It’s not like I have much of a choice, do I?”

“Humpf.” Lady rolled her eyes and took a slice of pizza from the box resting on the desk, pointing at Dante with it right after. “You know I wouldn’t bring you something if it wasn’t important.”

“Actually, you would.” With those words, Dante rested his arms crossed on the table – all the while, you and Vergil watched it all as if it was a show. Who needed a TV when you had those two? “But you’re bein’ too dodgy ‘bout it, babe. What’s goin’ on?”

“I got a call from a priest in a city nearby.” Lady’s answer was uncharacteristically quiet, followed by a bite from the pizza while she seemed pensive and in any hurry to chew it. “I’ve done some jobs there, know the guy, he’s nice. All the times he called me, it was always a quick, good-paying job. He said some weird things have been happening at the cathedral for the last couple of weeks.”

“Not to sound mean, but there’s always somethin’ strange happenin’ at churches.” Dante’s eyes carried a bit of skepticism: ‘weird things’ didn’t always entail a job for the Devil May Cry – and it usually ended with all of you hunting a rogue raccoon or something.

“I know. But this guy, he doesn’t get scared easy, ok? He’s one of those types of priests who’ll try to shoot down a couple of demons with a shotgun and, if that doesn’t work, he gives me a call.” Those words, though, made you and the Spardas raise your eyebrows. Indeed, it was a rare type of priest, but a good one to keep as acquaintance. “He said the cathedral is increasingly quiet, even from noises outside, with occasional distant noises that are not done by any of those who live there. After it all started, the other priests reported having weird nightmares, of being chased by something in the dark, inside the cathedral – this thing whispering things they can’t understand. Alright if it happened to one or two, but soon all of them started waking up in the middle of the night with similar nightmares – and, catch this, the higher ups of the clergy didn’t tell the common priests about it, but they all reported the very same dream.” Those words caught everyone’s attention. Vergil finally closed his book and leaned forward, paying attention to Lady’s retelling of the priest’s misfortunes. “The priest has been trying to figure out what’s going on, but some old books appear to go missing from the library, only to re-appear as if nothing has happened. Some books are missing pages, something that never happened before. He also said the inside of the cathedral has been getting darker and darker as the weeks go by. As if something is approaching – his words, not mine.”

Vergil immediately furrowed his brows and seemed to turn into an ice sculpture right by your side. You risked a glance, finding him with his usual dark aura – pensive, somber and quiet; hunter’s eyes showing themselves in a matter of seconds.

“Rare are the creatures in Hell in search for knowledge…” He muttered loud enough for his brother and Lady to turn their attention to him. “But those who do, are usually among the worst. Haunting noises, torn books, nightmares, dead silence and total darkness…”

“What? You think those Hell Piranhas came out of their pit?” Dante’s question had a bit of fun in the words, but his eyes were serious and he didn’t allow his lips to smile.

“Could be. Could also be a demon trying to mimic them to hide something else.”

“Hell Piranhas?” You and Lady didn’t need a cue to ask at the very same time. Neither of you had ever heard of that – and both of you had heard of a lot.

“This is not their name, but it is how Dante calls them since we were kids.” Vergil almost sighed in response.

“How we both called ‘em. Mister smart-pants over here isn’t that much better than lil’ ol’ me.” Dante winked at both of you, making you giggle quietly in return. “They’re kinda like illusion demons, but they like stayin’ in the darkness and gatherin’ knowledge. Usually work for someone bigger, though.”

“And even if they don’t, they swallow up all their knowledge and that is dangerous in itself. Afterwards, they feed from the victims they have been toying for so long.” Vergil continued Dante’s thought, ignoring his brother’s previous words. The more you didn’t think about what Dante had said about him, the better – for Vergil couldn’t deny it. “They hunt in packs, and the more victims, the more powerful they become. Some call them the Pit Deceivers, others call them the Lie Weavers…”

“You call them Hell Piranhas.” You concluded bluntly, making Vergil stare at the horizon with emptiness in his eyes – he could say all he wanted, flex all his demonic knowledge, you heard the Piranhas and now you’d never forget it.

