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#I probably left something out but
nat-of-personifs · 11 months
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The Great Big Lore Post
nonpersonif sideblog: @nats-other-archive
scpesque things: @things-that-remind-me-of-ira
omegaverse sideblog: @yourcityisanomega
I am in a qpr with @loquaciousnewt :>
Most recent version of the personif list (click original to see new edits)
Link to Countryhumans the fandomspirit’s HCs
Me trying to make sense of why I love personifs so much
I Am Only What You Made Me Masterlist
All my Iraverse lore
Active vs. Passive Guardians
Post I Went Insane Over
Updated 21 July 2023
Basically my excuse to use terms no one else understands when I reblog stuff. I kind of have my own personification mythos; it’s not attached to any fandom now, but I came up with most of the Fourth Wall lore for a Welcome to the Table AU where the states had to use powers based on their natural disasters to fight an apocalypse of all-devouring plastic spiders. And California was pyrophobic. It never got anywhere, but I just repurposed the world building.
I also learned a lot about the weather; fun fact, the three most natural disaster-prone states are Texas, California, and Oklahoma. California comes first too, by some measurements, but most of the sites I looked at listed her as second place.
Also, the similarities between the Guardians and the SCP Foundation weren’t intentional. I made the AU before I discovered the wiki.
The Fourth Wall and the Guardians -The Fourth Wall is an actual wall (well, close to it-). Everything humans have ever imagined is behind it.
-The place behind the Wall is Fiction; our world is Reality.
-Strong enough belief can cause things behind the Wall to breach it.
-Guardians are people who can see, and in some cases interact, with the Wall/entities behind it. Active Guardians (who can interact) can basically manipulate human thought by killing/modifying those entities.
-The Wall is somewhat sentient (not sapient though), and chooses who can see it and who can’t; it can also revoke this at any time, which prevents misuse. I know this seems like a deus ex machina, and that’s because it is and I’m not creative enough to come up with a better explanation.
-Recently, it can also put Guardians on temporary leave. I’ll explain later.
-If the Wall needed to discipline a Guardian but didn’t want to lose their expertise, it could always kick them out for a bit and then re-initiate them. Temporary leave just keeps them closer.
-Guardians’ lives are sustained by the Wall. They will exist as long as humankind does, or until they get kicked out.
-Guardians are still people, and most have interests beyond thought-being wrangling.
-Passive Guardians, who can see but not interact (which means they can go into Fiction but they have no power over the things inside), serve as logistics managers. All Guardians except two are part of a hierarchy; Active Guardians on the ground focus on managing one kind of threat, and Passives manage them who also have Passives managing them and so on until we get to the top, which I haven’t defined because it’s not important for personifications.
-Some Actives are in the chain too, and some are at the very top.
-The exceptions were Ira and Iniko, REALLY OLD (like two of the first 10 Guardians to ever exist) Actives who everyone else gives the really dangerous creatures to to, ahem, contain, because the Wall tolerates them doing a lot of shit in Fiction that got other Guardians kicked out. Ira’s on temporary leave because her relationship with her brother Iniko, who the Wall chose mainly to keep her in check, was no longer as effective as it once was to prevent her from powertripping. (The Wall has since appointed someone else, but it doesn’t want to lose her expertise.)
-It’s also for Iniko’s mental health.
-Guardians can let things through the Wall. It’s harder to send them back, though.
-Personifications are the Guardians’ link to Reality.
-There are two triumvirates who manage/watch the personifications, Old and New.
-I’ll talk about NT later (they manage the online personifs), but the OT members are Nadia, the Country Guardian, Kevin (previously named Aaron) the Subdiv(ision) Guardian whose name is the only one who doesn’t have any kind of important meaning attached and manages everything between countryspirits and cityspirits, and Harta, the City Guardian who’s an Active surprisingly and also frighteningly devoted to her cityspirits. She doesn’t have any subordinates.
-The way to send a Guardian to temporary leave is to kill them.
-Before temporary leave existed in the form it does now, attempting the kill a Guardian just ended up with them severely injured; hurting a Guardian and putting them out of commission for a while was a thing that happened, but it would usually result in the Wall kicking them out.
-The US State Guardian, Kylin, is on temporary leave right now; DC’s Guardian is filling in for them. They were Active and set the California Guardian’s house on fire; it was accidental, but everyone else, including the Guardian herself, thinks they did it on purpose (they’re good friends with the Fire Guardian).
-Every personif who is not based online is under OTJ (Old Triumvirate Jurisdiction; it’s less of a hassle for me to write and is one of the few acronyms I have that actually sounds good).
Online Personifs/The New Triumvirate/Temporary Leave -Internet is a physical place for them; terminally online humans may also hallucinate it.
-The Internet is inside the Fourth Wall.
-Personifs who live inside Internet are under NTJ.
-NTJ personifs are the closest beings to Fiction who are allowed to enter Reality (at conventions and the like, or in the houses of devoted fans).
-Most fandomspirits follow normal personification rules (a frightening amount of them are their heavily modified fandom/Socialstuck selves), but:
-Guardians who are killed reincarnate as fandomspirits.
-They do not remember their previous lives, but they remember their fandomspirit selves when they go back into Fiction.
-Guardian-reincarnate fandomspirits have very shaky canon or none at all, and usually something about them that breaks a rule, of the way the world works or the way personifs work.
-Returning to Fiction is as simple as sending a natural-born fandomspirit into Internet; two personifications of the same thing can’t exist at once. The fans don’t notice.
-NT lives in Internet and retains knowledge of their Guardianhood, and they have only three “underlings”. They’re also the personifs of AO3, Fandom Wiki, and TvTropes, and they don’t remember their old names.
-Wikipedia, Fanfiction.net, and Wattpad: Wikipedia, among their many other duties, is the poor soul responsible for writing down everything said at NT meetings, and Fanfiction.net and Wattpad serve as stand-ins for AO3 because they get into improbable accidents with disturbing frequency. FF used to have AO3’s position.
-The three fanfiction websites are the Little Triumvirate, not officially, but the abbreviation is easier than listing their names.
-This isn’t that important, but pretty much no one except the personif of an online platform and MAYBE Homestuck’s fandomspirit can understand anything the NT says to each other because the meanings are buried under three layers of fandom terminology, references, and Guardian gossip.
-Other platforms (ex. Tumblr, WikiDot) are personified and the constructors of houses the fandomspirits live in: each platform the fandom has a presence on is a different room. Similar fandomspirits live under one roof; they can’t control it.
-I pretty much exclusively talk about the Collaborative Horror House (where the SCP fandomspirit lives) and the G(A) House, where the fandomspirits revolving around personifs live, because those are the fandoms I’m in.
-CHH lives near MCYT, and it’s extremely loud; Countryhumans, Hetalia, and Polandball of G(A) all have love-hate relationships with each other and the smaller fandomspirits just have to deal with them being the faces of the whole place.
-For my reference and everyone else’s, the fandomspirits of G(A) are:
Countryhumans
Hetalia
Fandomstuck and Socialstuck (the Stuck twins and Hetalia and Homestuck’s kids) who serve as news reporters for all of Internet
(I am not questioning the fact that I have personified a fandom about personifying fandoms, one of whose main characters is a fandom dedicated to personifying countries.)
Polandball
Welcome to the Table (Kylin)
Centricide
thecitysmith’s Paris Burning/Cityverse
Great Cities, once she gets enough people to wake up
I’m also attempting to turn Iraverse/the scpersonif cult into a fandomspirit. She’ll be G(A)’s liaison to CHH
(If there are any I missed that you know of, tell me. spin-offs of countryhumans, polandball, and hetalia don’t count, and neither does gijinka)
-Ira reincarnated as the SCP fandom, but I also call the actual personif of the Foundation herself Ira because they’re identical in appearance.
-No matter how the people themselves perceive Internet, NTJ personifs can see them moving around their houses.
-I don’t think what actions one takes on the web corresponds to for an NTJ personif is that important, so I won’t list them here, except to say that fanfiction sites look like libraries.
Other Headcanons
-Land = Body, except for the face/neck, hands, feet, and sometimes other parts if it would make sense for the culture.
