#I just want to keep drawing these characters

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[mrs-stans]

Sebastian Stan Tells All: Becoming Donald Trump, Gaining 15 Pounds and Starring in 2024’s Most Controversial Movie

By Daniel D'Addario

Sebastian Stan Variety Cover Story

It started with the most famous voice on the planet, the one that just won’t shut up.

Sebastian Stan, in real life, sounds very little like Donald Trump, whom he’s playing in the new film “The Apprentice.” Sure, they share a tristate accent — Stan has lived in the city for years and attended Rutgers University before launching his career — but he speaks with none of Trump’s emphasis on his own greatness. Trump dwells, Stan skitters. Trump attempts to draw topics together over lengthy stem-winders (what he recently called “the weave”), while Stan has a certain unwillingness to be pinned down, a desire to keep moving. It takes some coaxing to bring Stan, a man with the upright bearing and square jaw of a matinee idol, to speak about his own process — how hard he worked to conjure a sense Trump, and how he sought to bring out new insights about America’s most scrutinized politician.

“I think he’s a lot smarter than people want to say about him,” Stan says, “because he repeats things consistently, and he’s given you a brand.” Stan would know: He watched videos of Trump on a loop while preparing for “The Apprentice.” In the film, out on Oct. 11, Stan plays Trump as he moves from insecure, aspiring real estate developer to still insecure but established member of the New York celebrity firmament.

We’re sitting over coffee in Manhattan. Stan is dressed down in a black chore coat and black tee, yet he’s anything but a casual conversation partner. He rarely breaks eye contact, doing so only on the occasions when he has something he wants to show me on his iPhone (cracked screen, no case). In this instance, it’s folders of photos and videos labeled “DT” and “DT PHYSICALITY.”

“I had 130 videos on his physicality on my phone,” Stan says. “And 562 videos that I had pulled with pictures from different time periods — from the ’70s all the way to today — so I could pull out his speech patterns and try to improvise like him.” Stan, deep in character, would ad-lib entire scenes at director Ali Abbasi’s urging, drawing on the details he’d learned from watching Trump and reading interviews to understand precisely how to react in each moment.

“Ali could come in on the second take and say, ‘Why don’t you talk a little bit about the taxes and how you don’t want to pay?’ So I had to know what charities they were going to in 1983. Every night I would go home and try not only to prepare for the day that was coming, but also to prepare for where Ali was going to take this.”

Looking at Stan’s phone, among the endless pictures of Trump, I glimpse thumbnails of Stan’s own face perched in a Trumpian pout and videos of the actor’s preparation just aching to be clicked — or to be stored in the Trump Presidential Library when this is all over in a few months, or in 2029, or beyond.

“I started to realize that I needed to start speaking with my lips in a different way,” Stan says. “A lot of that came from the consonants. If I’m talking, I’m moving forward.” On film, Stan shapes his mouth like he can’t wait to get the plosives out, puckering without quite tipping into parody. “The consonants naturally forced your lips forward.”

“If he did 10% more of what he did, it would become ‘Saturday Night Live,’” Abbasi says. “If he did 10% less, then he’s not conjuring that person. But here’s the thing about Sebastian: He’s very inspired by reality, by research. And that’s also the way I work; if you want to go to strange places, you need to get your baseline reality covered very well.”

A little later, Stan passes me the phone again to show me a selfie of him posing shirtless and revealing two sagging pecs and a bit of a gut. He’s pouting into a mirror. If his expression looks exaggerated, consider that he was in Marvel-movie shape before stepping into the role of the former president; the body transformation happened rapidly and jarringly. Trump’s size is a part of the film’s plot — as Trump’s sense of self inflates, so does he. In a rush to meet the shooting deadline for “The Apprentice,” Abbasi asked Stan, “How much weight can you gain?”

“You’d be surprised,” Stan tells me. “You can gain a lot of weight in two months.” (Fifteen pounds, to be exact.)

Now he’s back in fighting form, but the character has stayed with him. After years of playing second-fiddle agents of chaos — goofball husbands to Margot Robbie’s and Lily James’ characters in “I, Tonya” and Hulu’s “Pam & Tommy,” surly frenemy to Chris Evans’ Captain America in the Marvel franchise — Stan plunged into the id of the man whose appetites have reshaped our world. He had to have a polished enough sense of Trump that he could improvise in character, and enough respect for him to play him as a human being, not a monster.

It’s one of two transformations this year for Stan — and one that might give a talented actor that most elusive thing: a brand of his own. He’s long been adjacent enough to star power that he could feel its glow, but he hasn’t been the marquee performer. While his co-stars have found themselves defined by the projects he’s been in — from “Captain America” and “I, Tonya” back to his start on “Gossip Girl” — he’s spent more than a decade in the public eye while evading being defined at all.

This fall promises to be the season that changes all that: Stan is pulling double duty with “The Apprentice” and “A Different Man” (in theaters Sept. 20), in which he plays a man afflicted with a disfiguring tumor disorder who — even when presented with a fantastical treatment that makes him look like, well, Sebastian Stan — can’t be cured of ailments of the soul. For “A Different Man,” Stan won the top acting prize at the Berlin Film Festival; for “The Apprentice,” the sky’s the limit, if it can manage to get seen. (More on that later.)

One reason Stan has largely evaded being defined is that he’s never the same twice, often willing to get loopy or go dark in pursuit of his characters’ truths. That’s all the more true this year: In “The Apprentice,” he’s under the carapace of Trumpiness; in “A Different Man,” his face is hidden behind extensive prosthetics.

“In my book, if you’re the good-looking, sensitive guy 20 movies in a row, that’s not a star for me,” says Abbasi, who compares Stan to Marlon Brando — an actor eager to play against his looks. “You’re just one of the many in the factory of the Ken dolls.”

This fall represents Stan’s chance to break out of the toy store once and for all. His Winter Soldier brought a jolt of evil into Captain America’s world, and his Jeff Gillooly was the devil sitting on Tonya Harding’s shoulder. Now Stan is at the center of the frame, playing one of the most divisive characters imaginable. So he’s showing us where he can go. The spotlight is his, and so is the risk that comes with it.

Why take such a risk?

The script for “The Apprentice,” which Stan first received in 2019, but which took years to come together, made him consider the American dream, the one that Trump achieved and is redefining.

Stan emigrated with his mother, a pianist, from communist Romania as a child. “I was raised always aware of the American dream: America being the land of opportunity, where dreams come true, where you can make something of yourself.” He pushes the wings of his hair back to frame his face, a gold signet ring glinting in the late-summer sunlight, and, briefly, I can hear a hint of Trump’s directness of approach. “You can become whoever you want, if you just have a good idea.” Stan’s good idea has been to play the lead in movies while dodging the formulaic identity of a leading man, and this year will prove just how far he can take it.

“The Apprentice” seemed like it would never come together before suddenly it did. This time last year, Stan was sure it was dead in the water, and he was OK with that. “If this movie is not happening, it’s because it’s not meant to happen,” he recalls thinking. “It will not be because I’m too scared and walk away.”

Called in on short notice and filming from November 2023 to January of this year (ahead of a May premiere in Cannes), Stan lent heft and attitude to a character arc that takes Trump from local real estate developer in the 1970s to national celebrity in the 1980s. He learns the rough-and-tumble game of power from the ruthless and hedonistic political fixer Roy Cohn (Jeremy Strong), eventually cutting the closeted Cohn loose as he dies of AIDS and alienating his wife Ivana (Maria Bakalova) in the process. (In a shocking scene, Donald sexually assaults Ivana in their Trump Tower apartment.) For all its edginess, the film is about Trump’s personality — and the way it calcified into a persona — rather than his present-day politics. (Despite its title, it’s set well before the 2004 launch of the reality show that finally made Trump the superstar he longed to be.)

And despite the fact that Trump has kept America rapt since he announced his run for president in 2015, Hollywood has been terrified of “The Apprentice.” The film didn’t sell for months after Cannes, an unusual result for a major English-language competition film, partly because Trump’s legal team sent a cease-and-desist letter attempting to block the film’s release in the U.S. while the fest was still ongoing. When it finally sold, it was to Briarcliff Entertainment, a distributor so small that the production has launched a Kickstarter campaign to raise money so that it will be able to stay in theaters.

Yes, Hollywood may vote blue, but it’s not the same town that released “Fahrenheit 9/11” or even “W.,” let alone a film that depicts the once (and possibly future) president raping his wife. (The filmmakers stand behind that story. “The script is 100% backed by my own interviews and historical research,” says Gabriel Sherman, the screenwriter and a journalist who covers Trump and the American conservative movement. “And it’s important to note that it is not a documentary. It’s a work of fiction that’s inspired by history.”) Entertainment corporations from Netflix to Disney would be severely inconvenienced if the next president came into office with a grudge against them.

