#I only listen to classical music and some villain songs

[iiryoku]

𝐒𝐎𝐍𝐆 𝐂𝐇𝐀𝐋𝐋𝐄𝐍𝐆𝐄 .

Share at least 5 songs that you associate with or remind you of your muse!

Billie Eilish - You Should See Me In A Crown

ᵞᵒᵘ ˢʰᵒᵘˡᵈ ˢᵉᵉ ᵐᵉ ᶤᶰ ᵃ ᶜʳᵒʷᶰ ᵞᵒᵘʳ ˢᶤˡᵉᶰᶜᵉ ᶤˢ ᵐʸ ᶠᵃᵛᵒʳᶤᵗᵉ ˢᵒᵘᶰᵈ ᵂᵃᵗᶜʰ ᵐᵉ ᵐᵃᵏᵉ 'ᵉᵐ ᵇᵒʷ ᴼᶰᵉ ᵇʸ ᵒᶰᵉ ᵇʸ ᵒᶰᵉ

Hozier - Take Me To Church

ᵀᵃᵏᵉ ᵐᵉ ᵗᵒ ᶜʰᵘʳᶜʰ ᴵ'ˡˡ ʷᵒʳˢʰᶤᵖ ˡᶤᵏᵉ ᵃ ᵈᵒᵍ ᵃᵗ ᵗʰᵉ ˢʰʳᶤᶰᵉ ᵒᶠ ʸᵒᵘʳ ˡᶤᵉˢ ᴵ'ˡˡ ᵗᵉˡˡ ʸᵒᵘ ᵐʸ ˢᶤᶰˢ ˢᵒ ʸᵒᵘ ᶜᵃᶰ ˢʰᵃʳᵖᵉᶰ ʸᵒᵘʳ ᵏᶰᶤᶠᵉ ᴼᶠᶠᵉʳ ᵐᵉ ᵐʸ ᵈᵉᵃᵗʰˡᵉˢˢ ᵈᵉᵃᵗʰ ᴳᵒᵒᵈ ᴳᵒᵈ˒ ˡᵉᵗ ᵐᵉ ᵍᶤᵛᵉ ʸᵒᵘ ᵐʸ ˡᶤᶠᵉ

Temposhark - Don't Mess With Me

ᴺᵒ ᵒᶰᵉ ᶜᵃᶰ ˢᵗᵒᵖ ᵐᵉ˒ ᶠᵒʳ ᵒᶰˡʸ ᴵ ᵃᵐ ᶤᶰ ᶜᵒᶰᵗʳᵒˡ˒ ᴵᶠ ʸᵒᵘ ʷᵃᶰᵗ ᵐᵉ ʸᵒᵘ ᵇᵉᵗᵗᵉʳ ᶜᵒᶰᵗᵃᶜᵗ ᵐʸ ᵖᵉᵒᵖˡᵉ˒ ᴵᶰ ᵐʸ ᶜʳᵒʷᶰ˒ ᴵ ᵃᵐ ᵏᶤᶰᵍ˒ ᴵ ˡᵒᵛᵉ ᵗʰᵉᶤʳ ᵉᶰᵈˡᵉˢˢ ʷᵒʳˢʰᶤᵖᶤᶰᵍ˒ ᴵ ᵃᵐ ʳᵃʷ˒ ᴬ ᵈᶤᶰᵒˢᵃᵘʳ˒ ᴮᵘᵗ ᴵ ʷᶤˡˡ ᶰᵉᵛᵉʳ ᵇᵉ ᵉˣᵗᶤᶰᶜᵗ˒ ˢᵒ ᵈᵒᶰ'ᵗ ᵐᵉˢˢ ʷᶤᵗʰ ᵐᵉ˒ ᴵ'ˡˡ ˢʰᵒᵒᵗ ʸᵒᵘ ᵈᵒʷᶰ˒ ᴰᵒᶰ'ᵗ ᵐᵉˢˢ ʷᶤᵗʰ ᵐᵉˑ

AViVA - HYPNOTIZED

ᴸᵒᵒᵏ ᶤᶰᵗᵒ ᵐʸ ᵉʸᵉˢ˒ ᶠᶤᶰᵈ ᶤᵗ ˢᵒ ᵃᵖᵖᵉᵃˡᶤᶰᵍ ᴸᵒᵒᵏ ᶤᶰᵗᵒ ᵐʸ ᵉʸᵉˢ˒ ˢᵉᶰᵈ ʸᵒᵘʳ ᵇᵒᵈʸ ʳᵉᵉˡᶤᶰᵍ ᴺᵒʷ ʸᵒᵘ'ʳᵉ ʰʸᵖᶰᵒᵗᶤᶻᵉᵈ ᴰʳᵃᵍ ʸᵒᵘ ᵈᵒʷᶰ˒ ᵈᵒʷᶰ˒ ᵈᵒʷᶰ ᴸᵒᵒᵏ ᶤᶰᵗᵒ ᵐʸ ᵉʸᵉˢ˒ ᶠᶤᶰᵈ ᶤᵗ ˢᵒ ᵃᵖᵖᵉᵃˡᶤᶰᵍ ᴸᵒᵒᵏ ᶤᶰᵗᵒ ᵐʸ ᵉʸᵉˢ˒ ˢᵉᶰᵈ ʸᵒᵘʳ ᵇᵒᵈʸ ʳᵉᵉˡᶤᶰᵍ ᴺᵒʷ ʸᵒᵘ'ʳᵉ ʰʸᵖᶰᵒᵗᶤᶻᵉᵈ ˢᵒ ᵈʳᵃᵍ ʸᵒᵘ ᵈᵒʷᶰ˒ ᵈᵒʷᶰ˒ ᵈᵒʷᶰ

NF - Can You Hold Me

ᴵᵗ ᶠᵉᵉˡˢ ˡᶤᵏᵉ ᵃ ᵗᵉᵃʳ ᶤᶰ ᵐʸ ʰᵉᵃʳᵗ ᴸᶤᵏᵉ ᵃ ᵖᵃʳᵗ ᵒᶠ ᵐᵉ ᵐᶤˢˢᶤᶰᵍ ᴬᶰᵈ ᴵ ʲᵘˢᵗ ᶜᵃᶰ'ᵗ ᶠᵉᵉˡ ᶤᵗ ᴵ'ᵛᵉ ᵗʳᶤᵉᵈ ᵃᶰᵈ ᴵ'ᵛᵉ ᵗʳᶤᵉᵈ ᴬᶰᵈ ᴵ'ᵛᵉ ᵗʳᶤᵉᵈ ᶠᵉᵉˡ ˡᶤᵏᵉ ᶤᵗ'ˢ ʲᵘˢᵗ ᵐᵉ˒ ˡᶤᵏᵉ ᶤᵗ'ˢ ʲᵘˢᵗ ᵐᵉ ᵂʰᵃᵗ ᶤᵗ ᵍᵒᶰ' ᵗᵃᵏᵉˀ ᵂʰᵃᵗ ᶤᵗ ᵍᵒᶰ' ᵇᵉˀ ᴵ ᵈᵒᶰ'ᵗ ᵉᵛᵉᶰ ᵏᶰᵒʷ˒ ᴵ ᵈᵒᶰ'ᵗ ᵉᵛᵉᶰ ᵏᶰᵒʷ ᴮᵘᵗ ᴵ'ᵐ ˡᵒᶰᵉˡʸ˒ ˡᵒᶰᵉˡʸ ᶠᵉᵉˡ ˡᶤᵏᵉ ᴵ ᵈᵒᶰ'ᵗ ᵉᵛᵉᶰ ᵏᶰᵒʷ ᵐᵉ ᶠᵉᵉˡˢ ˡᶤᵏᵉ ᴵ ᵈᵒᶰ'ᵗ ᵉᵛᵉᶰ ᵏᶰᵒʷ ᵐᵉ ᴵ ᵈᵒᶰ'ᵗ ᵉᵛᵉᶰ ᵏᶰᵒʷ ᵐᵉ

Tagged by: @shrineofprophecy ( thank you dear! )

Tagging: @yueiyun @sagnaevi @un1awful @crimsonbesotted (kaveh) @protcg ( Stelle ) & YOU <3

[catholic-character-tournament]

Round 1 - Side A

Propaganda below ⬇️

Claude Frollo Propaganda:

This man got horny and his response was “that woman must burn”

I love him so much. More seriously Book Frollo is much more ambivalent than Disney Movie Frollo which makes sense because we're talking about Victor Hugo VS a children's movie. He didn't kill Quasimodo's mom, he took him in (when himself was only nineteen and already in charge of his own baby brother since their parents had died not long before) when he was left on the church's doorstep. I mean, he does quite a few reprehensible and slightly evil stuff afterwards but he had a good start, you know ? He taught Quasi to communicate by signs when he became deaf because of the bells. He was also very much into alchemy which was pretty cool. His behavior towards Esmeralda was still very much not okay but I'd like to point out that Phoebus is also a jerk in this one. And Quasi's quite a bit amoral because no intelligent enough to understand some stuff

