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queen-of-my-goofball-army · 4 years

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Favorite Voice Actors

For those of you that know me, you know that my number one special interest is cartoons and the people that voice my favorite characters. Studying my heroes and watching them in interviews became a favorite pass time of mine. A lot of my friends thought that it was really weird and they stopped talking to me because of it. For a long time before I got diagnosed as having aspergers I talked forever about it. I think that both bored and confused people. For me, I love voice acting because anybody can be anything. You can watch a show and years later be like I know that voice it’s insert name here if you’re like me. True, certain actors have something that is brought to every character (I can think of one prime example later on down the list) but it is always about the heart that they put into their characters.

10. Charlie Adler: I’ll admit that I am mostly a fan of him due to the amount of work that he has done and the quantity. This man was the voice of Cow, Chicken and Big Red guy in Cow and Chicken. True, this show was past my time (and if it wasn’t I feel like it would get the Fairly OddParents treatment where my parents would forbid me to watch it.) When I listened to his episode of Talkin’ Toons I found his story’s really interesting and compelling. I can only imagine how much work and effort went into all of his characters in that show. To develop one character is one thing but to be able to switch between them like a deck of cards is a completely different thing. I did however watch a lot of Brandy and Mr. Whiskers when I was younger!! Growing up with that show and hearing him play Mr. Whiskers brought me a lot of joy when I was sick at home and for that I will always be a huge fan of his voice and his work.

9. Jim Cummings. If I were to say that one voice actor had a ton of versatility it would probably be him. I was a major Tigger fan when I was growing up. Not just that but I loved Raymond when Princess and The Frog came out. He is actually my mom’s favorite voice actor. But I also loved CatDog when I would see that on reruns, I grew to love Darkwing Duck and countless other shows that he leant his voice to. Studying voice acting and the people that do it has led to me finding some things out that I would rather not. Especially when I found that he wasn’t actually the nicest person in real life. But, to me that doesn’t matter when it comes to this list. He is here because so many of his characters made my childhood just a little bit happier. When I was thinking about favorite voice actors I considered two things, personality and character content. This one is here just for character content.

8. Bob Bergen: I reblogged a post a long time ago with this man at the helm. What he can do every time I see him do it blows my mind. Bob has been the voice of Porky Pig since pretty much Tiny Toons back in the early 90′s. He has stated that there have been some others but when I think Porky this is the name that comes along with it. Watching him do his thing is something that continually blows my mind. Listening to his life story on Rob Paulsen’s podcast Talkin’ Toons is something that inspired me more than anything. It’s this story of persistence and resilience from a young age. He is one of the few voice actors that actually got to talk with Mel Blanc when he was fourteen. I love his genuine heart and the ability that he has to jump into his character full force. Porky was a big portion of my childhood and I grew up laughing at his “silly” stutter. It wasn’t until I got older and learned that the stutter is an actual art form that I learned something entirely different.

7. Richard Horvitz: Most of you that know me might be surprised at this rather seemingly low placement for somebody that I greatly admire. I mean he was Invader Zim and Billy from Billy and Mandy for crying out loud!! I just bought a print for the man but really when I thought about it, he hasn’t really inspired me as much as my top six have. I love his sense of humor and his love of musical theater but he hasn’t taught me anything life altering. I think that he is hands down the funniest voice actor in Hollywood. I could listen to him make jokes forever and just talk in his voice but at the same time he is so other worldly and knows so much about the craft that it inspired me that way. He is as most of his fans joke “the dad voice actor” complete with dad jokes. I love Invader Zim so much, the show has helped me through a lot of loneliness and emotional moments in my life reminding me to keep laughing at life’s craziness. I also love Moxxie from Helluva Boss. All in all Richard is a fabulous man and actor. He has helped me figure out the kind of person that I wanted to be and I owe him a lot of laughter hours.

6. Greg Cipes: Can I talk about probably my OG hero for voice acting? When I was six I spent a lot of time in front of the television watching the original Teen Titans. My favorite character was Beast Boy his character that he played. When I say that BB changed the way that I think about my life that is not an exaggeration. He was one of the first characters that made me laugh so hard my stomach hurt. Growing up I had to fight people for his validation. It seemed like nobody loved him as much as I did. Cut to me in middle school I’m a bit more grownup and I start channel flipping. I wind up on Nickelodeon and see the reboot of Ninja Turtles. I figure I’ll watch it and see what all the hype is about. I hear Mikey open his mouth and instantly I get this rush of my childhood coming back. It was one of the first times that I made the connection between voice actor and character. Greg taught me so much vicariously through his character. He taught me about fun and laughter, about the importance of feeling lonely doesn’t mean that you’re alone in the world and even if you’re the goofball that doesn’t mean that’s all you have to be. The fact that he is such a relaxed and genuine person only adds to the admiration of this vegan beach bum.

5. Corey Burton: This is a very personal hero of mine. It’s one that I hold very close to me because of one thing. As far as I know, there have been very few voice actors on the autism spectrum. Corey is the only one that I have ever found. He’s the man that actually surpassed every expectation and said screw live performing it makes me anxious I’m going to get my experience through something that I know I’m good at radio. So he does radio and becomes really good at that. Then he goes to cartoons. He does Dale in Chip And Dale Rescue Rangers with a certain feminine icon of mine. He gets Ludwig Von Drake and has been that voice actor since the original DuckTales. Then he hits the peak, he was Mole in Atlantis Lost Empire a big budget Disney movie. I am so often inspired by my top six favorite voice actors. They are the ones that took me by the figurative hand and told me hey you can do get through whatever it is that you are struggling with. It just takes a little bit of laughter through the bad times, and an optimistic attitude that things will slowly but surely get better. Corey was the one that actually got himself to the top of the mountain and got to say that he did it. I admire that about him so much because for a while I thought to myself “Hey, he did it so can I”.

4. J Michael Tatum: In terms of anime voice actors, even though I love a great many, only one has ever remained of legend status. It comes yet again with a rather personal story. I was 17, lost and a little bit confused. I knew that I was ace but I had no idea how to tell my parents. It was around this time when I was getting back into anime due to Yuri On Ice, Space Dandy and Princess Jellyfish. I decide what the hell I’m going to watch some panels of my favorite voice actors for anime haven’t done that since I was thirteen. I had always loved Tatum as Kyoya Ootori in Ouran High School Host Club and France in Hetalia but other than that I didn’t know very much about him. I looked up panels for him and came across one for Florida Anime Con filmed that year. In it, he talked about being gay a lot. It implanted a seed that would inspire me. If he could be out and proud then why was I stoping myself? It might sound silly or stupid to some but to me it changed everything. From that moment on I loved everything Tatum. It led me to discover my love for Rei in Free, Okabe in Stein’s Gate and many other countless roles of his.

3. Tom Kenny: This man right here, he is the OG voice actor special interest of mine. He is the first name that I remember hearing because he did so much for Nickelodeon showing children how he did his most iconic voice. Who is that iconic voice you may ask yourself? Well it’s Spongebob flipping patties Squarepants. If that alone doesn’t put him at this spot then I don’t know what does. Like so many children in the early 200s I spent a good chunk of my childhood with me and my parents on the couch and this show on the television screen. You want to talk about legacy? This man voiced his way into the hearts of millions of children across the united states. I remember the first time I saw his actual face. I was flipping through channels and I saw this man on Nickelodeon. He had a goofy smile on his face and I figured what the hell I’ll give this a watch even though it’s not a cartoon. Then he started talking he introduced himself as Tom Kenny. Then he starts doing Spongebob. My five year old mind was blown. I never forgot his name ever since. Every time I would watch Teen Titans and Mambo would be on that episode I would be like “Oh that’s Spongebob’s voice actor”. It was that moment that changed everything for me. I have never looked back from my main special interest ever since. He has helped me through so much. Whether he be my favorite exorbitant yellow sponge, or Dog on CatDog, or Lazlo on Camp Lazlo part of me will always be with Tom Kenny. Keep making children happy Tom you’ve been doing a great job so far.

2. Tress MacNeille: Hoo boy this is a big one for me. For those of you that haven’t ever been around here before and don’t know the name of my character on my icon her name is Dot Warner (the Warner sister) and this is her voice actress. I hope that she changes your life and inspires you as much as she has mine. When I was nine I had an incredible fourth grade teacher. She showed us Yakko’s Nations Of The World for geography class. She also encouraged us to watch the rest of the show because it was full of educational songs and humor. I went home that day with on thought in mind. I wanted to watch the rest of that series. I go home and I make one distinction, hey that Warner sister I can kind of talk like her a little bit if I try hard enough. It was a little bit harder back in those days and I talk a lot more like her now with the reboot out in the world. This is the first and only impression I can do. I can do Dot and that’s it. And to me that was what mattered I didn’t need to be able to do anybody else. There aren’t a whole lot of woman voice actress’s that can keep working. All we have is Tara Strong, Cree Summer and the one and only goddess Tress MacNeille. Tress has helped me out so much in my life. I have never been the most confident person alive but from a young age hearing her absolutely smack down the actors of her brother’s in the show (Rob Paulsen and Jess Harnell) something about that inspired me. It was around this point in my life that I learned I can speak my mind and just not give a hoot if anybody feels the same way that I do. I can make my opinions known to other people. I was sixteen when I made that discovery and Tress was there for me all the way cheering me on in her Dot voice. I owe a lot to her and I wish that she was more active on social media so that I could have the opportunity to thank her for everything that she has done vicariously for me.

1. Rob Paulsen: If you were surprised by this, we probably haven’t talked before. At least not extensively because my dog do I love this man!! He has inspired me more than any other and he is not just my favorite voice actor but I consider him my ultimate hero in life. Where do I even start with him? There have been so many moments where I’ve fallen in love with one of his characters. I suppose one should start at the beginning. As I mentioned with Tress, my introduction through Animaniacs was Yakko’s Nations Of The World. This moment it changed everything for me because this was the first time that I could actually remember seeing Rob do a role. Yakko was the first cartoon character to actually make an impact on me. It was the first time that I ever loved a character that deeply. It was also the first time I ever made my own character to pair up with a canon character not even knowing that I was doing it. Ever since then a part of me has known okay that’s what Rob talks like. Now thanks to Tom Kenny I can recognize him in other places. And recognize him I did. From there I found that he was Carl on Jimmy Neutron, Mark Chang my favorite character on Fairly OddParents and countless other roles that we could be here all day for. As I mentioned, I was in middle school when the 2012 Teenage Mutant Ninja Turtles were originally airing. When I watched that first episode, Donatello sounded really familiar to me. So I waited to the end credits only to find out that holy hell that was Rob!! The same person that played my favorite fast talking older brother. I found out about his fight with cancer a few years after it happened. This is when he went from favorite voice actor to hero legend status. He fought his way out of hell so that he could continue to sing “United States, Canada, Mexico, Panama, Heidi, Jamaica, Peru” until the end of his days. Reading his book changed my life forever as it gave me insight to not just the man who made me laugh, cry and cry laughing listening to his podcast but that same man had a whole ass heart and soul that he put into every character that he did. I find it really hard to explain what he means to me. He’s my hero, the one that made me laugh when I was a sad and lonely elementary schooler and the one that continues to bring me back to my childhood every time I see him in a show. I don’t feel the compulsion to give strangers hugs very often but if I ever met Rob I don’t think that I would be able to stop myself from giving a hug and just telling him thank you. Thank you for making my childhood and the childhoods of countless others much better than they would have been without you.

And that’s it folks!! Whew that’s a lot of me rambling but I feel a bit better now. Finals preparation week has officially started for me and I just wanted to give myself this big ol’ boost of serotonin before I went into it.

#Voice acting #Charlie Adler #Jim Cumings #Bob Bergen #Richard Horvitz #Greg Cipes #Corey Burton #Michael Tatum #Tom Kenny #tress macneille #Rob Paulsen

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phynali · 4 years

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more spn wank, sorry guys

okay just one second to be salty i swear i’ll stop getting in stupid fandom debates soon and go back to our regularly scheduled content but -

why the hell do people think that the network that gave us Legends of Tomorrow and Supergirl and more queer rep than most other networks out there is somehow to blame for d*stiel not being canon.

it’s not “network censorship” guys. the CW does not give a fuck. no one is being muzzled.

the show has never been about that ship and the actors and crew have said for years it’s not going to happen and y’all ignored that and wrote increasingly distorted meta to read between lines that don’t exist to justify reciprocation that was never in the script, never in the text.

YES - there is room to critique cas’s death. yes, there is room to talk about issues regarding media representation of queer narratives and Bury Your Gays, including critique for this show specifically -- not just with cas (who tbh had a super beautiful confession and sacrifice imo) but also with charlie, and even going all the way back to the ghostfacers season 3 episode.

but critiquing a show that has killed and does kill almost every single character for also killing its queer characters, and dissecting the manner of those deaths and the story they told with cas dying directly after confession, is not the same as saying the network is somehow silencing the actors or characters or story.

romance and romantic reciprocation was never the story they were telling. the script itself says dean can’t reciprocate, and JA has said many times that he’s acting dean as straight and that’s what was and is in the text.

queer readings of dean are super valid. i read him as bi. but that doesn’t mean he “is” bi inherently, or that some shadowy figures came in and forced the end to be a certain way. it doesn’t mean there is some conspiracy around mis-translation.

the cast and crew are proud of the end. they put so goddamn much work into it (so please stop calling it lazy because it’s not). the finale had dozens of full-circle parallels to the pilot, and was intensely carefully crafted.

i know some people are mad about the found family aspect not being central, but (at least from my reading of the show) it was never that central to begin with. “family don’t end in blood” was a single line from over a decade ago from a man who died 8 seasons ago. it’s not like sam and dean created a family with jodie and donna and the girls? it’s not like dean ever truly treated jack like family (he explicitly says this!). he saw cas as family eventually, but there was never any pretending it was on the same order as sam. we literally saw him say he’d trade any of their lives to kill chuck except he wouldn’t trade sam. it’s hard to say family is the narrative through-line when the show consistently shows us that the bond between the brothers is actually what is the core centre of this story. i’m genuinely sorry if you somehow missed that, or if you dislike that, because it’s been the essence from the start.

(also it’s not ooc for dean to not seek out cas, instead waiting for sam? in 15 seasons, he never once made a deal for cas to bring cas back or save him, not any of the times cas died. hell, dean straight up kicked him out when he was vulnerable in order to keep sam ‘safe’ in season 9. and he didn’t try to stop cas leaving at the start of season 15 either. i’m genuinely so ????????? about why people thought it was going to be a reciprocated love story. but that’s a side point.)

and i get being disappointed that the finale didn’t focus on the theme of found family. i get being disappointed and sad we never saw sam and dean check in with all the characters who were brought back to life by jack, or sam connect with any of them in his grief. thankfully, there’s room for that in fic, and many of those things are a foregone conclusion to the larger world they built. whereas the finale is about the brothers’ story and it coming full-circle, and the narrative choice to focus on that is valid.

and you can hate that choice, and you can and should write your thoughts out about how it made you feel, and critique the overall show for all the things it’s actually done wrong over the past 15 years in terms of representation because the list is long and varied.

but please for the love of god stop saying the network swooped in and muzzled queer rep in the show because it makes no goddamn sense.

#supernatural wank #supernatural #fandom wank #wank for ts #negativity #i'm sorry to all my followers who never signed up for me to spam spn for 2 weeks straight but #i'm just so tired of seeing the Worst Possible takes on my dash #from mutuals and people whose content i've really enjoyed #and from people who have never even seen the show!!!#because that's how much misinformation has spread #and i get some of it is in good fun but i'm also just #tired of seeing the incredibly toxicity of a certain section of the fandom rewarded #it's like don't feel the trolls but in this case don't feel the equivalent of spn flat earthers #there's no conspiracy #there's no version of the script they edited over to cover up a line from dean #there's no goddamn deepfake video holy shit what is wrong with you guys #anyway #i'm gonna go write some fic or something

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hirvitank · 4 years

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Waste + 1, 2, 3, 4, 5, 9, 11, 12, 13, 15

1: What inspired you to write the fic this way?