“I am quite shocked, to be honest,” Abbasi says. “This is not a political piece. It’s not a hit piece; it’s not a hatchet job; it’s not propaganda. The fact that it’s been so challenging is shocking.” Abbasi, born in Iran, was condemned by his government over his last film, “Holy Spider,” and cannot safely return. He sees a parallel in the response to “The Apprentice.” “OK, that’s Iran — that is unfortunately expected. But I wasn’t expecting this.”

“Everything with this film has been one day at a time,” Stan says. The actor chalks up the film’s divisiveness to a siloed online environment. “There are a lot of people who love reading the [film’s] Wikipedia page and throwing out their opinions,” he says, an edge entering his voice. “But they don’t actually know what they’re talking about. That’s a popular sport now online, apparently.”

Unprompted, Stan brings up the idea that Trump is so widely known that some might think a biographical film about him serves no purpose. “When someone says, ‘Why do we need this movie? We know all this,’ I’ll say, ‘Maybe you do, but you haven’t experienced it. The experience of those two hours is visceral. It’s something you can hopefully feel — if you still have feelings.’”

After graduating from Rutgers in 2005, Stan found his first substantial role on “Gossip Girl,” playing troubled rich kid Carter Baizen. Like teen soaps since time immemorial, “Gossip Girl” was a star-making machine. “It was the first time I was in serious love with somebody,” he says. (He dated the series’ star, Leighton Meester, from 2008 to 2010.) He feels nostalgic for that moment: “Walking around the city, seeing these same buildings and streets — life seemed simpler.”

Stan followed his “Gossip Girl” gig with roles on the 2009 NBC drama “Kings,” playing a devious gay prince in an alternate-reality modern world governed by a monarchy, and the 2012 USA miniseries “Political Animals,” playing a black-sheep prince (and once again a gay man) of a different sort — the son of a philandering former president and an ambitious former first lady.

When I ask him what lane he envisioned himself in as a young actor, he shrugs off the question. “I grew up with a single mom, and I didn’t have a lot of male role models. I was always trying to figure out what I wanted to be. And at some point, I was like, I could just be a bunch of things.”

Which might seem challenging when one is booked to play the same character, Bucky Barnes, in Marvel movie after Marvel movie. Bucky’s adventures have been wide-ranging — he’s been brainwashed and turned evil and then brought back to the home team again, all since his debut in 2011’s “Captain America: The First Avenger.” Next year, he’ll anchor the summer movie “Thunderbolts,” as the leader of a squad of quirky heroes played by, among others, Julia Louis-Dreyfus and Florence Pugh. It’s easy to wonder if this has come to feel like a cage of sorts.

Not so, says Stan. His new Marvel film “was kind of like ‘One Flew Over the Cuckoo’s Nest’ — a guy coming into this group that was chaotic and degenerate, and somehow finding a way to unite them.”

Lately, knives have been out for Marvel movies as some have disappointed at the box office, and “Thunderbolts,” which endured strike delays and last-minute cast changes, has been under scrutiny.

“It’s become really convenient to pick on [Marvel films],” Stan says. “And that’s fine. Everyone’s got an opinion. But they’re a big part of what contributes to this business and allows us to have smaller movies as well. This is an artery traveling through the system of this entire machinery that’s Hollywood. It feeds in so many more ways than people acknowledge.” He adds, “Sometimes I get protective of it because the intention is really fucking good. It’s just fucking hard to make a good movie over and over again.”

Which may account for an eagerness to try something new. “In the last couple of years,” he says, “I’ve gotten much more aggressive about pursuing things that I want, and I’m constantly looking for different ways of challenging myself.”

The challenge continued throughout the shoot of “The Apprentice,” as Stan pushed the material. “One of the most creatively rewarding parts of the process was how open Sebastian was to giving notes on the script but also wanting to go beyond the script,” says Sherman, the screenwriter. “If he was interested in a certain aspect of a scene, he was like, Can you find me a quote?” he recalls.

Building a dynamic through improvised scenes, Stan and Strong stayed in character throughout the “Apprentice” shoot. “I was doing an Ibsen play on Broadway,” says Strong, who won a Tony in June for his performance in “An Enemy of the People,” “and he came backstage afterwards. And it was like — I’d never really met Sebastian, and I don’t think he’d ever met me. So it was nice to meet him.”

Before the pair began acting together, they didn’t rehearse much — “I’m not a fan of rehearsals,” Strong says. “I think actors are best left in their cocoon, doing their work, and then trusted to walk on set and be ready.” The two didn’t touch the script together until cameras went up — though they spent a preproduction day, Strong says, playing games in character as Donald and Roy.

After filming, both have kept memories of the hold their characters had on them. They shared a flight back from Telluride — a famously bumpy trip out of the mountains. “He’s a nervous flyer, and I’m a nervous flyer,” Stan says. Both marveled at the fact that they’d contained their nerves on the first day of shooting “The Apprentice,” when their characters traveled together via helicopter. “We both go, ‘Yeah — but there was a camera.’”

Stan’s aggressive approach to research came in handy on “A Different Man,” which shot before “The Apprentice.” His character’s disorder, neurofibromatosis, is caused by a genetic mutation and presents as benign tumors growing in the nervous system. After being healed, he feels a growing envy for a fellow sufferer who seems unbothered by his disability.

Stan’s co-star, Adam Pearson, was diagnosed with neurofibromatosis in early childhood. Stan found the experience challenging to render faithfully. “I said many times, I can do all the research in the world, but am I ever going to come close to this?” Stan says. “How am I going to ever do this justice?”

Plus, he had precious little time to prepare: “He was fully on board, and the film was being made weeks later,” director Aaron Schimberg says. “Zero to 60 in a matter of weeks.”

The actor grappled for something to hold on to, and Pearson sug gested he refer to his own experience of fame. “Adam said to me, ‘You know what it’s like to be public property,’” Stan says.

Pearson recalls describing the experience to Stan this way: “While you don’t understand the invasiveness and the staring and the pointing that I’ve grown up with, you do know what it’s like to have the world think you owe them something.”

That sense of alienation becomes universal through the film’s storytelling: “A Different Man” takes its premise as the jumping-off point for a deep and often mordant investigation of who we all are underneath the skin.

The film was shot in 22 days in a New York City heat wave, and there was, Schimberg says, “no room for error. I would get four or five takes, however many I could squeeze out, but there’s no coverage.”

Through it all, Stan’s performance is utterly poised — Schimberg and Stan discussed Buster Keaton as a reference for his ability to be “completely stone-faced” amid chaos, the director says. And the days were particularly long because Oscar-nominated prosthetics artist Michael Marino was only able to apply Stan’s makeup in the early morning, before going to his job on the set of “The Marvelous Mrs. Maisel.”

“Even though I wasn’t shooting until 11 a.m., I would go at like 5 in the morning to his studio, or his apartment,” Stan recalls. The hidden advantage was that Stan had hours to kill while made up like his character, the kind of person the world looks past. “I wanted to walk around the city and see what happened,” Stan says. “On Broadway, one of the busiest streets in New York, no one’s looking at me. It’s as if I’m not even there.” The other reaction was worse: “Somebody would immediately stop and very blatantly hit their friend, point, take a picture.”

It was a study in empathy that flowed into the character. Stan had spoken to Pearson’s mother, who watched her son develop neurofibromatosis before growing into a disability advocate and, eventually, an actor. “She said to me, ‘All I ever wanted was for someone to walk in his shoes for a day,’” Stan recalls. “And I guess that was the closest I had ever come.”

“The Apprentice” forced Stan, and forces the viewer, to do the same with a figure that some 50% of the electorate would sooner forget entirely. And that lends the film its controversy. Those on the right, presupposing that the movie is an anti-Trump document, have railed against it. In a statement provided to Variety, a Trump campaign spokesman said, “This ‘film’ is pure malicious defamation, should never see the light of day and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire.” The campaign threatened a lawsuit, though none has materialized.

Asked about the assault scene, Stan notes that Ivana had made the claim in a deposition, but later walked it back. “Is it closer to the truth, what she had said directly in the deposition or something that she retracted?” he asks. “They went with the first part.”

The movie depicts, too, Ivana’s carrying on with her marriage after the violation, which may be still more devastating. “How do you overcome something like this?” asks Bakalova. “Do you have to put on a mask that everything is fine? In the next scene, she’s going to play the game and pretend that we’re the glamorous, perfect couple.” The Trumps, in “The Apprentice,” live in a world of paper-thin images, one that grows so encompassing that Donald no longer feels anything for the people to whom he was once loyal. They’re props in his stage show.