I actually haven't gotten very far through the book yet but from the musical (not the disney one the other one it's SO GOOD) I can confirm he sucks at being catholic. literally tells a child over and over that he's ugly and unlovable until he fully believes it and won't let the kid go outside. https://genius.com/Alan-menken-out-there-lyrics (lyrics to the song in which frollo convinces quasimodo he's unlovable. ableist as hell and shitty in every way you can possibly imagine and it breaks my heart every time. feel free to listen to the actual track but it doesn’t get good until about 40 seconds in) frollo keeps saying it's good and right to punish sinners himself, and it's not right that the wicked go unpunished. there's a really satisfying moment in the musical where quasimodo sees him for what he is and repeats his words back to him (7:45 - 8:54, frollo is the one with the insanely deep voice) and it gives me goosebumps every time to hear that "yes you do" link to that video: https://youtu.be/HL7WZcTIgus

I honestly wrote this submission because I suffered from severe insomnia for being reminded that I might have poor taste when it comes to enjoying media since I enjoy Disney version of Frollo even after I watched other versions of this character. (I am so sorry the host yes I am that annoying anon lying in the dark little corner of your ask box. I have no other thing to do in my life so hello again) His character is different from the original novel version, and to be honest as an adoption, that is NOT necessarily WRONG. He had more struggles with his pride and his self-imagine in the Catholic framework. "Beata Maria, you know I am a righteous man, of my virtue I am justly proud" as the opening line of his villain song, clearly states his main struggle throughout the movie--pride and self-imagine (super-ego) vs lust and instinct (id). Once his self-imagine in the Catholic framework was on shaking ground, he bent his twisted sense of "righteous" to make him less painful. Tbh, the novel version used the example of Bruno d’Ast to justify his hornyness, so it's just classical Frollo behaviour no matter which version it is. (SMASH THE TABLE) HAVE YOU READ~~THE NOVEL~~ I REPEAT: HIS CHARACTER IS NOT JUST "I HATE WITCHCRAFT AND I AM HORNY AND RACIST". I REPEAT: HIS CHARACTER IS NOT JUST "I HATE WITCHCRAFT AND I AM HORNY AND RACIST". I REPEAT: HIS CHARACTER IS NOT JUST "I HATE WITCHCRAFT AND I AM HORNY AND RACIST". I am sorry for the noise pollution in your submission Google form. I should have taken my sedatives regularly. I am truly sorry. Also please don't bully me in the debate, novel/musical enjoyers. LOOK, I AIN'T YOUR ENEMY. I LOVE NOVEL/MUSICAL FROLLO, I JUST LOVE DISNEY VERSION AS WELL, I AM AS TORMENTED AS YOUR FAVORITE CATHOLIC PRIEST. I am not a native tongue, so I tried my best to express my thoughts/feelings/justification why Disney version should be a qualified candidate as well. If you tried to debate with me, I would be drowned in my poor English. Sorry again.

Javert Propaganda:

His whole deal is like, “can someone still be good even if they’ve broken the law? Can you still be godly if you’re a felon” He really believes that by upholding the law, he is absolutely in the moral right all the time. And when he realizes that’s not true, it absolutely destroys him

he is the law and the law is not mocked <3 he is also. so gay. i'm sorry i refuse to believe you're even a little heterosexual if you chase jean valjean for like over 20 years for breaking parole and/or bread theft and recognise him by his muscles and have a major moral crisis as soon as he's nice to you one (1) time also he gets called out by a child that one time?? that was fun ALSO HE UHH???? THINKS HE SCREWED UP ONE TIME AND LIKE. ASKS HIS BOSS TO FIRE HIM???? (the boss is valjean he doesn't know that yet dw abt it) also uh uhm. he jumps into a river,,,, but before he does that he feels the need to put his hat on the fence nearby so it doesn't get wet lmao he's so silly goofy <3333

[omiiomiaaus]

Toji’s music taste

headcanons

Headcanons on what songs or music i think toji would like but it’s really just what i like bc i’m lazy and don’t wanna look up new songs.

warnings: none??? some mentions of sex but no details, not proofread, literally none??

☆ Just gotta say one thing… this man was in his prime life in the 2000s…. He was listening to songs that are older than me 🥸

☆ okay Megumi canonically listens to weezer so i think he got some of his music taste from Toji. (i think almost everyone that develops a liking for rock gets it from childhood roadtrips with their dad)

☆ Toji only plays his music in the car.. he can’t stand the radio. …100% played buddy holly and meg picked up on it

☆ it’s mostly alternative and rock with the occasional hip/hop songs but he doesn’t really like new music, he’s an oldie after all

☆ he definitely listens to Coldplay oh my god i think that would probably be one of his favorite bands bc their songs are soft and helps him fall asleep (literally me)

☆ his favorite coldplay song is clocks bc he’s a little basic but it’s the most classic song like??

☆ he taps to the beat of any song on the steering wheel and only mouths the lyrics bc he doesn’t like his singing voice.

☆Toji and deftones >>>>>>> he definitely went to their concerts (his favorite songs are birthmark and rosemary)

☆ Is the type to act surprised when a good song comes on and put the volume on blast while saying “Oh shit” even though it’s his own playlists

☆ his gym playlist consists of heavy metal or rock songs that get him in the mood to use all his strength. (and some phonk songs bc he likes to pretend he’s in a movie but he’d never admit that.) so a lot of Metallica, Type O negative, Pantera, and Slipknot

☆ I GET MAJOR TOJI VIBES WHEN I LISTEN TO ‘I HATE EVERYTHING ABOUT YOU’ BY THREE DAYS GRACE!!!!!!!

☆ as for hip/hop he likes in da club by 50 cent and and without me by Eminem. those real 2000s vibe songs. none of the new stuff. He actually really does like Eminem.

☆ like??? 3am by Eminem just sounds like him… real villain shit

☆ he also really likes outcast. so fresh so clean is his songgggg. He holds his fist up like a fake mic and says “don’t you think i’m so sexy i’m just so fresh so clean” then holds it up to your lips for you to say “so fresh and so clean clean” and he won’t move his hand until you say it. also quotes “the coolest motherfuckers on the planet” randomly.

☆ he prefers r&b songs for his sex playlist. slow and sensual songs. and one joke song that he plays Russian roulette with when he presses shuffle. It absolutely kills your mood but he laughs his ass off when you’re in the middle of fucking and all of a sudden the speakers are blaring “you get the limo out front… hottest styles, every shoe, every color.”

☆ This mf got a Hanna Montana song from your nostalgia playlist and thought it would be funny to include in the sex playlist…

☆ Okay Toji is the type of guy to not play music in the shower bc he’s a psycho and just takes 3 minute showers (we all know he doesn’t wanna rack up that water bill) BUT when he does.. it’s a quick playlist filled with songs he doesn’t really like so he can hurry up and get out.

☆ Okay the songs I feel like he’d actually listen to are way different than songs for the vibes he gives off…

☆ He gives off major ‘she knows’ vibes by Ne-Yo, and it’s because of that one edit on tiktok… lord bless those editors for taking two second clips of Toji and making it something so scrumptious

☆ ‘monster’ by lady Gaga is another vibe bc “he ate my heart” that part reminds me of him for some reason… he can eat more than just my heart :)))))))

☆ also ‘lights down low’ by maejor and ‘no hands’ by waka flocka.. literally frat boy vibes but its so fanon him right???

☆ any phonk song reminds me of him because tell me he wouldn’t listen to that shit just to get in the zone????

☆ the lost soul down (specifically the sped up version) is just so himmmmmm <33… again it’s probably because of all the edits but still!!

☆ shine dreams (also the sped up version) idk who it’s by there’s so many versions lol but just any song like that >>>

☆ I also think of him when I listen to ‘level7’ by OSAKA… idk something about it…

That’s all I have for now :)

[bisexualenbyblueberry]

Do you have any ideas about what each of the TDP character’s music taste would be like?

This can include music from literally any era and/or culture

OH MY GOD I've been waiting SO LONG to have this asked to me, SO

First things first, I remember commenting somewhere on a post about Soren and Corvus' "song" that to Corvus, their song was something by Mitski, and to Soren, their song was like. I Am A Gummy Bear so write that down for them

In all seriousness I feel like Soren would like exclusively parody, joke songs. Weird Al, Danny Gonzalez, etc etc. And his ass has definitely listened to the Beast Mode Spotify playlist before

Claudia- Taking a page out of 2018 Tumblr's interpretation of Claudia as her being super goth and saying she listens to MCR or smth like that. idk I know nothing about goth music. Either that or TV girl

Terry- it would be low-hanging fruit to say he listens to Cavetown. It would be less low-hanging fruit to say he does not pay attention to lyrics in the slightest. Only tune. His playlist is the most chaotic, genre-free mess you'll ever see. It has several Christmas songs on it. He listens to it year round. Everyone is terrified of him

Callum- he's one of those queer teenage boys who listen exclusively to 80's rock. He defends the Beatles with his life (Rayla is the one he has to defend them from)

Rayla- Sneers at Callum for his love songs. Laughs at him for grinning while walking around blasting soft rock. Looks down on everyone who listens to non-instrumental music. Does not listen to lyrics music. Definitely has NOT cried to sad Conan Gray and Harry Styles songs at 1:00 am before, please stop asking

Ezran- he just listens to whatever everyone else wants to listen to tbh. He has had to mediate music-related arguements in the car before

Runaan- only listens to classical music from the Renaissance era

Kazi- idk what they'd listen to exactly (maybe like, dark academia shit) but the important thing is that they have a different playlist for everything. Going to a cafe? There's a playlist for that. Taking the bus? There's a playlist for that. Watering their cacti? There's a playlist for that. Anyone can ask them for a playlist with any concept and they'd have it, as well as a lengthy anecdote as to why.