-Scars from important events go on the face: ex. California and the 1906 earthquake.
-Personifs with lots of natural resources get little glittering things that look like freckles, with the color corresponding to the resource. They disappear if those resources are depleted.
-When personifs hurt other personifs with their bare hands, the injury corresponds to something happening on their territory.
-If there is no majority among the personif’s people (a majority-minority), the personif’s skin tone will either shift constantly or they will look most similar to the most culturally dominant group. I just simplify this in art to them being ambiguously brown.
-The majority of personifs look like women because people most commonly see the places they live in as mothers, but the OTJ ones don’t really care about gender and are comfortable in all forms. Most NTJ personifs do have gender identities though, and OTJs have started experimenting with they/them and neopronouns.
-[UPDATE, 21 JULY 2023] Personification Food
-Personifs feed off their people’s loyalty to them. The exchange is supposed to be reciprocal: love and service for in-group belonging, safety, and sometimes—especially with those under NTJ—things specific to the personif. Children, other vulnerable populations, and welcomed newcomers give less and recieve more, but each person’s balance is different. Those in power are supposed to give the most, which the personif tries to balance out, and credit to @imadewritingmyjob for feeding the first sparks of this idea and writing a detailed example of a very extreme case with me (all giving, no receiving).
-Personifs can manipulate and amplify emotions somewhat to facilitate the feeding.
-Most of the time, the exchange is unconscious, and personifs don’t know at all what they’re doing. They just have certain people and places they enjoy being around more. The feeling each personif gets from feeding is different: Foundation perceives the exchange as warmth, ironically, and the filling of absences, unironically.
-NTJs require love and active participation to come with the package, while OTJs just require service. OTJs are much more possessive of their people because they generally need more to reach the same level as NTJs—which is also their fault. A lot of what NTJs have to offer is simply more attractive.
-The above is purely based on the assumption that most people in fandoms dedicate more time and energy to participating in said fandoms than they do to their OTJs. Because I do.
-Though OTJs get some energy from fandomspirits if their Canon is heavily tied to them: anime fandomspirits feed Tokyo, though he doesn’t particularly enjoy that.
-The competition is why they have a non-interference policy (the OTJs are very likely to start a fight) with fandomspirit nexuses like the aforementioned Tokyo, San Diego, and Los Angeles acting as ambassadors if there’s something both sides of the divide need to know.
-If you’ve ever had intense brainrot about a fandom character, congratulations! That’s partially the work of your fandomspirit. They like you. (Oh my god, SCP and G(A) teamed up on me.) Those feelings are still your own, don’t worry.
-Cultspirits and Foundation have the biggest appetites and are often addicted to one person in particular (much to his detriment, in the latter’s case).
-Healthy feeding does not affect the physical body and exchange with at least one personif is pretty necessary to mental health. Symbiotic, not parasitic.
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thedreadvampy · 1 year
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Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.
"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."
translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"
It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!
very this
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#red said#it's just. I'm obsessed.#everyone on Twitter is saying 'never happened' and i think they're wrong#this absolutely did happen and she's been obsessing over how vindicated it made her feel enough to WRITE AN ARTICLE ABOUT IT#because she MISHEARD SOMEONE IN A CASUAL CONVERSATION#i lay out my reasoning thusly: if you were INVENTING a scary trans woman in bathroom story out of nothing. why would it be this?#why would you go with 'we had a banal conversation until she said a sentence that makes no sense and that no human has ever uttered#but which does coincidentally sounds almost exactly like a mishearing of a very NORMAL thing to say in the circumstances#then she left and nothing else occurred'#if you were going to INVENT a story you would probably make it MAKE SENSE or SOUND THREATENING#i truly believe this is a very authentically told account of what she thinks happened#because who would. by means other than mishearing. think 'I'm going to wipe my hands on my penis' makes any sense at all.#a) 'I'm going to dry my hands on my genitals' says the presumably fully clothed woman#b) who then proceeds to leave without doing anything threatening#c) WHO SAYS PENIS THREATENINGLY? sorry it's writing out 'penis' repeatedly that made this jump out to me but like. who says that?#you might hear someone talk casually about their dick or cock but i stg it's only doctors and TERFs who casually use the word penis much#it's so. clinically descriptive. it's a weird use of language. but it IS. something you could plausibly mishear from 'pants' or 'trousers'
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lucy-bladeshield · 2 months
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Can you imagine how terrified Aelwyn must be? Her baby sister and her dumb friends have just said the name of a dead god and the world went mad, and they went into the briefcase of the one named The Ball and the one with the dead god casted a ward of death on you. And now it's been who knows how long and spell after spell you try and cast won't open the briefcase?
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the rest of the cast got their new song covers, so i wanted to try putting the others in a band :>
i did want to make it look a bit like an album cover but i have no idea how those are designed so eh?? i also couldn't think of any band or album/song names so. if anyone has any ideas...
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ruporas · 1 year
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☀️
[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. It’s two 3 panel comics that illustrates the same sequence. The first focuses on Vash. In the first panel, he’s in a hurried motion with a worried expression. In the second, he’s stopped, huffing a breath out as he’s scanning for Wolfwood (not pictured). In the final panel, he breaks out into a relieved smile, eyes lighting up with warm cheeks.
The second comic focuses on Wolfwood. In the first panel, he’s looking downwards to the right with a cigarette in his mouth, wearing a neutral expression. On his face are notable scratch marks to indicate him being in a fight prior. In the second panel, he turns towards the viewer, lifting his head as he notices Vash (as from the previous sequence). In the final panel, he smiles warmly with teeth and holds up a peace sign. END ID]
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[ID: Sketchy black and white drawings of Vash and Wolfwood, continuing off the comic. Wolfwood’s back is to the viewer while Vash’s profile can be seen, now by Wolfwood’s side. He has a bright smile as he says to Wolfwood, “You’re safe!” Wolfwood responses, bearing a grin too, “Who do ya think yer talking to? ‘Course I am. Look, I got them alive.” He points to two figures who are tied up and have comically large head bumps. Vash looks to them with an uncertain expression as he says, “Oh! You did, huh… Are you sure they’re alive?” Wolfwood, with a more irritated expression, responds “What, didn’t think I could do it?” Vash says, “No, no! I knew you could!” and pats Wolfwood on the cheek and his head comfortingly. END ID]
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varilien · 8 months
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can you pls draw vash in his really nice cute bra 🥺
teehee yeah i think i can do that :3
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(now available at my shop!)
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daily-hanamura · 8 months
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canisalbus · 5 months
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About the accents: if someone has a very "proper" Italian they are either foreigners or politicians/dignitaries/etc. So that fits perfectly for Machete, but I think it would be so funny if he sometimes slipped up and used a Nepalese word bc he forgot one in "proper" Italian lol
(Funny to me cause Naples has its own language in addition to accent, and most people don't actually know those words)
.
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turtleblogatlast · 7 months
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I find it interesting that Leo tells Raph that Raph was Mikey’s age when he first went out alone because it’s fun to draw the conclusion that Donnie and Leo were not that age when they themselves first went outside.
Sure, they likely could have just ventured out at the same time as their brothers and Leo just chose to focus on Raph to make his point, but given Donnie and Leo’s respective personalities I can absolutely see them just leaving anyway at a much younger age.