“The Apprentice” will drop in the midst of the most chaotic presidential election of our lifetime. “The way it lands in this extremely polarized situation, for me as an artist, is exciting. I won’t lie to you,” says Abbasi.

When asked if he was concerned about blowback from a Trump 47 presidency, Stan says, “You can’t do this movie and not be thinking about all those things, but I really have no idea. I’m still in shock from going from an assassination attempt to the next weekend having a president step down [from a reelection bid].”

Stan’s job, as he sees it, was to synthesize everything he’d absorbed — all those videos on his phone — into a person who made sense. This Trump had to be part of a coherent story, not just the flurry of news updates to which we’ve become accustomed.

“You can take a Bach or a Beethoven, and everyone’s going to play that differently on the piano, right?” Stan says. (His pianist mother named him for Johann Sebastian Bach.) “So this is my take on what I’ve learned. I have to strip myself of expectations of being applauded for this, if people are going to like it or people are going to hate it. People are going to say whatever they want. Hopefully they should think at least before they say it.”

It’s a reality that Stan is now used to — the work is the work, and the way people interpret him is none of his business. Perhaps that’s why he has run away from ever being the same thing twice. “I could sit with you today and tell you passionately what my truth is, but it doesn’t matter,” he says. “Because people are more interested in a version of you that they want to see, rather than who you are.”

“The Apprentice” has been the subject of extreme difference of opinion by many who have yet to see it. It’s been read — and will continue to be after its release — as anti-Trump agitprop. The truth is chewier and more complicated, and, perhaps, unsuited for these times.

“Are we going to live in a world where anyone knows what the truth is anymore? Or is it just a world that everyone wants to create for themselves?” Stan asks.

His voice — the one that shares a slight accent with Trump but that is, finally, Stan’s own — is calm and clear. “People create their own truth right now,” he says. “That’s the only thing that I’ve made peace with; I don’t need to twist your arm if that’s what you want to believe. But the way to deal with something is to actually confront it.”

[head---ache]

5k DTIYS!!

I have 5k followers and honestly!!! That's crazy!!! How is that number even real?/hj Thank you all so much!! The ammount of support I've gotten this past year has been insane, and I couldn't be any more grateful!! So, what about a fun little activity in return? And what's even better, you could win a drawing from me;] So join me and re draw this cute little Emmie doodle in your style, and let's see how it goes!!

Rules under the cut!!

You can post your entry from... Today!! And while you can still do this challenge after, I'll close entries for the competition by October 18th (so you can re draw this whenever you want, but if you post it after this deadline, you won't be participating for a prize).

You can post your drawing in any and all other social media, but in order to participate, you have to post it here on Tumblr. I won't be checking other social media. Also, you have to tag me! AND I will not be accepting any entries sent to me via DM or ask box (as in, instead of posting it. You can send it to me if its already posted).

You can change as much as you want as long as you're keeping the character and concept. So, you just have to draw Emmie talking on the phone, anything else is up to you!

If you're discouraged to participate because you don't trust your drawing skills, don't be afraid! I will not be judging on skills, but rather creativity (which is why you're allowed to change as much as you want), so consider still giving yourself a chance!! Be as creative and crazy as you want!!!

Remember this character is a teenager!! So any sexual depiction of her will not be accepted! Treat my baby right>:[

I know this challenge is called Draw this in Your Style, but fuck that, I'm accepting other forms of art as well!! So writing, sculpting, idk video?? Whatever it is that you want to do, go ahead and do it!!! Go crazy go stupid!!/ref

There will be three winners!! In no particular order, they all get the same prize. Examples of what you can ask for below.

And that's that!!! Have fun!! And again, thank you all so much for 5k followers! I really couldn't thank you enough 🌟

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

─── ･ ｡ﾟ☆: *.☽ .* . ───

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[rosenotactuallyquartz]

“rose is always wall eyed, sad eyed even when smiling.” — rebecca sugar

this is such a simple note describing rose’s appearance in rebecca’s concept drawings for rose’s lion 3 debut, but it’s incredibly tragic when you consider rose’s character

she’s so deeply ashamed of herself and her past; the way she worships everyone around her is so sincere; she can’t stand herself

rose keeps her eyes closed in every picture she leaves behind. rose with her boyfriend, the portrait in steven’s house. she wouldn’t want him to be anywhere near that kind of pain. even rose’s fountain has a statue of her with her eyes closed. she hides parts of herself, literally & figuratively.

she can’t open up about her past; she would much rather shut it out. she can’t bear the thought of even having to look at her own pain.

“oh, i’m so happy for everyone who’s going to know you.” — rose, lion 4

“rose quartz hoped with all her being that her child would grow up surrounded by love & kindness & care… and would never find a way back to her horrendous old home.” — the tale of steven

“sometimes i wonder if it's even you up there, smiling all day and night. i just want to know the real you. not the you that everyone tells me about.” — steven, storm in the room

just on a pearlrose note, i always loved how pearl was in the picture on the left. rose really did trust her & garnet & ame, despite the fact that it took time for them to understand how to show their love & raise a half human kid properly. but he was a gift to them & she believed in them too. she’d be proud of them, especially with everything going on.

rose hides her past, but one person was there for most of it. she was the type to notice small details—maybe it was painfully easy for her to notice rose’s eyes. i wonder if this complicated things even more, as she was already focused on what she could do to make rose happy. simply being herself made rose feel loved, but that was always something she struggled to feel worthy of

[darkficsyouneveraskedfor]

Bad Guy 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, age gap, power dynamics, cheating, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: The men your mother brings home rarely stick around, but her latest catch can't seem to unhook himself from your life.

Characters: Destroyer!Chris

Note: I'm going to a physio today for the first time.

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

The house is quiet as you come out of your room. The single floor is just enough room for you and your mom. You’ve never needed much else and all your life, you’ve made do with what you have. It’s just the way it is.

You stretch your arms and arch your spine as you stop in the doorway of the kitchen. You yawn. You fell asleep reading outdated discussions about your most recent syndicated obsession. You should know better by now, that thorn in your neck is only driving deeper. 

You bend at the elbows to rub your neck and drag your feet over the cold tile. Your nipple poke rigidly against your cropped tank top and goosebumps raze up your bare thighs. You open the fridge and pull out the bottle of orange juice, your panties riding up with your movement.  

Before you can stand straight, a sharp strikes snaps against your ass and radiates through your flesh. You yipe and grip the bottle by the neck as you jump and turn to face the culprit. The strange man stares back, his brows twitching. 

“Mm, you’re not Gail,” he mutters. 

“No, I’m not,” you press the juice to your chest, overly aware of your barely covered body.  

You don’t ask who he is. You stopped doing that in middle school. She’s another one of her ‘callers’. You don’t usually see them more than once, if at all. Most leave before you’re awake. 

“Was takin’ a piss, heard you skittering around, thought...” he trails off into a shrug. 

He’s shirtless too. He only wears a pair of briefs as he stands shameless before you. A dark tattoo covers half his chest and extends around his shoulder and down his arm. It’s the typical snake and skull aesthetic sported by men like him. 

“Nope,” you reach for the fridge door and step to the side as you close it.  

He doesn’t move. You go to dip around him and he moves with you. 

“Taking all that with you?” He points at the bottle. You look down and sigh. You push it towards him. “Here.” 

He puts his hand under it and you let go. You skirt around his other side and squeeze through the door behind him. You don’t look back as you flee to your room. You resist the urge to reach back and cover the bottom of your ass, not wanting to draw attention to it if he is watching. 

You shut your bedroom door and cringe. Great. You can’t really complain. Your mother hasn’t kicked you out. Yet. Not like half your friends’ parents. She just asks for half the rent and you can manage that. With the rent around here, you’d be on the street otherwise. 

You cross the room and flop on the bed. You pull out your phone and go back to scrolling the old discussion boards. It’s funny. The more recent posts are totally contrary to the ones when the show aired. You’re not sure who you agree with. 

You roll onto your back and drop your phone to the mattress. You have to work at noon. So much for a relaxing morning. You’ll just be hiding in your room until that man leaves. 

A knock jerks you up and you roll your eyes. You search the floor and pull on the wrinkly pajama bottoms. You go to the door and crack it open an inch. It’s him. 

“Uh, hi?” You utter dully. 

“Got you a glass,” he offers one of the cups in his hands. You squint at it then look him in the face. 

“Thanks?” You go to take it but he doesn’t let go as you wrap your fingers around the cold glass.  

“There a problem?” He asks. 

“Uh, no,” you scrunch your nose. “I said thanks.” 

“I don’t like your tone.” 

You let go of the glass and retract your hand. His eyes flick down and yours do too. The white tank does little for your modesty. You cross your arms. 