I knew Death of the Outsider was coming, and as the Outsider was my favourite character I really wanted to explore the theory of him becoming human—the game hadn’t been released yet so we had no idea how it’d actually end, just that Billie and Daud were working together to kill him. Since the Outsider functioned as a sort of moral compass, I was very curious to try and imagine how his canon characteristics and biases would translate into a human version of him; how would he experience the world? How would he come to terms with such a humbling existence? Where did he come from and who was he? How would he cope with his own mortality, human emotion, the consequences following his choices in the Void? And most importantly; how had his being the Outsider affected his humanity? There was so much I wanted to see explored, things I feel the previous games hinted at but never elaborated upon. I wanted to write a psychological sort of story where we’d really be able to feel and experience whatever passed in his mind, and I tried my best to use my knowledge as well as my own experiences—flaws I either observed within myself or others, ideas, thoughts and feelings influenced by bias, depression, trauma, etc. When in art school, most of my inspiration came from the transience of things; my fear of death. I really wanted to take the subject and explore it through the eyes of someone previously immortal.

2: What scene did you first put down?

I think it was the original ending I wrote down first. I was supposed to write towards a particular scene, but somewhere along the way I’d decided to discard the idea entirely and opt for a happier resolution. I originally intended for the Outsider to die in the end, both to explore the feelings of those around him, as well as his own emotions accepting such a fate. I wanted a way to embrace death, as well as an output for all my bitterness regarding the subject; my anger at the ‘unfairness’ of it all, as well as my own trauma. I wanted to express loss, and in a way try and reveal the beauty of it. In the end, I had already found a way to deal with grief, and I also felt these characters deserved more; the fairness of fiction

3: What’s your favorite line of narration?

That’s a REALLY difficult pick haha (does this mean literally a single line, or like a paragraph?). I’ll just share one of my favourite parts, because I can, and because it’s even more difficult to pick a single line from such a long story and I’m honestly horrible at making choices:

I heard the whispers of rats all around me, tiny feet scampering through the pipes; Billie’s gift tucked inside my shirt. My bare feet light, making little noise—as if I wasn’t really there. Perhaps I wasn’t. Perhaps I hadn’t been anywhere for centuries.

Up the stairs, cold stones. The walls decorated, grand and lavish. Empty corridors and lingering traces of hushed whispers—the guards had left their posts. She’d be there. How would that have made me feel? How should that make me feel? Almost, getting closer. My heart pounded in my ears, lungs greedily begging for more air, more—more. I felt like running. Strong currents of energy coursed through my veins, vibrated through bones and tendons. If I lost control, would I explode in a million pieces? Would the energy burst out and take my body apart, like the Void tearing into reality?

Who was I?

4: What’s your favorite line of dialogue?

Honestly impossible to pick, I’ll just take this monologue:

“Anton Sokolov: sire to 14 children, but a father to none. A brilliant mind at a terrible cost, enlightenment in exchange for the dark depravity of the soul. Fingers that turn the times into a revolution of progress, the same fingers that touch upon women as they do the cold inventions they craft. Objects close to his heart—objects from his mind.

“The stench of alcohol in his bed, his clothes, his skin. Liquors and paints; on the canvas, dripping from his fingers, in the eyes of the beggar he found in the flooded slums of a place forsaken. The stench of rot still fresh on his teeth as he smiles at young Emily Kaldwin and tells her: ‘Don’t worry dear, here in the tower you are safe.’ Don’t worry dear, for I know the truest evil lies not within the high walls of Dunwall but within my hands and mind, within the flooded basement where a woman screamed and bled until she hung her head and closed eyes from which the dark paint still leaked—forever.

“The human body—like clockwork—taken apart in exchange for coin, for valuables. But those things Anton Sokolov values most lay outside of his intellectual grasp; for all the reasoning in the world he is but a cold, lonely man in search of a higher purpose that is but a lie of his own twisted imagination. A delusion of grandeur.

“How does it feel? One’s biggest regrets are but feelings of little consequence. The true disease is the sickness that allows one to enact true consequence on an innocent in the name of a self-prescribed fate. But I suppose that’s the curse of boredom. That, is the curse of your brilliance.”

5: What part was hardest to write?

The first chapter! There’s nothing more difficult than a set-up imo; establishing characters, pacing, setting and feel. I had a vague idea of where I wanted to go, but there was still so much I didn’t know that I had a hard time choosing how and where to start. I think it’s one of the most heavily edited chapters, just because I didn’t have a clear grasp on the characters or plot yet. (Also smut, oh lord help me)

9: Were there any alternate versions of this fic?

There’s the original ending, and I did at one point start on a companion fic to explore Emily’s pov, but decided I better focus on finishing the original instead.

11: What do you like best about this fic?

The fact that it’s finished (hurrahhhh!!), and the themes and subjects.

12: What do you like least about this fic?

My own sense of humour, I always cringe reading my own jokes so I can only hope it hits with others—I genuinely have no idea, and it’s hard at times to figure out where to draw the line.

13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?

WELL IM GLAD U ASKED!! I’ll try and keep this short, but these are some of the songs that carried this fic, not even exaggerating.

1. Lover Don’t Leave, Citizen Shade

2. Happy Life, Roland Faunte

3. Painting Roses, Dresses

4. ID, Charlie Allen

5. High Tops, Del Water Gap

6. Love Song for Lady Earth, Del Water Gap

7. Battle Cry, The Family Crest

15: What did you learn from writing this fic?

EVERYTHING. I had literally no idea about writing, apparently. I’ve had no classes in literature, nor have I ever been taught the common rules when it comes to writing. I got to learn most of it thanks to my friends who helped edit (shoutout to @onewhoturns again), and through trial and error. I absolutely loved the experience of it, and I’m so grateful for all I’ve learned, and all I will continue to learn in the future. It’s given me the basis for my own original writing which I’m trying to pursue, and which I hope will someday become reality.

Thank you so much for these! I’ve thoroughly enjoyed answering every single one. ♥

#anon #ask #emsider #waste #my writing #it’s almost 4 am but i wanted to finish answering these #im gon sleep now byeee thank u so muchhhh

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shellku · 3 years

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Film Challenge

Okay guys. Finally did it. As requested.

Have you ever left a theater before the movie was over?

Yes. Only once.

If you ever left a theater what was playing: Savages

Craziest (Random) movie you’ve ever seen:

The Hitchhikers Guide to the Galaxy.

“And thanks for all the fish” -Dolphins

Most disturbing film you’ve ever watched:

Crimson Peak

A film you only watched because (Tom Hiddleston ) was in it: Crimson Peak

A minor role (or movie) with a major actor you greatly enjoyed: Sebastian Stan as Jefferson/The Mad Hatter in Once Upon A Time.

A minor role (or movie) with a major actress you greatly enjoyed: Emma Watson as Pauline Fossil in Ballet Shoes

A movie everyone should see at least once: The Princess Bride

A movie you thought everyone has seen but apparently not: Who framed Roger Rabbit?

A movie you’ve tried multiple times to watch but never get through it: Silence if the Lambs

A movie that legitimately surprised you:

Star Wars: The Empire Strikes Back. While it came out in 1980 I didn’t see it until much later obviously. I wasn’t even ten when I watched it the first time, I and was genuinely shocked.

Movie that you enjoy, that surprises people you enjoy: Scream (1996)

A movie you associated with Religion and it turns out that tracks: The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe

A movie you watched a lot as a kid but your not sure why exactly you watched it so much:

Hook. (And) The Sandlot.

My first movie that made me question my sexualité: The Priâtes of the Caribbean.

Sections

Anime

First Anime: Fruits Basket. Vampire Knight.

Anime I watched with my (brother): Full Metal Alchemist

Anime I tried to get into and couldn’t: D Gray Man

Anime I was surprised I enjoyed: The Neverland Promise. (And) Soul Eater

Anime I always liked (even when it confused people): Black Butler

Anime that makes me cry: Your lie in April

Anime that I love but now makes me sad too: Sword Art Online

Anime I’m just not into: One Piece

One that was recommended that I enjoyed:

Blue Exorcist

One that was recommended that I was ehh on and did not finish: Attack on Titian

One I probably should watch: Pandora Hearts

One I watched Randomly : Castlevania

One that I did not watch until (college) that everyone seems to have watched: Sailor Moon

Cartoons

Cartoons Everyone should see:

- The Peanuts.

- Garfield.

- Scooby Doo.

- Tom and Jerry.

- Pink Panther.

Cartoon I never liked: Spongebob

Cartoon I hate now: Kiayu? Idk. The one with the bald kid that whines a lot. Ugh.

Cartoon I can make myself ‘watch’ with the (niece/nephews): Paw Patrol

Films you would Recommend:

80s: The Breakfast Club

Book Adaption 80s: The Outsiders

Murder Mystery:Murder on the Oriental Express

Jim Henson pick: Labyrinth

(Suicide) Satire:Heathers

Romance: Titanic

‘Horror’ Movie: The Lost boys

Horror Movie: The Nightmare on Elm Street

Spy Flick: Saint (1997)

Mind trips: The Sixth Sense.(1999) Donnie Darko.

Stephen King: The Dark Tower

Stephen King Miniseries: Rose Red

Studio Ghibli: Howls Moving Castle. Or. Kiki’s Delivery Service.

Action Comedy: Miss Congeniality

Adventure Comedy: Jumanji

‘Dark’ Comedy: The Addams Family

Romantic Comedy: Legally Blonde

Tim Burton

Tim Burton Animated: The Nightmare Before Christmas

Tim Burton Live Action: Edward Scissorhand

Tim Burton Musical: Sweeney Todd

Dreamworks

Favorite Dreamwork’s Film:

Rise of the Guardians (and) How to Train your Dragon

Disney:

Unpopular Recommendations:

The Black Cauldron (and) The Great Mouse Detective

One that is still rather disturbing: Pinocchio

Best Soundtrack (Golden Age): Fantasia

Best Soundtrack (Modern): IDk?!

Classics (Golden) everyone should see at least once: Snow White (and) Bambi.

Wartime Era Pic: The Adventures of Ichabod and Mr.Toad

Silver Age or Bronze Age: Both!!!

Disney Renaissance or Post Renaissance: Both! If I absolutely had to choose though, Renaissance.

Moana or Lilo and Stitch: Lilo and Stitch

Frozen or Tangled: Both

Soul or Monsters Inc: Monsters Inc

Toy Story I and 2/ or/ 3 and 4? Toy Story I and 2.

Underrated: Candleshoe

Disney Holiday:

Live Action Halloween - Hocus Pocus

Live Action Halloween Series- Halloweentown

Animated Halloween- Frakenweenie

Live Action Christmas- Miracle on 34th Street (and) Eloise

Animated Christmas- Mickey’s Once Upon a Christmas, Mickey’s Twice Upon a Christmas, (and) Winnie the Pooh: A very merry Pooh year.

New: The Nutcracker and the Four Realms. (2018)

Disney Reimagined/Live Action:

First that made you rethink the story: Maleficent

Favorite ‘Princess’ Story: Beauty and the Beast

The Surprise: Cruella

The one you worried about but we’re happy with in the end: Lady and the Tramp

The one you worried about but ending up enjoying anyway: Aladdin

The one that was good but you could have done without: The Lion King (which really surprised me!!!I like it but I didn’t love it. Which for me was so strange since I’m a fan of the original and the play.)

The one you had high hopes for and had a mixed reaction too: Mulan. (Ended up really liking it, but I miss Mushu. )

‘Modern’ Shakespeare Adaption:

10 Thing I hate About You (The Taming of the Shrew)

Clueless (Emma)

and

The Lion King Series. (Kid appropriate)

The Lion King: Hamlet

The Lion King 1 1/2: Rosencrantz and Guildenstein

The Lion King 2: Romeo and Juliet

Vampire Pictures:

90s: Interview with a Vampire

2000+: Twilight Series

Tv Series: Buffy the Vampire Slayer

Vampire Action Series: Underworld

Classic: Bram Stoker’s Dracula

Dracula with a Twist: Dracula Untold (2014)

Fun Supernatural Flicks :

Witches: The Craft

Male Witches: The Covenant

Fairytale: Red Riding Hood (2011)

Ghost Hunters: Ghostbusters

Multiple Supernatural: Van Helsing (2014)

Werewolf Romance: Blood and Chocolate

Kid Friendly Live Action: Casper

Kid Friendly Animated: Hotel Transylvania

Supernatural Series:

Multi: Supernatural

Animated: Sabrina The Teenage Witch. (And) Scooby Doo.

Witches: Charmed

Fairytale: Once Upon a Time

Darker Fairytale: Grimm

‘Superhero’ Movies:

90s: Batman. (And) The Crow.

Series: Marvel’s Cinematic Universe

Classic Animated: Batman the animated series

Modern Animated: Harley Quinn

Girl Power: Wonder Woman. (and) Birds of Prey.

Something Different: Deadpool

Younger Audiences/Nostalgia: Teen Titans (animated)

Harry Potter

Favorite Film: Idk. Can’t choose honestly.

Least favorite character portrayal: .. Ginny Weasley?

Someone you loved: (so many..) McGonagall

Someone you loved hating: Bellatrix LeStrange

Someone you just hate: Dolores Umbridge

First time you cried: I cried for Sirius and Remus in Prisoner of Azkaban.

First time you jumped: Snakes or Basilisk. Chamber of Secrets. (I think I was 12?)

Someone who was so spot in acting on you can’t see them as anyone else now: Luna Lovegood

Someone who was so good even if the look wasn’t perfect: Emma Granger as Hermione OR Alan Rickman as Severus Snape.

Someone who’s injury hit you harder than the books: Colin Creevy.

Someone who’s death hit you harder than in the books: None. They hit but not as much as the books.

A scene you found just breathtakingly pretty: Christmas at Hogwarts

A scene you found creepy (even when you knew it was coming): Nagini uses a corpse as a mask.

For any Potter heads. Some things that bothered you about the Harry Potter films:

- Where is Charlie Weasley?

- Where is Peeves?

- Where are Neville’s parents?

- The green/blue/brown eye thing. (This is not against Radcliffe. Some special effects could have fixed this easily)

- HarrY DiD YOu PuT YoUR NaMe IN tHe GoBlET of FIRE?! 🔥

- In Sorcerers Stone, Why did you change the snake at the zoos breed??

- “Voldemort” versus “Voldemor”. The silent t.

- Hermione’s. Yule. Ball. Dress. Color. Blue. Not pink. She specifically changed the color.

- Fluffy. Hagrid’s adorable Cerberus was originally bought from a Greek man. Why change it to Irish? I like Ireland but it was a Greek man due to where Cerberus’s initially came from right???

- Harry’s first Weasley sweater color

- Why does Harry only see his parents in the Mirror of Eirsed? Where’s the rest of the family?

- The Underage magic rules aren’t well explained in the movies making the 3rd year summons even more bonkers sounding

- The Patil Twins Yule Ball Outfits. They could have been soooo beautiful. Like this is the Yule Ball! The Twins would have (in my opinion) much more elaborate traditional Indian styled dress robes?? Idk.

- Love Movie Hermione! But some moments take away from Ron. Like when Ron defended her in the Chamber of Secrets. Hermione didn’t know what the slur “Mudblood” meant in the books. Ron had to explain it.

- Dobby needed more screen time. Some stuff Dobby did went to Neville because so many Neville scenes were cut.

- Where’s all the secrecy from the books when communicating with Sirius- “Snuffles”? Something Harry’s godfather insisted on to keep him safe.

- Snape’s title of “The half-blood Prince” is not explained. Neither is it made clear that Severus was also abused horribly at home throughout his childhood. Also that like Harry Dumbledore did nothing to help Severus when he was a student. (Or maybe Tom Riddle when he grew up in an orphanage. I’m sensing a pattern)

- Dumbledore should have still spelled Harry during Dumbledore death scene. No way would Harry just stand there if given the choice.

- Ron was not quite as ‘dumb’ in the books and a lot of his funny moments were cut from the movie. Which makes his jealousy moments all the more unbecoming. He also comes off a bit more arrogant in the movies. (This is not against R Grint. Who is awesome) The movies gave Ron the short end of the stick.