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blueskittlesart · 11 months
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cold fruit in a hot kitchen (so i had this great watermelon last weekend)
#so I had this great watermelon last weekend. and the thing is it probably wasn't even that great of a watermelon#but I was four hours into an eight hour shift and we had thrown out all the watermelon salad because no one was eating it#and then our manager ran in and yelled that the client really fucking wanted watermelon salad.#so like six of us servers started frantically chopping watermelon. and the kitchen got really hot#in the way it does when everyone inside it is really stressed because there's no fucking watermelon salad#and after we chopped all the watermelon and the client got their fucking watermelon we all had a moment#where we looked at the remaining watermelon and we were so hot and cocktail hour was almost over anyway and the salads were all plated#and we all went for the watermelon and we ate it with the kind of rabid intensity you only get while eating cold watermelon in a hot kitche#and it was the best watermelon I have ever tasted and several days later i am still chasing the high of that fucking watermelon#and the thing is i know it isn't even the watermelon i'm actually missing#it's the feeling of cool liquid on hot skin and the feeling of a crisis averted and the feeling of camaraderie#that comes with devouring a watermelon in a hot kitchen with six other people who you have nothing in common with except that watermelon.#i don't dream of labor but i am dreaming now of being 4 hours into an eight hour shift eating watermelon in a hot kitchen.#i dream of laughing around the cold fruit in my mouth. I crave that watermelon like i'll die without it.#< honest to god this is real and that watermelon left such an impact on me that i had to draw it and write this. having a normal one#maybe this is insane but working in a team of people you truly like to do something you actually enjoy is so underrated#if only they fucking paid me i could work as a server for the rest of my life. unironically#skribbles
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shoutout to Frank, he's gonna fall for / has fallen for the most suspicious puppet in the neighborhood
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tarmac-rat · 8 months
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WE WERE TOO DIFFERENT || WE WERE TOO ALIKE
Cyberpunk 2077 // Fredrik Backman // William Bouguereau with a quote by Richard Siken // chloe moriondo // Gang of Youths // Carl Goos with lyrics from 'Hadestown' // Hannah Tinti
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dazachi · 3 months
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Chuuya can understand Dazai so well because his mind is actually similar to Dazai's.
These two understand each other the most. They "hate" the other because they can see hints of themselves in each other. It is why they are convinced in the other's humanity when they question it on themselves. It's why they don't do much talking and yet arrive to the same conclusions. It's why they work so well. They're different in so many aspects on the surface, but deep inside, they know it's like looking in the mirror.
They don't have to agree, but they do understand the thought process BECAUSE they've thought of it before.
They probably rarely had to talk beyond short arguments because they don't need to talk to know what the other is thinking. They always agree at times when it mattered the most.
"Soulmates" is the only possible definition for these two because there's no better way to describe them.
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volitioncheck · 3 months
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i think i wouldn’t hate disco elysium’s collage mode nearly as much if it weren’t for 1) the way that it was marketed in such a tasteless, soulless manner, let alone the fact that it was a last ditch distraction from a dead on its feet studio piloted by dumbass thieving execs and released on the day of the court declaration, and 2) those dumbass fucking stickers
like if it had been included with the base game from the start and had been titled something a bit more tasteful and in-line with how i would have liked the feature to be marketed as— something like “exploration mode”, something that perhaps could only be unlocked after completing the game for the first time, AND didn’t have those stupid as hell visually and tonally incongruent with the artstyle stickers, i would have applauded it as a nice little bonus for being able to study and appreciate the 3d models and environments for reference.
#it is just so bleak man.#i have no words left to say for the latest development at zaum studios so instead i will just remember how fucked up this was lol#those stickers are the same energy as that dumbass fucking christmas card they put on steam.#cutesy fanart is awesome and all but don’t muddy the tone of the actual source with it. why is that necessary.#for gods sake what happened to boundaries#again i probably would take a different tone to even the stickers if#it had been done under the original creators (which i don’t think it would have‚ which is my point‚ but say hypothetically it happened)#but with the circumstances the way they are it is impossible to not view it all as tainted with a veneer of absolute tastelessness#and a disrespect to the source material and a sorry attempt to appeal to the shallowest parts of ‘fandom’#like you can add cartoony emoji faces and a sticker with harry and kim as cats. or their hands with the caption ‘best friends!!!’ (wtf lol)#and a frame with a bunch of pride flags being waved around (hard to articulate why i feel doubly annoyed of this one.#your corporate pride parade aesthetic is showing again. also it feels… lazy)#but you can never‚ ever erase the fact that you are parading around a stolen IP that you are entirely out of touch with#and one that you clearly have *no idea what to do with*#(something that we’ve all known for months with these hints but today has finally been basically confirmed as the sequel seems to be#officially cancelled with the last of the original writers’ crew being laid off)#how could you have known what to do with Elysium? how could you ever have?#hope you have fun with your stickers. rot#disco elysium#me talking
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lunar-years · 4 months
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In the old commonplace version of rjk events where rk never broke up and Jamie later joins the relationship (so rk still remain publicly facing whilst rjk is kept secret, at least in the beginning) I love to imagine Jamie sets his phone background to a picture like that brett-juno hand holding one after some event rk attended, because he can't get over how good they both look and how sexy they are, and then in the locker room the next day the boys all see it and are like "??? damn bro you really ship them, huh." And Jamie is just like 🥰😘 Yeah I do 😍☺️
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suddencolds · 7 months
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Foreign Home | [1/1]
hello!! I am back after 8 months of not-really-writing with an 8k word fic (which I cut down from 9k words). this is another OC fic w/ Vincent and Yves, who were introduced here!
anyways, this is very character-centric and establishes some things I wanted to establish about them / their world... I hope the little detour into character-development territory is okay.
Summary: Yves has told all of his friends that he's dating Vincent, so it's going to look increasingly suspicious if Vincent never shows up. Good thing Vincent is compellingly good at lying. Anyways, what could go wrong at a housewarming party? (ft. banter, fake dating, cat allergies)
Yves spends three weeks turning down invitations.
It’s lucky, he thinks, that he’s been able to stay in contact with so many friends from university—that so many of them have settled here, in New York. It’s less lucky considering his current circumstances:
Out of the people who made it to Margot’s New Year’s party, almost all of them remember Vincent. And—even more inconveniently—many of them seem set on inviting Yves and Vincent places.
Yves thinks up a dozen excuses. No, Vincent can’t join on our coffee outing—he’s got an important, un-reschedulable meeting with a client that Saturday. Sunday? His Sunday’s booked through until 5pm. I know, busy season is the worst to plan around. Or, I think Vincent’s going to be out for a business conference that weekend. The 22nd? I can check with him, but he’s taking a redeye flight the night before—I think he’ll be jet lagged.
The number of excuses he is capable of coming up with is unfortunately finite. Perhaps sorry, I think Vincent has an optometrist’s appointment that afternoon isn’t Yves’s best work, but he has to say something.
Really, it’s just more work to invite Vincent elsewhere—to explain that they’ve played their role as a couple a little too convincingly. That his friends all want to meet Vincent, now.
Back during his days of rowing crew, Yves has given out his fair share of relationship advice to the underclassmen, which has unfortunately—according to Margot—“cultivated an air of mystery about his personal love life.” It was always him and Erika, until it wasn’t. (Ex-matchmaker Yves and his mysterious, highly coveted new boyfriend, Leon says, when Yves complains, which is how Yves decides he will no longer be consulting Leon on the matter.)
“My friends really like you,” Yves says to Vincent, offhandedly, when he runs into him on the way back from lunch.
Vincent blinks at him. 
“You’re saying that like it’s a bad thing.”
“They really like you,” Yves says. “They want to meet you. They think we’re an interesting couple, and they keep pestering me for double dates and inviting you out to a whole bunch of events. I’m running out of excuses as to why you can’t come.”
“Oh,” Vincent says, deadpan, but there’s a slight twitch to his lips, as if he’s trying not to laugh.
“I’m dead serious,” Yves says. “I told Nora that you couldn’t make it to dinner because of an eye appointment. Now if I want to keep this up I’ll need to photoshop you with new glasses.”
“I am a little overdue for new glasses,” Vincent says.
“Not the point. Regardless, I need to keep this up until we stage a breakup.”
“A breakup?”
“A fake breakup. To our fake relationship.”
“Is there someone else you’re interested in?”
“No,” Yves says. “But I’m preemptively saving you the stress.”
“The stress of playing your boyfriend?” Vincent says. “Last time, that just entailed going to a well-organized New Year’s party. I wouldn’t consider that exceptionally stressful.”
“That’s just the beginning. Don’t tell me you want to be dragged along to every dinner party and every downtown outing and every birthday I go to in the foreseeable future,” Yves says. “On top of working 60 hours a week, you’ll have to say goodbye to your weekends.”
“So that’s why you’re plotting our breakup.”
“Yes,” Yves says. “I’d need to explain to everyone how I dropped the ball.”
“I’m sure those new glasses must’ve been the dealbreaker.”
Yves laughs. Truthfully, Vincent could wear the most terrible, unflattering glasses in the world and still manage to look like someone whom Yves wouldn’t bat an eye at upon spotting at a photoshoot. The fact that his current glasses actually complement him very well, and the fact that he knows how to dress himself is just salt to the wound. “Yes, that’s the entire reason why I dated you in the first place. The glasses.”
“If you wanted to keep our false relationship up for a couple months,” Vincent says, “I wouldn’t mind.”
Yves—who, until now, has been walking in the opposite direction of the floor on which he works—stops walking. “Pardon?”
“I like your friends,” Vincent says. “And more importantly, I don’t think it proves a point to Erika if you’ve just gotten into a relationship you couldn’t keep. So if you wanted to keep this arrangement for a little longer, I would be fine with it.”
Yves considers this.
He’s asked more than enough of Vincent already. But Vincent is right. He’s sure Erika must have her fair share of doubts about all of this—about Vincent, about their fake relationship, about its longevity. She seemed skeptical, when he’d last seen her, that Yves could’ve moved on so quickly. The worst thing about it is that he can’t blame her for that doubt. The worst thing about it is that he’d spent so much time accounting for his future with Erika that he hadn’t seen her start to slip away, hadn’t noticed the first sign of inadequacy, the first time her gaze lingered on someone else, the first time he ceased to be all that she wanted. He hadn’t steeled himself for a future without her, and now, half the time, it feels like he’s still playing catch-up.
If he wants to commit to this fake relationship, he’ll need more than one outing to show for it.
And, despite all odds, Vincent is offering just that.
“Okay,” Yves says, before he can think about how bad of an idea this is. It is really, really inadvisable. He’s sure if he weighs his options for more than a few seconds, he will come to the conclusion that he should be shutting his mouth. “If you’re sure—and only if you’re actually sure—what are your plans after work next Tuesday evening?”
“Nothing as of now,” Vincent says. 
“Great. If you can make it, there’s a potluck. Joel’s hosting. He recently finished moving into a new apartment, so I think it’s something of a housewarming party. He lives a little North, past the stadium, so I think I’ll head there right after work—I can drive you.” 
“That works,” Vincent says. “What kind of food does he like?”
“I’m not actually too sure,” Yves says. “I think he’s a fan of spicy food. But honestly, I think he’ll be grateful if you bring anything at all—which you don’t have to, by the way. You’re the esteemed guest, here.”
“I’m sure Joel’s new apartment is technically the esteemed guest,” Vincent says. “But I’ll be there.”
“Okay,” Yves says. “It’s a date. I’ll make it up to you in any way you want, by the way—if there’s ever an instance where you need me to lie for you, I’ll do it.”
“Duly noted,” Vincent says. For what Vincent would ever have to lie about, Yves can’t guess.
More importantly, he has a date for next Tuesday. Something about it is more exciting, even in its dishonesty, than it has any right to be.
It’s only a few moments after Yves presses the doorbell that Vincent emerges, holding a couple plates covered meticulously with aluminum foil.
“I haven’t cooked for anyone in awhile,” he says, a little sheepishly. “I hope this doesn’t make a bad impression on your friends.” “Are you kidding? It smells really good,” Yves says, and it does—from the doorway, he can make out the scent of sesame oil, roasted garlic, ginger. “They’ll definitely like it.”
Vincent looks off to the side. “We’ll see.” It takes a moment for Yves to properly parse his expression for what it is.
It never occurred to Yves that Vincent might actually be nervous. At work, it’s rare to see Vincent even remotely out of his element—he always volunteers to take on their more difficult clients, and even on the rare occasion that something falls out of his expertise, he picks things up quickly. Yves has seen him give presentations at conferences without a sweat, articulate as ever. 
If Vincent had been nervous, those times—over prestigious conferences, over negotiations with major clients, over other difficult points of contention—it hadn’t shown. Either he wasn’t nervous at all, or he was just good at hiding it. But he’s nervous now, Yves realizes, which means— 
Vincent wants to make a good impression on his friends. It won’t be his first time meeting Joel, but it’ll be his first time talking to Cherie, Joel’s fiancé, or Giselle, one of Cherie’s friends from work. Mikhail and Nora will be there too. All in all, it’s a decently sized group, but Vincent has talked to larger groups of people before without so much as a shaky voice.
Something about it—about the seriousness with which Vincent regards this whole arrangement—is strangely endearing.
“You have nothing to worry about,” Yves says, and means it in more ways than one.
Joel’s new apartment, as it turns out, is already decently furnished, even though Joel had sent out the invitation with the disclaimer that everything is a mess, please bear with us.
“When you said everything would be a mess,” Yves says, leaving his shoes in a line at the door, “I thought your apartment would actually be something other than spotlessly clean and well arranged.”
“It’s easy to make things look neat if you move all of the clutter into the closets,” Joel says.
“It’s just a few boxes,” Cherie says. “But it was tricky to figure out how to place things. It’s a lot more spacious than the apartment we had in college.”
“No kidding,” Yves says. “It’s a seriously nice place.” Back in their last two years of university, Joel and Cherie had gotten an apartment just a few buildings down from the apartment which Yves picked out with Mikhail—they had similar floor plans. Yves distinctly remembers the space: creaky floorboards, space heaters lined up against the walls to last them the winter; decent natural lighting, and never enough kitchen space.
Back then, he and Mikhail had had separate rooms, so their apartment became a spot in which Erika became a frequent visitor, and then, at one point, stopped visiting at all. 
But that’s not the point. The point is, the apartment Joel and Cherie have picked out is much nicer than the one they’d had in college—for one, it’s more spacious, and the entire building has nice facilities and looks newer—and Cherie’s eye for interior design has only helped their cause.
“I’m glad you were able to come!” Cherie says, turning to Vincent. “Yves is always telling me about how busy you are with work.”
“He’s the one putting out all the fires,” Yves says. 
Vincent smiles, extending a hand for her to shake. “Cherie, right? It’s nice to meet you. And you’re—” He turns to Joel, with a slight sniffle. “Joel. I think we met last time.”
Cherie squeezes his hand. Joel laughs and says, “I’m surprised you remember my name.”
“He’s good with names,” Yves says. An acquired skill from all the hours of networking, probably.
“That’s a useful skill to have, especially if you’re dating Yves,” Joel says. “I swear he knows everyone.” He goes on to tell a story about how, back in university, Yves almost accidentally got elected as vice president for a business club he’d only shown up to once.
At some point into the conversation, Yves ducks into the kitchen to help with setup. He sets out the dish he’s brought—salmon sliders with mango salsa—and the beef skewers that Vincent made earlier (he’s not sure why Vincent was worried in the first place, because the skewers look very competently made). After that, he busies himself with finding a way to keep everything temporarily covered until they eat.
Something soft and fuzzy winds around his ankles.
He looks down, and the soft and fuzzy thing looks back at him with pointy triangular ears. This is news to Yves.
“You guys have a cat?!” He shouts from the kitchen, vaguely in the direction where Joel and Cherie should still be standing. “Since when?”
“Since a month ago,” Joel shouts back.
“Her name is Gingersnap,” Cherie adds. “Gin for short.”
“Oh,” Yves says, kneeling down to scratch her behind the ears. His hands are a little calloused from all the snow he’s been shoveling lately, but Gingersnap purrs anyways, evidently unbothered. “What the hell, guys, now I’m never going to be able to leave your apartment. Consider me a permanent resident.”
“Don’t threaten me with a good time,” Cherie says.
At some point, Gingersnap gets up, mewing, and heads out of the kitchen, and Yves resumes life as an active contributor to the potluck’s success. When he finishes reheating everything up, setting the table, arranging the dishes, and filling up two pitchers with iced water, he wanders back out into the living room. Vincent is there, alone, except he’s not really alone, because…
Oh.
God.
He’s kneeling down, unmoving, speaking to Gingersnap in a soft, low voice, holding out a hand for her.
She approaches him, a little tentatively, and then nuzzles her orange head into the crook of his hand. Vincent smiles—a soft, private smile. “Hi, Gin,” he says.