“Okay? Well, never mind,” you go to close the door and he steps forward, digging his elbow into the wood as he blocks you with his body. 

“Your mom said you’re a nice girl,” he looks you up and down again. “Coulda fooled me walking around like that.” 

You frown. It’s your house. Why should you worry about what you’re wearing? Besides, if you knew he was there, then you wouldn’t wander around in your panties. 

“Thanks for the orange juice but you should just give it to my mom. That’s why you’re here,” you shrug. 

He scoffs. “Got a smart mouth.” 

“No, I—I didn’t do anything.” 

“There you go again. Disrespectful.” 

“Huh?” You shake your head in confusion. 

“That way you talk. Low and flat, like you don’t give a fuck. Maybe you don’t. Would explain why you’re grown living in your mommy’s house,” he mockingly pouts. 

You blink, “you don’t know me.” 

“I know girls like you. Pretending like they don’t care. You care. We both know you do.” He moves a glass closer, “say thank you. Like you mean it.” 

“I don’t want it,” you insist. 

“Don’t want to waste it. Was it you or mommy who paid for the bottle?” He taunts. 

You grit your teeth. What is his problem? Why won’t he just leave you alone? 

You deflate. You really just want him to go. You look at the ceiling then back to him. He’s the kind of man you would avoid on the street. His blue eyes are as cold as ice and his hair is shaved, but a little longer on top, and he sports a goatee amid the short stubble on his jaw and cheeks. 

“Thank you,” you reach for the glass again. 

“Thank you, sir,” his voice grizzles as he corrects you. 

You steel yourself and your lips slant. You really just want him to tell him to fuck off but like you always do, you don’t say what you think. You keep it inside. Put on that face that keeps you safe. 

“Thank you, sir,” you repeat after him. 

“Now smile,” he demands. 

You flinch and look away. You take a breath. That’s you’re least favourite, when they tell you to smile. It happens often at your job and it always sours your day. 

You force a smile. 

“Come on, you can do better,” he snickers. 

Your cheeks tremble and your smile falls. You tuck your chin down. 

“Can you please just leave me alone?” You mumble. 

“Excuse me, girl? I can’t hear you.” 

“I said...” your throat locks up and your eyes singe. God! When you get angry, you don’t get bold, you just get teary. You hate it. “I said ‘thank you, sir’.” 

You grab the glass so abruptly that it sloshes over the side. You don’t stop, you just spin and throw your weight against the door. He lets it close and it slams. You spill most of the juice down your front. 

You hear the friction of his fingers dragging down the wood. It sends a chill through you. You slowly pull away and put the glass down, juice dripping down your arms and chest. 

He’ll be gone soon, just like the rest. 

💀

Your mom’s still asleep when you leave for work. As you sneak out of your room, you listen for any sign of life.  If the man’s there, he doesn’t make himself known. You step into your shoes and leave through the front door without looking back. 

You head down the street with your earbuds in, a podcast about an old show you watched in high school droning on, as you take the shortcut behind the house at the end of the street. It’s almost four blocks to work but you save money on bus fare. You try to only waste the change after dark. 

The ice cream shop is never very busy outside of the post-soccer game crowds. You take your vigil behind the cold counter and bob along with the radio station’s Top 10 countdown. Miley leans in the corner by the till as she chews gum and scrolls through her phone. 

You’re fidgety to do the same, but you hate just letting your eyes glaze over. You pace a bit back and forth until her shift is up. When she’s gone, you feel a little less on edge. You always prefer being alone, you don’t have to worry about performing. 

Customers come and go. You greet them with the usual ‘how can I help?’ You’ve never been very good at the customer service part but you’re not rude. You just do your job, which it to scoop ice cream and toss some sprinkles around. 

You’re entitled to one cone a shift. You rarely have it. You don’t need the extra sugar or the brain freeze. That day, as you close up, the chocolate peanut butter entices you to go outside your routine. You put the lids on all the canisters except for that flavour and do yourself up a waffle cone before you lock up. 

You lick the softening cream and turn to face the dark plaza, lit only by the overhead marquee. There’s a car idling just by the curb. You ignore it. A few neighbouring businesses close up around the same time. 

The engine revs, and it jolts forward. The horn nearly has you throwing your cone. You fall back into step and keep walking. The Trans Am continues to follow you and honks again. The window rolls down as someone whistles. Only your name stops you. 

You turn and bend to see through the window. What the heck? It’s him. The man that invaded your house and threatened you over orange juice. 

You exhale through your nose and stand up. You turn down the pavement and keep going. The bus will be there any moment. 

“Hey,” he barks, “get back here.” 

You keep going. Why is he there? Because of the orange juice? 

The car door opens and closes. You speed up as you hear him following you. 

“Your mom sent me to pick you up,” he says. 

You snort, “sure she did.” 

“Really,” he says as his footsteps echo yours. 

“She doesn’t even know when I work,” you keep going and he catches your arm, yanking you back. 

You spin to face him and yelp. Your scoop shifts precariously in the cone. You try to pull away but not too hard as you selfishly want to keep your treat intact. 

“Alright. I offered. I heard you leave. Figured you could use a lift.” He squeezes and you whimper. “I can be a nice guy.” 

Can be. 

You wince and flutter your lashes, “can you let me go... please?” 

He opens his fingers sharply and lifts his hand, showing his palm. “Since you said please...” 

You look over your shoulder then back at him. Finally, you glance at your cone. You weigh your options. You’re not a quick runner. 

“I appreciate the ride but--” 

“I appreciate the ride, sir. Like I said, I can be nice, but respect is earned, girl.” 

You swallow tightly, cheeks pinching. 

“Sir, I appreciate the ride but I have money for the bus--” 

He clucks and points over your shoulder, “that bus?” 

You turn and watch the headlights blow by the stop. You flick your eyes to the sky and face him again. “Mmhmm.”” 

“So, is that a ‘thank you, sir’ on your lips?” He challenges. 

You slant your lips back and forth. You fight back a wave of hot frustration. You’re used to feeling powerless but he is suffocating. You nod. 

“Thank you, sir,” you choke out. 

“See, not that hard to be a good girl.” 

He waits until you move. You head back towards his car, and he gets in the driver side. As you claim the passenger seat, he huffs. He looks at you as you try not to acknowledge him. 

“Don’t like food in the car. Try not to get it all over,” he snarls. 

“I can--” 

“Just be careful,” he snips. 

Just be quiet, you tell yourself. You pull the seatbelt down and stare through the windshield. You lick around the cone as the cream threatens to melt onto your fingers. The car idles and you glance over. He watches your tongue as you lap up the trickle.  

You sit back as his eyes cling to your lips. He lifts his chin and turns straight. He grips the wheel and cranks the volume on the stereo. He speeds off and you struggle to keep from doing just what he warned you not to. You’d tell him to slow down but not only will he not listen, but the sooner you’re home, the better. 

[rosyandraw]

idk if this is redundant on your end but thoughts on Damen needing to talk during sex? in the books it isn’t even dirty talk it’s just endless want for Laurent and how long he’s been waiting for him and how different Laurent feels. Also in canon & in ur own writing

Definitely not redundant! You have just knocked on the Damen Character Study door in my head lmao but it's late and idk how much sense this will make so i'm sorry in advance.

Mini meta on Why Damen Likes to Talk During Sex in Canon

First and foremost words are hugely important to Damen, not just during sex but in general. It is part of the reason that Vere trips him up so badly, why he just doesn’t get it. Because Vere is a veil of word play and innuendo, it’s double speak and flowery bullshit and lies.

That’s not Damen. His word is his bond, it’s tied to his honour and they mean a great deal to him. He never says anything he doesn’t mean. Ever. If it’s coming out of his mouth he is saying that shit with his whole damn chest and doesn't give a fuck.

The few times he is forced to lie or to say something he doesn’t mean he says it as a strategy play but it barely makes it out of his mouth and he hates it.

For a long time by the time they get to Ravenel Damen has been playing a part. Living a half truth and not saying everything he means. Or wants to say.

Likewise, in Akielos, Damen keeps himself held back. We know this because in 3 books, despite being the darling crown prince and heroic military leader, he mentions 1 person by name that he is actually and genuinely close to. One. He’s never been in love with anyone before Laurent, he doesn’t get close, he doesn’t get particularly attached. If he did Jokaste would have been a Princess and not just his mistress.

It speaks of a whole heap of childhood trauma and issues, thanks in large part to his father and Kastor and this picture that is painted of strength in Akielos being The Most Important Thing. (And i have too many thoughts on said implied trauma to write it all out properly here because it's an essay unto itself.)

We also know that Damen does the talking thing with Jokaste too. So we know it's an indicator of intimacy in bed for him. He's certainly not doing it in Vask, for example. Because Damen values words so highly he does wear his heart on his sleeve, but he guards that heart close. Sharing his feelings becomes something then tied to both the value Damen places on words and the lack of emotional intimacy in his life. To Damen, opening up like that especially during sex, is an act of giving unto its self.

Damen is strong, yes. Crazy strong and the perfect warrior. But he also likes the wordy sad poems and has craved approval (and affection) from his father and Kastor seemingly most of his life. For example, Kastor stabbed him and made Damen believe with words that it was a good thing because it meant Kastor respected him enough to fight him like a man.

It’s the perfect anecdote to draw all of those ideas together. Damen being happy about being stabbed at 13 by his brother because Kastor said it was a good thing to be strong enough to fight properly and bear the consequences.

Words matter to Damen, he assumes they do to other people too. It's what nearly gets him killed.

It’s funny really, because Damen values words but he himself is a man of action and Laurent values action but is a man of words.

When it comes to sex we see them swap places from their usual dynamic and therein lies the intimacy.

Laurent acts and Damen talks. It’s a complete role reversal and it was always meant to be. Pacat has said, several times, that Laurent tops Damen with words all the time and it was a purposeful choice to have Laurent bottom because of this. So to follow that through to it's logical conclusion for the sex scenes to really hit we needed to see them swap places completely and Damen needed to talk.

Laurent is a mouthy little shit but when it comes to his important scenes (the building of their intimacy and their sex scenes) it's never his words that he's speaking loudest with. Like when he just hugged Damen after the meeting with Jokaste in KR or when he went to get ice for him in PG, it's an offering in place of words and Laurent does it frequently: letting his actions speak louder than any of his words because to Laurent words don't really matter, lies are too easy. He's been taken in by words before.

Damen gets to Laurent through his actions and it's Laurent's moments of honesty, of saying something unexpected, that make Damen really pay attention. This isn't to say that Laurent's actions don't get to him, they do of course, but only really when Damen comes to realise that's how Laurent is being honest. Likewise in reverse for Laurent.

It's the language the other understands that allows the distance to bridge, but the intimacy comes in the opposite every time.

So when they fall into bed Laurent instigates with action, all three times they are together. And Damen talks. Because it’s the thing that is important to them that they are willingly giving and sharing and that is what makes it intimate.  

Quite simply, Damen holds himself back emotionally so talking during sex like that is a way for Damen to let go and to let his partner know that's it not just sex. Laurent, in reverse, shows his want through the instigation and by the time it happens they both know what it means: Laurent never does that and Damen knows it. Laurent knows Damen says what he fucking means.

It's such an intimate sex scene because of that awareness.

In my writing I kind of try to take that and run with it. Damen says what he means and what he wants Laurent to hear, because words of affirmation are important to him personally so he makes sure to share that.

Plus, it’s just sexy, you know? Got to love a man who talks in bed, that sex rough voice when he’s so far gone you know what his saying is just the shit flying through his head?

Hot.

Loved this ask so much. I could literally write a thesis on Damen lmao

[bloggingboutburgers]

I think everyone will benefit from properly tagging posts. xreader fics abd ship fics ONLY include the relevent _x_ tags but none of the character's name on its own, allowing all the usual fanart, theories and such to stay on the main name tag and not be crowded out by horny fanfiction (I say this as someone who very much enjoys very horny, very smutty xreader fanfictions. I want to be able to search the fics I want directly without having to trawl through headcanon posts, fanart, unrelated ship posts, etc.).

No one really has a tailored experience on the internet (I'm glad tumblr is at least a little more user dictated than advertiser algorithm based), but I do get the frustration and discomfort that comes from the abundant hornyposting feeling inescapable.

It's tempting to take offence to persistent cries against xreader stuff. I like special POV episodes of shows for the same reason I like xreader fics. My favourite characters WERE the company I kept, my only real form of companionship (albeit simulated) for many many years. Not because I am allo, basically. I sought something to meet my social needs growing up where I was unable to find community or companionship in real life.

Unfortunately, because they are usually sexual in nature I just came to associate a need for human connection with sex (so am I allo or just conditioned to blend sexual, platonic and romantic feelings and actions together?). I was just happy to feel like I had someone to hang out with. I knew they weren't real and that I needed to find real people to connect with (not for lack of trying, kids are just cruel. Finally made friends as an adult, yay).

Didn't intend for any of that to be so sad or pathetic, but hopefully it gives context for the prevalence of xreader fics. Alongside the varied reasons people write / read them (no just blind allo horniness), especially in light of the widespread loneliness epidemic over the past decade.

It's still more than ok to not want anything to do with them either (be it due to being aroace or not - I know plenty of allos who find xreader fics cringe).

Something I need to clarify here – we get it. Well, we don't fundamentally get it, but trust me, we've been told time and time again why people would write/draw/be into xreader content (it's all part of the package of "aroaces MUST put themselves in allo people's shoes at all times"), and we know they're perfectly legitimate reasons, and we don't find it sad or pathetic, or cringe. At the very least I don't at all. That's not what it's about. It's not something as surface-level at that.

The thing is... The same kind of understanding effort is VERY rarely put forward in return for us. And the fact that we're perceived as naysayers is symptomatic of this. We're not crying against xreader content. People are free to do whatever they want. We just want it to be tagged to keep ourselves safe, and so we can appreciate some variety and find fandom content we can properly connect with with the identity we have.

The issue isn't that there is xreader content, or heck, that there's lots of it. It's that, as @kaoruko-han put it, "everyone is assumed to be into this", and that you can't express something as simple as "I'd rather read something else" without being finger-pointed as a villain.

Yeah, no one has a tailored experience online, but there's still a very clear lack of balance on what is acceptable to tailor to or not (and for us, that includes tumblr). And trying to find fan-content while being sex-repulsed? Bruh, you'd better pray on your lucky stars and be ready to trudge through an ocean of stuff that's loaded with the very thing that makes you scared, uncomfortable or downright triggers a feeling of sickness in you, because a lot of it ain't tagged. An alarming amount of people don't bother, because why would people like you exist, right? There's only ever them, and puritan bigots. It's that black and white in a lot of people's heads.

Here's the difference though: we, too, want people to be able to vibe to whatever fan content they want. We just wish "people" included us properly in this case. As it stands now, trying to find fan content that won't give you an uncomfortable feeling as a sex-repulsed person feels kinda like this (I'll try to illustrate that to the best of my ability as a vague comparison, please no one take that as a clear parallel, I'm literally just trying to explain how it feels in a way people who have no idea how it feels might understand): you're not into gore at all, you don't wanna look at it, but your streaming platform keeps recommending you those series that are loaded with gore. You try to filter it out, but no matter where you go, you keep being recommended those series. And no one ever gets your discomfort and you're being branded as nothing but a wet blanket for not wanting to see gore. It's kinda like that.

At this point I admire sex-repulsed or romance-repulsed people who still TRY to find anything at all in fandom spaces. I've stopped reading fanfic altogether and I've largely stopped engaging with the large majority of fandom spaces for those reasons. And that wasn't an easy choice, or one that I find fun because it feels incredibly lonely, but it's the result of years of exhaustion and strain on my mental health trying to navigate something that's so hostile to me at its core, even if it's unintentional.

So... Yeah. We know the reasons, just like the content itself, they're kinda impossible to ignore. But we are largely being ignored in this, and it's not just something at an "ick" or "picky" level ; for a sex-repulsed person, being spammed with sex entails much more than that. It's not even frustration anymore at this point, it's downright despair a lot of the time. So... Yeah, like you said, everyone would benefit from stuff being more properly tagged. For us it'd be so huge to know our safety is taken into account – that we're taken into account at all. Thing is, we're not, and we're so invisible in this and most other things that at this point, I don't have much hope. Sex-related controversies allo people can understand would sooner create a change than anything done for our sake.

[creatingblackcharacters]

on the topic of fandom racism.. wanted to ask an outside opinion on this.

so without much detail bc i don't wanna get this person harassed or something, i'm in a fandom where most of the characters are japanese and look pretty similar, so the diversity is Not Great. recently i saw an artist, who is white, draw a character with slightly darker skin than the rest of the cast as Black, where he was ambiguously brown before. my problem with this as an outsider is that i think that plays into a ton more stereotypes than if he was just tan or something. this character is regarded to be misogynistic, overly sexual, and especially to his #fffff white japanese (girl) friend.

i, as a white person, would like to approach this artist and ask if that's really the message they wanna send, but god forbid i do not want to sound like those people that believe in "black-washing" or just hate to see more diversity in an anime lineup. would it be white knighting to point this out, or approach that, hey, maybe your only person of color in this cast shouldn't be the one that acts Like That...

Hm. I see what you're saying. I'd suggest a few things, which is really my go-to for everyone white fighting fandom racism:

1) first, look out for the voices of Black fans in that space and see what they're saying. If they are perturbed by what they see, then I would amplify their voices and support them first. Let them know they're not crazy. They're the ones experiencing the harm, let their voices be the ones prioritized. If no one Black has said anything, that could be a sign that this entire fandom isn't safe for that kind of feedback (which... Often.)

2) look at that person's page to see how they treat this character. Do they actually offer them depth? Are they a fan? Have they shared anyone's good perspective of him? Do they actually care about him, and think his being Black serves a better narrative? Or is it really just this character is a douchebag and now he's "Black" because they wanted some diversity points without thinking about it. Hell, does the original media do right by this ambiguously brown character lol? Because that can often be the larger issue too.

3) does this person positively interact with Black people at all? Like people, opinions, topics, politics, anything at all? Or is this their Token Black Blorbo Barbie™? Because that's a red red flag lmao.

4) if you still feel strongly about it, send them a DM. I'd say make sure to be genuinely polite, not because you should be respected more because of it, but so that it's on record that you wanted to give them the space to amend ("Hello, I mean no harm, but I was worried that this may-") You're white too, so it'll be safer. DMs are really a kindness, a last chance for grace; sometimes people are just like "fuck it, that's a racist and imma treat them like it". And I don't begrudge them that, this shit is exhausting and enraging.

5) accept that you may very well approach with the best intentions, and this artist may very well act a complete asshole* about it. They may make excuses, the classic "I would never be racist", they may accuse you of all those things that you just said, try to cast you as the problem, and their friends may very well make you out to be the racist for pointing out the racism. Welcome to fighting antiblackness and racism in fandom 👍🏾 it's a minefield out here.

*keep in mind, even if they "respond sweetly", the whole "thanks 💕" schtick is still them being an asshole. Racism in sweet words is still racism.

6) if they do respond like an asshole, it is not a reflection of you, but of them. 👍🏾 They are now purposely choosing racism. Block them and move accordingly.

[anniflamma]

This isn't a question, but rather a love letter to your art<3.

Thanks to you, I've started enjoying Greek mythology and the Bible again (I mean from a point of artistic, mythological, historical, and theological analysis; my status with any kind of religion is being agnostic XD).

And I already enjoyed Epic the Musical, but I really love the designs you make, how you empathize with the symbolism and lore of the Gods when designing them, and how you make Odysseus so human with his crude expressions that makes me empathize with him (And he's one of the characters I hated the most from Greek mythology lol)

And then there’s your art about the bible, I have to admit that I tend to avoid the biblical religion because of the weight it still has on our daily lives, the damage it has done from the past to this day, and how they deny it with current hypocrisy (I live in Spain, there the official religion is catholic), but your lgbt drawings have really encouraged me to open the bible and see it from an objective and neutral point of view, and just enjoy it as another book and not as something I’m forced to follow.

Also I didn’t know there was so much LGBT content in the bible XD Seriously, thank you so much, if you had a patreon, I would pay you for the amount of happiness and culture you have given me (^///^)

By the way, reading your posts I found out that you recently experienced an internet drama that has become so popular lately. I just wanted to tell you that I'm sorry that both you and that poor artist had to go through this, that human hypocrisy has no limits or shame, and that I agree with everything you say. Just because we like a character or an author doesn't mean we agree with their crimes or ideologies.

I hope you have a nice day<3

Hi! I’m sorry it took me a while to respond! I mean it, I’ve read this over and over, and it makes me so happy. I’ve been thinking about how to respond, but sometimes it's hard to get it out into words.

It makes me so happy that my biggest interests make others interested in it too. Heck, when people ask questions, I get all giddy!

Talking about biblical/christian saints, greek myths, history, different cultural views and changes was kind of the whole point of why I started this tumblr blog. I have so many drafts filled with random info about LGBTQ+ saints..... Now… I post mostly thirsty drawings of greek gods with hairy chests... T.T

And I sympathize a lot when it comes to religious trauma. I consider myself lucky in these matters, my mom is Catholic, and she has her views that I don’t agree with and hurtful. Yet she still supports me in her way and watching my bible retelling animatics, everytime I post a new bible animatic, she writes me: "What have you done to Daniel..."

I also have my hurts and anger towards hypocrisies too, and I guess this is my way of countering that?

LGBT content in the Bible is something that really fascinates me. I think it's important to keep in mind that people from about 2,500 years ago had very different views when it came to gender and sex compared to how we see it today. In a way, the Bible does have strict social gender expectations, and if you didn’t fit in, then you weren’t considered part of that gender. But at the same time, it acknowledges that your sex. I think it’s in the Talmud were it discusses the fact that, throughout the Bible, there were about eight genders:

Zachar: male.

Nekevah: female.

Androgynos: having both male and female characteristics.

Tumtum: lacking sexual characteristics.

Aylonit hamah: identified as female at birth but later naturally developed male characteristics.

Aylonit adam: identified as female at birth but later developed male characteristics through human intervention.

Saris hamah: identified as male at birth but later naturally developed female characteristics.

Saris adam: identified as male at birth but later developed female characteristics through human intervention.

Some scholars even believe that Abraham and Sarah were Tumtum. A Tumtum is not considered to be very distinct but rather flexible between male and female sex/gender—"sometimes he is a man, and sometimes he is a woman." The simple fact that God said Abraham had a womb and from it, he would have children. Some say that this is why he is a Tumtum, while some historical linguists argue that ancient Hebrew didn’t have the vocabulary for male genitalia yet. Both arguments are valid, and I like them both!

There’s tons of stuff I could bring up—Joseph with his princess dress, Naomi and Ruth, David and Jonathan, and the discussions around whether Daniel was a Saris Hamah or a Saris Adam. We know he was called a saris, but we’re just not sure which. And then there's Jael, whose story is filled with a lot of phallic symbolism, and even her name is very gender-neutral.

I think I’m going to end here. I could yap about these things forever! But thank you again taking your time writing to me and I hope you also have a nice day! <3

[yan-lorkai]

.⁠｡⁠*⁠♡ A/N: I'm very normal about Idia, guys. Being his friend would be great, I just know. Yet he is an interesting character to me so at the same time he'd want you to spend all the time by his side, he also idolizes a version of you, smth smth I love him, enjoy this <3

.⁠｡⁠*⁠♡ Warning: Yandere content, control and manipulation tendencies, guilt tripping, gn!reader

.⁠｡⁠*⁠♡ Idia becomes intensely possessive when he first make friends with you, something he’s not used to. His loyalty runs deep and he expects the same in return, often feeling jealous and anxious if you spends time with "the normies", as he likes to call them. He tries to monopolize your attention by filling your days with online games, late-night chats and gossip sessions and anime marathons, making it difficult for you to spend time with anyone else. He even try your blogs if it is something he can do inside his or your room.

.⁠｡⁠*⁠♡ Sometimes he beg you to spend the day in his room, studying online as he does, when he is dealing with a particularly bad day - which are slowly turning into a daily thing.

.⁠｡⁠*⁠♡ While Idia doesn’t confront people directly, he’s skilled at subtly manipulating you. If you mention hanging out with someone else, he’ll sulk or act overly dramatic, making you feel guilty for not spending time with him. He wants youto believe you’re the only one, besides Ortho and his family, who truly understands him, ensuring that you stay close. His tech expertise also gives him an advantage over you as he keeps tabs on your online activity, always aware of who you’re talking to or what you’re doing when you are away from him. And if you tell about how suffocating is to be with someone like him or something like that, Idia will make little changes in himself so you won't be bothered by how he acts.

.⁠｡⁠*⁠♡ To further isolate you, Idia draws you deeper into his world, introducing rare games and niche interests that only he can share with you. If you try to make plans outside your usual routine, he’ll always have something special, a one time offer that you simply can't resist. Deep down, his tendencies come from a deep fear of rejection. He’s terrified of being abandoned and he believes the only way to secure your friendship is to make you depend on him as much as he depends on you. He wants to be your hero, strong, fierce, yet he turns into your villain, your tormentor.

.⁠｡⁠*⁠♡ As the friendship deepens, Idia’s clinginess becomes more apparent, though he tries to hide it behind his usual awkwardness. He starts to get anxious whenever you doesn’t respond immediately to messages, bombarding you with worried texts or even calling, something he normally hates doing. When you finally reply, he plays it off but the relief he feels is palpable. He needs that constant reassurance that you’re still there, still close to him, that you still like him.

