#I really really enjoyed the live action it’s different from the og but it’s so good anayways

[olibenyippees]

ok ok yay one piece live action is silly but on a Not silly note I’ve never seen myself in actual serious fun media before in my life. The way he jumps the stairs and disregards significant things to others and is just completely focused on his goal and suddenly shouts yay every once and a while and sits and climbs on things he’s not supposed to and the way he just wants everyone to get along and and and you know?????? It’s crazy to me that he’s not treated as comedic relief but a genuine real character. The way he acts are both his flaw and his asset. He does things that are “embarrassing” to others but his lack of notice “social norms” is how he gets what he wants for himself and his friends no matter what. He has priorities and they make sense for him and the show treats that as real and that’s so so crazy to me. ALSO CAN WE TALK ABOUT THE EARLY SCENE WHERE HES LIKE I can’t stay still :D I’m too excited :D LIKE ME TOO!!!! THAT WAS ME LIKE A DAY AGO!!! RIGHT BEFORE ONE PIECE LIVE ACTION RELEASE!!!!! I SAID THAT!!! The way luffy was written in the live action will haunt me forever

[thefandomexpert]

alright i’ll say it. i don’t hate the new netflix atla

[the-power-of-stuff]

The Live-Action Sukka Manifesto that I Just Couldn't Keep in My Head

So I've been marinating in my live-action Sukka thoughts for the past three days, and when someone sent me an anon asking if I had any thoughts about the changes, at first I went, "DO I EVER?!" and proceeded to dump my entire brain on the page.

But then I worried maybe the anon wouldn't want to see my entire brain and figured I'd make my own post with my Many, Many Thoughts, and reel it in a bit when I answer the ask. And then link here if they're interested in the dissertation.

I'll put all the excessive details and spoilery stuff under a cut, but I'll start by saying, I didn't hate it! And I was afraid that I would.

There were things that I was bummed or had mixed feelings about, but there was also a lot that I genuinely enjoyed. All the Sukka interactions were cute and still had some decent character development, and I had fun with the episode overall (I've watched it thrice mind you, and definitely have not given the rest of the series that kind of attention). And I didn't necessarily dislike the differences from the original; I think I've just taken more of a "that was an interesting interpretation" approach.

But I better start that cut now, because I'm about to go on and on about this. I'd love to know what others think, though!! Even if the opinions aren't the same as mine! Please feel free to comment, reblog, shoot me an ask. If nothing else, I'm excited that the LA has gotten people talking about ATLA again.

So, I want to start with Suki’s characterization, which overall I found to be delightful, even if it was a bit of a watered-down version of her animated self.

In the original show, Suki is confident, sassy, and doesn’t take shit from anybody. She’s proud to the point of almost being arrogant, and even a little mean. What we get in the LA is someone who’s still confident in terms of her status and her skills, and still proud of her heritage and her role in her community, but with significantly less sass. And while LA Suki still seems like someone who wouldn’t take anyone’s shit, we don’t actually see LA Suki deal with that much shit from anyone (because Sokka isn’t really giving her any). 

There is one moment in the show where her interaction with Sokka is a little contentious, which is when he tries to relate to her as a fellow guardian of his people. I think Suki’s question to Sokka about how is he protecting his village if he’s not there is meant to be a challenge to his swagger. However, the line is delivered with a softness that makes it seem as though Suki is, at least in part, genuinely curious. (This curiosity makes even more sense when we consider the fact that Suki’s eventually going to leave Kyoshi Island so she and her Warriors can take part in the war effort, and that she will have to contend with the question of “how do you do that without abandoning your people?” when coming to that decision. The LA lays a lot more of this groundwork than the animated show did: Suki outwardly expressing her desire to see the world, her mother’s secretive looks every time Suki gazes longingly at Sokka the possibilities…)

Compare these two moments, for example. These are both scenes where Suki expresses disbelief at Sokka's claims about his warrior-hood. But in the LA, Suki speaks rather quietly and mildly, in contrast to the brash sarcasm of her animated counterpart. LA Suki is also tilting her head down and away, looking at Sokka indirectly. OG Suki is leaning in close, getting in his face, smirking derisively with her hands on her hips.  

I think there’s something to be said about the LA in general smoothing away certain personality traits that could be seen as negatives but that are actually strengths that are so narratively well-developed they occasionally show up as flaws (for instance, Katara’s fury, or lack thereof). Animated Suki is prideful and stubborn; she berates Sokka until he gives her sad puppy-dog eyes and has zero hesitation about making an example of him in front of her whole class. It’s a little ruthless, but these traits are also 1) what gets through Sokka’s thick skull (he, too, is prideful and stubborn), and 2) what makes her such a dedicated ambassador of Kyoshi and such a strong leader of the island’s Warriors at such a young age. I feel like the LA writers were afraid of making any of the protagonists seem too abrasive—everyone in the LA has had their edges sanded down, including Zuko, including Aang—and in general this tends to lead to less realistic representations of humanity and conflict, less satisfying character development arcs, and fewer opportunities for reflection and learning. 

That being said! I went into watching the LA with negative expectations about what we would see in terms of character development, and thus was pleasantly surprised. 

The LA removed the need for Suki to be as ruthlessly stubborn as she is in the animated show because LA Sokka’s skull is not so thick (and I'll get into that a bit more later). So what we get instead is a sheltered Suki with a helicopter mom who is so hilariously awkward that she has no idea how to interact with other humans. And, to be honest, I enjoyed this version of her so much that I even thought to myself, “I wish I’d thought of that!”

Suki is a straight-up weirdo in the LA and I love that for her. The way she puts Sokka in a chokehold and then looks at him after she sets him free like, “That was good flirting, yes? Would you like to be my boyfriend now?” And then her disappointment when Sokka walks away as if she’s thinking, “Why didn’t that go well, I thought boys loved getting put in chokeholds?” She is so precious, I just want to put her in my pocket. And this characterization might even be more broadly relatable than a super-confident Suki brimming with sass. Who among us hasn’t made a complete fool of ourselves in front of a crush by coming on way too strong and having no idea how to flirt? I mean…real. 

And because Sokka is also mostly just making a fool of himself trying to impress a pretty and talented peer (instead of covering up his insecurities by wrapping himself in misogyny) this leaves room for the two of them to be attracted to each other right off the bat and for their interactions to be more overtly romantic throughout the entire episode. Which, avid shipper that I am, I have to admit I have been gobbling up for the past three days straight. This episode was an IV drip of romantic tropes hooked straight to every Sukka shipper’s veins. 

Shy glances from across the room? Check.

Walking in on the other person half-naked? Check. (Y’all, Suki looks Sokka up and down for a FULL TWENTY SECONDS yes I timed it from the moment she appears in the background, yes you should count it to see how long that really is. Talk about awkward.) 

Tripping so they end up falling into each other’s arms? Check.

Wide-eyed shock that turns into surprise thirst after being pinned to the ground? Check.

Shooting each other satisfied smirks as they kick ass side-by-side? Check.

Jumping in front of literal fire for each other? Check and check!

Like, I could live off this for the rest of the year. 

But look, there’s a lot that I love about the way Sokka and Suki’s relationship is portrayed in this episode besides those romantically indulgent tension-creating moments, and it has to do with Suki’s admiration and validation of Sokka. 

Suki really looked at this boy with his mouth stuffed half-full of steamed bun and went, “Must have.”

With the removal of overt sexism from this episode (for better or worse), the story focused much more heavily on Sokka’s development as a leader. He still has that sort of posturing display of self-confidence that comes from inexperience and trying too hard to prove oneself (“Ferociously…deadly tiger whales…”), and while at first Suki seems put off by this and his attempts to liken himself to her (“I’m not just a warrior, I’m a Kyoshi warrior”) it doesn’t take her long to decide (*cough*after seeing him shirtless*cough*) that she doesn’t actually mind this behavior (and in fact maybe she kind of likes it because maybe it means he likes her and maybe it means she can show him how much she likes him by slicing the tops off all those melons with her fan). She seems genuinely interested in his boomerang and impressed that he hunts, and then later, she immediately takes interest in training him in the Kyoshi Warrior style. 

After they spar, she casually refers back to the fact that he’s his village’s protector, and this time, she does it without the disbelief and defensiveness. Because he’s finally stopped posturing. He opened himself up and gave himself over to Suki’s expertise, and in that way he proved that he has the will and desire—the heart—of a warrior. And Suki tells him so while touching him gently and gazing at him longingly in the soft golden glow of the late-afternoon sun. And as a die-hard Sokka stan, I love seeing him loved and appreciated like this. Adamantly. Ardently. The Sokka cheerleader in my head is going wild. “YEESSSS!! Our boy deserves this!!” Because we know that, in the animated show, he goes through a lot more struggle and self-doubt before he receives this kind of external validation. And while we also know that this makes for an incredibly satisfying growth arc, I gotta admit that it’s a fun bit of indulgence to watch Suki talk Sokka up directly to his face and then want to kiss him really bad. Y’know. As a treat.

That said, I'm very attached to and appreciative of the way their relationship is framed in the animated series. I love that their respect and affection for each other grows even after the disaster that is their first few interactions. In the LA, they are drawn to each other immediately, and the only barrier seems to be a bit of awkward stepping-in-it-ness. In the original, they have legitimate conflict, and they both have to give a little—Sokka becomes more humble, Suki becomes more tender—before they get to that point of potential romantic interest. And I think it says a lot about Sokka’s character and his desire to learn and grow that he is willing to humble himself in front of someone who, as far as he’s seen, has very little regard for him (slash has a good deal of animosity towards him). Giving himself over to Suki’s expertise costs him more in the animated show. But once he does, he and Suki learn and grow together. He shows Suki who he really is, shows her how dedicated and determined (and fun and a quick learner) he is, to the point that, by the end of the episode, she can allow herself to be vulnerable with him. And she does validate him in the original Kyoshi Warriors episode, just less directly than the LA. Her kiss on his cheek and “...but I’m a girl, too” is about forgiveness and acceptance and acknowledgement and respect, as much as or even more than it is about affection. There’s a little bit of romance, too, but it’s just little baby seeds of it, and it feels very natural to let those seeds germinate over time until we see Suki again later in the series. 

Which brings me to the live-action kiss. 

I’ll be honest, I was a little on the fence about the kiss. I want Sokka and Suki to kiss as much as possible in every conceivable universe. So there’s a part of me that was banging on the table and whistling with obscene joy. But the other part of me thought it was too much too soon. However, my hesitance pre-supposes some things about the second season (not least of which that there will be one), namely that it will handle the reunion with Suki and crossing the Serpent’s Pass anything like how it was done in the original. (Of course, one thing we now know for certain can't happen in a hypothetical LA season 2 is Suki pranking Sokka at the ferry station because he doesn't recognize her without her makeup. Do I love the expression on LA Sokka's face the first time he sees Suki's? Yes. Am I sad that this completely ruins their whole "You don't remember me? Maybe you'll remember this!" game? Also yes. But truthfully, I don't know if LA Suki would've been up to the prank, anyway. Not sassy enough. ;))

The Serpent’s Pass is one of my favorite episodes of all time, and that moment on the bluffs when Sokka and Suki are talking around Sokka’s loss, with the moon shining down on them all the while, and they almost kiss with the moon hanging between them in the background, and then Sokka pulls away without any other explanation besides, “I can’t”? That scene is so absurdly powerful and beautiful and an amazing moment of character development for them both, and I feel like it loses a lot of impact if they’ve already made out once. The fact that they kiss for the first time after that moonlit moment, when Sokka realizes that Suki doesn’t need protecting the way he thought she did, and in fact she was there to protect him, and he can finally just let go of this burden that he’s been carrying with him since Suki first mentioned she was joining them (slash since his dad put him in charge of an entire village at 13), and then and only then can he open his heart to what he feels for Suki, and in fact opens it so wide that he just cannot help but jam his mouth onto hers before she’s even finished talking…? I mean. C’mon. That’s poetry. But, again…loses impact if they’ve already had a first kiss.

But who knows what, if anything, they’ll actually do with that storyline. So for now, I’ll just enjoy my live-action Sukka kiss because, honestly, dream come true.    

Or almost a dream come true. Because there's a huge camelephant in the room that I haven't addressed yet, isn't there? The lack of Sokka in the Kyoshi Warrior uniform...

And I don’t think we can talk about the omission of Sokka’s Kyoshi Warrior uniform without talking about the omission of Sokka’s sexism. Because if Sokka isn’t sexist, then why do you have to put him in the dress and makeup of traditionally female warriors to make a point about how women are strong and capable, too? So here’s what I’ll say about that (and I know there’s a lot that people have said already, so I’ll try not to belabor the point.) I don’t think leaving out Sokka’s sexism was necessarily a detriment to his character arc. I do think, however, that leaving out Sokka’s sexism was a detriment to the message the show was trying to convey about sexism. 

Now, in the Northern Water Tribe episodes, the LA still gives us a message about fighting against the kind of systemic, institutionalized sexism that you might not be surprised to encounter within a very old-fashioned society or from a very old-fashioned gray-haired man. But what about the off-the-cuff, everyday kind of sexism that you might experience from an otherwise good person who is close to you? A person who loves you and would do anything for you but who gets carried away teasing you about “girly” things because of intrinsically-held biases that they’re not even that conscious of having? 

I think it’s important and meaningful for male and female audiences alike, and everyone in between, to see these different forms of sexism and misogyny—to see them, to recognize those behaviors in others and in ourselves, to be able to name them, and to have examples of fighting against them. We see the former kind—institutionalized, systemic—in Pakku. And we did see the latter kind—familiar, personal—in Sokka. And now that’s lost.

Not only that, but there’s the form of sexism that says boys aren’t allowed to do feminine things lest they relinquish their maleness. And in the animated show, we got to see Sokka combating this form of sexism, too. Not only does Suki show him that girls can be fierce warriors as well as boys, but he learns that wearing makeup and a dress does not make him any less of a young man.  

So, yes, I think the lack of Sokka in Kyoshi Warrior garb was a missed opportunity. And not just because Sokka looked really good in uniform and we all should have had the chance to see that, including and especially Suki. 

Alright, this is more than long enough, so I'll leave off with a moment from the LA that gave me great pleasure.

I needed this moment, y'all. And I was so afraid it wouldn't happen. I needed Sokka being protective, I needed him using his newfound Kyoshi Warrior skills to fight, and I needed him jumping in front of fire for the girl who'd taught him. If we couldn't have Sokka in the Kyoshi Warrior uniform, at least we had this.

[pinkiemachine]

hey!! i saw some of ur posts on my feed, and im just wondering, what is the gotham files series u have going on? is it like a recap of the storyline or something else? :3

So Batman: Gotham Files is the name of a tv show pitch of mine. Basically, if Warner Bros. came over to me and said, “Here’s the DC franchise, go nuts,” I would then begin to create a new DC Animated Universe, starting with Wonder Woman: Heir to Olympus—Wonder Woman’s first ever animated tv series. At first, it would have two seasons, and then we’d move on to Dawn of Superman, which would also go for two seasons, before finally reaching Batman: Gotham Files. It would also go for two seasons, and then we would launch Justice League: Heroes Rising for one, maybe two seasons as well, and then The Mighty Teen Titans for two seasons. From then on, it gets very complicated, because not only are we going to continue making seasons for DoS, HtO, Gotham Files, Heroes Rising, and TT, but we’d also kick off a Flash show, a Green Lantern show, and possibly an Aquaman show, but I’m still figuring that one out at the moment. Not to mention, there would be mini series too. Like, Supergirl’s Lost in Space years, and Red Hood and the Outlaws, and then there’s Young Justice as well. I’m still in the process of making a detailed timeline that tracks everything and keeps the ages and events straight, but it’s coming along.

Why am I doing all this writing? Well, let’s put it this way: I walked into this big, old Victorian Manor, and it was full-to-bursting with junk. There’s a lot of really good, really cool stuff in there, but it’s over-crowded, there’s mold growing, there might be some rats, and it DESPERATELY needs to be cleaned out. This is a metaphor. This was me when I tried to walk into DC. A normie, just trying to enjoy the franchise. I looked at the comics… and they’re a mess of conflicting timelines, retcons, reboots, world-ending events, changing backstories, and so many characters that it is dizzying. Then I looked for something more digestible, like the tv shows or movies.

…

I did not like the movies.

I like the OG Teen Titans cartoon…

That’s basically it.

I’m trying to watch Justice League, the animated series right now, I’ve seen the original Superman film from the 70s, I’m starting to watch the live action Lois and Clark show from the 90s, I want to get into Batman the animated series, but 1: a lot of these shows don’t feature all the characters from the comics, especially the ones I’d like to see depicted in a show, and 2: they’re all disconnected from one another, with conflicting backstories and different takes on different characters.

I am tired. It is so much work to just try and get into the DC fandom. Let alone stay there.

So I took it upon myself to perform a public service. I told myself, I would roll up my sleeves and write a new DCAU from the ground up. One where even the most normal of normies could jump in and learn about these much-beloved characters and enjoy them. One where the timeline was untangled and there’s a proper beginning, middle, and satisfying end. I will tell the most complicated interwoven story in the history of television just to appease my need for organisation in this forsaken franchise!

…

I feel passionate about things…

Anyway, hope this clears everything up :)

Gotham Files post 1 👇

[aangarchy]

Netflix atla live action review ep 7-8

Home stretch baby. I figured since i love the source material i should just be able to enjoy it, or at least be entertained by it somewhat. But even that was just not possible. I pirated it after the first three episodes just bc i didn't want to give netflix the satisfaction of a view.

It's not so much the acting, the costumes or even the bad/mediocre cgi, it's the writing. It's an absolute shitshow, a mess of the highest caliber. For someone who claims to love the source material, it really seems like Albert Kim didn't understand why a lot of the things in the original worked the way they did. Things that are important for character growth got removed, and lore that we normally don't see til later on in the show (or even in a completely different story within this universe!!) got crammed in. For no good reason too bc it doesn't really add anything, just gives us another obstacle or useless exposition that's supposed to explain another useless thing they added.

Both of the last episodes take place in the north pole. This makes sense somewhat because in the original all three of the last episodes took place there. The reason they did this in the original is to have room for all of the stories that still need to take place (pakku, zuko, spirit world, koh, waterbending training, sokka and yue etc.) However in this version, even though minutes wise we have more time, we have less story. Like way less. Also episode 7 proportionally is much shorter than 8 and it really gives issues with pacing.

Let's start with what annoyed me most. Where is the waterbending training? Where is it? The season's title is Water and Aang bent ZERO water this entire season unless he was in the avatar state. Katara "trains" yes, but it's mostly practicing moves she found on the scroll (which gran gran just gave to her? Why didn't this woman give it to her sooner???). She gets NO guidance from anyone, and the way she gets better at bending each time is because a BOY told her encouraging things. A BOY. In the OG we get Pakku saying "raw talent alone is not enough", which makes sense because bending in this universe is an extension of martial arts, and you have to train to become good at martial arts. This LA show however treated bending like a magic power, basically giving some mumbo jumbo about balance and a clear head and think of the people you love to become a better bender. And while yes, your mental headspace also is important (as highlighted in the original where zuko couldn't bend anymore bc he had no aggression left) it wasn't the only factor, it wasn't even the main factor.

When we arrive at the North Pole, Pakku and the chief of the North both expect Aang to help with battle strategy in order to stop the attack bc they're already aware it's coming. Aang tells them he doesn't really know how (wtf were they even expecting it mean that is a whole 12yr old) and they turn away going "guess we can't count on the avatar" like? Dude?? If they have such good intel that they already know the fire nation is preparing an attack, and that the Avatar is alive, how tf did you not hear that the Avatar is also 12 years old and far from a master of the four elements? Idk this weirded me out.

They removed the deserter episode, which means Aang doesn't renounce firebending, which means we get no storyline of Aang dealing with his conflicted feelings surrounding firebending because fire gives life, not just destruction. Katara also doesn't find out she can heal naturally. We just get told that healing is just a thing all waterbenders can do if they train for it. Katara's necklace has no significance at all in the story currently. Yugoda doesn't recognize that Katara is Kanna's granddaughter. Katara's gran gran being from the north originally doesn't play part in the story at all. Katara doesn't even once utter the words "this necklace used to be my mother's". Idk why that bothers me so much but it does. They also removed her rage at not being allowed to fight. Sure this show's Katara also goes to fight Pakku, but literally everytime she speaks she just sounds reasonable. She fights him not because she's So Enraged at not being allowed to become the master she's meant to be, but because the script demands it. She says it so matter of factly too. She's like a mellowed out shell of who Katara is supposed to be. I feel like this overall for her character in this show btw. I don't blame Kiawentiio bc i saw clips of her performance in other works (anne with an e notably) and she's good. This genuinely just seems like poor writing and directing. They removed all of Katara's passion. She's not warm, she's not feisty, she's not angry, she's not nurturing, she's also not flawed at all. I hate to say it but in this version she's giving Mary Sue, especially bc she just learns waterbending on her own, and then gets called a master out of nowhere. That's not how that's supposed to work. You're supposed to earn the term master.

Let's talk about Yue. Amber Midthunder is a great actress, but damn, that wig. Their budget was over 100 million dollars and yet they couldn't give my girl a lace front? Her wig was so structured and stiff, and if it were any other context like cosplay or a drag show this would have been perfect. Now it just looked really unnatural and instead of the hair being platinum it was gray. Yue's character got given more to do here. They changed the story to have her break her own engagement, but it's implied that the reason she did this is bc she met Sokka in the spirit world and... fell in love? Idk it was a bit weird. Both Suki and Yue were inexplicably entranced with Sokka. In the OG it's implied that Yue likes Sokka bc he's so different from the boys in the north, kind of like a city girl falling in love with a country boy. But here it feels different, he doesn't stand out at all compared to the other boys, and Hahn isn't a dickhead like the OG. I will say i like that Yue is a stronger character here. She takes charge of her own destiny and she is the one to realize that she can save the moon spirit, and wasn't told by someone else that she could do it. I am confused by them making her a waterbender, but i'm not mad at that change per se. I liked her sacrifice scene, her own acting was great. Sokka however... i genuinely burst out laughing, like so loud. The zoom in on his face, the expression, it was too much and too little at once. Overall, Yue's story was okay. Was it better than the original? Debatable. But it wasn't bad and that's a win.

We get Avatar Kuruk way earlier than we originally got him. I'm still kind of confused about the whole "you can talk to past Avatars but only in their shrine with their statue" thing, because if that's the case how in the hell is Aang ever gonna ask advice from Roku (or Kyoshi, since the writers clearly have a bias towards her and want to make her the main Avatar guide ig) without having to travel all the way to the shrine? Can they only talk in the one specific shrine or can we take a miniature set of Avatar action figures with us just in case we ever need advice? Also this lore abt the shrines and statues is flawed at best bc later on Kuruk shows up for Aang during the fight, while they're not present at the shrine. Either way, Kuruk was far from the go with the flow Avatar he was characterized as in the original. I know that we got some insight into Kuruk's story in the Kyoshi novels, and turns out it's a lot darker than expected, but Kuruk never let that change his character. He always remained chill, or at least kept up the facade, and i don't think OG Kuruk would be the type of man that is angry about how his life turned out. In this version, Kuruk is this scared, mean, bitter man who is really unsatisfied with his destiny, which he lashed out at Aang for. He seemed really angry at Aang to for no good reason. We're also not supposed to know this part about Kuruk's life yet. It's too much information and de waste time learning about his life story, the only reason we learn it in the first place is to explain the Special Spirit Killing Knife. Also the actor for Kuruk.... yikes bro. Idk which hallmark movie they pulled him from but he and his stupid polar bear hat looked like ass the whole time.

So there's this weird part about Kuruk having a Special Knife that is able to kill spirits. Idk if this is a thing from the Kyoshi novels that also made it into this show bc truth be told i haven't made it far into those novels yet at all, but it was strange to me. Somehow Zhao has this knife. We don't know how he ended up getting it (did the fire sage give it to him? I didn't see it but i might have missed it) and we pretend that this is the Only Thing that can kill spirits even when the spirits are mortal. Doesn't that negate the fact that the spirits are mortal, if they can only be killed by a Special Knife? Also there's this weird convoluted part about how the spirits actually live in the spirit world and only cross to the physical world once every ice moon to know what it feels like to be "mortal" and choose a different "mortal" form each time and this time they happened to be fish. But still, they can Only Be Killed By The Special Knife. Huh? What's the purpose of this added extra lore? I saw someone say the underlying point is that it shouldn't be this easy to kill spirits but.... that's the whole idea behind the Ocean and Moon spirits having permanent mortal forms? Them being mortal and choosing a form as insignificant as a fish, constantly circling each other to represent the precarious balance between Ocean and Moon, a balance that can be thrown off very easily. The whole point was that they're fragile so why add all this extra exposition for no reason? Why make the spirits harder to kill if in the end you're still just gonna have a guy stabbing a wet bag and not some rough spirit killing battle?

Zhao also just gets told by the fire sage that killing the moon is a thing he can do. I don't like what this changes about Zhao's character. Zhao is supposed to be this cunning man. He's scary, determined, strategically inclined, but alas overconfident and willing to go too far which ends up being his downfall. His ambition is what led him to do his own research by visiting a spirit library to find any weakness he could potentially exploit, and that's precisely what he found. In the original, Zhao always fought for his own career. His own accomplishments got him the tools to try and beat Zuko in the Avatar race. But in this version, Zhao just keeps getting handed things. He's a slippery snake that plays friends with Zuko and then tries to steal the glory from under his nose. He gets handed the archers, he gets handed the information on the moon spirit, he gets handed a war balloon (which completely ruins the surprise of the fire nation suddenly having air power at the invasion), and he gets helped by Azula of all people. It makes him look a bit chumpy in this story, and it really worsens his villain qualities.

On a completely other note, this LA seems to have a thing for making adults yell at a 12yr old Avatar for leaving the world behind, and it doesn't make any sense, because in this story Aang left on Appa for a joyride to clear his head. Aang didn't purposely leave. He had every intention of returning after an hour. Yet every adult in this show, even the past Avatars that know damn well Aang didn't flee from his responsibilities, yells at him bc he accidentally got encased in ice. And somehow this Aang gets made to feel worse about it than OG Aang even though he deserves it way less bc this Aang didn't actually run away! I don't like what this changes about Aang's character. In the OG, Aang has one fatal character flaw and that's avoiding responsibility. He runs away, and has problems with taking accountability for what his actions cost the world. He goofs around, plays games and likes to have fun to avoid having to face his destiny, all while carrying the guilt and blame for the century war. It's a huge part of Aang's character journey. The guilt he feels isn't misplaced bc Aang knows he ran off, and he knows that the world is in its current state because of his decision. In the end he takes responsibility by showing up to the fight with Ozai alone. In this LA, even though by all means Aang shouldn't feel responsible, he ends up taking responsibility right away. He goes to Kyoshi Island, not to goof around and ride giant koi, but because he knows he can talk to Kyoshi there. Kyoshi yells at him for leaving (again, why? She knows he didn't run away) and gives him a vision about the watertribe getting destroyed. Instead of panicking about it (like OG Aang did after finding out abt the comet) he just accepts that he needs to go and help. And while this Aang does get to have fun moments (i especially loved how in the first episode he sees playing watertribe children and immediately joins them, that was quintessential Aang), he just seems very down and serious a lot of the time. He's scared of people getting hurt and is very worried abt the safety of his friends to the point where he agrees with Pakku and tells Katara she shouldn't fight. It's not Aang at all bc OG Aang was rooting for Katara when she fought Pakku. To sum it up: i think the casting for Aang was perfect. A cute southeast asian skater kid that loves to have fun and genuinely just looked the part? Brilliant! I am genuinely not upset at Gordon's performance at all (although sometimes i wish he'd enunciate a bit better). But the writing messed up the character so much that i couldn't even feel the joy for having the perfect looking Aang. I will say Koifish Godzilla (Koizilla if you will) looked dope. What did confuse me abt the Koizilla scenes is that sometimes there was no music (which is a choice i often like bc it gives the scene extra gravitas) and then sometimes there was a majestic score playing in the back, like they couldn't choose how they were gonna execute it and just picked both. I know that's nitpicky but it bothered me nonetheless.

Speaking of Koizilla. Wtf was that thing they added about Aang "succumbing" to the ocean spirit and being "lost"? They didn't even explain it at all, but both Yue and Iroh talked about how Aang would be lost forever now. We don't get a why, we don't get a how. And "lost" is such a vague word for it too. Like would his spirit be lost and only his body remain? Would he be completely swallowed up by the ocean? Would he remain Koizilla, forever rampaging at the ice wall? They added this for extra tension i guess, but it doesn't really work when only minutes later Aang is able to return no problem bc Katara talked him out of it, so we don't even get to find out what "he'll be lost forever" means. Also: the scene with Katara talking Aang out of it was cute, but the execution was weird. Originally Katara gives this speech when Aang goes Avatar state at the southern airtemple. I like that they still kept Katara's speech to Aang bc it highlights their bond which is especially important for later on in the show, but I don't like how now Katara had to give this really heartfelt emotional speech to Aang in front of everyone else at the northern watertribe. It's supposed to be quite an intimate moment between her, Sokka and Aang as a new family, they're supposed to promise they won't let anyone harm him, which eventually calms him down. Here though Katara's just yelling these words at him in front of everyone and all the intimacy is gone. It also doesn't work as well bc we barely got any time of the gaang bonding. They spend episode 3-6 apart most of the time, so really they shouldn't feel this bond towards each other just yet. Because this LA removed a lot of the side adventures, we don't get the feeling that these kids have known each other for months.

Another thing they removed is Appa and Momo as characters. In the original they each get their own moments, we even got one whole episode with Appa as the main character (which won an award btw). Here though, Appa is solely used as a transportation animal and Momo... honestly i don't even remember what he does but i think it's mostly a small comedic bit? Also he hands the acorn to one of the characters. This is a bad change bc in these episodes Momo gets hurt so bad he nearly dies, and it has no emotional impact at all bc he's just an accessory in this story. I felt no emotional attachment to Momo and he just has no personality. I wonder how this choice is gonna play out when we get the kidnapped Appa story bc so far it's not looking good.

Anyway, for positives. I warmed up on Dallas's performance a lot, i wasn't that mad at Ian Ousley's performance and there were moments where he genuinely made me laugh. The cgi for the creatures was decent, but for the backgrounds it looked horrible. I liked that they showed how devastating the Seige of the North ended up being, with the unnamed kid and Hahn both dying. I liked the effect showing those two had on our main characters. I liked when Aang, Sokka and Katara all worked together taking out that one firenation ship. I liked the way they showed Sokka and Yue bonding. I really warmed up to the costumes as well, i still wish they dirtied it up a little to make them look less new.

There's probably some more positives but they're really minor compared to the negatives and also my brain is just done atp. I'm never gonna rewatch it for more analysis either bc i don't think i'll survive it lol. I might make another post abt my opinion on the show as a whole? Like an overall summary? Bc this shit is VERY long and i do apologize. If you made it this far, uhm. Thanks for caring abt my opinion so much that you sat down for like 10 minutes to read my angry yapping? I appreciate it.

Anyway bye

[thisonesatellite]

Tagged by the always wonderful @fsbc-librarian -- thank you so much, darling! 💖💖💖

1. how many works do you have on ao3?

42 works

2. what’s your total ao3 word count?

677,643 (how do i have so many?)

3. what fandoms do you write for?

MCU/Stucky -- this is my main focus and current sandbox. i love to play with these two. OUAT/CS -- that is where i started my fic writing journey and it still makes up the bulk of my works. i no longer write it, but it will always have a soft spot in my heart. Dramione -- i wrote one dramione fic a while back, and it is a ship dynamic i really enjoy. i still have one big, rather epic fic idea for it, too. Since this idea -- (and @mysteriouscatstellation) -- have been bugging me about it for over a year, i absolutely have to write it. Eventually. Obvi. (Actually, it's up next after i finish my East German Stucky Spy Lunacy, shhhhhhhhh.) Leverage -- i also have one Leverage fic. i have literally no idea how that happened. None. This fic basically walked out onto the page and said, my turn. 😂 It did give me a really good opportunity to create an original character though.

4. do you respond to comments? why or why not?

Always. ALWAYS. i love and appreciate each one, from a row of emojis to a page of analysis. i go back often and re-read them, just to motivate myself. People who leave comments are the real heroes. (Although i do understand that not everyone has the spoons to comment, and that's OK, too. Just know that if you leave me a single emoji i will love it no less than if you write a dissertation. 💖💖💖)

5. have you ever had a fic stolen?

Not that i know of. But i haven't checked either.

6. have you ever co-written a fic before?

Yes -- The Sword and The Heart, an epic rewrite of OUAT S5 i tackled with the amazing @ohmightydevviepuu. If you have never collaborated with another writer, i strongly urge you to try it. i learned things about myself and my writing that i am still benefiting from to this day and i am immensely proud of what we created together. However, that is pretty much due to dev being the best collaborator ever. (Get yourself someone you trust and love and yet challenges you at every turn, is what i'm saying.)

7. what’s your all-time favourite ship?

That's a hard question, because affinity does change -- and why wouldn't it. We change, become different people, and sometimes the things we used to bleed for no longer resonate quite as hard. Like - my OG ship was Buffy /Angel, and i have the absolute soft spot of all time for them, but also i'm (obviously) no longer in high school and so the urgency has subsided. There have been a few other ships i've sideswiped over the years, characters i absolutely loved but never quite got 'ship-invested' in. (Shipvested? 😂) Personally, one factor is definitely that i did not know what a fandom was, or even that there was 'fandom' (as a concept, a community, a Thing) until Captain Swan tore a hole in my heart five years ago. i didn't really know what fanfic was. Or AO3. Apparently i live under a rock. But currently, the tl;dr is a dead tie between Stucky, Captain Swan, and James Holden /Naomi Nagata from The Expanse. With lots of honorable mentions bringing up the rear. 😂

8. what are your writing strengths?

Plot, dialogue, world building, and having characters stay true to their nature even when seen through various AU lenses, i think. Also action and fights and sometimes even battles. And i think i have a knack for letting exposition bleed through action and dialogue, instead of writing it outright. (That last one is a hard-won skill and kills me dead at least once a chapter, you feel me.) i also put a ridiculous amount of research into everything. Seriously, it's a sickness. i once spent more than two hours looking up radio dramas from the 30s that had a supernatural bent and might appeal to teenagers. For half a throwayway line. Possibly i should not list this as a strength. 😂

9. what are your writing weaknesses?

Smut. SMUT ALL THE WAY. i cannot write it, i don't know how. People who read my fic will always get shortchanged in the E department and for that i am sorry. But i really am completely useless on the smut front. And fluff. i can do soft scenes, but i cannot write pure fluff. i don't know how to do that either. i'll write a fucking coffee shop oneshot, or a thieves AU that doesn't even crack 5K, or even a BARTENDER fic, and yet complex back story and plot and action will still burst out from between the lines. All you people out there who can just tear off a sex scene or a fluff piece, i salute you. Also all you people who have multiple WIPs. i don't know how you do it. i can only ever write one fic at a time. You are all wizards, aren't you.

10. first fandom you wrote for?

OUAT /Captain Swan, back in 2019.

Zero pressure tags: @sparkagrace @cable-knit-sweater @bittersweet-in-boston @late-to-the-party-81 @metalbvcky @voylitscope

[omegansamurai]

I hate that these YouTube videos complain and moan about how the Netflix live-action Avatar: The Last Airbender was a 'failure'...I mean, if that was the case, then why had it been renewed for not one, but TWO seasons, huh?

And like...I doubt the Avatar Studios stuff is gonna be anything groundbreaking. I don't even think Avatar Studios' content will be any good. Really, it's like, why is this even a thing? Just leave the franchise alone, Bryke, and just let people who can write and make your story a lot more enjoyable (Netflix's Avatar).

It just reeks of desperation and Bryke trying to be relevant. Avatar is not the next Star Wars, I'm sorry. It's a Nick cartoon that should've been an epic four-season (maybe five seasons, who knows?) show, but it shrunk to three, to make a failed shitty trilogy movie that the first movie bombed at the box office, thanks to the creators 'SUPER WISE' decision of canceling the fourth season because they want that trilogy movie series, and honestly? That itself was a bad idea. Bryke tries too hard to make their product the next Star Wars(which I think they're fans of, which says a lot), and it painfully shows. They try too hard. REALLY hard.

Like with Legend of Korra, they try to be super edgy with their 'story' and 'characters', but they just miss the mark on what made ATLA great. I mean, they don't even care about how the bending looks anymore in Korra. Really, there's a reason why they put the final season online, and it was just a bad show. Don't deny it, everyone. I'm certain it would've been good...but it was executed poorly and made not only a mockery of the characters in that show but the OG characters of ATLA(especially Katara). Well, maybe Zuko is the only one who's doing alright...but that just reeks of sexism doesn't it? Toph is all alone in the Swamp, and Katara is...not who she is...always sad about Aang's death...like get it together girl, you're mother-effin KATARA. Get with it!

And another thing, what more is there to tell? What is the next series even going to be? The Avatars are cut off after Korra, right? So...what now? And if you put the setting in some lame-ass futuristic steampunk or cyberpunk world and have bending in it, then...well, that's not really Avatar, is it? It's just its own thing at this point. And really, I don't want any new characters...I never wanted Korra's characters either if the writing they have for them was that bad.

I just think this whole Avatar Studios is just...again, desperation. Like why not reboot it or just...tell the same story, but with a different setting?

Sorry, lost track.

What I'm trying to say is, is that people act like the Netflix live-action of Avatar: The Last Airbender supposedly 'failed', which isn't the case. Y'all are just butthurt about how your 'perfect show' got 'tainted' by big corporations, and honestly, that's far from it. The people behind this live-action were very committed, and the actors were very respectful of their roles. The BTS looked like everyone was having a good time. And here you have idiots going on about how the live-action sucks because...what, Aang talks too much? No sexism from Sokka? Katara didn't act all rage-filled or whatever? I can get the criticisms, but still, I enjoyed it. I liked it. I want to see more.

It's just that this stupid fandom likes to put down the live-action because the cartoon is supposed to be this or that and it doesn't have this...when honestly, it's its own thing, but it's still Avatar! Let it be its own thing! You got the cartoon, now look at this NEW Avatar: The Last Airbender by Netflix! Look at the way they portray the characters, look at the direction they're going, look how they world-build, just look at it! It's almost like fanfiction, and really, isn't that what Avatar is? Fanfiction? It may be a cartoon show, but it's still fiction. They're not real people. We can do whatever we want with them. We're just borrowing their characters, story, and world.

This whole thing is an adaptation. So it's not your cartoon...but it's still Avatar.

I know I'm just rambling at this point, but I'm just kind of tired of seeing thumbnails on YouTube of people bringing down the live-action Avatar. I genuinely enjoyed it, and yes, while it may have some things to work on, the people behind the show will listen to their criticisms and work on that. But again, I still liked it.

Just know one thing...Bryke would've made the live-action of Avatar a whole lot worse if they were in control. I really do believe that. And as for Avatar Studios...I give it a year before it goes bankrupt. I know that's a little harsh, but I just know that the animated Avatar movie is going to be disappointing. ^^;

[m00nchildwrites]

I agree I can see where love was put into the Netflix atla adaptation (the actors alone all so great), but I’m sorry, the writing was NOT one of them.

The writing was not perfect. But considering the episode constraints and the fact that future seasons were uncertain, they did well. Future seasons allows for them to show us more, and of course, there are some things I am hoping to see in each of the characters coming up. But the absolute bashing of the Netflix live action across this platform just does not fit the reality of what the natla adaptation was. People treating it on equal footing in the "disaster" category as the M. Night Shyamalan hot mess is laughable and ridiculous.

The fact is that this adaptation did the show justice. The CGI was beautiful. The scenery was breathtaking. The costumes gorgeous. The fleshed out backstory of the air nomads the day of the comet? Lovely and appreciated. The removal of filler plots and condensing of others? To be expected with any screen adaptation. See LOTR. The actors? So well casted. The writing? Perfect? No, but again, the love and respect for the original is clear and the changes do not make or break the thing.

People act like everyone is so different from the show when they really are not that dang different. Katara still gets to show her anger- not as much- but again time constraints. Sokka still feels like Sokka, even if his misogyny was tuned way way down; it is still there, but in a realistic and subtle way. Aang is shown as the innocent kid he is and his struggle to accept his role is replaced more heavily with guilt for not being there, which is completely still our Aang, and that "kidness" the writing chose to focus on just exacerbates the tragedy that is the fact that he has to face the Fire Lord and end a war to save lives. Uncle Iroh was well done; he felt believable. I like the fact that they didn't make him flirt with June; it was creepy in the OG. Ozai is still evil and twisted, and the fact that he shows emotion during the Agni Kai with Zuko just makes him seem MORE twisted; my father was a sick, twisted psycho that enjoyed psychologically screwing with me. The thing is that he thought he was doing the father thing well, even with the mental, emotional, and physical abuse. Let me tell you, Daniel Dae Kim is killing it as Ozai. He was so believable it was borderline triggering. And Zuko is still the broody, angry, lost son wanting to just go home that he should be season 1.

Everyone has their own taste. Some will not like it and that's fine, but it is often so extreme on here that it seems perfomative in my opinion. But again, to each their own if that's how you really feel.

[chocomd]

ATLA Live Action Final Thoughts

So I'll start by saying that I went into this show with zero expectations (including the expectation for it to be any good at all) and focused more on questions like: How is the acting? Does the writing make sense? Is the story decent? Do we have emotional scenes?

I didn't care about sticking to the og ATLA's ships, lore, or any of the details really. Even changes to the characters were fine with me. But the most important question of all is: Does it work?

The answer:

No.

There are lots of well thought out NATLA critical reviews out there, so I'll try to keep this short. NATLA tweaked a lot of things, tried take elements of the og and make them subversive, changed the themes, completely nerfed Katara, watered down almost everyone else...and I could go on and on. But essentially, NATLA was a "remix" that stayed too close to the original in that the changes they made felt like empty imitations and clumsy efforts to improve on the og. They really should have created a completely different story while keeping maybe a handful of elements of the og. And even if they changed core traits of the characters, that would be fine. It just has to work...and it didn't.

So some main points:

The acting was terrible to ok for the most part. Overall stiff and stilted with almost nonexistent chemistry. Sokka, Jet, Ozai, and June (😍) were the standout actors. Katara had one facial expression and one tone of voice 95% of the time.

Ships I actually enjoyed: Sukka, turnip Jetara, sokka x hahn (hakka? sahn?) and ZUKAANG

The writing often contradicted itself and there was very little emotional resonance or depth. So many lines and moments felt unearned, or simply didn't make sense.

Telling. SO MUCH TELLING. The constant exposition killed so much in this show. I groaned almost every time an actor opened their mouth.

Katara. Why was she in this story again?

The only time the show felt fresh and interesting was the spirit world segment with visions and flashbacks in episode 5...the one time they took ideas from og ATLA and truly remixed them and it was actually decent to good.

The Blue Spirit episode (ep 6) was amazing (relatively speaking lol), and I think it's because Bryke co-wrote this episode AND it was pretty faithful to the og AND the Pohuai Stronghold fight was incredible AND the Zukaang was even more deliciously Zukaang.

The overall plot did not feel cohesive and felt like a disjointed imitation of og ATLA.

Even if I wasn't familiar with the og, I would not have enjoyed this show because it's not good or interesting TV. One person I was watching with (who didn't see the og) left the room because "this is so bad" and "the acting is really stilted."

In the end, I'm not surprised by any of this. Animated stories usually suffer when they're translated into live action, because animation typically has much more emotional and dramatic range. And while og ATLA isn't perfect, it very nearly is because even its imperfections still manage to work in the bigger scheme of the story. Adaptations of og ATLA are pretty much doomed to fail, unless they completely rewrite the ATLA story (and I do mean completely).

Do I regret watching NATLA? That's a hard question to answer. There's no way I was watching this on my own, so I got to enjoy the unhinged company of my friends. If nothing else, watching NATLA made me want more og ATLA and sucked me back into ATLA fandom again.

[drifting-pieces-blog-blog]

Yeah honestly the discourse is quite stressful... I don't interact with the fandom and I'm quite new to MK, and I'm pretty young so the only mainstream MK thing I've been exposed to is the show (I did read the Lemire run though, planning on reading the Jed Mackay run soon) and while I do have some of my own complicated thoughts on the show, I do sometimes feel bad for liking the characters and the show in general as much as I do because alot of fans of the comics seem to hate it lololol. I like the shows version Steven espeacially, I really love how grounded and fun he is (people seem to dislike him too tho aha) Your blog truly is Autism heaven thank you so much for putting as much effort into this as you do :-)

Boy howdy you gave me a lot to think about.

What part of Tumblr you been hanging out in? Let me tell you the secret to enjoying Moon Knight: Stay out of the discourse. Moon Knight discourse is not new and just cycles the same topics over and over and over again and have done so since the OG run in the comics.

You are allowed to like BOTH the comic and the show. Who gives a flip what someone else thinks about it? I got to listen to someone rant about how much they hated the show because it wasn't full of action and crazy and violence (they were wrong and like Moon Knight for all the wrong reasons and are the type of fan that gets on my nerves but at least they are reading Moon Knight, I guess?)

The show is a fantastic jumping on point for new and younger fans! Why? Because even though the majority of the main points of the story are different, and Steven Grant is different, it still hits the big points that make Moon Knight what it is.... That and Marc is and always will be a Dumpster Fire in every iteration.

PLUS, Steven Grant is adorable and love-able and really draws you in. Do not feel bad for liking the characters in the show. The fans of the comics who actively put down the TV show characters have no idea what they are talking about. Do they HAVE to like them? No. You are welcome to hate the show, but if you hate it for reasons of saying it isn't enough like the comics...They CLEARLY have not read the comics.

LET'S GET INTO THIS META:

The original run of the comics opens with Moench having the idea for one man living three undercover lives.

Steven Grant, millionaire philanthropist, and Charity giver.

Jake Lockely, street wise cab driver and friend to the people.

Moon Knight, a masked vigilante.

Notice how Marc Spector is not included in that. In the original idea, Marc Spector was a man on the run from himself and doing what he can to discard who he was and become someone better and different so as to make up for all the pain and wrong that he had done.

So in the OG, we get a BIT of Marc to tell his back story of how he 'died' and then we jump into Steven and Jake. A little later, Moench starts to flesh out Marc a bit, putting him into more stories with his side short stories about Marc's past and also when they go into missions that pit Marc directly against who he was and his past. Such as when the Statue is stolen and broken and he has a break down (severe existential crisis about his death and who he is). The BEST look into his past where he confronts who he was, in my opinion is when a friend from Marc's past is murdered and he goes to Israel on a special mission and for revenge. Issue 17: Master Sniper's Legacy and Issue 18: The Slayers Elite.

The thing is, Marc isn't the main character in the early OG comics. He's a presence that is always felt and often discussed and lurking in the shadows, but the main star is Moon Knight

and the character we often follow the MOST is Jake Lockley.

We also hang a lot with Steven.

Marc Spector is The Bad Guy.

Yes... Despite how every time we get a back story like the "Marc Spector Adventures" mini comic that was at the end of a few issues showing us how goofy and conflicted Marc Spector really is, he's still the bad guy...To himself. No one hates Marc Spector more than Marc Spector.

This is something that carried very well into the show.

(That is the face of a man that doesn't want to be there. Or anywhere.)

You see, Marc Spector isn't the main character of the show either. Steven Grant is.

So... Here's the BIG question.

WHY did Marc Spector become so big in the comics?

Back in the OG run, Jake Lockley and Steven Grant were the main characters. But it's hard to relate to the fancy million air that likes fine things and opera and charity events and swimming around in his pool in a speedo.)

But Jake Lockley? There's a man we can enjoy and relate to. He likes to hang with the homeless. Chat it up with some kids and play Basket Ball with them. He hangs with a single mom in the poor side of town and he drives around and takes action. He's easy to understand and easy to paint as a good honest man and a hero.

In the show? The show was ORIGINALLY going to take it from Marc's point of view. Marc was the one in the fancy Mr. Knight suit (like in the later comics drawn by the amazing Declan Shalvey.) My bet is that in the original idea for the show, Moon Knight was filled with more action and violence.

But they realized they needed to draw you in. They needed to give you someone you could relate to.

Enter Steven Grant.

(Hello dear).

I will forever be asking the question on why they went with Steven Grant and not Jake Lockley because the gentle kind and caring man in the comics is Jake... But maybe the name Steven Grant just fit the role they needed better. Either way... We got this marshmallow of sweet snarky sass.

And the personality? We can thank Oscar Isaac for Steven. He came up with the accent and had a lot of input on how to develop Steven as a character. The story naturally progressed from there.

So this is where the show and comics deviates. ....Or dose it?

Because after Moench leaves, the characters start to change.

We hit the 90s and Marc Spector, man of violence and action and dark pasts is now in and Steven Grant is out. Oh, and so is Jake.

We get a solid decade of watching Marc devolve into a disaster of character murder. It's... It's a thing alright. It's a rough read. My goal in going back through the comics is to try to pinpoint the exact moment when the characters are lost from their original personalities and Jake is turned into a violent insane Caricature of himself, Steven got the boot, and Marc became the overarching main persona.

Even in the 2000s up to 2010, Moon Knight characterization is all over the place!

It isn't until Lemire that we get a solid hold of someone trying to bring the characters back to who they were during Moench's run. Even then, it's a rough grab and by the next writer (we shall not speak of him here) we have completely lost all view of the characters again.

We don't get a redefinition of Jake, Steven, and Marc until the current run with MacKay.

This is 1984 until 2021 people! HOLY CRAP.

In fact, things got so bad in the 90s that Moench had to step in for 4 short issues to try to reset Marc Spector! (I cannot wait to get to those.)

So people that tell you that the show completely ruined the characters.... Clearly have not REALLY read the comics. In fact, ask them what their favorite run is. Give me a good laugh because I can probably guess what they are going to say.

The people that are more modern and sing praise only of MacKay need to get off their high horse and go read some Moench. I love MacKay and will sing his praise all day, but he isn't perfect. I love Lemire, but he also had some issues. Heck, even Moench had issues fleshing out his own characters at times! (and there certainly were a couple of issues that are NOT my favorites at all). Heck, I think the best fleshing out of Marc Spector was actually done by Zelenetz in the death of Elias Spector run. (I may have made a huge mistake while reviewing this run because I thought it was Moench and then realized it wasn't half way through reviewing all the other issues and then sat there for a day wondering why I was an idiot and what to do about it.)

SO. ....I'm not sure if I made my point or got distracted halfway through, but I hope I made some sense here.

The thing is, the characterization of Moon Knight depends on the writer and there is no real set thing to go on other than the fact that Marc Spector is a dumpster fire of a man. If that fire ain't burning in the shittiest way possible, they are doing it wrong.

And anyone with discourse saying the show ruined everything needs to mind their own business. I have no issue with someone hating the show. It's different. But don't tell other people they can't like it and the comics too.

They have obviously never lived through the Moon Knight waste land times when there were like five fans and no merchandise or material. I'm just happy to be able to talk about Moon Knight to someone that isn't my dog for a change.

So thank you kind Annon! Thank you for giving me someone to talk to Moon Knight with and reason to talk about them! And thank you all for listening to me ramble and rant about a little broken system of guys who have gotten the unfair shaft from Marvel more than a few times.

[muninnhuginn]

Hi Mun!!! I wanted to ask if you have any other kdramas or cdramas you would want to recommend? :0 I still need to catch up with Stranger/Secret Forest, but I’m curious if there are any others I should check out too!

That I do.

Okay so I'm trying to decide how much to factor in enjoyment vs quality here because I have a few shows I really enjoyed but are, um, well, you have to let some stuff pass.

I will mention that my tastes in terms of romancey stuff tends to lean towards non-existent or subtle and so that's largely reflected in my recs. The only exception to this on the list is Flower of Evil. (I didn't intend it but this list doesn't actually have any main BLs/GLs either. A lot of people ship various combos of the main three in MLC and WCL though.)

Shows below cut in no particular order:

Flower of Evil

(modern kdrama)

I wasn't sure how to start with this one so I'll just nab the description from Wikipedia as it's actually fairly accurate here:

Baek Hee-sung is a man who hides his identity and past from his wife Cha Ji-won, a detective. On the surface, they appear to be the perfect family: A loving couple with a beautiful six-year-old daughter who adores her parents. Cha Ji-won and her colleagues begin investigating a series of unexplained murders and she is confronted with the reality that her seemingly perfect husband may be hiding something from her.

I don't want to spoil much about this, but it's very cat-and-mousey. It's evil with the cliffhangers. At one point, it briefly becomes a buddy comedy between a guy and another guy he kept in his basement. And there is one scene where people just sit in a car crying for two minutes. So, like, it has the range? I think of it as a guilty pleasure kinda show personally, but it's probably the closest to Beyond Evil of the shows on this list.

Mysterious Lotus Casebook

(historical cdrama)

Full disclosure: I have only recently finished this and it has somewhat taken over my brain so I can't claim to be in any way unbiased here. Li Lianhua is a lying liar who lies who may or may not be the fallen hero Li Xiangyi (he is). He wants to get by pretending to be a doctor and minding his own business, but unfortunately, the plot is out to get him. And so he, along with Fang Duobing, end up investigating various crimes as Li Lianhua tries to find the body of his former senior to lay him to rest before his own body gives out on him.

My favourite thing about this show is a) Li Lianhua, and b) the dynamic between the main trio. The levels of trolling and identity porn at any one time are through the roof. It's a comedy until it isn't.

Reset

(modern cdrama)

This is the incredibly rare type of show known as a decent *modern* cdrama. It's a timeloop show and is fairly short at 15 episodes. It's about two strangers who are trapped on a bus that keeps exploding and their attempts to uncover why and how it keeps happening. Being a modern cdrama, some of the police stuff can be fairly... heavy-handed, but I think the writers do what they can despite that, and it does use the different bus passengers to explore different societal issues, which is neat.

Overall, it's a bit of a mystery show, a bit of a character drama, and a teensy bit of romance which is for the most part nicely underplayed.

White Cat Legend

(historical cdrama)

This is waaaaaay more down the enjoyment end than quality but I'm having such a good time here. This is originally based off a manhua (I've only read pieces of it myself) but mainly just takes the characters and some story beats and does its own thing. I watched the donghua first and tonally that was an interesting experience in how it raced between funny cat shenanigans and reckoning with the nature of war crimes (though the donghua stuck much closer to the og source overall). But the live action so far is staying firmly silly (I'm midway through so it will shift at some point, I'm sure, just can't see the tonal whiplash being as bad as in the donghua).

Anyway! To explain what the show actually *is*, it follows a guy who has been cursed to become a cat (in the manhua/donghua this means he's like a walking furry but the live action has it more of a werecat/shapeshifter deal which is good because I could not handle that cg 24/7) and his attempts at running investigations as part of the local court. This is not helped by being the only competent guy in the entire place. Still, at least his underlings are *incredibly* entertaining in their failures. So, most of the show is investigating crimes against a backdrop of Li Bing (catto dude) trying to uncover the origins of the curse and why the old court and his father died. There's also a purple dude with whom he has History and an italian vampire. And vice president shangguan, who is one of those rare female characters you get in historical cdramas where the show is actually normal about her existence *without* just entirely brushing over the implications of her being in her position as a woman.

Move to Heaven

(modern kdrama)

This is a genuine rec where I'm not going to say you have to let quality pass or whatever because it's objectively good and doesn't have a high entry barrier. It may be good to watch an episode at a time depending on your mood though rather than trying to marathon it or anything.

This show basically follows the 'move to heaven' team, who are summoned to clear out the belongings of the deceased. Each deceased person has a story associated with them and as part of tidying the belongings away, there's an element of investigating to find out what their story was. It can be a tearjerker at times, but it can also be incredibly sweet. Also, it has a canon autistic character where it actually strikes a really good balance in terms of not infantilising him whilst still having it make sense why he wants help with certain things.

Nirvana in Fire

(historical cdrama)

This is my beloved. My favourite cdrama of all time. But I suspect it may not fit for you if Secret Forest doesn't. