#I know some people might say it's a problem of wasting time with fillers but you know what...

[inukag]

Hey Cynthia! This is kind of an ask but mainly a rant because I find this INCREDIBLY annoying, because it's clear these people don't understand the story AT ALL.

I don't think all KogKag shippers are annoying, but I'm surprised that there are so many fans who say that Kagome should've ended up with Koga because Inuyasha was aLWaYS going after Kikyo or that Koga would've TrEAtED her better. I feel like people who say this are just self-inserting onto Kagome. Reason number one: KogKag has little to no substance in canon, with her just humoring him every time he flirts with her. Number two: if they were paying attention, they would know WHY and WHEN Inuyasha went after Kikyo and that for him, there was only Kagome.

TLDR; Do you think people who say "Kagome should've chosen Koga because Inuyasha bad" are self-inserting? I know the anime changes are a huge factor, is that why people say this? I like your analyses so I'd like to know what you think.

Hello! First of all thank you for the love 🥺

(I know I have mutuals & followers who love Koga & Kogkag so warning: this post is very critical of both!)

I’m going to start off by saying “self-inserting” exists in a lot of ships. There’s plenty of people who love Inuyasha and self-insert into Kagome with inukag. That’s not something I have a big issue with, we all have our favorite characters and there’s nothing wrong with self-indulgence. But if we analyze the canon story, I think you definitely need make Kagome OOC in order to ship her Koga. I mean, if canon!Kagome had any interest in him she wouldn't have wasted her time with Inuyasha, lol. I've said this before but the main reason why Kagome loves Inuyasha and not men like Koga and Sesshomaru is because Inuyasha has a good heart. He might have a harsh personality (that he is improving) due to his past trauma but he has never killed & eaten innocent people the way the other two did.

Also, the racism. Kagome's defining personality trait is that she is open and welcoming with everyone. Why would she date Koga who calls people slurs unprovoked? Why would she date Sesshomaru who bullied his half-brother for being mixed? Sure these two somewhat improved their behavior over the course of the series but 1- There's no indication that Koga and his wolves changed their diet. Koga never showed any remorse for his actions and never said he wouldn't do it again. 2- Sesshomaru tolerates/respects a few people by the end of the series but he very much still sees human life as expendable (see his “Who cares?” line when he hears his action could kill everyone in Kaede’s village). That is simply not compatible with Kagome Higurashi. 

The second anon brought up some good points about the misogyny in the fandom, and how male characters like Koga are praised while Kikyo is villainized for less. I constantly see Koga fans criticizing Inuyasha for “being nice to Kikyo despite what she’s done to Kagome” yet these people seemingly have no problems with Kagome being nice to Koga despite what he has done to Inuyasha. I think both Koga and Kikyo have poorly written “redemption arcs”, I think the inukag fandom just talk more about Kikyo/Inukik because Inuyasha did have feelings for Kikyo while Kagome never had any for Koga, so usually it isn’t worth talking about. 

As for Koga being "nicer" to her, I think a lot of it is definitely anime-only. There's that one filler episode where Inuyasha insults Kagome and Koga brings her flowers later (if I remember correctly) which is obviously meant to make Koga look like the better choice. I’ve talked about this a LOT on my blog but Sunrise went out of their way to make sure Inuyasha would almost never be kind and honest with Kagome compared to the manga, and they added a bunch of scenes where he insults her. Honestly with all the things that Sunrise changed I don’t blame anime-only fans for having issues with anime!inukag. Kagome has self-esteem issues because of Inuyasha’s ex (who is her pre-incarnation) and on top of that the boy she loves insults her himself? I know a lot of inukag shippers just see it as a joke, but since Kagome’s self-worth is a real issue in the series I don’t find it particularly funny. But if we’re focusing on the manga, Inuyasha is not mean to her, he’s only rude when he’s angry (calls her ‘bakaa’ or uses ‘temee’). 

Also, what does Koga even do for Kagome beyond giving her superficial compliments? He saved her a few times, which is what Inuyasha does on a daily basis. Koga said Kagome is “pretty” and “has guts”, which in my opinion pales in comparison to what Inuyasha said about Kagome: 

Inuyasha genuinely KNOWS Kagome. She’s his friend. He spends all his time with her. He has seen the best and worst of her. Koga is just a guy who tries to woo her when he bumps into her once in a while. Inuyasha doesn’t compliment her all the time to score points, he says these things when he can tell Kagome is feeling down and truly needs to hear it. 

Koga really is just putting on a front to look good in front of Kagome. The things he says to her are not necessarily true, as Ginta and Hakkaku point out. 

If he did manage to win over Kagome, who’s to say he would keep up this act? Would they work out in a long-term relationship? What does Koga and Kagome have in common? Like I said, he barely knows Kagome. Unlike Inuyasha, who share Kagome’s values, and share a group of friends with her. Inuyasha knows Kagome’s world, her modern friends and her family (and they love him!). Inuyasha has a demon slaying business with Miroku and lives in a human village where Kagome can thrive as a miko. Koga rarely shows respect for what Kagome wants (he claimed her as his mate and spent the entire series touching her & calling her his “mutual lover” without her consent). Even when Kagome was crying in Inuyasha’s arms after he almost died, Koga still said he “refused to give up on her”. Like the second anon said, the guy really just can’t take a hint (until the very end), and as someone who dealt with men like this in real life I think it’s a pretty big red flag.

Inuyasha literally said he owes everything he has in his life to Kagome. That he was born for her. He continuously chose to live with her instead of dying with Kikyo, risked his life to protect her by giving her the fire rat robe, ditched Tessaiga to save her, jumped into the well every 3 days ready to abandon his world for her. The fact that some people think he’s not the biggest Kagome simp out there and think he’s not “worthy” of Kagome is insane to me. 

Inuyasha learned to give Kagome space when she needs to be alone so she can study. He respects her desire to finish school, respects the fact that she loves her world and didn’t pressure her to choose him over it. 

Also people argue that Koga’s redeeming quality is that he cares about his pack and getting revenge for the ones that Naraku killed. Well, funny how he completely gave up on that once he lost his shikon jewel shards uh? Koga is a FULL yokai and he abandoned his vow to avenge his friends as soon as he lost his power boost, meanwhile my boy Inuyasha stays true to his promise to protect Kagome even in his WEAKEST form! 

Rip to Koga but Inuyasha is simply built different 🤷‍♀️

Anyway, the last point is Inuyasha and his feelings for Kikyo. At this point I’m convinced some people watched/read a completely different series than I did. I mean, the other day I saw a Tik Tok that was like “When Inuyasha runs off to kiss Kikyo for the 100th time” like... what? Inuyasha initiated like 3 romantic interactions with Kikyo in the entire time he has known her. One hug when she was first revived to calm her down, one hug when he told her she could call him when she’s in danger, and the final kiss goodbye to put her soul at peace. Inuyasha is NOT a “two-timer” who “keeps going back to his ex”. He’s a 15 years old boy whose first love got brutally murdered, he started to move on and fall in love with someone else then his “ex” was revived as a vengeful revenant and guilt tripped him into thinking he should die with her. He cares for her and refused to let her get killed by her murderer again, but his real desire was to LIVE and move on and be with KAGOME. At this point anyone who doesn’t understand that probably doesn’t have the emotional maturity to understand the story. I’m not saying that Inuyasha handled the situation perfectly, because of course not, the situation is insane and the boy has no social skills from being ostracized his whole life, but the way some people think he’s a bad person for loving more than one person in his life is insane to me. And you know what sucks? Inuyasha can’t win. If he didn’t care about what happens to Kikyo because he has a new girlfriend, people would call him heartless and would criticize him for treating women like objects that can easily be replaced. And that is one of the main reasons why comparing Inuyasha to other men like Koga, Sesshomaru or even Hojo annoys me a lot: Inuyasha did NOT choose to be in the situation he’s in. He did not intend to be with both at the same time (the anime line “why can’t have a both” is NOT canon). 

I think one other issue is people projecting their personal romantic fantasies on the situation. So many people dream of being someone’s “one and only”, of having their partner tell them that they’ve “never felt like this before”, and the fact that Kagome is not the only women Inuyasha ever loved somehow makes his feelings for her less “pure” or less “intense” to them. Which never made any sense to me because 1- Why would you be less “pure” for loving many people in your life? The fact that Inuyasha fell in love & stayed with Kagome despite the fact that his “ex” was revived and wanted him should actually be proof of how much he loves Kagome 2- Kagome IS Inuyasha’s “first” in SO many ways! The first person to make him happy, the first to cry for him and to make him cry, the first to give him a home, the first person he will be intimate with, the first (and only) person he MARRIES. His past feelings for Kikyo does not take away from that. I think the worst is when people argue that Inuyasha “still thinks about Kikyo after her death” like yeah, he’s still fighting Kikyo’s murderer until the last chapter/episode and his guilt got progressively worse as he repeatedly failed to protect Kikyo, remembering her does not mean he’s still in love with her. He can’t exactly wipe out his memories. Some people even argue that he ”shows sign that he loves her” in the bonus epilogue chapter?? Never mind the fact that the epilogue chapter just kind of sucks, Inuyasha didn’t have any reaction when Kikyo was mentioned, he said he didn’t care and he was only worried that Kikyo being mentioned would hurt Kagome’s feelings. 

When both Kagome and Kikyo were gone from his life, who did he miss? Did he go to Kikyo’s grave every 3 days wishing she hadn’t died? Did Inuyasha ever think about using the shikon jewel or Tenseiga to bring her back properly so he could be with her? No he never did, because Kagome is the one he was born for and the one he wanted to spend his life with, not Kikyo. 

Tl;dr: From what I’ve seen the popularity of kogkag seems to be from people who just like Koga better than Inuyasha and are willing to ignore (or they don’t remember) all the atrocities he committed because they find him hotter and more “charming”, which is fine to me until people actually claim that Kagome should have been with Koga in canon. People who say that are usually just mad about the love triangle because 1- they only watched the anime and haven’t read the manga (and they also misremember the anime) 2- they idealize this idea of being someone’s “first and only love” and they think Inuyasha’s feelings for Kikyo “tarnish” that and 3- they usually lack the emotional maturity to understand the situation Inuyasha was forced in and don’t realize that Inuyasha did the best he could. Inuyasha is a hanyo who was alone all his life and is just starting to open up and trust others while Koga is a full yokai who never had to struggle in his life, and despite that Inuyasha consistently proved that he is a better person. Just because Koga is loud and straight forward with his advances doesn’t make him more loving than Inuyasha, who actually knows Kagome and is romantic and kind to her when it matters the most. 

[cmdonovann]

Accomplishments! Quantum Break fansite in progress!

(originally posted June 8th, 2023; crossposted from dreamwidth.)

Well, I removed Tumblr from my phone to prevent me from wasting so much time there, which means I now have nowhere to easily and quickly post my inane thoughts (at least not without feeling like I'm bothering people on Discord or in direct messages, though perhaps that's something I should work on). You know what that means! It means I'm probably going to try posting them here instead. Thing I want to post about: I'm making a Quantum Break fansite! I've been wanting to do this for ages, and actually started putting together a couple of little graphics for it during the "Quantum Break Appreciation Month" event I ran on Tumblr in April, but I hadn't made much progress on the project since then... until the past few days, anyway, when I started brainstorming what I actually want to do with the site, how I want to lay it out, and so on. Yesterday I put together some CSS for the site, and today I did The Hard Part: I set up a git/GitHub repo for the site, and got the "deploy to neocities" script working for it, so I can easily and quickly make updates to the site in VSCode, then push from there to GitHub to neocities all at once, like I do with my personal site. Was this an absolute pain to set up? Yes! Somehow, it took me even longer to do it a second time than it did the first! But I did it myself, with a lot of encouragement and rubber duck-ing from a few very helpful people in the Fandom Coders chat. Can't say I'm not proud of myself for that. I would not have had the skill or confidence a year ago to do something like this, especially not all the mucking about I did in the terminal trying to set up the git repo in the first place. Anyway, I am, to put it mildly, extremely fucking excited to continue working on this site. I've got big plans: first order of business is to get an archive set up of all the Quantum Break fanfic I can get my hands on (and get permission from the authors for). After that, I'm probably going to do the same for fanart and image edits like photosets and gifsets from Tumblr, since the CSS page styling for those will likely be similar (though I expect to run into some attribution problems with older Tumblr posts, what with so many deactivated or moved blogs post-2018). Once that's sorted out, I'm considering looking into the best way to archive fanvids, but honestly that might be put off for a while longer, as video hosting and video players are way out of my skill level currently. Maybe I'll import some of my Quantum Break playlists from my personal site, too? Oh yeah, and at some point down the line, I want to make a searchable wiki with transcripts of all the in-game narrative objects. But "searchable" is probably going to be a stumbling point there, and transcribing takes ages, so this will be last priority, I think. Wow, that's... a lot, actually! Damn! This is gonna take a while. Not that I mind spending a couple of years poking at a project, obviously. *Gestures at my longfic that took four years to finish...* I've been neck deep in this fandom for over seven years, what's another five or ten? XP

btw, since it's fairly easy to post images on tumblr (compared to dreamwidth, anyway), here's a screenshot of the section that's currently in progress: the fic archive index!

(ignore my filler text... i usually use karkalicious as my lorem ipsum, so at least i'm not committing THAT particular crime here.)

i'm still futzing around a little with the styling (negative margin my beloathed) but it's coming along pretty well! i've already got a branch where i've started... you know, actually adding fic to the site, but i won't merge that into the main and add a link to the front page until the style problems have been fixed (or at least, fixed enough to be easily navigable on mobile, which... is not the case right now, lolrip).

[ciaossu-imagines]

Yeah, I told you about the website but then I went to look on the website and saw that ‘Welcome Back, Frosch’ was listed as filler, even though that episode is based on an omake so I don’t think that website makes a distinction between pure filler and omake stuff. But the wiki does have it all there, even colour coded so you know what’s what. And the Daphne Arc is actually pretty short but still will not sit through it, which is a shame because it does have one of my favourite endings so could only listen to it before the arc started. And that’s great to hear that the KHR filler episodes did that. Really is a great series no matter what. That makes sense. Hope that one day you do to be able to watch a few episodes a day. Thank you for seeing the appeal in that idiot and understanding my feelings. Because Rogue’s a sweetheart from the very beginning and Sting was such a jerk. Yeah, it’s really good and the beginning of that arc that I referenced (there are two and it’s 15 chapters) Sting really shows just how much of an idiot he is and it’ll forever be so funny. But it also shows a bit more of his and Rogue’s dynamic, which is nice. Also, speaking of the spin off, there’s also one called Rhodonite, which takes place much later in the series, you’re not at that arc yet so I won’t say too much about what it is but it’s also a nice series, same with the last one called Lighting Gods. I hope you manage to find it at some point. Yeah, the plushie is adorable. I’ll send it when I get the chance.

C

Oh good! I’m glad I remembered right! I hadn’t known that about the site though, so thank you for letting me know. I know some people do consider omake’s to not be canon, so that be the reasoning behind it. Me, it varies depending on how good the omake’s actually end up being on if I feel I got cheated out of a good episode or if I just wasted my time. It’s cool that the Daphne arc is short, but even short fillers, if they’re really not great or have annoying filler characters, can feel like real slogs, so I’ll trust your opinion and skip it, though I might find the ending because now you have me curious. And yeah, for a series of a really good length, KHR only had the two short filler arcs and it ended up tying into the main story in some way, so I actually enjoy going and watching those, though they’re typically the only anime episodes I watch, since I largely just do rereads. And it’s no problem at all, he really is a great character! I do have to say, I really love the duo of him and Rogue together though – they balance each other out pretty perfectly, honestly. The friendship between them feels very authentic. I definitely will try to find and read that spin-off and I’ll have to track down the other ones, once I finish those arcs! And I have seen the picture, will respond to it properly when I get time to write a big, long book to you like I normally do, but it did not disappoint!! It’s adorable and makes me smile every time I look at it!