.⁠｡⁠*⁠♡ Idia’s jealousy, though subtle, can become intense. If he notices you are growing closer to someone else, he starts planting doubts in your mind, making snide comments or pointing out flaws in the new person’s behavior. His aim is always to make sure you realizes that no one will ever be as loyal or understanding as he is. He never wants to be obvious about it but his bitterness leaks out in small doses, enough to make his friend second-guess their other relationships.

.⁠｡⁠*⁠♡ When things don’t go as planned, Idia retreats into self-pity, making you feel responsible for his mood. He might withdraw entirely, going quiet for days at a time, only to return with cryptic messages about feeling “left behind” or how much he hates being alone. This emotional tug-of-war keeps you constantly on edge, never wanting to hurt him or push him away, which only feeds into Idia’s control over you. Wether you realize what he does or not, Idia will always find a way to have control over you, no matter what.

.⁠｡⁠*⁠♡ Despite his fear of being too obvious, there are times when Idia’s obsession shows more openly. He might create custom in-game avatars of you, carefully crafting you to reflect his idealized version of a romantic relationship. He’ll obsessively collect items or trinkets that remind him of you, even going so far as to create private spaces in games or online where it’s just the two of them, away from anyone else or have an AI of your voice saying sweet little nothings to him, or singing. This, though, he'll never let you know. He doesn't want for you to think he is a weirdo, he just really love you, his bestie.

[shigayokagayama]

mob warriors au redesigns and such, some i barely changed and others i pretty much started from scratch lol

full canvas and explanations under the cut, theres a bunch of other characters and stuff i didnt manage to fit or didnt have the energy to draw that ill probably get around to in the coming future

so by virtue of mob psycho kind of acting as a parody of a shonen in a lot of its characters and usage of tropes i felt like it was fitting that a warriors au sort of act as a parody of warriors.

basically, pretty much every major character is either a house cat of some sort, but they all see clan cats as these sort of cool aspirational things so they give themselves warrior names and know of general clan concepts (though, since the nearby clan left a long time ago due to twoleg construction on their territory, these concepts have sort of become distorted over time. istg i came up with this before warriorclan me and erin hunter just have some odd psychic link)

saltsplash (reigen) is a declawed kittypet who loves the taste of freshkill, so he has taken on the persona of a former medicine cat who came from far away on some sort of spiritual quest to help the cats in this area (in reality his owners just moved here) in order to get cats to catch prey for him in exchange for advice. flockpaw (mob) comes to him for advice, since he can see spirits and keeps getting dreams from starclan, and saltsplash agrees to take him as an apprentice

there is a pretty significant ghost problem in the area, the destruction of the moonstone equivalent (this isnt the setting of og warriors because i find switching what region/biome theyre in to be kind of part of the fun to making warriors aus so this is still japan. cats can now encounter monkeys.) has left a lot of souls trapped in the physical plane and unable to pass on. dimple (still going back and forth on his name) is one of these cats, he was a clan cat but so long ago that he's forgotten his original life and only remembers the goal of "bring back the clans with yourself as leader", which he initially tries to posses random cats to do before meeting flockpaw and settling on him as a good potential clan leader

the actual clans, meanwhile, have gone way downhill since they moved away. their numbers were dwindling pretty badly when hawkstar (toichiro) took over his clan, renamed it clawclan, conquered the other clans in the area and marked all his dissenters with scars, and has forged forward with the goal of reconquering their old territory in the twolegplace in the hopes that it will bring the clans back to their glory days. a lot of the more sensible cats, including his mate, have left the clan, so he's resorted to recruiting outsiders as well as kidnapping young cats with warrior potential in order to fill out their numbers

other stuff i dont want to write entire paragraphs for

-teru was someones outdoor cat but his owners moved :( he named himself starpaw and everyone who knows shit about the clans tries to tell him hes not allowed to do that but are too scared to argue further with him about it because he gets really pissed when you point it out

-the telepathy clubs goal is to meet lions, which everyone thinks arent real

-the awakening lab is mitsuura (curlystar maybe?)'s attempt to start his own clan

-the student council is a gang of young kittypets who have tasked themselves with enforcing "the warrior code" among the delinquents (rivals gangs of young alley cats). all the older cats see this as a game theyre playing and dont take it seriously

-flashpaw (mezato) was part of dimple's initial play to brainwash a bunch of cats into reforming a clan and worshiping "starclan" (him) and those group of cats have shifted to seeing flockpaw as starclans prophet, so she's trying to convince HIM to start a new clan

-rainshade (serizawa) was initially a kittypet who always hid in his cat carrier out of his fear of his starclan given powers, hawkstar found him on one of his recruiting missions because his mother was worried for him and was asking around for someone with experience with starclan

-mogami (crowflight maybe? maggotsomething?) was an actual former warrior who went to twolegplace to get help for his sick mother after starclan said there was nothing that could be done for her. kittypets offered to get her help in exchange for him helping them with spirit problems and got their owners to bring her to the cutter (vet) and when they did the vets put her down so he started killing cats about it seeing them all as selfish thugs beyond redemption before his own death and transformation into a vengeful spirit

-minori (still thinking of a name bc i dont have her design down) is someones very haughty purebred show cat who gets hella possessed.

-didnt anyone ever teach you feeding downed fledglings was bad manners?

-SunClan (the rising sun union) are a gang of random housecats, some of whom have actual StarClan connections and others are just opportunistic liars, who use extremely predatory means to help cats with their ghost problems (asking for a specific share of a cat's meals permanently rather than saltsplash's ask of like. one fresh songbird)

thats all the stuff i can think of off the top of my head but if you ask questions i can probably answer them bc ive been thinking about this since like. march 2022.

[erabu-san]

First of all, I would like to thank you so much for all your support and your kind message !! Thank you so much for being patient with me too !! (you will see, I thanks a lot in this post lol)

Haha tbh I believe that ignoring and move on is a great way too! Yeees when I read this anon ask, I was wondering if they are living somewhere where pale person are oppressed and they are personally in this case and it affects them so badly that they have so much hate in them or they are just being hateful toward poc w/o any explication ? It was a bit uncomfortable And what is appealing with Genshin Impact (for me) is the fact that they use real culture to create their game ; even in the last survey, they ask if we like Natlan's authenticity (weird they only ask abt environment and music, i think they know they have issue with character design bahaha). I learn a lot about persian, algerian, but also chinese and even about french culture ! It is because people recognize themself that they start talking about it. I know there is a lot of controversial topic in Natlan, but because of this, I learn a lot on Hawai'i 's culture too. So yes, even if it is fiction, representation *is* important. And it is because they take inspiration of their culture that there is people who want a better representation, and in my opinion, this is something to not ignore !

About taking well what anon said, thank you so much ! If i can be honest tho, I didn't take it very well neither, or just I don't know how do I really felt at the moment I am an adult but I still hard time to distinguish what is morally okay or not, what is bad and good ? So if someone doesn't tell me they are explicitly a bad person with bad intention, I won't get it haha (ofc I grew up and now I identify my value and morals, but I still questionning if my morals are objectively great or not- yeaaah i was called weird for that, I am aware) Since forever I always try to understand other so I can communicate properly (at least I try), and that's why I am always interested on how does people think, why do they react in this specific way etc etc. Pro, I am patient and can take even the most violent take "well" (all depends. I am still a human) Con, I give free speech to those who have a "bad" take </3 and I apologize for that aaaa

KFSDLFSD I wish to express my angryness sometime but I just don't know if it is really adequate What if I interpret their text in wrong way as they initially try to say ? I wasn't feel offended by what they said, I was just uncomfortable because their opinion is something I consider hateful. and what if i was wrong??? But reading you all's opinion just affirm that's they were indeed rude ! I should stop overthink, life would be easier Maybe next time I have a doubt I will ask my friends's opinion before answering ksdkfsf

Oh my god thank you !!! If i can be honest, I draw Kinich this way because when I draw him w a darker skin for the first time, I thought "Oh !!! he looks so cool !!!!" and seeing a lot of positive comment abt my Kinich just makes me happy so I keep him like this ! And thank you for sharing with me informations !<<333 This is not overstepping at all ! And it is a reciprocate feeling anon ! It might be a bit weird but "angry" is such a complex feeling for me. I feel it but I don't really know how to express it in the most healthy way and it is super frustrating. So... seeing people getting mad at something I also disagree on makes me feel better !! And for this, thank you all !

I SNORT SO HAAAARD Damn Macron you again..........!! I didn't put all ask here but I read them all !! Thank you for sharing with me your opinion and reaction, it is truly interesting (and way more relaxing that the hater anon kskskss) !! and again, your support is truly meaningful for me. You all have sincere gratitude Hope y'all have a great day !! Stay hydrated too <3

[cotl-flower-crown]

Going on hiatus*

*Well, kinda.

