#I meant to say I actually usually hate when Rich Character and Poor Character are portrayed in a Rivalry Of Equals type scenario cause like

[charlesemersonwinchesteriii]

If you already got this from someone and you just haven't answered yet pls ignore, but if no one else asked i want to add klinger+charles for the relationship bingo ask meme

ok I’m getting to this late as FUCK but PLEASE nobody ever hesitate to send me something for an ask game if I get one ask on a topic I will go YIPPEE and if I get 20 asks on the same topic I will go YIIIIIPPPPPEEEEEEEEEEEEEE

Anyhow you're indeed the only one around here who shows outside interest in our rarepair insanity, a boon I will remember as long as I live btw. Mx. Smoking Marlene Dietrich I owe you the WORLD

TRIPLE BINGO because they are EVERYTHING. to me.

It’s funny. This is the one duo where I almost do just want to post the bingo and leave it at that. Part of me wants to tell people about this ship SO bad, to give novel-length explanations and justifications and theses. But the other part of me is like you know what. You either Get It or you don’t.

Anyways there are 10000 things to say about Them but one is: I specifically did not fill in “gay af to have a sworn rival” even though it cost me another bingo because one of the most fascinating things about the interactions between these two is that they actually do not have a mutually adversarial relationship--even though that’s what writers usually do with two characters on diametrically opposite ends of the socioeconomic spectrum. 

I’ve been thinking about this a bit because I’ve seen people say things like, “It’s great what a funny duo they turned into when they started out hating each other, haha.” And I get why one would think like this but IMO it’s actually not the case! Charles acts more familiar with Max over time because he does that with everyone--

(Though he’s racist towards Max throughout, of course. Because Charles’ racism never goes away. You know that right. MASH fandom I am putting my hands on your shoulders and asking: You know that, right? I keep seeing people talk about Charles having a character arc and a redemption arc so I’m just. I’m just making sure.)

--but Max has actually been pretty nice to him right from the start, back when Charles’ relationship with basically every character was antagonistic. As soon as s6e13 he tells Charles how similar they are, how they should work together to try and get away from the war, how they’re “soulmates”. Even after Charles insults him, he straight up says, “I’m on your side, Major”, which I’m pretty sure remains one of the nicest things someone canonically says to Charles, ever. Just one scene, but emblematic of a greater whole, of quite a few future scenes where Max gamely engages with Charles even when it puts him in unpleasant situations.

And of course, the motivation the show usually gives, on those occasions when it thinks about Maxwell’s motivations at all, is a simple throwaway “Well Charles is paying him / giving him some other material benefit, so obviously Klinger will be his kicked dog! You all know how Middle Eastern people are! We are a groundbreakingly progressive show btw.”

But man. Fuck that shit. This is far afield of my original point but the thing is, Max’s interactions with Charles are often the most egregious exempla of every way the later seasons fucked over my girl here. It almost seems useless to try to analyze any of Max’s actions after a certain point from a Watsonian perspective, when the Doylist reading of the show being too racist and stupid to do anything coherent with him is the ultimate explanation, and sometimes the only explanation you can even come up with, because shit just makes NO fucking sense in-universe. 

But unfortunately I’m a stupid cringe ass fanfic writer/reader, and I love this character, and Max already gets so little screentime compared to the main protagonists, and I don’t want to just ignore him because of the decisions of writers who didn’t care about him.

(That’s the entire reason I started shipping this stupid thing in the first place, btw. I just wanted to read some fanfic where Max is the main character and idk if you’ve noticed but if it weren’t for AO3 user stateofintegrity and their ~problematic cringe ship~, the pickings would be pretty fucking slim.)

So I like to pretend there’s a better reason for Maxwell going from “Major Burns I hate you so fucking much I am going to kill us both with this fucking grenade” to the equivalent of a tumblr blog responding to pathetic anon hate with “are we about to have sex”. After all, if you’re going to write Maxwell yourself, get inside his head and all, then you also have to account for why he tolerates all the OTHER characters’ racism towards him in later seasons, too. 

And the messy problematic reasoning I come up with is that Max is at heart the kindest and also most emotionally intelligent character on the show, and even the liberalized version of the 1950s our story is set in is a systemically bigoted universe that is all he’s ever known and experienced, and he’s certain these are good people, really, when it matters. And being emotionally intelligent, and generally intelligent too for that fucking matter, and observant and insightful, he can tell there’s a big difference between Frank and Charles, and perhaps less of a difference, even, between Charles and Hawkeye. Maybe when you watch things from Hawkeye’s POV, the ideological and moral differences between him and Charles are huge, but maybe if you were in Max’s POV instead there wouldn’t be quite as much of a distinction between them. I don’t know! I don’t know. Just some ideas, I don’t know. 

Of course getting into fucking. internalized racism and such is pretty uncomfy and exhausting shit. And that’s not even touching all the gender stuff my girl has going on. You start to see why nobody wants to get into this character’s head much. But I do :3 And I do honestly think sometimes the most effective way to do that is to look at the Messiest Ship In All Of MASH (TM). As I’ve talked about before from the Charles angle, I love this ship precisely because of its Problems, because they’re problems that exist anyways for both characters, and having the two of them interact makes the problems impossible to ignore, so they maybe finally get to be dealt with. I mean, I just don’t think the optimal resolution to Charles and Max’s racism-laden interactions is that Charles goes back home to a big opulent house and Max struggles to save up to buy a used car in After M*A*S*H. That is not super satisfying. to me. 

This post got derailed to hell but I think what I was trying to say is that Max treats Charles SO much better than that bastard man deserves and I would at least like to see something come of it, for the love of--

[alchemiclee]

I hate that whenever there's a gay ship, people immediately het-ify it. people are so obsessed with making one the "man" and one the "woman" when that's completely unnecessary, because they are both the man or the woman. It's extremely annoying. these people will completely mischaracterize a character to fit into their stupid little het roles they force on them.

for example, you don't need to make one man the "wife" and feminized him to the extreme and fit him in a traditional "woman" role so the other man can be the big strong masculine manly man. they can both be masculine or both be feminine or both be both at the same time! they do NOT need to be gendered opposites to fit het roles. crazy, I know! it's like no one considers it a possibility! or sees how good it can be to have them be equals without gendered nonsense.

when there's a gay relationship, you have the perfect opportunity for the couple to stand on equal ground. they get to be equals who are just as strong and just as soft as each other. there's no faulty power dynamics where one is above the other (because let's face it, society unfortunately deems masculinity > femininity). one doesn't need to protect the other. they can protect themsleves, fight aide by side as equals. one doesn't do all the housework. they share that duty equally. one isn't weak and pretty, while they other strong and manly. they both are strong and pretty, or masculine and weak at the same time.

equal relationships are amazing and need to be explored more and appreciated. there can be more understanding and working together. i'm bad at explaining what I mean, but I prefer these equal relationships over forcing them into opposite roles to mirror het relationships, which are usually extremely unbalanced and unequal. especially because these not het relationships! so why must they look like one? they can and should look different! so why does literally every shipper and writer out there make them so het coded?

I don't understand why people do this. do they actually believe all romantic relationships must mimic het ones to exist and thrive and purposely force that on them? or have they genuinely just not fathamed that they can be different and dont need to follow the expected het standards?

I wonder, it feels like no one actually knows how non-het relationships are meant to be and how they could work, since het ones are always forced down our throats since birth. it becomes The Standard that everyone thinks they must follow. maybe it's all people know since they don't see any other possibilities. their preferred dynamics for their ships are what we are taught and nothing different, because they don't know it can be different. i also think people might be obsessed with that whole "opposites attract" trope. but that opposite doesn't have to be the traditional het-fueld feminine vs masculine or wife vs husband characteristics. it can be other personality things like one is loud and one is quiet, one is dumb and one is overly smart, one is rich and one poor, etc. it doesn't have to be masculine vs feminine!

BREAK OUT OF THE HET NORMS!!!!! TEAR DOWN HETERONORMATIVITY!!!!!!!!! FREE THE GAYS

(disclaimer, not saying masculine vs feminine ships are all bad/shouldn't be done ever. but it doesn't need to be 100% of the time either 😅 can't think of one ship people dont do this with lol)

[mermaidsirennikita]

Hmm... you know what you said about people not actually reading books they claim they've read? I feel like this can basically apply to most media. We're living in the tik tok generation attention spans and media literacy have never been lower. I know people who watch everything speed up or they fast forward through movies and shows or they watch those movie plot summary videos on youtube and facebook and count that as watching the actual movie! (big yikes) I saw my sister the other day watching Friends via tik tok clips despite the fact we have the whole show on dvd. This is how people consume media nowadays and it's worrying!!

It's true lol. And I won't pretend to be super invested in everything I watch, but if it genuinely doesn't interest me I'll just kinda stop and move on (when it comes to shows--with movies I usually soldier on unless it's REEEEALLY bad).

Me and my lovely lady friends have had a movie watching group for... like four years now (since right before the pando lmao but the pando made it a lot bigger) and I think that our commitment to watching trash, amazing, and mid things (we've given up on VERY few movies) has made me believe even more that you need to watch or otherwise something before really getting into the discourse. Like. I just said I watched The Bear season 1 (or near to it) and decided it wasn't for me. But I absorbed like, none of that show lmao. It REALLY wasn't for me. So while I can say "I didn't like The Bear", I don't feel like I consumed it, so I can only say on the surface level what didn't work for me, and maybe what I dislike about it on a cultural level (see: the way romance arcs are handled and discussed in the media).

But if I REALLY wanna get into critiquing? I'll watch it. Maestro was such a bad movie. So hard to watch. It wasn't even so bad it's funny, it was just bad. But now I can tell you that with an informed eye, because I WATCHED IT. And there have been movies that have surprised me, too! We just rewatched one of my all time favorite movies that only us and Adam Driver's wife have seen, The Man Who Killed Don Quixote. That movie is so weird! We only watched it because Adam looked good in it! And it's AMAZING to me. I LOVE that movie. I also love so many random little movies people trash. I hate movies like Wonka yet I get through them so that I can properly drag them with an informed heart.

I feel like a lot of people have really lost the ability to invest time and thought. I mean, I know this because Zaslav has asked creators to make things that don't require attention from viewers. For HBO Max, dude. When HBO has been the home of shows that offer so much more nuance than the initial dialogue, based on line readings, expressions. Succession's dialogue, for example, is practically incoherent at points on paper. I mean, Roman Roy sounds so sadistic on paper lol. But when you see Kieran Culkin deliver his dialogue, there is a totally different read, and you see what Jesse Armstrong was actually trying to convey.

I also think this is one reason (other reasons are cultural lol) that people give such surface level readings even when they do consume the content. Like, if you've trained your brain to only read into the most straightforward, "the dialogue and actions are the single truth, there is no other truth, there is no other meaning than EXACTLY what is being done and said in a literal manner"... You are almost never understanding what truly great work really means.

I mean, I just discussed this re: Dreaming of You. Derek Craven stealing Sara's glasses is not meant to convey "Derek Craven is a tool". That is a completely surface level reading. Kleypas is conveying "Derek Craven is obsessed with her" and honestly? Some character work about his background (he steals impulsively because it's super easy to him because even though he's rich now he had to grow up stealing shit because he was LESS THAN dirt poor) and the way he sees the world (he wants her, he doesn't think he can have her, he covets her, and what he does when he covets is take, through theft if need be). And I don't know, probably some subtextual shit about stealing Sara because she's engaged and shit, but that's more interpretive lol.

And I don't expect people to get as granular and obsessive as I do, because a) I am super analytical by nature b) I am A Nerd c) I write a lot so layered meaning is something I'm obsessed with. But like... in the above example, the MOST BASIC reading of "he wants her so he took her glasses because he doesn't think he'll see her again" is so obvious lol. Lisa leads you to that reading. I think he literally has internal dialogue like "he'd never see her again so whatever" while holding the glasses.

The same with the Succession example. If Roman shakes off his dad's weird abusive comments going "it's whatever" you shouldn't go "Roman is devoid of emotion" lol, you should be able to pick up Roman actually deeply caring based on the line reading and expression and a million other line readings before that.

I don't know, dude. Just take the time to consume shit. Not everyone does have a lot of time, I get it. So consume fewer things. Take more time. It's okay. You don't have to be on top of the cultural moment all the time, and if you're faking it to be in it, you're not getting the full experience anyway.

[sevlgi]

bubblegum pop

requested: no

group: twice

pairing: sana x fem!reader

genre: fluff

contents: rich girl!sana, college!au, cashier!reader.

warnings: none

synopsis: An unfortunately hostile encounter with the school’s sweetest rich girl might just lead to more than you ever expected.

a/n: inspired by @pearicot​‘s mean girl rosie series! (by the way, i’m not trying to feed into the “dumb sana” stereotype with this; i just thought that her personality fitted the character i was trying to achieve! does anyone wanna request continuations or scenarios in this universe 👀

word count: 3.3k

Something about Mondays the week of finals always got you in a bad mood, especially when you had  to work double shifts at the same stupid ice cream shop you’d worked at for the past 2 years of college. 

So maybe, just maybe, there was reasoning behind you snapping at the love of your life during your first meeting.

Actually, there really, really wasn’t.

There were plenty of mean girls on campus who you wouldn’t regret yelling at whatsoever, but you just happened to blow up at one of the considerably nicer rich girls.

Minatozaki Sana didn’t mean anything bad when she innocently held out a hundred dollar bill to pay for a $5 ice cream. She didn’t mean to seem pretentious, nor did she mean to mock you and your minimum-wage job, but you just so happened to take it that way.

“Really? You have to rub it in my face like that?”

Sana stared at you, the money that she held out wavering in the ear. “Sorry?”

Pinching the space between your eyebrows, you huffed out an exasperated breath. Luckily, there was no one else in the shop about to witness the stupidest meltdown of your life. “You think I don’t know that I’m poor? It’s five dollars for God’s sake, no need to bring out the big guns. Oh, or are you doing this to avoid seeming more pretentious with your daddy’s black card?”

The brunette’s hand retreated quickly, the heels of her Louboutins clacking softly against the pastel-toned linoleum of the ice cream shop. Fuck, you hated that linoleum. “I... I didn’t mean any of that, I swear! Um, is there an ATM near here?”

Once again, the girl meant well, and you took it badly. You scoffed, glaring disbelievingly at her. Some part of you was screaming out that you were putting your entire job at stake, and your morals as well, but you disregarded any common sense remaining in your brain. “An ATM for 5 bucks? Dude, just don’t.” Dipping your hand into the tip jar, you scrounged out a lousy crumpled bill and threw it down on the counter, shoving the bubblegum-flavored sweet to Sana. “Okay? Now get out, I don’t want to see your privileged ass anywhere near here.”

The dense gray clouding your mind somehow missed the hurt expression on the girl’s face as the staff door swung open. Wendy’s hands, though gentle on your shoulders, shoved you behind her with surprising force. “I am so sorry, Sana, it’s finals week. Surely you can understand? The ice cream’s on the house.”

“No, of course it’s okay!” Sana sounded genuine enough, that was for sure; you caught her glancing worriedly at you a couple times, nothing malicious whatsoever in her eyes. “I can pay though, are you sure?”

“I’m sure. See you in class,” Wendy called out, smiling all the while until the girl disappeared into the Lamborghini parked by the curb. As soon as that happened, she turned back to you, concern tugging at the corner of her lips. “Y/N...”

“Yeah, I know,” you mumbled as you crossed your arms. Already, you were regretting what you said, though you were far too stubborn to actually apologize on the spot. “No arguing with customers about capitalism. Sorry, Wendy.”

The girl bit her lip, scanning the store to make sure that there wasn’t about to be an influx of customers. Usually she enjoyed working with you; you just had absolutely terrible mood swings sometimes, and those days were nothing short of hellish for her to deal with. “Just head home. Focus on your finals, and come back next week. Okay?”

You hesitated to agree, knowing that you needed the money, but the grim expression on Wendy’s face told you that you had no other option. “Okay. Sorry.”

As you snatched up your stuff and shoved the door to the street open, you missed the sight of Sana watching you through the tinted windows of her 6-figure car.

“Really? Sana?”

“I know,” you groaned, biting down on the plastic spoon in your mouth. The flavor of the month (the only one you could eat completely free) lingered unpleasantly on your tongue, the taste of it oddly salty. “She was so nice about it, too.”

Jeongyeon and Mina exchanged glances, not touching their respective cups of “Ocean Caramel” either. It was extremely kind of them to come and accompany you on the slow days, both of them even offering to suffer through the gross ice cream with you.  “If it was Park Roseanne I might understand, but Sana,” Mina winced. Jeongyeon nodded in agreement; after all, everyone on campus knew about the reputations of Roseanne and Sana.

On one end of the “rich girl” spectrum, Roseanne was quite possibly the bitchiest one of all. She and her Bugatti Veyron, the college upgrade from her old McLaren, absolutely weren’t to be messed with. People who went to high school with you often told story of the G Wagon she smashed, the locker room she lit on fire, and so many other horror tales of a spoiled girl gone wild. You were sure that had you gone off on her, even Wendy wouldn’t have stopped you.

But on the other end, Sana was notoriously kind. Sure, her family raked in an income close to that of the other girl’s, and her wardrobe was just as expensive, but she made a point to donate to charities every time she went shopping. She tipped in the hundreds, and she didn’t ever ask for her designer clothes back when she lent them to strangers. She paid any dinner bill in full when she was there, and sometimes even when she wasn’t invited.

No one was entirely sure about the relationship between the two, but Roseanne seemed to hate Sana more than she did other people. The two fought publicly occasionally, but Sana’s kind heart made it so that even Roseanne couldn’t carry a fight very long. She didn’t respond to insults, it seemed, nor did she ever seem to actually take them personally. 

Stirring her half-melted soup, Mina continued, “Hopefully she doesn’t hold it against you. She doesn’t seem like the type, but...”

Jeongyeon shook her head, opening her mouth just as the doorbell rang. You froze when you looked up to find a designer-dressed bombshell, a sweet smile outlined in Chanel Rouge Allure. She looked completely out of place amidst tired college kids spending their last paycheck on ice cream, white gauzy sleeves and blue dress shimmering under LED lights. If you were being honest, you’d say that she was the most beautiful person you’d seen in your life, but you were always well versed in lying to yourself. “Y/N, you better go.”

“Why?” you whined, pouting at your much more responsible friends. They ignored your puppy face, though; Jihyo was usually the only one you could sway, Momo sometimes if she was feeling merciful. “I’m on break.”

“Only when there’s no customers,” Mina argued, shoving you to stand. Jeongyeon smiled at you, waving you away. “Go, and don’t screw it up this time.”

You forced a smile onto your face when you reached the counter, bowing and adjusting your name tag. “Hi, what can I help you with today?”

“Hi, Y/N!” Sana grinned, bowing back. The fact that she remembered your name only made your guilt worse; if she forgot who you were, you could at least pretend that she didn’t remember the incident at all. “Ah, could I have the same thing as last time? Bubblegum Pop ice cream, on a sugar cone today. 3 scoops?”

Nodding, you moved to open the case, avoiding the girl’s gaze as you did. “Of course.” She was quiet at that, staring at the ceiling so as not to rush you. Without prompting, you blurted, “I’m... I’m really sorry about last week, by the way. I don’t know what I was thinking, blowing up at you like that.”

“Oh, no, it’s okay!” she protested, waving a manicured hand in the air. “I promise I understand you. We all have our bad days.”

You wanted to apologize again, if just to assuage your guilt, but you held off on it, joking, “How do you deal with them? Yell at Gucci assistants?”

Sana looked honestly offended as she accepted the cone proffered to her, eyes widening in shock. “I’ve never done that, I swear! Besides, I don’t like Gucci much.”

A light smile quirking at the corners of your lips, you handed the receipt to her as well. She didn’t ask for it, probably not caring about the measly price or having the space for it in her tiny bag, but took it anyway. “I’m sure you don’t. Your total is $5.23, will that be cash or card?”

“Cash!” She held out a 10 dollar bill, pride shining behind that gorgeous face as you raised your eyebrows in surprise. When your hands brush together, you were reminded of how much better she was than you, how you probably weren’t worthy at all to be touching her with your shop-issued baseball cap and grimy apron. But Sana doesn’t seem to mind, still smiling that airy smile at you and not moving away. She broke your stare by offering, “I don’t want to sound rude, but keep the change.”

“Not rude at all,” you fully laughed that time, dishing out the remainder to stuff in your tip jar. You still felt terrible that she felt the need to apologize about such a normal comment, asking, “Are you sure it’s okay? You can have this one free too, if it makes up for me shouting at you...”

Sana shook her head, sugary light pink already mixing into her lipstick. She walked away, still waving with that gorgeous smile on her face. “It’s okay. I’ll see you soon, Y/N, you look really pretty today!”

Turning back to your friends, you whispered, “Damn. She’s really nice.”

You planned on spending your one day off from school and work cozied up with a good book and your favorite hot drink, but you supposed that getting into a fight with Park Roseanne wasn’t the worst way to go either.

As soon as you entered campus, book in hand and blasting music in your earbuds, you found a crowd of at least 3 dozen people right in front of the library building. It was unlike you to butt into others’ business, especially when it might lead to a ruined day, but Roseanne’s voice carried loud over the hushed whispers of everyone else. “--huh, Sana?”

It wasn’t any of your business, but for some reason, Roseanne’s tone when saying Sana’s name angered you immensely. Frowning, you shouldered your way through the crowd. The closer you got to the center, the more expensive the clothing that brushed against your own rough jean jacket was, cotton and leather becoming silk and velvet. You originally planned to just fit in with the other spectators, but with a shove at the small of your back, you were thrust into the center too.

To your shock, Sana’s eyes were red and shining with tears, the tip of her nose cherry-colored as well. Her head was almost bowed as she stared at her shoes, but she looked up to you when you almost bumped into her. You stuttered out, “H-hey. What’s going on?”

Instead of an explanation from the Japanese girl, though, your gaze was drawn to the blonde across the courtyard. “Didn’t you hear? Little Miss Perfect here got broken up with,” Roseanne scoffed, an infuriating smirk on her perfect face as she tilted her head at you. “By a future CEO, no less. I guess she isn’t a gold-digger, or maybe there’s some other reason that he didn’t want her anymore.”