[referenceable-ramblings]

Let's break activities into four groups: - Maintenance activities: these are things like eating healthy going to bed on time making sure you're drinking water does showering and being hygienic and keeping the area around you clean you know just real basic functional human stuff. - Energizing activities: things like studying a skill, or like watching some piece of educational content that's like 30 minutes to an hour that's really engaging, reading a really good book, working on project, things like that - Restful things: for me, stuff that involves no communication with any other people. I love doing alone-ass things man, like putting in headphones listening to music and just walking around know. Getting a massage where the masseuse doesn't try and talk to me - Time filling: just BS time filling this is like playing a multiplayer game with friends. This is like firing up Slay the Spire. Surfing. Reddit. Derping on twitter. These are things that they're not growing my brain and giving me new stimulating things to talk about, they're not really letting me unplug and rest fully they're just sort of things that you do at the end of the day for a little bit of mild stimulation Let me just say everything I'm saying in these categories can be different for different people you might find going on a hike for three hours to be wildly energizing to you some of you might find that to be restful and relaxing it all depends on you I'm just describing examples for. Now the key thing is like not these BS time fillers are not bad. It's not bad to just kind of hang out and play games with your friend. It's not bad to dick around on Reddit or Twitter. The problem is if I was like "Okay I gotta rest, because I'm feeling burnt out", I was kind of letting the BS time fillers balloon up all of my time. I wake up and I said instead of going to the gym, I'm just gonna open the news and read that. And then two hours would pass and it'd be like "Oh I feel like shit". I hop on my discord and play DOTA and just kill time. Just killing time. Just killing time. So upon identifying this, I said "Okay, how do I set aside time to make sure I am choosing what to do?" Again, it's okay to rest or to do energizing things or to just do maintenance or to just do BS time killers, but let's make sure it's a choice not just my brain just just saying go to some dopamine and do more BS time killers. I said, "You know what? I really haven't done any of my programming stuff. What's a fun little thing that I could just work on for like two hours?" So I picked really simple just new little project to get me in the habit of opening up the thing and making thing again. You know what, how about spending some time alone? Yeah, I'm gonna set 30 minutes aside just go on a walk and listen to music. After work on Wednesday, that was a tough stream I was really roasted, and I was trying really hard, and I was playing like shit. So I felt a little bleghh, and I was like "You know what? I'm just gonna do BS time wasting", and it was very satisfying.

~ Sean Plott (Day[9]) in [Highlight] What are One's Needs as a Person? (2018)

[seyaryminamoto]

I think the episode Th Beach was supposed to portray Zuko in a sympathetic manner, but in my opinion it makes Zuko look worse. This is the ONLY episode in which Zuko spends a substantial amount of time interacting with the fire nation citizens, and he can barely control his jealously and temper around them. He even wreaked Chan’s house. Those are his future subjects. He should have learned to treat them better if he’s ever going to be fire lord.

Playing the devil’s advocate just slightly, as I’ve mentioned elsewhere, I’m pretty sure Zuko’s complete incompatibility with the Fire Nation during the first half of Book 3 intended to convey a message that says Zuko doesn’t know how to fit in with his old life anymore. Hence, he couldn’t have a particularly positive thing going for him in the Fire Nation besides Mai, because then he’d have enough roots to keep him locked down in his role as Ozai’s heir and he wouldn’t feel as easily compelled to turn his back on his royal life and do the right thing.

Nonetheless, it is a problem from a thematic standpoint, I agree 100% with that. I have more than enough problems with Zuko’s character arc, but that his connection with his nation is practically severed or non-existent feels really wrong to me, especially when the show makes a point to feature Team Avatar bonding with ordinary Fire Nation citizens, and even finding some, like Piandao, who aren’t supporters of Ozai’s rule.

In my personal opinion, Zuko could have undergone a storyline akin to that of Alejandro in Mask of Zorro, who was absolutely out of place amid nobles, but he had to play a role so he could find the information he needed and put an end to their self-serving plans. There’s a very heartwrenching scene in that movie when the group of nobles are basically touring a gold mine where enslaved locals are forced to serve their lords, and one of these slaves, an old friend of Alejandro’s, attemps to attack them only to get killed immediately by the asshole captain protecting the nobles. Alejandro then steps forward and cradles the dying man, who recognizes him and realizes what Alejandro is doing, disguised as a nobleman... and then the man dies in his arms, smiling because he believes Alejandro will set things right. But he still dies, and Alejandro is obviously both livid and depressed about it because he couldn’t save his friend.

Obviously... there’s no way Zuko would be put in a similar situation, at least not a situation that’s 100% the same as this, it’d be way too dark for Avatar even if Avatar did feature dark situations when it suited the plot. But if Zuko’s journey had been mapped thoroughly from day one... gee, how about Jet doesn’t die, but instead gets captured and handed over to the Fire Nation, and Zuko finds him in a cell at the Prison Tower when he’s on his way to meet Iroh? His old frenemy, in horrible shape... Zuko finds he doesn’t care about the past, because he knows this is wrong and Jet’s been through more than enough by Fire Nation hands, so he releases the guy and they escape! And then Jet potentially acknowledges that not all Fire Nation people are garbage thanks to Zuko... while Zuko realizes, through Jet’s words, that if there’s good in the Fire Nation he has to find a way to help it grow, and that there’s so much he can start doing to fix the mess of a country he’s supposed to rule someday.

With that as a starting point, Zuko could begin to travel through his nation, to learn more about his people, to visit cities and villages and find out if they’re living well or not (then maybe confront his father about their living conditions, showing a Zuko who’s no longer scared of standing up to Ozai, not even if it means risking the approval he chased after so desperately for years). Imagine him showing up at Jang Hui village, finding this horrid situation the villagers are living in! He’d not only cross paths with Team Avatar, which could be interesting at this stage, but he’d also potentially offer the people an alternate living location because he wants them to be free to live in better conditions than this... only for Team Avatar’s approach to teach him that maybe the answer isn’t running away or leaving when your house is on fire, but to put out the fire by any means you have available. Then, Zuko could start having many similar epiphanies throughout his journeys in his own country and understand that his work with the Fire Nation has to be FOR the Fire Nation itself, and not the glorified concept his father believes in: he’d have to work for the people who are unaware of how oppressed they are, the people who barely can get by in these times of war, those who have lost family, those who have lost friends, all be it for a war that makes no sense. Had Zuko’s character arc focused on THIS rather than exclusively on his own internal struggle... you probably wouldn’t see that many Zuko-critical posts on my blog. It would convey a strong message about what it really means to be a leader, and Zuko’s character would benefit greatly from that.

... But yep. Instead we got him losing his temper at small triggers, acting out and being very much socially inept. I understand what they were going for, I repeat it, and I don’t think it’s fundamentally WRONG... but I do think it’s too simple considering the scope of the story they were telling, and the character development they were trying to build for Zuko. There’s way too much to address with a character like Zuko... and that all his growth was meant to be internal (with even a few things that either were never addressed or were addressed poorly or that he supposedly grew out of but then regressed into all over again) may not have done him any favors.

... And well, I’ll say, I actually don’t think most of The Beach intended to portray Zuko as sympathetic? Maybe only the point where he gives Mai gifts that she rejects, and when he goes to the old family villa, but in general he feels like such an ass in that episode that I’m pretty sure they were making him an ass intentionally xD Yet I can’t agree more, it’s really wrong that the only time we see Zuko interacting normally with common Fire Nation people, as equals, he acts the way he does. I’tll never not confuse me that Team Avatar gets to see and learn more of the Fire Nation, and interact positively with their people, than Zuko did...

[therealvinelle]

Thoughts on how to compose a story

Originally written in a DM on discord to someone who asked for advice on how I write. It was apparently very useful, and it was suggested to me I post it.

Credit to @theoriginalcarnivorousmuffin, who taught me all of this.

Before we start: I can't stress enough that this is not the end-all be-all writing guide, it's just how I do it.

PLOTTING

From the very beginning: what is a story?

When does your story have a plot, and when is it just meandering along believing it has a plot but nothing actually happens?

When do you have an idea that could become a story, and when do you have an r/writingprompts post?

It sounds clichéd, but: since this is a tough question to answer and I’m struggling to put something that I just sort of sense into words, I think conflict is the answer. If your characters have a problem they must solve, you have something for them to be doing: there’s your plot. If there’s nothing, then they don’t have anything to do and any and all quests you throw at them will be meaningless filler.

A conflict can be anything: it can be inner demons, can be relationship problems, can be great evil, can be several at a time. The more the merrier.

So, alright, you have a conflict. What next?

OUTLINE

How you outline your story is where you make it or break it. You could have the most compelling cast and conflict in the world, if you fuck up how you’re telling the story you've wasted your shot.

The way to outline a fic, at least the way Muffin and I do it, is to first decide decide where the story starts, and then let the fic begin there. Sounds obvious, except you’ll be amazed at how many authors waste several chapters on establishing things that didn’t need establishing (if it doesn’t serve the plot it didn’t need establishing). First chapters especially fall victim for this, as people will have the first chapter be before the story actually starts, so to say. The characters are just derping around letting the reader know the status quo. Nothing actually happens, and the chapter could have been cut.

Next is how the story progresses.

You’ll have to work out where you want the story to go, and how it gets there. How are the characters going to interact with each other, what complications will arise? You’ll have to figure out your ending, which is really better served as working out a good way to resolve your conflict because once the conflict is resolved the story is over (which isn’t to say there can’t still be conflicts at the end of the story, so long as you resolved the main one).

You will also need chapter outlines: that is, just as with the story outline, you must find the best place for the chapter to begin and end. The chapter must have a reason to be in the story, which means you need a conflict of some kind here as well. It can be something so little as a conversation between two people, the important thing is that the plot has progressed in some way from the last chapter.

(Once again, be aware that this is how Muffin and I do it and it results in very episodic chapters of varying lengths. They range from 2k to 20k: works for us, but might not for others. Still, I.... struggle to think of chapters that don't progress the plot in any way, that I enjoy.)

This will overlap with the next section, but: you must also decide how you’re conveying the story to the reader. What will be on screen, what will be off screen, what will be alluded to, what do the characters know and so on.

The outline doesn’t need to be written down, the point of it is to have a battle strategy for your story.

NARRATORS

You have your story, you have your outline, you even have your chapter outline. How are you going to narrate the story?

Since you asked my advice, here is how I do it: I choose the character whose point of view would have the most to contribute to the story, and if there are more characters’ points of view needed then I have more narrators. And, of course, whose story I want it to be determines who the narrator is.

I think I’ll just go ahead and use a few examples from fics Muffin and I have written, because this is tough to explain.

Two Men and a Baby as an example: Bella, Raleigh, Renata, Edward, and the Denali were out right away, since they would have very limited insight into what was happening at any given time, giving them little to contribute. It wasn't their story anyway, the main characters were always Aro and Carlisle.

If we went with Carlisle’s point of view, we would have to show him trying to help Raleigh and deciding to call Aro’s help. If we went with Aro’s point of view, we could skip right to that part, and then through his gift show the things we would otherwise have to show on screen.

Painting Red Madonnas as an example: Bella and Marcus are both deeply weird people whose decisions seem arbitrary if not outright bizarre to outright parties. They both had to be narrators. They are also deeply clueless, so we needed Aro’s perspective to contribute why he is putting on this entire summer school project, and Carlisle compliments Aro's outside perspective while Edward is losing his mind and the reader needs to know what he's thinking so his actions will make sense.

Bleach on the Brain as an example: most of the story could be told by Renesmee, except for a few choice chapters which had to be told from other characters’ perspectives, be it because she was absent for pivotal moments or because an outside perspective (the last two chapters) made a change of pace and highlighted how out of hand everything had gotten.

So, that’s on choosing narrators.

Now to a take that is considered hot to some: all narrators are on some level unreliable. No matter how well-informed, no matter how impartial your narrator may be, for as long as they are a person involved with the story they’re still going to have a perspective on the events that unfold. To that end, there are a few questions you should ask yourself when writing any given character: what do they know? What is it reasonable for them to assume or believe about what’s happening around them? How are they going to respond to events?

It’s very easy to make characters stand-ins for the authors, especially characters we like or want to appear sympathetic or intelligent. However, if you do that then you’ve got a character who no longer feels like a person or at the very least is behaving bizarrely. It usually throws a cog in the wheel for the story’s conflict, too, if your protagonist is always right and knows as much as the reader does then there’s not a lot of room for misunderstandings or mistakes.

Let your characters get the wrong idea, fail to realize things, and be confidently wrong.

On writing

You’ve got all the ingredients, now the question is: how the hell do I turn this into words on paper?

I can only give you my method: I picture each scene as they’re happening, I give the characters their setting and a general outline of what I want them to be doing for the scene and then I picture in my mind where it goes from there. All I need to do from there is write down this scene in my mind.

If I’m struggling to find the words, then the rubber duck method works really well: I try to explain to an imaginary companion what it is that I want to describe in the fic, and the explanation I used is usually sufficient.

If the scene is moving sluggishly, if the characters are just standing around uncertainly and I can’t decide what they should do next or I’m forcing it, odds are it’s the scene that’s wrong, not me. Back to the drawing board, ask yourself what the purpose of the scene is, if you chose the right narrator, maybe it should start earlier, later, or be cut entirely.

Another note that I'll put here: remember your characters will sound different from one another. Give them vocabulary and sentence structures that sound like them. Doesn't have to be much work, just try to give people the right vibe.

Prose

These are my preferences, but:

Heavy on the imagery! Describe everything that's happening, don't simply assume your readers will know. Be as clear cut as possible, no one wants to be unsure of what's happening because the author couldn't specify. Treat your reader like a blind child that you must lead by the hand through your story, who needs everything explained to them.

Spice up your scenes by telling the reader about the characters' body language, about what thoughts the narrator may be having about what's happening, about things that may be relevant about their surroundings.

I can't stress enough the importance on being clear on what's going on at any given time: if your readers are confused about what just happened, or who did what, that's on you.

Always be clear on who's talking.

This is by no means to say, kill your readers with words, under no circumstances are you allowed to go off explaining insignificant details or just description for description's sake. Keep your reader in the loop without letting them grow bored, keep it informative but snappy.

Humor

This is a preference of mine, but... humor goes a long way in making stories better, my fics would be nothing without it. Especially if it's a darker fic, I find that if a story is just woe and despair then it gets tiresome more often than not. Angst is good, but can make your story one note. Humor can go a long way in making a fic better without losing the darkness in it, if anything it can make your story even darker. I find it tends to lend a bit of realism, too, people will find absurdity and humor even in darkest circumstances.

Humor in a story, never goes wrong.

I think that's all?

Hope this is useful to anybody.

[sofoulandfairaday]

The ultimate How I Met Your Mother Finale rant

I know this has been done before, and I know I'm several years late to the party, but I don't care, so IN THIS ESSAY I WILL tell you about why this finale takes the spot as the second-worst finale in TV show history (because Game of Thrones is still, to this day, unbeatable, and it will probably stay like that forever). 

But first, a little context: I've just finished binge-watching HIMYM. This binge has been going on for three days straight (my final exam of the semester is in a week and I should be studying, so the fact that the last few days were a partial waste of time makes me so mad). Second thing: I already knew how it would end, and yes, kids, it does ruin the show for you. It ruins the show so much it makes your blood boil when you rewatch certain scenes, but I will get to that. 

You might want to make yourself a drink because this is a complete list of all the reasons why HIMYM's finale sucks - I'm warning you, it's gonna be looong.