There’s the low, lawnmower hum of a purr as Gingersnap rolls onto the ground to let Vincent continue petting her. It’s a heartwarming sight—Vincent, from the office, crouched down to pet a cat that’s smaller than his hand. Yves thinks he might cry.
Then Vincent withdraws his hand, reaches up with an arm to swipe at his eyes. Something jolts through his shoulders, a tremor so slight that Yves wouldn’t have noticed it if he hadn’t already been watching—
“—nGkt-!”
Gingersnap mews at him, perplexed but undeterred. “Sorry,” Vincent says to her, quietly, “I’m not trying— to—” It’s all he can get out before he’s veering away again, this time with both hands tightly steepled over his nose for—
“hhIH’—GKKtt-!”
He sniffles softly, though the sniffle is immediately followed by a small, quiet cough. He reaches up with one hand to rub his nose. Yves watches his expression draw uneven, his eyebrows furrowing. 
“hhIH…”
Whatever sneeze he’s fighting seems terribly indecisive—but terribly irritating—for the way he rubs his nose again, his eyes squeezing shut in ticklish anticipation.
“HhIH… hh… HH-hhH-hHIHh—”
 He cups a hand over his mouth to muffle the sound, and not a moment too early—
“—hIHh’iiIKKTSHh-!”His shoulders jolt forwards with the force of it, though it gives him barely a moment’s reprieve before his breath hitches again, sharply, urgently. “IiI’DSZCHuuhh-!”
“Bless you,” Yves says.
Vincent turns to blink at him. His eyes are a little red-rimmed and watering. There’s a thin flush over the bridge of his nose.
“You didn’t tell me you were allergic to cats,” Yves says, rounding the corner to close the distance between them.
“Slightly allergic,” Vincent admits, turning aside with a liquid sniffle. “It’s ndot - hhIHH-! - a big deal.”
“I didn’t know Joel and Cherie had a cat,” Yves says. “I’m sorry. I would’ve told you if they did.”
“It’s fine,” Vincent says, with a laugh. “I like her.”
“You might like her, but your body doesn’t seem to be a fan.”
“It’s a good thing that I have a consciousness, so I can codtinue petting her.” Vincent sniffles again, lifting one hand to rub his nose with his index finger. Yves does not know how to even begin to tell him what an inadvisable idea that is, but either way, he doesn’t have a chance to before Vincent’s eyes graze shut, and he turns to face away from Gingersnap before he jerks forward, catching a muffled - “Hh’GKK-t!” - into a clenched fist.
“Bless you,” Yves says. “You know, you’re really not going to make the situation any better if you keep on—”
“nNGKT-!!”
“—bless you!”
“hh—hHhih’iiKKsHHhUH!” The last sneeze is noticeably harsher than the others—it sounds loud enough to scrape against his throat, which seems to be further evidenced by the small cough that succeeds it.
“I’ll ask Joel if he has any antihistamines,” Yves says. 
“It’s fide,” Vincent says. 
“If you insist on spending time with Gingersnap, wouldn’t it be better to spend it without having to sneeze?”
“I would still have to sdeeze,” Vincent says, as if he’s already experienced in the matter—briefly, Yves wonders how many cats he inadvisably plays with on a frequent basis. “Just less.”
“That would be an improvement.”
Vincent looks away. “Antihistamines mbake me tired,” he says, after a little hesitation. 
“It’s a good time to be tired,” Yves says. “It’s not like you have any pressing work to get done.”
“I want to make a good ibpression on your friends,” Vincent says, wiping at his eyes with the edge of his sleeve. “That’s ndot going to happen if I fall asleep halfway through dinner.”
“If you did, I’m sure no one would fault you for it.”
“I’ll take something after we finish eating,” Vincent says. “If things haved’t improved by then. ”
“Okay,” Yves relents, and—since it doesn’t seem like Vincent is leaving anytime soon—takes a seat next to him on the rug. It’s a compromise he can accept.
Nora gets there next, followed by Mikhail and then Giselle. It’s Yves’s first time formally meeting Giselle, who turns out to be very tall and a little intimidating—she’s come straight from work, so she’s dressed accordingly, and she talks with the sort of quiet authority that Yves knows is usually indicative of years of experience. Right before they sit down for dinner, Vincent ducks out into the bathroom—‘I need to look at least marginally presentable,’ he’d said, seeming like he was in a rush—so Yves saves him a seat at the table. 
“Yves,” Giselle says, taking another salmon slider. “You made these entirely from scratch? This is delicious.” 
“Thanks,” Yves says. “To be honest, it was a bit of a gamble. I wasn’t sure if the sauce was going to pair well with it.”
“Yves is really good at cooking,” Mikhail says. “That’s half the reason why I roomed with him in college.”
“So what’s the other half?” Cherie says. 
“The other half is that he lets me eat his food,” Mikhail says.
Yves laughs. “For a second, I thought you’d have something nice to say about my personality.”
“Don’t flatter yourself,” Mikhail says. 
“Yves is very good at cooking,” Vincent says, emerging from the hallway. Yves blinks at him. Whatever he’d done in the bathroom has done wonders—he looks remarkably put together. Not a strand of his hair is out of place. His eyes are dry, not red, not teary, not irritated, his collar crisply upright, his voice devoid of congestion. The only telltale sign about his ailment is the slight bit of redness to his nose, but it’s winter—that could easily be chalked up to the cold.
He slips easily into the seat next to Yves, his posture impeccable. Yves does everything in his power not to stare. 
“I think he’s responsible for some of the best hot chocolate I’ve had,” Vincent continues. That remark is surprising, too—repurposed from a memory as it is, it seems almost like something that could be genuine.
But Yves remembers how easily Vincent had lied, back on New Year’s—how easily he’d drawn the fictitious threads between them, almost thoughtlessly, as if they had always existed. 
I could make better hot chocolate, Yves thinks, before he can stop himself. I could really make the best hot chocolate you’ve ever tasted, if I just had time. It’s an absurd thought, and one that he doesn’t have much grounds for. He had been pressed for time, back then—he hadn’t known when Vincent’s ride was going to be arriving—but even if he’d really, properly tried, even if he’d succeeded in making the best hot chocolate he’s capable of making, there’s no guarantee that Vincent would’ve liked it.
He’s surprised by the pang in his chest, now, the desire to make true something that he knows to be false, to be worthy of the compliments that Vincent’s so easily spoken about.
“That’s definitely an exaggeration,” Yves says. “Technically, Mikhail didn’t even know that I knew how to cook when we signed the lease. The real reason why we roomed together is much more interesting.”
It’s a story he’s told before, though Cherie and Giselle haven’t heard it before. It’s easy to fall into it again: Mikhail and Yves met in their first year, over a group project in an intro to finance class. The two other members of their team had been dead weight, and at the time, Yves had thought—incorrectly—that Mikhail was just as bad as the rest of them.
It’s practically a comedy of errors—a series of miscommunications had led them to each finish the project independently. Yves remembers the all-nighters he’d pulled for that, nervous and over-caffeinated, until the day before the presentation, where he found that Mikhail had not—unlike the other members of their group—spent the last few weeks slacking off. 
Beside him, Vincent goes still.
When Yves chances a quick look at him, he sees: a slight, almost imperceptible ripple to his expression, before it smooths out again.
He nearly backtracks—his first thought is that perhaps something he’s said is the source of Vincent’s irritation—but then Vincent turns his face away. There’s the slightest disturbance to the line of his shoulders, and then—
“—gkT-!”
The sneeze is barely audible, stifled as it is into a half-closed palm, though the gesture is subtle, too—easily mistaken as Vincent simply looking away, resting his chin on his hand.
“I can’t believe you guys are still friends after all of that,” Nora says.
“Right,” Yves says. “I was so ready to never talk to him again. But obviously, we still had to give the presentation.”
He talks about how, in a half-asleep effort to salvage the project work, he and Mikhail had found some way to relate their findings to each other, to loosely bind the disparate subjects into a coherent thesis. Mikhail talks, too, about how they’d manipulated their presentation to get their combined work to seem sufficiently on topic.