- Weasley/Malfoy Fued. Who else wanted to see Arthur and Lucius have a fist fight in a bookstore? Exactly.

- Albus Dumbledore isn’t all Sunshine and Daisys. He does some really messed up stuff yet no one ever seems to question this.

- Remus was the last Marauder. Yet his and his wife, Tonk’s, deaths are barley acknowledged.

- Also Teddy. Harry’s Godson.

- Harry’s and Ginnys relationship is not built on. It’s just there. Ugh. Heck Movie Ginny isn’t that great. You don’t know much about her except: She’s the only girl in Ron’s family. She’s the youngest Weasley. She’s obsessed with Harry. She’s a good Quidditch player. She has a temper. She was possessed by Riddle’s Dairy when she was eleven. She’s obsessed with Harry.

- Draco is essentially Harry’s antithesis. Where is he in some critical scenes in the movies?

- Where’s the Luna love???? Harry’s pretty rude to her in some scenes.

- There is no S.P.E.W. And Hermione’s more ruthless side is gone.

- The guys hair in The Goblet of Fire. Get a hair cut. Please.

- Some of Molly’s less than Stellar Moments. (Ex. When she believed rumors about Hermione and so treated he coldly. How horrible she was to Fleur. Ect)

- Fleur. Fleur and Bill still get married but the objections to the wedding aren’t as presented in the movies. Not is Molly’s and Ginny’s extreme dislike of Fleur. Or when Arthur apologizes to Fleur. Or really any of Fleurs best moments. The whole courting process is skipped.

- House Elves. The House Elves of Hogwarts.

- Percy Weasley. The ‘betrayal’. The returned Weasley sweater. Him turning to protect his family and fight for Hogwarts at the last minute. All gone. Which involves being forgiven by the Weasley Twins not an hour before Fred dies.

- The connection of the Black sisters. Specifically Adromeda - mother of Tonks. Who is Sirius cousin. Who married Remus Lupin. Tonks and Remus the parents of Teddy.

- Dean Thomas is pretty much gone.

- Rita Skeeter. Illegal Animagus. Hermione kept her in a jar.

- The movies didn’t allow Radcliffe to be sassy and sarcastic enough. Harry Potter is one of the sassiest boys to ever walk through the halls of Hogwarts!

- Harry didn’t fix his wand in the last movie.

- The history of the Marauders.

- The history explaining why Snape could never be comfortable around and trust Remus Lupin.

#disney #challenge #film #movie #mcu #Batman #2021 #Harry Potter

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thedeaditeslayer · 4 years

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Bruce Campbell talks ‘Evil Dead,’ ‘Spider-Man,’ ‘Xena’

The first time Bruce Campbell came across Sam Raimi, they were students at Michigan’s West Maple Junior High School.

“Sam was a year younger than me,” Campbell recalls, “and I remember him dressed as Sherlock Holmes playing with dolls in the middle of the floor. And I remember going way around him. And I found out later that it was Sam Raimi. We didn’t really come into contact until we got until high school.”

What a connection they made. After bonding over D.I.Y. filmmaking, Campbell and Raimi went on to do 1978 shoestring horror-short “Within the Woods” together, which they evolved into 1981 demonic thriller “Evil Dead.”

Campbell would periodically reprise signature “Evil Dead” character Ash Williams in various sequels and offshoots. And appear in Raimi-produced “Xena: Warrior Princess,” portraying slippery “king of thieves” Autolycus on that ’90s-iconic TV fantasy epic.

And then there’s Campbell’s memorable cameos in Raimi’s blockbuster, Tobey Maguire-starring “Spider-Man” film trilogy: the ring announced in the first, 2002 film, “snooty usher” in the 2004 sequel and a maître d’ in 2007′s “Spider-Man 3.”

Of course, Campbell’s made a mark outside that dynamic duo. He drew raves for his portrayal of a nursing-home-bound Elvis Presley in 2002 indie comedy-horror gem, “Bubba Ho-Tep.” Then there’s his role of Sam Axe on USA Network spy drama “Burn Notice.” Not to mention numerous other film, TV, voice acting and even video-game work.

The cult-fave actor will make his first ever trip to Huntsville this week, for Oct. 24 events at Von Braun Center’s Mark C. Smith Concert Hall featuring “Evil Dead” screenings followed by a Campbell-led chat about the film, his life as an actor and beyond. Tickets for these 3 and 7:30 p.m. events start at $32, via ticketmaster.com.

His upcoming projects include a comedy album with actor Ted Raimi, Sam’s brother, called “The Lost Recordings.” Campbell also is readying a book of essays called “The Cool Side of My Pillow,” which finds him riffing on subjects ranging from noise to the environment. He hopes to have both released by the end of this year. More info at bruce-campbell.com. On a recent afternoon, Campbell checked in from his Oregon home for a phone interview. Edited excerpts are below.

Bruce, when you do an “Evil Dead” screening event, do your discussions turn up new things about the film or that you haven’t thought of in a long time?

Every show turns up something new because it puts you on the spot. Someone will say something that will then trigger something that you had forgot. I just sat down the other day before one of these shows with my guy who is my frontman and I was like, “OK, l’m just going to tell the story of making this movie.” It’s not for questions I’m just going to tell you basically what you’re about to see. But yeah, every show triggers some new thing. I’ve seen the movie. I know how it ends. But that is the challenge, finding some new, weird tidbits.

Back in high school how did you and Sam Raimi first bond? Did you share a class or something?

Basically I got into typing class, that’s what started it. I could not believe I was stuck in this stupid class where everyone around me seemed to know how to type. I’m like, “How do you know this?” It was very frustrating. So I went to a counselor for the first time ever – I’d never gone to try to get out of anything.

So I go there and I say, “Hey can I drop this dumb typing class?” She goes, "Yeah, what do you want? I go, “What do you got?” So she comes up with “radio speech.” And I’m like, “Radio speech? Wait they do the morning announcements (at school) and stuff?” and I’m like yeah let me get all over that.

So I got into a class and Sam Raimi was also in the class. And the guy who taught radio speech also directed all the plays. We didn’t know how critical that was. The first year I couldn’t get in anything in my high school. I was auditioning for everything but I didn’t have a class with this guy. By the next year I had a class with him, and then me and Sam were in basically all the plays after that. We found out how the deal worked.

So I met him in radio speech and we’d do the morning announcements together and got to talking about what we do in our neighborhoods. I was making little regular-8 (millimeter film) movies and Sam was making Super-8 movies. So we started to join forces during the course of that high school run, that two or three years in there.

We were very productive. We didn’t really get into trouble because we were too busy like filming parties. We wouldn’t go to the parties we’d film the parties and use them in some way in our little films so it was a great guerrilla filmmaking period.

A celeb or well-known person you were surprised to learn they’re an “Evil Dead” fan?

I heard Charlie Sheen, one of his favorite things was to smoke a doobie and watch “Evil Dead 2,” and Alice Cooper’s favorite horror movie is “Evil Dead.”

If it’s good enough for Alice Cooper it’s good enough for me. You host the quiz show “Last Fan Standing.” What do you make of the mainstreaming of nerd-culture?

Every generation has its deal. In the ’40s most moviegoers were in their 40s and so the actors were in their 40s. Humphrey Bogart and Spencer Tracy and all the guys were in their 40s. You didn’t have to be 21. And then as the audience got younger the actors got younger and the people who run the companies get younger and so they’re really just catering to what’s popular.

Comic books have always been popular but now they’re really popular. Not really sure what that’s all about but yeah social media has certainly helped but I think it’s another form of escapism. Whenever times get weird, people want escapism. During The Depression they did the Busby Berkeley splashy musicals where everyone was happy all the time, when life was really miserable. And some decades where we’re really doing okay, the movies turned introspective and we go after ourselves and figure out why we’re like this and like that. And so I think we’re in a phase where we just want to be taken away to another galaxy and Marvel is very happy to help.

And you’ve been a part of that. In Sam’s “Spider-Man” trilogy, which of your cameos did you have the most fun with?

Well I don’t know it’s hard to lineate because they’re so critical. The first one I named Spider-Man. If I wasn’t in the movie a billion dollar franchise would be called The Human Spider. He wants to get in the theater in the second one, past the snooty usher who won’t let him in because he’s late, because it will spoil the illusion, so I think I’m technically the only character who’s ever defeated Spider-Man. And in part three, a superhero comes to a mortal for help. He wants me to help him propose to his girlfriend so it’s sort of a landmark case where a superhero goes to a mortal for help which is pretty rare. So I can’t delineate because they’re all critical to the “Spider-Man” universe.

Do you have any cool mementos from "Evil Dead or elsewhere from your career? Maybe something like the chainsaw from “Evil Dead 2”?

You know, it’s weird I’m not a hoarder, I’m not a collector. My brother, he has the shotgun from “Evil Dead,” but not because he loves movie trivia, he just likes guns. My brother also has I think the set of keys to the original cabin. That’s a pretty good one. Not sure how he got that one.

I have weirder ones. Like I have a prop from a 1989 movie called “Sundown: The Vampire in Retreat.” I have Van Helsing’s holy bottle where he shakes the holy water at them. And I have what I call my tchotchke shelf, where most people would look at it and they couldn’t identify what importance each item is, but there’s a story for each one.

Some of your favorite actors outside the horror genre?

Oh, I l love a lot of the old time actors. William Holden, he starred in “Bridge on The River Kwai” one of my favorite movies. I like the guys who had to work a lot. In the old days and actor would finish a job on Friday he was under contract, he took two weeks off and started a new movie a couple weeks later. Actors kind of just do one or two movies a year if they’re lucky these days and it doesn’t help them refine their craft.

I feel like the guys who worked a lot got good because they got really used to the process. I’m a fan of the studio system. Not all movies were good and not every actor was happy under the studio system, but I think a busy actor’s a good actor.

For your role in “Bubba Ho-Tep,” what was your process for tapping into Elvis’s vibe?

What guy doesn’t want to be Elvis, you know? So I worked with an Elvis impersonator for about a half an hour and then he gave up on me. He goes, “Look, man, you’re never going to get it.” I’m like, “Wow either I suck or you suck as a teacher but somebody here sucks.”

No, but I watched a bunch of footage and documentaries. There’s a good one, all his Memphis Mafia who worked with him, a filmmaker basically got them all drunk one night and interviewed them all and that’s where the good stories are. You learn a little more of the human side of him. But that’s pretty much it. I’ve never been a stage performer so mercifully there wasn’t that much of it, just in quick flashbacks.

And there’s a part of me, in the back of my mind, I want to know that Elvis' descendants, somebody, a daughter, niece, somebody has watched that movie and approved. We’ll see.

I thought it was a cool creative take on that whole Elvis thing.

I agree. That’s why I did it. It was one of the weirdest scripts I’ve ever read But yet it wraps up though. It has a weird premise but it has a really interesting theme of what do you do with old people. Do we forget these old people? And are they still useful in society, old people? And I thought it had a sweet ending, that these two old guys they kind of rally themselves one more time.

What’s a well-known role you’ve turned down?

Turned down? I don’t have a lot of those. I don’t operate in that rarified air of saying, “Oh I turned ‘Titanic’ down.” I tried to get a part in a studio movie called “The Phantom” and Billy Zane wound up getting the part." And it was down to me and Billy, I was number two for the job, but I didn’t really enjoy the process very much because it seemed more political than actually acting. It was amazing how many people you had to audition for, and you had to go up the ranks and each time it got a little more tense as you move up. So I’m good doing these weirdo little movies.

I read the budget for “Within the Woods,” the predecessor of “Evil Dead,” was a princely 1,600 bucks. What was the most expensive line item, you think?

Food and probably fake blood. Tom Sullivan, who did the special effects, probably needed to mold a few things, so he probably spent a couple hundred bucks on molds. A lot of it was footage because Sam Raimi likes to shoot footage, so we probably bought a lot of rolls of film. And we did go to a cabin to shoot it, so had to get in the car and travel so maybe a little gas money in there too. That’s about it.

What can you tell us about the status of the next installment of the “Evil Dead” franchise?

We’re honing-in, circling the building now trying to lock in a partner. We have a couple of bidders and we’re trying to just find the correct suitor and we have a script written and a director picked. Sam Raimi hand -picked a guy named Lee Cronin, who’s a very good Irish filmmaker. And it’s got a very good modern tale. It’s a modern-day urban “Evil Dead,” it’s called “Evil Dead Rise.” And we’re hoping to do that next year.

You were a producer on 2013 “Evil Dead” remake. What’s the key to making a reboot effective?

Well rebooting can be very confusing and frustrating and not always successful. Reboot, sequel, remake we have all these crazy terms. What we’re doing now is we’re saying," Look, this is another ‘Evil Dead’ movie and that book gets around, a lot of people run into it and it’s another story." The main key with “Evil Dead” is they’re just regular people who are battling what seems to be a very unstoppable evil, and so that’s where the horror comes from. It’s not someone who’s skilled. They’re not fighting a soldier. They’re not fighting a scientist. They’re not fighting anybody more than your average neighbor. This one is going to be a similar thing. We’re going to have a heroine, a woman in charge, and she’s going to try and save her family.

Speaking of a female protagonist, when you’re at a con or meet fans somewhere, who has the most passionate superfans: “Evil Dead” or “Xena”?

“Xena” hits them at an emotional level. Like, they’ll come up to me and Lucy Lawless (the actor who played the show’s title role) and just burst into tears, because her character helped them get through a difficult time. “Xena” is more representative of overcoming your struggles in life. “Evil Dead” fans are pretty fervent but they don’t cry as much.

#Bruce Campbell #Evil Dead Rise

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grigori77 · 4 years

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Summer 2020′s Movies - My Top Ten Favourite Films (Part 2)

10. BODY CAM – in the face of the current pandemic, viral outbreak cinema has become worryingly prescient lately, but as COVID led to civil unrest there were a couple of films in this summer that REALLY seemed to me to put their finger on the pulse of another particularly shitty zeitgeist. Admittedly this one highlights a problem that’s been around for a good while, but it came along at just the right time to gain particularly strong resonance, filtering its message into the most reliable form of allegorical social commentary – horror. The vengeful ghost trope has become pretty familiar over the past decade or so, but by marrying it with the corrupt cop thriller veteran horror screenwriter Nicholas McCarthy (The Pact) has given it a nice fresh spin, and the end result was, for me, a real winner. Mary J. Blige plays troubled LAPD cop Renee Lomito-Smith, back on the beat after an extended hiatus following a particularly harrowing incident, just as fellow officers from her own precinct begin to die violent deaths under mysterious circumstances, and the only clues are weird, haunting camera footage that only Renee and her new partner, rookie Danny Holledge (Paper Towns and Death Note’s Natt Wolff), manage to see before it inexplicable wipes itself. Something supernatural is stalking the City of Angels at night, and it’s got a serious grudge against local cops as the increasingly disturbing investigation slowly brings an act of horrific police brutality to light, until Renee no longer knows who in her department she can trust. This is one of the most insidious scare-fests I’ve enjoyed so far this year, sophomore director Malik Vitthal (Imperial Dreams) weaving an effective atmosphere of pregnant dread and wire-taut suspense while delivering some impressively hair-raising shocks (the stunning minimart sequence is the film’s undeniable highlight), while the ghostly threat is cleverly thought-out and skilfully brought to “life”. Blige delivers another top-drawer performance, giving Renee a winning combination of wounded fragility and steely resolve that makes for a particularly compelling hero, while Wolff invests Danny with skittish uncertainty and vulnerability in one of his strongest performances to date, and Dexter star David Zayas brings interesting moral complexity to the role of their put-upon superior, Sergeant Kesper. In these times of heightened social awareness, when the police’s star has become particularly tarnished as unnecessary force, racial profiling and cover-ups have become major hot-button topics, the power and relevance of this particular slice of horror cinema cannot be denied.

9. BLOOD QUANTUM – it certainly has been a great year for horror, and for most of the summer this was the genre leader, a compellingly fresh take on the zombie outbreak genre with a killer hook. Canadian writer-director Jeff Barnaby (Rhymes for Young Ghouls) has always clung close to his Native American roots, and he brings strong social relevance to the intriguing early 80s Canadian setting as a really nasty zombie virus wreaks havoc in the Red Crow Indian Reservation and its neighbouring town. It soon becomes clear, however, that members of the local tribe are immune to the infection, a revelation with far-reaching consequences as the outbreak rages unchecked and society begins to crumble. Barnaby pulls off some impressive world-building and creates a compellingly grungy post-apocalyptic vibe as the story progresses, while the zombies themselves are a visceral, scuzzy bunch, and there’s plenty of cracking set-pieces and suitably full-blooded kills to keep the gore-hounds happy, while the horror has real intelligence behind it, the script posing interesting questions and delivering some uncomfortable answers. The characters, meanwhile, are a well-drawn, complex bunch, no black-and-white saviours among them, any one of them capable of some pretty inhuman horrors when the chips are down, and the cast, an interesting mix of seasoned talent and unknowns, all excel in their roles – Michale Greyeyes (Fear the Walking Dead) and Forrest Goodluck (The Revenant) are the closest things the film has to real heroes, the former a fallible everyman as Traylor, the small-town sheriff who’s just trying to do right by his family, the latter unsure of himself as his son, put-upon teenage father-to-be Joseph; meanwhile, Olivia Scriven is tough but vulnerable as his pregnant white girlfriend Charlie, Stonehorse Lone Goeman is a grizzled badass as tough-as-nails tribal elder Gisigu, and Kiowa Gordon (probably best known for playing a werewolf in the Twilight movies) really goes to the dark side as Joseph’s delinquent half-brother Lysol, while there’s a memorably subtle turn from Dead Man’s Gary Farmer as unpredictable loner Moon. This is definitely one of the year’s darkest films – by and large playing the horror straight, it tightens the screws as the situation grows steadily worse, and almost makes a virtue of wallowing in its hopeless tone – but there’s a fatalistic charm to all the bleakness, even in the downbeat yet tentatively hopeful climax, while it’s hard to deny the ruthless efficiency of the violence on display. This certainly isn’t a horror movie for everyone, but those with a strong stomach and relatively hard heart will find much to enjoy here. Jeff Barnaby is definitely gonna be one to watch in the future …

8. PALM SPRINGS – the summer’s comedy highlight kind of snuck in under the radar, becoming something of an on-demand secret weapon with all the cinemas closed, and it definitely deserves its swiftly growing cult status. You certainly can’t possibly believe it’s the feature debut of director Max Barbakow, who shows the kind of sharp-witted, steady-handed control of his craft that’s usually the province of far more experienced talents … then again, much of the credit must surely go to seasoned TV comedy writer Andy Siara (Lodge 49), for whom this has been a real labour of love he’s been tending since his film student days. Certainly all that care, nurture and attention to detail is up there on the screen, the exceptional script singing its irresistible siren song from the start and providing fertile ground for its promising new director to spread his own creative wings. The premise may be instantly familiar – playing like a latter-day Saturday Night Live take on Groundhog Day (Siara admits it was a major influence), it follows the misadventures of Sarah (How I Met Your Mother’s Cristin Miliota), the black sheep maid of honour at her sweet little sister Tala’s (Riverdale’s Camila Mendes) wedding to seemingly perfect hunk Abe (Supergirl’s Superman, Tyler Hoechlin), as she finds herself repeating the same high-stress day over and over again after being trapped in a mysterious cosmic time-loop along with slacker misanthrope Nyles (Brooklyn Nine Nine megastar Andy Samberg), who’s been stuck in this same situation for MUCH longer – but in Barbakow and Siara’s hands it feels fresh and intriguing, and goes in some surprising new directions before the well-worn central premise can outstay its welcome. It certainly doesn’t hurt that the cast are uniformly excellent – Miliota is certainly the pounding emotional heart of the film, effortlessly lovable as she flounders against her lot, then learns to accept the unique possibilities it presents, before finally resolving to find a way out, while Samberg has rarely been THIS GOOD, truly endearing in his sardonic apathy as it becomes clear he’s been stuck like this for CENTURIES, and they make an enjoyably fiery couple with snipey chemistry to burn; meanwhile there’s top-notch support from Mendes and Hoechlin, The OC’s Peter Gallagher as Sarah and Tala’s straight-laced father, the ever-reliable Dale Dickey, a thoroughly adorable turn from Jena Freidman and, most notably, a full-blooded scene-stealing performance from the mighty J.K. Simmonds as Roy, Nyles’ nemesis, who he inadvertently trapped in the loop before Sarah and is, understandably, none too happy about it. This really is an absolute laugh-riot, today’s more post-modern sense of humour allowing the central pair (and their occasional enemy) to indulge in even more extreme consequence-free craziness than Bill Murray ever got away with back in the day, but like all the best comedies there’s also a strong emotional foundation under the humour, leading us to really care about these people and what happens to them, while the story throws moments of true heartfelt power at us, particularly in the deeply cathartic climax. Ultimately this was one of the summer’s biggest surprises, a solid gold gem that I can’t recommend enough.

7. THE LAST DAYS OF AMERICAN CRIME – the summer’s other heavyweight Zeitgeist fondler is a deeply satirical chunk of speculative dystopian sci-fi clearly intended as a cinematic indictment of Trump’s broken America, but it became far more potent and prescient in these … ahem … troubled times. Adapted by screenwriter Karl Gadjusek (Oblivion, Stranger Things, The King’s Man) from the graphic novel by Rick Remender and Greg Tocchini for underrated schlock-action cinema director Olivier Megaton (Transporter 3, Colombiana, the last two Taken films), this Netflix original feature seemed like a fun way to kill a cinema-deprived Saturday night in the middle of the Lockdown, but ultimately proved to have a lot more substance than expected. It’s powered by an intriguing premise – in a nearly lawless 2024, the US government is one week away from implementing a nationwide synaptic blocker signal called the API (American Peace Initiative) which will prevent the public from being able to commit any kind of crime – and focuses on a strikingly colourful bunch of outlaw antiheroes with an audacious agenda – prodigious Detroit bank robber Bricke (Édgar Ramiréz) is enlisted by Kevin Cash (Funny Games and Hannibal’s Michael Carmen Pitt), a wayward scion of local crime family the Dumois, and his hacker fiancée Shelby Dupree (Material Girl’s Anna Brewster) to pull off what’s destined to be the last great crime in American history, a daring raid on the night of the signal to steal over a billion dollars from the Motor City’s “money factory” and then escape across the border into Canada. From this deceptively simple premise a sprawling action epic was born, carried along by a razor sharp, twisty script and Megaton’s typically hyperbolic, showy auteur directing style and significant skill at crafting thrillingly explosive set-pieces, while the cast consistently deliver quality performances. Ramiréz has long been one of those actors I really love to watch, a gruff, quietly intense alpha male whose subtle understatement hides deep reserves of emotional intensity, while Dupree takes a character who could have been a thinly-drawn femme fetale and invests her with strong personal drive and steely resolve, and there’s strong support from Neil Blomkampf regulars Sharlto Copley and Brandon Auret as, respectively, emasculated beat cop Sawyer and brutal Mob enforcer Lonnie French, as well as a nearly unrecognisable Patrick Bergin as local kingpin (and Kevin’s father) Rossi Dumois; the film is roundly stolen, however, by Pitt, a phenomenal actor I’ve always thought we just don’t see enough of, here portraying a spectacularly sleazy, unpredictable force of nature who clearly has his own dark agenda, but whom we ultimately can’t help rooting for even as he stabs us in the back. This is a cracking film, a dark and dangerous thriller of rare style and compulsive verve that I happily consider to be Megaton’s best film to date BY FAR – needless to say it was a major hit for Netflix when it dropped, clearly resonating with its audience given what’s STILL going on in the real world, and while it may have been roundly panned in reviews I think, like some of the platform’s other more glossy Original hits (Bright springs to mind), it’s destined for a major critical reappraisal and inevitable cult status before too long …

6. HAMILTON – arriving just as Black Lives Matter reached fever-pitch levels, this feature presentation of the runaway Broadway musical smash-hit could not have been better timed. Shot over three nights during the show’s 2016 run with the original cast and cut together with specially created “setup shots”, it’s an immersive experience that at once puts you right in amongst the audience (at times almost a character themselves, never seen but DEFINITELY heard) but also lets you experience the action up close. And what action – it’s an incredible show, a thoroughly fascinating piece of work that reads like something very staid and proper on paper (an all-encompassing biographical account of the life and times of American Founding Father Alexander Hamilton) but, in execution, becomes something very different and EXTREMELY vital. The execution certainly couldn’t be further from the usual period biopic fare this kind of historical subject matter usually gets (although in the face of recent top-notch revisionist takes like Marie Antoinette, The Great and Tesla it’s not SO surprising), while the cast is not at all what you’d expect – with very few notable exceptions the cast is almost entirely people of colour, despite the fact that the real life individuals they’re playing were all very white indeed. That said, every single one of them is an absolute revelation – the show’s writer-composer Lin-Manuel Miranda (already riding high on the success of In the Heights) carries the central role of Hamilton with effortless charm and raw star power, Leslie Odom Jr. (Smash, Murder On the Orient Express) is duplicitously complex as his constant nemesis Aaron Burr, Christopher Jackson (In the Heights, Moana, Bull) oozes integrity and nobility as his mentor and friend George Washington, Phillipa Soo is sweet and classy as his wife Eliza while Renée Elise Goldsberry (The Immortal Life of Henrietta Jacks, Altered Carbon) is fiery and statuesque as her sister Angelica Schuyler (the one who got away), and Jonathan Groff (Mindhunter) consistently steals every scene he’s in as fiendish yet childish fan favourite King George III; ultimately, however, the show (and the film) belongs to veritable powerhouse Daveed Diggs (Blindspotting, TV’s Snowpiercer) in a spectacular duel role, starting subtly but gaining scene-stealing momentum as French Revolutionary Gilbert du Motier, the Marquis de Lafayette, before EXPLODING onto the stage in the second half as indomitable eventual American President Thomas Jefferson. Not having seen the stage show, I was taken completely by surprise by this, revelling in its revisionist genius and offbeat, quirky hip-hop charm, spellbound by the skilful ease with which is takes the sometimes quite dull historical fact and skews it into something consistently entertaining and absorbing, transported by the catchy earworm musical numbers and thoroughly tickled by the delightfully cheeky sense of humour strung throughout (at least when I wasn’t having my heart broken by moments of raw dramatic power). Altogether it’s a pretty unique cinematic experience I wish I could have actually gotten to see on the big screen, and one I’ve consistently recommended to all my friends, even the ones who don’t usually like musicals. As far as I’m concerned it doesn’t need a proper Les Misérables style screen adaptation – this is about as perfect a presentation as the show could possibly hope for.

5. SPUTNIK – the summer’s horror highlight (despite SERIOUSLY tough competition) is a guaranteed sleeper hit that I almost totally missed, stumbling across the trailer one day on YouTube and being completely bowled over by its potential, prompting me to hunt it down by any means necessary. The feature debut of Russian director Egor Abramenko, this first contact sci-fi chiller is about as far from E.T. as it’s possible to get, sharing some of the same DNA as Carpenter’s The Thing but proudly carving its own path with consummate skill and definitely signalling great things to come from its brand new helmer and relative unknown screenwriters Oleg Malovichko and Andrei Zolotarev. Oksana Akinshina (probably best known in the West for her powerful climactic cameo in The Bourne Supremacy) is the beating heart of the film as neurophysiologist Tatyana Yuryevna Klimova, brought in to aid in the investigation in the Russian wilderness circa 1983 after an orbital research mission goes horribly wrong. One of the cosmonauts dies horribly, while the other, Konstantin (The Duelist’s Pyotr Fyodorov) seems unharmed, but it quickly becomes clear that he’s now playing host to something decidedly extraterrestrial and potentially terrifying, and as Tatyana becomes more deeply embroiled in her assignment she comes to realise that her superiors, particularly mysterious Red Army project leader Colonel Semiradov (The PyraMMMid’s Fyodor Bondarchuk), have far darker plans for Konstantin and his new “friend” than she could ever imagine. This is about as dark, intense and nightmarish as this particular sub-genre gets, a magnificently icky body horror that slowly builds its tension as we’re gradually exposed to the various truths and the awful gravity of the situation slowly reveals itself, punctuated by skilfully executed shocks and some particularly horrifying moments when the evils inflicted by the humans in charge prove to be far worse than anything the alien can do, while the ridiculously talented writers have a field day pulling the rug out from under us again and again, never going for the obvious twist and keeping us guessing right to the devastating ending, while the beautifully crafted digital creature effects are nothing short of astonishing and thoroughly creepy. Akinshina dominates the film with her unbridled grace, vulnerability and integrity, the relationship that develops between Tatyana and Konstantin (Fyodorov delivering a beautifully understated turn belying deep inner turmoil) feeling realistically earned as it goes from tentatively wary to ultimately, tragically bittersweet, while Bondarchuk invests the Colonel with a subtly nuanced air of tarnished authority and restrained brutality that makes him one of my top screen villains for the year. Guaranteed to go down as one of 2020’s great sleeper hits, I can’t speak of this film highly enough – it’s a genuine revelation, an instant classic for whom I’ll sing its praises for the remainder of the year and beyond, and I wish utmost success to all the creative talents involved in the future. The Invisible Man still rules the roost in the year’s horror stakes, but this runs a VERY close second …

4. GREYHOUND – when the cinemas closed back in March, the fate of many of the major summer blockbusters we’d been looking forward to was thrown into terrible doubt. Some were pushed back to more amenable dates in the autumn or winter, others knocked back a whole year to fill summer slots for 2021, but more than a few simply dropped off the radar entirely with the terrible words “postponed until further notice” stamped on them, and I lamented them all, this one in particular. It hung in there longer than some, stubbornly holding onto its June release slot for as long as possible, but eventually it gave up the ghost too … but thanks to Apple TV+, not for long, ultimately releasing less than a month later than intended. Thankfully the final film was worth the fuss, a taut World War II suspense thriller that’s all killer, no filler – set during the infamous Battle of the Atlantic, it portrays the constant life-or-death struggle faced by the Allied warships assigned to escort the transport convoys as they crossed the ocean, defending their charges from German U-boats. Adapted from C.S. Forester’s famous 1955 novel The Good Shepherd by Tom Hanks and directed by Aaron Schneider (Get Low), the narrative focuses on the crew of the escort leader, American destroyer USS Fletcher, codenamed Greyhound, and in particular its captain, Commander Ernest Krause (Hanks), a career sailor serving his first command. As they cross “the Pit”, the most dangerous mid stretch of the journey where they spend days without air-cover, they find themselves shadowed by “the Wolf Pack”, a particularly cunning group of German subs that begin to pick away at the convoy’s stragglers. Faced with daunting odds, a dwindling supply of vital depth-charges and a ruthless, persistent enemy, Krause must make hard choices to bring his ships home safe … jumping into the thick of the action within the first ten minutes and maintaining that tension for the remainder of its trim 90-minute run, this is screen suspense par excellence, a sleek textbook example of how to craft a compelling big screen knuckle-whitener with zero fat and maximum reward, delivering a series of desperate naval scraps packed with hide-and-seek intensity, heart-in-mouth near-misses and fist-in-air cathartic payoffs by the bucket-load. Hanks is subtly magnificent, the calm centre of the narrative storm as a supposed newcomer to this battle arena who could have been BORN for it, bringing to mind the similarly unflappable turn he delivered in Captain Phillips and certainly not suffering by comparison; by and large he’s the focus point, but other crew members do make strong (if sometimes quite brief) impressions, particularly Stephen Graham as Krause’s reliably seasoned XO, Lt. Commander Charlie Cole, The Magnificent Seven’s Manuel Garcia-Rulfo and Just Mercy’s Rob Morgan, while Elisabeth Shue does a lot with a very small part in brief flashbacks as Krause’s fiancée Evelyn. Relentless, powerful, exhilarating and thoroughly unforgettable, this was one of the true action highlights of the summer, and one hell of a war flick. I’m so glad it made the cut for the season …