Gren- I absolutely hate doing this to him but. Gren listens to the most agressively white man music ever. Cotton Eyed Joe is his favourite song. He knows all the lyrics to Sweet Home Alabama. He's also one of those people who never makes a playlist, just listens to music raw and randomly. You could tell him you made him a playlist and play one of those "songs that excite the white folk" and he would be ever so thankful that you made him this playlist that caters exactly to his taste. Gren I am so so sorry I did this to you but it was needed

I want you to know I have agressively slapped my hand over my mouth several times while writing this like some sort of cartoon villain

OKAY it is now the next morning and I would like to add:

Viren- hates all music. Like he thinks it's a distraction from more important things and just despises it. If there's music playing in a room he'll leave that room, no matter what

Harrow- Swiftie dad

[silver-slates]

My thoughts on Disney's Wish (Spoilers)

Let me preface this by saying that I haven't heard all of the negative things that have been circling around the movie, but I've heard more than a few things that painted a pretty grim picture of the movie before I went to see it. I was going in expecting something akin to Strange World going in, which I really didn't like (and that's coming from someone who likes unique worldbuilding.)

After I left the theater yesterday, my thoughts were just, "This is the worst Disney movie of 2023?" I really didn't have any issues with it at all, and even if I usually tend to have a more positive outlook on movies I watch in comparison to others, I just have to say that this was NOT a terrible movie. Disney has had a LOT of blunders in 2023, but I can't say that this was one of them. I know that a lot of people out there might disagree with me or even hate me, but Wish made me feel something that I don't feel very often: magic.

It's hard for me to know what specifically to talk about since I don't know about all the criticisms the movie's gotten, though I do know about a few. The first one that sticks out to me is the movie's art style, and how some people have called it ugly and even unfinished looking. But... I honestly don't get it. Nothing strikes me as unfinished, and I never found the art style to be irritating. It was something new, and I thought it was fine. It uses shading and colors that are a bit flatter than some of their previous works, but I saw that as it being a sort of in-between of the 2D look of the classics and the 3D look of the newer movies. There was probably only one time where I noticed something was slightly off, and that was where Asha is waving around some flags at the beginning and having no motion blur or smear frames on it looked a little awkward. I can also understand how some of the shots can feel a bit flat, but once again that's something that makes it feel similar to the 2D classics.

Up next, I heard some things about some of the characters being trash. The main two I heard about were Asha and King Magnifico. Some of the main things I heard concerning Asha was that she's dorky and silly to a fault, and what I have to say to that is that although she's pretty silly at the beginning of the movie and sometimes it can be a bit embarrassing to watch, that's just Asha being Asha before the adventure kicks off. As the story progressed, I thought that she learned to be more serious over time as she learned the truth about the wishes and Magnifico and what she really wanted to do, and most of her antics after that point are mostly concerning the actions of other characters. I never felt like she was silly in places where it was inappropriate, and I actually ended up liking her a lot. As for Magnifico, I haven't heard anything specific about him other than the fact that he's supposedly the worst Disney villain of all time. But... I just don't see it. His motivations are believable (according to my standards), he's shown to be a narcissist who doesn't truly listen to other people's criticisms, and him turning from a king who wants to maintain order while very rarely giving people what they want into a power hungry madman who wants nothing more than for his subjects to bend to his will and lick his boots feels in character for him and it had the right setup. I thought that the supporting characters were all good as well, but my least favorite was probably Valentino. He was alright and he did his job, but he really felt like more of a gimmick than anything else.

The next thing I want to talk about is the music. I don't know if anybody's had a lot of bad things to say about it, but I thought the songs were great. After Encanto I was wondering what they'd have in store for this movie, because although Encanto had some banger songs there were one or two that I didn't really like. Not so for Wish though, because I liked every last song that was in the movie. I'm... not really sure what else to say here.

I heard about there being a few cameos in the movie as well, and I picked up on a lot of them as I watched it. But the references feel tasteful, not overblown and obvious, and something you'll really only notice if you're looking for it (except for the Peter Pan reference maybe, but that's just one.)

One last thing I want to talk about is how I've seen some people calling the film's main source of conflict something that makes Asha a bad person. Basically, they say that her mission goes against Magnifico's warnings of what could happen if everybody is allowed to keep their wishes and that there could be some serious consequences that she's too headstrong to consider. But... they address all these points in the movie. Even if someone's wish turns out to be a rotten one, you can always try to step in and make sure it doesn't get too out of hand.

And I think those are all the things I had to say concerning Wish. I personally feel like it paid some good tribute to the animated classics with its story and familiar themes, and it was a good way to celebrate 100 years of the Walt Disney company, though I'm well aware that there are plenty who disagree. If there are some things that I didn't cover or consider please let me know, and I'd like to hear what you all have to say about the movie as well.

[overtheimaginationwall]

Favorite boss(es) in No Straight Roads?

Least favorite?

(Sincere apologies. I've been holding this one for more than a year in my box, so I hope you don't mind a really late reply ^^")

(Also Happy 3rd Anniversary, NSR!! 🎉)

I will tell ya honestly - they all are my favourites!

Tho if to be more specific I decided to set them up by TOP.

1. Sayu

Oh Sayu, my beloved <3

The Best Virtual Idol and The Reason I bought this game in the first place!

Her music and style of battle was the most fun and dancy! I still vibe to it to this day-

Sooo many references to Internet Culture and Digital Art fills my heart with warmth and gives me determination just like her song itself as well!

Funny Useless Fact: She is the only boss I've beaten on Rank B on my first blind playthrough!

2. DK West

He's OUR MAN, He's THE BEST!

My second favorite and at the same time the hardest for me to beat.

I personally didn't adore RAP genre at first and never seen anyone preform it as an actual entertaining battle until he showed up...

HOLLY MOLLY DESPITE ME BREAKING MY THUMBS WHILE GOING THROUGH THE PAINFUL DODGE GAME - HIM AND ZUKE RAPPING FELT LIKE I'M WATCHING DISNEY-

LIKE-

I STILL HAVE IDEA IN MY HEAD TO MAKE A SORT OF ANIMATIC WITH "FIRST ENCOUNTER" ALONE!!

Anyway, despite damaged fingers - 10/10, would fight again!

Funny Useless Fact: When I was drawing him for the first time I listened to his theme on loop for 4 days straight in order not to get myself distracted or lose motivation, so I finish the piece.

3. Yinu

Oh, sweet child...

I love Yinu and her theme lots even if I'm not that big of a fan of Classical Music. And her backstory...Gosh! It made me cry a lot.

And I'm still feel ashamed of breaking the piano ;;-;;

Love the pace of how music goes with the fight and it feels even better when you get into actual rhythm. There were issues that gladly wore off thanks to practice and fighting this boss over and over.

Tho those slamming cords haunt me whenever I listen to the song off-battle-

Funny Useless Fact: I didn't like her Mother at first but when I read more about her and relationship with Yinu my opinion completely changed. And this is why I would nominate No Straight Roads for The Best Storytelling and Character Design.

4. EVE

Two-faced, tall woman.

Used to be one of my favorites but due to some circumstances I can't look at her the same way I used to but I still adore her as a boss!

I honestly love her style of the fight and music that changes depending on who you play.

Tho fighting her is literally like eating a lemon but eventually you kinda just accept your fate and roll with weird artistic antics happening around you.

And EVE herself as a character is so fascinating. Like this is the moment where I started to see that these aren't just bosses, they are actually characters that tie this little but complex story together bit by bit. And this is why I would nominate No Straight Roads for The Best Storytelling and Character Design AGAIN!

Funny Useless Fact: EVE was supposed to be a next character to have a complete and detailed art of but due to my forgetfulness, difficulties with her design (and many other things) - it was never finished but I hope to get that dusty sketch out of WIP folder someday.

5. Tatiana

The Bitch. The Boss.

I don't really like her music and rhythm but I can forgive that since it is kind of fitting for conflict between her and the BBJ.

She tries to hide her true image throughout the story and the fight but ultimately crumbles cause escaping from the past isn't the best option to improve.

I love her design and personality and I wish there were more villains like her. Strict, simple, stoic and yet well-written.

Funny Useless Fact: I've never drawn Tatiana until NSR announced their release on Steam with addition of Fanat Graffiti Contest that I certainly didn't want to miss out on. It was difficult but I did it and ngl, I am still proud of the results.

6. DJ Subatomic Supernova & 1010/Neon J

I can't really say anything much about both of them. Sorry, guys...

Their designs and personalities are fun and well-made but due to one of them being the first you fight as "tutorial" and the other appears only at the end of a fight. (1010 band doesn't count as an actual boss to me more like a part of it) They didn't struck me much as the others did...

I will say this thou: their backstories are interesting. One is an academy astrology teacher with a goal of achieving the stars and other is a war veteran who just wanted everyone to live in peace and he himself despite everything never stopped his passion for doll-making and making people happy.

Just simply, beautiful...

Cool Science Fact: Their VAs are GOLD!

[the-plot-blog-thing]

For Fun: Here's My Favorite Disney Songs That Were Deleted/Changed In The Final Film (Part 4)

"Someday" was meant to be Esmeralda's song in Hunchback of Notre Dame, but was replaced by "God Help the Outcasts" in the final version. It was sung over the credits, however, and both would be sung in the stage adaptation.

"Shooting Star" was the original "I Want" song from Hercules, but was cut for being "too soft". I could take either or, but "Go the Distance" is still a classic.

"I Can't Believe My Heart" was Meg's original song. It was cut for similar reasons as "Shooting Star". I definitely prefer the version we got.

Stephen Schwartz, who wrote the lyrics for Pocahontas and Hunchback with Alan Menken as well as all the music for Wicked, was originally tapped to write the music for Mulan. He left early in production to work on the music for "The Prince of Egypt" at DreamWorks. "Written In Stone" is the only song of his version available to listen to. It would've been in the spot where "Reflection" exists in the final film.

Speaking of "Reflection", when composers Matthew Wilder and David Zippel joined the film after Schwartz left, they wrote a much longer version of the song. The fact that this version is not in the film is a crime.

"Keep 'Em Guessin'" would've been Mushu's song as he introduces himself to Mulan, but Eddie Murphy's dialogue worked much better, and made things much more succinct. The song is enjoyable imo, tho.

Famously, Disney was working on a film set to release in late 2000 called Kingdom of the Sun. It was a sort of an Incan retelling of The Prince and the Pauper, with some magic and gods thrown in for good measure. It was supposed to be another grand musical on the scale of The Lion King, even sharing its co-director, Roger Allers. To match that scale, they brought in musician Sting to write the songs, thinking he'd bring the same energy that Elton John brought to Lion King's songs. Sting and co-composer David Hartley wrote three songs for this version. The first, "Walk the Llama Llama", would've been the opening song. It was to be sung by the main character, Pacha (here played by Owen Wilson), a teenage llama herder who coincidentally looks exactly like the spoiled teenaged Emperor Manco (played by David Spade). The song is Pacha expressing his love for the llama as he herded them. Pacha's singing voice would've been Sting himself in the final film. There also would've been a reprise halfway through the film and at the end, though nothing from these reprises has appeared online. Unfortunately, the only clean version of the song is this country-fied version by Rascal Flats on the Emperor's New Groove soundtrack.

The second song, "Snuff Out the Light", would have been sung by the villain of the film, Yzma (as played by Eartha Kitt). In this version, Yzma would have been an aging sorceress who hated the sun for causing her wrinkles. She would've discovered that Manco and Pacha swapped, and turned the real Pacha into a non-speaking llama. She would've manipulated Pacha into doing what she wanted. She planned to summon the Dark God, Supai to block out the sun so she wouldn't grow old. This song was fully recorded, and the sequence had quite a bit of animation finished on it before the story changed.

The third song, "One Day She'll Love Me" would have been the love song of the film, and been sung by Pacha and the emperor's betrothed, Nina. Pacha has fallen in love with Nina, but feels guilty for living a lie. Nina is starting to fall in love with him, but still believes he's Manco, and doesn't know why he's changing.

Continued in Part 5!

[literary-illuminati]

Book Review 62 – The Ballad of Perilous Graves by Alex Jennings

This is the latest book I never would have heard of if it wasn’t for an award nomination (WFA for Best Novel, in this case). Overall, I was left dearly wishing I had liked it more than I did – it was so thoroughly soaked in imagery and references to a whole milieu I only barely know enough about to catch all the references flying over my head. Unfortunately by the final act the whole thing just collapses into a mess of spectacle without much in the way of connective tissue or context.

The story follows Perilous “Perry” Graves, his kid sister, and his best friend/crush Peaches (who is clearly an ersatz Pippy Longstocking but for some reason this is almost literally the only reference the book doesn’t explicitly acknowledge). They live in Nola, a fantastical alternate New Orleans full of zombies, animate graffiti, sky trolleys, and music that is indistinguishable from magic. After the magical songs that sustain the city escape/are stolen, it’s up to the three of them to get them back before Stagger Lee (the song) hunts down and kills the others for his mysterious partner. There’s also an extended subplot with Casey, a recently returned Katrina refugee in what seems to be our world, discovering that his and his cousin’s graffiti and other art is very literally magic and can come alive when he isn’t looking. Things just generally get messier and harder to explain from there.

Above everything else, the book’s a love letter to New Orleans. The sheer fascination and affection Jenning’s has for the place just about oozes out of every page. The geography and the culture and especially and overwhelmingly the art. Now I know barely anything about modern pop music and even less about classic jazz, but Jennings is either a massive fan or an incredibly confident bullshitter, and either way it’s an absolutely loadbearing part of the book – famous jazz musicians appear as magicians and ghosts, snatches and stanzas of different songs are quoted liberally, and of course the songs themselves are the driving engine of the plot. I, at least, just kind of let all the references wash over me and try to figure them out from context, and also started listening to the namedropped songs as I read. But even without really knowing the subject, the sheer love for the culture that just suffuses the book is really incredible endearing. Which is good, because it’s absolutely the main actual draw here.

The dialogue also deserves a shoutout – both because there’s a fun line you can draw between the characters that talk like actual people and the ones that intentionally present themselves like cartoon characters, and also because it’s the first book I can recall reading this year where people speak in AAVE. Plus, as a matter of style, when songs or certain ghosts were speaking telepathically the book used a different font for what they were saying, which is the sort of flourish that I always like when it’s not too overused.

While the surreal, exaggerated sort of magical absurdism works very well for the setting of Nola, the plot is...just kind of a mess. You almost get the sense the book was written in one sprint and then never revised – the protagonists are constantly getting help out of nowhere exactly as they need it to solve their latest problem, and revelations of plot critical information exactly when it’s needed to keep things moving abound, whether there’s any setup or justification for it or not. The metaphysics that underpin Nola are all vague and confused, which really wouldn’t be an issue if the entire third act didn’t turn on on the villain being wrong about them. The end result is a finale that feels like a bunch of big set piece scene the author had been looking forward to writing without any real connective tissue linking or supporting them.

Also, like – it is a major part of Perry’s arc that a year before the events of the book he had a run in with a monstrous caricature of a Jim Crow era hanging judge, and it has traumatized him sufficiently that he had steadfastly refused to try and do any magic since. The judge is later revealed to be an escaped bit of living graffiti, with absolutely zero relevance or deeper significance, and never appears on-screen again. Which just feels like some sort of narrative malpractice, honestly.

I’m also just left a bit disappointed with the villain – or, specifically, the wasted potential. Like, the idea of The Storm as this primeval elemental force that wants nothing more than to drown the world is a pretty great villain for a magical New Orleans, honestly. And there was something there of graffiti and music and just art being this engine of joyous hubris letting the city exist in defiance of its inevitable doom – but you really have to dig to get at it, and most of the other personal plots and heroes journey stuff burying it was far less compelling to me.

Anyway yeah, in the end this very much felt like it was style over substance, but on the other hand the style was excellent. In the end I kind of feel like this was ill-served as a book? Not that it’s necessarily impossible to write a novel that’s mostly about music, but this was really begging for a medium that could include a soundtrack.

[thealmightyemprex]

What is your favorite Musical Deep Cut

I love musicals,and I know many of my mutuals love musicals too so I gotta ask.........Whats your favorite deep cut

I am speaking mainly of stage musicals ,cause while the classics are fine and dandy,sometimes you find one thats lesser known:Maybe it was a flop musical,maybe its more underground ,maybe its a hidden gem,maybe its a guilty pleasure ,or might even be a bit of a cult classic ,but its not as big as a Sweeney Todd or Hades Town

I'll go first,my favorite deep cut is Its a Bird....ITs a Plane ....Its Superman

I have listened to this MANY times,I have the CD

Now those who know me,know I love Superman and weird novelties like this,so thats definately AN aspect to why I like it ,like its so fun to hear Superman sing about the sorrows of being a hero ....But as a Superman story.....Its weird,like the musical only has the rights to Superman and Lois,Clark Kent is treated just as a disguise(Which is weird when your more used to the idea Clark is the guy,Supes is the persona ),and Superman actually isnt in a lot of it ....Buuuut I kind of like the way it examines Superman/superheroes in general"Would a guy who can do the impossible get an ego ",why the disguise of Clark Kent works,the weapon used on Superman is not physical but psychological,and why a guy who can do great deeds simply cause he likes doing good things is a good thing ,and a good counterpoint to the villain a man who has done good thing but has failed to gain recognition then seeks to destroy the ultimate symbol of good .Theres a fun camp tongue and cheek element,the performers on the album are great,scene stealers being JAck Cassidy as the secondary villain (An egomaniac reporter ) and Linda Lavin (Cassidy's assistant who begins to date Clark Kent) .Songs are mostly good,some are very 60's but most are pretty catchy,well performed and fun,the highlight being Linda Lavins showstopper You Got Possibilities

Whats your favorite musical deep cut

@ariel-seagull-wings @the-blue-fairie @theancientvaleofsoulmaking @piterelizabethdevries @barbossas-wench @themousefromfantasyland @princesssarisa

[artist-issues]

What do you think about Disney's Wish?

Predictions:

The movie will be an eye-candy with beautiful 2D and 3D. (But going by the trailer it's not as impressive as the Puss in Boots the Last Wish or Spiderverse. We need a better name for that animation style. How about 2/3D? ZED? I don't know.)

The music will be great. (But after listening to the song from the trailer that is supposed to be the ''I want song'', oh my God the lyrics are so generic and bland they can fit practically any main character ever. And it's just a lot of singing about nothing.)

The Star character, Valentino or both will be annoying.

Valentino will be funny and marketable but the movie could've worked without him.

The world will be huge, beautiful, and interesting and we explore none of it.

The protagonist will be bland with one obvious flaw or a dream which will be related to the message of the movie.

The message will have all the subtlety of the hammer in the face.

Inconsistencies, contradictions, and random stuff happening because funny/the plot.

References to older classics that you wish you would be watching. (You saw how many references they cram now into their other movies? And now it's one of the things they talked about the most!)

Death is funny until we have the fake-out death then you need to care.

No love interest because love makes women weak apparently. Or no love interest because the actress is a lesbian and she talked about how Asha ''looks like her'' because modern acting isn't about pretending to be something you're not, it's about showing who you are every chance you get. And for those who think they might make a lesbian love interest, I would like you to take a look at the gay ''romance'' in the Strange World. But if by some chance they do I doubt it will be any good. When was the last romance in Disney, Frozen 2 (2018) and that's a holdover from the first movie (2013) and the last good romance was Tangled (2010).

Lame villain! It's supposed to be a throwback to the older Disney movies and that includes its villains but Disney is so incompetent with their IPs I wouldn't be surprised if they get their own villain ''formula'' wrong. I swear if they try to make him a twist after spoiling that Chris Pine will be voicing the villain and his evil laugh in the teaser trailer, or ''redeem'' him after he did unspeakable evils. And no villain song. Can Chris Pine sing? Please no terrible auto-tune!

Making jabs at old Disney tropes even tho this movie isn't even half as good as the movies that came before it, uses a bunch of other modern tropes or straight up the same ones that it mocked earlier and completely misinterprets them and uses them even worse! Modern Disney seems to hate its past and does everything to show how ''better'' they are now. Which is untrue in most cases and just smug and annoying!

I'm sorry for being so pessimistic but that's how jaded I become and only towards Disney. It might be their greatest hit that will make people think ''Disney is back''. But Disney needs to change. One good movie will not save them if they keep making remakes that lose money.

I don't know; some of the things you've listed are likely, but I doubt all of them will be true!

I think the animation looks...unfinished. Isn't that odd? It looks like there's not a lot to fill in the scene, and what is there didn't get done rendering.

See these are pretty, but there just isn't a lot going on in the backgrounds--it's very icon-y. Maybe they're going for a storybook-look, but...a very minimalist, simple storybook? Not like Snow White:

Or Pinocchio

I can see that there are 2D textures on the trees and grass and stuff, but I wish there was just more there. Like all these pots and all the stonework in the background, in the screenshots from classic Disney above. Where’s the stuff; it would look even better if there was stuff. You know usually when Disney tries a new technique or look, they show it off. In Moana, they’re like we animated water, and as a result, we are going to show you SO MUCH WATER. In Tangled, they were like, we nailed the hair, and as a result you get to see Rapunzel’s hair do SO MUCH. In Wish it looks like the artists were shy about showing off the painterly stuff. But I’m no expert.

I really agree about the music. Like I really agree. I have only heard snippets. But I remember seeing the trailers for Frozen when a little bit of the music would play and immediately wanting to hear more. Looking it up like “Frozen trailer music” because just the snippet was enough. In this movie, I like the trailer until she starts singing, and then for some reason my whole brain rolls it’s eyes. Why does it do that for this movie? I love Disney music. I listen to Disney Princess Christmas album every season even though it’s not amazing, because I just like hearing characters sing. So why should I be exasperated by new feature-film Disney music, even if it does sound just like the others? I don’t know. I am not a music expert, either; I’m just telling you who I am (a Disney lover) and how inexplicably I reacted to Wish’s little music thing. Chris Pine can sing, but just like everything he does: he sounds like Chris Pine singing.

I think you’re right about Valentino; I don’t know if that’s a fair criticism, though. The Little Mermaid could’ve worked without Flounder. Mulan could’ve worked without Cri-Kee. Cinderella could’ve worked without Jacques. Moana absolutely did work without Pua. But in the new movie’s trailer I did feel like, “this feels like a pointless character.” Don’t know why.

The world actually looks empty to me. See points about the art style above. I don’t want to explore what I’ve seen of it, because it looks like an unfinished Open-World game that someone wants me to stream walkthroughs of on YouTube, and I’m like “no thank you, that looks boring.” But maybe that’ll be the point. Maybe in the story, the Wishing Star deepens and fills up every piece of scenery it interacts with! That would be cool. Maybe there’s a story-reason for the world.

I don’t know about the protagonist being bland. To make a good character (particularly in a kid’s movie) you need one big flaw (to make the character believable) and one big strength (to make the character compelling) and then little flaws and strengths surrounding that. For example, Aladdin’s one big flaw is his insecurity, and his one big strength is his compassion. You can file smaller traits like “trust issues, impulsivity, defensiveness, dishonesty” under the Insecurity flaw, and you can file “generous, insightful,” under the Compassion strength. His compassion makes him help and connect with Jasmine in the marketplace even though his Insecurity leads him to think he needs to be a Prince to re-connect with her after she turns out to be the Princess, etc. So it’s fine if she has one obvious flaw. She just really needs it to be relatable. All Disney characters wish for something. But every single one of them typically learns that the thing they were wishing for isn’t what they thought it would be, and to have what’s worth wishing for (love, usually) requires sacrifice. It’s a formula, but it’s a tried-and-true formula. It’s a multi-faceted formula. If they pick a new facet but remember the good, plain, common sense in the same formula, everything will be fine.

Their messages have been less and less subtle. In general I don’t mind when messages are obvious, because (you know me) I think that’s what movies are for. But! I will admit that movies like The Little Mermaid or Beauty & the Beast or Lilo & Stitch, where the messages are wrapped in layers of compelling character arcs and feel more character-driven, are better than movies like Raya and the Last Dragon. No shade, Raya, but how many times can you say “trust” in the same movie? Aladdin did it in two.

I don’t mind references in movies. Worked for Frozen. But there’s a difference between having Anna excitedly see the sails of a ship entering the harbor as a callback to Pocahontas, and having Rapunzel ask Vanellope if people assume all her problems were solved because a big strong man showed up. One is respectful (hey, let’s parallel Anna seeing the start of a new chapter in her life the same way Pocahontas did with sails!) and the other is sort of poking fun at the audience for ever liking what Disney made. Basically I’m very tired of meta-references.

I think this movie has potential to treat death with the weight it’ll need. After all, if it’s about wishes, one of the very easiest but most emotionally-engaging things they could do is have the main character (or the villain) be wishing to bring someone who’s died back. Then the message could go hard.

I totally agree about romance. The thing about romance is, it is a great way for one character to self-examine and confront their issues, as well as move into a place where they’re willing to sacrifice for others. Having a young, naive character set out to get their dreams, and then run into another character and start to care about that character? It forces conflict and tension, and again, it’s a formula, but it’s a formula that makes sense and shouldn’t be fixed because it’s not broke.

What I really don’t like about this villain is that he just feels bland, like a rockstar character who turns out to be a jerk. Surprise, surprise. And Chris Pine plays Chris Pine in everything he’s in, so I’m not thrilled by that either. But whatever.

Yeah, this last point goes back to meta-humor. #NotMyDisney thinks it needs to acknowledge what’s being mocked in order to trick the mocking audiences into watching their new stuff. “If we just own up to our formulas with a joke, they’ll see we’re self-aware and they’ll come along for the ride!” No, actually, you’ll just take them out of the movie mentally and emotionally to hit them with a fourth-wall slap. And then they’ll mock you because that’s cringe. The truth of the matter is, Disney responded to their haters best with Mary Poppins, and then again with Enchanted, and should’ve left it at that. Don’t say “yeah I know we have princesses and cute animals in our movies, aren’t we silly.” Say, “yeah I know we have Princesses and cute animals in our movies, but that’s because life is dark and hard, and hopeful young women with lowly but loveable creatures are inspiring & important. Kids need a spoonful of sugar to HELP the MEDICINE GO DOWN. But it's still MEDICINE that we're making, you're telling us we shouldn't give kids medicine that tastes good?" That’s what they used to say. Now they just…agree with the haters? Because it's a popularity contest, not a responsibility, anymore. Like that’s going to help.

Anyway, I don’t have set-in-stone thoughts about Wish, because Wish hasn’t come out yet. I agree that actors and actresses can give you some idea of where a movie’s headed and sometimes that’s disheartening, but I haven’t seen anything that makes me worry about Wish—except that it looks bland.

[oliveroctavius]

Hi, it's me again!

Do you know if there's a playlist somewhere of what music the Coffee Gang would listen to?

I feel like maybe a few artists were mentioned in the comics from what I've read so far, but I wonder if you had an inkling/headcanon/any idea what the characters would enjoy.

... Now that I'm thinking about it, the weird temporality of comics might make this an issue...

Oh this is a super fun question which I have no ready-made answer for. (If anyone reading this does have a playlist made or opinions on the subject, share 'em in the notes!)

Going by the comics timeline, I'd start with late 60s/early 70s rock and disco hits. MJ seems the most tuned into new music by way of youth culture and dance venues. Stuff by the Beatles, Beach Boys, Monkees, the Foundations, the whole top 40s list. (ASM #45/130)

Emphasis on female solo acts, maybe: MJ pulls an Aretha Franklin album from Peter & Harry's shelf, and I bet she likes Nancy Sinatra. Wherever she goes, the first thing she does is often to turn on some tunes. For the most part, she's the group tastemaker.

As for Peter, I'm guessing this ask was prompted by ASM 136:

It's a running joke that being Spidey keeps him a decade behind [current date] pop culturally. Ella Fitzgerald's career dates back to the 30s; I like to think that most of Peter's music taste + collection is inherited from Uncle Ben and Aunt May. Though humorously cynical nerd Pete might've had time to latch onto Tom Lehrer pre spider-bite, the way some modern high schoolers have a Weird Al phase.

The Osborn-Parker record collection is probably mostly Harry's, covering similar cultural territory to MJ's tastes. Maybe there's a never-opened Wagner opera in there courtesy of Norman. The girl on the cover of Hip Hug-Her always reminds me of Gwen, but I have no idea where her music taste might go. Movie soundtracks, maybe?

ASM 151 has notes on JJJ's music collection, of all people: Guy Lombardo, good lord. (And Mantovani is an orchestra conductor.)

Flash is a bit mysterious because his background took a while to fill in. In the far future of ASM 574, he listens to Tom Waits on Peter's recommendation. I was kind of nursing the headcanon that his dad kept Johnny Cash around the house and referred it to the only music for real men left in the world but rarely played any of it, until Flash got around to listening on his own and to his surprise really emotionally connected with it and reclaimed it into his own music taste...

In any case, there's a bit of music still left once Gwen leaves the scene. Kung Fu Fighting is PeterMJ's song, for one.

One of the last big nights out of the classic era is to the disco in SSM 24! This delightfully camp villainous music group is unfortunately not available on any music platforms, but KC and the Sunshine Band, the Bee Gees, the Jacksons and the Trammps certainly are.

And finally, based on this random panel whose issue I've forgotten, I like to think MJ got everyone into new wave at some point. The B-52s, Talking Heads and the Waitresses have reminded me of her. I also think her modeling connections would introduce her to the NYC weird art scene of that era, like Klaus Nomi, Grace Jones, and Laurie Anderson. By that time it would mostly be the Watson-Parker music taste, though.

Well, that's a whole lot of links to individual songs and not a coherent playlist at all, but I wanted to cover as many different bands/eras/ideas as I could work in. I'm sure I missed some though.

[rottenraccoons]

what songs do y'all as a team associate with each of the characters? i ask because ever since i heard The Masochism Tango by Tom Lehrer, i can only ever think of cirrus and vesper :sob:

The Masochism Tango is a classic! Perfect for when Vesper is being Cirrus' little simp and you wanna be a bit funny about it ❤️

I (Violet) personally don't have any music I associate with the cast because I can't write and listen to music with lyrics at the same time, but I posed this question to the rest of the team and got some fun answers!

Cajsa Cirrus - Make Me Bad by Korn, All Mine by Portishead Oleander - Lover I Don't Have to Love by Bright Eyes Francesco - Sweet Love by Augustine Vesper - Boyfriend, Sick, The Warden ("Vesper is just Chelsea Wolfe for me lol") Obscura in general(?) - Ponyboy by SOPHIE

Tobi Cirrus - Another Way Out by Hollywood Undead (slightly spoiler thing involving one of the unreleased boys) - Drunk-Dazed by ENHYPHEN

Mugi Cirrus - VILLAIN by K/DA (slightly spoiler thing involving one of the unreleased boys) - DRUM GO DUM by K/DA

[kovajean]

As someone whose favorite movie (second only to Whiplash) is Karate Kid III, I’ll never understand people that think it’s a bad movie.

Although my reasons aren’t entirely objective, it’s still worth writing about. It’s crazy how nearly tailor-made this movie is for me.

&

The over the top villains in Mike and Silver are perfect, because they have hardly any motive. I love simple shit like that.

Why is Silver doing this? Because his best friend was embarrassed. Why is he doing it in this way? Because he’s evil. Why is he evil? Because he is. Let’s also not forget the fact that he’s a corrupt oil barren. That shit’s hilarious. He’s also hot as fuck and I, as a gay man, am allowed that as a reason.

Why is Mike doing this? Money. Why is he doing it this way? Because he likes beating people up. Why does he like beating people up? Because he does. Who cares that there’s no deeper meaning behind it? I certainly don’t. I like when villains are bad because they like to be. I don’t want anything different. And I especially love that Cobra Kai didn’t retcon his insanity, like they’ve retconned other people’s wrongdoings...

&

The dialogue is both great and fucking awful at the same time. Here are some of my favorite lines from the movie:

“They made you suffer, so I’m gonna make them suffer—and suffer, and suffer, and when I think they’ve suffered enough, then I start with the pain.” (This line fucking SUCKS LOL)

“When I'm finished with that kid, he'll be begging me to be his teacher. And you know what he's gonna learn from me? Pain. In every part of his body. And fear—in every part of his mind. And here's the kicker: He's gonna thank me for it.” (This is probably my favorite line ever from any movie. It’s so good. The first time I showed this movie to my ex-boyfriend he would quote this shit at me every single day.)

“Johnny, by the time that little twerp steps into the ring to defend his title, I’m gonna have him thinking he’s invincible. Then he’s gonna find out what pain and fear really mean. Right in front of a thousand people.” (This line gives me chills. So good. Would be better if he used something less Disney bully than “twerp”, though.)

“It’s okay to lose to an opponent—Must not lose to fear!” (This along with the majority of Miyagi’s lines are great. I don’t need to go through them all. This is just my favorite one.)

The thing about these movies is that each one has varying levels of dialogue quality. KK1’s dialogue is fucking awful. But at least some of the lines are funny enough to laugh at. There are some good lines in there, but that’s just it. Good lines. Not memorable. Same thing with KK2. The dialogue in that movie is just good. That’s all. I can’t recite a single line from that movie. Because the lines aren’t memorable. Except for, of course, “honk”. Do not get me wrong though. I'm not saying this movie is the best Karate Kid movie. No way. It's just my favorite, and it's not as bad as people make it out to be.

&

The score had me looping it for 3 months straight. I'm not even hyperbolizing here. The whole of it is just wonderful. The reused and remixed songs like Kata Training are great. But when I get to Silver’s theme, that’s a whole different thing. Listen to this shit:

How is this real? I’m a huge classical music fan, and I could not stop playing this song over and over and over again. Listen to this one:

Did you know that this song wasn’t even used in the movie? This is an alternate version of Terry’s Next Move, which plays over the Kreese and Silver phone call as well as the Mike Barnes Magazine Car Ride. The one they went with certainly works better for the scene, but I love, love, love this one. So much more. 

I never thought I’d be hooked on a series of songs from a Karate Kid movie composed by the same guy who did Rocky, but here I am. 6 months strong, too. I was in a high school theater production when I watched this movie for the first time, and every free moment I had backstage was spent looping each piece with any bit of Terry’s theme in it (such as Terry Silver, Terry’s Next Move, Terry Sneaks In, and Daniel Submits. I also had Terry Owns Daniel on loop occasionally, but that song doesn’t have any real instances of Terry’s theme in it–it just sounds similar. And yes, these are the official names of the songs in case you weren’t aware.) I also listened to these songs on loop while doing an art class project (which was of, you guessed it, Karate Kid characters).

&

I love Daniel in this movie. Love him. More so than any of the other movies. He’s exponentially sillier, he becomes best friends with a girl instead of dating her, he demonstrates color theory, and his irritability and sass are on full display. I also like that he's not super skinny anymore, and that he actually looks his age. (My love for him may also be aided by the fact that I relate most to his personality and appearance in accordance with this movie versus the first two).

I LOVE JESSICA! You will never meet a bigger Jessica fan than me. I love her so, so dearly.

She brings out the good in Daniel.

She shows us that Daniel is good with rejection. When she tells him she has a boyfriend, his opinion of her stays the exact same. He doesn’t push her. He lets it go, and they immediately become best friends. All because she told him that she hadn’t made any friends yet.

I like that Daniel is protective of her despite the fact that they’re not dating. He really cares about her, and he doesn’t expect anything in return. He’s not spoiled. But I also like that Jessica gets mad at him, because he went way too far. She doesn’t let him get away with it or treat him like a hero. She gets upset. Because Daniel just assaulted someone who hadn’t done anything deserving of violence (yet). And when she leaves, Daniel recognizes his mistake. He recognizes all of his mistakes. All because of Jessica. I can promise you, had she reacted positively, the movie would have ended differently. She was the step he needed to snap out of his power trip. And I love her for it.

She also trains with Daniel! None of his love interests did that!

I’m saving the color theory section for a separate post where I will go over every Daniel outfit and what they mean for the scene because I have the free time to do so and dammit I’m not hyper fixated on Karate Kid III enough already so I might as well let myself get worse. You feel me?

Despite the fact that Daniel's clearly nervous around Silver, he’s still a piece of shit during their training sessions. I respect that. He’s also incredibly snappy towards Mike and his gang even though he knows he shouldn’t be. His morals are also on full display if you think about it. He’s mean to mean people, even if being nice to them will work out better in the long run. Because he refuses to be nice to people who don’t deserve it. As well as vice versa. Except for when he snaps at Miyagi. Hmm, I wonder why he does this? Perhaps, is it maybe, the fact that he’s being manipulated to use anger as a coping mechanism?

People go on and on about how whiny Daniel is in this movie, but they don’t seem to consider why.

Daniel is assaulted over and over again by Mike and his gang, and his new best friend gets roped into it. He stores this anger because he has nowhere else to put it. Then he meets Silver, someone who gives him an outlet for it. He finally has something to do with this pent-up rage, until he’s given mixed signals by the people around him when he uses this newfound coping skill. Miyagi gets upset, Silver praises him, Jessica leaves him. How is he supposed to know what to do? Of course he has a mental break. He rants to Jessica about it, then to Miyagi, and he thinks he has his problems fixed. Then, to make matters worse, he finds out that Silver was tricking him the whole time. Now he has to relearn Miyagi-Do. That fucking sucks. I’d go crazy too. This, along with the fact that he wanted to compete in the All-Valley so badly that he brought it up to Miyagi on multiple occasions, was shot down every time, finally gave up, and then was forced to care again? AND Miyagi refuses to train him even though it’s hardly his decision anymore? How Daniel kept going in this movie is beyond me. He’s not whiny, he’s livid. He can’t catch a fucking break.

I’d say his anger is accumulated throughout the movies. This one year has been more eventful than the rest of his life was prior. Everyone he meets seems to want his head on a stake and there’s literally nothing he can do about it. He just wants to be a normal guy, and no one will let him.

He’s also certainly not weaker in this movie in comparison to the second. He’s been broken down by everyone trying to fight him and he’s at a point where he’s trying not to care. He’s trying so hard, but when Mike shows up it’s difficult for him to keep pretending. The fact that Daniel loses to him is meant to show you that Mike is strong, not that Daniel is weak. Anyone that can defeat Daniel after Daniel’s torment in KK2 deserves to be feared. And don’t forget that Mike had the ability to kill Daniel in the bonsai scene. The only reason he’s less threatening than Chozen is because his acting is bad.

If you want to argue that he’s weak throughout the entire movie, then you’d be half correct, I guess? He’s a different sort of strong for the last half of the movie. This is because Silver teaches him different moves. Daniel stops using what he used to know (the style of Karate that we’ve seen him use up until this point), and is now using exclusively this new style. And when you consider that this new style only has 3 different moves, of course he’s going to look weaker. The All-Valley scene Daniel also isn’t weaker if that’s your argument, because there is genuinely no other way he could have beaten Mike than with Kata. Mike is immune to Miyagi-Do. That’s why Daniel never beat him in any of the scenes leading up to the All-Valley. Daniel is also overcome with fear thanks to Silver. The ineffectiveness of Miyagi-Do on Mike and the lasting fear of the manipulation he dealt with is not a good combination. He beat Mike with Kata because he caught Mike completely off guard. That’s how you beat him. We know that’s how you beat him because it’s the first time we see him genuinely lose, other than when he lost to Miyagi multiple times, which is another instance of Mike being caught off guard and losing, because why would he expect an old man to be that good at Karate (and also, it’s Miyagi, of course he’s gonna lose to Miyagi. He’s not comparable to Daniel). Can you assume that Silver told Mike to be wary of Miyagi? He’d never seen the guy fight.

&

Anyways this movie has been on repeat in my brain since March and nothing I can do can stop it so why not indulge in it, huh? Just a look into my dark and twisted mind

[catholic-character-tournament]

Round 2 - Side A

Propaganda below ⬇️

Claude Frollo Propaganda:

This man got horny and his response was “that woman must burn”

I love him so much. More seriously Book Frollo is much more ambivalent than Disney Movie Frollo which makes sense because we’re talking about Victor Hugo VS a children’s movie. He didn’t kill Quasimodo’s mom, he took him in (when himself was only nineteen and already in charge of his own baby brother since their parents had died not long before) when he was left on the church’s doorstep. I mean, he does quite a few reprehensible and slightly evil stuff afterwards but he had a good start, you know ? He taught Quasi to communicate by signs when he became deaf because of the bells. He was also very much into alchemy which was pretty cool. His behavior towards Esmeralda was still very much not okay but I’d like to point out that Phoebus is also a jerk in this one. And Quasi’s quite a bit amoral because no intelligent enough to understand some stuff

I actually haven’t gotten very far through the book yet but from the musical (not the disney one the other one it’s SO GOOD) I can confirm he sucks at being catholic. literally tells a child over and over that he’s ugly and unlovable until he fully believes it and won’t let the kid go outside. https://genius.com/Alan-menken-out-there-lyrics (lyrics to the song in which frollo convinces quasimodo he’s unlovable. ableist as hell and shitty in every way you can possibly imagine and it breaks my heart every time. feel free to listen to the actual track but it doesn’t get good until about 40 seconds in) frollo keeps saying it’s good and right to punish sinners himself, and it’s not right that the wicked go unpunished. there’s a really satisfying moment in the musical where quasimodo sees him for what he is and repeats his words back to him (7:45 - 8:54, frollo is the one with the insanely deep voice) and it gives me goosebumps every time to hear that “yes you do” link to that video: https://youtu.be/HL7WZcTIgus

I honestly wrote this submission because I suffered from severe insomnia for being reminded that I might have poor taste when it comes to enjoying media since I enjoy Disney version of Frollo even after I watched other versions of this character. (I am so sorry the host yes I am that annoying anon lying in the dark little corner of your ask box. I have no other thing to do in my life so hello again) His character is different from the original novel version, and to be honest as an adoption, that is NOT necessarily WRONG. He had more struggles with his pride and his self-imagine in the Catholic framework. “Beata Maria, you know I am a righteous man, of my virtue I am justly proud” as the opening line of his villain song, clearly states his main struggle throughout the movie–pride and self-imagine (super-ego) vs lust and instinct (id). Once his self-imagine in the Catholic framework was on shaking ground, he bent his twisted sense of “righteous” to make him less painful. Tbh, the novel version used the example of Bruno d’Ast to justify his hornyness, so it’s just classical Frollo behaviour no matter which version it is. (SMASH THE TABLE) HAVE YOU READ~~THE NOVEL~~ I REPEAT: HIS CHARACTER IS NOT JUST “I HATE WITCHCRAFT AND I AM HORNY AND RACIST”. I REPEAT: HIS CHARACTER IS NOT JUST “I HATE WITCHCRAFT AND I AM HORNY AND RACIST”. I REPEAT: HIS CHARACTER IS NOT JUST “I HATE WITCHCRAFT AND I AM HORNY AND RACIST”. I am sorry for the noise pollution in your submission Google form. I should have taken my sedatives regularly. I am truly sorry. Also please don’t bully me in the debate, novel/musical enjoyers. LOOK, I AIN’T YOUR ENEMY. I LOVE NOVEL/MUSICAL FROLLO, I JUST LOVE DISNEY VERSION AS WELL, I AM AS TORMENTED AS YOUR FAVORITE CATHOLIC PRIEST. I am not a native tongue, so I tried my best to express my thoughts/feelings/justification why Disney version should be a qualified candidate as well. If you tried to debate with me, I would be drowned in my poor English. Sorry again.

Tammy Propaganda:

Absolutely insane catholic girl. imagine a horse girl mixed with a boy band girl mixed with the girl from youth group with a bedazzled bible. that’s Tammy.

She’s a character from an somewhat-obscure play that is only mentioned briefly but the fandom loves her. Literally the only things we know about her from the play is that she’s catholic and likes boy bands.

[blapis-blazuli]

Now listen up

I am obsessed with this man. He's got so many weird details about him and I love (almost) all of them.

First, Slim's original concept fucks. Being an undead cattle rustler out for bull's blood due to being trampled to death is fascinating. I don't know how long it took before someone at Disney cried "too dark" at that backstory, but I'm surprised it was even in consideration given the mostly lighter tone of the final product. More than that, Disney could've had a literal ghost rider among their villains! Had that movie been any good, he might've joined Disney's popular villain lineup, or maybe we could've even gotten a boss battle with him in a Kingdom Hearts game. That's not what we ended up with due to Reasons, though, which is a bit disappointing, but not much you can do about that.

Anyway, onto what we did get.

Before Slim makes his formal appearance, he's only seen in silhouette, on a wanted poster, then in disguise, and is finally fully revealed when he rides in on a bison. He is huge, and I don't mean because he's fat, I mean he's a good deal taller than most of the other characters. He's set up to be someone threatening, to be taken seriously.

And then comes his yodeling villain song.

The moment it's revealed that Slim's yodeling can hypnotize cows, the music picks up and there's a literal rainbow of colors for the rest of his number. As I said, he's a big man, but he's also light enough on his feet to dance and jump on and off any of these cows while not missing a beat in his performance. When the men who got knocked out beforehand come running after him, he doesn't threaten them, he just throws his spurs at a precarious bit of rocky landscape with such force that it falls and blocks the pathway to him. That's more badass than if he did draw his gun on them.