“I never heard of them.” Lady had her eyebrows furrowed, searching her memory for some story like that.

“They either don’t leave the pit that much or not many humans survive to tell the story. That’s why.” Dante pointed at a great, old book Vergil had left on one of the tables a long time ago and now it was its official resting place. “You can find it only in the likes of the Codex Daemonica.”

“So either we have them around, or it’s something else. Something bigger. Right?” As you asked, Vergil only agreed with his head as the attentions turned to you. “Or something mimicking the Piranhas.” And Vergil had to sigh at your addition. He would never have peace again. “The mimic or the master, what kind of demon would the Piranhas answer to? If they are that obscure, I take it their existence is more of a niche knowledge in Hell rather than a common information.”

“On that, you are correct…” Vergil murmured in response, falling back into his pensive demeanor. You knew he would be lost for a while.

“See? Good thing I brought this for you, then.” Lady waved dismissively at Dante, but you could sense a little edge in her playful voice. Dealing with big things was fine, same as dealing with cruel demons and the ones that played the big-scary-one persona. Unknown demons were another kind of monster – one only Dante and Vergil used to deal with. “Plus, they always pay well.”

“Eh, I won’t be seein’ much of that money, if I know ya well.” Dante scoffed, having a small smile hidden in the corner of his lips; his tone and demeanor, though, were quite somber and you knew the red devil was taking it seriously.

“If you don’t mind, Dante, I would like to take over this one.” Vergil finally declared while getting up from the couch. “I know some of the hellish creatures who might make use of the Weavers or mimic them.”

“Fine for me, I’m needin’ some time to rest.” Dante sighed, but looked right back at you while Vergil rested his book on the big Devil May Cry desk. “But I’m gonna feel a lot better with someone around to keep an eye on ‘im, pretty thing.”

“Well, I didn’t intend on letting you guys deal with this all by yourselves anyway.” You got up from the couch, immediately receiving a glare from Vergil. “I’m going, blue devil, whether you want it or not. I want to get acquainted with these Piranhas.”

Vergil only closed his eyes, letting out the longest and most regretful sigh you ever heard in your life.

And there you were – although Vergil lost track of you quite a while ago. He knew the stirrings rippling through his heart when you were in danger; and being the fierce human you were, Vergil wasn’t worried about having you search for the demons in the cathedral.

There was, though, a slight uneasiness. That voice echoing in the darkest parts of his soul, it always came as an omen – causing nothing but destruction, inside or outside of himself. Vergil never could really say which one would be, but both were devastating.

“Veeeeergil…”

His steps came to a dry halt in the middle of the cathedral. The night outside the colorful stained-glass windows was pitch black, robbing the colors of their warmth and light – the fire on the candles, long dead in that cold night. The whisper that crept to his ears, like stark chalk on a chalkboard, dragged itself through the marble floor and took a hold of his soul in its clutches.

It was a different kind of sound – different from the ones inside himself, calling him to the darkness. It was from the outside… The Lie Weavers. Slowly coming up, finding him as their next victim. He was close to one of the places they were certainly lurking in the shadows, patiently waiting for someone they could consume.

Vergil never feared the darkness. Tightening his grip around Yamato, his steps resumed his way, approaching the places in the cathedral the faint light of the night could barely touch. Those demons should have known their end was near, and he was the harbinger of their demise – he expected all kinds of trickery, of resistance, of fight from them.

He did not expect to hear a familiar voice, filled with uncertainty.

“Vergil…?”

Halting his steps once more, this time his silvery eyes lost their predatorial gaze as his heart jumped in his chest – even if for a slight second.

“Mother?”

His answer was but a whisper before he was swallowed by darkness.

*

When engaging with illusion demons, one should be aware of not falling into their element: when engulfed by it, those demons were more powerful than expected, able to subdue even the strongest of foes. Breaking from their control required mental and emotional discipline rather than brute force.

It was a slight second – a foolish slip from his human soul, disarmed by the trickery of Eva’s voice – and Vergil was surrounded by a sea of darkness and turmoil. His heart stirred with anger towards himself for being such a child, a vulnerable stupid child, tricked by a puppet of something his heart missed so much.

Eva was long dead. There was no demon able to bring her back. And he would never see her again. All that logic was tossed aside in a spark of a second by his stupid human heart, trembling upon hearing her speak his name again. Granted, Vergil only heard his mother in his dreams, barely remembering how her voice sounded in reality, and this time he heard outside himself – but he should have seen it coming. Illusion demons, trickster demons, cruel demons… They all relied on the barely closed scars inside his damned human soul.

Vergil could always count on them to re-open those wounds, making him bleed as much as he did on the floor of that cursed cemetery so many years ago – and he was a fool to fall for it after he had been through so much.

“Vergil… Can you hear me…?”

“I can, you damned deceiver. You can stop these theatrics – mimicking my dead mother will not affect me.” His voice cut through the dark like the sharpest of ice, his predatorial gaze back into his silver eyes.

“I… Don’t understand you, son. I cannot find you.” Her voice had a tinge of sorrow and desperation – but it was exactly like Eva’s voice. Vergil remembered it with a tinge of gold, probably a result of the haze of nostalgia, but today it was grounded and melancholic – perhaps, that was how Eva had always sounded… He just didn’t remember it. “I can’t find you. You aren’t home.”

“I haven’t been home for a long while.” Vergil didn’t even try to hide the growl that raised from his chest as he argued with that creature. He was used to having a puppet of his mother parading in front of him to hurt his human soul even more, but that was already getting on his nerves. Taunting him about the fact his mother ran to find him that fateful night wasn’t part of the usual games those filthy demons played – and to say they were honing his wrath was an understatement. “And I will never be back.”

“I… I cannot see you, Vergil. Where are you…? Why…?” He could hear the weeping in her voice, faint sobbing while the desperation made her words tremble. Vergil raised his head in the darkness, holding his own heart not to quiver: she wasn’t real and it was all a gimmick to affect him. He would not be affected. He was stronger than that. “Why couldn’t I save you? Those demons they… They hurt you, didn’t they? Oh, my child! My son! They hurt you and I could do nothing! I couldn’t be your mother!”

“Enough with this, filthy, hellish creature!” His voice finally exploded from his chest, roaring in the dark and echoing through the void, finding only silence. “You have no right to desecrate my mother’s memory like this! Shut your putrid mouth and stop with your rancid lies!”

The glint of the Yamato being unsheathed made the darkness recoil for a split second, only to envelop the Dark Slayer once more. His grip was tight, his eyes fiercely looking for his first opponent to direct a very well-placed judgement cut that could end all those creatures with just one swing of his hand. Vergil had enough and all the patience he carried in his being wouldn’t be enough to stop him from overkilling those demons – he just had to know where to direct his wrath.

“Don’t say those words, Vergil… You are not… Not like this.” Her voice still trembled, and his hand was still certain around Yamato. Vergil knew quite well at that state he was a weapon of mass destruction, he just had to find his opponent. His soul was screaming for him to do that, to put a stop to all that mockery. “You are good… You are my son.”

Vergil would have sliced that demon into a thousand million pieces without flinching, even if it took the form of his mother – but his eyes widened as a soft, warm hand touched his face. In all those years being taunted by demons, being tricked and mocked, seeing so many puppets of Eva, Sparda and Dante, none of them had touched him… And none of them genuinely felt like them.

It had been so many lost years he hadn’t felt his mother’s touch – last time, she could cup his entire face, thumb lovingly caressing his innocent eyebrows, but now her thumb could only reach his cheekbones. Nevertheless, it felt like her: not like a golden, nostalgic lost memory of how she felt, but exactly like Eva’s hands, even with the slight roughness of her continuous gardening.

“It took me so long to find you… I am so sorry.”

“You are not my mother.”

“Don’t say that.” Her answer was a sorrowful whisper, her thumb now carefully caressing his sharp cheekbone. Vergil closed his eyes, unable to move, convincing himself all of that wasn’t real and not allowing his heart to sway – forcing his arms to remain frozen by his side, fighting the urge to embrace her. Reminding himself: his mother was dead, killed while trying to save him, a long time ago, and nothing could bring her back. “Your heart hasn’t hardened as much as not to recognize me. You…” Her voice once more became soft, as if trying to do the same with his soul. “You are not a monster… You are my son, my Vergil.”

With those words, Eva’s hand was finally met with a tear – melting the ice from those silvery eyes.

*

There was an impending storm rumbling inside your chest.

Whenever that turmoil took ahold of your heart, you knew Vergil was in trouble. You had just finished checking your side of the cathedral, finding some things out of the ordinary but no demons, when the waves became aggressive in your chest. Your steps were already taking you to meet him, but you found yourself walking even hastier – the sound, though, eaten by the shadows that seemed to only grow around you.

Neither of you had calm seas of feelings: they usually raged like a maelstrom of emotions you could barely get through without some destruction – be it internal or external. But there was a certain note of melancholy and desperation in your heart at that moment that made you know Vergil was hurting – and that hurting, you knew quite well.

It was almost ironic how you apparently despised each other at the beginning, but after a while you came to understand; that aversion was there because you, in a certain way, were a mirror of each other. You could see in him the traits in your soul you disliked the most, and Vergil did see in you the same thing – those traits, however, were the same ones that brought you together, and made both you and Vergil feel seen and understood for the first time in your lives.

He didn’t judge your sins, as you didn’t judge his. To your eyes, he was never a monster, and to his, you could never be as crooked as you thought you were. You found each other in imperfection and, in that, you managed to talk and feel on the same level – after that, every feeling of admiration, care and love was easy to blossom.

You understood that storm, that thunder rumbling inside your chest at that very moment. You could feel it exactly the way he felt – and you knew Vergil needed help… Even if he would never say so himself.

You couldn’t hear or see him, though. You found yourself exactly at his area of patrol in the cathedral, but there was no clue as where your blue devil had gone – and for him to completely disappear, imposing presence and all, was quite an achievement in itself. The air was stiff, heavy as if the windows had never been opened, eating up any sound from the inside and the outside. The darkness was heavier than the one you had previously patrolled, shadows allowing only a few glimpses of the opulent decoration and the path in front of you – although, you couldn’t see more than a few meters beyond your feet.

If you couldn’t trust your sight or your hearing to find him, you could trust your heart: the storm would guide you. Closing your eyes, you allowed your feelings to take over, following with your footsteps in the direction you could hear his soul calling.

Those shadow creatures wouldn’t be able to hide him from you: no matter what happened or where you found yourselves, you would always be able to feel Vergil’s presence and find him in the darkest of hours.

And as the thunder in your chest cracked violently, your feet came to a halt and you opened your eyes.

Right in front of you, there was only darkness. Not like in the shadows that took the cathedral little by little, but pitch-black darkness, that no light could cast aside. To enter it would mean to be completely bare: vulnerable, lost, without guidance, naked – but the screaming in your soul made it very clear Vergil was in there.

Contrary to your lover, you were afraid of the dark. You always preferred to have a little light by your side, for you never knew what could be lurking alongside you, ready to pounce and drag you to certain suffering and death. You protected yourself by being forever vigilant, as you always did – a trait that exhausted you, yes, but luckily, in the last few years, you had Vergil around to keep a light by you when your body started giving out.

For that reason, you would never fear entering the darkness for him.

And with a deep breath, your bold steps took you inside the dark.

*

Your feet were cold, bare, stumbling over a sticky floor. Even if your eyes could see only darkness, you felt the freezing air of that night slicing your skin: you were shirtless and something was hurting… Oozing. The cold wind mixed with a faint warmness that leaked from the open wounds on your skin.

Blood. You were bleeding.

Your arms immediately wrapped around you – those scars, they were showing. They never showed before.

Running your hands quickly over your body, you could feel the warm blood slipping through your fingers; some wounds barely holding themselves closed while others still poured as in the day they were created.

That was the version of yourself you used to fiercely hide. None of those wounds were physical, none of them could be seen… But whenever you looked in the mirror, you saw them there, under your skin, under your soul, quietly resting until you couldn’t hide them anymore.

“You are lost…”

It was always the same voice, of something dark, something inside you that could break your soul if you didn’t shove it back into the darkness like you always did. That was why you were afraid; that was why Vergil always kept a faint glow by your side whenever you couldn’t hold yourself together. The dark was dangerous to you – to both of you.

“You are lost without me…”

“I can survive quite well without you…!” You growled to the darkness, keeping that part of yourself at bay. The part that gave in to the pain, that bathed in the blood and didn’t want to get up… And the part that would bathe and rise in rage, making you survive at great cost to those around you.

You were past that. And you didn’t need that to survive. You didn’t have to survive, you could live.

“Can’t you see that you’re lost…?”

“Vergil!” Your scream was a roar in the dark, looking for the one you plunged into the darkness to find. You wouldn’t give in to the trickery of those Piranhas – and you would get Vergil out of there.

They would learn they shouldn’t fear only the son of Sparda: they should also fear you.

“You think you can find him…?” After the mischievous ethereal voice questioned, you heard a giggle rippling around your feet as you stumbled on the sticky floor to find your lover. “You think you are that good? You think you aren’t a monster?”

You furrowed your brows, doing your best to ignore the voices. You knew it was that part inside of you that always taunted how broken you were, how imperfect your soul was. For the longest time you believed there was nothing good in you, nothing to save you from a life of loneliness, until you crossed paths with Vergil.

He was broken too – and he would never judge the things you did to survive your lethal wounds.

“Vergil! Can you hear me?! I’m here to find you!”

“How chivalrous, how heroic! What are you trying to accomplish?” The giggles pooled around your feet, threatening to drag you inside that pool of viscous darkness. “Trying to prove yourself? You’re never going to be perfect. You’re a black sheep, an outcast, remember? The likes of you aren’t heroes.”

“Oh, I’m no hero…” You growled back, fighting against the things trying to pull you back; fighting against the pain of the freezing cold and warmness of blood. “I’m a fucking fighter. You’re messing with the wrong kind of monster, fucking Hell Piranhas.”

“Piranhas…?” A faint whisper in the dark broke whatever control those things were trying to have over your body, starting at your feet. It was Vergil’s whisper – followed by a louder speaking tone. “Y/n! I can feel you, where are you?!”

“Trying to find you!” You screamed back, immediately dragging your feet towards Vergil. You couldn’t see him, but you could feel where he was – and there was nothing those demons could do against that.

The darkness seemed to shift for a couple of seconds. You couldn’t understand what was happening, but you saw a faint, ghostly pale glow in the dark – almost imperceptible, but your heart knew, you could finally see Vergil.

And, in return, he could see you. Moving his feet, Vergil dragged heavy shackles through the floor, screeching in a horrid, soul scratching sound as he willed his body to move towards you. You could hear him grunting with the effort, another set of chains being dragged as Vergil moved his arms – slowly, but surely, wearing all of his strength to get to you.

You felt the viscous ripples of the floor creeping up your legs, almost on your knees, doing their best to pull you away – back into the darkness, back to the taunting voices, to the doubt, the hurt, the self-loathing.

“Vergil! Let me hear your voice! You’re still there, right?!”

“Yes. I am always here.” His answer came with grunts of effort, barely above the noise of the chains screeching around him.

The darkness shifted again, and his form became even more visible, as yours did to him – followed by a scream that rumbled in his chest, Vergil managed to get even closer. That made something spark inside yourself, that thundering storm breaking in your soul cracking in a scream that broke the insidious tentacles holding you back and making you lunge forward.

Once again, the glow you diffused only to each other seemed to get stronger as the darkness wavered.

“Y/n…” He growled once more, the shackles screaming on the floor as he reached out to you.

“Vergil…!” You reached out in return, barely making out the form of his fingers in the dark.

As you were almost touching each other’s hands, the heavy, muffling darkness faltered once more. You could finally see one another, as you were in that godforsaken place.

Vergil was shirtless, his body covered in wounds – new and old – bleeding profusely. His silvery eyes were red, sunken in deep shadow, surrounded by a deep purple mist on his dry skin. You could see his bones under his pale skin covered in so many lacerations you wouldn’t even know where to start healing him. His knuckles were battered, showing the flesh underneath, as well as his wrists covered by heavy iron shackles – wounds from fighting against them for so long. His hands were still long and elegant, but bony and covered in bruises.

You had never seen Vergil so hurt, so broken, so… Vulnerable.

In return, his eyes took in shock the vision of you: as shirtless as him, as battered and wounded as he was. Even if not locked in the shackles he wore for so long in Hell, you walked barefoot leaving a trail of blood behind you. Those scars, those wounds, those bruises… He knew they were there, but he had never seen those. You looked weak and tired, bloodshot eyes under dry skin, as if you hadn’t slept in ages… And those things you fought so much to conceal, now crystal clear in front of him.

Those were the scars you carried inside yourselves. The wounds you had to fight against every day – that you had to try to heal, even if sometimes it seemed impossible. The things you would never show, but, somehow, you managed to sense it in each other… Now you could see it, clear as a bright night.

And, even if you wouldn’t admit to yourselves, those were the very same breaking thunders that would keep you moving – fiercely fighting, fiercely surviving.

As you took in each other’s internal selves, Vergil’s silvery eyes finally found yours.

A loud thundering noise shook the floor underneath your feet twice, as your hearts rumbled alongside the devastating sound. You lunged forward, holding Vergil’s hand as if your life depended on it. Never breaking your eye contact, Vergil held your hand with the strength you would expect of the legendary Dark Slayer. You made each other stronger, and there was nothing that could come between you now.

His shackles immediately screeched back, pulling Vergil violently away from you. At the same time, you were grabbed by the viscous darkness – your knees, your legs, your abdomen, your arms. It pulled you back with vicious strength, doing its best to drag you away from him – back into the darkness.

“Don’t let me go!” You screamed back, tightening your grip around his bony hand.

“I will never let go!” He growled, doing the same, trying to drag his body forward – failing to notice you willed yourself towards him as he pulled you into his arms. Those silvery eyes never moved away from yours.

“You are lost…! Lost…!”

The voices chanted and screeched around you, doing their best to drag you apart. For a moment, your hand slipped and you let out a desperate scream, hurting your lungs as you were almost pulled back into the void. Vergil’s cry resembled a roar as he willed his body to move and tightened his grip in a way he didn’t hold even Yamato.

He hadn’t held his brother’s hand once. This time he wouldn’t make the same mistake. This time, he would hold you even if that damned the both of you to the darkest pits of Hell.

“Can’t you see…? Can’t you see that…?”

“I am lost…!” You barked back to the voices, still staring into Vergil’s eyes, trying to catch your breath while your lungs stung as if you were inhaling a thousand knives.

As Vergil looked into your eyes, though, he knew exactly what you were going to say – and he could safely say it was the very same thing he struggled to find the words to.

“Without you.” His answer came in a dark tone, ragged from the effort he too made to be able to hold your hand.

The thunder rumbled twice again – the voices shrieked and you suddenly found yourselves being launched into each other’s arms as the forces that bind you broke into a million pieces.

Vergil’s arms wrapped around you, one of his hands holding your head close to his chest, as you wrapped yours around his waist, keeping him as close as you could. His head rested on top of yours, and you kept your eyes closed – washing away the blood above his heart with the tears that streamed down your face.

“Don’t ever hide from me.” Vergil’s voice was uncharacteristically shaky, somber but reassuring. You had never been so vulnerable in front of him – and even upon seeing you like that, his reaction was to take you in his arms, to welcome you. “I’m not afraid of the dark.”

“And I’m not afraid of your darkness.” You tightened your arms around his cold, bony body as you felt tears running through your hair. “I can see beyond your glimmer, and I’m not afraid of what’s in the dark.” Your voice shook as you took a deep breath and Vergil’s arms held you even closer – his body shaking with the tears falling from his eyes. “It’s you. And I’m never afraid of you.”

“Neither am I of you.”

His answer was but a whisper – a whisper enough to break the darkness into a memory to be kept away in the deepest pits of Hell.

I can feel the thunder that’s breaking in your heart I can see through the scars inside you

*

*

*

*

“You killed the Piranhas from Hell with the power of love?”

Vergil wanted to crawl into a hole and disappear. Or die. Or both.

Probably both.

The whole crew was there as you and Vergil never came back from the job as quickly as expected – and when you did, it looked like you hadn’t slept in days.

The priest was more than happy with the result of your work – even though you never discovered why the Weavers decided to come out of hiding nor what they wanted. The congregation was just happy they were gone and the whole reason behind it would be a long-term thing for the Devil May Cry to work on – or to keep an eye on; maybe something bigger was approaching.

You and Vergil didn’t feel like going back to the shop, though. When you were hurt physically, things were very much ok to deal with, but when the wounds were emotional… You needed time for yourselves.

Unlike his brother, Vergil was a little more responsible with his money – and you, a lot more than the two. You managed to find somewhere to spend a few nights… Which involved the both of you talking out everything you felt and saw. It was harrowing at first, something neither of you were versed in and honestly were terrified of, but it eventually brought you even closer together.

So, to say you had defeated the Lie Weavers with the power of love was something that killed Vergil inside.

And you could almost see his internal self, glaring at you with a ‘really, after all of this you say this kind of foolishness’ look in his sad, silvery eyes, as Lady stared at both of you and made the question everyone was thinking.

“Yep. Power of love, it’s a curious thing.” You shrugged, making Vergil physically groan by your side while Dante slapped his table with a huge grin on his face.

“Make a one man weep, make another man sing! Hell yeah, Back To The Future, babe!” He winked back at you as you smiled in response.

“Of all the people you could end up dating, Vergil…” Trish sat on Dante’s desk, crossing her long legs while sporting a devilish smile on her rosy lips. It was interesting how her voice could never really sound like Eva’s. “It had to be someone who references the same songs as your brother.”

“Alas, fate plays many games…” Vergil rolled his eyes, but as they rested on you, there was a vulnerability you saw only once in that pitch black darkness. “But it is kind enough to give us what we need.”

No one ever really understood what he meant, but Dante was the only one who managed to see something inside his brother’s silvery eyes that could only reflect in yours – and that made him genuinely smile.

Indeed, you would never be the romance of a fairy tale book or a romantic comedy – but you could see what lied beyond each other’s scars; taking a glimpse at the worst of each other without fear and finding whatever light was left inside. You could understand – and that was much more than most lovers in the world would ever have.

[samarecharm]

People who really like shuake also seem to write themselves into a corner wrt Akechi and his relationship to Akiras team. Contrary to popular belief, the team, including Haru, does not hate Akechi. At worst, they tolerate him and deal with his attitude. Hes a good teammate and respectable fighter and the team recognizes that at the end of the day, he was a teenager who was manipulated and abused by a man who saw him as disposable. Just about every thief understands this intimately. They have the same mindset wrt adults who take advantage of the people beneath them. Under different circumstances they wouldve been friends. And if u approach it from that angle, it becomes less about Akechi being the sole person who ‘gets’ Akira, and more about the thieves being the only people in the world who ‘get’ Akechi.