Mikhail is halfway through his story when Yves sees Vincent jolt forward beside him.
He looks up just in time to catch the tail end of a sneeze—expertly stifled, just like the others—into a clenched fist. This one’s a little more forceful, even in its quietness—it leaves Vincent hunched over for just a moment, his shoulders slightly slumped, before he straightens again, covertly lowering his hand.
There’s a slightly hazy, distant look to his features, as if whatever’s been bothering him hasn’t begun to let up yet.
Yves nudges him with his arm. Vincent doesn’t exactly jump at the contact, but he does freeze, his shoulders stiffening.
“Hey,” Yves says, quietly enough that he doesn’t think anyone else should be able to hear. “You okay?”
Vincent nods.
“You sure you don’t want to take anything?”
Another nod. 
“I can’t tell you how little either of us proofread that paper,” Mikhail is saying.
“I reread it three months later,” Yves admits. “And he’s right. We really didn’t proofread it.” 
But it was a winning proposal, even though they’d both been too tired to realize it then. And still, Mikhail had still managed to hold a grudge against him for two long months. And then Mikhail had run into last-minute problems with his upcoming lease arrangement, and Yves had happened to find a decently priced two-bedroom apartment with no roommate, and he’d reached out half as a joke.
“You know those friends who say they can never room together?” Mikhail is saying. “Like, they hang out all the time, or they’ve been friends for years, or they trust each other with their lives, or whatever. But the second you put their living habits in close proximity, everything goes to shit? I think we were the opposite.”
“Are you sure it wasn’t just because you two never had a good enough relationship to ruin in the first place?” Nora says jokingly.
She has a point. Yves is starting to think that all of the formative relationships in his life have all happened by accident.
Vincent and Giselle get along very well, Yves notes, listening to the two of them talk. Halfway through dinner, they get into a heated discussion about the more outward-facing expectations at work, as Joel and Cherie exchange knowing glances. Giselle talks about feeling accountable for the team she manages—for knowing that if they don’t perform, she’ll take the fall for them; for being careful not to disperse the stress from higher ups unevenly, for constantly feeling her way through how much work is reasonable to expect of them. Vincent talks about the stress of apportioning work to others—the knowledge in his own competence and the knowledge gap when it comes to how others will handle things, the desire to take on more work alone to make sure everything is accounted for.
Nora, who’d had an internship at a different firm after each year in college, weighs in too on the management styles she’d been under, to what extent the expectations from leadership affected the dynamic between her coworkers.
It’s interesting, Yves thinks, that they all have their own subset of worries, even when they come across as people who are so certain of themselves.
As the others speak, Vincent stops periodically to rub his nose with the knuckle of his index finger—an action that always seems to keep the irritation at bay, but never seems to mitigate it entirely. For a moment, his expression goes hazy, his eyes watering ever so slightly, but it always lasts only a moment.
When Mikhail cracks a joke that has the entire table laughing, Vincent takes the opportunity to cough quietly into an upheld fist. When Cherie talks about her and Joel’s extremely mathematical efforts to fit everything into the car before moving, Vincent turns aside, raising a napkin to his face with a quiet, well-contained sniffle.
It’s difficult to tell, at first. But his attempts to keep quiet, to succumb to his symptoms as inconspicuously as possible, take their toll on him. Every time he jerks forward with a near-silent stifle, Yves can tell, by Vincent’s expression when he emerges, that it’s just short of relieving.  Every sniffle seems to only add on to the mounting congestion, in the long run. It’s a slow, almost imperceptible unraveling.
And yet, when Yves asks about it—when he offers to ask the others for antihistamines, or when he offers to make the drive to a convenience store himself; when he suggests that they go out to get some fresh air—he’s always faced with the same nonanswer, the same dismissive, I’ll be fine. The same persistent, Don’t worry about it.
So Yves doesn’t worry about it, for now—at least, not outwardly.
At some point after dinner, they disperse. Yves talks to Joel and Cherie about the apartment, about the pains of moving in, about the other places they’d considered and about why this one had been at the top of the list. Then about the cat— “we had been talking about getting one,” Cherie says. “And then one day Joel was wandering around downtown, and one of the pet shops there was holding an adoption event, and then when I got home there was a cat in the living room.”
“He didn’t call you to come pick out a cat with him?”
“Have you ever heard of ‘ask for forgiveness, not permission?’” Joel says. 
“He texted me before he brought her home,” Cherie says, and scrolls through her phone until she finds a text that says: Would you kill me if I brought home a cat. Just asking for a friend. And hypothetically if we extended this thought experiment it would be an orange cat that’s 2 months old.
“That sounds like a text from someone who’s absolutely decided already,” Yves says. “Ask for forgiveness, huh? So how’s the forgiveness going?”
“I let her name her,” Joel says.
“He’s on litter box duty for the next six months,” Cherie says.
On the other side of the room, Mikhail and Vincent are having a conversation—it could be because Vincent is the person in the room that Mikhail has talked to least, to date, but Yves has a feeling that it’s so that Mikhail can gain embarrassing intel on what Yves has been doing for the past few months.
Out of the corner of his eye, he sees Vincent turn away, his eyebrows drawing together, raising both his hands to his face to catch a sneeze into steepled hands. Then, not a moment later, his shoulders shudder forward with another.
“Totally off topic,” Yves says, to Joel and Cherie. “Do you guys have any antihistamines?”
“I think we have some Benadryl,” Cherie says. “It should be in the bathroom cabinet, behind the mirror.”
He does find it there, eventually—next to a box of band-aids and a small cylindrical container of cotton swabs. Perhaps he’ll hand it to Vincent, discreetly, when he’s done talking to Mikhail. Vincent had said antihistamines made him tired, but now that dinner is over, it shouldn’t be an issue—Yves suspects people will start heading out soon, and he’ll be the one driving, anyways.
When he steps out into the hallway, Mikhail and Vincent are in the middle of a conversation. It’s a conversation Yves has every intention of interrupting, and no intention of eavesdropping on, until he overhears—
“So,” Mikhail says, “When you first started dating Yves, what was it that you saw in him?”
Yves winces. That’s certainly not an easy question to answer—he and Vincent don’t know each other all that well, and any planning they have done on the basis of their fake relationship has been almost entirely centered around logistics—events, important dates, flagship moments in the relationship, trivia-worthy personal details. Not… this.
But Vincent just laughs, seemingly unfazed. “Honestly, if I told you everything I liked about Yves, you’d want to date him too.”
“That’s a tall claim,” Mikhail says. Yves is positively certain that no permutation of words in the universe could make Mikhail want to date him. “You can’t just say that and not give any examples.”
“I guess Yves is a very considerate person,” Vincent says, with a sniffle. “It actually confused me, at first. When I was growing up, after I moved here from Korea, I was brought up in the sort of environment where there was always an expectation for self-sufficiency. It didn’t matter how young I was, I guess—there were certain things I was expected to know, and certain things I was expected to teach myself.”
Something about his expression looks wistful, if not a little sad. But perhaps this is a trick of the light; perhaps his eyes are just watering from earlier. “My parents trusted me with a lot of things, but it was the kind of trust where they weren’t planning on filling in the gaps for me if I fell short.” 
“I know what you mean,” Mikhail says. “That must’ve been difficult.”
“It wasn’t easy,” Vincent says. “But I’m not telling you this because it was a burden to me, or anything. Back then, it was all that I had ever known. It was normal to me, then, because it was inevitable.”
“Yves is a very different person than I am,” Vincent says. “At times, when I was growing up, it felt like kindness was always something that had to be calculated.”
He pauses, sniffling again, before he raises his arm to his face with a forceful—
“hIhh’GKT-! Hh… hh-HHih’NGKktshH!”
“Bless you,” Mikhail says reflexively.
“Thadk you,” Vincent says, sniffling. He lowers his arm. “I was always taught that if you lend a hand to someone else, you have to make sure their success is not the thing that robs you of your spot—that sort of thing. But Yves is kind even without thinking about it. He’s kind even when there’s nothing in it for him.”
“So that was what made you develop feelings for him?” Mikhail asks.