3. PROJECT POWER – with Marvel and DC pushing their tent-pole titles back into late autumn in the face of COVID, the usual superhero antics we’ve come to expect over the main blockbuster season were pretty thin on the ground, leading us to find our geeky fan thrills elsewhere. Unfortunately, pickings were frustratingly slim – Korean comic book actioner Gundala was entertaining but workmanlike, while Thor AU-take Mortal was underwhelming despite strong direction from Troll Hunter’s André Øvredal, and I’ve already made my feelings clear on the frustration of The New Mutants – thank the Gods, then, for Netflix, once again riding to the rescue with this enjoyably offbeat super-thriller, which takes an intriguing central premise and really runs with it. New designer drug Power has hit the streets of New Orleans, able to give anyone who takes it a superpower for five minutes … the only problem is, until you try it, you won’t know what your own unique talent is – for some, it could mean five minutes of invisibility, or insane levels of super-strength, but other powers can be potentially lethal, the really unlucky buggers just blowing up on the spot. Robin (The Hate U Give’s Dominique Fishback) is a teenage Power-pusher with dreams of becoming a rap star, dealing the pills so she can help her diabetic mum; Frank Shaver (Joseph Gordon-Levitt) is one of her customers, an NOPD detective who uses his power of near invulnerability to even the playing field when powered crims cause a disturbance. Their lives are turned upside down when Art (Jamie Foxx) arrives in town – he’s a seriously badass ex-soldier determined to hunt down the source of Power by any means necessary, and he’s not above tearing the Big Easy apart to do it. This is a fun, gleefully infectious rollercoaster that doesn’t take itself too seriously, revelling in the anarchic potential of its premise and crafting some suitably OTT effects-driven chaos brought to pleasingly visceral fruition by its skilfully inventive director, Ariel Schulman (Catfish, Nerve, Viral), while Mattson Tomlin (the screenwriter of next year’s incendiary DCEU headline act The Batman) takes his script in some very interesting directions and poses some fascinating questions about what Power’s TRULY capable of. Gordon-Levitt and Fishback are both brilliant, the latter particularly impressing in what’s sure to be a major breakthrough role for her, and the friendship their characters share is pretty adorable, while Foxx really is a force to be reckoned with, pretty chill even when he’s in deep shit but fully capable of turning into a bona fide killing machine at the flip of a switch, and there’s strong support from Westworld’s Rodrigo Santoro as Biggie, Power’s delightfully oily kingpin, Courtney B. Vance as Frank’s by-the-book superior, Captain Crane, Amy Landecker as Gardner, the morally bankrupt CIA spook responsible for the drug’s production, and Machine Gun Kelly as Newt, a Power dealer whose explosive pyrotechnic “gift” really isn’t all it’s cracked up to be. Exciting, inventive, frequently amusing and infectiously likeable, this was some of the most uncomplicated “cinematic” fun I had this summer. Not bad for something which I’m sure was originally destined to become one of the season’s B-list features …

2. THE OLD GUARD – Netflix’s undisputable TOP OFFERING of the summer came damn close to bagging the whole season, and I can’t help thinking that even if some of the stiffer competition had still been present it may well have still finished this high. Gina Prince-Blythewood (Love & Basketball, the Secret Life of Bees) directs comics legend Greg Rucka’s adaptation of his own popular title with uncanny skill and laser-focused visual flair considering there’s nothing on her previous CV to suggest she’d be THIS good at mounting a stomping good ultraviolent action thriller, ushering in this thoroughly engrossing tale of four ancient, invulnerable immortal warriors – Andy AKA Andromache of Scythia (Charlize Theron), Booker AKA Sebastian de Livre (Matthias Schoenaerts), Joe AKA Yusuf Al-Kaysani (Wolf’s Marwan Kenzari) and Nicky AKA Niccolo di Ginova (Trust’s Luca Marinelli) – who’ve been around forever, hiring out their services as mercenaries for righteous causes while jealously guarding their identities for fear of horrific experimentation and exploitation should their true natures ever be discovered. Their anonymity is threatened, however, when they’re uncovered by former CIA operative James Copley (Chiwetel Ejiofor), working for the decidedly dodgy pharmaceutical conglomerate run by sociopathic billionaire Steven Merrick (Harry Melling, formerly Dudley in the Harry Potter movies), who want to capture these immortals so they can patent whatever it is that makes them keep on ticking … just as a fifth immortal, US Marine Nile Freeman (If Beale Street Could Talk’s KiKi Layne), awakens after being “killed” on deployment in Afghanistan. The supporting players are excellent, particularly Ejiofor, smart and driven but ultimately principled and deeply conflicted about what he’s doing, even if he does have the best of intentions, and Melling, the kind of loathsome, reptilian scumbag you just love to hate, but the film REALLY DOES belong to the Old Guard themselves – Schoenaerts is a master brooder, spot-on casting as the group’s relative newcomer, only immortal since the Napoleonic Wars but clearly one seriously old soul who’s already VERY tired of the lifestyle, while Joe and Nicky (who met on opposing sides of the Crusades) are simply ADORABLE, an unapologetically matter-of-fact gay couple who are sweet, sassy and incredibly kind, the absolute emotional heart of the film; it’s the ladies, however, that are most memorable here. Layne is exceptional, investing Nile with a steely intensity that puts her in good stead as her new existence threatens to overwhelm her and MORE THAN qualified to bust heads alongside her elders … but it’s ancient Greek warrior Andy who steals the film, Theron building on the astounding work she did in Atomic Blonde to prove, once and for all, that there’s no woman on Earth who looks better kicking arse than her (as Booker puts it, “that woman has forgotten more ways to kill than entire armies will ever learn”); in her hands, Andy truly is a goddess of death, tough as tungsten alloy and unflappable even in the face of hell itself, but underneath it all she hides a heart as big as any of her friends’. They’re an impossibly lovable bunch and you feel you could follow them on another TEN adventures like this one, which is just as well, because Prince-Blythewood and Rucka certainly put them through their paces here – the drama is high (but frequently laced with a gentle, knowing sense of humour, particularly whenever Joe and Nicky are onscreen), as are the stakes, and the frequent action sequences are top-notch, executed with rare skill and bone-crunching zest, but also ALWAYS in service to the story. Altogether this is an astounding film, a genuine victory for its makers and, it seems, for Netflix themselves – it’s become one of the platform’s biggest hits to date, earning well-deserved critical acclaim and great respect and genuine geek love from the fanbase at large. After this, a sequel is not only inevitable, it’s ESSENTIAL …

1. TENET – granted, the streaming platforms (particularly Netflix and Amazon) certainly did save our cinematic summer, but I’m still IMMEASURABLY glad that the season’s ultimate top-spot winner was one I got to experience on THE BIG SCREEN. You gotta hand it to Christopher Nolan, he sure hung in there, stubbornly determined that his latest cinematic masterpiece WOULD be released in cinemas in the summer (albeit ultimately landing JUST inside the line in the final week of August), and it was worth all the fuss because, for me, this was THE PERFECT MOVIE for me to get return to cinemas with. I mean, okay, in the end it WASN’T the FIRST new movie I saw after the reopening, that honour went to Unhinged, but THIS was my first real Saturday night out big screen EXPERIENCE since March. Needless to say, Nolan didn’t disappoint this time any more than he has on any of his consistently spectacular previous releases, delivering another twisted, mind-boggling headfuck of a full-blooded experiential sensory overload that comes perilously close to toppling his long-standing auteur-peak, Inception (itself second only by fractions to The Dark Knight as far as I’m concerned). To say much at all about the plot would give away major spoilers – personally I’d recommend just going in as cold as possible, indeed you really should just stop reading this right now and just GO SEE IT. Still with us? Okay … the VERY abridged version is that it’s about a secret war being waged between the present and the future by people capable of “inverting” time in substances, objects, people, whatever, into which the Protagonist (BlacKkKlansman’s John David Washington), an unnamed CIA agent, has been dispatched in order to prevent a potential coming apocalypse. Washington is once again on top form, crafting a robust and compelling morally complex heroic lead who’s just as comfortable negotiating the minefields of black market intrigue as he is breaking into places or dispatching heavies, Kenneth Branagh delivers one of his most interesting and memorable performances in years as brutal Russian oligarch Andrei Sator, a genuinely nasty piece of work who may be the year’s very best screen villain, Elizabeth Debicki (The Night Manager, Guardians of the Galaxy Vol. 2, Widows) brings strength, poise and wounded integrity to the role of Sator’s estranged wife, Kat, and Aaron Taylor-Johnson gets to use his own accent for once as tough-as-nails British Intelligence officer Ives, while there are brief but consistently notable supporting turns and cameos from Martin Donovan, Yesterday’s HImesh Patel, Dirk Gently’s Fiona Dourif and, of course, Nolan’s good luck charm, Michael Caine. The cast’s biggest surprise, however, is Robert Pattinson, truly a revelation in what has to be, HANDS DOWN, his best role to date, Neil, the Protagonist’s mysterious handler – he’s by turns cheeky, slick, duplicitous and thoroughly badass, delivering an enjoyably multi-layered, chameleonic performance which proves what I’ve long maintained, that the former Twilight star is actually a fucking amazing actor, and on the basis of this, even without that amazing new teaser trailer making the rounds, I think the debate about whether or not he’s the right choice for the new Batman is now academic. As we’ve come to expect from Nolan, this is a TRUE tour-de-force experience, a visual masterpiece and an endlessly engrossing head-scratcher, Nolan’s screenplay bringing in some seriously big ideas and throwing us some major narrative knots and loopholes, constantly wrong-footing the viewer while also setting up truly revelatory payoffs from seemingly low-key, unimportant beginnings – this is a film you need to be awake and attentive for or you could miss something pretty vital. The action sequences are, as ever, second to none, some of the year’s very best set-pieces coming thick and fast and executed with some of the most accomplished skill in the business, while Nolan-regular cinematographer Hoyte van Hoytema (Interstellar and Dunkirk, as well as the heady likes of Tinker Tailor Soldier Spy, SPECTRE and Ad Astra) once again shows he’s one of the best camera-wizards in the business today by delivering some truly mesmerising visuals. Notably, Nolan’s other regular collaborator, composer Hans Zimmer, is absent here (although he has good reason, currently working on his dream project, the fast-approaching screen adaptation of Dune), but Ludwig Göransson (best known for his regular collaborations with Ryan Coogler on the likes of Fruitvale Station, Creed and Black Panther, as well as truly awesome work on The Mandalorian) makes for a fine replacement, crafting an intriguingly internalised, post-modern musical landscape that thrums and pulses in time with the story and emotions of the characters rather than the action itself. Interestingly it’s on the subject of sound that some of the film’s rare detractions have been levelled, and I can see some of the points – the soundtrack mix is an all-encompassing thing, and there are times when the dialogue can be overwhelmed, but in Nolan’s defence as a film this is a heady, immersive experience, something you really need to concentrate on, so these potential flaws are easily forgiven. As a piece of filmmaking art, this is another flawless wonder from one of the true masters of the craft working in cinema today, but it’s art with palpable substance, a rewarding whole that really HAS TO BE experienced on the big screen. So put your snobbery at post-lockdown restrictions aside for the moment and get yourself down to your nearest cinema so you can experience it for yourself. You won’t be disappointed. Right now, this is my movie of the year, and with only one possible exception, I really don’t see that changing …

#movies 2020 #body cam #body cam (2020)#blood quantum #blood quantum movie #palm springs #palm springs movie #the last days of american crime #hamilton #hamilton movie #sputnik #sputnik movie #greyhound #greyhound movie #project power #the old guard #tenet #tenet movie #awesome sauce

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nikkalia · 5 years

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Storytime with Auntie Dragon: Betrayal edition

Gather round, children, it’s time once again for “Storytime with Auntie Dragon.” Today’s episode: NYC & Betrayal, a tale of adventure, excitement, and how a certain actor is seemingly easily impressed with modern technology. Hey, it’s pretty snazzy stuff…

We begin our tale at the dawn of November. Your dear Auntie D had just purchased a house, and because closing fell in such a way that I had no housing payment in November, there was some spare cash to be had. A friend of mine who lives in the UK (@mrshiddleston-uk) had been talking about her upcoming trip to the states to see our beloved Mr. Hiddleston in his Broadway debut, and after careful scouring of countless calendars, I decided that the Boychild could miss a day of school to make the trip and decided to go. Another friend ( @silverink-goldenlies) came along for the ride and the trip was set.

THE TRIP: Bloody hell, why is it every time I drive north, roads are torn up? I mean seriously. I spent more time on the brakes because of construction than I did with the cruise control engaged. For 698 miles! I did not, for those who may be curious, drive up I-95. Oh, the hells to the NO. I have driven that stretch of disaster quite enough to know that it’s a toss-up as to whether you get Hell on earth or a multi-lane, multi-hour parking lot. And that’s just around Richmond. D.C. is worse. Much. Worse. But I digress…

I-78 is (mostly) a beautiful drive. Lots of mountains, rolling hills, farmland, all that. From southern Virginia up through parts of New Jersey, there are lots of farms. LOTS of farms. With cows. And steers. And horses. And even an alpaca - dude had a long neck. Somewhere along the way, every time we passed a farm with cows, @silverink-goldenlies would just blurt out “cows.” In the middle of a conversation, “cows”. Passing silence for miles and suddenly, “cows.”

And occasionally, “cows. And horses.” The boy child would even chime in now and again.

THE ARRIVAL: We made it to NYC around sunset. When we were 25 miles or so out, I spied the city skyline and told @silverink-goldenlies to look out the window. Poor thing was so excited I think she almost cried. We took the Lincoln Tunnel into the city because I missed an exit. Which reminds me, Google Maps, get your turn-by-turn shit together. I spent more time on the road than necessary due to a lack of “in 500 feet, turn here.” Waze doesn’t treat me like that. It just crashes. And Waze has Cookie Monster voice. Anyway…Lincoln Tunnel. That was fun, kinda. I kept having flashbacks of Independence Day with the fireball coming up the tunnel following the alien attack. Not cute.

We emerged in the city and I very quickly learned that upstate NY driving is totally different than NYC driving. I lived in Albany for a couple of years, and in upstate, you can use your signal and mostly expect someone to let you in, or at least get out of the way. Not NYC. Nope nope nope. You signal, insert the front fender of your car and hope the person you’re essentially cutting off is paying attention. It only took one missed turn (thanks Google) for me to learn the ways of the natives and navigate correctly through the city. Which I did successfully. At rush hour. Praise Asphaltia, Goddess of the Road.

Cows.

NYC: After a night of bullshit sleep thanks to the rock-solid beds of the LaQuinta - Queens, our party was up and in the city by 9:30 am. I’ve always had this mental image of NYC being small because of how tightly packed everything is. My friends, that is absolutely not the case. The city is M A S S I V E in both size and scope. I was totally a tourist, videoing everything in Times Square and looking up like I expected the sky to fall. I learned something I never knew, and never really thought about: they leave the big crystal ball on top of the building after New Year’s. It’s sitting up there, pretty as you please, changing colors all year long. Who knew?

We hit the highlights of Manhattan like my son speed runs through Dark Souls. Times Square, Hard Rock New York, the M&Ms store (3 floors…3 FLOORS of chocolatey goodness), one of two Lego stores, and Rockefeller Plaza. The tree is up, but not on display. I need them to slow down on the trimming it back. There won’t be any tree left, and it’s looking a little scrawny, to begin with. Ice skating was in full effect, but we didn’t go. I knew I had a show and another 10-hour drive back to NC to get through, and doing it on a seriously bruised ass would not have been a good look.

Noon hits and we head back towards the Jacobs theatre. By the time we got there, the box office was open and there was already a line. Thank the gods for online purchases. Easy in, easy out. Around 1 pm, we met up with the lovely @mrshiddleston-uk and attempted to get lunch at some Irish pub. @mrshiddleston-uk briefed us on all things stage door and helped to craft a plan of attack to get the best spots for meeting the cast. The line to get into the theatre was already formed and growing by the time we decided to bail on the never appearing food.