It completely invalidates the entirety of season 9

This is one of the complaints people most often have with this series, and I have to agree. It would have been so much better if the last two episodes never existed, and they just showed Barney and Robin dancing at the reception after walking out of the chapel, Ted noticing Tracy and then the platform scene. "And that, kids, is the story of how I met your mother". Cut scene. Honestly, I don't get the hate people give to season 9, barring the last 2/3 episodes, especially since season 8 was so much worse (except for a few honourable mentions, like The Robin). S8 was slower, less funny, and less deep, and while the authors took a risk by making s9 happen in the span of a weekend it paid off: they took their time introducing the character of the Mother to the gang and fleshing her out. They make sure to highlight all the little ways in which Ted and Tracy are perfect for each other, and even tie up loose ends, like with the Slapsgiving episode, that was a filler but it wasn't boring to watch (although it may be problematic for different reasons, I'm not Chinese, so I can't say for sure if it's cultural appropriation or just the authors making fun of a particular movie genre). 

Some episodes were arguably great: "Daisy" was amazing, and that whole fight between Marshall and Lily was so realistic and well thought out, "Sunrise" was extremely important for Ted's character development, same goes for Tracy and "How Your Mother Met Me", "Bedtime stories" was impressive, "Rally" was incredibly funny and proved once again what a beautiful character Barney Stinson is, so much so that even Robin never has doubts that he (the guy with the biggest commitment issues on the planet) will bail on her before the wedding, and says to Ted that "he always comes back". Daphne's character is super funny and the right amount of annoying, the shenanigans of the gang are well thought out and all of the characters (not just Barney) complete their arc in this season. The last two/three episodes butcher that.

Marshall and Lily

Marshall and Lily, arguably the world's most solid couple, are the only thing this God-awful finale gets right, especially Marshall, who is my second-favourite character, that finally gets everything he deserves. But what about Lily? They never mention her career after Italy, and I refuse to believe she goes back to being a kindergarten teacher as if her year in Rome meant nothing. I also refuse to think she becomes nothing but a political wife, the equivalent of Zoey, but without saving the world. We know she has three kids, but her postpartum depression is never really talked about much and they definitely had the screentime to delve into it. 

Barney

 Where do I even begin? Barney Stinson is, without a doubt, the best character in this series, the glue of the whole gang. I think the message they were trying to give is that, since his trauma stemmed from the absence of a father figure in his life, he could only truly heal by becoming a father as well. People also say that n°31 had to stay just a number, because who could match up with Barney Stinson? First of all, I call BULSHIT on that last point, because Robin wasn't the only girl Barney could have ended up marrying. I used to think that too, but it's just not true: that is the equivalent of saying that Barney was incapable to truly love a woman and commit to her, even after all the development he got, and that he only got one shot at love in life, and that's it. This goes against the point the showrunners try to make by having Ted and Robin end up together AND by having Tracy get with Ted in the first place: "it's never too late, you always have another chance at love, etc." And, let's face it, Barney and Robin are legendary, but Barney and Nora (hell, even Barney and Quinn!) were pretty good together too. 

Second of all, if they wanted to give Barney a kid, they could have easily done that, before Barney married Robin. Barney's "redemption" starts when he gets with Robin the first time, hell maybe even when we meet James for the first time: Nora, Quinn, finding out who his father is, the episode dedicated to the lies his mum told him/finding James' father, him getting to know his own dad, etc... those are all steps along the way. The s9 episode where Barney accepts the relationship between Loretta and the reverend proves how far he's come. So why not give him a daughter BEFORE he proposes to Robin? Have him cheat on Nora/Quinn with n°31, giving him a relapse, and having him get closer to Robin while struggling to be a dad to Ellie. That would have been great. 

Or, you know, don't give him children. What's the point of burning the Playbook if you're going to have him write the second edition? What's the point of having him do a complete 180 in the last few scenes and acting like having a kid is the only thing that makes him change? What's the point of doing that when the show spends entire episodes berating Marshall and Lily for "changing too much" when they have a kid?

Also, Barney is the "challenge accepted" guy. He loves his wife so much, he spent years wanting her, and then he gives up because there is no WiFi in his hotel. How does that make any sense at all? This is Barney Stinson, the "I will fly out to San Francisco and buy Lily a plane ticket", the "I will steal every girl from my best friend just to save him for Lily", the guy that wrote the Playbook (it takes effort to pull those plays off), the guy that planned for weeks his proposal, the guy that waited years to get back at the man who stole his first girlfriend, the guy that makes every night legendary... are you telling me that that guy becomes the equivalent of a bored housewife instead of living his best life while travelling the world? Come on. They don't even try to make it believable.

Ted

While watching seasons 7 and 8, I felt that Ted was becoming the worst character on the show: he was boring, depressed, basically had no good storylines, the whole thing with Victoria was pointless and inconclusive (and the whole "stop being in love with Robin" was completely out of character for her), but whatever, we could have accepted that because it passed the message that two people could be good together, without being soulmates - which, by the way, renders the TedxRobin ship pointless, because they were right for each other, but Ted and Tracy were soulmates. Him being hung up on Robin in the latter seasons is almost pathetic, and the thing he does with the locket is insane, not romantic - BUT I will say this: it can be seen in two ways, depending on who's watching. I personally like the two as friends, so I see the whole thing as a "Dahmer" situation, but I get the people who see it as a "Dobler" one and see what he did as a grand romantic gesture. 

The problem, though, is that the whole TedxRobin ship gets pretty old, pretty fast: it's an annoying on-and-off thing, that should have ended with the locket. Because, yes, Ted was in a dark moment, yes, he was probably depressed, yes, he thought Robin was his only shot at happiness, but he changes during season nine! He spends entire episodes letting go of Robin, including the one where she transforms into a balloon and flies away. Ted is the good guy, ultimately. He is the guy that is genuinely happy for his best friends. In one of the deleted scenes from the finale, he meets Robin years later and says that he's so happy with Tracy he never thought about Robin in that way anymore. All of that gets thrown in the trash. Why do that? To use a Harry Potter metaphor, Ted is Severus Snape, while Barney is James Potter: the former loved the girl of his dreams with all his heart, even to the point of creepiness, but they weren't meant to be together. 

Robin

This, along with the next point, is the worst of all: Robin is the worst character of the entire finale. Her relationship with Ted in season 2 is wonderful, and I say that as a full-on Barney/Robin shipper. There was never a problem in their relationship, apparently, but they then break up because they have an "expiration date" and ultimately want different things in life. Except that Ted is not her soulmate. The only times when Robin wants Ted are the times where (1) she can't have him because he's either trying to move on or (2) the times where it's convenient, for example when they become roommates again and they solve their disputes again. Around that time, we see perfectly that Ted had moved on and that the person getting hurt was Barney. It's one thing to see Ted and Robin in the finale as two people picking up where they had left off after they dated. But this is not the case. 

In season 7, we have the exchange that should have put an end to any and all TedxRobin drama, and that completely invalidates whatever the writers wrote after that about the two of them: Ted declares his love - "I think you know how you feel about me now. I don't think time's gonna change that. Just tell me: do you love me?" To which she answers "No". And Ted also says later to Marshall, that he's "happy because he can finally move on". 

What a load of crap. 

Getting over someone is hard, believe me, I would know. And, oftentimes, it doesn't happen until we find someone else to love (and from the moment he meets Tracy, there is no one else for Ted). But by giving Ted feelings for Robin after this moment, it takes away from the beauty of it- because it's one of the most heartbreaking feelings in the world when you declare your love to someone and they don't love you back. Ted and Robin were both honest at that moment, and it was the last genuinely good exchange between them. After that, during season 8 they try to show us Ted trying to get over her (and failing) and in season 9 Ted getting over her completely. This is also weirdly paced because at the beginning of s8 both are in happy relationships with other people and there's no jealousy (which is good, because at least they weren't toxic) and they seem just friends (when Robin leaves Nick to go see him in the middle of the night, she implies that she would do it for any of her friends), but after Ted breaks up with Veronica because of Robin everything is weirdly coated in this sort of tension between the two: first Ted loves her, but she doesn't, so when he helps her by taking her to Barney's proposal ("which means my best bro in the world has given me his blessing"). 

And, by the way, every time they try to paint Ted as the guy that comes through for Robin after this moment, they dumb down Barney's character. And still fail to make Ted a better guy than him (see: the carousel in Central Park). 

Yes, Robin and Ted have some chemistry, but it is nothing compared to what Robin and Barney have. Every time Robin is jealous of Barney, it doesn't seem like a stupid whim, just because some other child is playing with her toys (except, perhaps, during The Robin). Robin and Barney's relationship would need a whole other post, and the next time I rewatch the series I will write down all the things that make them perfect for each other, but, to me, the biggest difference between the two relationships is this: in season 6, when she's not dating either one of them, Ted accuses Robin of never making him feel needed while they were together, whereas Barney praises her for it. Those are elective affinities: that's what Barney and Robin have, and what Tracy and Ted have. 

Barney and Robin have more or less the same arc: they both get over their fear of commitment and they do that with each other. Time and time again, we are told that if they're ever going to settle down, it would only be with the other. The first time they break up is honestly so stupid, and even when they are broken up, they are the best of friends, which also makes Robin's behaviour in the finale look so stupid. The way the two of them fit together is unparalleled, both in a romantic and a platonic way. 

Think about it: Robin makes Barney a better man, while she makes Ted a worse one. 

Also, the whole point that there are different seasons in life for everything gets thrown out the window: apparently, Ted and Robin (that were a couple that ultimately worked in their young twenties) are the same people in their forties.

But that's not even the worst part. The worst part is that the two final episodes butcher Robin's arc as well: episode 23 starts with Lily saying "I want this girl to be in our lives" and we know Robin never made other friends outside of the gang, because she didn't need to, and now she walks away from everything because of fucking Ted?? This is saying "hey, Robin was only in the group for Ted, who brought her in, and now she leaves because he's not her puppy anymore". Robin was the one that was eternally indecisive between Ted and Barney and you're telling me that three years and many many life experiences later, she's still not sure? 

The point of her story is learning how to get over her fear of commitment, learning how to be there for her friends (there's an entire episode dedicated to that, and it's the one where Lily's pregnant and we meet Robin's ex-best friend in Canada), and how to balance her job and her life. Also, the way her character is treated is un-feminist and un-progressive: she becomes Ted's consolation prize. She is passive throughout s9. She cannot, ultimately, win the modern-day struggle most women have and balance out career and love life, so her true life, her "happy chapter" begins after she has already accomplished everything she wanted to and she's free for Ted. She doesn't even go back to him, she just the prize the main character wanted for all his life and only got in the end because his wife died (ONE SCENE, people, ONE SCENE!). Also, this makes Tracy the "broodmare" that gives him the kids he wanted, and his "happy family" experience before he goes to be with his one true love. 

The mother

This. This makes me so mad. One whole season spent on building up Tracy's character, just for it to go to waste. It would have been so easy to screw her up, but she is hands down the best thing about s9. She's the perfect woman for Ted and the episode shot through her perspective is the sweetest. By the end, I liked her more than Robin and Lily. She was the perfect addition to their group, she fit together with them in a perfect way, and they show us the biggest moment of her and Ted's life... for what? To have her die in a few sentences? And I don't care if they shot a funeral scene, I don't care if the finale was supposed to be 40 minutes long, because, in the end, it wasn't. The scene where Ted meets her is the second most beautiful one (after Barney's proposal to Robin) and the climax of the whole show, but they ruin her... and for what? The chemistry Ted has with her, he has with no one. The joy she brings him, the way she understands him, is unlike any other. I am sure that one of the reasons they killed her off was the shock value and I hate it. 

I cannot stress this enough: Tracy makes Ted a better person. When he's with Robin, Ted is "the nice guy" in the most selfish and narcissistic version of the trope. When he's with Tracy, love comes easy to Ted. Also, the scenes between the two of them are arguably the best Ted scenes of the show.

The kids' reactions (ugh)

It's not really what they say- it's the way they say it. The end of HIMYM was not supposed to be funny, even though the show is a sitcom. It was supposed to be bittersweet and beautiful, because it's the end of an era, and the writers must have known that. So, Ted finishes telling his story, reveals to the audience that their now-beloved Tracy is dead, and the reaction is: "No, ahah, you totally have the hots for Aunt Robin" (their words, not mine). Like, what the actual fuck? I cringed when Penny said that. It's tasteless and not fun at all. Even if it has been six years... It's still your fucking mum, show a little bit of sadness at the thought of her. 

The reason the show ended this way

What makes me especially mad is that I know for a fact that the reason they went with this ending is that it was the original one, always intended for the show, from season 2 onwards. And, if you watch it right after s2, it makes sense. But if you consider the eight years that passed and the massive character development, then no, it's not the best possible one. So many things hadn't been decided yet back in s2, especially about Barney, Ted, and Robin, and I hate that they didn't dare to scrap their work. This ending probably had sentimental meaning to the writers, but authors have to do what's best for their characters, not themselves. It's like with GoT, in a way: I think that the authors were all too aware of the impact of HIMYM and didn't believe that their finale would live up to the expectations... which compelled them to make the worst decision possible?? Every single character is OOC during the episode. Oh, and Marshall and Lily moving in the last episode is a ripoff from Friends (or maybe a tribute? Idk). Anyway, I believe that the authors were too attached to their sentimental version of "what should have been" and didn't give the characters the endings they truly deserved.

"Life works this way" // "Life only moves forward"

Some people say that the show is realistic because that's how life works. But I call super-BS on that. That might be true, and yes, people do get sick and die (Max, Marshall's dad...) and life does go on. But then, you don't frame it the way they did. It's just bad storytelling if you do it like that. And the problem is not the structure of season 9, because the characters develop in that season. The problem isn't even the mother's death. The problem is Ted ending up with Robin because that's not life moving forward for him, that's him, doing the same thing he did in 2005, 25 (twenty-fucking-five) years before! 

In conclusion, this finale is incoherent and inconclusive, and not satisfying at all. The only character that gets a good ending is Marshall: why is that? What makes his ending great? It's the fact that his character arc is respected and he finally gets what he's been working towards for more than ten years.

[lexpressobean]

I've been thinking about these 3 alot...

... and how much they seem to really respect Shino. I know it's a filler, but, like... Why does it seem like Shino has a knack for finding children who have wondered off away from school? Like, he's just taking a walk, making his way around the village or surrounding forest, and then there they are. Kids playing hooky or some shit. And Shino just takes it upon himself to approach them and steer them back to where they should be, while getting them attached to him somehow in the process??

But honestly. If this was just one of many times this had happened, I'd say Shino does this not out of his knack for teaching or having a way with kids. Rather, he developed a way with kids and easily applies that to his teaching because he has a strong desire to simply protect children. And it's not even from some paternal instinct as much as survival, because I think it stems from the developing trauma of losing Torune to Danzo. And I don't think it's all subconscious either.

Like I know the novel and anime frames his desicion to teach as a sort of a new goal in life as the war has ended for a couple years already and a noticable Peace has been achieved by the Blank Period and well... He's an Aburame.

Like, the Aburame are literal living, breathing, walking bioweapons. With no fight to utilize that, what else is there? Well, much like the Nara have the Nara forest and Pharmacology specifically, The Aburame most likely have a historical stake in the area of Konoha, perhaps it was simply in their Ancestral Home. Idk, but they're here to stay, they ain't budging. They're Clan Culture is very Martial and I'd argue Spartan in nature, but otherwise, they do other things too. I think they'd do well as major players in the conservation and research of native species of animals and plants, but definitely insects too. I bet they play a huge part in the general area's ecosystem, especially due to the fact that the Kamizuru clan attacked with a whole clan's worth of non-native Hymenoptera that could very well have become and still are an irritatingly and consistent problem as invasive species tend to be. And as a far as goods go, why not put some of them to use and handle an apiary? Honey is a great good to sell. All of this is great as a clan that no longer needs to fight. But, what about individual members in general, and so Shino?

Well Shino is the Heir of this clan. This Noble Clan. This "ready to throw hands at any moment" clan. It's future is in his hands, so to speak. So I doubt Shino would completely sever his connection to Shinobi life all together. And so, teaching at the Academy would be a great way to keep that connection. Teachers have to know their stuff, after all.

But what if in order to ensure teaching was his calling, Shino did his absolute best to make Jounin ASAP so he could take on a Genin Team. And. And by chance, it ended up being these three?? And they are absolutely STOKED!!! And they also pass Shino's genin test, which... would probably be a feat in it's own right. But they already know Shino, and Shino has bestowed upon them some wisdom they actually took to heart! Yeah, well, in reality they might be just a tad too old to be Shino's first official genin squad, but they were still his squad one point in a sense, right?

Kon Nohara, Tano Ikemoto, and Aoki Kobayashi

I even gave them names help Imagine these three are already chuunin at least and decide they want to pay Shino a visit and even volunteer to help Shino during class time on a collective day off because they admire him so much (T~T)

But even then if not these three kiddos, maybe these three li'l shits lol

Even in times of Peace, Shino's special set of skills seem too useful to waste, and being a Jounin teacher would definitely have been a way he could still go on missions, but also definitely commit to becoming a Sensei at the academy once he was 100% sure and got older. Kurenai became a Jounin/Genin Squad Leader in her late twenties, but in comparison I see Shino doing that more mid-20s. (He needs some time to travel and find his big bug friend and generally live a little?)

Kurenai was a Genjutsu Specialist who manned a Tracker/Sensing based team. This sounds like it was a highly beneficial combination, even if she ended up being somewhat sadistic lol. Asuma was bound to Team 10 by Tradition as InoShikaCho and Sarutobi have that Pact together. Kakashi's team was literally Cherry Picked for him specifically by the 3rd Hokage. And Gai, a Taijutsu Specialist, had a team that Specialized in Taijutsu and Physical Offense.

Of all four teams, Kurenai and Gai were very suited to their teams, Gai in a complimentary way and Kurenai in a Challenging way. In that same vein, I think Shino would imitate Gai. Shino as a Shinobi himself has a general set of skills, but the way he goes about them are very niche. But, he was always very stealthy, and could sneak up on nearly anyone. Gags aside, he could go unnoticed as long as he wanted too, and by the time he was noticed or was ready to attack, he has you quite literally surrounded. Honestly I can see why Search and Destroy would be an Aburame's forte, but when there's no need, a person with a personal skill of high quality stealth could probably man a team with an emphasis on Reconnaissance and/or Surveillance, even Bodyguarding. I feel like Shino would probably put an emphasis on Stealth and Tracking too, utilizing his insects as sort of assistants that keep tabs on his students (Stealth Test) as well as to encourage just enough fear during too much down time in his students to inspire quality training opportunities, so maybe Kurenai rubbed off on Shino more than they all realized haha

(Plus I'm sure his students would be be smart and thoughtful enough to eventually understand what Shino and his bugs are: a complete unit. They realize just how strong and dedicated Sensei really is to be the way he is, and they all learn more in depth about Kikaichu and it's like WOW SENSEI YOU REALLY ARE RISKING BEING EATEN ALIVE EVERY SINGLE DAY, AREN'T YOU? But he's still here, because THAT'S how strong he's become over the years and the confidence to manipulate the Kikaichu while having to think of current chakra level, the most efficient use at any given time, how many he actually needs, how long usage will last, ect. They are high maintenance, man!)

Shino would no doubt produce highly skilled Bodyguards and Masters of Stealth. Maybe the type that would end up being in high demand for the eventual Celebrities that start to pop up as times change, but still very much needed when it comes to Criminal Activity, like in Sora-Ku?

But as time passes and he decided to teach at the Academy, he'd feel very at ease to do so. He'd be happy to be put in charge of all these children, because he would be able to help teach them things they need to know to defend themselves and others in a world where adults like Danzo had and will continue to exist. Maybe while he's at it, he'd use his stance as a Noble Clan Heir and accomplished Shinobi to push for changes in government with Sai's help and with Naruto and Shikamaru's cooperation? Like, the truth does come out, everyone on the Council were actually horrible and had too much power. So HERE are some ideas and REASONS why these ideas should be implemented because Shino's not going to let his brother's life and death be in vain!? HELL no, we WILL make some changes around here. Shino sees his students and just wants a future where no kid ever has to live in fear of being completely taken advantage of by the very system that was supposed to keep them safe and they pledged allegiance to.

I cannot help but think of the quiet but absolute fear little Shino was harboring for the years to come after Torune was taken by that strange man and Father Shibi didn't even attempt to stop him. His own father didn't dare beat the shit out of this strange man who came looking for him, and the only solution for Shino to stay was for Torune to make himself look more desirable as an asset and be taken instead. I bet there was a lot of misplaced resentment there for a while, and talks that just didn't happen. Maybe a classmate doesn't show up to class one day and Shino is IMMEDIATELY stressed out and just... takes it upon himself to look for them after class. And he's relieved when he see they're simply at home with a fever. Shit like that just fucks with Shino, because theres people taking kids and no one is doing anything about it?? And then as Shino grew older he realized exactly what happened and how slimy the machine of Konoha really is and it was never completely Shibi's fault that Torune had to leave. He grows mentally at a faster rate than most of his classmates, and knows more than a kid really needs to know.

Shino doesn't want that for any other child. Shino is the kind of person who hears kids screaming outside of his house and he can't tell if they're playing or being murdered and it's stressful to the point he'll check through his window and he sees them for himself. He get stressed out seeing a kid in public unattended and WANTS to approach them to help if need be but also maybe he's overthinking it and the parents are there somewhere and he'd just end up looking suspicious. Like, that's what I kind of figure for Shino. He's so hyperaware of the power dynamic between kids and adults and seeing a kid so ready to fall victim to that makes Shino feel ill the more he thinks of what could happen. And he wonders if watching the kid in the market until they finally reunite with their parent so he could move on with the rest of his day causes him even a fraction of the the utterly disgusting flurry of nerves and fear that Shibi must have felt all those years ago. It goes along with his desire to spare every single little insect's life he can. It goes a long with the fact he only gets violent unless absolutely necessary. Like he wants to be strong but he doesn't want to go mad with power either, less he becomes the very thing that hurt him and his family in the first place.

Originally Shino wanted to become strong to be able to defend himself because at a very young age adults failed him and Torune. But then that changes to defend not only himself, but others as he grows on a team, and realizes trust is important. And then he figured if there must be adults out there that would hurt a child, it's only logical that he should become one that would only nurture and teach one to be strong as well.

Anyway, yeah. Had some feelings. Thanks for coming to my TED talk.

[purrincess-chat]

I've had this discussion before with friends, but I wanted to delve into it more. In a meta mood today I guess, but I've been thinking while watching s4 (well, I've thought it for a while but it's glaringly obvious in s4), but ML has a huge pacing problem.

I know that s1 was more or less a pilot season. It introduced the concept and dynamics of the show, and they weren't exactly sure if it would get its feet off the ground yet, but seasons 2-4 so far have just had a lot of pacing issues.

And I'm going to preface this by saying that everyone who can't understand the difference between critical discussion and salt, feel free to leave. I don't care if you think the show is perfect the way it is. Go do that somewhere else. People can and should be able to look at the media they consume critically. It doesn't mean it's bad or that they hate it. They just fundamentally understand that it is flawed, and enjoy discussing the plot and its flaws on a deeper level. Refusing to see flaws where they exist isn't the positive power move you think it is.

Anyway, back to the pacing issues.

S2 and s3 had barely any plot. The plot we did get was trickled in. Crumbs. Now we got to s4 and Thomas has declared that every episode will have Chat Blanc levels of bombshells dropped as if that's a good thing. Don't get me wrong, s4 has been better than prior seasons, but I still leave every episode feeling like they rushed to cram in too much.

We all know how I feel about the love rivals, and setting aside personal feelings, the rivals from a writing standpoint were not necessary. At least not functioning as love rivals. Introduce Luka and Kagami, sure, but from a storytelling standpoint the purpose they served in s2 and 3 was just to be a cheap distraction. And they didn't have to be.

The big draw of this show is the love square and its subversion of the love triangle. Now people argue that it's realistic to explore other options before getting together, and while that might be true of real life, that isn't in line with the genre/style of this show. It wasn't a needed lesson, so to speak. They drew us in with the promise to subvert a specific trope in an interesting way, then immediately dragged out that very trope. And not even for any big reason. They just needed an excuse to keep the endgame ship split. And as we can see with how swiftly they dropped the rivals when they were no longer "necessary" as distractions, the writers were always using them as an excuse not to put the square together earlier. They knew the square's chemistry was too good and fans were going to be foaming at the mouth by s3 if they didn't do something. Then the second they have another excuse for the square not to get together, boom. Dropped the rivals.

You felt cheated because it was a cheap tactic, and honestly, it was so avoidable if they had just paced things better.

Honestly, I feel like Alya should have found out in s3. Granted, in order to do that they would have had to changed a lot. So this is what I personally (you are welcome to your opinions elsewhere if you disagree or enjoy canon the way it is) feel would have helped fix this pacing problem:

S1 was a bit unavoidable, and it works for what is is: a market tester.

S2 should have focused more extensively on the lore and Marinette's guardian training. We should have been introduced to Mayura earlier. They should have spent more time expanding Master Fu's story and the order's backstory. They could have created tension with the girls/Alya/Marinette's relationships by having her constantly sneaking around to either fight bad guys or train as a guardian which begins to harbor Alya's suspicion. They very well could have moved Master Fu passing his role onto Marinette to the s2 finale if they were more efficient with their time, leading into s3.

S3 could have had Alya finding out. Marinette becomes too overwhelmed with her new duties as guardian and being Ladybug just as she is in s4. S3 could have been her exploring her new role with her bff by her side for support while they begin to build up the Agreste plot more.

S4 then would have been free to expand the Agreste plot without having to crowd in so many other plotlines. Everything would have room to breathe. Marinette would have been busy enough in prior seasons to justify not dating anyone.

What the rivals effectively did was waste time that could have been utilized to develop the plot further in other areas. I get some people like them, but from an objective storytelling perspective, they were filler. When you write a story, like an honest to God professional story, everything has to serve a greater purpose for the plot and move it forward, and if you are experiencing pacing issues or a plot line isn't working, you have to make the executive decision to cut it or change it. I get that time constraints are a thing in TV. Executive meddling happens. Deadlines are tight, which doesn't always leave room for this kind of long game thinking. I also get that this is (I believe) the first time Thomas has been a head writer. Mistakes are bound to happen. It's how you learn and get better. I get that.

This post is more just me speculating what would have made things work better. For me. So backspace over your butthurt comments. Your precious canon is still untouched. I promise. This is just my opinion, shared on my own blog (and not even tagged). Go make your own meta post.

But that being said, I enjoy s4, but it still doesn't quite sit right with me because they are putting too many eggs in their basket now in an attempt to be epic and up the stakes, but in reality, it just leaves the show feeling really unbalanced. To me.

If you like ML the way it is, great. Go enjoy it, scamp. I wouldn't be here if I didn't glean some enjoyment from it too. I just like to think about things sometimes. And that's perfectly okay.

[ilikekidsshows]

One thing that pisses me off not just about the miraculous fandom but modern fandoms is fans inability to consume long overarching stories.

Like so many people are complaining about how long the reveal is taking or why haven't certain characters outgrown this trait yet or why is this character arc botched or abandoned. Like guys we just got the confirmation this show will be 7 seasons long PLUS like 3 tv specials. We're only roughly halfway through the series.

Once the reveal happens half the tension in the show is gone! I'm not saying leave the reveal till season 7 and make us wait 9 years this isn't HIMYM but miraculous is not a fast paced story. It's a long haul story. I just wish more fans would be patient. Miraculous is in the extremely fortunate and rare position that it will have a conclusive end and not be suddenly cancelled. That was and still is a huge problem for shows and cartoons with dedicated fans but networks pull the plug for stupid ass reasons.

So miraculous fans please chill the fuck out on things not resolving right away. We still have 78+ episodes plus the tv specials. If we get the end to certain things now it'll be so boring.

I think the concept of Instant Gratification describes the issue with many modern fandoms today. I hate to sound like I'm anti-technology, but the constant stream of quick and short bursts of entertainment allowed by the information age has made people more impatient. It's not about waiting for the climax to get a deeper sense of satisfaction, it's about getting that instant gratification right this instant. It's why one-shot fanfics are all over the place, when multi-chapter stories used to be just as common and popular, if not even more so, and it’s also why people are less willing to read a fic that’s still a work in progress. It's why people refuse to watch Youtube video essays even as they leave comments on the topic based on the title and thumbnail alone because, while they couldn't be assed to watch a 20-minute video (let alone an hour long one), they sure can spend that time calling the Youtuber names and making arguments the video actually already refutes. It's why a lot of online arguments happen only because one party read nothing but the first and maybe the last paragraph of someone's post and skipped all the explanation for their point of view (if I've ignored an counter argument for one of my posts, it was either because I missed it or because said counter argument did this. I have attention deficit issues so I do genuinely forget responses sometimes, but I'm also not writing a second essay for someone who's proven to me they won't read it).

Of course, it's only by constantly consuming only fast-paced content that you can become this impatient. People have different ideas about stories based on what stories they have encountered in the past.

Another thing that influences the Miraculous fandom in particular is that, while I love to show off exactly how much Miraculous has done to build up the overarching plotlines, Miraculous isn't really a show that's about a single story. It's easy to understand why people think it is one though: there's one main villain, we keep discovering more about the mythology, one of the main plot threads is the romantic relationship between the leads and singular episodes and plot elements tend to get payoff later. What is the purpose of a show if not to progress the story? Because the heroes aren't getting closer to defeating Gabriel or getting together, people think that the story isn't accomplishing anything.

I'll do a comparison to illustrate why these things aren't as clear-cut signs of a continuous storyline as people think. In the Spider-Man comics, you can pick any issue up and the chances are that the villain will be a part of Spider-Man's already established Rogues Gallery, who's back for more after who knows how many defeats, and those past defeats might even get referenced in callbacks to previous issues. It's also very possible that Peter and Mary Jane's relationship is the central focus with them not being together yet, having relationship problems or even having broken up (in really old issues the girl might be Gwen Stacy and short-term options have also always been available for romantic entanglements). Does this mean Spider-Man is a continuous story where the only point is that all the villains get put away for good and Peter and MJ live happily ever after? No, it doesn't. Spider-Man is designed to go on indefinitely, so there's no clear ending point. So, what is the point of Spider-Man then, if there is no Ending?

It used to be the single issue, because comic books used to have every issue be a stand-alone story about the hero and their supportive cast. These days it's more every three-to-six issues, because superhero comics are written to have short story arcs that can then be collected into trade paperbacks. A superhero series is not a single story; it's a series that functions as a story engine, meaning the series can generate several shorter stories where the hero helps fix a problem or solve a mystery.

In the superhero genre a villain will never get killed off or removed from stories permanently as long as the writers think they can still come up with stories to tell about them. The hero's romantic life will never be completely smooth sailing unless the writer is using other things to ramp up the stakes. Everything always allows for there to be another adventure.

I think the huge success of Avatar: the Last Airbender made people think that a series that is a single story is always superior to a series with multiple shorter plots. When I was liveblogging Sailor Moon, a viewer offered to give me a list of all the non-filler episodes because they genuinely thought I'd feel like I was wasting time on the show otherwise. This attitude is simply not based on fact. It's not fair to compare Miraculous Ladybug to Avatar, because they're both setting up to do completely different things. Miraculous Ladybug is trying to become a brand, like Batman or Spider-Man. It is part of the "Zag Heroes" lineup, a series of French-created superhero franchises to compete in the America-centric superhero market. This challenge is good for the genre, because Marvel and DC have started resembling each other more and more as these companies stew in their old ideas and copy everything that worked for the other one. The superhero genre needs new blood.

Also, Avatar: the Last Airbender first became popular by doing episodic plots for almost the entirety of the first season because it's actually not a wise choice to expect the audience to be willing to commit to a story that'll only give payoff later when working with an untested IP. Very often shows with longer story arcs start with the episodic format to hook people first, and sometimes the more linear plot is introduced specifically because the audience for the show is now expected to be both dedicated enough and older and capable of keeping up. Because, here's the thing: you can't expect little kids to remember every episode or even every character you've introduced in your show. I'm not sure if people are ready to hear that but I'm throwing it out there anyway. Kids are not dumb, they can understand more complex storylines, but many kids are still training their memory, so they might not remember the details of complex storylines that go on for too long.

This is why the news that Miraculous Ladybug's fourth season was going to have a recommended viewing order originally had me concerned. Miraculous is being branded for kids. The plot requiring too much skill in memorizing story details will make it less accessible to kids and might put those two additional seasons at risk. However, it seems that the "constantly changing status quo" concept of Truth, Lies and Gang of Secrets was a fluke and the evolution of the show is more subtle, so they might not be cutting the amount of episodes for those final seasons because the show is getting too complicated for kids to follow all the important details.

Regardless, Miraculous Ladybug being an adventure cartoon TV show instead of a comic book or a more cheaper-to-produce TV drama does mean that Miraculous Ladybug isn’t expected to go on for decades like a superhero comic or a soap opera. Because of this, it can have evolution and changes and even a planned ending. The show is expected to end at some point, even by the people making money off of it, mostly because making a cartoon like this indefinitely costs a lot of money, and kids’ adventure shows tend to see a decrease in returns if they go on for too long.

[buddiebeginz]

After reading this thread that does a good job giving a quick run down on Buck and Eddie’s journey up until this point like where they’ve been separately and where they are now, I got to thinking about some things especially where Ana and Taylor are concerned.

I was so frustrated earlier in the season when I felt like the show kept shoving Ana and Taylor in our faces and I kept thinking that this was the shows way of saying Buddie was doa and they were moving on but I don’t think that’s the case at all anymore. While it might have seemed on the surface that Eddie and Buck were off doing their own separate things when you look at season 4 as a whole everything with the guys as been connected especially the stuff with Ana and Taylor. They weren’t brought back so Eddie and Buck could have separate love interests they were brought back around the same time as part of Buddie’s journey toward getting together.

---

Ana and Eddie’s relationship really starts in 4x06 Jinx which is telling enough as it is. It’s also in this ep that Eddie keeps trying to prove that he doesn’t believe in supernatural forces. Meanwhile it’s Buck who tells him “it’s like the universe is screaming at you and you refuse to listen”.

Both Ana and Taylor are in Breaking Point 4x08

It’s fitting that this episode is called Breaking Point because I think the show runners knew this episode would piss some fans off but I think that was the point in a way. I think a lot of the stuff with Ana and Taylor in this episode and thought out season 4 really was meant to be a red herring.

We’re reintroduced to Taylor and we see her and Buck become friends although it’s clear we’re meant to think this could go somewhere by that kiss at the end. Ana and Eddie go on a date and at the end he brings her to see Christopher, a pretty uncharacteristic move for him given the pandemic and Chris’ health. This is another way I believe the show was trying to trick us into believing that these relationships were going somewhere.

Plus in an episode that was chocked full of Buck and Eddie off with other people we still had Buddie always on the periphery like when Eddie came home to Buck, a pretty symbolic moment. Then you had Buck and Eddie at the stand off. Buck complaining to everyone who would listen about Albert and Veronica (even though he couldn’t care less about Veronica) and Eddie admitting he didn’t know how to tell Christopher he was dating Ana. The show focusing on both of their love lives but interestingly enough not showing them talking to each other about their problems when they’re supposed to be best friends.

There was a really important scene with Buck talking to Taylor where he admitted that he felt ready to meet someone and “start a meaningful relationship” and Taylor tells him “I’ve met the people you work with your life is nothing but meaningful relationships”. Interesting choice of words there. To which Buck says, “doesn’t seem the same”. Taylor then tells him “do you ever think you need to be patient and let the universe come to you” a line that mirrors what was said in Jinx. So both Buck and Eddie were being told in season 4 that they needed to listen to the universe, ostensibly the signs around them.

Now at the time the show sort of frames this as Buck and Taylor maybe flirting like maybe the signs are pointing towards Taylor, but I think it was just another misdirect because when you put everything from this season together it’s clear that there was a deeper meaning there and it was directed towards Buddie.

--

Ana was in 4x10 Parenthood

This episode was all about parents and it would seem on face value that Ana’s role is about her getting closer to the Diaz family but it’s not. Her role in the episode was to highlight how Buck is Christopher’s other dad. How the only other person Christopher is terrified of losing beside Eddie is Buck. How when Christopher was upset and scared he ran to Buck’s house.

Taylor was in 4x11 First Responders

Again I think the show was trying to mislead the audience into thinking that things could be going somewhere with her and Buck when really they were just developing their friendship. Notice how they didn’t spend any real alone time together getting to know one another like how a show would typically frame a couple in the making. Their only scenes in this ep involved them trying to solve what happened to Sue. Like work partners working on a project. Taylor comes over at the end of the ep with wine but there’s no real intention on her end that she’s interested in Buck and they only talk about the case.

---

Taylor was also in 4x12 Treasure Hunt

This is where things start to get interesting and I think really where the show starts to turn things from just faking out the audience to giving more clues about Buddie.

We get a scene where a bunch of the 118 are talking about the treasure hunt after seeing Taylor talk about it on the news. They talk about how it’s going to get more people hurt and Eddie says to Buck “your girlfriend’s news story is probably not going to help out with that”. Buck says “she’s my friend not my girlfriend”. To which Eddie nods his head like he believes him but he makes a face looking pouty and jealous.

Now why would the show put that line in there and show Eddie being jealous right before the three of them end up working together? 🤔

Buck calls Taylor and asks to team up to find the treasure and at the end of the call the camera pans out to show Eddie. Almost like they would if Buck was keeping things from his so.

Eddie asks Buck to team up but Buck had already teamed up with Taylor so he brings Eddie in the on deal. We then get the kitchen scene with the three of them where it’s obvious Eddie is jealous and as was pointed out in the twitter thread I included above the framing of that scene was definitely intentional. Eddie looking jealous seated in the middle of Buck and Taylor.

Even though the three of them were supposed to be a team we see Buck and Eddie together through most of the important parts of the episode. Like at the end when they find the treasure chest.

There’s a scene with Buck and Taylor at his apartment where he thinks things are going somewhere between them they’re not and it’s not the first time it’s happened. One has to wonder why he keeps trying to put himself out there for something that just isn’t going to happen.

While eating breakfast with the 118 Buck says "at this point I don’t trust anyone” and the camera specifically focuses in and lingers on Eddie looking hurt. When Buck notices he quickly clarifies what he meant.

The episode ends letting us know that Taylor only thinks of Buck as a friend and that’s how we move into the final two episodes of the season.

Also Just like with Parenthood Ana was in that ep to highlight Buck being Chris’ other dad Taylor was in Treasure Hunt to highlight that Eddie isn’t comfortable seeing Buck with someone else.

----

Ana was in 4x13 Suspicion

So I’ve wrote about this in another post but I think that Ana’s whole purpose in this episode was solely for Eddie and Carla to have the convo they did. The show made it clear that Eddie has not been emotionally invested in his relationship with Ana.

We saw Ana looking up the stuff about that mother who was poisoning her son but Ana wasn’t really involved in that whole storyline ultimately it was Buck. Buck was there when they first went to that call and he was the one who went to the women’s house with Eddie at the end despite being in civilian clothes. There was also no acknowledgement of Ana before Eddie was shot. Usually before a scene like that you’d have a couple saying something meaningful like I’m so glad you’re in my life or Eddie deciding to tell her he loves her but instead it was all about Eddie and Buck. It was also Buck who right before the shooting said “that kid is just lucky he met you” when Eddie was feeling guilty for not getting to the call sooner.

Then of course the shooting was framed to be all about Buck and Eddie. To the point that it was like almost nothing else existed in the world for a few seconds. Even when they pulled out of the slow motion all the camera really focused on was them.

----

Now looking ahead to the last episode for season 4 both Taylor and Ana will be in the episode. We can see that Taylor is in the finale just from the promo. It’s not surprising that Ana will be given she’s been dating Eddie and he was just shot.

But I can’t help but wonder why is the show bringing Taylor in to a season finale that is already clearly over flowing with stuff for the characters to do. I mean surely they don’t have screen time to waste? And I don’t mean that as a dig on Taylor. I mean I get the impression this episode is going to be planned to the second with no filler junk. We have the sniper, saving Eddie’s life, Athena and Bobby’s marriage dramas, Maddie’s depression, Buck doing something reckless to save everyone, Buck thinking Eddie is going to die and losing his shit, Buck talking to Christopher, whatever happens in that convo between Buddie.

So again why is Taylor in the finale? We see her with Buck in the promo and it looks like it might be in front of the hospital. It’s possible she’s there to help Buck find the sniper but I think the show could get around that some other way. If you look at how the show has handled Ana and Taylor thus far and how their presence in each ep throughout season 4 was to further Buddie’s story I think there’s only one reason she’s coming back and that’s because Buck is going to confess something to her about Eddie.

---

If we look at 4x13 again it was an episode that was more about Eddie than Buck and it was about discovery and honesty. People discovering things and being honest with others and themselves. I think 4x14 will be similar but with Buck. We can tell from the promos that Buck is going to have a lot of focus in the finale and I think part of that is going to involve him being honest with himself about some things. This will hearken back to the journey he’s been on for the whole season.

In the season 3 finale we saw Buck closing the chapter on Abby finally. We saw him grow and go through so much all season 4. He’s had to face a lot of truths this year. About his parents and about the kind of relationships he’s been in and what he really wants now but I also think he’s still been running. I think given all the hurt he’s experienced he’s been afraid to be truly vulnerable. He said earlier in season 4 he wanted a more meaningful relationship and it’s been in front of him all along yet he keeps running in the opposite direction.

In Breaking Point Taylor came back to 911 to tell Buck the he needed to listen to the universe and I think when she comes back in the finale whatever she says will be an echo of that convo.

My guess is Buck will come to some kind of realization after the shooting and he’ll talk to Taylor about it. I think that Taylor will be the one who pushes him to talk to Eddie and she’ll even likely say that she knew something was there between the two of them to begin with which is a big reason why she didn’t pursue anything with Buck. She knew he was in love with someone else.

----

Which leads us to what happens next

I’ve been thinking about this scene a lot and what might happen here. I’ve seen some people say they think Eddie will ask Buck to be Chris’ legal guardian in case something happens to him or that it might be a dream sequence. I think both of those things are possible but I can’t shake this feeling that when I look at Buck’s face here he looks like he’s being being told some surprising bad news.

I think it’s possible that Buck will go to the hospital with the intention of telling Eddie how he feels only when he gets there maybe Eddie tells him Ana is moving in. Maybe Eddie says she’s going to help take care of him and Christopher. Eddie says he wants to make sure that Christopher has someone in case something happens to him.

Which leaves us on a cliffhanger for the end of season 4 and in season 5 we could get Buck trying to navigate his feelings for Eddie while figuring out his sexuality.

I don’t think the actress who plays Ana will end up coming back for season 5 but that doesn’t have to affect how they leave things at the end of season 4. If we look back on previous seasons 911 is notorious for doing cliffhangers like this. Abby left at the end of season 1 and didn’t come back and it was essentially a cliffhanger to her and Buck’s relationship. The season 2 finale didn’t give total clarity about where things with Ali and Buck were going and by the time season 3 came the actress was gone.

So this whole idea of Ana moving in with Eddie could just be an idea and we won’t actually have to see it happen in season 5. Like Eddie says Ana is moving in but by the time season 5 rolls around we hear that she got a job offer in another state and she took it.

But something else could happen too. Maybe Eddie breaks up with Ana given the clarity he got from the convo with Carla and the shooting. Then he asks Buck to move in and help him and Christopher while he’s still healing. Buck decides that now isn’t the right time to tell Eddie how he feels that he needs to just be there for his friend so he holds back. That would still bring us into season 5 with a will they or won’t they which is ultimately where I think things are headed.

I’ve seen some people speculate that Eddie might tell Buck he’s going back to Texas which I think is less likely but still possible. So Eddie breaks up with Ana and decides he’s going to spend time with his family in Texas. Buck goes to tell Eddie how he feels and before he does Eddie tells him he’s leaving. Season 4 ends where we don’t know when or if Eddie and Christopher are coming back. Though ultimately they do in season 5 but how that all plays out would make for some good storylines and it could open up room for another Lonestar crossover ep too. It would be great to have an episode where Buck and TK talk about how Buck feels about Eddie.

---

I know a lot of people are going to be pissed if anything less than Buddie getting together and living HEA in the season 4 finale happens but I think we need to be patient. If we actually even get one of them acknowledging his feelings for the other it will be a huge step in the right direction towards them becoming a canon ship. But it does feel like the show is taking them more seriously now.

I know that the show could just be queerbaiting us that’s always a possibility at this point but I think it’s okay for us to be hopeful too. I feel like if the show didn’t want to move forward with Buddie they would have put more effort into developing Buck/Taylor and Eddie/Ana and a lot less into Buddie. This would have been the best season for the show to finally cut ties with Buddie if they really wanted to move on and were tired of hearing about it from us fans. Instead they’ve only developed Buck and Eddie more and there’s no getting around all the symbolism in that final scene in the recent episode. It was shot like two lovers.

I think we just need to have some faith that the writers care enough about the characters and audience to not string us along and that this is all leading somewhere. Which for the first time since Eddie arrived I actually think it is I really do think that Buddie will become canon.

If you read this whole thing blessings upon you and your cow and I’m sorry I talk so much. 😝💗

[duhragonball]

What do You think about Maron, the Krilin's ex-girlfriend? I know she is hated a lot because she looks like Bulma and because of her poor intellect (although it must be admitted that she cares about others), but I would like to know your opinion about it? Why do you think that, without any reason, they introduced a character like her and why make she looks so much like Bulma when they could easily avoid a thousand controversies by even changing the color of her hair?

I think you don't understand the issues surrounding this character.

First off, let me take this moment to clarify something, mostly so I can remember it myself. Krillin's ex has almost exactly the same name as his daughter, and here's how to remember which is which.

Maron (マロン Maron) is the ex-girlfriend.

Marron (マーロン Māron) is Krillin and 18's daughter

The names sound indistinguishable in the dub, but they're spelled differently in English. The ex has one 'r', and the daughter has two. And the names are also spelled differently in Japanese, with a long vowel mark added to extend the vowel in "ma".

The characters have nothing to do with one another, and the naming was likely just a coincidence, since they both tie into the same chesnut wordplay that Krillin's name uses.

Anyway, the ex-girlfriend was introduced first, and she gets one 'r', and the daughter came second, and she gets two 'r's. Convenient.

So there's two major problems people have with Maron. The first is that she's a filler character introduced in a long stretch of filler episodes. By the end of the Frieza Saga, Toei's production schedule was cranking out episodes faster than Akira Toriyama could keep up with the manga. This was always a logistical hurdle with Dragon Ball (and other anime), which was always resolved by padding episodes with filler scenes, or sometimes entire filler episodes. But things got especially desperate around that time, so Toei had to do an unprecedented run of filler episodes to keep the show on the air. And this was how we got the Garlic Junior Saga, the Driver's Ed episode, Mr. Shuu, the flashback to Frieza getting turned into a cyborg, and so on.

It also gave us Maron. The thing is, a lot of people don't care for the Garlic Junior Saga to begin with. It's ten episodes of marking time, Goku's not even in the story, it doesn't even try to fit into the continuity of the show, and many of the plot "twists" just feel like random stuff tacked on to drag out the conflict. Personally, I like the arc okay, but that's mostly because I dig the Black Water Mist and Makyo Star lore. But I do find myself checking my watch in the final leg of the saga. Let's face it, this thing doesn't need to be ten episodes long, and you could easily trim it down to seven if you edited Maron out of the show.

So that's Problem Number One: She's a filler character shoehorned into what was already a filler saga. Her job is literally to waste time, and while there's plenty of timewasting in Dragon Ball Z, Maron is an especially egregious example. For a lot of fans, Maron represents everything wrong with the show, all of the pointless bullshit added in for production schedules rather than entertainment value. Making her a redhead wouldn't have solved that.

Problem number Two is that she treated Krillin like dirt, and fans love Krillin. He's the fucking best. She seemed to like him well enough, but it was impossible for anyone to figure out what she really wanted out of their relationship. Characters would ask her directly, and she would just avoid the question or say "I don't know," like a friggin' toddler. Meanwhile, Krillin's trying to figure out how to propose to her, constantly worrying about whether he's worthy of her, but she doesn't even know anything about him. He takes her to meet his friends, and she flirts with the boys and insults the girls. I don't think she was being intentionally cruel about it, but the message of that arc was that she wasn't taking the relationship nearly as seriously as he was. She was too impulsive and flighty, and indecisive, and Krillin was focused and serious and ready to settle down. The only reason he put up with her for as long as he did was because he lacked the self-confidence to understand that he could do better.

This is why all of his friends were so supportive of him when he told them he broke up with her. They were skeptical of Maron the whole time, and they were glad Krillin had finally wised up to the situation. This was only borne out when she showed up at Kame House again, three years later, trying to rekindle their romance. Roshi told her where Krillin was and why, and she didn't pay attention to any of it. She almost ran off with some complete strangers for no real reason. Then she tried to make out with a turtle. Then she called like two dozen "boyfriends" to pick her up, presumably because she was bored waiting for Krillin to come back.

Roshi and Turtle agreed that they should never speak of it again, and really, why should they tell Krillin about this? Maron's entire visit was a complete waste of time, and she fell in and out of love with Krillin all over again, without even seeing him! Again, this is a character solely created to waste time and make you feel bad for Krillin, and that's not a road to popularity. A new hairstyle wouldn't solve anything.

You say "it must be admitted that she cares about others", but no, I won't admit that. Maron doesn't have the attention span to care about others. She only seems to be interested in "having fun", but in this really vague way that doesn't require any sort of commitment to anything or anyone. I always imagined that she was created as some sort of bitter parody of a real-life ex-girlfriend, like the writers were trying to express their frustration through her.

I find the idea of Maron interesting from time to time, but more as an overlooked curiosity than anything else. A dedicated writer might find a way to get a cool story out of her, but I don't see any takers, and I've got bigger fish to fry. For most fans, I think, she's just a speed bump in Krillin's character arc, which leads into the arms of #18.

Maron's main contribution to the show is "fanservice", which is a term I've never cared for. Maron wears a revealing swimsuit through much of her time on DBZ, but the house-style is poorly suited to that kind of aesthetic. Most of the time she ends up looking like someone tried to make a woman out of stockings stuffed with ground beef. I watch DBZ for gonzo cartoon violence and occasional slice of life stuff. No one was doing me a "service" with all of those lingering shots of Maron's cartoon boobs.

[neeterloveschenford]

Thoughts on RNM 3x11

Hello my RNM fam! So we finally had an episode that didn’t bring me massive amounts of joy. There were definitely things that I liked. And I think it would have been a fairly decent episode if it were in season 2. But all in all it just didn’t make me giddy like most episodes this season did. I think this one would have worked with a longer season. You need filler episodes when you have 22 episodes a season. But, alas, we got this last night. Like I said, there were things that I liked. So it wasn’t all bad. But I think it was a shining example of the things that they still need to fix. So let’s dive in and discuss the good and the bad.

First off, I still love Jones! He is such a good villain and Nathan has been so amazing this year. Max still drives me crazy, but I think that has more to do with the writing than the acting. I am really going to miss Jones when they take him down. But he’s the kind of villain that you just can’t let walk around. I love that he was seemingly trying to seduce Liz into his way of thinking. Knowing how much she loves Max, he was trying to use his charm and her obvious appreciation of Max’s body to his advantage. And I think he’s attracted to her spunk. I imagine she might just remind him of Nora. I’d really like to know how he actually felt about her. I get the feeling that he loved her as much as someone like him could love someone. I think he felt betrayed when she stole his DNA and killed all of his clones.

It was fascinating to hear him talk about how he killed so many of his people to save the planet. I wonder if they will get into maybe eugenics or something as his reasoning. Now that would be the way to tell a racist storyline. That’s the beauty of sci-fi. You can tell a story that is heavy and hard to do, but set it somewhere that is removed from our everyday life. I mean, we can just turn on the news to see horrible white supremescist terrorizing innocent people anytime anywhere. But through sci-fi we can see issues like this without the heavy-handedness that we’ve seen so far this season. This should have come up a lot sooner and then they could have explored a racism storyline that might have actually worked. I also like how Jones turned the savior trope on its head.

I really love that Dallas isn’t so thrown by being an alien that he walks away from his faith. I think it’s a lot more realistic than always assuming that religion would fall by the wayside if we were to find out we weren’t alone in the universe. I always think about an episode of Babylon 5 I saw years ago when I think about aliens and religion. In it, all of the alien races were having ceremonies that show the religious practices of their planet and the human leader spent the episode trying to decide how to showcase Earth’s spirituality. He ended up bringing everyone to a very long hallway where there was a huge line of people from all different religions lined up to be introduced to the aliens. It was a way to show how diverse the beliefs of human beings are. I thought it was brilliant. People would not just throw away their beliefs simply because we found out we weren’t alone. So it was nice to see how a man of faith could still rely on his faith in God to help him through this. (So now can we tell Arturo that Rosa was resurrected by an alien and not just by a “miracle.”)

Also, I really love Dallas. He can stay. And welcome to the land of bossy Isobel dude. She is ALWAYS this direct!

I know some people wanted Isobel to have the ability to control people, but I’m glad it’s Michael that has that power. I think he can bear the burden of it better than Isobel. Remember how we all thought it was great last episode that she had that moment where she said that’s what I get for invading people’s minds? I think she would not use it the way Michael will. He showed how careful he wants to be with this power when he asked the sheriff for permission to enter her mind and kick Jones out. He will be so careful to use his powers wisely and sparingly. I’m not saying Isobel would go all dictator on folks, but she can be very impulsive.

The Sanders/Michael scene was everything good and right in the world. I love how much Sanders loves Michael. And he is the best one-eyed Miagi that ever Miagied. I am so glad that Michael has him in his life. He is one of the only people (the other being Alex of course) that can get through to Michael. He knows that boy so well and always seems to know just what to say to get Michael to see the truth of who he is.

I am loving Rosa and Isobel’s friendship this season. It was pretty rough last season. But they are so supportive of each other. I love that we get to see women supporting women this season. I hope we have many more moments with them.

So now I’m going to get into the things I truly did not like. First of all, I still think Heath is a major bore. A pretty, pretty, pretty bore. I think he needs to go back to California. I don’t want him to die. That would hurt Dallas and I adore him. But Heath needs to go. Go back to Genoryx. I’m sure they’d take him back.

Wyatt. For the love of all things holy and righteous, can we be done with him now? Sad thing is, he and Rosa actually have chemistry. If this was the plan all along, then why make him so incredibly irredeemable in the first place? What a waste of time and story line.

I do not understand why they cannot plan out how to use the 10 episode characters. This would have been the perfect episode to have Alex and even Greg. An Air Force and a Navy veteran might have been a little useful in infiltrating the secret lair of a diabolical dictator. We now know that Alex saw combat in his three tours. And I can’t remember if Greg is a Navy SEAL in canon or fanon, but I’m pretty sure if it isn’t canon, he didn’t just swab the decks while he was in the Navy. He is a Manes after all. So why would we have an episode like this where they aren’t even utilized? I know Tanner’s schedule is tricky with Bold and the Beautiful, but they filmed so many other things out of order, why couldn’t they swing this one? Really poor planning.

And you’re going to tell me that Alex, Kyle, and Maria aren’t going to be in the mix to save Liz? I would totally understand Kyle and Maria being sidelined with Rosa when it comes to rescuing Liz, but this is just another example of how the writers seem to forget that these people are very important to each other. It’s absolute nonsense. I get that you wouldn’t see each other every day, but Rosa would be a little upset that her brother is in a coma. Alex would be a little ticked off that someone has, once again, kidnapped one of his best friends. It’s really annoying how they expect us to fill in the blanks.

Who likes Harry Potter so much and how can we make them stop with the references?

Why did we just drop the whole funeral vision story line? I mean, no one talks about it anymore. At all. What was the point?

I keep telling myself that some of the things that are wrong with the show are left over from Carina. I know that she at least had an outline for this season in play. We know she wrote the first episode. I know she made a big deal about all the changes that were made after she got booted, but how much could they change without causing problems. I am probably just projecting my hatred of her leadership on this season, but I am hopeful that this is the case and we can be even more streamlined next season. A girl can dream.

Lastly, where the hell was my morning after. I mean seriously people!

Ok, that’s all I’ve got this week. Here’s hoping we can have two hours of wonderfulness next week and end with an amazing experience. Also, can we finally get some Malex appreciation from the rest of the characters? I know I’m not asking for too much. Till next time my lovelies! Hope everyone has a great week!!

[btswishes]

Love me for who I am now

Bucky x Reader ( Chapter 2 )

Previous / Next

Summary: You apply for the Stark internship and end up getting it, so now you have 5 months to make a good impression to continue working with the Avengers.

A/N: Continuing my little experiment here with chapter2, a bit more filler for the story. Sorry for any mistakes made, hope you enjoy it even a tiny bit.

Word count:  2,903

Warmings: fights, harsh language, not part of the original MCU

Y/N- Your name 

Y/L/N- Your Last Name

                                  ----------------------------

   The suitcase made a slight thumping sound, when you laid it down on the floor next to your desk. Wasting no time books found their new home on the empty shelves, notebooks fell asleep in the dark drawers. Pens, pencils, markers and all your stationary soon followed suit and found their own little space to rest.

“F.R.I.D.A.Y.” the silence in the room finally got overthrown by the voice of its new owner, asking for some help in the matters unfolding 

Yes Miss Y/N

“Would you put a timer for 5min from now please?” still focused onto your stuff, finding them a visible but safe from damage storage. Nothing could destroy as well as time and dust did.

Timer set for 5 minutes from now.

“Thank you.” The only thing left to do now was to get the clothes in the closet and move the tech to the lab. Hopefully Dr. Banner wouldn’t mind waiting a bit more, not like he seemed to but who knows, Hulk lived inside him after all. You didn’t want to take a chance and play with his limits. The closet was hidden inside the wall, stealthy I must say. Toothpaste and toothbrush, essentials and cosmetics. All was done, now.

      Ding Ding Ding.  

Timer is going off  Miss. Shall I turn it off or restart it?

“Thank you F.R.I.D.A.Y. You can turn it off. “

  Your laptop and small bag were safely nestled under your arm, making your way outside the room.  For a moment you thought you got lost, but the orange tint of the sun’s rays soon pulled your attention in the right direction. Around the corner your nose caught the smell of caramel. Your head hesitantly protruded behind the pillar, as you called out to the man holding 2 cups in his hands firmly.

“Oh.” He jumped a bit, reaching out offering one of the mugs “ I hope you like it, we don’t have much selection when it comes to tea here. Coffee addicts you know.” he laughed out

“It is ok. Thank you very much.” Your leg levered and you swung onto the bar chair like it was nothing, taking a sip from the hot drink. You felt it warm you up slowly as it went down, melting away a bit of your anxiety. Once again your sight was captivated by the view. No one knows how much time passed since you got lost in the sunset, but it was nice. You could barely hear the bustling city from the 134th floor. It was only you, the sun and the room. Quiet almost like a safe serene space.

“Beautiful isn’t it.” Bruce shook you out of your little mind palace

“Mm? Ah, yes. Very much so. “ you puffed out some air with your smile, eyes forming little crescent moons “I feel like a cat, my attention keeps drifting to the glass unintentionally.”

“I understand you. I keep doing that myself and I have lived in the compound for quite some time now. “ the conversation was lighthearted, easily drifting over the main reason for your arrival “One would think I would be used to it by now.”

“Mr Stark made this place so calm. Big yet homey.” Your head scanned the area, words intriguing the doctor “ In a way it contrasts the inner state of most of the Avengers.” realized what just came out of your lips, your body stiffened. Oh man, way to ruin it - you thought to yourself “I am so sorry.” The mug clanked under the table, sending a vibration to his palm, as you bowed “I spoke out of place.”

“I think you might be on to something.” Your neck pulled your head up, a few strands of hair falling down next to your soft cheek. Bruce was still looking at the setting sun with a soft smile, his jaw exposing the beard to the light, coloring it a deep fiery yellow hue. There was something nostalgic in his dark eyes. “Most of us here have some sort of troubled past- lets sugar coat it a bit. This whole building, on the levels we use., is like a constant Zen state. It calms us down unintentionally. How do I say this...” He turned towards his coffee, laughing out almost silently.

“Maybe it offers you the peace you couldn’t have on the inside, masking the pain from past trauma. A way to indirectly cope with all that had happened, offering a haven to heal the past.” Bruce was listening to you, taking in your way of thinking and how right you were about something that had always been in front of his eyes ,but he had never noticed it before. Such a young girl, so much pain in her manner. He couldn’t bring himself to ask you about the weight inside your voice. It felt too close for him to do so. He had just met you after all, it is not like he could just straight up ask you about all your deepest and darkest secrets, that you might be hiding underneath your mature façade.

“Well, enough about our depressing past.” He pushed off the table “Lets get you situated in your new place.”Dr. Banner began walking in the direction of the lab, turning towards you from time to time. He was make sure you were close by and not lost somewhere in this maze of halls, corridors and who knows what else Tony could have hidden in these walls, for some unsuspecting person to stumble upon.

“I am sadly not familiar with your work like Tony is. He told me about you literally a few hours before you arrived, so you would have to excuse me for that.” You nodded with a smile, accepting the apology he didn’t even need to speak of 

“The lab is pretty big.” He unlocked the door and turned the lights on. It was exactly as he said and nothing like you had expected. The color pattern was the same tints, maybe a bit of blue mixed in as well, a dash of red. The tables and tech inside were state-of-the-art, high-quality and very well kept. Some weren’t even yet released or known to the public. Talking year 3054 up in here.

“This will be your desk, right next to me.”Bruce plopped onto his chair and waved at you “Hi, Hi.”

  He gestured for you to get yourself as comfortable as possible, which you almost couldn’t wait to do. Your fingers gently ran over the material getting familiar with it. Just with one look you already knew where everything was going to go, like it knew it’s own home. You had a tech bay, where you could check how systems worked, if they didn’t and building anything. It was amazing, just an arm’s length distance was possibility and creation itself. Excitement boiled inside you, eyes wide. Reaching inside the bag, you pulled out your work computer, your project tablet and made sure they were all connected to the internet and matched the Stark system interface. As soon as you saw the company logo you were all set up.

“F.R.I.D.A.Y.” the silence danced hand in hand with your voice

Yes Miss. Would you like a run down on the desk functions?

“Yes please.” In a matter of minutes you realized that this wasn’t just some random fancy desk ,but a whole machine of its own. Interactive hologram functions, building station and program 3D design. It had it all. Bruce was shocked how easy you worked with F.R.I.D.A.Y. , naturally taking a lead and informing yourself at 100% capacity about what you will be working with. For a second Tony flashed before his eyes.

“What made you apply here?” he cut your investigation “I don’t mean to be rude but I saw some of your pre-university work.”