“Eventually, yes,” Vincent says. “At first, I thought that we were irreconcilably different.”
“What changed?”
“Yves is an easy person to like, romantically or otherwise,” Vincent says. “It’s a little disarming to be on the receiving end of his type of kindness. And I think that’s ultimately what made me start liking him. He’s just the sort of selfless person you can’t help but admire, if that makes sense. It’s like—when someone does so much for you out of sheer selflessness, at some point, you start wanting to be a part of their happiness too.”
Out of the corner of his eye, Yves sees a small orange blur—mostly fluff, on four short white legs, with two pointy ears—bound from the kitchen into the living room.
“I get it,” Mikhail says. “That’s an interesting answer. It makes me hopeful that Yves might’ve stumbled into a relationship that will be very good for him.”
That’s a statement he’ll have to revise, Yves thinks wryly, in a few months, whenever it stops being practical for Vincent to keep up this act.
“Oh,” Vincent says, blinking. “What makes you say that?”
“When he and Erika broke up, he was—” Mikhail pauses, briefly, and Yves is thinking about the many embarrassing—but completely, verifiably true—ways he could finish off that sentence. “—he was pretty upset,” Mikhail says, instead, which Yves decides is suitably merciful.
“Look, what’s between them is between them—I’m not going to claim I know all the ins and outs of their relationship. But given that Yves was living with me for much of the time that he and Erika were dating, I’ve seen them interact more times than I can count.”
“I don’t think Erika is a bad person,” he continues. “She’s very ambitious, which I think was good for Yves back when they first started dating. But I don’t think she recognized those things about him—how much he cares for others, how much he gives people the benefit of the doubt, how much he… well, frankly, how much bullshit he’s willing to endure on his end. I think she took his kindness for granted, a little bit, and she certainly didn’t go out of her way to reciprocate.”
“What I’m saying is, I’m glad he met you,” Mikhail says. Beside him, something small and orange hops onto the couch they’re standing next to. “I can tell that what you said was sincere.” 
If even Mikhail thought he was being sincere, perhaps Vincent is a little too good of an actor.
“Obviously, it’s early for me to be saying this, so you can take it with a grain of salt,” Mikhail continues. “But I think you could be kind to him in the way he deserves.”
The sentence feels like a punch to the stomach.
And—well.
I’m glad he met you. I think you could be kind to him in the way he deserves.
Yves has really dug himself into this hole, hasn’t he?
Mikhail thinks that Vincent is good for him—Mikhail, one of Yves’s closest friends, someone who is by no means quick to express his approval over whoever Yves is seeing—which means that when they inevitably stage their breakup, Yves is never going to hear the end of it.
Is it cruel to be taking Vincent to all of these events, to be introducing him to all of his friends, when—after the impending breakup—Vincent might never see any of them again? Is it cruel that Mikhail likes Vincent enough to be hopeful that this is going to last?
Yves doesn’t have time to contemplate it more when three things happen.
One—Gingersnap, who is still perched at the very top of the couch, nudges her face against Vincent’s arm and mews softly at him.
Two—Vincent stops what he’s doing to reach out slowly, cautiously, to scratch gently at the fur under her chin. Gingersnap purrs, leaning her head into his hand.
Three—Vincent withdraws his hand, suddenly, as if he’s been burned, twisting away reflexively. He lifts his hand—the same hand he’s been petting Gingersnap with (probably inadvisably) to his face, to cover a resounding—
“hh—hiHH-hHihh’iIZSChHH-uhh! snf-!”
The sneeze sounds ticklish and barely relieving, as if he’s been holding it in all afternoon. 
It’s only a few moments later that Vincent’s jerking forward with another ticklish, wrenching, “hh… hhiHH… NgKT-!—hh’hiiIIIK’TSCHhuhH! snf-! hiIh… hIIIH-IITSCHh’yyue!”
“Oh,” Mikhail says, finally comprehending. “You’re allergic to cats?”
“Just slightly— hIh… hH- Hiih—hhH’nNGkT-!” Vincent sniffles wetly, rubbing his nose with the back of his hand. “Sorry to - hh-! - cut our codversatiod short - hH… I… hhiHh’IiKSHhuh! Excuse mbe… hH… Hhh-! I’mb going to rund to the bathroom… hh… hhiIh… hh-HIih’iiIK’SHhUHhh!”
Yves ducks out into the kitchen before Vincent has a chance to head his way. He busies himself with removing a glass from the cabinet and filling it with water, Somewhere behind him, he hears the bathroom door click shut, hears the slightly muffled sound of a sneeze, then another.
He shuts his eyes.
Vincent had said that it was fine. Should Yves have insisted? It’s Yves’s fault, again, that Vincent is in this situation, but then again, he couldn’t have known—both that Joel and Cherie would have a cat, and that Vincent would like her so much. Either way, Yves can’t help but feel partially responsible.
But would it be strange, now, to offer Vincent something to take for it, to openly acknowledge his affliction? Should he have done something earlier? Or should he wait to acknowledge it after they leave?
Against all doubt, he finds himself outside of the bathroom door.
Yves knocks.
There’s the sound of water running, inside, and then the sound of the faucet being turned to shut. Then there’s a brief pause. Yves is contemplating knocking again when the door opens just a crack.
There, Vincent stands, his eyes a little watery still, his nose just slightly redder than usual, his hair slightly out of place—he’s just washed his face, then.
“Yves,” Vincent says.
“Um,” Yves says, holding out the glass of water and, next to it, the bottle of Benadryl. “Thought you could use these.”
Vincent takes the cup, a little hesitantly, and sets it on the bathroom counter. Then he takes the bottle of allergy medicine, unscrews the cap, and removes two small pink pills.
“Thank you,” he says. Yves thinks he’s about to take a sip when he twists to the side suddenly, his eyes squeezing shut, snapping forward with a loud—
“hIIH’IIKKSHh’hUh!”
The hand he’s holding the cup with trembles a bit with the action, but the water inside doesn’t spill. 
“Bless you,” Yves says, taking the cup from him, before—
“hIHH… hh-Hhih’iISCHhh’Uhh!”
“Bless you!”
The only acknowledgment Vincent gives him is to take the cup back from him, sniffling, and down the pills in one quick, decisive sip.
“They’ll take some time to take effect,” Yves says, though he’s sure that Vincent knows that already, for the way he knew to take two, even without reading the label on the bottle. “Are you okay?”
“It’s been awhile since my last edcounter with a cat,” Vincent says, sniffling. 
“You forgot how bad it was?”
“It gets better with exposure,” he says. And worse without.
Yves says, “For what it’s worth, I’m sorry. I really didn’t know they’d have a cat.”
“Even if you’d known, I ndever told you I was allergic,” Vincent says. “It’s fine.”
“I should’ve thought to check. Seriously, a housewarming party—”
“I told you, snf, I like cats,” Vincent says, clearing his throat. “So it’s fine.”
Yves looks around—at the bathroom, which looks just as pristine as he’d left it earlier, except that the tissue box on the bathroom counter is a little askew. At the slight tiredness to Vincent’s posture, even as he looks off to the side, tilting his glasses up to his forehead to swipe at his eyes with his sleeve.
“Do you want to get out of here?“ Yves says.
“I cad stay,” Vincent says, as if he really is willing to, despite the side effects. “Do you want to stay longer?”
I want you to be comfortable, Yves wants to say. 
Instead, he says, “I think I’ve just about caught up with everyone. Besides, we have work tomorrow, and I think Cherie and Joel do too, so I don’t want to stay too late, you know?”
“Okay,” Vincent says. 
“I’m happy you came,” Yves says, stepping past Vincent to put the bottle of Benadryl back into its original spot, where he found it. He snags the glass from the counter on his way out.
“Your friends are a fun crowd,” Vincent says, following him out.
Yves laughs. “I think just between you and me, Mikhail has been dying to interrogate you about this relationship.”
“He did idterrogate me,” Vincent says. “How much of it did you overhear?”
“What?”
“When you were standing out in the hallway.”
Oh. Well, perhaps he hadn’t been as discreet about eavesdropping as he’d thought. Yves says, “Okay, you got me. I heard a good amount.”