Your hand shot out to protect Sana, a scowl making its way onto your own face. “Excuse me? From my standpoint, any future CEO is still way outta her league, so forgive me for doubting that he’s the one who didn’t want her. You’re the one dating someone who makes a tenth of what you do.”

Roseanne rolled her eyes, lips thinning. “Don’t talk about my girlfriend like that, Y/L/N, or you’ve got another thing coming. There aren’t many lesbians in this damn school.”

“You know me, don’t you?” Sana’s voice was wavering as she spoke, but it was strong enough to echo in the courtyard. To your surprise (and somewhat satisfaction), the blonde  girl’s eyes widened as Sana stood forward, her lips jutting forward. “That’s why I’m not dating him anymore. I like girls, too.”

Somehow, you’d never expected that Sana was attracted to girls, but it made perfect sense. An irrational part of you wanted to cheer, but instead, you forced yourself to speak.

“R-right.” You continued to glare at Roseanne, who finally seemed to be speechless. “Yeah, so how come you’re tearing Sana down? We should be supporting each other, but you’re being so rude to someone so kind, and that says all I need to know about you.”

Reaching out, you latched onto Sana’s upper arm and pulled her out of the circle, people parting to let the two of you through as Roseanne wasn’t able to conjure up something to respond with. You didn’t stop walking until there was only silence surrounding you under the shade of a swaying tree, finally stopping to let the girl sit. “Are you okay?” you asked, brow furrowed as you knelt to be mostly face-level with her.

Somehow, there was a smile on her face; a slightly snotty smile, but nonetheless the most beautiful one you’d ever seen in your life. You ignored the uncomfortable leap of your heart when you reached out to take her hands into your own, somehow forgetting about the hostility you’d felt towards her from the beginning. “You- you stood up for me.”

“Yeah. I did, I guess,” you shrugged, smiling slightly. “I’m sure that was rough, though, to come out. How’re you feeling?”

“Honestly, much better,” Sana sighed. She leaned back, fingers curling slightly around yours as the afternoon sun shone golden brown in the locks of hair spread out on her shoulders. “It was good to get it off my chest. I didn’t even know you were into girls, you know.”

Reaching up to scratch your head, you chuckled, “Well, I am, if it makes you feel any better. What happened between the two of you, by the way? She seems to hate you so much.”

The girl laughed, as bubbly and airy as her regular voice. “I may or may not have dated her girlfriend before. But it was a long time ago, and I’m still friends with her! Roseanne just can’t forgive me.”

You feigned shock, swatting at her arm. “How terrible of you! I’m so disappointed.”

You were stuck simply smiling at each other for a good minute or so before you looked away, picking at your shoelace for something to do. “So. Uh, Roseanne knew the whole time?”

“She did,” Sana confirmed, nodding. “She just never talked about it.”

“Well, it’s good to know that she isn’t the only other one in the school with me,” you sighed, sitting back on your heels.

Sana lurched back forward, hands clasping together at her chest. “Then we should celebrate! We can go shopping or something, and we can just be happy that we aren’t alone anymore.”

It suddenly struck you how quickly you could change the girl’s entire outlook, a smile coming onto her face with no effort from you whatsoever. But even more surprising, you smiled even larger than she did just looking at her. 

Laughing, you sat back on your heels and shook your head lightly. Seeming to take it as a rejection, Sana’s eyes widened. “Oh, only if you want to, of course! We can go wherever you want, we don’t even have to go shopping if you don’t want to!”

“No, we can go shopping,” you answered, reaching back over to squeeze her hand and pulling her up with you when you stood. “Come on, then. Let’s go celebrate.”

Sana wasn’t a great driver, but you didn’t expect much else. You were practically sick to your stomach by the time that you reached the mall, face green as you swayed out of the car.

“Ah, Y/N, I’m sorry!” Her hands rubbed lightly at your back as you squatted in the parking lot, fist held tight to your mouth. It wasn’t like you were actually going to throw up, but you didn’t want to risk ruining the girl’s expensive shoes. “I’ll let you drive next time.”

Next time? you wanted to ask. But you managed to stand, nodding quickly to ease Sana’s worry. “Yeah. It’s fine, I’m fine. Should we go?”

Immediately, she latched onto your hand, swinging between the two of you as she started to rush forward. “H-hey, lock your car first!”

Sana had unsurprisingly expensive tastes, but also surprisingly understated ones. She was fun to shop with, that was for sure- she loved to offer you clothes and also to offer to pay for them, but you didn’t necessarily hate a pretty girl telling you you’d look gorgeous in a certain sparkly dress.

She didn’t do any of the typical stuck-up things you expected her to- Sana carried her own bags, and she never forced you to follow her instead of doing what you wanted to. She did like to try on outfits and show them to you, but that could be ignored when it was just another opportunity for you to stare at her.

Eventually, you ended up having ice cream at one of the stores in the mall. You balked at the price, but Sana swiped her credit card without hesitation. “I have to admit, this bubblegum doesn’t taste as good as yours,” she pouted.

Chuckling, you savored the rich flavor on your own tongue. “You should’ve picked an expensive flavor then. Vanilla and chocolate are always good in these kinds of stores.”

“You know a lot about ‘these kinds of stores’ for someone who claims to be poor,” she teased, eyes widening as soon as the words slipped out of her mouth. “Oh, I’m sorry! I didn’t mean-”

“Nah, it’s fine,” you smiled, leaning on your palm. “I’m good with it, since we’re friends now.”

Sana grinned at that, her eyes curving charmingly. “We’re friends? Most people don’t want to be friends with me, I’m really glad you’re willing to.”

“Why wouldn’t they?”

Looking down for once, the girl mumbled, “They say I’m dumb. You know that everyone says I’m nice, but they also think I’m dumb because I pay for everything. I just want to be kind, but no one takes me seriously.”

A wave of guilt rushed over you for previously feeding into the stereotype. The more time you spent with Sana, the more you realized that she was as brilliant as any other, and far more kind. “Well, that’s stupid. You are kind, Sana, and you’re amazing. I’m lucky to be your friend.”

She clasped your hand over the table, soft skin warm over yours, pink flushing in her pale cheeks. “Thank you, Y/N. You know, this is the best time I’ve had in a while. My boyfriend didn’t even listen to me this well,” she laughed.

Despite the fact that she treated it as a joke, you felt horrible. She was all too used to thinking the worst about herself and not believing that she was worth any better, and that was the worst possible thing you could imagine for a girl with a heart of gold. Jabbing your spoon into the remaining ice cream, you blurted, “Then go on a date with me. A proper one, not just a normal hangout like this.”

Sana instantly blushed, looking down as if it’d hide her face at all. But she missed the heat that rose to your cheeks too, the nervous biting of your lip as you waited for a response. “I would love nothing more,” she smiled, her eyes shining brilliantly. “And I can’t wait.”

[god-of-entropy]

sorry this is my first time doing a req, but since you like iida tenya, i was wondering if you had any knight iida tenya headcanons?

So I was re-enacting a bakuiida hurt/comfort scenario I made up for exactly 2 hours since I started during 10:00 pm and it is 12:00 AM

gist of it: bakugou’s inferiority complex acts up and so he doesn’t take care of himself bc he’s too busy training and iida tells him how much he (Katsuki) means to him, (Tenya) and that there aren’t enough numbers that exist that could tell him (Katsuki) how much he (Katsuki) meant to Tenya

and then I remembered my tumblr account and one of the asks I got was “do some knight Iida Tenya headcanons this is my first time doing a req” and I was like oh wow I am v blessed that I am the person who took anon’s req virginity so here we are

CW: few times of cursing, mention of me talking about a car kink

Knight Iida Tenya Headcanons

Part of the King’s guard no I do not. Take criticism

If he isn’t he’s most likely in a very high position of knight rankings in the fantasy AU

His chivalrous spirit could rival canon Kirishima’s

But since Kiri’s a dragon hybrid here,,well

Did I mention

He’s TALL

Like. Bumping his head on every single fucking doorway kind of tall

He is a staggering 6”6

HES TALLER THAN MY BEDROOM WALLS JSJSJ

anyways so like bc he’s so tall he learned the very hard way (literally) that you should not wear a metal cone hat while sliding down ladders

Was this inspired by that one (1) video on YouTube where this guy’s character slid down a really long ladder wearing a golden metal cone hat

I will not agree nor will I deny this accusation

So bc he’s so tall he grudgingly cannot wear a fancy Iida helmet from the prestigious and noble Iida family line

ofc his brother was a knight before him, it’s so obvious

(Speaking about Tensei, his brother wore it anyways even though his brother is taller than him because he was always on horseback anyways, but having to patrol the streets of the kingdom on a daily basis trailing after the King or Prince or whatever he can’t let a helmet hinder him from going after people

Anyways so like because he is So Tall people often make jokes about his height and how rectangular his body was

So poor bby got insecure about his height and prefers not to talk about it, stays silent when someone thinks he can’t hear them whispering and making jokes about his bulky stature

speaking about bulky things his canon costume is lightweight in design because if speed and leg strength makes up 100% of your quirk you can’t have stupid accessories and additional weight.

But of course since what he’s going for (the Ingenium title) is pretty much set in stone, there’s a heavy emphasis in visuals (in canon) so like 90% of his fucking costume is for Decor

And I hate him for that

Because TENYA FOR THE LOVE OF GOD YOU DON’T HAVE TO BE 100% INGENIUM YOU CAN BE YOUR OWN INGENIUM

Even if you were put the pressure on yourself to become like your brother, don’t feel burdened to make sure your hero career is 100% like his

OK I kind of swerved away from topic but since we’re talking about hero costumes and knight armor

Since this is fantasy and most fantasy-ish things are set in a European medieval style because of fucking Hollywood and not in a more traditional Japanese style since apparently fire spitting dragons are cooler than Kitsunes with ten tails, power over nature elements and are literally considered deities—

Knight armor is made of metal, right?

So in that case..his armor would really weigh him down.

But because this is FANTASY and science and physics can go fuck themselves here,

It’s possible that there’s a chance magic could make his armor more lightweight, like Uraraka’s quirk

but like there’s a chance that his armor is ALREADY lightweight because again, canon Tenya really went after the design of his brother’s costume

And his brother’s costume was inspired by his parent’s and grandfather’s own costumes, which kinda looked the same since it had the white modern accents and holes in the helmets kinda aesthetic

SO ASSUMING THAT THE IIDA FAMILY LINE IS V NOBLE AND FAMED FOR BEING IMMERESED IN THE KNIGHTHOOD SHITE FOR A V LONG TIME

And his brother did copy whatever his parents and ancestors’s armor was or whatever

And they’re noble, right—so they’re rich. Because magic exists, plenty of wizards mages and other magic people for hire also exist

Enchanted lightweight metal armor

there’s a reason why you shouldn’t trust knights in shining armor and that’s because if their chest plate is too pristine, that means they’ve never went to battle

Here’s a rule for all you y/ns: don’t trust a knight in shining armor if it’s not enchanted

what I’m saying is if you wanna date Iida, the knight in shining AND enchanted armor, go for it bestie TT

Also His Boots

Assuming he doesn’t have his sexy engines on his calves in this AU

(Or perhaps the sleek, modern looking engines are replaced with steampunk ones O.O)

OK SO WE’RE GOING WITH THE STEAMPUNK MUFFLERS

Because holy shit that’s such a cool fucking concept??

Oh you bet your y/n messy buns that steampunk iida hcs are next

so since fantasy usually goes with at least one (1) “primitive” tribe with their own kind of technology centered around weapons and battle

And that one (1) “”tribe”” that’s an entire fucking kingdom/city like the Carja in the game Horizon Zero Dawn

Speaking of Horizon Zero Dawn, the “primitive” tribe with their own kind of technology centered around battle and more battle are the Banuk

They’re hardcore fam

They give me Bakugou Katsuki vibes because those people would literally rather die than say a challenge is too big to overcome

again going back to the topic: Steampunk

In “”fantasy”” medieval AUS there’s always that one steampunk inventor that’s a Mei Hatsume ripoff (Tangled The Series I’m looking at you)

And of course the Support Students need their time to shine too, so like — Steampunk City let’s gooo

(The closest Horizon Zero Dawn’s “tribe” got to steampunk is whatever the hell the Oseram are doing.)

So now Tenya has sexy, sexy steampunk mufflers that are very well taken care of

<SKIP THIS PART, I TALK ABOUT RANDOM EVENTS AND BAD CHOICES I MADE IN MY LIFE>

god I’m so sorry but me talking about mufflers like they’re a full course meal is reminding me of the time where I joked to my friends that I had a car kink

and not that I had a kink to have sex inside the car, but to be fucked BY the car itself

like your ass being just wrecked by a fucking shalon poofa

if you get that joke get off this site

one of my messages was very specific

It read:

“I eagerly lick car-senpai’s oil of his exhaust pipe”

And Yeah

unsanitary and a health hazard

While discussing about simpable men one of my friends were like

my man has a CAR your man, Tenya Iida, doesn’t

And I just stared at her

Because bitch MY MAN IS THE CAR

anyways if you actually read this may god have mercy on you

<DON’T SKIP THIS PART BECAUSE I CONTINUE>

Because I make the rules

Wouldn’t they be a hindrance to him bc of his metal boots?

So Let Me Tell You A Story

you know the Ingenifoot (the boots in canon Iida’s costume)

It’s special since it has holes punched into it for the mufflers to retract out of

Who says Ingenifoot can’t be steampunk as well?

I DON’T

But it can’t be steampunk bc this is a Knight Iida hcs and not Inventor Steampunk Iida Hcs

:<

So it’s plain boring white carved steel or smth with a small section where a part of the boot flexes for the mufflers to stick out

Speaking of carved steel, Knight Iida’s armor def has intricate details and shite on it

Maybe even his family crest

OK so it is 12:45 AM rn I am gonna sleep

Goodnight

[theoriginalcarnivorousmuffin]

First, I just want to say that I love reading your rants/head cannons/opinions. I find them VERY entertaining and true. Now, I read your opinions on James, Sirius, Harry, Ron, and Hermione. I want to know what you think of Draco and Neville. I honestly think that Draco is an asshole, but I want to know exactly what you think. P.S. Can't wait for the next chapter of "When Harry Met Tom"

Well, at the very least, I’m glad I’m entertaining.

Now for Draco and Neville, interesting choices actually, I don’t usually spend much thought on those two. Never the less, let’s dive in and see what we find.

Draco Malfoy

There’s a lot of varying opinion on Draco Malfoy. In my long tenure of stalking the internet, fanfiction, and even more fanfiction I’ve found that in many cases he ceases to actually be a character but instead becomes this unholy agglomeration of tropes people like.

Seriously, Draco Malfoy isn’t even a person anymore. He’s leather pants.

What’s interesting to me is that it’s not even always the same tropes. Well, you tend to see the same ones bandied about, but it’s not even like characters like Tom Riddle or Hermione Granger where I can usually narrow it down to a few very precise characterizations you see everywhere. Draco’s all over the place.

You have bad boy Draco who’s varying levels of actually being bad boy so that we can use him instead of a young Tom Riddle. This is generally in stories where an author wants an antihero or else villain love interest, they like the Draco or bad boy aesthetic, but Tom Riddle is too spicy for Yog Sothoth. So Draco reminds us he’s evil a lot, he usually betrays our main love interest in a dramatic yet inevitable moment, but he’s not the purest of evil. He leaves the puppy beside the well and watches as Tom drowns it for him. Despite this the story will often pretend that Draco’s the most evil of evil to raise the stakes.

You have non-problematic Draco who suddenly was never a Death Eater, or perhaps his family was always filled with spies for the Order of the Phoenix, who only pretended to hate muggleborns and really has been on the good side this whole time! Alternately, Draco was on the bad side, but within two seconds of the fic he’s switched sides and we’re told it’s cool now because Draco understands. 

You have Sexy McLeatherPantsFace Draco who never left My Immortal but authors will claim, should you ask, that bisexual overly emotional Draco’s characterization is nothing like My Immortal’s and how dare you imply such things you swine! Really, his pervasive existence is why My Immortal is such a great satire. 

The list goes on but basically Draco’s whatever people need or want him to be to an absurd degree and it always makes me laugh. Oh Draco, what have they done to you? Are you even in there anymore?

Right, where do I land on Draco? Honestly, he’s a bit like Ron in that he has severe character flaws but he’s not goddamn insane like Harry or Hermione.

Mostly though, I just don’t take him seriously.

Throughout the book series he’s an ass, he’s that rich, elitist, entitled jackass that we all have run into at some point or another. He’s the kid who legitimately thinks ‘my father will hear about this’ is a threat and constantly abuses his relationship with Severus Snape just to show how cool he is ‘he practically makes Snape dish out punishment to Harry and Ron needlessly, and Snape is such a sad ridiculous man he actually goes along with it and panders to this brat’. 

Draco’s the kind of ridiculous fucking person who pretended to not have the use of his arm for months just so he could get Hagrid fired. When, honestly, Lucius still could have gotten Hagrid fired probably without Draco’s very non-compelling evidence. (Now, that said, I do believe Hagrid never should have had the job/should have been fired, but that’s a different story). And then, when he realized not having an arm kind of sucked, he was miraculously healed. 

Harry takes Draco and his rivalry very seriously because he’s also an adolescent, lacks perspective, and just isn’t that bright but Draco is fucking ridiculous and half the time he’s embarrassing himself. I mean, the guy buys his position onto the Slytherin team with an absurd amount of money, and he still loses matches to the Gryffindor team. Draco should never be living that down.

So, basically, I never at any point take Draco seriously. He’s just a kid with a big mouth who grew up in a very racist household and never has any idea what he’s talking about ever. He’s not inherently evil, not particularly good either, he’s just a kid who’s more obnoxious than your usual brand of kid.

I never imagined him particularly good looking (I believe his features are described as pinched or something), I never really saw the appeal in either making him more evil than he was or else redeeming him, he’s kind of the comic relief we all needed in our lives but is really there to keep the filler plot going to give Harry and the gang time to stew on the bigger Hogwarts mysteries. Without Draco what would we even do for hundreds of pages?

When it comes to book six he starts getting a little interesting in that his life completely falls apart but I think many fics paint him as far more self aware than he was. He knows his family is in deep trouble but I don’t think he realizes they’re being punished. I don’t think he realizes that Tom setting up camp in Casa Malfoy is a direct response to a) his failure with the diary b) his failure with the prophecy. Well, he might, but I imagine Lucius or Naricssa had to point it out to him. More, I think he genuinely believes he is meant to succeed in the task of assassinating Dumbledore.

He never realizes that Voldemort fully expects him to fail, that this task is just to essentially torture Draco for months, and when Draco does fail Voldemort will then murder him in front of Lucius saying, “AND THAT’S WHY WE DON’T SELL TOM RIDDLE’S THINGS!” This I think is evident in Draco accepting Bellatrix’s help, but not Snape, legitimately thinking that he has to achieve this on his own and that the Dark Lord has given him this Very Important Task (TM). 

Basically, Draco’s a kid over his head and doesn’t even realize he’s in over his head. More, I think even in book seven he still believes in the dark lord’s cause. It’s all become this weird madhouse but we don’t ever really see him come to grips that this is madness. It’s hard to tell because we’re from Harry’s perspective, but Draco never really seems all that unwilling of a Death Eater. Instead he’s very proud to have become one and sure, Hogwarts got a little weird, but that’s okay! 

In other words, I don’t think Draco ever really had that redemption arc people thought he did or hoped he would. Harry just saves his life, Narcissa is forever grateful to Harry, and then Draco continues to shuffle along in life perhaps in a daze wondering what even happened.

TL;DR Draco’s just a guy.

Neville Longbottom

Oh man, poor Neville, why is he even friends with the gang when they treat him like such garbage all the time? Neville’s kind of like the friend who’s sort of friends with this one social group but they constantly forget him except when it’s convenient to them. 

Not just forget him but brush him off, make fun of him, and barely speak with him.

Neville has no friends and it’s really just sad that he’s stuck with these people. 

As for Neville himself, he seems nice, that’s really all I have on him. We don’t see too much of him, his life is garbage from beginning to end (his relatives throw him out a goddamn window), he’s treated like trash by everyone and no one respects him but he still seems nice.

Not particularly interesting, but a nice enough kid who doesn’t deserve to be treated like shit all the time. That said, I guess somebody’s got to be Gryffindor comic relief and plot convenience, so it’s time for Neville to forget the passwords yet again and be left out all night because portraits suck.

[crab-withaknife]

Amphibia and Fatshaming/Fatphobia

Starting off with a disclaimer, I think Amphibia is AMAZING and absolutely worth the watch, please support it as the 3rd season comes out. And it is not a bad thing to watch and enjoy this show in spite of these issues I wanted to address. Also, I am a fat person. Just so you know.

But basically, after rewatching the 1st and 2nd season for the third time through and having watched my favorite eps A BUNCH of times on top of that, I recognized some spots where there are jokes that arent respectful and play off the age old unsavory "fat character has a one liner about needing to lose weight" humor, as well as the poor treatment of a character that has gained weight due to emotional and mental distress.

To start out, I want to talk about Mayor Toadstool real quick. I would say that from my watching experience, Mayor Toadstool doesn't have much physical humor making his fatness into a punchline, thankfully, and is design is so similar to the other toads in terms of body shape that it could be written off as him just being shaped like a usual toad. However, Mayor Toadstool is one of the first season's antagonists(ish) and he is definitely portrayed as being greedy, and this can absolutely play into a fatphobic trope of "big fat rich guy, this is a negative trait" as fat stereotypes are often associated with greed and gluttony of some kind.

The fact that all of the toads are fat or in general larger and how they're treated in the show could be seen as an issue as well. Toads are naturally a bit bulkier than frogs in real life, and the toads are portrayed as more muscular as some of the kingdom's soldiers and enforcers, so there's definitely a design and narrative aspect to the choice to make the toads larger. However, the potential for harm in "the larger characters are treated as distasteful and they're called smelly multiple times in the show" is still there.

But basically, Mayor Toadstool's line in "Toad Tax" about needing to cut back on cricket nuggets and panting after chasing after Sprig (and this applies to Hop Pop's line about needing to cut back on beetle burgers in "Sprig Gets Schooled"), as well as Anne's line in "New Wartwood" about Mayor Toadstool being a cross between the monopoly man and a piece of fried chicken are both unsavory in my opinion. Mayor Toadstool gasping for breath and Hop Pop getting stuck in a gate is a moment of "its funny because theyre in a situation due to their fatness so they joke about how they shouldn't have let themselves get to this state." With the case of Anne's description of Toadstool, it's a moment of "Anne is saying a line you are meant to laugh at because she's comparing this fat character to a commonly-considered-unhealthy food item." Both of these scenarios suck. This kind of falling back onto humor involving fat characters loving food and it being seen as a gross obsession or a funny character quirk, or the characters or those around them joking about how they need to stop eating so much and the butt of the joke being their fatness (while blaming the character for basically "allowing" themself to become fat), is really harmful.

But the biggest issue for me is Grime in the episode "Toadcatcher". Like, Grime is my favorite, I think his design is wonderful, he's such a fun and charming character, and I love all the episodes he gets to star in. His treatment in "Toadcatcher" sucked actually.

I hate to bring up Marvel, but Thor in Avengers Endgame, with a lot of gross potbelly shots and being insulted for his condition and experiencing a total lack of compassion for his situation, is the closest example I can think of to compare this to with "A character loses their purpose, their people, and their home, and they gain weight, lose their edge, eat less healthy, and begin drinking because of this. It is played as a joke." Grime really suffers in this episode at the hands of Sasha, Yunan, and the episode’s writing as a whole. His reaction to the loss of Toad Tower is more extreme than Sasha's and his feelings of hopelessness and loss cause him to stress eat, to gain weight, to feel unmotivated and become less active, and to drink (bog grog seems like its basically toad beer). Braddock addresses this as "a rut" and is comforting to Grime when she explains that they all wanted to try and help him get off his feet with some action, but this isn’t what he needs; Grime is not receiving emotional support from the people around him, just attempts at reviving the old motivation he had before losing his purpose and his soldiers.

Sasha, Yunan, and the episode's writing are overall really unkind towards Grime's character regarding his weight gain and inactivity. Sasha makes fun of him and berates him, Yunan's shock at his condition is played for a joke because of how much he has "deteriorated", and Grime is written as a belching, sloppy, lazy, unmotivated (in a negative way) mess who lost sight of who he really is ("what happened to the Grime I used to know" from Sasha). All of this is either comedically written to mock how he has "let himself go" (blaming him for his current condition as well as implying that him being fat in general is a bad thing) or, in serious moments, the characters' reactions aren't ever proven to be coming from an unkind and incorrect mindset during the episode, so the audience is meant to take Sasha and Yunan's reactions as the guideline for their own reaction to Grime's physical and emotional state.

The episode uses physical comedy to show Grime panting, falling down, and running into things as he and Sasha run from Yunan, and his current condition is never shown any compassion outside of Braddock’s one line, though Sasha’s plan that they carried out was not coming from an emotionally understanding and supportive mindset that one in Grime’s emotionally compromised position would need. His fatness is treated as an obstacle to their escape and something to make fun of, and Sasha is never proven wrong for her anger and frustration with Grime for not training and for being unmotivated. Sasha's reaction to the events of Toad Tower is discussed and addressed between the two of them, but Grime never gets a sympathetic gaze on his side of things and instead his condition is mocked until he regains his motivation and trains to regain his strength.

TLDR, Grime's fatness and his physical mental and emotional state are all treated so poorly in "Toadcatcher" in terms of how the other characters react to him and how the show portrays him. Outside of this episode, Toadstool has some potential for uncomfortable underlying negative implications in his design with the whole fat rich person issue, and his and Hop Pop's lines about food are unsavory and fall into a gross stereotype of fatness coming from overeating and being the fat person's responsibility to fix by eating less. Amphibia has some incredible writing and characters, but the use of fatshaming and fatphobic and unkind humor is something that's important to recognize and be critical of.

[ketchup-monthly]

Sanders Sides D&D 2

Ooh fresh take: Jan is virge’s patron and that’s why there’s beef

Also: Jan is some sort of fae related being

Jan: i need you to do something for me Virgil: no Janus: that's not how this works!! Virgil: watch me :P

Okay so I was thinking of Patton as a cleric cuz ooh healer however, Patton as a Druid makes me so happy

I want logan to have Rage

(Also that could tie nicely in an arc about Logan learning to accept feelings)

but barbarian logan is going to be a scholar again and is gonna be smort

bc hes logan. he cant be not smart

Oh I figured he’d be the bbeg that eventually joins the party (hurt/comfort baybee!)(Remus)

he was the bbeg but then joined the party as a bardbarian or just a bard

plus, actual bard who accidentally casts vicious mockery instead of bardic inspiration

Side note: please include a scene where Remus attempts to seduce the dragon

also with this second au, i can start them at like level 5 so people can multiclass

Pat as cleric/druid

gasp logan as artificer/barbarian

janus sorcerer/rogue

because basically everything but alchemist would work well with barbarian, but alchemist feels very Logan

bc mad scientist being actually mad

alchemist logan making an experimental potion and going "here im not sure what this does but im sure its fine! someone drink it"

Remus does it voluntarily, but Logan usually tries to get Roman to drink it

Virgil will occasionally drink it when he's on his last legs and is just like.....100% done with the party

remus as a wild magic path barbarian and just fucking teleporting or doing something equally ridiculous whenever he rages

Oh my god Remus with rage would be a force to be reckoned with

You gotta describe the first time he goes into a rage really dramatically

obviously virgil is trying to "escape" his patron, Janus (really just do whatever he says to not do out of spite)

Eldritch knight roman

Feywild warlock virgil

hey so in the second d&d au, should roman and remus be actual full siblings but like remus went darkside and like romans just trying to get back at him for putting a dark stain on the family name

hey hey hey what about warforged Logan? (essentially a robot)(so like "i dont feel anything" becoming real)

okay hear me out. elf roman and elf base simic hybrid remus. so like maybe the reason remus went darkside was experimentation? so like. hes elf but special

FALLEN AASIMAR VIRGIL

virgil just transforming in the middle of a combat scenario and like his eyes turn into black pits and flightless skeletal wings appear on his back and like everyone near him has to make a charisma check and like he deals extra necrotic damage

Pat is the one human stuck in a band of misfits

so with it, roman would be a full elf, and remus would be an elf that has tentacles bc octopus

So robot logan

i meant literally he doesnt feel anything

like he has all the emotions, but he doesnt physically feel the need to like eat or sleep or stuff like that

he just.....he pretend he don't have the feelings.....but he do.....he feel so much and he hides it all in his littol mechanical heart <3

plus......if he warforged, then like.....AC huge

he stands in front of friends.....he protecc...."no, i don't have feelings, i am physically incapable of affection" but he do!! he do! he take hits for them because he do!! he care so much

Bro he spouts all this and then he uses a reaction to dive in front of someone and everyone’s just like oh

LIKE ROMAN STILL BEING MEAN TO LO BC HE THINKS HE DOESNT HAVE FEELINGS BECAUSE HE DOESNT HAVE A HEART BUT HE DOES

hey hey everyone needs to grow

and logan standing up for himself and other people stepping in and saying no stop thats not right

plus if canon wont give me roman facing the consequences of his actions towards Logan......

but also Roman learning how to properly handle his own emotions and how he interacts with others

logan who doesn't view himself as anything more than a machine to be useful to others

the party giving logan love and affection until he slowly learns his own worth as a person

Roman and Logan not getting along (maybe Roman has a Lore reason to distrust Warforged, maybe not) and slowly learning to trust each other

when Logan is feeling real down or having some issue, Roman actually comes through to help him, showing how far both characters have come

Okay yes but also can we please give Roman more confidence than canon? Like I’m sooooo sick of low self esteem being played for laughs or just being really really sad

this boy is going on a mission and will slap his brother upside the head and tell him to shut tf up remus youre not a monster just come back home and he will do it alone if need be

OKAY SO WHAT IF HE ORIGINALLY WENT ON THE QUEST JUST TO STOP REMUS ONCE AND FOR ALL BC ROMAN THOUGHT HE WAS A MONSTER, BUT ALONG THE WAY, AND AFTER LOGAN, HE CAME TO REALIZE THAT NO, JUST BECAUSE REMUS (AND LOGAN) ARE DIFFERENT, THEY ARENT MONSTERS, JUST DIFFERENT

AND LIKE IN THE FINAL PUSH TO MAKE REMUS JOIN BACK WITH HIS BROTHER, ROMAN IS PROJECTING HIS OWN FEELINGS ONTO REMUS AND EVERYONE IS LIKE WOW BRO YOU GOOD THERE, BUT ITS A BIG MOMENT FOR LOGAN, ROMAN, AND REMUS

im unsure as to how, but it happened when he was an older teen/young adult. a simic scientist either picked him (read: kidnapped), or remus volunteered (potentially to escape court life, unaware what exactly the experiment was going to do to him physically

bc also, remus and roman are royalty

so like. how best to get at the nobes/royalty/rich famous people than by turning their kid into a monster

wait, wait, wait, because i'm lowkey a sucker for this trope, but i'm not sure if it fits Remus: the experiments left him with some fairly significant physical pain/uncontrolled magical reactions. through some combo of trying to deal with that and trying find a cure for his pain, he keeps like....absolutely wrecking random towns on accident but also deliberately wrecking certain places looking for either a) vengeance on the guy(s) responsible or b) someone who can make the pain stop

SO LIKE. WILD MAGIC BARBARIAN DOING WEIRD SHIT TO HIM WHENEVER HE RAGES

AND LOGAN COULD MAYBE HELP WITH THE PAIN AND SHIT

BC ALCHEMY

Yknow, for simplification purposes, we could say the True Bbeg just gave Remus lycanthropy and Remus hasn’t managed to control it yet

lycanthropy but simic shit?

Mr. I-Don't-Have-Feelings sees the poor dude in pain and also Roman in emotional pain from seeing his brother in pain and is absolutely like "i must resolve this like right now, immediately" because he definitely doesn't hate seeing his friend suffering, or his friend's brother whom he's just met

he definitely doesn't relate at all to the idea of someone else shaping your body and absolutely does not sympathize with Remus's plight

i was thinking the grappling thing and either manta glide or the ability to breathe underwater for the simic stuff, but like he doesnt have control over the tentacles yet?

Manta glide seems like we could have fun battle scenes

he just jumps off a cliff to avoid mushy talk/dealing with his actions/roman

Roman: Remus just because you're a monster and though i wish i was an only child-- Remus, jumping off a cliff: byyeeeeee Patton: Roman, look what you did! Virgil: dammit jan what did you do? Janus: why do you think i had anything to do with that? im a fae, not a genie Logan, thinking: what an asshole. i wish i could do that

oh my god Logan always being tired mentally bc he cant sleep

Oh my gosh I love that. So Remus got kidnapped super young, (from royal family) they never found him, as a result Roman had to grow up super fast (side effect: lowkey inconsiderate and forgets to ask for others input). Meanwhile, Remus was experimented on by True Bbeg and came out with some trauma and super cool additives

yep! chronic pain and ptsd and all sorts of other shit!

so like, simic hybrids are usually created when they're adults. but what if the true bbeg decided to go younger to see what would happen, and thats why remus has chronic pain and stuff

he was still growing when his genes were spliced, so hes dealing with growth plates shifting and his body maturing and puberty and body changes and stuff

Pat is going to have a lighthearted story. Im saying that now. Hes the one without all the baggage

Sure, but his parents have to lowkey be the really kind people who are surprisingly always down for violence

everyone: multiple crises Pat: y'all need help Pat: love and affection in spades for his little band of misfits

Patton (which I think would be pretty simple, honestly he might just see danger and jump in and suddenly everyone in the party has Feelings)

Logan

Mhm. So how did he grow up? Was he just poof created? Wait

What if he was created by the king?

To make up for remuss disappearance

wait, wait....angst......he was created to fight (hence the barbarian stuff) but alchemy is his real passion

wait so like. a second son???

hes there to replace remus?

Yea! (But like in a sympathetic grief way) But that causes a bit of a complex in Roman and ergo Roman and Logan have a bit of a beef

okay so like. hes there to be a companion for roman, and like take remus' place, even though hes not actually in line for the throne?

LOGAN AS A KNIGHT

and just......the conflict of being created for a specific purpose (plus being, you know, robot and technically incapable of deviated from said purpose) vs the fact that he actually does have independent consciousness and like....wants to live life for himself

the parents made Logan a barbarian in hopes that him and Roman would be safe

okay. so logan was created by the king with the sole purpose to take remus' place as romans brother/companion, and to be his like guard? protector? and fight, but logan wants to be an alchemist and study shit

wait, wait, wait.....thinks about Asimov's Laws

he.....his first operative is protect (specifically protect Roman)

oh man. so hes literally just a shield

his second level operative is just like.....care for Roman's emotional well-being, but he doesn't really know emotions because he was kinda just spawned and nobody told him how

and he just....kind of....lets Roman treat him like garbage and take all his grief out on him because he's staunchly in denial of both having feelings or knowing how they work

Anyway Yea so Logan created by royal family in place of Remus which created angst between the two “brothers” and identity issues in Logan. Their arcs are learning how to healthily process emotions plus Roman apology and Logan commits to alchemy

So big question: why did virge make a deal?

Tricked

he gave janus his name

and instead of janus like killing him or whatever the fae do to people who break the rules of dealing with the fae, jan was like. hey. i'll give you magic, but do what i say

Janus is lawful neutral, but leans towards being selfish

hes self serving, but he has a strong set of morals and rules he follows

Tho I want to Virgil to also not be pushover so let’s say loophole happened and Jan has to stay with virge (hence why Jan is a part of the party)

okay so a couple of the rules are dont give a fae your true name and don't try to figure out their true name

So

what if virgil accidentally gave up part of his true name, and got stuck in the deal, but then figured out janus' true name

so in the same vein that janus had control over virgil, virgil now has more control over janus

he still gets his magic from janus, so he cant break free completely, but virgil has more freedom and can occasionally tell janus what to do or when to shove it

there should a running gag where virge can explain how he learned Jan’s true name but Jan can make something loudly censor him every time

(he learned his name bc once he heard janus practicing his evil genius voice and talking to himself in the mirror and janus said his true name)

so maybe janus sent virgil on the quest to protect a town or stop something related to remus, but virgil dragged him along

he might just be trying to protect a town thats close to a ley line, or something fae-related, and they just happen upon the whole thing

janus is selfish. but lawful vs chaotic is where he comes through, in morals vs doing whatever. janus has a strong set of loyalties to the fae, and to himself

so like....Remus is just too close to Jan's stuff and he wants to take him down

Virgil is just like....exhausted and said "fine, but if i gotta do this, you're coming, too"

or at least figure out a way to protect his place, even if it doesnt mean fully taking out remus. just moving him would work for jan

Janus: virgilllllllllll hes going to mess up my magic storage locker Virgil: Jan, its empty Janus: but its mine

Yea. Remus attacks a city away from the fae: Jan: Yknow I’m gonna sit this one out Virge: oh no you don’t, get up

Or

Janus vs Janice

so his real name is Janus, but Virgil calls him Janice

Virgil: This is Janice Janice: with a “U-S” Virgil: mhm, sure Jan

I'm a big fan of just like any of the old theory name being various aliases for Jan

Damien, Dante, Ethan, Declan, etc, etc

[thephantomofthe-internet]

A Fool for Love| Steve Harrington x Reader

MASTERLIST

Words: 7,354 OOF

Warnings: swearing, Shakespearean English, general fluff

Author’s Note: So I got inspired by @jxnehxpper‘s headcanon on Steve being a secret theatre lover and set to giving us what we deserve-Steve being a little theatre kid. And then I told her about it. And then I reread it. And now I’m doubtful of what this even is and how long it is. Good luck I guess

Tag List: @marvelslut16 @shinydixon @jxnehxpper 

The laces were too tight. You couldn’t breathe. You were going to faint once you got up there. And your sleeves were too tight. You were already sweating through the long sleeves. Damn your overconfidence and crappy old patterns. And damn the seventies for making their bodices too tight and tan suede lacing so pretty over rouge coloured linen. And your shoes were too loose; they were going to fall off the second you took a step. Stupid Tammy Thompson and her stupid wide feet. You weren’t even supposed to be here.

Mrs. Blackburn loved to plan out a big spring show without thinking about how many students would be there on auditions. She chose these bombastic plays without thinking about who was actually going to be there. The drama club was made up of about ten members, who’d all be there on audition day, and that was usually it. And Mrs. Blackburn would throw a fit about it to you, her trusted right hand man with a plan. Then she’d spend her classes kissing ass to get students to come out for promised roles after stroking their egos enough to get them to bother with extracurricular theatre. Most kids took the class for an easy A, a quick passing grade that would boost their GPAs without making them want to claw their eyes out. Only a certain type of student would go through with this sort of embarrassment.

So when Mrs. Blackburn announced the spring show to be an abridged version of Twelfth Night, a choice you thought was decent enough. Cutting down the b-plot with Malvolio and the servants made the story run smoother and cut a metric crap ton of roles. Unfortunately, Mrs. Blackburn didn’t have the heart to cut the fool, which meant that she needed another guy to be in the show. And your little crew of nerds only had two boys. If only cross dressing was something she deigned to allow, alas Mrs. Blackburn believed firmly in women playing women and men playing men, which made it even harder to cast anything. It was ironic, knowing the actual plot of the play she’d chosen. Still, now she had a little challenge to hum and ha over for a month before casting the thing.

It was during this casting point that you heard quite possibly the worst idea you’d ever heard.

You often ate lunch in Mrs. Blackburn’s classroom. The entire drama club did. It was a nice, quiet place where no screaming teens or bullies could attack a boy for trotting around in a kilt from costume cupboard and kick a girl for her looks if they didn’t conform to what was considered pretty by the rest of the school. A hodgepodge of personalities grew in there like bacteria. Usually, there shining saviour would eat in the teacher’s lounge with the rest of the staff, but as shows got closer, she’d make sporadic appearances.

“Y/N!” the door slammed open, Mrs. Blackburn standing in the doorway, her wild red curls bouncing wildly around her tiny face, her thin pointed glasses slipping off her nose. “I’ve done it!”

“You’ve done what?” you looked up from your sack lunch. Mrs. Blackburn looked a mess. Her olive green paisley skirt was stained with coffee and her raggedy cream blouse was flashing her bra to the world. She looked as if she’d gotten dressed in her donation bag. You had a sort of love-hate relationship with the woman. She was like a second mother to you, which meant that you loved her unconditionally but hated her in the moment.

“I’ve found us a diamond in the rough,” she marched over to the desk. As always, you’d taken over the teacher’s desk. You were the only person she trusted to sit there with her unmarked tests and unopened lipsticks gifted to her by Lisa Gardner’s Avon selling mother. Her hands slapped the fake wood “I’ve found our Duke Orsino.”

You watched from behind her as both Gordon Fisher and Dale Michaels deflated behind you. The only boys in the club would kill for a leading role. They shouldn’t have to kill, there were only two of them; there shouldn’t be a fight at all. But Mrs. Blackburn liked to do a bit of stunt casting within the Hawkins High School student body.

“No one has been chosen yet!” you turned you attention directly to them. Of course, that was a blatant lie. Both you and Mrs. Blackburn already had pretty much the entire show cast before auditions had even been announced. Dale would play the jester, who Mrs. Blackburn had flagrantly rewritten as a sort of narrator, believing herself capable of rewriting Shakespeare, and Gordon would play Sebastian. He was fundamentally much more attractive than Dale, and much less mockable. Dale was the kid hiding in the classroom in a kilt from Tommy H, which he was wearing because he ripped his pants and didn’t want to walk around with his stained tighty whities.

You turned your attention back to Mrs. Blackburn, a small excited smile spreading across your face. “Who is it?” you asked.

“Oh he’s simply marvellous! He’s in our afternoon class, a Mr. Harrington!” Mrs. Blackburn had a dreamy grin spread across her face, her hands linked together in front of her chest.

Your smile dropped “Steve? Really?” This had to be a joke. Steve was in your drama class so to speak, he was never there. He skipped every class and only showed up for tests and to do graded performances. And his performances were shit. He was never off script and even with the script in front of his face he couldn’t keep the lines straight. He was useless!

“Oh yes yes! We had a very interesting conversation just a few moments ago and he’s very intrigued by our production and I think that he’ll make an interesting, dynamic choice for the role!” Mrs. Blackburn mused, her arms floating around as she spoke as if she was performing Swan Lake instead of properly explaining her decision.

“So, he’s coming into audition?” you asked slowly, leaning on your elbows. Mrs. Blackburn nodded. That was a surprise. The great king of Hawkins high bothering to join the unwashed, artistic masses? That was a shock. You expected him to just demand the role to be his. Not that you thought he’d read the play. You doubted he’d even skimmed the Cliff’s Notes.

“Yes, I’ve already signed him up. By the looks of it, if all the auditions go well we’ll have a full cast without call backs.” She turned her attention to the cowering masses behind her, all staring up in awe. Well, all except Robin Buckley. She wasn’t really a part of the collective though; she was just there for Tammy Thompson.

“Alright, then I can’t wait to see what he does…” you replied with a small smirk. Everyone else in the room was thinking the same thing: Steve Harrington was going to choke. The second Mrs. Blackburn left the room, everyone began their muttering and musing. The only person who seemed to sympathize with the kid was Tammy, who kept whining about poor, poor Steve and how he was going to make a fool of himself. Everyone had seen Steve’s failings with performance, most of the room either spent their free period in your drama class or had taken drama with him in freshman year. His misgivings were known throughout the little crew, even Robin seemed to understand that the kid just wasn’t talented.

And when auditions rolled around, you except the worst. As always, you were playing stage manager slash costumer for the production, your chosen role, and you sat at the back of the classroom with a clipboard and red pen in hand. You had the audition list copied on a few sheets of paper with the role presumed to fit them best. You’d seen most of the room audition a million times before. Both you and Mrs. Blackburn had a clear idea of what was going to happen. And, for the most part, it all fell into place. Tammy, despite her pleas to be Viola, was much more suited to the prissy and rich Olivia; Dale actually wanted to be the fool, which made your life easier, now you wouldn’t have to crush him dreams; Heather Holloway would happily play Viola, which you were more than happy to give her; and sweet little Nicole Chandler would play the nursemaid Maria.

Then, there was Steve Harrington and Gordon Fisher. Gordon had come in and bashed all of your notions of him being fabulously brash and boisterous Sebastian by auditioning instead for the powerful and yet underwhelming awkward Duke Orsino. And he was great! He was better than great!

And then there was Steve. He was terrible. Just plain awful. He didn’t look up once from the crumpled photocopied pages he held in his fist and he didn’t seem to know what he was saying. No, scratch that he had no idea what he was saying. He wasn’t so much playing a character but instead just trying to pronounce the words on the page and string them together in complete sentences. It was painful. But, to Mrs. Blackburn, it was perfect. She clapped when he finished, smiling far too wide as she egged him on. She kicked you under the table to follow suit and you added in a few slow claps. With a hefty dose of praise hefted on him like whipped cream, she sent Steve off and turned her attention to you.

“He’s perfect,” she said. You almost expected her to let out a dreamy sigh, like a love struck teenager instead of a married middle aged woman. She just looked so happy about the whole thing. You took a bit of secret joy in popping her bubble.

“Gordon was much better for the part.” You slipped your pen behind your ear and crossed your arms over your chest. Mrs. Blackburn’s thin mouth dropped open into a tiny ‘o’, only really defined by her cherry red lipstick.

“What?” she cried before composing herself “No, no Gordon was fine, he’ll make a fabulous Sebastian, but Steve is what I want for the Duke.”

“Are you sure I mean-” You couldn’t help but try to argue the point. You knew in your heart that the little shows you helped put on weren’t award worthy by any means but you still took great care in making them as good as possible, if only as a self-serving move to make them watchable from the booth.

Mrs. Blackburn shook her head, her tiny mouth pulling into a stern frown. “The decision is made. You cannot change my mind, Y/N.” she said flippantly, turning away from her to collect her papers. “We’ll have the list up by Monday, yes?”

You swallowed and nodded once. Mrs. Blackburn swept out of the room, her silver bracelets clattering together as she left. Once the door shut, you let out a heavy sigh and put away your clipboard. You’d type up the temporary list and deal with your temperamental director. First, you had to find Steve.

You found him hunched over at his locker. If you didn’t know him better, you’d say that he was ashamed. But he was too much of a cocky shit to ever feel ashamed of his own showboating. And what you just saw was showboating. There was no other way to explain it. He didn’t care about the show, or the play, he only cared about himself and showing off.

You tapped him hard on the shoulder. Steve turned his head. He wasn’t certain of your name but he recognized you from only a few minutes prior. He wanted to disappear. He’d just made a complete fool of himself and now had to atone to his butchering of words he didn’t quite get.

“Look, I don’t know what you think you’re doing, but if you’re just signing onto this thing to fuck around and make fun of people, I suggest you back the fuck down. Fisher and Michaels might stand down to your asshole buddies but I won’t.” you sneered, planting your hands on your hips and straightening your back to reach your fullest height. You had never been in a fight before, at least not one that wasn’t staged and within a classroom setting, but you’d stand up for those kids. Anyone who volunteered themselves for theatrical productions were doing something vulnerable, and vulnerability wasn’t something that could be taught or captured in a bottle, it was something given that should be protected. And you vowed to protect them from someone with ill will, if only to make your show better.

“Look,” Steve swallowed hard, looking away from you. Your gaze was searing into him and he was already embarrassed as is. He didn’t think he could blush any harder. “I’m not bullshitting. Mrs. Blackburn offered and I said yes, that’s all. No buddy’s gonna find out about this.”

You watched him squirm like a worm on a hook. He looked genuine. His eyes spoke more volumes than his words. You nodded, letting out a sharp breath through your nose. “Alright…” you turned on your heel and walked off without a goodbye to the thoroughly embarrassed boy.

Once the work started, it was a wash of a production. You wanted to crawl into a hole and die. Tammy was over the moon that Steve Harrington was joining them to play pretend and thrilled to explain to him that his character was in love with hers. He seemed horrified by the idea but dutifully played along. Gordon was beyond pissed, having to watch Steve stumble through lines and direction given by Mrs. Blackburn while he waited for his shot to do any acting at all. Robin was pissed too. Mrs. Blackburn had roped her into the production to do a few flute solos in pivotal scenes, which meant her having to watch the scenes she’d be playing in and you’d have to make her a little costume to wear. You’d been given your budget and some ancient patterns from Mrs. Blackburn’s collection, a 1970s renaissance faire dress pattern that didn’t fit in at all with the period. You bit back complaints about how little money you had to make anything nice.

You silently thanked god for Heather Holloway and her rich parents. They would pay to have her costumes done separately from your handiwork and all you’d have to do was make some decent things for the rest of the cast. You’d be sewing until your fingers bled. You were just thankful that you had made patterns for men’s pants in the same style of the dresses. You wouldn’t have to draft different sizes off a thin parchment pattern for them. Nicole, Tammy, and Heather were all around the same size so you’d only need to two different sizes of pattern. The project would be fairly simple.

Which meant that Mrs. Blackburn had to throw a wrench in everything.

She asked you to speak with her after your afternoon class one month into rehearsals. You stood awkwardly in front of her desk, your trapper keeper clutched tight to your chest, a few fingers bandaged from pricks and pokes from rouge pins and needles. You’d spent the night before alternating between putting blocking notes into your script and hemming the skirt of Tammy Thompson’s pale yellow dress. You’d bought a very pretty pale yellow brocade fabric with thin gold laurel patterns over the material and it was heavier than expected but it looked rightfully rich enough for a duchess to wear.

“Now, I might have overestimated Mr. Harrington’s acting abilities,” she said quietly, looking between you and the door. Steve was the first out of the room when the bell rang, he wasn’t lurking by the door waiting to hear you shit talk him. “He’s not performing well.”

“Well yes, I tried to tell you that when we auditioned him.” You replied, trying to hold back an eye roll.

“There’s no need to be bitter, he’s salvageable.” Mrs. Blackburn turned her attention to erasing the board. She had a freshman year drama class after this and the smelly youths would burst through the door at any moment. “What we’ll do is simply give him some extra help, less time working with the others and have him focus on really working on his lines. He’s not off book anyway.”

You nodded “So, what do you need me to do here?” Mrs. Blackburn reached into her desk and pulled out her pads of excused late slips, pulling out a pen and scribbling out your student information.

“Well, I can’t very well stop blocking the performance and we need to start heading over to the theatre soon. So you’ll handle helping Mr. Harrington from here on out.” She said nonchalantly. Her hoard her stinky children burst into the room, taking over the class with sound and fury, signifying nothing but an assault on your eardrums.

“So, and just for clarification here, you want me to make all the costume, stage manage the production, and teach Steve his lines?” you asked, taking the green slip she dangled out in front of you.

“Well yes of course that’s what you signed on to do and we always come through on what we choose to do.” Mrs. Blackburn turned her attention to her classroom, clapping twice to grab their attention. You knew that this was your cue to leave and you slinked away with your tail betwixt your legs, put back in your place by the older woman. You could’ve screamed. Teaching lines was not what you signed up for. Working with Steve was not what you signed up for. You signed on for making costumes and stage managing. Steve was not a part of the equation. He wasn’t even associated with the equation. He was a whole separate equation that you weren’t supposed to be tasked with solving.

And yet when Mrs. Blackburn announced that the rest of the cast would be heading to the theatre and you’d be staying behind with Steve to run lines, you didn’t complain. Steve did, he wanted to see the theatre, but you stayed silent, waving them goodbye as they left the cramped classroom. You and Steve stared at each other for a moment, silent and awkward, before you reached down and picked up the paper grocery bag you’d brought along with you and pulled out the pretty rouge pink linen you’d bought to make Nicole’s dress. You lay it flat on the desks and unfolded your newspaper patterns.

“Alright, sit.” You pointed to the desk in front of you and opened your patterning kit, pulling out your white tailor’s chalk and sewing scissors. Steve obeyed, tucking himself into the desk. You looked up with a forced smile “Alright, this is how we’re doing to do this. You are going to perform the lines without your script. When you need a line, say line and I’ll give it to you. Repeat it and then start again from the top. We’ll do that until you can say the whole thing without stuttering or calling line. Got it?”

Steve swallowed hard “Got it.”

“Alright, we’ll start from the first scene.” You pulled out your copy of the abridged play. Steve looked at you for a moment, confused and you summoned him to begin.

He took a heaving breath and you began pinning your pattern pieces to the material. “If music be the food of love, play on, give me…” Steve began, already stuttering. He went silent before shamefully asking “Line?”

You looked up with a raised eyebrow. You were hoping for at least a few lines to be known before he needed help. Mrs. Blackburn underestimated how little he knew. “Give me excess of it; that, surfeiting the appetite may sicken, and so die…that strain again!” you read out, monotone before turning your attention to Steve “Start again.”

He spouted out the dialogue, just a nervous as before and stuttering all the while. You managed to get through pinning the skirt piece down before he called line again. He only got through a line of dialogue past your last prompting. Steve looked utterly defeated and small in his seat. “I can’t think like this…” he muttered.

“The stand up. Or pace. Whatever you need to do. Just get through the speech here,” you said with a sigh “Do you need the line?” Steve nodded sadly and you read out the next line and Steve started again.

“If music be the food of love; play on, give me excess of it; that, surfeiting, the appetite may sicken and so die…that strain again! It had a dying fall: o’ it came o’er my ear like the sweet south that breathes upon a bank of violets; stealing odour…enough, no more!” he took a heaving breath. He was halfway across the room now and staring at the wall. You had turned your attention to him and were watching almost in awe. He knew the lines. He knew the whole speech. When he finished, he looked to you as if for the next line. You didn’t give it, instead you stepped out from the desk.

“You know the lines…” you breathed. It wasn’t a good performance, but he was off book. He was putting in work. You were impressed. Surprised, but impressed.

“When I’m walking around the room I do…” Steve chuckled awkwardly, rubbing the back of his neck with a small smile.

“But you have no idea what you’re saying…” you breathed, watching as Steve deflated, giving a small nod.

“Why can’t he just write what he means, I get it’s supposed to be like poetry or whatever, but it makes no sense.” He pushed himself up onto the desk, crossing his legs under him.

“It helps to think about the character as a whole. What do you know about the duke?” you asked, taking a step back to approach the scene with script in hand.

“I mean…he’s a duke, which is an important person with a lot of people who work under him, and he’s in love with Olivia, who’s a rich duchess,” he counted them off with his fingers, chewing on his lower lip as he thought.

“Exactly!” you stopped him mid-sentence, pointing excitedly “He’s in love with Olivia and Olivia doesn’t love him back, right?”

“Right?” he had a right to be confused; Mrs. Blackburn had given Tammy the note to stop playing Olivia so moony eyed over Orsino for weeks now. She hadn’t stopped, despite swearing up and down that she wasn’t trying.

“She doesn’t, and so when he’s talking about love and music, do you think he’s happy to hear the music or not?” you asked.

“I mean…I guess yes and no?” you raised an eyebrow at him. That wasn’t the exact answer you expected. He continued “Cause he’s love sick, and being love sick is fun and terrible at the same time. He talks about being sick in the speech.”

You nodded “Yes! And when he says that he wants to surfeit, that means to like overdose. He wants to die from all the love. He’s overwhelmed by it all.” Steve’s smile grew. For the first time, he felt like he was getting it now. When you explained it, the scene made sense.

You reached for your scissors and picked up the material, taking a deep breath before making the first cut in the fabric. “Alright, now I want you to take all that stuff I told you and try to put it on the words.” You said, gesturing with your finger for him to start again.

And he did. He did the scene over and over again, pacing the room while trying to feel different things. It was easy to be overwhelmed-he was overwhelmed. Everything he was doing overwhelmed him. It didn’t help that you were watching him. He didn’t like being watched. And you kept smiling at some parts and frowning at others. He wanted you to smile all the way through it. That meant that it was good, that he was doing good. And he liked your smile. This was the first time he’d seen it directed at him.

“Alright,” you stopped him mid sentence, holding out a flat palm out “Enough pacing. The blocking has you seat in like this big chair.” You stepped out from behind the desks and pulled out a chair, placing it in the centre of the room. “Sit down, we’re going to put it altogether.”

Steve gingerly sat in the chair, positioning himself the way Mrs. Blackburn had instructed with his legs splayed wide and his right elbow propped on his knee, holding his head up. With a heavy breath he started again “If music be the food of love, play on…fuck!” you looked up from your work curiously “I forgot the line already! I keep thinking about the words and the meaning and the emotions and the meter-I can’t do it all.”

You nodded, pulling the pins out of the pattern and marking the pieces numerically. “Tap your foot to the beat of the words, one less thing to think about.” You said, capping the pin box. “Do it one more time and then we’re done. They’re finishing up at the theatre now, we have to vacate ASAP.”

Steve tried your trick. It worked. He was shocked. You knew so much about this stuff. He didn’t know anything about any of this. He felt like a doofus. But you helped him through. He thought it was a onetime thing, but every rehearsal you’d take him aside and work on the words. Mrs. Blackburn had cut the thing down to about two acts, still longer than most parents wanted to sit through, but better than five acts and two intermissions. He didn’t know how he was going to do this at all. Still, he felt safe with you watching. He could perform to you instead of the audience.

For your part, you liked working with Steve. You didn’t think that you would, but he was pretty self sufficient with the piece after you gave him your Cliff’s Notes version of the text to help him understand the scenes he had to do and the context of the play as a whole. And he was funny. You didn’t know that he was funny. And he hated Tammy. Anyone who hated Tammy was a friend of yours. She was brutally annoying in rehearsals and at this point was refusing to kiss Gordon. And poor Gordon was more than over having Steve there, he swore that the guy was doing something to distract Tammy. Of course he was, he was existing in her world for the first time, but you were quick to defend him, because he was trying. It wasn’t his fault that Tammy couldn’t keep it in her pants or that Heather was more focused on her costumes than her performance. Still, nobody understood why he was there.

Sat with Steve at the back of the Hawkins Community Playhouse, you decided to ask him. “Hey,” you asked quietly. Gordon and Tammy were doing their little love scene on the stage below and Mrs. Blackburn would kill you if she could hear you talking. “Can I ask you something?” Steve nodded, looking up from his script.

“Why are you doing this show?” Steve frowned and you backtracked quickly “I mean, this isn’t your bag I just was curious…”

“Honestly?” Steve asked. You gave a half nod, trying not to appear too curious. “Mrs. Blackburn promised me that if I did this, she’d pass me for the year and that I can skip out on the final.” Your eyes blew wide. You were pissed. Not because he was only doing the show for a decent grade, but because you still had to prepare a monologue performance to perform for your final on top of all this work.

“That bitch…” you murmured “I wanna skip out on the final!”

Steve laughed “Ask! She was only gonna pass me, I haggled for the final.”

“She’d never. She wants to work me to death, I swear.” You chuckled darkly. You flipped up the tan suede Bodice you built, the lace dangling loosely from the eyelets. It looked good. It would look better on Nicole, for now it would have to look good on the floor.

Steve was called up to the stage and you returned to Mrs. Blackburn’s side, watching the ending go down, as Viola’s true nature is revealed and Sebastian is reunited with his sister. It was a messy scene, with the Malvolio plotline cut there wasn’t a scheme to reveal or a villain to unmask, so the scene became instead a bit of a wedding. You still wished you’d done A Midsummer’s Night’s Dream, you would’ve actually auditioned for that show. Still, Twelfth Night was turning into a half decent show. You hadn’t expected Steve to bring anything, but he played the duke like a sort of well meaning dunce, a loveable yet hopeless fool. He just seemed to have fun, especially when Nicole and Dale were acting silly behind him. He just seemed to have fun with them, unlike Tammy and Heather who had no interest in playing and seemed to be fighting for who could look the most bored. It had been a long day, it was nearly eight o’clock at night and Mrs. Blackburn had sent her husband to go pick up pizza for the cast an hour ago. Everyone was exhausted, but you were supposed to do a full fitting for the cast after they were done.

Thankfully, Mrs. Blackburn ended the torture. “Alright,” she clapped once, calling an end to the scene “Let’s call it quits there. Y/N has brought all the costumes for the show with her today, let’s have a try on and then we’ll take our pizza to go. Sound good?” the whole room let out an exhausted half cheer and you picked up the massive duffel bag you’d brought from home.

“I hope everyone remembered their shoes,” you said, pulling out the first hanger, holding the intense yellow brocade with the golden Bodice for Tammy to take. “Heather, your stuff is here, right?” Heather scoffed, taking the three off the stage and picking up her own bag. You handed Nicole her dress and passed out the brown faux burlap pants and white puffy shirts. You’d made separate vests for each character-Steve’s a rich navy blue, Dale’s a jaunty royal purple with a matching jester cap from the prop closet, and Gordon a dull olive green. Their colours would have to do to differentiate them to the audience. Everyone left to do their try on and when they returned you were transported to the ren faire.

You stepped off the stage, joining Mrs. Blackburn in the fifth row. You smiled; the brocade looked lovely under the lights, as did the silver buttons you’d put on Steve’s vest. It was a bit wide. “Alright, Tammy you’re good to change, Steve stay put.” You jumped back onto the stage, stepping behind him. Up close, it was hard to look at him. He was too attractive. You were stunned that any man could look sexy in a stupid puffy shirt, but there Steve was, ruining your work relationship with him.

“Stay still, I’m putting pins in your vest, I don’t want to poke you.” You whispered, pulling a couple pins from your cushion. You felt Steve suck in a deep breath as your fingers grazed his lower back, tingles running up his spine. You pulled the material in a bit, pinning it flat. You noted that you’d have to add a couple darts to each side to make it fit better. It only took a few moments, but when you came back around to look over Steve he looked as if he might faint. “Steve,” he looked to you with blown out eyes “Breathe.” He nodded twice and you stepped off the stage. It was only a week until performances. He must have been scared shitless.

Steve was scared shitless. Of you. He didn’t know how to act when you were watching him. Well, he knew how to act, you’d trained him to play Orsino, but he didn’t know how Steve fit into your relationship. All he knew was that when he had to kiss Heather at the end of the show, he only had you on his mind. He couldn’t even look at you when it was over, he felt like he’d cheated on you. Which was insane, but the feeling stuck in his gut.

When the day of performances came around, Steve was shaken. He didn’t know what to do with himself. He hadn’t told any of his friends about what he was doing and yet word had gone around the school. All of his friends were coming opening night, he swore with pitchforks and rotten fruit to throw. When he got the theatre at four o’clock that afternoon, however, the whole cast was in a tizzy.

Heather was an hour late. And, according to Nicole, she wasn’t coming. “Her father’s hosting a benefit at the Carmel Country Club tonight, there’s no way that she’s showing.” She moaned. Mrs. Blackburn was already in the phone book, looking up the number of the club. She left to make a call, promising that Heather would never do such a thing.

Tammy was crying off her makeup in the corner, with Robin consoling her while trying to not get blackened tears on her white shirt. “She’s going to ruin my show! She’s ruining it!” she sobbed.

You were stood in the corner, unsure where to place yourself. Luckily, Mrs. Blackburn returned quickly. “I’ve just spoken to Heather,” she announced. The room fell into a hush.

“And?” you asked, looking up from the hot rollers you were putting in Nicole’s hair.

“And she’s not coming. She told me about this and I said it was okay. I guess I forgot.” Mrs. Blackburn replied. You knew that was bullshit, but you held your tongue.

“What’re we going to do???” Tammy cried out. That sent the room into an uproar, everyone talking over one another. Steve stayed silent. In truth, he was a bit glad to be rid of Heather. Maybe they wouldn’t have to perform.

“Now, now as we know in the theatre the show must go on!” Mrs. Blackburn cried. “Y/N, as stage manager, has been learning the blocking and pacing for the show. She will go on as Viola and I will make a speech before we go on! It’s all we can do!”

Everyone turned to look at you. You turned your attention to Mrs. Blackburn, walking over to her and whispering in her ear. “If I do this, I don’t have to do the final. You grade on this.” She looked you over and then turned once. You turned to the cast and sighed softly, nodding “The show will go on.” You shrugged, heaving up your trapper keeper.

“She doesn’t look right. She doesn’t have a costume.” Tammy whined.

“I will go to the school and get what we have left. I’m sure we have a pair of trousers and a puffed shirt for her to wear.” Mrs. Blackburn grabbed her purse off the makeup counter “Girls, work your magic on her.”

You put the last roller in Nicole’s hair and she grabbed your arm, pulling her into the chair next to her. “Grab that green skirt from last year!” Nicole called after her teacher “You’re gonna wear this dress for the opening. I’ll wear the skirt and whatever else she brings back, now let’s make you Viola.”

You were poked and prodded and burned until you were as close to looking like Heather as you were going to get. Then, you were stuffed into Nicole’s dress. Thankfully, Mrs. Blackburn had found two leftover puffy white shirts and a bodice, and the decision was made that you’d wear the rouge dress and she’d wear the green skirt from last year. It was a nice enough gesture, as was Tammy being forced to give up her extra pair of character shoes, which she did begrudgingly at the behest of Robin.

And then, you were stood offstage. And you were terrified. You’d never done this before. In your four years of stage managing, no one had ever called out of a performance, you’d never had to take over a role last minute. Your mind kept focusing on the discomfort of the costume. Nicole had tied your bodice too tight. Tammy’s shoes were too big. The skirt was too long. You were too wrong for this. You wanted to run. And then, the lights came up on Steve. Your breath caught in your throat as he spoke the opening lines so well and Robin began her first flute solo. Steve was doing wonderfully. With his left foot tapping lightly on the wooden stage floor, he knew what he was saying, even with distraction surrounding him. Internally, he felt as close to someone else as he’d ever felt in his life. Steve didn’t like that you weren’t in the audience to watch him, but he couldn’t see anyone with the lights on anyway. The audience clapped as he finished his scene and left with Dale, the lights going out fully as Robin cleared her chair and music stand and Gordon carried off the throne. Steve reached out and squeeze your shoulder with a kind smile.

“You have this,” he said softly. You heaved out a breath and stepped on the stage. You went right to the centre and right up to the edge, sitting down so your legs dangled off. You had no idea how Heather did this. You were too close to the audience. As the lights came up, you looked down at the lines in front of you. Dale stepped onto the stage in a sailor’s cap. He really had to play everyone in this stupid show. He nodded to you with a smile.

“What…” you voice came out in a whisper. No one could hear you. You took a breath, closing your eyes before trying again. “What country, friends, is this?” you asked loudly.

Dale’s smile grew. The scene was actually happening. “This is Illyria, lady.” He said, doing his best to sound like an old man.

The first scene was bumpy. Dale wanted to show off a bit and make the audience laugh, even though the scene was an info dump, which meant that you could just read the lines back to him and follow the blocking. You were more comfortable moving than you were speaking. But it got easier. Once you were dressed as Ceserio and working with Steve, things went smoother. You knew those scenes very well, the lines were almost memorized on your part from playing scene partner to him. Steve was fun to work with, he constantly made you smile.

It wasn’t hard for you to pretend to be in love with Steve. You felt like you were. Well, maybe not love. But like. Like a whole lot. And you were sure that he liked you to. Or maybe he was just that good of an actor.

The show went so fast. It was refreshing. Sat in the booth, it was a slog to get through, but onstage it went quick. You were nervous over the ending. You knew Heather’s last scene was a kiss with Steve. It wasn’t the passionate, intense kiss that Tammy and Gordon would do a scene before, but it was still a kiss. No matter how he felt about you, this was going to change your friendship forever.

You joined the cast last on stage, the who’s who of the plot being broken down, Steve was supposed to be mad when you came onstage, but he smiled like he’d seen what heaven looked like. You smiled up at Steve as the changed scene began, cutting the duel that leads the group into their explanations of the mix ups. Mrs. Blackwell hadn’t had the heart to cut a bit of Viola’s dialogue, so it lead the group into the explanations instead.

“After him I love, more than I love these eyes, more than my life, more by all the mores than e’er I shall love my wife.” You had no direction for what to do with the line. Heather had said it dramatically towards the audience. You turned your attention to Steve, caressing his face with your thumb. It was greedy, you were using the scene to get a bit of affection from the boy. You knew you shouldn’t, but you couldn’t help it. Steve seemed bewildered but happy, he fit the moment perfectly.

The scene continued as planned, with all the reveals shown to the characters and couples happily coupled off. Sebastian and Olivia were revealed to be married and that all was okay between Viola and Olivia once her gender was revealed.

Steve turned to you, smiling ear to ear “Boy, thou hast said to me a thousand times thou never shouldst love woman like me.” He took your hands in his squeezing them tight.

“And all those sayings will I over-swear, and all those swearing keep me as true in soul as doth orbed continent the fire that severs day from night.” You replied, matching his giddy grin. The kiss was coming soon, he had one more line and then he’d plant one on you.

“Give me thy hand,” you both looked down at your still clasped together hands. The audience chuckled. Steve pressed on “And let me see thee in thy woman’s weeds.” You and Nicole rushed offstage and quickly changed you into the dress again. You were all butterflies and pins and needles, shaking in your loose heels. Nicole brushed out your skirt and smiled, escorting you back onstage.

The audience clapped politely on your return, you tried your best to smile although was hard to breath with Steve looking at you like that. He scooped you up in his arms and kissed you quickly before you had a moment to react. You swore that he had a line before this happened but you didn’t care. Your script was out of your hands anyway, he’d knocked it out of your hands when he lifted you off the ground. You swore you were flying.

And then you were on the ground. Steve cleared his throat. He was blushing madly. He remembered his line. He turned to Tammy, who was holding back a laugh before turning back to you.

“Cesario, come! For so you shall be, while you are a man; but, when in other habits you are seen, Orsino’s mistress and his fancy’s queen.” He announced, grabbing your hand and sweeping you off the stage, Gordon and Tammy in close pursuit. Dale and Nicole still had a scene, which Mrs. Blackburn had changed for them to share. You weren’t paying attention to them though.

“Nice work,” Steve breathed, squeezing your hand in his.

“You surprised the hell outta me,” you chuckled “Made me lose my script.”

“You look really pretty like this,” Steve said. You looked at him carefully. He was sweaty and shy, his eye barely met yours.

You smiled “Thank you, you look good in cheap period costumes.” You knocked your hip into his, making him stumble just a bit. He grabbed your hip, pulling them parallel to his.

“Yeah?” he asked, bring his left hand to grab your chin.

You smiled “Oh yeah, definitely,” you wrapped an arm around his neck, pulling him down to kiss you again as Tammy and Gordon ran to grab you for curtain call. You didn’t care. Looking into Steve’s eyes, you knew he wasn’t a good enough actor to fake the way he looked at you. And you swore the world went silent in that moment, nothing standing between you and the swirling stars and hearts in his eyes.

[passionate-reply]

This week on Great Albums, I finally explain the deal with that record you’ve seen in the background of these videos, with those dudes working in the office. These dudes used to be in the Human League! Oh, and they really hate fascism. Full transcript of the video after the break.

Welcome to Passionate Reply, and welcome to Great Albums! Today, I’ll be looking at the debut album of Heaven 17: 1981’s Penthouse & Pavement. While you may not be familiar with Heaven 17, chances are pretty good that if you know your Western pop, you’ve heard of the Human League! Before forming Heaven 17, Ian Craig Marsh and Martyn Ware were members of the Human League--and they were also the band’s creative core. But they had a very different artistic vision, and one that doesn’t exactly prefigure the success of hits like “Don’t You Want Me.”

Music: “Being Boiled”

Between its plodding electronics and inscrutable lyricism, “Being Boiled” is pretty far from a pop hit. When Marsh and Ware left the Human League, they were keen to continue pursuing this sort of underground, experimental, quasi-industrial direction. Initially, the two of them formed the British Electronic Foundation, or “B.E.F.” It was chiefly a production company that worked with other artists, though they also released some instrumental music under this name. With the recruitment of vocalist Glenn Gregory, who Marsh and Ware had initially intended to front the Human League in the first place, they were set to get right back into the groove of what they had been up to before.

Music: “Fascist Groove Thang”

“Fascist Groove Thang” is the opening track of Penthouse & Pavement, and was one of its chief singles. While it’s much less ambiguous than “Being Boiled,” and much easier to dance to, it’s still got a lot of that subversive, underground charm--enough to get banned by the BBC, anyway. I know they always say that history rhymes, but it’s one of those songs from this era that really feels like it belongs more in our time than the one it came from. I like to think that its unforgettable chorus sounds more like a chant you might hear at a protest march, as opposed to something that belongs in a proper song. “Fascist Groove Thang” is actually based on an instrumental track by BEF, which was simply called “Groove Thang” before being reworked into this political anthem. Both versions are indeed pretty groovy, thanks in large part to the bass guitar work of session musician John Wilson. Compared to their work with the Human League, Penthouse & Pavement has an overall richer sonic palate, with more of those traditional instruments, as well as backing vocals. You’ll hear a lot of those on the album’s title track:

Music: “Penthouse & Pavement”

Penthouse & Pavement’s title track is the longest track on the album, clocking in at over six minutes. Between that, the lush instrumentation, and the honour of being the title track, it certainly feels like an anti-capitalist epic, dramatizing and dignifying the inner thoughts of a common wage-slave. The first side of the album, dubbed the “Pavement Side,” is where you’ll find both of these tracks, and it seems to deal chiefly with working-class struggles, as well as having a bigger emphasis on that bass-heavy groove, musically. Naturally, then, the flip is the “Penthouse Side,” it’s more melodic, and it seems to focus more on the lives of the rich and famous...though it isn’t quite that straightforward.

Music: “We’re Going To Live For a Very Long Time”

“We’re Going To Live For a Very Long Time” is perhaps the clearest expression of the idea of the upper classes living in their own protected bubble, shielded from plebeian woes. There’s a religious dimension to it, in that the narrator manages to live without worries because of their assuredness that Heaven awaits them when they die...but, as the title reminds us, they’re also confident that Earth will be good to them, as well. In case you were worried this message might not be ironic, the song actually stops abruptly in the middle of its final refrain, providing a sudden end for that narrator--as well as closing out the entire LP with a bang, since this is the final track! The idea of the wealthy actively taunting those beneath them is also central to the most rhythmic track of the Penthouse Side, “The Height of the Fighting.”

Music: “The Height of the Fighting”

In “The Height of the Fighting,” that march-like chanting takes center stage again, but it feels very different here. Rather than embodying a sort of grassroots resistance to the consolidation of power, “The Height of the Fighting” seems to be the voice of authority and power coming downwards, fitting the theme of the Penthouse Side. The song’s assertions, like “if you can’t take it, fake it” and “they sent you to it, do it” could be interpreted as pithy, meaningless sayings--perhaps throwaway lyrics, taking up space on a single aimed squarely at the dance floor. However, if you know the context of the Penthouse Side, it’s hard not to see them as representations of the worthless advice the rich often give the poor. Get a job. Get a side hustle. Work harder. Eat out less. And so on. Much like the implicit messages about class in popular culture, “The Height of the Fighting” might seem disposable, but the thrust of what it’s saying is actually deeply warped. Another complex, and perhaps conflicted, track on the Penthouse Side is “Let’s All Make a Bomb”:

Music: “Let’s All Make a Bomb”

Songs against nuclear war were commonplace in Cold War-era music, but “Let’s All Make a Bomb” isn’t quite a typical example. At first, its slow pace and despondent melody make us think we’re getting the usual fare. But the return of that swelling, chant-like refrain style, as well as a closer inspection of the lyrics, reveal otherwise. As the title might imply, “Let’s All Make a Bomb” asks us what kind of character is actually crazy enough to *want* nuclear war, and the character Heaven 17 have chosen is a hedonistic libertine, who sees the end of the world as one big party. The atomic bomb is not a thing to be feared, but “a brand new toy, to idolize.” As dark as that is, the fact that it’s also part of the Penthouse Side, and ostensibly a representation of what those who hold influence and power believe, adds a whole new level of horror to it.

While I love album art, and my interest in it is the main reason I started collecting vintage vinyl, I think [the cover of Penthouse & Pavement just might be my favourite of all time. Penthouse & Pavement’s cover portrays the three members of Heaven 17 as though they were businessmen, co-opting motives like glass-paneled skyscrapers and the deal-making handshake straight from the 1980s corporate visual lexicon. They've even got cities they're allegedly based out of, one of which is their native Sheffield, England. If you look closely, there are a few hints that they’re actually a music band and not a firm, such as the reel-to-reel tape player in the upper right-hand corner, and the fact that in the lower left-hand corner, Martyn Ware is writing music in front of a keyboard. At the bottom, we also find the logo of B.E.F., which brings this grand “joke” full circle. As the “British Electronic Foundation,” they had also billed themselves as a faceless organisation, adopting a name that sounds more at home on a utility bill than an album cover. Here, the trio have done it again, in a bit of ruthless satire towards the rising “yuppie” culture of the 80s. Incidentally, the cover art is a traditional painting, credited to one Ray Smith. It wasn't unusual to commission paintings for album art at the time, but it does tickle me knowing a human being physically painted Heaven 17 as office workers. If the original ever came up for auction, I'd probably shell out for it. It would look great in my office!

Anyway, it’s also worth mentioning how the title “Penthouse & Pavement” adds to that corporate theme. The X-and-Y format recalls the names of many real-life firms and companies, such as Ernst & Young. A “penthouse” is an apartment located very high up in a tall, urban building. Such apartments are usually expensive, and are hence occupied by well-off tenants. “Pavement,” in this context, probably refers to what Americans call the “sidewalk,” the paved pathways where the less fortunate among us might walk past those penthouses, without ever getting too close. Each side functions as an ideal symbol of the kind of people it represents, and the physical gap between them is a visceral representation of economic inequality. The title is also quite pleasingly alliterative!

While Penthouse & Pavement maintains a certain underground integrity, which is consistent with Marsh and Ware’s track record as part of the Human League, it’s still much more of a pop record than anything they had done before. Heaven 17 never went quite as pop as the Human League did without them, and they certainly never saw the same level of mainstream success, but they did pursue an increasingly pop direction with their next several releases. Their 1983 followup, The Luxury Gap, delivers less of that hard-hitting critique of capital, but did produce some of their best-known singles, namely, “Temptation” and “Let Me Go.”

Music: “Let Me Go”

My favourite track on Penthouse & Pavement is “Geisha Boys & Temple Girls.” I like this track’s overall mysterious, otherworldly vibe--it’s not terribly easy to pin down what it’s really about, or what sort of mood it’s meant to convey. The intro to this song sounds more like Karlheinz Stockhausen than something you would hear in pop, and I love how strident and abrasive it is. Given its place as the opening track of the Penthouse Side, and its opening line, “look ahead, on the screen,” I’m tempted to interpret it as a representation of a fictional romance in television or film. It’s dramatic, unpredictable, exotic, and also completely fake and divorced from how people behave in the real world. The idea that entertainments and diversions are part of what shelters the rich from the consequences of their actions is another one of those things that makes this album continue to feel relevant. That’s all I have for today--thanks for listening!

Music: “Geisha Boys & Temple Girls”

[amostimprobabledream]

Why I hate Grace.

I was giving my thoughts on Peaky Blinders a few weeks ago and I danced around the subject of my dislike for this character but didn’t have time/room to get it all out. So here it is! Grace fans, you probably want to look away now. So to me, Grace is kind of symbolic of the bad writing on Peaky Blinders, which is especially egregious because usually the writing of the show is good. But right off the bat, her arrival creates a number of plotholes that don't resonate with Tommy's character. Just for a start, nobody seems to find it suspicious that an apparently attractive woman (seriously, people go on and on about how pretty Grace is and while it's not as though she's ugly at all, you can't help but wonder if the Peaky boys merely think so because she's the only woman of significance not related to them) is so determined to be a barmaid in The Garrison, where Tommy, upon seeing her, immediately asks her if she's a whore. Grace is understandably offended by the question, which again makes you wonder why she'd want to work somewhere where such a question isn't just an assumption, but the first thing Tommy asks - we know she's a spy, but the other characters don't.

Then, Tommy corners Grace and starts asking why she keeps being so nosy about the Blinders and their business. They go for a walk and Tommy asks Grace if she's a Catholic. She says she is, but when Tommy points out that no good Catholic girl would walk into a church without making the cross, he immediately exposes her as a liar and points out he also knows that she lied to him about what town she was from, because he asked around and nobody had ever heard of her. So what does he do? He...promotes her to being his secretary? What?

Okay, so you might argue that Tommy puts her in said position to keep an eye on her, or thinks she might be useful if she has the balls to lie to him, but she tells such an easy-to-unravel lie and her excuse is because she wants to "fit in". Again, he lets her off the hook but she covers up a lie with an even more obvious one  - if Grace cared about fitting in, she'd make more of an effort to do so, but she keeps demanding Tommy let her sing in the pub and asks questions above her station to Arthur, which got reported back to Tommy. Sure, it's her job to spy on the Peaky boys, but she's so transparent about it that it's honestly ridiculous that Tommy would ever put her in a position that close to his personal affairs. Not to mention, Grace is so inexplicably haughty towards Tommy, telling him, "You disappoint me" when he kisses her. You'd think if she was good at her job, she'd learn to shut her mouth and keep her head down like a decent spy, but she always acts as if she's better than Tommy because, like Polly points out, she's a spoiled little rich girl at heart and she does think herself above the Shelby's.

Then Tommy completely inexplicably chooses to give Grace a fucking gun and tells her some men are going to come in and try to kill him and he's relying on her to bail him out. I know the cops were meant to come in at the stroke of six and they fuck up, but WHY would you ever place that level of trust in someone you already know is a liar? Sorry, but I just don't buy that Tommy was blinded by "love". I can buy that maybe he was curious about Grace, possibly even fancied her a bit, but definitely not so stupid that he thinks it's a good idea to put his fucking life in the hands of a woman he knows basically nothing about. She could have fallen out of the sky for all he knows. Tommy even continues to trust Grace after she kills an IRA guy right in front of him because she sobs, "I didn't know I had it in me like that", yet she disobeyed his instructions and whenever Arthur or John do that, Tommy gives them a bollocking. He lets Grace off, again, for seemingly no reason other than she played the damsel in distress role and he buys it. This doesn't make Tommy look like a smart man blinded by love, it just makes him look like an idiot around Grace.

Also, there seems to be an uncomfortable level in Tommy/Grace of Tommy getting a kick out of using Grace to piss Campbell off. It's pretty obvious Campbell has a creepy crush on her, and Tommy exploits that for all it's worth when he explicitly rings Campbell to inform him that he's going to bang Grace. (Incidentally, their sex scene made me go, "Oh, I guess they're gonna fuck now. Yup." It was like they did it because the screenwriter said so.) He's basically cucking Campbell and I think it's a big reason why even Grace fans admit that she's "not as good" in Season Two - Grace just doesn't work without Campbell around. At least in Season One you can argue that every shitty thing Grace does to Tommy/the Peaky Blinders is partly because of her job as a spy and Campbell is her boss. In Season Two, there are no excuses for the way Grace acts. She's a selfish, self-righteous hypocrite. She jumps at the chance to go to Birmingham on the offchance it was Tommy who called, then acts all offended when he assumes she came to sleep with him, to the point she actually smacks him in the face. What does Tommy do about this? Nothing. When Grace complains they could have run away to New York together, all Tommy says is, "I had things to do", instead of asking Grace why she thinks he'd abandon his family, business, friends and country all to chase after the woman who sold him out to his worst enemy. Grace honestly expected Tommy to put her first after everything she did to him. I won't act like Tommy is a saint in this - he did nearly pimp her out to Billy Kimber - but at least he acknowledges it was wrong of him to do and he never acts like he occupies any moral highground like Grace does. When Grace admits she sold Tommy out, she sobs she "did a terrible thing," yet never tries to actually help him out in a way that would put her at risk - she quit her position, sure, but Campbell's creepiness had gone so far as to propose marriage to her, Grace was still looking out for herself when she left, because it got her away from Campbell. She asked Campbell to spare him, knowing full well that Campbell has wanted Tommy dead since day one. She plays the damsel in distress again and she's pissed when Tommy doesn't fall for it a second time. Then when she talks about her husband, she tries to rub it in Tommy's face how he's “a good, kind man”, but then quickly backtracks on that to fuck Tommy anyway because her husband is impotent - and Grace just can't deal with not getting what she wants. Tommy's rich enough to afford to buy a house for Ada and Polly by this point, he's running Birmingham and seeking to expand into London, so Grace pulls the oldest trick in the book and gets pregnant - then Tommy has to do the responsible thing and marry her, because the baby is his and it's literally the only piece of leverage she has over May. (May even points out that she's been stringing Tommy along and all Grace can do is throw the fact that "Grace's Secret" is the horse's name at her. Again though, did Tommy call it that to piss off Campbell? This was before Grace returned to Small Heath but after Campbell had, so I think yes.)

Then in Season Three, again, Grace is pretty much a pointless character, because she has no purpose anymore outside of being "Tommy's wife". Campbell is dead and so the conflict of her character in Season One, as contrived as that was, is gone. People complain about Grace being stuffed into a fridge and whatnot, (and tbh, you could say that about Freddie, but Freddie also served his purpose in Season One after he buried the hatchet with Tommy), but honestly I think that it was all they could think to do with her because Charlotte Riley was unable to pick up her role as May for Season Three, so they had to work around it. It's the only explanation I can think of about why Grace is just such a blatantly awful person in the Second Season - I've heard people say before that Tommy leaving the field after his assassination was prevented would have been the perfect ending to the season, but that scene at the end where he returns to The Garrison and announces he's getting married seemed really hastily tacked-on - I feel like it was added because they were forced to rewrite the drafts for Season Three and put whatever plans for May they had on the shelf. Not to mention, Grace's actress Annabelle Wallis has apparently stated she hates May because she's "annoying" and "gets inbetween Tommy and Grace". No, Grace got in the way of Tommy and Grace - she's the one who chose to leave Birmingham after she got exposed as a Mole instead of taking the consequences! And also, how is May the annoying one? At least she doesn’t whisper all her lines. It's just so immature of the actress to bash on the character and encourage ship wars, especially considering Grace comes out the winner of the love triangle, so what's the bitterness about? (I've not heard what her opinion is on Lizzie, but I doubt it's as hostile, because it's made obvious in the show that Tommy doesn't love Lizzie the same and the poor girl is constantly competing with a dead woman for her husband's love.) Plus, in Season Three, the wedding is all about not upsetting Grace, Tommy's family have to play nice with Grace's family, and Polly is once again the only person who knocks Grace's smug ass down a peg by reminding her that the family haven't forgiven or forgotten Grace's crimes against them - the only reason they're putting up a pretence of tolerating her is for Tommy's sake. Not hers. Not everybody in the world wants to accommodate Grace. Killing Grace was honestly the highlight of the entire Season, because I couldn't stand watching her smirking over how she got everything she wanted when she didn't pay for any of it. (Polly is also the only one who comments on how Tommy has conveniently forgotten all the shit she pulled on him and Tommy acts like she was a totally innocent bystander when she got killed and it’s like, no, Tommy, baby. Grace knew what she was getting into when she married him and he knew that - it’s pretty much common knowledge that everybody who is even tangentially associated with the Peaky Blinders gets hurt eventually, just look at how Ada was nearly gangraped even though she hadn’t been involved with the family business for two years.)

Come Season Four and Five and there's already a problem here - there is still more to talk about with Grace, even though she’s dead and Tommy spends most of Season Three rampaging over her death. But he just inexplicably won't let go of her. And again, this doesn't come across as Tommy being so in love with Grace he can't fathom a world without her, it comes off like her actress has dirt on the director or something. He constantly hallucinates the bitch, we hear her singing all the time, it's kind of implied that Tommy prefers Charles over Ruby because Charles a boy and has a saintly dead mummy while Ruby is the daughter of a former whore (not that Tommy doesn't love Ruby, obviously, because he absolutely does), and what really annoys me about Tommy hallucinating Grace is that she's the only character he does this with. He doesn't dream about Greta, his first love, he doesn't dream of Danny or Freddie or his mother. He doesn't even fucking dream about John! Remember John, Tommy's little brother he knew his entire life? Apparently nobody else does! No, it's always all about Grace, who keeps helpfully telling Tommy to hurry up and kill himself so he can be with her again. This doesn’t seem like an out-of-character, guilt-induced vision - it mimicks her attitude in Season Two, that nothing else in his life can be as important as she is.

And that's why I hate Grace. (Please don’t send me rude or hateful messages over this post, it’s just my opinion and it’s pretty much irrelevant anyway since I doubt Stephen Knight is going to stop using Grace up as some kind of martyred dead saint anytime soon. I just wanted to get this rant out of my system.)

[prurientpuddlejumper]

A Punchable Face That I Want to Kiss, Ch. 8

<- Chapter 7 | Chapter 9 ->

Summary: Snapshots of life with a fussy brat over the three-year time jump. Including: a few holiday specials. 

3,949 words

With the lease up on your apartment, Frederick invited you to move in with him. It seemed like the next logical step in your relationship, especially considering how frequently you slept there anyway—though he had to justify the choice by saying he “could not stand seeing you live in squalor.” The house was certainly big enough for two people (or several less-wealthy families).

It was nice living with him, because you lived very different lives. Rather than finding it stifling to be trapped in the same house, it was freeing that you could spend so much of the day apart—or weeks, as it often was, traveling for cases or book promotion tours—and yet always be connected by the home you would return to at the end of it all.

You were planets of the solar system orbiting the same sun. 

The stability of that was comforting. So much had changed—Will Graham left and cut ties with the FBI, Hannibal Lecter was imprisoned at the Baltimore State Hospital for the Criminally Insane where Alana Bloom now held Chilton’s old job, and you were considering following Will’s lead and pursuing new career options. It made you glad to have someone familiar to keep you company, and always be there when you needed him. 

For all the good, living with Frederick Chilton was not always easy. He was a shameless snob who did not believe in laundry chairs, and panicked when his state-of-the-art kitchen was filled with sugary cereals with cartoon characters on the box. There were many clashes of egos early on, some of which never fully disappeared. Now that his star was rising, he insisted you dress a certain way when you were to be seen in public together—particularly at any sort of publicity event or psychiatric conference, but anywhere really that he might be recognized. He was yours, and that meant you reflected upon him. He updated your entire wardrobe like you were starring in an episode of Queer Eye, and had your hair professionally styled.

You couldn’t even be annoyed at the controlling implications of it—you were never great at dressing professionally, and it was exciting to see yourself looking so sharp in the mirror. You could surrender that to him. He enjoyed sophisticated things, like the opera and restaurants where celebrities eat, and now you didn’t feel so out of place when you joined him.

“You actually look quite elegant,” he nodded in surprised approval at your new attire.

You stuck out your tongue.

“Do not tempt me with that,” he said with a feline wiggle of his shoulders. “We have engagements to get to, and I do not want to re-do my face.” He wrapped the hand not gripping a cane around your hip and kissed you, coaxing your naughty tongue into his mouth with a lustful growl.

Any time he was too fussy and judgmental to the point of being unkind, you were quite practiced at flicking him back down to earth. He rarely apologized, of course, but would look up and purse his lips in thought before admitting, “You may be right.”

He was a sassy bitch, but you knew that. It’s why you loved him.

You loved him.

You did. It was strange to realize how much you loved someone you used to hate, whose traits you would normally find incompatible with your own. He was a miserable little rich boy with a self-satisfied sneer, a flare for drama, and perpetually questionable ethics, yet you would do anything to keep him safe. You wanted to stay by his side forever.

And there was something to be said about his difficult personality when you were not on the receiving end of it. 

Being on his side was fun—his hand at your back as he verbally destroyed someone with a catty insinuation that left their eyes glowering with indignation. That used to be me, you thought. Now you were up on his throne with him, and the view was much better.

You wanted to stay through all the medications, physical therapy, and regular hospital visits to tweak his prosthetics and make sure his remaining organs were all still functioning properly. You wanted to stay even as you questioned how much of your affection for him was pity in disguise, as he had suggested the first time you slept with him in a fit of explosive passion—that you liked wounded birds.

If it was pity, and being pity meant you would have to leave, then you resolved to stuff your fingers in your ears and ignore it. No psychoanalysis would make you give him up. You wanted to keep orbiting the sun together.

  *****

Calliope music paraded through the air with aggressively cheerful pneumatic whistles that grabbed your eardrums and pulled them screaming into the 1920s. Shrieks, laughter, bells, and shouts rushed by.

Frederick Chilton stuck close beside you and mistrustfully held a greasy paper plate like it was a venomous snake.

It seemed only fair that in return for dressing up, you made him dress down and do normal-person things, like go to the county fair and eat deliciously greasy fried foods. It was like a cultural exchange program.

“Every moment I am not writing my next book is another moment the world goes without a groundbreaking revelation on the human psyche,” he had snipped when you first suggested the outing. He barely looked up from his computer, where he sat typing in a suave leather office chair.

“Oh come on, you owe me,” you persisted. “I am sick and tired of fancy museums and fancy restaurants and fancy psychiatric conventions. Next time we’re in a hotel, there should be Star Trek costumes involved!” He straightened like you’d shoved a rod up his spine, and you chuckled inwardly at his petty aversion to being seen at that type of convention. “Come on, it’s just the fair,” you rubbed his shoulders and he groaned with annoyance. “Nobody important will be there. You’ll be totally incognito. Be a commoner with me.”

“I suppose it is the least I can do,” he caved in at last, leaning his head back to rest on your chest, glancing up at you through his eyebrows. “Since it is so important to you, I shall partake of your proletariat festivities.”

“Don’t say proletariat when we’re at the fair, you bougie dork.”

He wore a plain black t-shirt, and his hair wasn’t quite as primly styled as usual, letting a few strands fly free. The less he stood out from the crowd, the less likely a professional acquaintance or fan would recognize him.

Even living with Chilton, it was rare to see him dressed so casually, and you had expected it to be disconcerting. Instead, you found yourself drooling. He was sexy in a suit, but so was everybody with the correct fit. The unstructured t-shirt hugged his broad chest and revealed those alarmingly muscular arms that were usually a secret hidden under sleeves.

It was odd seeing your private Chilton—reserved for nights and mornings—out in the world, and a reminder of how lucky you were.

He managed to look dapper even with powdered sugar on his shirt.

“Funnel cake?” he cringed, as if the word itself was in poor taste. “Are we certain this is food?”

“You are ridiculously hoity-toity.”

“I do enjoy the finer things in life,” he boasted in a smooth, self-congratulatory hum.

You were about to sass him when you realized his admiring eyes were fixed on you, and he wore an expectant smirk on his lips. Your scowl cracked open into a tender laugh, and you linked your arm with his, giving him a playful hip bump.

His eyes widened at you in mock horror. “You would attack a man with a cane?” He awaited your answer with that same peevish smirk, but you didn’t have anything clever on your tongue, so you pulled him into a kiss instead. He melted against your lips, having gotten what he wanted.

Frederick refused to go on any rides, citing safety concerns and his delicate viscera, but you perused a hundred breeds of chickens, pet the World’s Tallest Clydesdale, watched pigs racing, browsed local artwork, and sampled craft beers which he had to admit were pretty good. You paid far too much money to shoot water guns at a spinning target faster than other carnival-goers so you could win an oversize plush of a corgi, which turned out to be filled with disappointing foam stuffing.

After finally placing a piece of sugary fried dough in his mouth, his eyes closed, and when they opened again, he declared it “not terrible.” Then inhaled it and spent the rest of the fair surreptitiously looking for another funnel cake stand.

When you got home, he confessed, with his most stern and dignified demeanor, that he may have, perhaps had fun, juvenile as it was. Then he quietly suggested that he would make an excellent Spock.

  *****

“I am never going to be perfect enough for you, am I?” you cried after another petty argument over another petty thing like stacking the cups in the cupboard in precisely the correct order. “How do you live with me? It must drive you crazy.”

Months of feeling inadequate bubbled to the surface all at once. Everything he did was so controlled, so exact, you really did wonder why he would ever be with someone like you.

“No,” he frowned, and as he gently took your shoulders his heart was crumbling in his eyes. There was a sorry on the tip of his tongue, but this was not the lottery-winning occasion he would say the word itself. He didn’t need to. He would say it in other ways.

His warm lips pressed your forehead as he rubbed loving circles on your arms with his thumbs. “Do you know who was perfect? Hannibal. I would rather live with a hot mess than a cold-blooded monster. One of us should be warm, anyway,” he gave a self-deprecating smile. “I must do better to remember the beauty of imperfection, because you are perfect to me.”

  *****

The front door opened well after the sun had disappeared and the stars had begun to come out. Frederick came home drained and exhausted from being on his feet all day trying to dominate professional rivals who were all, in turn, out to get him.

Conferences were invigorating, an exciting place to strut one’s superiority, make connections, and scope out the competition… until they were not, and they became whichever circle of Hell it is that makes one have to continually defend oneself to people for whom one will never be good enough.

You looked up from the book you were reading. You didn’t get up from the couch cushion’s gravitational embrace, but smiled with stars in your eyes, and called, “Frederick!”

Home.

He crawled onto the couch next to you, and laid his head in your lap. You set the book aside and ran your fingers through his hair, listening to the sweet, sleepy noises of pleasure the action evoked. Fantasies of this moment had kept him alive all day. You caressed his neck and the prickly stubble along the side of his jaw, and he turned his face into your palm and kissed it. He adored the way you touched him with your gentle, caring hands. Yawning, you reclined into the deep, plush cushions, and he shifted so you were both laying next to each other, content in each other’s embrace. He cuddled into your chest, face buried in your shirt.

“You smell like tacos.”

It was unclear how peevishly he intended the observation, so you simply replied, “I made tacos for dinner.”

“The cheap American kind that are nothing but ground beef, shredded cheese, and an insult to Mexican culture,” he said, voice muffled by the fabric.

“Mm-hmm,” you said.

“They are not real food.”

“Do you want some?”

“God, yes.”

  *****

With physical therapy, Chilton was finally able to walk comfortably without assistance again.

Technically, he had been able to for a long time. The cane was a crutch—in the figurative, not the literal, sense. In the literal sense it was very much not a crutch, or even a cane. At best, it was an expensive, silver-topped walking stick. He clung to it like a security blanket, or as a prop to garner pity, or simply because it was a dramatic accessory. The threat of physical therapy simply convinced him to let go of the pretense.

Like the spiral staircases of his home, some things about Dr. Chilton were fussy and theatrical for no reason.

It was almost a shame, you thought. That thing was the epitome of his dapper style (he might as well put on tap shoes, a top hat, and put on the Ritz with Fred Astaire), and it brought to mind such kinky images.

It was not one of those lightweight BDSM canes, and therefore was far too heavy to do any spanking with, assuming you wanted to be able to sit down any time in the next month. However, you recalled with some excitement his tapping it on the inside of your heels to get you to spread your legs open, using the pommel to gently tip your chin up to him, or running it slowly along the inside of your thighs.

You would miss that cane.

You still argued sometimes—but not as often. You were accustomed to his haughtiness and felt less need to try and change it, and he knew you well enough to relax when the two of you were alone. He took your advice that life was not a competition... but only when it came to you, not to his career and public reputation.

He was still obsessed with proving his superiority to the world. Still obsessed with seeing Hannibal Lecter grow old and feeble inside a cell. Those edges were so integrally a part of him you could never smooth them out.

  *****

You were good for his book tour.

Though he never raised his voice or threw insults around, Chilton still had the journalist sitting in your living room on edge. She gripped the recording device harder, nails turning white. Flanked by imposing towers of leather-bound books, he stared her down like a shark, bragging about his psychiatric achievements and describing grizzly details of the Lecter case with a heartless detachment—he smirked when the more graphic parts made her squeamish.

Dr. Chilton was (contrary to his own opinion) not the best mind in the psychiatric field, but there was one thing he was the preeminent expert in, and that was leaving people with the impression that he was a callous douchebag who thought he was better than everyone else. Which was more or less accurate.

When you entered the room, his whole demeanor softened.

“Hey honey,” you poked your head in with a plate of cookies. “Sorry, I didn’t know you had that interview today. Should I come back later?”

“Nonsense, darling, come in.”

The haughty stare he’d been giving the journalist broke and turned to a warm gaze and a kind smile as he crossed the room to escort you in, his hand on the small of your back. You sat down on the sofa next to him, and set the plate of good-will-bribery cookies down on the coffee table between you and the journalist. She politely refused, at least until the recording was over, but instantly seemed more relaxed, loosing her death-vice on the recorder. You quietly leaned your head on Frederick’s shoulder and discreetly clasped his hand on the cushion between you through the rest of the interview, which he spent blushing and unable to maintain the coldness of his stare.

You brought out a side of him few were able to see. Whenever you made an appearance during his book promotions, the article published was always just a bit more favorable.

  *****

“Gotta go!” you called across the house, slinging a pack over your shoulders. Dawn was barely cresting the purple sky, and Frederick was barely awake. He didn’t even have his prosthetic maxilla in yet; he was only up to say goodbye. “I’m going to be in the field for ten hours straight today!” You thought about that for a moment, and groaned with anticipated exhaustion. 

“You have water?” 

“Yes, mom.”

“You cannot blame me for worrying,” he smiled with some pride at his gallant adventurer. You were wild in ways he would never understand, and it terrified as much as thrilled him. He smoothed a few wrinkles out of your shirt—a rugged garment for outdoor wear—and said you looked presentable enough for what you were doing. You kissed him, and wished him luck with the book signing he was attending that day. 

He wandered into the kitchen to search for breakfast, when an idea occurred to him.

“Take some of my meal-replacement bars,” he offered, opening the pantry. He had the organic superfood detox variety that he was able to digest. 

“I already did, thanks!”

He sighed with annoyance. “I noticed. It looks like an animal went through the packaging.”

“You love me,” you grinned cheekily in the doorway.

He prowled up to you, eyes narrow, trapping you against the door. He growled. He wrapped his arms around you and buried his face in the crook of your neck, kissing you and sucking a small bruise just under your collar. Yeah, he loved you. You purred, arching your back so you were pressed more firmly against him, and breathed in his scent. If only you didn’t have to leave.

“Come home safe.”

  *****

Halloween was your favorite holiday. Perhaps it was gauche for one involved in investigating real murders, and real dead people, but then, that might have been what made it so appealing—on Halloween, all the blood was corn syrup, the skeletons danced to 80’s rock, and the serial killers wore their identities on their sleeves and carried plastic weapons. It had been your favorite holiday as a kid, and it still was.

“No.”

“Please?” you begged, drawing out the E. “It would be so awesome!”

“No.”

“But—”

“I am a bestselling author. An esteemed expert in my field. I will not be subjected to such an undignified, childish display.”

“But you would have the best costume and nobody would know!”

He wasn’t sure how you talked him into it. It must have those adorable pleading eyes he could never resist, or the enticing appeal to his ego that it would be an extraordinary costume, certain to leave everyone guessing how the effect was done. Somehow, he was walking into a Halloween party as a zombie. Without his contact lens or prosthetic jaw.

He frowned. It was humiliating.

You were dressed as an apocalypse survivor with an infected bite, and were hamming it up, telling the other guests you were fine, totally fine, with a shaky panic-edged voice and a tremor in your limbs. You had done an impressive job on the makeup, too, giving your complexion a sallow haze and reddened eyes. The bite itself was a gory masterpiece constructed from latex and tissue paper, with dark veins spider-webbing up your arm.

He didn’t have to ham it up. He only needed to walk in the room and Shrek and Fiona, Pennywise the clown, and a sexy velociraptor all gasped in horror at his face. How was that meant to make him feel?

“So cool!” someone said before he could turn on his heel and walk out of there. Words like, “There isn’t a contest, is there? I should have put in more effort,” and “did you hire a movie SFX artist? No fair,” started to get tossed around—including toward costume elements that you had designed and had nothing to do with his natural grotesqueness. Then they offered him a drink and moved on to the next impressive costumes and regular party chatter.

You were right. Nobody knew it was real, and while it stung to be stared at and called grisly—you would later apologize profusely for being too gung-ho and not thinking through what would happen—he had never imaged being able to have a normal conversation in public with his real face exposed. There was something daringly vulnerable about it. He had never imagined not being ashamed, but at least in this niche context, his old injury made him the leading man of the evening.

By the end of the night he got so into it, he was chasing you around snarling for your brains, and getting a kick out of scaring trick-or-treaters.

  *****

He took you to Paris for Valentine’s day. Last time it was Italy, and you strangely suspected he was touring the shadow of Hannibal Lecter as much as he was trying to impress you. You had suspected, that is, until you asked, and he rather bluntly admitted to it. He hadn’t expected you not to notice by the time you got to Florence, although Venice had been purely about romance (he loved all those touristy gondola rides that he swore he hated and were just for your benefit).

Now that he finally had the chance to lavish his considerable means upon someone, he was throwing himself heart and soul into the holiday, and would not stop until he had spoiled you senseless. When he was single and accustomed to spending the day alone, he used to loathe February 14th—Valentine’s had seemed a cruel joke directed specifically at him. He couldn’t even spitefully ignore it by staying late at work, because the more perceptive inmates always took notice.

“You do not know hell,” he told you, “until a man convicted of raping his mother’s severed head taunts you about your lack of sex life.”

This year, he treated you to everything Paris had to offer: the Louvre, Notre Dame, an opera at Palais Garnier, a morning stroll through the gardens of Versailles, delicious bakeries, cafes, chocolate, and macrons. You insisted upon seeing the Catacombs, of course.

When you went to the Eiffel Tower and he showed up with roses and dinner reservations for sunset in its refined first-floor restaurant, your gut clenched. You were terrified he was going to propose. Of course he would make a grand gesture! You carefully inspected every champagne glass for hidden engagement rings, but found only bubbles. After dinner, when you ascended to the top of the tower to watch Paris light up at night, you knew that was when the proposal was coming.

But it didn’t. And you found yourself disappointed.

You had never talked about it, so there was no reason to assume it was something he wanted. It seemed far too soon to you, too, until it was snatched away and you realized that after three years together, you still couldn’t imagine wanting a life without him in it.

Arriving home at last, you breathed a sigh of relief into the still air. Paris was exciting and rich with history, but you were glad to be home in the peaceful familiarity of that snobbishly oversized house with its ridiculously spiraling staircases and its somewhat-less-fastidiously-pristine rooms, which now accommodated both of your things. All of the picture frames that once held impersonal stock photos displayed real snapshots of your lives together.

You weren’t even going to shower. You were so tired, you just wanted to rip all your clothes off and drop into bed. Frederick pulled his tie off. Hair frumpy from the long plane and taxi rides, his fingers worked to undo the top buttons of his shirt as he lumbered to the bath. He stopped at the door and turned back. You were taking a sip of water before leaving the cup on your nightstand.

“Marry me?” he said.

[skinks]

mr wentworth yes i help my son with his goofy voices yes i am a dilf tozier has the salt n pepper hair of god (oscar isaac) and the sexy librarian glasses to match

god I had never even considered that... the range of this...

Went starts going gray at 32 when Richie is 5 and it’s all the church women’s group can talk about... indirectly, of course. Oh, but he’s so young. Oh, he’ll be balding next. Oh I don’t know, doesn’t he look... distinguished? Mrs Nash from just down their street sees him doing rock-paper-scissors with his son Richard in the grocery store to determine whether or not Richard is allowed ice cream, and Dr Tozier is laughing because he’s winning, and he’s winning because Richard doesn’t know his father can see his little hidden hand reflected in the freezer cabinet, tucked behind his back. Richard’s laughing too, even though he’s losing, and bleats, “Again! Dad again,” eyes shining big as planets with coke-bottle rings.

“Don’t you know what best two out of three means? That was four draws ago.”

“No! No, I’ll win!” The boy shakes his head so hard his whole body rocks from side to side, then clings up at Dr Tozier’s middle with sticky hands. His very... trim middle. Helen’s own Rory, God love him, he enjoys a sudsy six-pack too much these days to keep a middle like that. “Two outta three! Three ice creams please Dad please please Dad please watch I can count to a hundred—”

“Well, we’re not playing hide-and-go-seek right now, Rich. And I beat you, didnt I?”

“Yeah!”

“Right. So why don’t you go get Dad six apples instead, alright? If you can do a hundred, six’ll be pie.” Dr Tozier claps his big hands gentle to the boy’s round cheeks, until they goldfish.

“Easy as,” they chant together. Helen props herself up with the handles of her own cart, the can of little hotdogs going slack in her hand.

“Six apples, then come right back. You got that, doc? You pick the color.”

Richard nods like he’s trying to detach his own head. Dr Tozier puts one hand just briefly on Richard’s dark mophead hair, like he’s giving the boy a blessing for his apple adventure. His hand is really quite broad, thinks Helen, popped out square at the thumb-joint. Matches that jawline of his, something whispers darkly in her stomach. Then the boy’s off, tearing down the aisle on a squeaking chariot of scuffed-gray sneakers and babbling what sounds like a Bugs Bunny impression, repeated on a loop. What’s up doc what’s up doc what’s up doc, fading around the corner to the fruit. Peculiar. Helen once saw the Tozier boy eat a worm at the park while pushing her youngest on the swings, after another solemn-eyed little boy with a faceful of freckles had carefully presented it to him in the sand box. Most peculiar.

Dr Tozier watches him go, then turns back to the freezer cabinet, and sticks two cartons of ice cream into his shopping cart—the very sugary kind. And the man is a dentist!

Helen puts her hand on her chest to calm the trilling schoolgirl rush of her heart, and then stops herself at the sight of her own wedding ring. Get a hold of yourself, Mrs Nash! For Pete’s sake! She trundles her cart over for some chit-chat. Afternoon, Doctor, she says, lovely weather. A perfect neighbourly opener. It is lovely; bright and warm and clear and golden, like honey outside. She’s quietly smug about her new blowout. Dr Tozier is wearing a crisp shirt with buttons like neat soldiers and short sleeves, exposing lean forearms. Yes, a lovely day. Helen swallows.

“Yes, good for the lawn,” replies Dr Tozier.

“We missed Margaret at book club this week,” Helen hedges.

“Oh, that’s right,” says Dr Tozier, and the fine lines at the corners of his eyes when he grins are even more distracting without the facemask he’s usually wearing, when Helen drops in for her check-ups. He pushes his spectacles up the strong slope of his nose. They’re wiry like him, steely gray to match his eyes. “She meant for me to tell you, or Diana. Maggie’s been in Skowhegan for the week at her mother’s. My mother-in-law is a woman of... nervous disposition, shall we say. Maggie didn’t think she’d cope with two Tozier men at once, now that Richie’s started losing his teeth.”

“Ohhh,” Helen coos. That must explain the ice cream. She puts her hand near to Dr Tozier’s arm, then away, then near, then away again for good. A neighbourly distance. Margaret is a lovely, lucky woman, even if she does wear flared pants. Hippie to yuppie pipeline’s alive ‘n’ flowin’, Rory always grunts whenever the Toziers come up in conversation. Helen imagines a picket fence between their bodies, and calms. “My Wendy was the same, I’m sure you remember.”

“Yes,” says Dr Tozier mildly. “You brought her in six times as I recall it, Mrs Nash.”

Mrs Nash. Honestly, like she’s his schoolteacher. It’s a little rude. Admittedly he does look quite, quite young with his faintly curling weekend-hair, if not for the new gray blazing a trail back from his temples like virgin snow. Helen is undeterred, even if something quivers inside at the thought of the word virgin in conversation with Dr Tozier. Music tinkles tinny through the ceiling speakers, and it puts Helen in mind of potted plants, or elevators. This is a lovely chat. “Well, you hate to see them suffer, don’t you? I’m sure Richard’s the same, lots of tears—”

“No, actually, Richie keeps on finding things to hit himself in the face with and knock out more teeth,” Dr Tozier interjects. He raises his eyebrows and speaks hushed, as if this is a secret for Helen’s ears alone. The thought makes her dizzy. “It’s my fault, I made the mistake of giving him a quarter for the first one. That’s why he’s not invited to Grandma’s. Lot of antiques.”

“Oh,” says Helen, taken aback. She has three girls; little boy behavior is as yet mystifying. “Well.”

“I’m joking, Helen,” Dr Tozier says cheerfully.

“Oh. I—I see. What a relief.”

He opens a freezer chest to examine a bag of frozen peas. “Maggie’s mom is deaf as white cat, she’d never notice.”

Helen tries to wipe her clammy hands on her dress without being obvious. Her face is hot, but she hopes her cardigan conceals the effect that the chill of the freezer aisle is having under her bra. She also hopes that it doesn’t.

He really does have such a slender, pleasant face, always with an air of casual, amused expectancy hanging around him. Haloing him, like that bright yellow light above the chair in his practice, blocked out when he leans over and slips his fingers inside. Helen supposes that’s what graduating medical school must do to a man, what marrying and fathering young and having one’s own practice by the end of such a turbulent decade as the nineteen-seventies must elicit. The ability to put people at ease, to—to say open wide and know the people of Derry trust him enough to comply. To open themselves. Helen’s breathing catches. Dr Tozier idly checks his sensible watch, still smiling the unhurried smile of a man who very rarely does his own grocery shopping anymore. Everyone knows you pick up the ice-cream last.

Helen gathers herself. This is the longest conversation she has entertained with Dr Tozier without children or the squeaking of latex gloves between them, and she’s gripped by the terribly silly need to be interesting. “Speaking of white cats, I couldn’t help noticing your hair, Wentworth—”

“DADDY!”

Dr Tozier blanches, whipping around to scan the end of the aisle. He is a long line of tense instinct tuned to thrum into action at one specific frequency, knuckles white on the cart handle. His cart bumps into Helen’s. It is thrilling.

“Fuck,” Dr Tozier mutters, and that’s thrilling too, he swore, oh, the boy’s probably fine Wentworth, don’t go, why don’t we just stay right here with the frozen goods and—

Then Richard comes barrelling back down the aisle like a colt on new legs covered in old Band-aids, with his arms full. The fluorescent strip-lights gleam white on Dr Tozier’s broad shoulders and he sags, like snow dropping from a branch, with relief.

“Hey, lunkhead,” he says, sounding shaky, but Richard is only five and would never know it. He’s babbling again. Seems to Helen like the boy’s as a hydrant overflowing on a hot day; entertaining and welcomed at first, until it becomes a nuisance when you begin to understand it won’t shut off, and have to call the firemen.

“Nyyeeeeeah,” Richard greets his father, tousled and bug-eyed with clear adoration, breathing hard from his Supermarket Sweep. Then he makes the carrot-noise. Looks like Bugs, Helen thinks of the boy’s new adult front teeth, the beaverish jut of them exacerbated by his missing canines on either side. Then she feels abruptly un-neighbourlike for being jealous of a child for his father’s attention, good grief.

Dr Tozier regards his son for a long moment. Then says, “What’s up, doc?” in a spot-on Mel Blanc whine. Richard giggles so hard his too-big glasses start slipping. “How many apples is that?”

“Gotta apples and I was gonna put ‘em in a bag but I forgot and Dad, Daddy look, s’a dinosaur on the box for my dinner when Mommy’s at Grandma’s—”

Dr Tozier sighs, putting one hand on his hip and dragging the other over his clean-shaven mouth, watching Richard drop his armfuls everywhere, scattering the linoleum. He has two apples, four boxes of brightly colored cereal, a handful of pencils topped with cartoon-character erasers, and a kiwi fruit. For a moment, Helen sees the shining enamel of Dr Tozier’s everything-will-work-out-with-another-cup-of-coffee amusement slip, wear away to worry underneath.

“Rich,” he says, interrupting Richard’s blabbermouth, firm and patient. Helen’s thighs burn suddenly under her skirts at the tone of his voice, and she looks down, rearranging her own groceries. She should leave them to get on. She could offer to help. Margaret’s out of town, poor things, they probably haven’t eaten a cooked meal all week!

“Richie,” Dr Tozier says again. “Listen and pay attention when Mom or me ask you to do something, remember? How many apples did I ask you to get?”

Richard has to crane his neck to meet his father’s eyes. Dr Tozier is one of the tallest fathers in the Derry Elementary catchment zone, Helen has checked. “Six!”

“And how many’ve you got, Elmer Fudd?”

“Um.” Richard’s pale little face creases in thought, then brightens. When he speaks again his voice is strange, accented. “Twooo.”

“Some apple hunter you are, huh.”

“Sorry, Daddy.”

“That’s fine.” Dr Tozier stoops to gather Richard’s detritus, and Helen knows she has something to contribute, watching the boy stick one of the pencils up his nose.

“You know, apples are very good for you,” she says. Richard turns to her, slack-jawed, as if seeing her for the first time. “You should listen to your Daddy, Richard, an apple a day keeps the doctor away.”

Richard stares for another few seconds. Then he bites down on his boogery pencil so that it threads through the gaps in his teeth, and hollers, “MY FRIEND BILL SAID THAT’S A PILE OF BULLSHIT.”

“No shouting indoors, Rich,” says Dr Tozier, still gathering. Helen rocks a step backwards, clinging to her cart like a life-preserver.

“Bill and my’s friend Eddie eats a thousand apples and sees the doctor all the time though Dad, and Miss Spiegel said if we eat apples we don’t have to see the doctors but Eddie eats them and—Bill said—”

“Pile of bullshit, yeah, I liked it. Bill’s an eloquent guy,” says Dr Tozier. This is the second time Helen has ever heard him curse in as many minutes. It comes out easy and amused as everything else does in his pleasant tenor. His legs and his jaw are so lean and angular that Helen can see the suggestion, the shadow of the shape of his perfect, swearing teeth through his cheek as he grins helplessly at his son, the fruit of his loins and someone else’s loins who isn’t Helen, and all of a sudden she feels a slick pulse of wet heat, up between her thighs.

She squeaks. Flutters her hand to her face without knowing why, perhaps to catch the noise before Dr Tozier notices, just another quivering Derry leaf tossed along by his breezy manner. He looks up anyway, with a frown.

“Everything alright, Helen?”

“Just—fine, yes,” she manages. Dr Tozier is still down on one knee, kindly face level with her skirts. She can see right down under his starched collar from this angle, a slivering glimpse of smooth, dark hair. No undershirt. Helen has lain naked against Rory’s nakedness before without feeling this alive, in every part of her body. She feels like a heart, beating.

“Oh, hang on.” Dr Tozier says, eyes widening, and turns Richard by the shoulders to face her. One pencil for each nostril, now. “Apologize to Mrs Nash for cussing, Richie.”

“Sorry!” Richard shouts, sounding less like he’s apologizing and more like he’s just deemed Helen it during a game of tag.

Helen is still floating in a dazed state of mild panic. Like a prey-mouse, bewitched into slack compliance by her own body’s snaking desires. “That’s alright, dear.”

F-word, Dr Tozier had said. Maybe cussing could be quite neighbourly when applied in the right context, thinks Helen.

“You mentioned my hair, earlier,” says Dr Tozier, straightening back up with a knowing sort of arch to his eyebrow as he smiles genially at Helen. He tilts his head down at Richard. “There’s the reason. Every last one, sprinkled onto my head at the tender age of thirty-two by the great salt-and-pepper shaker of fatherhood. Especially this week, with Maggie on sabbatical. Had to bring you to work with me, didn’t I, buckaroo?”

Richard bites and swings and tugs on his father’s long arm, a tearaway kitten with a much obliging scratching post. Dr Tozier hardly seems to notice. “Yeah! Daddy’s got fishes at work!”

Dr Tozier grimaces slightly at Helen, but also as if he’s seeing right through her to some past unnamable horror. “I liked those fish. Calmed down the nervy patients.” He sighs again.

Helen wonders briefly whether or not the residents of Dr Tozier’s waiting-room fish tank suffered the same fate as that worm in the park, and decides she’d rather not know.

“Well, you needn’t worry about it,” she says, gamely. She watches her hand reach towards Dr Tozier’s silver-black brindle, then snatches it back from his bland expression to brush the tips of her own feathered-out hair. “The gray, I mean.”

Dr Tozier blinks.

“It’s very—that is to say, you look, it makes you look, I mean, I think it’s—”

Dr Tozier’s left eyebrow joins his right, raised up high.

A tidy little jet of hysteria shoots up from Helen’s knotting stomach to spin like a top in her chest. She hears herself stutter out the word, “Dashing,” and immediately wishes to flee the store, leaving her cart abandoned like so much collateral damage.

But Dr Tozier only barks a laugh, a short, smooth hah like everything else he says. Entirely unperturbed. “Well, thank you.”

Too unperturbed. Helen is struck by a sudden bolt of terror, at the thought of the things Dr Tozier must surely hear every day, when people are lulled by the hypnotically intimate environment of a dentist’s chair and a touch of the laughing gas. Oh, this is terrible. Her face is on fire.

“But they—they make products for men now,” she says, and why, oh why can’t she stop talking? “Hair dyes, I mean, if it really does bother you? I’ve seen them in Keene’s.”

“I don’t think that’s necessary,” says Dr Tozier, looking down at Richard then with a soft edge, at his bouncing noise and scabbed knees and gently curling hair like a black spaniel’s. Like his father’s. “I find I’m rather grateful for it, truth be told.”

“Plus,” he continues, as if Helen wasn’t already melting harder than the Tozier’s ice-cream, as if Johnny Kitchener the shop-boy isn’t going to have to come along with a mop and bucket to clean up on aisle seven, “Maggie’d kill me if I got rid of it.”

Then Dr Tozier winks.

Oh Lord, oh Lord, Helen’s whole ribcage is so tight she can’t squeeze out a reply, because who could blame dear, pretty, annoyingly friendly, lucky, lucky, lucky Margaret for that when Dr Wentworth Tozier DMD is so—

So f—

So fffffff—

So fiddlesticksing handsome!

“Well, we’d best not keep you, Helen. This one is in dire need of a bath before his mother sees him, and hands me a divorce on the spot,” Dr Tozier says, when another few moments have passed and all Helen can do is try to desperately smooth the creases from her breathing. He’s humming mild interest at something Richard is saying, knelt back down to the linoleum to tie the boy’s loose-worm laces presumably before he gives himself any more skinned knees, and they’re leaving. Dr Tozier is leaving, and Helen hasn’t done anything but act like a ninny this entire time. She doesn’t want him to think her a ninny, a simpleton. She wants him to leave this bright, liminal church of bold colors and jazzy waiting-room music and return to his lemon-yellow two-storey house thinking my, what a lovely chat I had with Helen Nash.

She wants to linger, as he lingers. Like an amiable spirit hanging over the women’s group at church, waiting to be summoned at a moment’s eager notice. I bumped into Dr Tozier at Palmer’s on Saturday, she’ll say to the other jealous ladies, with triumph, and we had such a nice talk. He called me Helen.

“And when—when does Margaret get home?” she blurts. A very secret part of Helen wants Dr Tozier to leave this conversation with Helen and his wife both, entwined by association in his mind. She tries very hard not to think about the Toziers divorcing, because that is un-neighbourly, and feels least neighbourly of all when a dopey, dreamy look crosses Dr Tozier’s face like a brief sunbeam at her question.

“Ah. Tonight. Not too late, hopefully.” He jerks one of his knuckley thumbs at his shopping cart, licking the other to wipe something unidentifiable from Richard’s grubby face. “That’s why we’re here, stocking up for her miraculous return. Like a couple of noble emperor penguins in Antarctica, eh Rich?”

“Penguins like from Batman! Ka-pow.”

Helen takes a peek into their cart, curiosity getting the better of her now that permission is granted. Dr Tozier might not know it, but looking into another person’s cart is bad grocery etiquette, especially in a town like Derry, where gossip grows like a fungus in every sweaty and close little huddle of people. Not that Helen would know about that. Anyway, there isn’t much to gossip about besides the unfortunately liquefied ice-cream, the severe lack of crunchy vegetables characteristic of a young man in 1981 trying to provide for a tooth-shedding son, and—

A little cardboard box. Tossed unashamedly between the Wonderbread and a magazine about sports. Prophylactics. Rubbers.

36-pack. XL

Helen knows her jaw is hanging open and strains to close it, the back of her neck and her shoulders feeling hot and tight and shuddery. She kneads a fist into her skirts. Crosses her legs at the ankles as demurely as she knows how, because the very last thing she needs is for frank, sensible Dr Tozier to see right through her with that easy doctor-patient-confidentiality smile, and know she’s soaking through her underwear at the sight of his Saturday grocery run, and all it implies.

Dr Tozier is laughing, nudging Richard in the direction of the register, or perhaps the apples. “Ka-pow is right. I’ll make sure to use that on Mom, thanks. Say hello to Rory for us, Helen. Have a nice day,” he says from over his shoulder, startling her. Holds up one long hand in a wave with a grin, and is gone, shadowing the boy’s haphazard attempts to push the cart despite not being able to see where he’s going.

Helen stands amongst the humming freezers, trembling. “You too,” she rasps, but Dr Tozier has rounded the corner, and is evidently going to have a nice day and a much nicer night, regardless of whether Helen wishes it for him or not.

All the bright little branded characters are watching her from their shelves, a silent jury. Helen Nash opens a freezer cabinet with a weak arm, and stands there for a while, staring at a leg of ham and thinking cooling, neighbourly thoughts.

[ohlayarfp]

Film Review - Misteri Dilaila by Syafiq Yusof

Misteri Dilaila is a Malaysian horror thriller film that went viral in 2019. I rarely watch Malaysian films because when i do, it’s usually the same plot all over again. Drama, romance, action, comedy and everyone’s favourite, Horror. I feel like these genres are the usuals everywhere but what makes it unbearable for most of us Malaysians is how similar every story is. Rich boy meets a poor girl. Rich boy falls in love with her and when they get married the mother hates the poor girl. They fight and one day someone dies and the end. For horror, it’s just about some people getting haunted by a ghost that was sent by a close friend of theirs.

The thing I understand about the horror hype for Malaysians is how our culture is deeply rooted with mystical beliefs and as religious as we tend to be, ghost stories seem to intertwine with our faith for countless years. Personally, I believe in Asian ghosts more than the western versions. This is probably due to my own family having our fair share of sights into the world of the undead. 

The reason why I chose to talk about this film is because of how disappointed I felt when I watched it. Unlike most Malaysian films, it had the potential to be a great one. The look of the film was far better than the usual ones we got and the story building had a Gone Girl vibe. What made me disappointed was the fact that while watching that film I was hopeful and excited thinking finally a Malaysian Filmmaker is making a psychological horror instead of those in your face jump scares. 

The story is about a married couple, Jefri and Dilaila, who were spending their holiday together at a luxury vacation home in Fraser’s Hill. After a petty issue where they end up quarrelling at each other, Jefri discovers his wife went missing the following morning. Next thing he knows, a mysterious woman who also goes by the name of Dilaila shows up one night where she claims to be his wife. Adding more confusion is the supernatural occurrences that regularly haunts Jefri whenever he’s alone in the house.

Throughout the whole film, I was at the edge of my seat thinking that there’s finally a malaysian filmmaker that is about to introduce a character with a mental illness as the protagonist which would’ve justified his hallucinations of the ghost. Unfortunately, it was just like other films where there’s no actual context to the sightings, they were just ghosts being ghosts and haunting him for no reason. Well that’s for the 2nd version of the film.

Another fun fact about this film is that it went viral due to the alternate endings it has. When the film came out in the cinemas, people were surprised to hear that they had different endings when they discussed it with their friends. This was purely the filmmaker and his team’s intention. Different halls have different endings and this was meant to be a surprise for the audiences. It was a great marketing strategy and considered as a genius way of thinking for some people while some were mad that they were being ripped off. 

*SPOILERS AHEAD*

As a person that watched both versions, I was unsatisfied with both versions as both endings angered me. Nevertheless, I didn’t think it’s an absolute flop though. Both versions have the fair share of plot twists. The first version revealed that the protagonist we thought all along was the actual antagonist. He was the one that killed his own wife whilst every supporting character was a part of the police team that were acting to make him confess to his wrong doings. It was then stated that the hallucinations he got was a result of his guilt and him being under the influence of drugs all along.

The second version on the other hand is more mystical. The ghosts made more appearances in this version. The protagonist is still the good guy but the inspector that was involved in the case turned out to be a fake policeman and he was working with the imposter Dilaila. Towards the end, Jef found out that his wife has been dead a long time ago and the ‘wife’ he was holding turns out to be something else (this we never see on screen though). 

Personally if i were to choose an ending, I would choose the 1st version as it makes more sense logically but I can understand why people love the 2nd Version.  Malaysians and their thirst for horror films explains the statistics. But a famous film reviewer on YouTube (ZhafVlogs) once made an instagram poll and asked his subscribers to choose between the two versions and surprisingly it was a tie. This proves that the director made the right decision to come up with alternate endings. 

*END OF SPOILERS*

The film then landed in a controversy within the next few weeks after the premiere. Someone noticed that the story was awfully familiar. It was then proven that the story was 90% similar to a few films from India, America, Russia and more. People were comparing it to a film called “Vanishing Act” and they were right. 

As a film student, I am aware about the concept of adaptation so I personally see no wrong in the filmmaker’s act. However, I can understand why people are mad. The filmmaker went silent once news got out about him “stealing” the idea and “claiming” the story as his. But based on my research, I never found him claiming the story as his before. Although, he also never mentioned about him making a remake of the initial film as well. The filmmaker went silent for a long time and people kept sending him hate comments but soon died after a few months. 

A year later, the issue was raised yet again by someone and this caused the filmmaker to finally speak up. He explains the concept of adaptation and how he was inspired by a scriptwriting book called Save The Cat which said that “A good artist copy, but a great artist steals”. He also states about there being so many films abroad that have the similar concept to an older film such as Fast and Furious with Point Break, Avatar with Pocahontas and Inception with Paprika. He finally came clean and stated that he was inspired by a stage play from France called “A Trap for a Lonely Man”. He then added his own twist by adding some horror elements knowing that it being the target audience favourite genre.

Also regarding the quote from Save The Cat, (in my opinion) I feel like what the author was implying is about ‘stealing’ stories from life. Not stealing the exact plot codes from other films. This is based on my understanding from the phrase which I assume Syafiq may have misinterpreted it.

He raised logical points from a filmmaker’s perspective and he also raised some issues about being pressured from his father (Yusof Haslam) and brother (Syamsul Yusof) who were well known filmmakers as well. He said that everyone kept on telling him to be better than his father and brother. Sadly, when he was at his lowest, even his family turned their backs on him and said that it’s fully his fault. 

From my point of view, I was initially furious with him for not being able to defend himself by explaining about the adaptation because I feel like most Malaysian audiences are unaware about it. People assume adaptation is from book to film when it's more than that. I, myself, learnt that from film school. And I’m not entirely defending him as well, I’m still disappointed in him for not speaking up sooner. But I do empathise with him as well. The audience were quick to attack him. The film industry in Malaysia is not entirely in the best state for these past few years. So a film like Misteri Dilaila made everyone hopeful for more quality films like it only to be betrayed at the end when they found out that it wasn’t his own creative idea and a total rip off. I still feel like he did a good job with his visuals which was an improvement from the local films around that time.

Reading through the whole issue and looking at how this decision to “copy” the plot codes as he was inspired from the Save The Cat book has opened my eyes. As a filmmaker, I feel like i should always do research before starting on a project and the best thing is to always be honest with our intentions. If it’s inspired by a remake, then set it straight and give credit to the original piece. Don’t keep it to yourself. It is terrifying though, being in his state where everyone turned their backs on him, even his own family. He released a few films after that, saying that film is his job and that it is his source of income so as much as it may seem hard sometimes, life still goes on. Sadly, he received a lot of backlash and people lost their faith in him. People were being sarcastic and teasing him if the film was even his.Seeing that happened to him opened my eyes. People may let it slide but they’ll never forget. Once you screw up, people will remember and use it against you. 

Pictures of the set:

Links to Film Reviews:

A Non-Horror Fan's Guide To Watching 'Misteri Dilaila'

https://rojakdaily.com/entertainment/article/6414/a-non-horror-fan-s-guide-to-watching-misteri-dilaila

Misteri Dilaila (2019) Review

https://www.caseymoviemania.com/2019/02/misteri-dilaila-2019-review/

Movie review: Misteri Dilaila

https://www.thesundaily.my/style-life/reviews/movie-review-misteri-dilaila-DJ649603

Link to news about the controversy :

Is Local Horror Film ‘Misteri Dilaila’ a Rip Off? Here’s What The Director Had To Say..

https://juiceonline.com/is-local-horror-film-misteri-dilaila-a-rip-off-heres-what-the-director-had-to-say/

Horror fans slam ‘Misteri Dilaila’ for ripping off Hollywood film ‘Vanishing Act’

https://www.malaymail.com/news/showbiz/2019/03/05/horror-fans-slam-misteri-dilaila-for-ripping-off-hollywood-film-vanishing-a/1729154

Clarification/Statement by the Director about the issue (in Malay);

https://www.facebook.com/photo?fbid=649749852534594&set=pcb.649750949201151

[militant-holy-knight]

Robin Hood: Prince of Thieves Review: Underrated Gem That Still Holds Up

I’ll admit upfront that Robin Hood is not a figure that I am particularly fan of - not that I dislike him, it’s just I preferred other types of legends. I still find him fascinating and I remember Disney’s Robin Hood was one of my favorite movies as a child (I used to love foxes for some reason) until I saw movie starring Kevin Costner and I loved it watching it for the first time. You’d think years later the media you used to enjoy when you were younger would age badly, but having re-watched the movie again under coronavirus quarantine, it actually is still great.