Actually, I wanna talk about the music he performs. The movie's set in Wyoming during 1889, so obviously Slim's not gonna be yodeling A Cruel Angel's Thesis or whatever. They could’ve come up with something original for him to yodel to (which, I mean, they kinda do), but they chose music by composers such as Tchaikovsky and Beethoven, which aren't exactly things you'd associate with the wild west. The obvious out-of-universe answer for why those pieces were chosen is "they existed before the year this is set in, and they're recognized even today," but we've no in-universe answer for why he chose them or how he knows them. Regardless, it's kinda amazing that he knows them well enough to yodel them.

His lair in Echo Mine has an area with some nice furniture in it. How'd this shit get there? Who knows. Anyway, this is where he reveals that he disguises himself to buy up the properties owned by the people he's stolen cattle from, which includes his former employers. Why doesn't he work for any of them anymore? He never directly says. According to him, they didn't "appreciate [his] talents," which means they probably hated his yodeling. I don't blame him for being mad about that because why the hell would you tell someone that? If he's doing the job right and well without hurting anyone, then who cares? The idea that he's moved on to use a skill against the former bosses who didn't like it is kinda great though.

(Side note: a nice, small detail about this part of the lair is the faded branding on the map, which shows that Slim has been doing this for quite a while. Shame that it's not more consistent from shot to shot though. I can't take credit for noticing this myself: my partner pointed it out after I posted a screenshot as a joke on Discord. She's so cool.)

Slim doesn't like it when someone calls his yodeling "singing": he thinks singing is beneath him given the disdain in his voice when he says that's what birds, saloon gals, and children do. No, he considers what he does to be an art. He's not entirely wrong, though: it is an impressive skill, especially since he can yodel to certain classical pieces like The William Tell Overture, Ode to Joy, Ride of the Valkyries, and The 1812 Overture. (Also Yankee Doodle, because, well, American. Also maybe Largo al factotum from The Barber of Seville, but I'm unsure of that one: unlike Slim, I am no classical music expert.) There's no need for him to be quite as defensive about it as he is, but his nephews calling it "singing," saying that might be why his bosses didn't like him, and calling yodeling "silly" is enough to make him get violently angry at them. Man's got issues.

Oh yeah, Slim has nephews. They're triplets named Gil, Phil, and Bill, and they're collectively known as The Willies. Unlike their uncle, they're all blond and thin, so god knows what Slim's unnamed and unmentioned sibling must look like.

Slim also has a bison named Junior. I'm not fond of the whole "he's too fat to ride anything else" angle of that, but I do like that they chose an animal that people are constantly told to not mess with because of how dangerous they are. Slim's not afraid of him: he's got this creature trained to listen when he calls for him. I can only guess that Slim is the one who named Junior, so maybe he also raised him. It would explain why Junior appears annoyed with him but still puts up with having Slim jump on his back and the like.

You know what Slim doesn't have though? Kids. Putting together the disdain in his voice when he mentions children, his seemingly low opinion of saloon girls, his big villain number turning the landscape into a rainbow of colors, the queer history of cowboys, and the prevalence of queer-coding in Disney villains... well, I think you get where I'm going with that.

Moving onto his disguise. Don't ask me why nobody figured out this was Slim sooner, given that his wanted poster shows they have the same facial hair, bushy eyebrows, and bags under the eyes. My best guess is because it's in black-and-white and he's in a different outfit, and unless someone's encountered him before they probably don't know what he sounds like. Anyway, His alias is Yancy O'del (yeah, I know), but the one sign we see him with has both "Mister" and "Esquire" in there.

Having looked this up, I learned a few things. First, having "Mister" and "Esquire" together isn't something you're supposed to do, yet nobody in-universe caught this. Second, in the United States, "Esquire" is a title only used for lawyers, so maybe that's why nobody questioned him - fear of a sudden lawsuit for something or other. Third, "Yancy" was not really a name used back then, or at least not a common one. Why'd he choose that name (besides for the pun)? I dunno.

(Also, where the hell does Junior stay whenever he goes to one of these auctions? The world may never know.)

Slim's final defeat at the hooves/wings/what-have-you of several farm animals is pretty pathetic, even by silly Disney villain standards, but I got to give him credit for not wanting to give up even after his disguise is (literally) blown and while he's stuck in a train's smokestack. I have no idea how he planned on getting out of that one, and whatever it was most likely wouldn't have worked anyway, but I admire his refusal to back down in the face of obvious defeat.

Even in his very last scene we see him struggling with the ropes they tied around him while he's carted off to jail. He does not give up.

Anyway, here he is picking up Small Black Market Dealer Steve Buscemi one-handed like it's nothing. (His name is Wesley, but Slim keeps calling him Mister Weasley. That's right, this movie used that joke before Frozen did.)

And here he is lifting three full-grown cows off the ground before tying them up faster than they can react to it. (The cows have names too, but this post ain't about them.)

He uses his left hand to write and aim his gun and seems just as adept with using it as much as his right, which is cool. (There's no frame with both his face and the gun, so you'll have to trust me on that.)

Speaking of his hands

Look at this huge-ass man and his pinkies, I can't with this dude

Look at that smile, sir, who gave you the right

If there were a whole movie about just these two, I'd watch it, I won't even lie.

I've gone on about this guy for probably too long by this point, so to sum it all up:

Babygirl

[tiredflowercrown]

💩 King Beast: If you could make any one thing happen in canon without consequence, what would it be?

🤩 King Charming: Who or what first caught your eye in/about Descendants? What got you hooked?

🍎 Snow White: If you could ask any character for a five minute interview, who would it be and why?

🥸 Mr. Deley: You have evidence to expose the crimes of a so-called hero. Who’s going down and why?

🤡 Seven Dwarves: You can pick any seven characters to be your roommates. Who are they and why?

💋 Evil Queen: If you had to marry one of the classic Disney villains, who would it be and why?

⚓ Captain Hook: What’s your pirate name? How about the name of that dinghy you call a ship?

This got entire too lengthy, and took far too long sooo cut

💩: if you could make any one thing happen in canon without consequence, what would it be?

Hmmmm. I wanna make it count. Fuck, I can't deny my gut instinct. Anthony. Make him exist and be acknowledged by Dizzy or Chad or Chole. Make him appear, not in an off shoot where we assume it's him, but like give him a little scene. Like maybe a Doug level character, a relationship to a main character but not relevant to the main plot in anyway. (I know it's silly and doesn't matter but that was the instinct)

Oooh or actually show the abuse and don't sweep it under the rug. Quit being a coward disney.

🤩: who or what first caught your eye in/about descendants? What go u hooked?

Traditionally, before I was fandom? The Music. I actually used to listen to songs when I was daydreaming/stimming. I know and can name drop It's good to be bad, but that is far from the only example.

Fandom? I've said this before, but Anthony. He's just so compelling to me. The fandom dive actually went Anthony Tremaine, Claudine Frollo, then Harriet Hook. He is Blorbo more than anyone else to me.

🍎: if you could ask any character for a five minute interview, who would it be and why?

This is such a hard question because I know interviews and have conducted them before. 5 minutes isn't a lot of time and the questions i want to ask need more time. Hmmmmmmmm, Ben.

I would ask about his plans to better Auradon, about how he plans to inact said ideas, maybe about why he chose the Isle. He's a politician he should be able to answer those quickly.

🥸: you have the evidence to expose a so-called hero. Who's going down and why?

Beast. Idk who of my mutuals wouldn't answer Beast. Why? Crimes against humanity, unjust imprisonment, genocide, rights violations (in Auradon), union busting, etc.

🤡: you can pick any 7 characters to be your roommates. Who are they and why?

So many difficult questions. It's not just oh who do I want around me, but also who wouldn't kill each other living together. Ugh, who have the most compatible personalities.

Carlos. He's fairly easy-going and keeps to himself. He also would clean up after himself, so it wouldn't be a horrible mess. (At least not one of his doing.)

Jane. Couples are tricky, but I don't think they would fall into the typical traps of too much pda or sex. Maybe arguments would be an issue but any group of people would have that threat.

Doug. Evie isn't gonna be here and I feel like he would spend a lot of time at her place so he's a negligible factor. Also if he was around he would be pretty chill.

Hear me out, Gil. Anything he would bring home wouldn't be "bad" enough to like horribly disrupt the house and vibe. He's also nice and is easy-going.

Uggg this is so hard. I'm going canon (or like canon to the point where they existed in canon at some point), and vks are hard because of VK tendencies for not working well in big groups. I don't wanna room with kids (or like under 16s). Lonnie??? Her sports equipment would take up a lot of space but I don't think she would actively use it inside???

Screw it I'm going with relative unknowns, Yzla and Reza. The canon versions. So Reza is an unsufferable know it all and Yzla doesn't really have a personality. I can deal with that. Sure why not.

💋: if you had to marry one of the classic Disney villians, who would it be and why?

When they say classic I'm assuming pre Renaissance. So Evil Queen, Chernabog (though I don't think they mean him cause he isn't "well kniwn"), Captain Hook, Cruella de Vil, Queen of Hearts, Madam Mim (see Chernabog reasoning), Lady Tremaine, and Maleficent.

Lady Tremaine. She wouldn't kill or abuse me??? She's just mean and like abusive and neglectful to her kids but I feel like she like her spouse?? None of them are good options. But she isn't insane so I'll take it.

⚓️: what's your pirate name? How about that dinghy you call a ship?

Salty Sal. It's got alliteration and and like sea themes. Ship is Wilted Flower. It has a bit of historical justice (I think. I'm not looking up what I think to check.)