THE JACOBS THEATRE: This is a gorgeous space. The theatre is on the small side, but I genuinely believe that there isn’t a bad seat in the house. We were in the balcony house left and could see every bit of the stage. Beautiful architecture, comfy seats - if not a little (LOT) short on the legroom - and a pretty chandelier made the place feel cozy and warm. The staff was wonderful as well. I’d totally see another show in this space.

BETRAYAL: So here’s the part you all came for, right? Right. Cows. To be honest, I’d never heard of Harold Pinter before Tom Hiddleston took the role in the London production, much less read any of his work. I didn’t know what to expect except for what I’d heard from @mrshiddleston-uk after her viewings of the London show. The concept of the show is intriguing enough - following a love triangle in reverse order with a minimalist set and lighting design. I’m a tech nerd anyway, so I was excited to see how well this would work.

Oh. My. Goddess. This show was AMAZING. It’s been a very long time since I’ve been to a show that totally sucked me in to the point that I was actually invested in the story. Betrayal did just that. From the moment the curtain rose (more on that in a sec) until the stage went black, I was sucked into the world of Robert and Emma and Jerry and how the affair went from disintegration to conception. I have absolutely no sympathy for any of these characters at the end of the day. They are all seriously flawed and have caused themselves the pain that they experience in this story. But, that’s what makes good drama, right?

The sheer lack of set made it easier to pay attention to the actors and the script, which is a huge perk in this game of verbal tennis. The characters go from normal speech patterns to the famed Pinter pauses to this back and forth without missing a beat (or a syllable) that will make your head spin. The boychild told me later he found it a little hard to follow, which is understandable if you’re not used to hearing it in an English accent.

There was a lot of play with light and shadow in this show. It’s no secret that all three actors are on stage for the duration of the play, with the “odd man out” lurking somewhere in the shadows. It was thrilling to see, to be honest, because you catch yourself looking around to see what the odd man is doing while the two in focus characters are speaking. Robert standing against the back wall facing the wings; Emma curled up on the floor eating an apple; Jerry sitting off the side with his back against the back wall. All making little gestures or motions that hint at what that character is experiencing in that moment in time.

Even the shadows themselves told a part of the story. The sharper focused shadows cast by Robert and Emma when she confesses the affair created a tension that doesn’t exist when Robert is lurking in the background of scenes involving Jerry and Emma or Emma hiding almost when Robert and Jerry are in the forefront. I found myself watching the shadows in this scene more than the actors themselves. It’s that intense.

One other tech geek note: the back wall moved. Now, I’ve seen plenty of moving sets. Hells, I’ve moved a few in my time. But this simple change had a tremendous impact. When the wall moved forward, it cuts the surface area of the stage down to 1/8th of what it was at the beginning. It puts the confession right in your face. You can’t get away from it, just as the characters can’t. There’s nowhere to go, nowhere to hide. They, and you, just have to deal with it. Absolutely brilliant on the part of the designers. Enough about the sets, or lack thereof. Cows. I could go on all day.

THE CAST: We’ll start with Zawe Ashton. She’s a perfectly lovely woman, all smiles and bubbly at the stage door, very sweet. I don’t know that I like her as an actress. Or maybe I don’t like her character, Emma. I haven’t really decided yet. But, if there was a downside to this show, she was it. Her laughter was fake to the point of cringy, and there was something noticeably self-absorbed about her on stage. The other thing I noticed is that she was never standing or sitting straight. She was always twisted, curled up, or otherwise contorted in some fashion, and that gave me a twitch. An acting choice? Maybe. It would stand to reason that this was some subconscious outward expression of Emma’s mental/emotional state. She struck me as whiny, and maybe a little “woe is me” to boot. My thought throughout the play was, bitch, you got yourself into this. Suck it up.

Charlie Cox as Jerry. Great guy at stage door, seemed to be enjoying the fans. Again, I haven’t read the play so I’m not 100% on what Jerry is supposed to be, but Charlie was giving some serious lovesick puppy vibes for this show. And that’s all I got from him. Maybe bits of remorse here and there, but not much. Some great comedic moments, but otherwise, he really didn’t stand out for me.

Tom Hiddleston as Robert. We’ll discuss stage door in a minute. I’ve worked in the arts and journalism long enough to know that you often hear about how someone “is” but that’s not really who they really are. They pretend to have a presence that doesn’t exist, or they’re not as talented as they, or their agent, would have you believe. And sometimes that “wonderful” actor is really just a prick in real life. Children, I am here to tell you that Thomas William Hiddleston is EVERYTHING he’d cracked up to be.

When the curtain goes up at the show open, Robert is sitting in a chair, and all you see of him is legs. The man has legs for days…digressing again. Cows. Tom has such a presence that you know exactly where he is. When Charlie and Zawe are sharing their scenes, your eyes can dart straight to Tom. I remember actively looking for Charlie and Emma in scenes they weren’t involved in, just to see what they were doing. Never, ever had to do that with Tom. He was always there, always on the edge of the shadows.

His performance as Robert is an emotional roller coaster. I watched him run the gamut and back again several times over the course of 90 minutes, and really wonder how the hells he does it every day (and has been since June). No wonder he looks exhausted. He was giving that trademarked smile in some scenes, growling with anger in others (your Loki is showing), and on the verge of tears in still others. I looked down at him during the confession scene and his eyes were brimming, reflecting the bright white light that was shining on him. That one hurt my heart. Dude can do anything, and I need someone to give him more meaty roles on film. And for the love of the Gods, cast him in a romcom, comedy, something! He’s proven time and again he can act - let him have something besides Loki.

Disclaimer: I love Loki, don’t get me wrong, but I hate to see talented performers pigeonholed into one role. Tom is so much better than that, as most of them are.

STAGE DOOR: The show ends, the lights come up, and I can’t get the damn Hard Rock Cafe bag out from between the seats. So this is how it’s gonna go down, eh? WRONG. ANSWER. I get downstairs in record time only to be blocked by old people who can’t decide if they need to pee or not, then distracted by Tom speaking on stage about the fundraiser the theatre is doing. That voice, those long assed legs, and holy hells is the end of the stage right fucking there???

FOCUS WOMAN! Cows. Eldery folks having determined that yes, in fact, a stop by the loo is in order, I’m out the door, still struggling with the bag and my coat and not being run over by those who are sprinting to the barricades set up to queue for stage door. Sprinting. Really? It’s like, 300, 400 feet maybe, from the entrance to the stage door. I wanna have 0.5 seconds in front of Tom too, but damn y’all. It ain’t that serious.

Secure in our spot upfront and personal by the lovely @mrshiddleston-uk, I got myself squared away and place the Facebook group chat video call. We all agreed that since @firithariel, @igotloki, and @mischeviousbellarina couldn’t be there in person, we’d bring them along digitally. For once, my phone behaved. Did I remember to put them on speaker? That would be a no.

So, Zawe comes out first, signs programs and chats with fans. She really is adorable. Charlie comes out next and follows the same route, and then the man of the hour (and really the whole point of this trip) emerges in the “uniform”, looking a little frazzled. But, he makes the rounds of autographs, even going so far as to sign a Thanos Funko.

Really? REALLY? Thanos? How you gonna do my boy wrong like that? Grrrr….. Amusing thing was that Tom really didn’t even acknowledge it, but he looked annoyed by it.

That’s when Tom got to our merry little band. @silverink-goldenlies showed him the tattoo done by her husband of a Loki helmet with runes surrounded by flowers. He seemed thoroughly impressed with it. I’m next, with our video chat going strong. I asked him to say hi to the girls, and he got a weird look on his face until he saw the phone. He did a double-take, “There are four people on the screen! How did you do that?” We told him about Facebook group chat and where the girls were located. There’s a video floating around Instagram/Twitter of his reaction. It’s entirely too cute. He leaned in and smiled, said hi to them, showed them an autographed program, and handed them to me. He looked me right in the eye for about a second and a half then moved on. I can still see it in my mind, and it makes me smile every time.

Tom finished the autographs and came back around for selfies. Mine is blurry AF, because of course, it is. It’s the only one I have of him. Maybe I’ll try to fix it in Photoshop. A fucking photographer can’t take a damned selfie. SMH Oh well, you can tell it’s him. @mrshiddleston-uk got some great shots, and I’ll always know I was there, that we spoke, however briefly.

I’ll spare you the details of the trip home because, well…traffic. And cows.

And so ends the tale of the very long too short awesome weekend in NYC where I got to meet Tom Hiddleston.

Thank you for coming to my TED talk.

#betrayal #tom hiddleston #nyc #road trip

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parabellumrpg · 4 years

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Congratulations, J! You’ve been accepted to play Jackson Sinclair. Please make your page and send it in within 24 hours.

A/N: I loved the way you wrote about Jack being able to have a good home life and still be an amazing leader in a crime organization. All in all, I think you’ll make a great Jackson, and I loved seeing all the different sides of him in your para samples. Congratulations!

IC INFORMATION —

CHARACTER DESIRED

Jackson Sinclair.

DESCRIBE THE CHARACTER IN YOUR OWN WORDS

Jack is a lot of things. He’s able to adapt to his surroundings. At home, he puts his work away and is just a father to his children and a husband to his wife. At work, he’s strong and intimidating. He knows not to lead with his feeling, instead he leads with his head. He is fiercely protective of his siblings, fiercely protective of his kids, but he does not act irrational. Every plan he has is carefully crafted. Everything he says to anyone is also carefully crafted. One probably wouldn’t suspect that he was a boss if they did not know already. He’s just that good at flipping his switch on and off.

Another important thing to note is that one of Jack’s goals is to not become his father. Right now he feels like he’s unfortunately following in his dad’s footsteps. He finds himself more at a breaking point than not because of Paityn’s disappearance. He’s beginning to wonder if it’s just in his genes to be ruthless. It’s not what he wants, his goal was to be better than his father.

I think it’s important to also talk about this kidnapping. Jack knew this was going to happen. And now he’s deadset that it was the Costello’s, which is only going to cause more of a rift in Chicago. Since he’s so focused on the Costello’s, the Aleman’s aren’t even on his radar. That is going to be a problem for him if they sneak up while he’s so distracted.

He partially feels like his sister getting kidnapped is his fault. If he could bring his sister back in any way, he could. He should’ve done more to stop the wedding. He could’ve done more now that he looks back on it.

WRITING SAMPLE

Sample 1

Gun TW, Violence TW, Death TW

Even though he was supposed to let those under him do the dirty work, Jackson liked doing it himself. And when someone almost tried to keep his weapons from him, he had to make an example out of him. “Please, c’mon you know I have two kids to feed at home,” The man in front of him said, begging on his knees. He understood where the guy was coming from, but he should’ve thought about that before pocketing Jackson’s arms dealings. That’s not how things worked around here.

“You should’ve thought about that before you tried to fuck me over. What were you expectin’? For me to just forget about it? That’s not how it works around here and you know it,” Jackson put his hand out, reaching for someone to give him a gun. In an instant, he shot him in the temple, walking away from the mess that he just created.

“Someone clean that up,” He commanded as he walked away.

Some things had to be done, even if they were hard. Sure he enjoyed this, it brought him back to his days in California, but this was more than that. He had to protect what his father built, what his family had built. Jack wiped his cheek where the blood spattered with his handkerchief. At least, he was still able to separate his work life from real life. This side of him only came out when he was working and he was able to put it right back inside of him. It truly was a gift.

Sample 2

Having Jackson Jr. waiting up for him was probably the highlight of his night. Jackson took off his coat, which protected from from the chilly Chicago winter.

“Daddy!” He exclaimed, causing the older blond to bend down and welcome his son into his arms.

“Hey buddy!” He shouted. All that he did didn’t matter once he got home, because he left his work at work. Here, he was just a loving father and husband. “I missed you so much!” Jackson kissed his son’s head. “Where’s your brother and sister?” He whispered.

“They sleeping, I needed to stay up for you!” His son insisted. Jackson looked forward to coming home and being with his family. It didn’t matter what he had done that day, all of that was wiped away when he walked into his home.

“Where’s mama?” He asked his son, and his son pointed to the living room. The way that Jackson grew up, with being underneath Johnny’s thumb, he never wanted it to be like that for any of his three kids. He vowed to never yell at his children, never to jump to conclusions with any of them.

Once he became a father, something inside of him sparked. It made him want to be a better man, better than he even was. His family grounded him. And it’s probably the only thing that’s keeping him from exploding at this very moment. Without Charlie and the kids, he probably would have collapsed, exploded even. But he’ll keep going for them.

Sample 3

“I can’t fucking believe her!” He raised his voice, raising his arms to look for something to hit. He knew the Costello’s, nothing was ever this simple for them. Luca had an agenda, he must have one. If anything, Jackson was a good people reader, you had to be in his line of work. “Does she know what they’ll do to her once she’s apart of their family? They’ll kill her. Or brainwash her, god dammit!”

He was glad that Charlie dragged him out of that room before he said something that he would regret. He wasn’t normally like this but when it came to his family, he didn’t play around. It was his job to protect his siblings, his job to make sure that everything went smoothly regarding his family. And now this? This was like a stab in the back from Paityn. He wasn’t mad at his little sister, though, he could never be mad at her. He was mad at the Costello’s for trying to insert themselves in her life. It wasn’t fair to Paityn, she was going to get her heart broken at some point or another. And it was up to him to stop it.

“I’m gonna make this go away. She cannot run off into the sunset with a fuckin’ Costello!” He wouldn’t let it happen under his watch. He just couldn’t. This was his baby sister they were talking about, after-all. The Costello’s had some fucking guts trying to ruin his family. His family was the one place that he felt they could never infiltrate on. Boy, was he wrong.

#accepted

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the-little-prophet · 5 years

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BDRP Questionnaire 2019

Posting this on Charlie since I actually talked about him quite a bit! Let’s gooooo

Characters: Berlioz, Hades, Kiara, Nala, Andrina, Merida, Charlie, Apollo, John, Su, Ashleigh, Nemo, Jun

Pick one of your characters and talk about their growth (we recommend choosing an older character, but it’s up to you!) What about their story has surprised you? What are you proud of? How have they changed from their original inception to now?

This one goes out to Charlie. I pitched Charlie very deceptively-- claiming he was a prophet, aligning him, at first, with Calliope, making it look like Charlie’s magic was of the classical, Cassandra-inspired kind. But all along, I knew that what I wanted Charlie to be was more of this sci-fi/fantasy blend as an homage to his movie’s sci-fi bend too. This year, I got to actually reveal that Charlie is a time traveler after two years!! This is very exciting for me! I’ve enjoyed being able to lean into Charlie’s new image systems with this reveal, even though I’m out of my depth and breaking like 67 different time travel rules, probably lol. Still, it’s been great to take him to that place, and to invent Future-Charlie as both a deux ex machina and an expression of identity/choice/free will etc etc. I did not have Future-Charlie in mind when I created Charlie, so that was something I was proud of coming up with!

Pick another character and talk a little about where you WANT them to go. What are your plans for them going into the new year?

I’m going to talk about Nemo if only because everyone else feels like a spoiler lol. Nemo, as a relatively new character though, is still full-speed-ahead on his initial goals that I outlined for him in his application. Now that Nemo’s been established in the school and he has this little group of buddies, I want:

To focus on his wing. I want Nemo to push himself, get himself in a spot of trouble, potentially injure himself.

Reveal his wings to at least one mundus friend

Continuing to infuse his posts with body image issues. This is a slow build kind of plot that really is like...the broth of Nemo’s plot-soup, lol, while training for his placement is the chicken and belonging at school is the noodles….it needs to be this throughline more than like, para a, para b, para c. at least for now.

Pick a thread or a plot that you’re proud of and talk about why you loved it.