“No problem. I was mostly out of the country for a very long time, maybe most of my life. When I came back the Avengers were something I loved watching on the news.” The praise went over Bruce’s head unnoticed “ There was something nostalgic when I looked at you guys. Mr. Stark’s tech, the way everyone fought with ease, I don’t know how to explain it. I craved that in my life, almost like a forgotten world I was striving to immerse myself back into. “ a gentle crook of the neck and a smile eased Bruce from the question

“Well you made it here, so congratulations.” loud joyous clapping followed his words” I think I am talking for all of us, we will love having you around. So-” His face became serious, glasses finding the bridge of his nose onto his face, eyes sharp “Would you like to start with your job here miss intern?” he winked playfully waiting to see your reaction. Like a mirror ,you pulled your hair away from your face, rolled up your sleeves and flashed back the same look of determination. “Introduce me to your train of thought and your projects.”

“I work mainly with the structure and characteristics of vibranium. At first, I was focused on making prosthetics that pack a punch the same way the Iron Man suits worked and Sergeant Barnes’s arm- of course on a smaller scale. But then my mind started drifting towards the process before amputation, which was for a certain percent of people the healing factor. Maybe inside strength as well. ”

“As in incorporating it into medical technology?” this sounded too simple of an idea coming for someone Tony chose, yet Bruce kept listening. He was judging the book by its cover way too soon.

“Not exactly. Vibranium has a metal crystal structure that possesses ‘memory’ the same way other metals remember being indented even after getting fixed or straightened eventually. My theory has a few parts before I reach the main plan. Going on an atomic level, even deeper to its base structure, I change the connections between the atoms. They have the same functions as in keeping the shape, but missing that molding memory.”

“You are saying you can mold the bonds, selecting freely what function to remove?” Bruce pushed back off his chair, letting the idea enter his ear and stay there, feeding the interest on his face.

“I am not saying I can.” he was listening more and more with each passing minute “I am saying I did it. I am in the final stages of my project.” Your hands pulled out a flat disk of vibranium  “F.R.I.D.A.Y. would you do a double scan before and after I bend this?”

Affirmatively Miss. Scan done. Shall I offer a hologram?

“Please do.” Right between your two bodies you could now see the basics of the metal “ See how the bonds are thicker? I noticed, metal bonds just have to keep  the shape of the crystal structure. Not only did I make vibranium stronger than it originally was, but now if I bend-it.” Your voice strained in pair with your muscles, as you folded and unfolded the sheet. The second scan showed no memory intake not even deformed the shapes “I call this metal healing.”

“That...that is amazing, not even a crease to be noticed! But where are you going with this?” Bruce rubbed his face, still shook from what you just showed him

“It might sound stupid, but this isn’t even my main idea. You see, if we look at matter as one and the same, things start to add up. Everything on a molecular level has no difference. Bonds, and atom-placement dictate what the object will be, look like and how it works- properties if you wish. I looked at vibranium and human flesh as different parts of one thing, which lead me to believe enhancing people could be done without super soldier serums.”

“That is… truly amazing, but won’t the testing period be a sadistic thing. We are not HYDRA thankfully.” As great as this was Bruce had a point here “Human experiments are not a politic the Avengers will ever lean upon. As fellow humans nonetheless.”

“I am not planning to make another Winter Soldier. I already have control over vibranium on levels outside and inside hyperspace.” You pulled out a bottle of metallic looking dust. The top unscrewed easy and you spilled the contents like heavy silvery snow all over the floor. “If I take quarks from the human body and use them to make 1 proton from the atomic nucleus, I can theoretically program it to answer to the human body using the unbroken rule of our system.”

  Bruce blinked a few times understanding exactly where you were reaching “All work in favor of the body.” He said out loud, glasses sliding off his skin

“Exactly. If they get programmed correctly the metal will work for the body, under the command of the main system- the nerves and brain. Post that success I would be able to inject them with a liquid medium directly into the bloodstream. As they make their way to all parts of the body, they will get acquainted with the cells. I want to change them so they will be susceptible to hormones as well. Basically I want to make a metal compound that reacts like organic matter. It would be able, upon will, to pile around bones, create fibers, strengthening muscles ecc. Some could even carry other substances with them, or isolate toxic ones. Now their size and ability for diapedesis is still questionable. So far I can move them at a certain extend.” You swung your hand and the dust lifted off the floor cleanly in one swoop 

“That is amazing!” Bruce pitched his voice after seeing the floating cloud “Are you using some kind of device ?”

“No, this dust was modeled after me, I am the only guinea pig so no one was harmed in the making. I have to say though, it was quite painful till I got it right.” You laughed out uneasy, scratching your arm  

“ I could only imagine, taking your own tissue for this. What else could it do?”

“Well. I know that Mr. Stark isn’t into weapons anymore, so I pitched him the enhancing technique only. The dust’s only function right now sadly is shaping.” Your fingers danced as the vibranium cloud formed Captain America’s shield, before turning into a sword. “As long as I have enough information of structure, function and the way the object works I can make it.” Your footsteps were confidant and strong.

“F.R.I.D.A.Y. the window if you please.”

Certainly Miss

   The clicking sound of the metal around the glass flung the object open. Your hand reached outside and pointed towards the sky. “My uncle had a deep interest in weapons so naturally I learned as well by listening to him.” The dust wrapped around your hand and formed a Heckler Koch pistols. With the pull of the trigger you shot into the air, making Bruce jump from the sound.

“I am sorry about that, I should have warned you.” You giggled stepping in

“That is a completely functional firearm. His breath normalized as his body took him right up to you, running his hands over the gun “ This is, something I can’t even imagine.” Eyes scanning every inch of it looking like a perfect mold “How does it look so solid? Smooth, no trace of it even being made from any smaller particle. ”

“Oh that, intra-atomic pressure. Kind of like gravity times 100 or more. If I pitched this to Mr.Stark I think the selling point would have been…”your fingers gently pulled the weapon out of Dr.Banner’s hand as the vibranium flew from the outside to the magazine “ It doesn’t run out of ammo since I call it back at anytime AND once in the body I can infest it.”

“It could travel through the blood stream and form clumps in certain organs!” he gasped

“I could have gone a bit more sadistic with this one, but I will stop talking now.” You laughed out sending your project back to its jar, securely tightened up. 

“How far is your limit? I mean is there a distance at which you can’t sense the partials, any mental fatigue or physical? You are amazing! This is something out of this world truly, no wonder Tony accepted your application. I wouldn’t be able to come up with anything closely resembling…wow.” He kept praising you each time his mouth opened

“Banner.” Light and confident footsteps accompanied the familiar playboy voice inside the lab

Welcome back Sir

“F.R.I.D.A.Y. medical bay on standby please.”

As you wish Sir

“I would appreciate it if you stepped back from my new intern and helped out a bit. We have injured coming in stat.” Tony waved his hand and Bruce pulled away from you, cleaning the couch on his side “You too miss intern. No slacking off just because it’s your first day. Treat it as orientation.”

“Yes Mr. Stark.” Panic rose up inside you again as you tried to follow what Dr. Banner was doing. Injured? Were the rest of the Avengers on a mission this whole time? It didn’t matter, you were mobilized as well and for a second it felt kind of cool, like you were also an agent fighting crime. The grunts and groans pulled you back to Earth as Captain America’s large frame stepped inside.  

[wing-ed-thing]

Cliché (shy!Reader x Might Guy, Part IV)

Parts 1-3 are up on my master list. I feel like there are some people who don’t know that... I can’t link them here because then it won’t show up on the taaaaags. Enjoy! 

Warning for mild language and sexual innuendo.

“C’mon Guy, what about that one over there?” Izumo was gesturing towards a woman near the other part of the bar. “You should go talk to her! Guy, when’s the last time you got, you know, some action?”

Guy chuckled at his friend. He had to admit, she was beautiful, he just wasn’t interested. Guy swirled the glass of his new drink around. He downed the little that was left and let the bottom hit the counter. “I told you, I’m just a wingman for tonight,” Guy replied with his usual gusto. “Maybe you should talk to her.”

“You say that every night.” Izumo groaned, repositioning himself in his stool to face his comrade. “When’s the last time you had some fun?”

“I’m having fun right now with everyone!” Guy perked up with a smile.

“Not what he meant.” Genma commented, sauntering up to the bar. He ordered another drink. He began to say something else, but Guy was distracted by movement in his peripheral.

Kurenai leant to whisper something to Asuma before sliding off her bar stool. Asuma gave her a look of understanding before she left the bar. She had taken her things with her. Guy’s eyes followed her, perplexed.

“Hey Kurenai! Where are you going?” he called to her. She was too far away to answer. Izumo waved a hand in front of the taijutsu user’s face.

“Guy, you do know you don’t have to spare her feelings, right?” Genma told him, apparently for the second time.

“Who? Kurenai?” Genma’s hand met his face as he slumped back.

“No, not Kurenai.” Izumo grumbled, rolling his eyes. Kakashi, who was having a separate conversation with Asuma, chimed in. He turned to fully face them.

“And we’re going to stop this conversation.” He chirped to the group of three before his features became stern. His eyes drooped to their ever-lidded state and the outline of a frown was visible on his mask. “This is not the time and it certainly isn’t your place.” Guy looked between everyone, puzzled. Was he missing something?

“Don’t worry about it, Guy.” Kakashi spoke, giving the two men on Guy’s left a look of warning. Even without the Sharingan in Kakashi's right eye visible, his look would intimidate most. However, being mostly intoxicated, Izumo and Genma were currently outside the realm of “most”. Izumo sat back against the bar. He hiccuped. Genma shrugged, his glass near slipping out of his hand before he managed to catch it. He brought it to his lips.

“I’m just saying that just because (Y/N)-Chan has a little crush on you doesn’t mean that you have to stay celibate.” If Guy had been drinking, he would have spit out his drink with widened eyes. A little what now? That was another piece of new information he’d have to wrap his head around. Before he could speak, his eternal rival cut in.

“Genma, shut up.” Kakashi sternly snapped.

“What? It’s not like she’s here.” Guy turned to face the booth where you were supposed to be sitting. He couldn’t help but feel disappointed upon noticing that you were indeed no longer there. Guilt flooded Guy. He had hardly noticed. Dismay washed through his features. Did someone say something to you?

“Drop it, you two. Someone really should have cut you off.” Asuma spoke gruffly, he turned to the whole group. “(Y/N) is our friend. I know for a fact that she’s saved all our asses more than once. So what we’re not going to do is get fucking wasted, bully the shit out of her until she leaves, and then talk about her behind her back. Knock it off.” He took a puff of his cigarette.

Guy sat silently. His ice-filled, liquid-lacking glass sat in his large grip. He reflected back on your period of time together. Something about having you around always did feel… nice. You were always the colleague who he had never had a chance to spend much time with, but now that you had, he couldn’t imagine not being with you. For once, he had a sneaking suspicion about what it was about you. Guy liked being close to you and he might have just figured what that meant.

Genma scoffed, stumbling over himself dizzily. He propped himself against Izumo’s stool. “‘Bully her’, yeah right. It’s a fucking joke. She can take a joke right?”

“Genma!” It went quiet on the side of the bar claimed by the ninja. The only one who did not look mildly surprised was Kakashi. Those at the table ceased speaking and looked to the bar.. After all, it was rare for Might Guy to raise his voice in anger at anyone. Genma shuttered slightly, unnerved by his ex-teammate’s uncharacteristic outburst. Guy’s eyes narrowed and his brow furrowed slightly in displeasure. “You were asked to stop, now stop.”

All talk concerning you ceased after that. The rest of the night went per usual up to closing. The whole crew came stumbling out of the closing bar. Ebisu supported Genma, holding him up by positioning himself under his ex-teammate’s arm. Asuma had two bodies slung over each shoulder. Somehow, Kakashi got shackled with the burden of one of the two. The rest of the group laughed together at his misfortune as the lights of the bar began to shut off behind them. Guy insisted on taking one that Asuma held. Asuma refused, however Kakashi was happy to hand the drunk Jounin off to Guy. As everyone began to go their separate ways and Guy found himself still walking with Kakashi. The Copy-Nin followed alongside wordlessly.

“Kotetsu and Izumo are going to be hungover for their mission tomorrow.” Guy remarked.

“Well, that’s not new.” Kakashi sighed.

The two continued on walking through the empty streets of the Leaf. Kakashi luckily knew their destination and guided his long time friend. Ever aloof, his attention was focused only forward. Guy kept leaning into what he assumed was his friend’s peripheral view. He opened his mouth before closing it again. He didn’t know what to say.

The apartment was close and soon the apartment was in their sight. Neither said a word and Guy was becoming increasingly uncomfortable with the silence. Thoughts raced around his head, but where to start?

“Just spit it out, why don’t you?” Kakashi looked to Guy, opening the door with a borrowed set of keys fished from the passed out Jounin’s pocket. Both men stepped inside.

“I feel like I should’ve done something sooner,” Guy started, Kakashi helping with their passed out friend. “Kurenai is with her, isn’t she?”

Kakashi only hummed as he reversed their friend’s vest before allowing the body to slump sideways on the couch. He stood up silently and Guy closed the door behind them as they felt the evening air again.

“Don’t beat yourself up about it, we didn’t know.”

“I should probably talk to her, shouldn’t I, Kakashi?” Guy sighed. Kakashi gave another wordless hum. “I just don’t know what to say.”

“You shouldn’t be saying anything.” Kakashi answered. The sharingan user looked at his friend. “I know you, Guy. You want to tackle the problem as soon as you can at its source. But you have to give this one time.” Guy waited for his eternal rival to elaborate. Kakashi exhaled deeply, raising both hands to intertwine with each other behind his neck. “I didn’t want to be the one to talk to you about it. It’s not my place, but I guess things have changed.”

“What has changed?” Guy inquired. Kakashi shifted, the gears in his brain turning as he chose his words.

“Remember what Genma was saying to you at the bar?” Kakashi prompted, a hand on his chin.

“Yeah?” Guy acknowledged slowly. He processed each word with care, determined to understand.

“What do you think he said to her when she was actually there? It wasn’t an ideal night for her. She’ll come to you when she’s ready.” It was as Guy suspected. While his first instinct was to be there for you, he now considered that his presence might make things worse.

“So what are you saying?” He questioned, still unsure of what he should be doing.

“I’m not surprised that you haven’t noticed, Guy, but (Y/N) admires you greatly. I guess the first question that you have to ask yourself is if you admire her too.”

“I-” Guy began before Kakashi cut him off. The pair stopped.

“I know,” Kakashi spoke with understanding. “Give her some space.”

That was the Copy Nin’s advice before he parted ways with his rival, leaving Guy and his thoughts alone on the Konoha streets.

Notes: I little bit of filler, something a little simple for y'all. For anyone wondering, they put the vest on backwards so that their passed out colleague wouldn’t roll on their back and choke on their own vomit. Take care of your drunk friends, kids!

I feel like I’m talking to myself all the time! Feel free to comment or reach out to me!

[bluesylveon2]

My My I Could Never Let You Go

Summary: Sasha Zoe just wants her dad to walk her down the aisle. There is only one problem: she doesn't know who her dad is! Sasha invites 3 men in hopes of finding out which one is her father. What could possibly go wrong?

Pairings: Levi x Hange, Sasha x Niccolo, and other background relationships

Disclaimer: This is a Levihan Mamma Mia au. This fanfic is inspired by Mamma Mia which is directed by Phyllida Loyd, written by Catherine Johnson, and uses music from the pop group ABBA. Attack on Titan is a manga/anime series written by Hajime Isayama and published by Kondasha

A/N: Is it too late to say that Sasha’s wedding takes place in the first week of August? (edit: I realized my mistake and I fixed it) Tbh this chapter is short and just filler BUT it does set up what will happen in the next few chapters. You could say it helps with the subplot. I did make a few edits to the fic, especially last chapter because I’m nit-picky like that. 

Need to catch up? Catch up here!

Ch 8: Good Old-Fashioned Lover Boy

2 months before the wedding

It was a beautiful, sunny day in Kalokairi, and Hanami could not agree more as she sips her coffee in front of the Swell Cafe Bar.

The smell from her coffee was wafting her nose, the warm sunlight on her sun-kissed skin, the beautiful view, and the slight breeze that moved her sundress a bit were perfect for her. 

She tapped her foot to the music playing in the background. The owners were playing an old 80's jazz song. Hanami wasn't familiar with it, but she liked listening to the beat. She also noticed the waiter shyly glancing at her every now and then as he worked. 

Aw, she thought. It seems like he's too shy to walk up to her. He kept subtly glancing at her since she sat down. 

Hanami looks in the man's direction and gives him a bright smile and a small wave, causing the guy to blush and look away with embarrassment for getting caught. 

Hanami chuckles to herself. She considered winking at him, but she didn't want the poor guy to blush much. 

She rests her head on her palm, and her gaze returns back to the sea. She reflects on what has happened in the past few months.

2 months ago, during Easter break, Jean approached her with a plan to win over Mikasa. At the time, Hanami was unsure if he would be able to pull it off. Everyone knows how much Mikasa likes (is that even the right word?) Eren. Yet, everyone knows about Jean’s huge crush on Mikasa. 

She only agreed after Jean offered to pay for everything during their "meet-ups" (she insisted that they take turns instead and Jean agreed), assist her with her Maid of Honor duties for the wedding when she had to go back to college (Hanami did her best to exclude him from anything related to Sasha’s dads), and do any other favors for a year. Hanami knew Jean was serious after the conditions. 

You see, Hanami used to not like Jean back in high school. He was cocky, arrogant, and annoying (at least to her and (not)surprisingly, Eren). Hanami made sure to express her dislike for him. However, Jean changed after an incident when Marco broke his right leg and Jean was too late to stop it. He became more mature and considerate of his friends. As a result, both he and Hanami decided they could be friends, and everything went from there. 

And so, Hanami agreed with one condition: Jean must teach her how to dance. 

The reason being is Hanami’s Austrian friends invited her to one of the many balls held during ball season in Austria. Everyone in Hanami’s friend group knows she cannot dance, especially in heels. 

Luckily for her, Jean was the only available guy with a decent enough dance experience to teach her. 

(All the guys agreed that Jean was the best dancer of all of them. Eren is a close second.)

The two would sometimes bicker, but they had each other's backs. They define their friendship as comfortable, per se; they were comfortable enough to actually kiss each other to get out of a sticky situation.

Hanami could remember an incident a few days ago when Sasha decided that the two, plus her and Niccolo, to take a trip to Skiathos to take a break from all the wedding plans. They had settled for a party at a local beach bar at night. Skiathos is known as a party island after all. Niccolo and Sasha had separated from the group to swim in the sea, so Jean offered to buy Hanami a drink since they were alone. 

About 10 minutes had passed since and Jean did not return, so Hanami went out to find him. She did not expect to find him at a table near the bar surrounded by girls without holding any drinks. Despite how cocky Jean looks, he cares about personal space and making sure his friends are ok. He would hate it if someone decided to harass Hanami while he was gone. 

The girls were getting a bit too close to him, so Hanami decided to step in. She strutted to his side while ignoring the other girls and proclaimed how much she missed him. She then grabs his hand and subtly squeezes it, to which he squeezes it back, giving her permission to do what she was about to do. 

Jean had turned to face Hanami, wrapped his arms around her waist, and pulled her close to his body. Hanami looks up at him and grabs the collar of his shirt with both hands. She pulls him down for a kiss while ignoring the other girls who were still present. She wrapped her arms around her neck, while Jean's hands played with the hem of her cover-up. It was nothing sweet and cute like what normal couples do. Their kiss was more heated and was enough for the other girls to leave them alone. 

They never brought it up again just for their own sakes. Jean and Hanami made an agreement to help each other by acting as if they were dating as practice for Mikasa. Hence why they kissed during the party. The two even agreed to squeeze each other’s hands as a sign if they were comfortable to proceed. Jean had no experience with dating, and Hanami had one boyfriend back in high school. She had more experience with dating than him. 

(Hanami only mentioned that Jean had improved on his kissing skills and left it at that).

Hanami continues looking at the view as she waits for Jean. Apparently, he requested that they meet up one more time, and this is very important. Hanami questioned why this meeting was important. Did they not cover everything in the plan? Is there a plot hole they might have missed? She does not turn her head when she hears the man of the hour heading in her direction.

“You’re late. If you came any later, then I would go on a date with the waiter instead,” she teases and turns around to fully face him. He wore a white long-sleeve button-up shirt that he rolled up the sleeves. He also had on slacks and a pair of dress shoes. She found it strange that he decided to dress nicely when it was only 10 am. Usually, he dresses in casual clothes. She eyes the camera in his hands.

Jean sits in the chair across from her and places the camera on the table. “This is not a date, Hanami.” He dismissed with no hint of a laugh anywhere. “I’ve-” he hesitates for a second. “-been thinking about something lately.” 

“Oh,” Hanami says and leans forward a bit. She noticed his hesitation and folded her hands on top of the table. She gestures to the camera on the table, “What’s with the camera?” 

"I’m just practicing for school. I need to take a picture of something I admire and paint it for the school's art exhibit."

Hanami chuckles. "Too bad Mikasa is not here. She is the perfect subject for your painting."

Jean shifts around in his seat uncomfortably. Hanami notices but does not ask about it out loud. Why did he look uncomfortable? She thought he would at least agree with her. 

"About that..the plan with Mikasa..." He trails off, sounding almost uncertain and confused. 

"What’s up?." Hanami asks and raises an eyebrow. She was taken aback. Did Jean notice a hole in their plan? She sits up and stares at him intensely. She's getting the answer one way or another.

“Did we miss something with the plan?”

Hanami knew that Mikasa would not arrive at Kalokairi until days before or maybe the day before the wedding. Jean’s plan was a long shot. Who knows if Mikasa would fall for him in such a short amount of time. Then again, they have been friends for a while now.

“No...It’s nothing,” He says dismissively. Hanami raises an eyebrow. Jean was never this jumpy during their past meet-ups. She is not one to pry, but something is clearly on Jean’s mind and he was the one who insisted on meeting up today. Looks like she might have to play a secret weapon.

“Ohhhkayyy,” she says, holding out the word. She slumps in her seat, feigning disappointment. 

“Don’t tell me you’re backing out of the plan? It would be a shame to put all that time to waste.” Suddenly, she smiles a wicked smile.

 “Don’t you agree, Jeanbo?”

Jean breaks out of his trance and looks at Hanami with shock. He was speechless. Jean could name only two people from his friend group who knew his childhood nickname. Marco, for obvious reasons, and Armin. Armin found out on accident and promised Jean not to tell anyone.  How did she know? 

Checkmate.

“How do you know that?” Jean asks with a hint of fear. 

Hanami places her elbows on the table and rests her hands on her head. “How did I know?” She smiles slyly and raises her eyebrows.

“I met your mother last summer when Sasha and I were visiting Annie in Paris. Sasha wanted to take a road trip around France, and we ended up in Strasbourg as a stop for some sightseeing. You should’ve seen how shocked we were to find your mom in town. She was even shocked when we mentioned that we knew you! It’s a good thing we recognized her from the various letters she sent and the old photos.”

Hanami looks at Jean, who is still speechless. She continues her story.

“You were on your trip in Spain with Marco at the time, so the girls and your mom wanted to keep it a secret. Don't want to ruin the surprise, you know?"

Hanami chuckles to herself.

"Although she did ask if one of us was your girlfriend though. I think she wants grandchildren soon, Jeanbo.”

Hanami laughs at her little joke. Jean was too busy blushing to even laugh at her joke. Doesn’t his mom know that he is too young for that?! He decided to take note to never bring any of his female friends back home. 

“Anyways, she even made us her famous omelets, which were the best I ever had! You have to make me someday, Jean. Don't even try to back out of it. Your mom said you could make it." She looks at him  

She even showed us your baby pictures! You look so adorable!" she gushes. 

Meanwhile, Jean has not said a word. He was too shocked to even talk. 

"It's too bad you changed…" Hanami trails off and glances into Jean's golden-brown eyes. Suddenly, she stands up from her seat and leans forward. One of her hands rested on the table for support, and the other was reaching out to Jean's face. 

Jean only watches as Hanami gently grabs his chin. He was too flustered to make any move to stop her. Her thumb was in the front, and the rest of her fingers were in the back. He doesn't make a move to stop her. He only blushes instead. 

"You just had to grow a beard and your hair out into a mullet. You know, most guys can’t work it, yet here you are. Congrats, I guess."

She tilts his head left and right as if she was examining him. She leans closer to his face that Jean can feel her breaths fan his face. 

"You also got taller and muscular too." She tsks with slight annoyance. "I wonder why no other girls on the island haven't jumped you yet, huh, lover-boy?." She laughs while referring to the fact that Jean harbors a crush on Mikasa for years now. 

Her hand trailed up from his chin to cup his cheek. Jean stays still and continues to watch by looking into Hanami's espresso brown eyes behind her glasses. He hoped she could not see him short-circuiting with how close she was. 

He feels her shift the hand on his cheek to pinch him. Hard.

"Ow! What the hell, Hanami?"

"You just had to lose all that baby fat and get a sharp jawline instead! I’m going to miss the pinchable cheeks I never actually got to see!"

Jean breaks out of his trance and raises his hands up to stop Hanami. 

Two can play this game. What was the best thing to do in this situation? Grab both her cheeks as retaliation.

"You hypocrite! You're the one with chubbier cheeks than me!" 

The two continue pulling at each other’s cheeks and throwing insults at one another. They completely ignored that they were in a public area and people nearby can see them. There was an elderly couple nearby who watched the scene unfold. They couldn’t help but laugh to themselves because it reminded them of when they were young. The waiter from earlier was starting to doubt his impression of Hanami. Who knew she was also childish?

Hanami and Jean’s bickering went on for a few minutes until Hanami gave in.

“Ok. Ok. You win, Jean!” she says after sitting back down in her seat. She rubs her now sore cheek. Yeesh, that guy has a grip.

She looks up at Jean’s face. It looks more relaxed and not as tense as before as a result of earlier. 

Hanami mentally high-fived herself because her plan of getting Jean out of his whatever he was going through was a success. Now it was time to get serious.

“Jean. I can tell something is on your mind.” She reaches forward to place one hand on top of his on the table. She does not make any motion to hold it.  

“It’s fine if you don’t want to tell me specifically. However, just know that I am here for you, and I am happy to listen. I promise not to say anything.” She finishes with a smile.

Jean gulps and takes his hand away to tug on the collar of his shirt. Hanami just watches him patiently. 

“It’s about the plan with Mikasa...I think we need to change tactics.”

Hanami crosses her arms and raises an eyebrow. “How so?”

“We...need to get Mikasa jealous.” 

Hanami chuckles a bit. She has never seen Mikasa jealous in all of her years knowing her. Unless you consider that one instance with Annie training him, but Hanami thinks Annie didn’t view Eren that way. Hanami could not help but wonder how they can get Mikasa to feel jealous of a random girl with Jean in a short amount of time. Again, it depends on when Mikasa and Historia arrive.

“How do you plan on achieving that, Jean?” Hanami asks and takes a sip of her coffee. Things are starting to get interesting now.

“How are things with the bachelorette party?” Jeans suddenly ask, changing the topic. Hanami places her cup down on the table and looks at him suspiciously.

“Well, it is definitely going to be at the hotel plaza. Sasha had requested it there. Oh! Hange and her band are going to perform too. Hange wants to relive her glory days, or so she says. Why do you ask?”

Jean presses his lips in a thin line as if he was contemplating what to say next. 

“I need your help with something for the bachelorette party.”

Hanami’s suspicious look never left her face. She takes some time to think about what Jean just said. 

Suddenly, it all clicked in her head. She points an accusatory finger at him and glares at Jean.

“Don’t tell me you plan on inviting male strippers to the bachelorette party?!” Hamani yells and startles Jean as well as some passersby. 

“No! Do you want me to get killed by practically this whole island?!” Jean exclaims, leaning forward in his seat to cover Hanami’s mouth. He keeps it there for a minute before leaning back to take a deep breath. Of course, Hanami would quickly jump to conclusions.

“No.” He says again calmly. “I need your help setting me up with-” He glances around him, looking slightly unsure. “-Rico when she arrives.”

Hanami looks at him dumbfounded. “Come again?”

Jean sighs and looks at Hanami with a serious face. “You heard me. I want you to set me up with Rico.”

“Rico? As in Rico Brzenska, the three-time divorcee? You do realize she is old enough to be your mom, right?”

“Of course I know that! It’s all part of getting Mikasa jealous!”.

Hanami nods her head, trying to understand whatever just came out of Jean’s mouth. To her, it sounded as if he must have gone mad or something. “Uh-huh. Do you plan on going after Pieck next?”

“No! She’s married!” He exclaims while blushing.

Hanami smirks and crosses her arms in front of her chest with triumph. “Exactly.” 

Jean rubs his temples and looks at Hanami with a serious face. “Look, Niccolo came up with an idea about crashing the bachelorette party. Of course, we will make sure to let you have your fun before the guys come in.”

Hanami nods along, showing Jean she is following the story. “So you want me to help you get close enough to “seduce” her (she uses air quotes on the word seduce) that you end up dancing with her at the party and hope that Mikasa notices? Let me guess, you plan on adding more attempts right before the wedding and maybe at the reception?”

“Exactly. You can even try to put in a good word for me when Mikasa comes.”

Hanami nods again in understanding. “Ok, but I won’t do it for every interaction, ok? Only if it is just us two. I don’t want the other girls to raise suspicions if I start complimenting you randomly. Also-” She clamps her hands together. “-I won’t gatekeep Mikasa from Eren. If they want to talk, then I will let them talk. I don’t want to raise any suspicions between the two if that makes sense.”

Jean nods in agreement. “Ok. That sounds like a deal. You will help put in a good word for me to Mikasa, I can try talking to Rico before the party, we will work together to get me close to Rico. You also can't tell Mikasa about my old nickname. It's embarrassing enough that more people know it.” He holds his hand out for Hanami to shake.

Hanami laughs at how serious Jean was. She thought it was kind of funny to see how dedicated he was to this plan. She shakes his hand to seal the agreement. “I promise not to tell Mikasa, Jean. I do have some doubts about the Rico part. I don't mind saying ‘I told you so’ if things go south.”

She places her hand back down on the table and looks at Jean. She smiles, and it even catches him off guard. “You put a lot of effort into this, Jean. You deserve to be happy with Mikasa.” 

“Y-y-yeah. You’re right.” Jean rubs the back of his head nervously, causing Hanami to laugh again. 

Hanami continues smiling as she stands up and grabs Jean’s hand. “C’mon! I paid last time, so it’s your turn to pay for the food and I’m very hungry! I’m craving some walnut pie with ice cream!”

Jean never questioned her request. That woman had a sweet tooth second to Annie’s. He sighs as Hanami lets go of his hand to call over a waiter and start ordering a whole list of food.

This woman is going to be the death of him.

©: This is where I insert all rights reserved stuff. This story belongs to me. Do not modify or republish

I know this is a filler chapter, but I am currently working on ch 9 right now. It is a good way to look at Hanami’s character though.

Updates may take a while because the semester is about to end

I chose Good Old-Fashioned Lover Boy because I can see it fitting Jean and the many Nicosasha Tiktoks I used to get with this song. 

The timing in this fic might be weird because I try to make it somewhat accurate with the research I find.

Speaking of research, this fic is basically a list of places I want to go to in the future. Too bad I can’t go now 😭