When you expand your thoughts to include the thieves as members of his Team and not roadblocks that get in the way of your ideal shipping dynamic, you allow urself to give Akechi and Akira more depth and nuance to their own relationship.

Akira and Akechi are wildcards; both of them struggle with the face they choose to display to the world. Its the first time Akira interacts with someone who is, at a literal, technical level, his ‘equal’. But Akechi is one of many firsts for Akira yeah? Every thief has their bond with Akira thats completely unique and personal. Akechi will never be the person who witnesses Akiras Awakening, hes never the person who watches Akira have his restless nights alone in the attic, and hes never the person who realizes in real time that the teenager hes housing is just Some Kid, not the delinquent hes been warned about. Hes not Ann or Yusuke, or any of the thieves; he doesnt have the time or experience that they have with Akira, and I think its interesting to explore that part of their relationship, shippy or not.

Akechi is someone who is incredibly lonely and self depreciating despite his cockiness and attitude. He has no positive bonds to speak of save for his connection with Sae. To have him see a team that works together and cares for each other, how do you think he would feel? Out of place? Inferior in some way? Angry about how hes been alone for so long in this single minded quest for revenge? Wouldnt that be a point of struggle between the two of them? I think what makes shuake good for me is knowing that Akechi needs alot of time to heal, and the thieves would want to help with that process. They do it bc they care, bc Akira cares, and bc they trust Akiras opinion (and he trusts theirs in return); if Akira feels like Akechi is someone who can be trusted Now after everything thats happened, then the thieves would do their best to help. And how would Akechi feel about that? Angry about the show of pity? That even now, he has no real say in what happens to him? Or begrudgingly grateful that they are cordial with him? Because they do care, he KNOWS they care, they care TOO MUCH actually; but the one thing he values over brawn and wits is honesty- fighting for what you believe in without having to use soft words to justify it.

[blitzwhore]

Reminder to all that it's very bad fandom etiquette to repost someone else's fanart. Unless you have the artist's permission and you are giving them proper credit (naming the artist and linking back to the original art), you should not do this.

Why? Because when you do this, you're receiving likes, comments, and reblogs for art that isn't yours. Meanwhile, the artist, who spent time and effort on their art in hopes people would like it and share their love for it, won't see any of the love that your repost is receiving. This is extremely discouraging for artists, and does often drive them to stop wanting to make fanart at all. I've seen it happen countless times in other fandoms. And honestly, who wouldn't feel discouraged if their art got 5 likes on their page, but 2k likes on someone else's?

And if you see fanart and notice it's reposted (eg. if the handle of the person who posted it isn't the same as the handle in the art's watermark), don't reblog it. Speak up. Let the OP know you don't support reposts of other people's fanart without their consent and knowledge.

Don't forget about fandom etiquette, folks. Don't forget that other fans aren't fanwork machines—they're real people, just like you and me. If you wouldn't like it if someone took your personal creation that you spent time on and reposted it where you can't see it and received tons of attention for it, don't do it to others.

[nnoodlewhale]

he fell face first down the stairs and busted his glasses (and Fakir's gut)

[originalcontent]

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.

[braxiatel]

Having been in that place of “so many long distance friends all in one place!!” A couple of times I just can’t help but feel so much second hand happiness for the cc hermits. You could tell the entire weekend that they were all so giddy - from raising $800k for charity over two days, yes - but also from just being in the same space. Getting to hug and play fight and shoot each other with nerf guns and bringing treats from home for everyone to try.

It just makes you think, you know. I mainly deal with the characters they play, and try very hard to separate those characters from their creators, but at the end of the day all of the love that they pour into their characters and the world they make together is all down to how much they also love each other irl. And good for them, good for them. I hope they had just as much, if not more, time off the clock to just hang out together