I could pick a lot of threads here lol it’s honestly so HARD. But I think I want to shout-out to the Charlie/Jim first kiss thread because it surprised even me and Hannah. We initially planned for the first kiss to be just that-- one kiss, then we done, Jim and Charlie go on to be friends. But like in the best of cases, Jim and Charlie’s palpable chemistry actually informed more of Charlie’s arc and opened up avenues previously closed to me/Charlie since Charlie had been so SHUT to the idea of love. So! I really loved that thread. Also because like, I literally made Charlie experience the big bang after his first kiss. And THAT’S the BEST way to use magic in my opinion. Like when you can infuse magic with an emotional catharsis-- I think the other time I did that super well was similar actually, when Herc kissed Kiki’s cheek and she grew a tree in his room lol. So yeah! Some of my best writing in that thread, amazing chemistry, big surprises. It was an absolute pleasure.

In terms of your own writing, identify 1-3 strengths and talk about why you think it’s one of your strengths.

-Image systems. I dragged myself for this, but I think it’s something that really helps me find a character’s voice and make myself excited to RP them! Also, I think it’s what people like about my writing sometimes. Maybe. IDK, lol. -Complex Emotion: I’m stealing this from my mentor who said I’m good at creating complex emotion and so you know its true. My most introverted characters get the bulk of this naturally--they are introspective and feely and give themselves the space to think and feel. But I really want to try to inject more into my extroverted characters. I think I’m doing well for Nemo, who had undiagnosed anxiety and so that informs a lot of his personality in very interesting-- very OPPOSITE-- ways as Berlioz; Nemo struggles with being alone because ‘alone’ means he gets too in his head. That’s been really fun for me and why he’s quickly become one of my fave voices to write (I know, u all thought it was because I am in love with Jimin (true), but no its bc Nemo is an anxious, big feeling baby and he’s always so Alive to me, plus i was made to write a fairy it was always my destiny.)

In terms of your own writing, identify 1-3 areas of improvement.

-Dialogue: PERSONALLY I feel like I’m not great at dialogue. Some posts are better than others and I think I’m good at like…..texting dialogue? IDK. I feel like I struggle in paras though to craft good dialogue. It’s just, rn, average dialogue. Of course not every post needs to have hilarious, punchy, great dialogue. But do my characters sound different? Am I doing all I can to create rhythm and speech patterns? -Filtering: Im being very picky rn, because actually I don’t do this too much, but I do it enough where I’m like, I gotta go read some really stellar writers adn ban myself from using “Feel” and “think” for like a whole month. What I’m talkinga bout is like: Ber realized/ Ber thought / Ber knew. That kind of writing is totally fine, but that’s about it. I need to come up with more creative ways to talk about feelings and abstract concepts!!!

-Character: I know everyone is probably like………….how dare lauryl put this here. But listen. I don’t think I struggle with character on RP. But outside of RP? Oh boy! The THING about RP is you MUST create a character, that’s your vessel for writing here, and so you do all that development plus u got the four years of worldbuilding informing that character, and literally EVERYTHING CHARACTER DRIVEN ITS...THERE IS NO OTHER WAY. Outside of RP though I think I have struggled because my natural affinity is worldbuilding and shit like that. I’m type 5 baby, I am attracted to characters who let me poke at things I don’t know anything about, like even Jun, part of it really is like, petitions and grocery store management lmfadsofij. SOOOo idk I just need to be able to focus on crafting characters that are compelling vessels for the cool shit I like to do outside of RP.

Pick one of your plots, or even just a character, and come up with a list of 3-5 “mentor texts” where you can look for inspiration or research, then write a short (2-4 sentences) why you picked those texts. JOHN DARLING BREAKS INTO FAERYLAND 1. Call Down the Hawk/Raven Cycle: It’s no coincidence that my reread of Raven Cycle last winter played a pretty big part in inspiring this new version of John. The descriptions of the magical forest Cabeswater and the hunt for Glendower have the same kind of contemporary fantasy vibe that I really like for John. And of course, Ronan’s dream magic is very much intertwined with the faery realm feeling like a dream (and Ashleigh, obviously, as a dark faery who can manipulate them). More than that though, the attention paid to the psyches of each character and how they drive the plot forward is just… /chefs kiss. 2. The Mabinogian: I want to draw from these classic Welsh/British stories and incorporate them in creative ways! Or just as, like, motifs are something. :) I have tried to do this but would like to be a lot more intentional, instead of just being like lmao let me look up some random shit for this one reply~ 3. The Hazel Wood: This book deals with characters coming into the real world from a book world! This kind of goes along with the Mabinogian as I kind of ish want to do something similar, only treating the Mabinogian as a historical, cultural text as opposed to a fiction. This book also focuses a lot on fairy tale tropes (like numbers) which I really want to incorporate in John’s stuff. I want to ideally write some of my own fairy tales-- I have one in mind actually through Ashleigh but it’s related to John too since he’d the scholar of said stories.

And now, a wishlist!

-Exploring Nemo’s disability. This is slightly challenging for me since we don’t have many fairies, but I’m brainstorming some ideas and hope to really kick it off in January, leading up to his Talent Placement Test. -I really want to have a lot of town-centric plots for Jun. Would love to rp with the police officers! I want to have Jun try to get some ppl arrested tbh ahah, like, Fflew for loitering, or maybe reporting Mitte. I would love some arch nemeses tbh-- Mitte does seem like a good one. AND I want to submit at least three petitions next semester!! Maybe i should make that two!! Still!! -Do some Bonfamille plots. I already have something I’m really excited about and have already planned here so this is a teaser… -Keep writing essays. The fairies have been great, getting me really inspired to do these.What’s been an amazing mental exercise, and why I cannot stop writing these, is thinking about how the political philosophy of Pixie Hollow informs how it functions: technically, socioculturally etc. It’s really fun for me to basically build a communist thought project and then enact it for real. I feel like I’m learning a lot about...well, societies, lol, and how the material factors endlessly bleed into, and shape, ideas and beliefs (and vice versa). Also, I literally have to do these because when Nemo is IN the Hollow and I want to write him getting a glass of water, I’m faced with a lot of technical questions: do fairies have running water? Does he have to get it from a stream? How do they keep things cool? Etc etc. And that’s why I go off on these, and I’m excited to keep doing them, as many as I can, with feedback from my fellow fairies. Also, do want to do ones that are NOT fairy related, so we’ll see about that. -Write John backstory. He’s gone on a few other adventures and I’d like to actually one-shot those maybe lol. -Alternate Charlie Timeline: This is something that’s bopping around in my head and I haven’t found the perfect way to make it happen, but I want Charlie to travel to an alternate version of his life and get stuck. When I figure out the right way to do this, my partners will also get to rp alternate versions of their characters lol. That’s fun right!! Of course it is, we do it all the time with AUs, but this one obvi be more personal and more closely tied to canon.

OPTIONAL: Why do you RP? First and foremost, I RP because it’s writing for the sake of writing-- joy for joy. I think this is even more important this year as I’ve had to focus on mentorship writing outside of RP. RP became the place where I didn’t have to think so hard about making everything make sense, lol. It gave my brain a break so I could be less judgmental of myself and just have fun and do the most ridiculous stuff...and some of my fave stuff iS ridiculous because of that...like Nemo and Sindri making flower crowns or the ASC nonsense. It’s this kind of light, fluffy, low-stake (but still High Stake) stuff that provided me endless joy when I needed it the most. Second of all, I RP because I really want to invest in people’s creative energy. I think doing so gives back to myself. Building canon, helping people brainstorm, seeing people grow-- I feel like a proud mom when I get to have this kind of mentorship role myself. I talked to MK about this, but even though Sam left to go off and do greater things, that’s like-- to me, it was a lot like he was graduating from this weird BDRP school I’ve helped create. I felt nothing but pride and happiness for him and really felt like, if BDRP was to explode tomorrow, I ACHIEVED the thing I set out to do when, four years ago, I sat on my computer and drafted BDRP’s mission and vision and committed myself to this admin role. And THAT’S what I want ideally-- for BDRP to be this collaborative place that doesn’t focus too much on what makes sense, on sitewide plots that force people into roles. I have always wanted plots like ASC and John’s search for Excalibur to be able to exist side by side, and I think we’ve done that. Now we just have to tend this garden, don’t we, haha? May BDRP bear many delicious fruit.

#bdrptask #this is a rambling mess but always fun aint it

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jloves-pp · 5 years

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Little Book of Magic -Chapter 1

Chapter 1

13TH July 2015

Sally was awoken by her phone alarm next to her bed. Groaning, she grabbed her phone and saw it said 9:42, turning off the song which was set to wake her, it was one of her favorites. She lay back on the bed, looking up at ceiling that had been painted to look like a starry-sky. Her bedroom was tiny in size and was filled with her toys, books, collectibles and her fan art collections.

The 12 year old was the second eldest of her siblings, she was pretty and creative. She had a special love for making things using crafts like knitting and sewing. She spent lots of time writing but her favorite thing of all was drawing, most of the pictures she created were of her favorite characters and she had come to love them.

Sally ran her fingers through her long blonde hair and rubbed the sleep from her eyes, as Sally stared up she noticed something was out of place, it was her hand made Jack Frost doll on the floor.

"How did you end up on the floor Jack?" she said as she picked up the rag doll up. Sally couldn't help but smile at the blue button eyed doll, she placed him back on shelf and put his wooden staff back under his arm. "There your back where you belong", she pulled open her curtains and looked out onto the street and headed downstairs toward to the kitchen where her siblings were.

The first person she saw was her sister Maria, she was 16 and oldest, she had long brown hair, brown eyes and she wore glasses. Maria and Sally liked the same things like writing, reading fanficton, watching their favorite movies and playing Just Dance together.

Next there was Charlie, he was 11 and like Maria he had brown eyes and brown hair but his was curly, he enjoy his games, building with Lego, bike riding and most things that typical boys enjoy.

Last was Oliver, he was two year old had blonde hair similar to Sally's and big blue eyes. He was a sweet and adventuress little boy who loves superheroes and dinosaurs.

"Sally" Oliver called as his sister walk in.

"Morning Ollie" Sally replied, smiling at her baby brother, she ruffled his hair and kissed him on the head.

"So, are there any new comments on the new chapter?" She asked Maria who was on her iPad, she was looking on the sister's fanfic blog.

"Only 3 but they just the normal ones like love it, can't wait for more and like it", Maria said showing them to Sally as she made a drink and sat in her chair.

"Mmm, I wish they'd say more than that, I really like it when they give more of a critique! You know it helps me feel to see things freshly and to look at it from their point of view" Sally said taking a drink.

"Which one is it, the time travel one or that 'Beetlejuice' one" Charlie asked munching on his cereal, making his sisters' look up.

"Niether" Maria answered then showing Charlie her iPad " It is the one of Lizzie meets the Big Four and saves the world. You know, the story that we've been talking about it for months!"

"Oh yeah", Ollie said wanting to be part of the conversation.

"And that's why your my favourite brother", Maria whispered in her brothers ear. Sally heard an E-mail arrive for Maria, she touched the button and her blue eyes concentrated on the screen, she quickly showed it to Maria who responded to what she read with a gasp.

"Oh my kitty-cats! They posted a new chapter" Maria said

"I KNOW! They haven't updated for months" Sally added and both girls let out fan girl squeals.

Charlie rolled his eyes at both, Sally and Maria were fangirls, they enjoyed what most fangirls enjoyed such as talking about Fanfiction and ship (the relationships of characters) and reading fanficton.

Charlie couldn't never understand his sisters being fangirls, anytime news popped up about their favourite films they went nuts. Sometime he found it funny, but most of the time he couldn't stand it but that was what most siblings are like he guessed.

The fandom the girls were part of was "the Big Four", it focussed on the main characters from 4 animated films, How to train your dragon, Tangled, Brave and Rise of the Guardians.

"You know it's not really a real fandom" Charlie said before taking a bite of his toast.

"That what make is unique because it's not like other fandoms" Sally answered.

"But it's not like Marvel or Star Wars or even Harry Potter, you know" Charlie said back as Oliver took a bite out of his pancake (which is he's favourite food) as he watched his older siblings bicker until their mum walked in.

"Good Morning lovely people", she said which made all four jump and turn.

"Morning mum" three of them said in a chorus, while their baby Brother said

"Mamma"

She gave a smile before kissing Ollie on his check "I'm surprised your bickering doesn't wake the dead",she said in good humour.

"Yeah" Sally laughed weakly, rubbing her necklace as she, Maria and Charlie looked embarrassed about their silly little argument.

"I'm sorry but, I just don't get it" Charlie carried on "especially the "shipping" thing".

"At least we're making sense" Maria commented "I agree that some shipping really doesn't work".

"Anyway dose anyone know what's happening today" Mum asked looking at her kids.

"Ur...going to town?" Sally finally said.

"Swimming?" Charlie said enthusiastically.

"Food shopping?" Maria asked.

"Disneyland?" Ollie added which make everyone chuckle.

"No, you know I've be talking about the craft show in Wales" Mum said. The kids did remember their mum had talked about her plans for weeks, "well it's tomorrow, so we have to go to Nanna's today, you do remember that Nanny Lilly is coming with me, and all four of will be at her house for the day? You'll be fine there together, I can trust you to be good and look after each other?"

Knowing that arguing about it won't do anything the change their mums plans,

"OK" all three said, even though their faces showed anything but excitement.

Soon after lots of encouragement by their mum they were all washed and dressed and had packed their bags. Along with clothes they packed, they took books, games, movies and toys to keep them occupied at Nan's. Sally grabbed her drawing book and pencils before she headed downstairs, her mum and her brothers and sister were already in the car, Sally found her key when she notices an old family picture.

There was one person missing from that photo and that was her dad. He was a wonderful dad, kind and loving to his wife and family. He had served in the British Army but he passed away before Oliver was born. Sally, Maria and Charlie all missed him but their mum missed him the most.

"Sally" she heard her mum call, the young girl took one more look at the photo of her dad before went toward the door.

Soon they were on the road, driving from home in Liverpool to Wales. Sally was seated in the passenger seat, listening to music on her phone watched the world go by through the window. It was a long drive so they occupied themselves. She glanced over to the back seat and saw Charlie was playing his Ds, Maria reading her 'How to train your dragon' book and Oilver already fast asleep and he looked very angelic. Sally turned to her mum who was concentrating on the road before she looked back at her view from the window.

Sally stared at the clouds, she watched them slowly drifting across the sky changing shapes as they moved. She began to imagine Hiccup and Toothless flying among them, Sally would often daydream of stories or characters when she wasn't doing much.

She always thought life in the stories was more exciting and interesting than real life, the heroes and heroines lived in beautiful and magical places where they could go exploring and meet wonderful creature and interesting people. Rather than real life where most places were too far away and cost losts of money to get to. Sally wished she lived like her heroes were there was something exciting happening every day.

After a couple of stops for toilet and drink breaks, they made it to the small seaside town they all recognise. Driving through the town and up a hill where their Nan's house stood, it looked like an old big Victorian dolls house and their mum's side of the family had lived in it for centuries.

They could see Nana Lilly standing on the front porch, waving as mum parked the car. The children all jumped out and ran to hug her.

"How was the drive down?" Nan asked them.

"Long as usual" Charlie said as their mum join them.

"And we went down the Winding Way this time which make me feel sick". Sally added.

"I just wish you lived closer so we didn't have to drive here and we could see you more", said Maria.

"You all know I couldn't leave my home", Nanny Lilly told them before she reached down to pick Oliver up.

"Anyway let's get the bags into the house and make some coffee", Mum said, they soon unpacked the car and were headed inside with all their things but Sally followed last, she found herself being drawn to the woods that surrounded Nan's house, she felt like something was wrong. She couldn't see anything out of the ordinary but the woods had always made her feel uneasy.

"Sally" she turned to see her mum standing by the door "Did you forget something?"

Dismissing the thoughts she called back,

"No, coming" and ran to her mum. A little holiday with her family nice and normal with not much happening, at least that was she thought.

#rise of the brave tangled dragons #The Big Four #jackunzel #mericcup #how to train your dragon #tangled #brave #rise of the guardians #Jack Frost #Rapunzel #Merida #hiccup #fanfic

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iamtimish · 5 years

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2019 In Movies

If you had asked me at the start of September my thoughts on movies in 2019 I would’ve told you it was the worst year since 2014, when I started going regularly. Early year releases like Booksmart or Midsommar grabbed my attention in the theater but faded from memory as the weeks went on. Even Jordan Peele’s Us, an ambitious film making many year-end lists, lacked the coherence of his first feature Get Out. I admit this may be colored by my own aversion to horror. So subjectively and prematurely, I was out on the movies of 2019.