“I don’t think Mikhail noticed you there, if you’re worried,” Vincent says. “In any case, it doesd’t matter if you overheard. It was just the same story.”
They step out into the hallway. Giselle has left, already, to be home in time for a cross-timezone call with a team that works somewhere halfway across the world. Yves bids everyone else a goodbye (Cherie and Joel thank him for coming, and Cherie hugs him and Vincent both on the way out; Nora asks Vincent to send her a recipe to his beef skewers, to which Vincent admits sheepishly that he stole from a cookbook, to which Nora says “making it successfully is half the work;” Mikhail says, “If you and Vincent get a place too, I want to be invited to your housewarming party.”)
On the way out, Yves grabs both of their coats off from where they’re hanging in a closet next to the front door, and hands Vincent’s coat to him. There’s never much street parking by the apartment, so the car is parked a couple blocks down, and it’s cold enough to be worth bundling up.
“You’re very good at lying,” Yves says, when he’s sure that the door is shut behind them.
Outside, it’s snowing just a little. Snow falls from the sky in thick white flakes. Vincent pulls his hood over his shoulders, sniffling a little—though whether that’s from the cold or from the allergies, Yves can’t be sure. “Is that a compliment or an insult?”
“Definitely a compliment. I just mean, you play the part really well.”
“So instead of being a good boyfriend, I’m a good fake boyfriend,” Vincent says, lifting his sleeve to his face to muffle a cough into it. “Somehow, that seems much less impressive.”
“It’s arguably more impressive,” Yves says. “It definitely requires a different subset of skills.”
Vincent is quiet for a moment. When Yves looks over, he sees Vincent raise both hands to his face, steepling them over his nose, his eyes fluttering shut.
“hHh… hHh’iiiIKKSshh’uhh!”
“Bless you,” Yves says. 
“Ndot— hh… hHh… done — hH-hhIh’nGKKTsHuuh! hHh-hH’IIZSCHHhhuh!”
“Bless you! Cats, huh?”
Vincent hums. It’s snowed all through dinner—the snow under their feet coats the sidewalk, powdery and untouched. Their shoes sink into it while they walk.
“I didn’t know you used to live in Korea,” Yves says.
“It’s not a secret, snf-!,” Vincent says. “But I ndever found an occasion to bring it up.” 
Yves can think of a hundred things to say—how it’s strange only learning this information secondhand; it’s strange to play the part of someone who knows Vincent and knows him intimately, and to know so little about him, at the core of it. Isn’t it like that, with coworkers? The only window he has to Vincent’s life is made up of the things Vincent has chosen to share with him—over small talk in the break room, or conversationally over their outings, or during longer drives.
He knows an assortment of trivia, like Vincent’s favorite color (green) or Vincent’s birthday (March 15th) or the number of siblings Vincent has (one), or when he had his first kiss (during his first year in university) or his least favorite chore (vacuuming) or how he spends his weekends (generally at the library downtown, catching up on work or working on his personal projects). But even that was only for the sake of having something to say if his friends asked him—of having a basic understanding of his supposed partner that Vincent could later corroborate.
“Was it very different there?”
“I moved here when I was pretty young,” Vincent says. “But it was very different.”
When Yves looks over, there’s something complicated to Vincent’s expression that gives him pause. “Back then, I was young enough that everything was new to me. So the cultural shift wasn’t as pronounced for me as it was for the rest of the family. I think that’s why they moved back, eventually.”
“Did that happen recently?”
“They moved back just six years after we came here,” he says. “I was in high school at the time, so I stayed with my aunt to continue my education here.”
“Was it difficult living here on your own?”
“Is this useful to you?”
Yves blinks, taken aback. “Sorry?”
“Is this information useful to you?” Vincent says, looking over at him. His glasses have fogged up a little in the cold.  “Do you think your friends are going to ask about it?”
“It’s—not exactly useful in that sense,” Yves says, backtracking. “I just wanted to know. But you don’t have to tell me if you don’t want to.”
That’s right, he reminds himself—he and Vincent are only doing this for appearances’ sake. 
“I got used to it,” Vincent says, finally, which isn’t exactly an answer. “It’s hard to say if—hold on, I— hh-!”
Yves sees him duck off to the side, raising his arm to his face.
“Bless you—!”
“hh-Hhiih’IIZSCHh’uhH!”
The sneeze is muffled slightly into his sleeve. Vincent sniffles, keeping his arm clamped to his face for a moment, in trepidation, before dropping it to his side.
“Apologies, snf-!,” he says, as if he has anything to apologize for. “It’s hard to say if things would’ve been better if I’d gone back with them to Korea. I just know things would’ve been different.”
Yves doesn’t know what to say to that. It feels like something that Vincent has thought about for years, something that Yves couldn’t even begin to comprehend—growing up here, alone. Away from his family, in a country foreign to him, with his family all the way on the other side of the Pacific ocean; staying with a stranger. To say that it had to have been difficult would be a vast understatement. 
Had he doubted himself, then? Had it been his idea to stay here, in the States? Had his parents told him it was for the best? Had he argued with them on the subject? Had they listened?
“Do you think you’re happy enough now to justify that decision?” Yves asks.
Vincent is quiet for a bit. Around them, the snow continues to fall, silent and slow, listing upwards on every updrift. “Sometimes,” he says.
When they get back to the car, Vincent is quiet. The car is frigid, the window panes cold enough to fog up when Yves puts his hand on them—he puts the heaters on to the highest setting. If anything, being out of the cold seems to make Vincent’s nose run even more—a fact which he carefully obscures, resting his face on the palm of his hand with a few muffled sniffles.
“Thanks again for coming,” Yves says. “I know I—and everyone else—already said that to you like a hundred times. But I mean it.”
“It’s ndo problem, snf,” Vincent says. “I’ll be sure to avoid putting you into contact with cats in the future,” Yves says.
“There’s ndo need for that.”
“While we’re at it, is there anything else you’re allergic to?”
“Not much,” Vincent says. “Unless you pland on getting rid of the entire season of spring.”
“That’s secretly why you chose an office job,” Yves says. “So you could avoid all the pollen by staying inside all day.”
“Busy season was - snf-! - idvented solely for that purpose,” Vincent says.
It’s barely a couple minutes into the drive when Vincent stifles a yawn into his fist.
“Are you tired?” Yves asks. “I mean, you did say that thing about antihistamines making you tired.”
“Wide awake,” Vincent says, before—moments later—hiding another yawn behind a cupped hand.
“Evidently,” Yves says, which earns him a quiet laugh.
“Tell me if you ndeed me,” Vincent says, leaning his head lightly on the passenger seat window. As if this is work, or something. As if Yves could have any conceivable reason to need him during the drive home.
“Not at all,” Yves says. “As a matter of fact, it’d probably be a good thing if you close your eyes. You wouldn’t have to look at all this traffic.” It’s a little past rush hour, but traffic is only just starting to clear up, and driving in the city at any hour has never been a particularly pleasant experience.
Vincent opens his eyes. “Do you wadt me to help navigate?”
“I want you to sleep,” Yves says. “I’m an expert at handling traffic.”
It’s as if all this time, Vincent was merely waiting for permission. Yves isn’t certain if he’s asleep, but he certainly looks to be—when Yves sneaks a glance at him, his eyes are shut, his shoulders slack, and his breathing has evened out. It’s an image Yves wants to thoroughly take in—the slow rise of his chest, his eyelashes fanned out over his cheeks. 
Instead, he drives. Instead, he stares hard at the rows and rows of cars before him, at every traffic light, and tries not to think about—
Vincent, at the housewarming party, kneeling down to pet a cat smaller than his hand, despite being well aware of the consequences.
Vincent, calling Yves kind even without thinking about it, talking about him—about his best qualities—with near-artful dishonesty.
Vincent, walking beside him in the snow, talking candidly about growing up here; the unspoken understanding between them about how much he must’ve given up.
That Vincent, the same Vincent from work, asleep in Yves’s passenger seat, while Yves drives him home.
Yves can’t help but think that if he caught feelings for someone like Vincent, Erika would be the least of his problems.
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