Hey, I'm gonna start this post with "omg, this blog has more than 2 followers, what the fuck?? That's crazy!". I don't usually look at numbers, because I don't want it to be a focus on my platforms, but just know that I appreciate every single one of you and I hope that you all enjoy what I'm doing here. Like at the moment of writing this there is 2277 people that decided they want to look at my art more and it makes me very happy, thank you! ^^

So uhh yeah, hiatus.

Not gonna lie, the past few months has been stressful for me and I have reached the point where my chest and stomach are in pain and I can't get enough sleep because of it, among other things (damn you mosquitoes!!!). It's something that happened before and it might take me months to recover from it. So I suppose you could say that this hiatus is mainly for the health reasons.

Though it's also because my gut is telling me that it's time to move on from this fandom to do other things.

Hear me out. It's not that I hate COTL now, far from it, I still love this silly cult game and I will follow what MM has to offer for this game in the future. I am just kinda not keeping up with myself when it comes to posting. I've been trying to post about my favs at least once a week, but honestly it's been a struggle to pump out anything at all lately. It's not that I don't have anything to post, I'm just tired and burned out.

So yeah, I think it's time to put this blog on hiatus for the time being. What I mean by that is I don't want this blog to be the top of my priorities and I want to take it easy.

I don't want it to go completely silent though. I'm planning to open my ask box again, because I miss interacting with everyone. However I will not do any art requests or draw anything for the asks in general. If I do, it will most likely be poorly drawn or it will be something related to character design, since that's what I'm most comfortable with, but I would prefer not have to draw at all. Though I am open for writing. I also wish to draw sometimes, so maybe I will post some artwork when I feel like it. I'm just not gonna post as often as I used to. It might take like a month (maybe two, maybe three, etc) before I decide to make anything.

What's the future of this blog? I am not sure yet. There is a chance that eventually I will abandon this blog entirely OR I could repurpose it for fanart in general. To be honest I'm leaning towards the second option at the moment, but that is a future me's problem.

I think that's all I've got to say right now. Again Thank You everyone who decided to follow, reblog and like my art and leave comments, I appreciate it all, and thank you to my moots and friends that I made along the way, I love you all (plat/non parasocial) and I hope this will work out.

TLDR: I'm going on hiatus, but not completely silent, also ask box open, but no requests

[stitchedcosmos]

Abt the Orcatstra stuff

TLDR: I've looked through their posts as well as others and I can't find any proof they did anything wrong. Orca making NSFW art, saying they don't like a ship and blocking people who like that ship is completely normal and you shouldn't take it personally.

Long ver:

People in the DSAF fandom (mainly Tumblr) are freaking out about a take Orcatstra made on shipping Jack with Harry, Jake and/or Rodger, allegedly harassing people who ship them, one case being running a 14/15-year-old off the website and making NSFW art, mainly gore.

About the ship: I think Orcatstra's take is completely understandable. "Oh but the phone can leave" and "Oh but he treats them well in the Good ending" doesn't matter. At the end of the day, whether he treats them well or not is completely irrelevant. Jack can choose at any time whether they live or die. When he fires them, they get murdered. He has power over them and that is a power imbalance that a lot of people are going to be uncomfortable with. In cases like Dave, Matt, Steven or Henry, if things don't go well between the two, they have the ability to leave with no fear of something bad happening to them. The phones on the other hand, could get fired (die) if they're not on Jack's good side with just a simple phone call. Even if they left, they literally mention Afton Robotics hunting down escaped phone guys and a simple phone call telling AR one's gone rouge is all it takes. Doing this after getting pissed off by them or whatever, is completely in character for Jack to do (especially legacy). People bring up that Jack treats them well in the good ending but how about all the other routes? Especially in the Legacy routes, Jack treats them like shit and actively uses this power imbalance against them on multiple occasions. People bring up Davesport as a retort to this, bringing up how utterly devoted Dave can be, but Dave when treated like this usually fights back or distances himself away from him, neither is something the phones can do without fear of getting killed. At the end of the day, it all comes down to how you headcanon Jack to act, but the power imbalance is definitely enough to put a lot of people off. Also, as a POC myself, I don't think them saying it felt like "Owner x Slave" to them, was racist.

About the blocking: Blocking people is something people are allowed to do for whatever reason they like. If someone posts content you don't like, the normal response most people have is to block them. Whether you feel the block is "deserved" or not, doesn't matter. Hell, sometimes I block people over a single post or comment they make because I simply disagree with it so much. Blocking people is completely okay under literally any circumstance.

About harassment: I have found no proof of this. Seriously. I've looked through multiple people's accounts, including Orca's and have found nothing. I'm even seeing people ask for proof and being told the person has none. the dsaf confessions account keeps getting brought up as proof of someone who got harassed but looking at both their posts and Orca's, from what I've seen, no harassment happened. From what I can tell, all of this is a complete misunderstanding where Orca talking about not liking the account got interpreted as Orca bullying them. If they don't like them and want to post about not liking them, they have the right to do that.

Edit: Just remembered this so I’ll quickly add it now, people are shouting at orca 4 “harassing a minor” but they’re a minor themselves.

About NSFW: They're allowed to draw it. DSAF is an NSFW series and therefore has A LOT of NSFW topics, subjects, scenes and characters in it. If someone wants to draw that, they have the right to. If you don't like it, block them. Some people are saying they should tag their gore art and while I personally agree with that, if they don't want to, they have every right not to. It's their blog and if you don't like it, just block them and move on. "But what if a child sees it" on Tumblr, you can only see what you search up or are personally interested in, a child shouldn't be looking at DSAF-related content in the first place because, again, it is an NSFW series.

Overall, my thoughts on the matter are... *drum roll*

It's not that serious and the block button is free. If you don't like someone, what they're doing, what they're posting, block them. It's that simple and getting blocked doesn't mean anything. This situation, as well as others like it, are making me fear that most of you aren't old enough to even know what DSAF is, let alone be in the fandom.

[amiti-art]

HI! I’m here to ask honest opinion on….Lore Olympus. I’m sorry for putting my opinion here….but I hate it. I’m sorry, I try to see it in a good way….put it paints Apollo as a horrible person. And there are other things that I’d respectfully don’t like about it.However, I want to see your opinion. That is if you’re willing to share it. BTW, I fricking love your drawings., especially the ones about Apollo and his myths! Have a good day or night!

Hello!

I'm glad you like my art 🫶🏻

So, Lore Olympus.

This probably won't come as a surprise to most people, considering how much Apollo art I've made, but I hate Lore Olympus. And not only because of how poorly Apollo was portrayed there.

I'm going to be honest with you: I never read much of it. I read maybe a few chapters some years ago because it was advertised as Greek mythology retelling, but I didn't continue because it was boring to me.

Much later, I saw a lot of posts pointing out all the things wrong with Lore Olympus, and boy oh boy, it's bad.

From what I've seen, it’s hardly a retelling; if the names of the characters were changed, nobody would realize this is supposed to be myth-inspired.

And look, I'm not saying you can't change anything when making a Greek mythology retelling, because it's simply impossible to keep everything the same as in the myths—especially when you want to create a story that covers many myths. The math isn't mathing when it comes to Greek mythology, because the myths changed over time, and different city-states had their own versions of the stories, so it's pretty impossible to make a cohesive timeline without changing something.

But from what I've seen, there isn't much Greek influence in this Greek mythology retelling. From the way the characters dress and speak to the food they eat, there is nothing Greek about this comic, it’s completely Americanized.

And I hate Americanization so much. I remember watching Netflix's "The Witcher" and being so disappointed because there was nothing Slavic about it. They kept Jaskier's original name from the books and called it a day. They turned it into another generic fantasy show.

I know that many Greek people feel the same way about Lore Olympus and other American adaptations of their myths. I love Percy Jackson, but the whole "gods moved to the USA because this is where Western civilization is" is just so icky to me. Greece still exists, hello??????

Back to Lore Olympus. For some reason it's fans think that the comic is a valid source for mythology, and they spread so much misinformation.

For the last time: Persephone was abducted in the myths. There is no version where she goes to the Underworld on her own.

Demeter is a heartbroken mother looking for her beloved daughter, not some evil helicopter parent standing between Persephone and her happiness. Justice for Apollo and Demeter.

Also, Persephone is sometimes drawn like a child and looks more like Hades' daughter than his wife. Why?????

And from what I've seen, Persephone is ridiculously powerful for some reason and fights Kronos or something???????

Also, apparently, Leto is portrayed as a manipulative mother????? Leto??? The Titan goddess of motherhood??? Why????

I don't understand why this comic got so popular, to be honest. Probably because of the artstyle.