I was wrong. From October through December I saw something truly great almost every week. In one weekend I saw Parasite and Pain & Glory. The next weekend I saw Knives Out and the following weekend The Irishman. Not only was my faith restored and mental health improving, I was now wondering if this wasn’t my greatest year at the movies.

So listed far below are my 15 favorite movies for 2019. 15 because these were the ones I found thought provoking, thrilling, rewatchable - whatever words add up to heart-pounding for you. Beyond those there aren’t more than a handful I still care to talk about. Those 15 films though… damn.

“Good” art conveys an intentionality while remaining open to interpretation. It makes sense then that these films, in yet another year where many of us feel uncertainty and discontent, are thematically connected by cynicism. That’s not to say that all of these films are cynical; there are acts of hope and attempts at healing that are important takeaways. Sometimes, it’s in individual acts of bravery (hopeful heroism) combating the cynical world in which the characters find themselves. This may be explicitly depicted like in Once Upon a Time... in Hollywood when two aging film industry men jaded by a changing society as well as their own choices, wield limbs, bean cans, and flame-throwers in an attempt to reverse history on the horrific Sharon Tate murders. The hyper-violent climax that we’ve become accustomed to in Quentin Tarantino films is effective not as a redemption arc for the morally questionable protagonists but because it suggests that individuals have the ability to fight back against evil.

More subtle examples exist in films like Knives Out where being capable and kind are rightly heroic. In Pain & Glory healing arrives as an artistic re-awakening despite the declining physical prowess of our aging protagonist. Kindness and creativity spell hope in the limiting world of Little Women. Jo March (Saoirse Ronan) is fiercely independent, loving and determined in a world that, as her sister Amy puts it, “is hard on ambitious girls.” Battling both this misogynistic society that she finds herself in, and the isolation that her ambition imposes, Jo’s ability to confer importance through her art is heroic unto itself (not to mention the way she cares for her dying sister). In this cynical world, the ability of the march sisters to persevere and grow relates an optimism to those of us struggling in the moment.

Marriage Story and The Farewell each follow families coping with death, not an optimistic premise on the face of it but not completely sorrowful either. Both center on women who’ve been turned into cynics by circumstance. For Nicole (Scarlett Johansson - Marriage Story) it’s the death of her marriage. She is rightly aggrieved by Charlie’s affair and selfishness, and is brave to seek a change. In an ideal world understanding happens before it gets to divorce, but that’s not always possible. So when a relationship like that of Nicole and Charlie’s is beyond repair the most noble act is to find a place of peaceful coexistence for their family, and for themselves. And despite the animosity that arises during the divorce proceedings, Charlie and Nicole eventually find that way forward. The way Marriage Story ends is sad, but also suggests a working future for those involved.

In The Farewell, Billi (Awkwafina) must come to terms with her family’s decision to hide a cancer diagnosis from her grandmother. The decision, a cultural one, angers Billi; she’s unable to grieve the way she wishes. Philosophy lessons beautifully disguised in conversations with her elders start to open Billi up to the idea. But it is the physical act of seeing her grandmother’s happiness in being with family, joyful and unburdened by a medical diagnosis, that gives Billi hope. Like in Marriage Story, healing does not mean eradication - be it disease or betrayal - but rather the pursuit of happiness on the back end of tragedy.

Other movies are more directly hard edged and cynical. The Irishman and Uncut Gems are not concerned with hope or redemption. In both movies greedy men do greedy things, or stupid things, or both. When they seek redemption from those they have hurt, they don’t get it. Nor do they deserve it; they have no remorse. Howard Ratner (Adam Sandler - Uncut Gems) is a man who never looks back. Each chaotic decision, no matter how failed the result, only propels him into more chaos. His false idea of redemption is to keep climbing the mountain until he reaches the top. Only that he is more Sisyphus than Sir Edmund Hillary. Frank Sheeran (Robert De Niro - The Irishman), while more restrained, is equally as stubborn. At the end of his life he is alone, estranged from his daughters. Yet he is not at all remorseful about his life as a hitman for the mob; it’s what it is.

Then there is Parasite, a masterful blend of all of these themes. There are cynics and heroes, individual acts of hope and horrific acts of violence; with family at the root of it all. Co-writer (with Han Jin-won) and director Bong Joon-Ho expressed that in making Parasite he “tried to express a sentiment specific to the Korean culture, all of the responses from different audiences were pretty much the same.” When asked why that was director Bong replied, “essentially, we all live in the same country...called capitalism.” Now this is perhaps truer and more cynical than any of the previous films discussed here. Yet, the movie is so expertly crafted, so brilliantly written, that there are ways to read the subtext of the film as hopeful. I choose to see it more as an expression that we’re trapped in a system that pits the middle and lower class against one another, with little hope of change. But it is certainly possible to read Parasite through a more optimistic lens. One that suggests as long as we are not dead, we can still fight, and hope. That is the beauty of it and why it is my favorite film of the year.

So without further ado, here is the list of my favorite movies of 2019, along with some superlatives.

Honorable mentions: Rocketman, The Art of Self Defense, Jojo Rabbit, Rolling Thunder Revue: A Bob Dylan Story

15. Ad Astra

14. 1917

13. La Gomera

12. Corpus Christi

11. The Souvenir

10. The Farewell

9. The Man Who Killed Don Quixote

8. Uncut Gems

7. The Irishman

6. Knives Out

5. Little Women

4. Marriage Story

3. Pain & Glory

2. Once Upon a Time...In Hollywood

1. Parasite

Best Actor:

Leonardo DiCaprio (Once Upon a Time...In Hollywood)

Runners Up:

Most Soothing Voice: Antonio Banderas (Pain & Glory)

Dude Absolutely Going For It In the Best Way: Jonathan Pryce (The Man Who Killed Don Quixote)

Best Actress:

Lupita Nyong’o (Us)

Runners Up:

Best Matriarch (TIE): Zhao Shuzhen (The Farewell); Cho Yeo-jeong (Parasite)

Most Wonderful, but So Lonely: Saoirse Ronan (Little Women)

Florence Pugh Award for Being Incredible in Everything and Having my Heart:

Florence Pugh

Funniest Scenes:

Al Pacino explaining to a courtroom that if attacked, “You charge with a gun. With a knife, you run.” (The Irishman)

Kevin Garnett praying to the gems in the locker room (Uncut Gems)

Best Rock:

The Uncut Gem (Uncut Gems)

Worst Rock:

Metaphorical Rock (Parasite)

Best Animal:

Dog (The Farewell)

Worst Animal:

Rat (1917)

Best Unplaceable Accent:

Daniel Craig (Knives Out)

Best sunglasses:

Matt Damon (Ford v. Ferrari)

Best Fit:

Richard Ayoade in a cheetah print blazer and striped shirt (The Souvenir)

Best Casual Mention That Your Boyfriend is a Secret Heroin Addict:

Richard Ayoade in a cheetah print blazer and striped shirt (The Souvenir)

Best Julia (TIE):

Julia Fox (Uncut Gems); Julia Butters (Once Upon a Time...In Hollywood)

Shortest King:

Stephen Graham (The Irishman)

here is a link to everything I have been watching where you can also find reviews and lists from the past few years. Thanks as always, if you read this far, or at all.

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gingervsblondie · 5 years

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Blondie Meets the Boss (1939)

11:30 PM, Friday, 20 September 2019

Checked Wikipedia. This movie has the same writer, same director, and same actors as Blondie. No regenerations yet.

Welp, I checked the Wiki article for the last movie in the series, same actors still across the board. 12 years later not only was Penny Singleton still Blondie and Arthur Lake still Dagwood, but Larry Simms was still baby Alexander and the same dog Daisy was still playing their dog whose name is also Daisy.

So uh. I mean, variety’s out the window. I have committed myself to 27 more movies with all these same people. And dog.

Guess I should stop stalling then and start the damn thing huh.

OH JESUS THERE WERE TWO TV SHOWS.

So.

So there’s 26 episodes of the 1957 series, which kept Arthur Lake as Dagwood and recast everyone else, plus a pilot with someone named Hal Le Roy as Dagwood. The 1968 series had the child actors who played Charlie Brown and Lucy in A Boy Named Charlie Brown, so as a Peanuts fan I have that to look forward to. Peanuts being a comic strip that I’ve actually read extensively. See I could’ve dedicated myself to watching every Peanuts special. But that wouldn’t be funny. Also I probably have already. That series had 14 episodes, 13 of which aired before the show got cancelled.

Which, all in all, seems… maybe do-able?

Jesus that can’t be right, apparently that’s 13 hours of Blondie.

You know what?

This might take longer than I thought.

But I can’t be defeated yet. It’s day one.

It may take me longer than I thought, but I believe I can do this. I can watch all of Blondie.

Not because I want to. Not because anybody asked me too. Not even because it’s a remotely practical thing to do.

But for the goof.

I’ll do it for the goof.

For you.

So let’s keep going, shall we?

Blondie Meets the Boss.

Once I check Wikipedia and make sure there’s nothing else.

...

Alright there’s a radio series with Lake and Singleton. It was concurrent with the movies. There’s 42 half-hour episodes. They’re all on the Internet Archive.

...Fuck. I’m sorry, I’m not committing to those right now. Eventually I’ll get to them. Eventually.

There’s some animated cameos in Popeye and things like that, I’ll skip those until I get all completionist about this when I’ve watched everything else. And there’s two animated specials that Marvel made in the 80s. Those I can watch. I can watch 2 specials.

You know, after the 28 movies.

But before the 40 episodes of TV.

And the 42 episodes of radio.

This seemed less daunting when all I’d said I’d watch was 28 movies. I mean, still daunting, but the horizon was in sight.

Maybe I’m getting ahead of myself. 28 movies. I’ll finish the 28 movies, and then we’ll see about the rest.

ALRIGHT STARTING BLONDIE MEETS THE BOSS NOW.

11:58

So if it’s still the same kid playing Alexander 12 years later, and he’s like 3 in this, that’ll make him 15 by the last movie in 1950.

I don’t think “Baby Dumpling” Alexander can be 15? Unless they go all Outnumbered with it. I’d be down.

12:00 AM, Saturday, 21 September 2019

They got a slow motion camera for this. For a shot of the dog. Not doing like a sick stunt or anything. Just a slow motion shot of the dog walking at regular dog speed.

12:02

Dagwood keeps yelling “Blondie!” in this one. Is that meant to be his catchphrase? Which he didn’t say last time?

12:03

You want to know something funny?

Before I realized what I’d done, I was entertaining the idea of watching, as a follow-up to this endeavor when I’m done with the Blondie movies, every Family Circus special.

But now I know that I won’t be done with Blondie for quite some time.

12:06

Over the summer I watched an episode or two of The Dick Van Dyke Show. I think Mary Tyler Moore and Dick Van Dyke are probably more talented comedians than the stars of Blondie, but so far the premises in Blondie have been more competent from the point of view of structuring comedy. That Dick Van Dyke Show episode didn’t have any kind of pay-off. It was weird. If I’m remembering right, the conflict was that a guy showed up and was annoying, and then at the end he left.

But on the plus side, I don’t have to watch every episode of The Dick Van Dyke Show.

12:10

Blondie just said “You’ll kill yourself!” Still concerned about ole Dick Flournoy.

12:12

ALRIGHT. I’m 7 minutes and 50 seconds in. I’m going to take a break now. I’ll finish it tomorrow. I mean what’s the rush? I’ve got the rest of my life to watch-

I’m not gonna calculate how many hours of Blondie it is in all. I’m not gonna. You can’t make me.

12:29

My dad would probably hate this thing I'm doing. He's always saying "your life is this long," and holding his two fingers up. If he goes on he says something to the tune of "if you spend this much of it on such and such…"

But on the other hand, that one AJR song said "A hundred bad days made a hundred good stories, a hundred good stories make me interesting at parties."

Well, 28 Blondie movies make one funny statement, that being "I am Euan O'Leary, and I've seen every fucking Blondie movie."

And I don't go to parties, so.

12:38

See I think the thing of it is: I have seen every Godzilla movie. Because I care about Godzilla. Godzilla Raids Again kick-started my love for filmmaking. Every Godzilla movie puts filmmaking as a craft on display, front and centre. And there's a magic in creating giant monsters from rubber suits and model buildings. The magic that makes filmmaking so appealing, so special to me. Suspension of disbelief.

I have no such feelings about Blondie, because I know nothing about Blondie. The Blondie movies are not particularly culturally significant. In a way I think I'm drawn to them because there are 28 of these things, and I could've gone my whole life without knowing. It wouldn't have come up. I've never met anyone who cared about Blondie, actually cared enough to know that there have been more movies about Blondie than James Bond.

And those 28 movies, I can safely bet having seen one now, are totally unremarkable. It's like how Marcel Duchamp's Readymades were objects that he was completely indifferent to, testing the limits of art by removing passion as much as possible.

Not to say I'm not passionate about watching 27 more of these movies. I relish the challenge. It's gonna be fun.

I'm thinking now I’ll just do the movies, because "I've watched every Blondie movie" is a funnier and easier to understand sentence than "I've consumed every piece of Blondie media except for the comic strip, across live action films, TV series, radio shows and animation."

Yeah. No. That's not a premise. Watching all the movies is a premise. And maybe I'll look at the other things if I'm feeling sentimental about the project and don't want it to end.

That is to say, if at the end of the 28 movies I have somehow metamorphosed into a Blondie fanboy.

Anything's possible.

1:03 PM (The next morning)

Okay, I’ve slept on it now. Time to get back to Blondie. Let’s see how Blondie in the morning compares to Blondie late at night.

1:08

Dagwood just lost his job (for the second time so far in the series.) With no bag or suitcase, he went into his office and started packing all his things into his hat.

What a loveable doofus.

1:13

Okay. So.

The dynamic of this series seems to be that Blondie wears the pants. She’s the dominant one. Whenever Dagwood’s in trouble because he can’t just explain the comedy of errors to whoever he’s in trouble with, Blondie resolves it by asserting herself.

There was just a scene where Dagwood came home having accidentally resigned from his job. Once he’s explained everything to Blondie, she takes off her frilly apron, puts it on him, and says “Whenever I’m miserable, I just take a broom and sweep and sweep! You’ll be surprised how quickly your troubles will disappear.” Dagwood looks dazed, wearing the apron and with the broom in his hand. Blondie puts on her coat and hat, walking determined towards the door to go out and fix everything. “And have a good cry, too. It’ll make you feel better.”

A while back I watched Rebel Without a Cause, the James Dean movie, which features a scene where Dean’s character finds his father cleaning up a mess whilst wearing a frilly apron, wanting to clear it away before Dean’s mother sees. And Dean reprimands him. The implication of the scene is that because his father isn’t asserting his masculinity, and because he’s letting the mother dominate him, he’s depriving his son of a masculine role model and thus traumatizing him. I found this scene pretty repulsive. It’s not just a character acting in a sexist way, it’s a deep-seeded thematic sexism on a philosophical level. It supposes not only that Dean has to aspire to be as strong as his father, and not his mother, but also that men who wear anything like this feminine apron, and it would follow any other feminine clothes, are weak, because women are weak.

Now Blondie is indisputably a strong character. And while I think the scene I just watched was meant to be played for laughs, while it’s meant to be funny that Blondie is suggesting feminine methods of coping with stress to Dagwood, she’s not wrong. “Have a good cry, it’ll make you feel better” is Blondie confidently telling Dagwood to vent his frustrations in a healthy way.

Blondie’s a fucking badass.

1:29

Dagwood’s humiliation at being emasculated is indeed being played for laughs as the movie goes on.

Blondie’s still a badass though.

1:33

Um.

1:36

Snort Watch 2019.

Somebody’s breaking into the Bumsteads’ house. Alexander says “Sic’ em, Daisy!” Daisy (the dog) walks into a cupboard. A little puppet dog hand comes around the door and closes it after her.