This Robin Hood is a crusader that has fled captivity in the Holy Land and is accompanied by a Saracen named Azeem who owes his life to him. Unfortunately, he returns home only to find it sacked and his father murdered by the Sheriff of Nottinghan, who ruthlessly oppresses England while King Richard the Lionheart is away. Vowing revenge over his father’s death, Robin leads a band of outlaws that become a real thorn on the Sheriff’s side by stealing from him and the rich and distributing it to the poor.

The writing and characterization are the movie’s biggest strengths. The heroic characters are genuinely sympathetic and have distinct personalities - we took for granted the time before all characters were jokesters that cracked puns or one-liners like the MCU. There is comic relief in the movie of course, but it feels natural and  and usually contained to characters meant to be funny like Friar Tuck. The writing is pretty clever as well, pulling foreshadowing in a very subtle and easy to miss way.

Weirdly, King John has been completely taken out of the story despite being traditionally the arch-villain of Robin Hood’s mythos with the Sheriff being elevated to the position, perhaps in order to not clutter the movie with characters and make the story more streamlined. But boy, do they made good use of him because the Sheriff of Nottinghan is a great villain here - he is like Palpatine in the prequels, an absolutely unredeemable piece of shit who you just love to hate. If you thought Disney’s Sheriff was an asshole, this one is a straight-up Devil worshipper given an amazing performance by the late, great Alan Rickman. It’s remarkable how they could make a completely evil villain compelling rather than generic.

Naturally, this movie has flaws: Kevin Costner does a rather lackluster performance as Robin, I felt like he was playing every other Kevin Costner character ever rather than Robin Hood. Likewise, I find his romance with Maid Marian very weak, which sucks because you can tell they invested on it with the movie’s theme song. I would say they could have actually done without it, but I suppose you just need to have RobinXMarian in it and it doesn’t help that becomes a plot point towards the end of the movie.

Also what that stand out to me was the historical inaccuracies like the Sheriff enlisting Celtic pagans to fight the Merry Men, nevermind that paganism had faded completely by the time of the Crusades and Christianity was widespread throughout Europe with the exception of the Baltics, or the fact Robin had his home destroyed while he was away crusading despite all property owned by crusaders being secured by the Catholic Church (even more so for a nobleman like him). 

But I am willing to give a pass to Robin Hood: Prince of Thieves for all that. What differentiates it from Kingdom of Heaven, a movie I heavily criticized for it’s historical inaccuracies. is that:

Robin Hood; Prince of Thieves never goes out of it’s way to lecture you about anything and it’s just trying to tell a history, 

Kingdom of Heaven is based on factual events whereas Robin Hood is just a legend.

The inaccuracies were not the product of a political agenda so there is no sinister motive, 

There are many ways that this movie could have gone south with Nazeem constantly belittling everyone around him (specially Robin, whom he repeteadly calls “Christian” rather than his own name) which is disarmed by him being actually likable, a corrupt Bishop being used as a commentary about the church is corrupt but Friar Tuck undoes that with his presence, and Little John’s wife insisting on fighting on the side of the men, but again her reasons make sense (she wants to save her children). Things like that would be so horrible in this woke age.

Would I call it the “definitive” Robin Hood movie? Not really. I don’t have a definitive version for a movie specially one inspired by legends with so many interpretations because each has their own merits. But I definitely recommend this movie in case you haven’t seen it already.

[ehstarwar]

a poor prisoner in his twisted gyves (2/8)

It was… an awful abuse of friendship that would more than likely be refuted immediately and cause a riff in the friend group.

But…

It was Ben. He would do this for her. He made her promise him, anyways.

-

Rey holds up her end of the deal with Ben and asks him for help.

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Rating: Explicit

Word Count: 4K

Read on AO3

Notes: threw in a lil spice with this chapter to show my gratitude for how wonderful u all are 

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(also i'm shit at getting back to comments, but just know i will totes respond to you all and i would also die for all my commenters and kudos-ers. now back to ur regularly scheduled ABO)

Chapter 2: that breathes upon a bank of violets

-

Ben glared down at his now empty plate, while another champagne flute was placed before him. His mother continued to prattle on about her latest endeavors in the senate, but Ben was having a hard time focusing. He knew he should be listing to his mother; after everything he put her through, it was the least he could do, but his mind was elsewhere. Someplace not too far away, probably just waking up in a ratty old band t-shirt, smelling like all the good things in this world. 

“… Then he told me that I was only four votes down when I actually thought I was three votes ahead, so if he hadn’t tried to make a pompous ass of himself, he probably would have won- Benjamin? Hello? Are you with me?” Leia waves a hand in front of his face, snapping him from a train of thought that was not suitable for Sunday brunch with his mother.

“What? Oh, sorry. You were talking about Senator Sion, I think?” Ben says. Leia side-eyes him, taking a sip of her mimosa. 

“You’ve been distracted all morning and keep staring at me like you want to throw your eggs at my face. What’s going on?” She asks, motherly concern coloring her voice. Ben sighs, knowing that lying will only come back to bite him in the ass.

“You fought to end the suppressant mandate on omegas, what, a few months ago?” He asks, already knowing the answer.

“This is about politics?” She questions, giving him a disbelieving look.

“You realize that now insurance doesn’t have to cover suppressant coverage any more because of this, right?”

Leia sighs. “We knew it would be a side affect, that the lesser organizations would use it to capitalize off diminishing coverage. We weighed the risk and rewards and felt that it was still worth fighting for. We’re working with Planned Parenthood to be able to distribute suppressants to omegas who still want it, but it’s a war. Victories don’t always come easy.” Leia explains. Ben runs a hand through his hair.

“You don’t think the risk outweighs the reward? Omegas have a hard time getting good jobs with decent insurance, as is. If they can’t afford suppressants, it just makes their life harder.”

“All of this and more has been discussed with various political advisors who know quite a bit more than alphas like you and I, Ben. We made out decision on what to support. It would be hypocritical for us to tout that alphas don’t need to be on blockers but measly little omegas need suppressants. If you wanted to fight about political derivatives, we should have met in my office. No cutlery to throw at each other there,” She huffs. 

When Ben stays silent, not knowing how to continue this conversation without turning it into a fight, Leia concedes. 

“Did something happen? Do you know someone…?” She asks. Ben nods. “Who?”

“Rey,” He admits. Leia’s eyes go wide in understanding and she relaxes in her seat, inwardly pleased that she finally understands what’s going on.

“Rey is off suppressants because her insurance stopped covering them and now you having harder time concealing your feelings.” Bens’ eyes snapped up to his mother, before he began sputtering retorts.

“What are you- I don’t know- That’s not even, What? I don’t have feelings for Rey! It’s just… a problem and I know that I’m indirectly a cause of that and I feel bad. But not because I’m… I have… nothing. I feel bad for her, is all.” Leia just quietly laughed to herself, only fueling Bens’ discomfort. 

“Oh, please, Ben! I used to have to beg you just to know your friends name. You and Tai were friends for six years before I even knew he existed! Then, you meet Rey and introduce her to me after a week of knowing her. A week, Ben!” Leia says.

Ben just continues to mutter intelligible things under his breath.

“It’s okay for you to like her, Ben. I’d be worried if you didn’t. She’s a great girl. The whole family loves her.” Leia’s attempts to comfort her son serve only to embarrass him further. Like Ben didn’t already have the less-than-inconspicuous seal of approval from Grandma Padmé, and the constant jibes from Uncle Luke about how Rey ‘balances’ Ben out’. He hates that he loves it so much. That he needs it at all.

“If I… If I say anything to her now, she’ll think it’s just because she’s not on suppressants. She’ll think of me as just another knot-driven alpha who forgot to take his blockers.” Ben’s quiet admission sobers his mother up for a moment. 

“You’ll just have to convince her otherwise,” Leia presses, earning a humorless chuckle from Ben. 

“And how do I do that? I’m not exactly the most eloquent when it comes to women…. or people in general, really.” His mother snorts.

“You think I don’t know that?”

He narrows his eyes, and Leia puts her hands up in surrender.

“You’ll just have to… be there. For her. Whatever she needs. That’s the best place to start.”

-

When the number flashes across Rey’s screen, she knows it means trouble. Because she hasn’t had enough of that lately, evidently.

Inspection today. 

During normal work hours?

No. After.

Inspections take a lot of time. I can’t stay that late tonight.

No other option. Feel free to quit. 

Rey feels her insides boil. Her boss, Plutt knows her situation (despite her many attempts to keep it from him) and knows that quitting isn’t an option. Her fist balls as the thinks of what ‘inspections’ entails. 

Any normal work place with  a proper Human Resources department would call it an employee evaluation, but not Plutt. No, his ‘inspection’ consist of going through all of the work Rey has done over the last few months, noting only the complaints of vehicle not properly fixed, unsatisfied customers who didn’t like that an omega was working on their stuff, and Plutt’s continued harassment of her character. It would break any normal person, even people stronger than she; but Rey wouldn’t be brought down by Trumps’ broke doppelgänger.

Rey wanted to quit, and she had typed up a two-week-notice more than once, but its not like she could easily find another job. An omega mechanic, with debt up to her ears, in the wrong part of the city wasn’t the most attractive to potential employers, and going without a job wasn’t an option. So she would endure the likely horrific forty minute attack on her person with a straight face, then treat herself to some of the half-priced sushi from the drugstore around the corner.

The most daunting of all this was the fact that she would be in Plutts’ office, alone, well into the evening. He’d never tried anything on her, but he did tout his alpha status around enough that he was very aware she was an omega. 

And now, an omega without suppressants.

Rey thought of the pheromone sprays that she could take a few test sprays of, trying to put an alpha scent on her that would clog up the room and make Plutt want her out of there as soon as possible. But alpha sprays were hard to come by and usually did a piss-poor job of convincing others it was real. Only a real alpha scent would do the trick, and Rey’s lack of a love life gave her limited options.

Except, of course, for Ben. 

His rich, thick, melt-in-you-mouth, alpha scent that could bring back an omega from the brink of death would be perfect. If it made Rey feel like she was wrapped up in a warm blanket for the rest of the day, that was just an added bonus. 

But it’s not like she could ask Ben to do that. It was… an awful abuse of friendship that would more than likely be refuted immediately and cause a riff in the friend group.

But…

It was Ben. He would do this for her. He made her promise him, anyways. She texts him before she looses her nerve. 

i have a favor to ask

Shoot.

it’s a big favor 

…shoot?

you can say no if you want

i’d understand

Is everything okay? Are you in trouble?

Not trouble, per se, but a predicament 

Rey, I’m worried. What’s going on?

u remember my boss Plutt? he wants to have an 

inspection with me tonight and i’d be alone with him. 

he’s an alpha and…

u know my situation 

I’ll come stay with you during this inspection.

no, i don’t think that’d go well

Plutt can be… territorial

sometimes he’ll find a reason to refuse 

service to an alpha

i don’t want him to hurt u

I’d rather he try and hurt me than hurt you.

I’ll be with you. 

I will also help you look for a better job 

with a better employer.

i appreciate you for offering to do that, 

but i have an idea that could be better

and less likely to get us hurt

You quitting?

no

i think u should scent me

Um.

What?

scent me. 

surely you’ve scented someone before

I know what scenting someone is.

It’s just…

a little intimate. 

For people who aren’t dating.

yeah but we’ve know each other forever

i think it will be fine

that way i’d have your scent all over me at work

and Plutt will think i stink and cut the meeting short

that way he won’t try to hurt u and he

won’t try anything at the inspection!

its a win win

in my opinion

But you’d be covered in my scent.

yes benjamin that is precisely the point

You would have to smell me on you.

We would have to do this before 

you went into work and you’d smell like me 

until you could bathe.

i feel like ur not getting why im asking u

i WANT to smell like you

I don’t know if this is a good idea.

it is!

i’ll be able to keep my job and ward 

off my creepy boss

don’t not do it because of me

if you don’t want to do it, i understand

but don’t say no because ur worried about me

i meant what i said when i told you i can take 

care of myself

And I meant what I said when I

 told you to ask me for help.

I just kind of assumed it would be for

 literally anything else.

well

this is what im asking

Okay.

I’ll do it.

-

Reys’ palms were sweaty as she rode in the elevator up to Ben’s apartment. Part of her wanted to believe that she was nervous because she was dressed in greasy overalls that were two sizes too big for her, yet inside of a building where the median income was upwards of  seven figures. It had a fucking bellman. With gloves. 

She’d been here before, many times, but never on her way to work and never in anything less than her fanciest clothes. Rey knows Ben makes a lot of money, hotshot lawyer and all, and that he comes from money. But being inside of this building reminds her just what a difference of worlds they come from. And also that she’s asked someone who can afford to live here to do something a little scandalous. 

It’s not that she was nervous about smelling like him; that part she was looking forward to. It’s the actual act of scenting. Ben wasn’t editorializing when he said it was intimate. Scenting was a step down from a make out session, but not by much. Rey wishes the thought of doing this with Ben didn’t send a fresh wave of slick between her thighs. He would be able to smell her. He would never say anything, never want to embarrass her that way, but he would know. 

She tries not to think of that when she knocks on his door. It swings open moments later, to a frazzled looking Ben. He’s dressed for work, fancy slacks and crisp button down, and the stark reminder rings in her head again. She is also assaulted by how good he smells. It takes her a minute before she can speak.

“Hey.”

“Hi.” They stand in the doorway for an awkward second before Ben realizes he’s taking up the whole doorway and moves to let her in. Rey walks inside, instantly putting her ratty backpack on the ground by his couch. They say nothing to each other, just stare, waiting for the other to speak.

“This is weird,” Rey states. Not that it needs stating. “I feel bad, now. For having asked you. I shouldn’t have put this on you.” She sees him take a gulp before talking.

“I told you I’d help you if you needed it,” He reminds her. 

“I don’t think you had this in mind when you offered.”

“Not really. But I offered, so I’ll help. On one condition.” Rey cocks her head, narrowing her eyes at him.

“What?”

“The minute you find another job, a better job, you will leave this one. The minute, Rey.” 

It’s not what she was expecting him to say. But he wouldn’t be Ben if he did everything she suspects. She’s also not suspecting him to give such a command. A real one, alpha voice and all. It makes her shiver.

“I will,” She squeaks out, unable to say anything else. 

“Good.” His posture relaxes a bit and the wave of anger she felt the beginnings of, go away. They’re left standing together, silently. “So… how do you want to do this?” Ben asks.

“Um… I just figured we could hug? For like, a while. Being in you space is good because your scent will stick to my clothes too, so it doesn’t have to get so… touchy, if you don’t want.”

His jaw works.

“You think hugging will suffice?”

Rey shrugs.

“Its better than nothing. I don’t want to make you more uncomfortable than I already have.” 

“If we’re going to do this, I think we should be through. I don’t want you to have to go through this for nothing.”

Rey wants to say that just being able to smell him at all is reward enough, but there wasn’t time for that discussion. 

“Okay… so I’ll just…” She points to the barstool at his kitchen island, walks over to it and sits down. “If I’m on your things, it’s better. Sticks more.” She doesn’t know if its creeks in the building or a very low whine that Ben emits, but she ignores it.

He walks over to her, now seated on the stool, looking her up and down. Rey feels like she’s being appraised and really regrets her decision not to have washed her work clothes before coming over. His gaze is hot, and Rey thinks she’s panting harder with every step he makes towards her. 

“You’ll tell me if it’s too much. You’ll tell me to stop if you need me to.” Ben is between her legs now, having opened on the own volition. Rey manages to nod, and that’s enough for Ben. His hand comes to cup her jaw, and she instinctively leans into it. Her head lolls to the side, in his palm, as his face comes down to her neck. His nose rubs along her jaw, and she can feel his lips as they skirt along her pulse point. His other hand rest on the counter behind her, effectively trapping her in. 

Rey feels like putty. Ben’s scent is strong from across the room, but in her personal space? It’s suffocating. Her eyes close as she focuses all her attention on the way she can feel his stubble scrape along the sensitive skin of her under-jaw, and feels the faint pressure of his nose passing along her scent glands. He works himself slowly, leaving no skin untraced, before moving to the other side. He maneuvers her head to his other hand, before mirroring the same position they were in just a moment ago. She is glad she choose to sit; her knees would be useless.

His movements become more sure, tracing harder, and making Rey let out the most pathetic whimper she’s ever heard. Embarrassment instantly floods over her body, but before she can apologize, Ben growls. Literally growls. 

Suddenly his body is flush with hers, her thighs resting on the side of his hips. She feels his hand that isn’t holding her head move to grip her waist, digging his fingertips into the jean material covering her. She doesn’t realize her hands have worked their way to his abdominal muscles until she feels her hands tightly wind his shirt. 

His mouth traces along her scent glands, opening slightly, and she can feel his heavy breath on her skin. The first trace of his tongue on her glands makes Rey cry out, and involuntarily cant her hips into his. She feels his tongue, slick and hot, licking her then. Lavishing her glands in his saliva that made her head spin. Her heart beat was pounding, her ears rushing with blood. She could feel every part of him, his tongue, his hands, his lips, his hips. The growing hardness in his pants was pressed into her stomach as his hips rocked slightly in time with hers. 

When Rey snaps back into reality, she sees where this is going. And even though it physically pains her to stop him, she knows she has to. 

“Ben…” She whispers, his mouth still moving against her skin. “Ben,” She tries, voice a little surer now. He emits a low whine, making her stomach clench. Rey weaves her hand onto the side of his face before calling out again. “Ben.”

He stills then, body still flush against her, but mouth closed. She felt him pull back, not removing his hands, only lifting his torso so that they were looking at each other. His pupils are blown wide open, black covering the usual honeyed brown. His chest is heaving with his breath, and his mouth is slightly parted as he sucks in air. 

Rey feels something cool along her chin and realizes she’s been drooling, sliver running down her mouth in a thoroughly undignified manner. Her fingers quickly go to wipe it away and rub it into her clothes, but Ben takes her hand, covered in drool and sticks it into his mouth. 

His eyes close as she feels his tongue suck of any of the cool wetness, replacing it with saliva of his own. Rey keens and clenches her core. His tongue works around each digit, encircling all her fingers with his tongue. When Ben finishes his assault, he pulls her hand out of his mouth, but keeps it against his lips. His eyes are still closed as she feels the air from his nose one the wet surface of her hand.

Rey doesn’t dare move. She couldn’t if she wanted to. Ben is all around her, still between her legs, and she knows movement will mean brushing against the thickness she felt in his pants. A tickling sensation in her spine tells her that she doesn’t want to move. That beside this alpha is where she belongs and where she’ll be happy and where alpha will provide and-

It’s a lot. 

“Let me walk you to work.” Bens’ words are low, and send vibrations through her hand as he speaks, eyes still shut.

“What?” Rey is still a little breathless, but shock colors her voice. 

“I don’t think… I’m having a hard time… I can’t not be around you, right now. If I let you leave right now…” She feels the shiver that runs down his spine, “It wouldn’t be good. Especially since I know where you’re going.”

Rey can’t speak. She knew that alphas had a hard time letting go of omegas, even just for a few hours, but she’d always assumed that was for people who were mated. Not them, not after one scenting session, intensity notwithstanding. Rey gulps as she tries to find her voice.

“Okay… but we’ll stop a block away from the shop. I don’t want you to get into a territory fight with Plutt. I couldn’t…” bare to watch you get hurt. And I’m afraid I’d like it too much if you hurt him. 

“Don’t say another alphas name, right now… please.” His voice is pained and she can see the clenching in his jaw. She mumbles sorry’s as her thumb begins to trace his strong chin. 

When his eyes slowly reopen, they’re back to normal, the warm tones causing Rey to release a sigh of relief. They slowly detangle, and Rey tries to pretend she doesn’t see the bulge still in his crotch, and hopes that he couldn’t tell just how slick she had gotten. Rey excuses herself to the bathroom to clean up and give each of them a minute to collect themselves. 

She tries to wipe up the slick that ruined her underwear before splashing cool water on her still reddened cheeks. When she exits the bathroom, Ben is still close. It must be apart of the alpha sensation, being unable to part with their mate after being so… intimate. It warms parts of Rey that she didn’t even know existed. 

They are silent nearly the whole way there, but Ben is right next to her the whole way. He is never more than a breath away from Rey, unintentionally shielding her from the others they pass along the way. She can still feel him, the confusing mix of pheromones he’s giving off. There is only one she recognizes above all else: arousal.

She knows they’re a block away from work, not by the street corner, but the way Bens’ head snaps up when even the hint of Plutt makes itself known. After spending the whole morning inundated with Bens’ delicious smell, it nearly makes Rey retch. She feels Ben still at the opening of an alleyway and her body stops without her control. She looks back up at him, seeing the steely way his eyes rake over the street. He is unhappy and she doesn’t like it.

“What’s wrong?” She asks.

“You shouldn’t work here. It’s a bad place. I don’t want you here.” She knows its his alpha talking. That Ben wouldn’t be this controlling, overbearing man, but it makes her mad nonetheless.

“You can’t control where I work, Ben. I’m sorry you don’t like it, but it’s my choice. Now, thank you for… doing what you did, but I can handle it from here.” Rey goes to walk off, but Ben stops her. His hand comes out to grip hers, not in a tight, jerking way, but in a soft way that that makes it hard to refuse. 

“I’m sorry… you’re right.” His eyes are downcast, but he keeps his hand on hers. She feels a little guilty for snapping at him; after all, she’s the reason he’s experiencing these emotions. 

“It’s okay… I’m sorry, too.”

They stand there for a moment, knowing that this is making them both late, but neither of them having the heart to move. 

“We have to go to work now,” Rey says quietly. Ben nods. “Can I… talk to you, later?” She asks.

“Of course,” He breathes. Rey lets their hands drop and goes to turn to work, but Ben calls out for her. 

“Rey, please be safe. I need you to be safe.” 

Rey should be more used to his intensity by now, but it still makes her shiver.

“I will.”

-

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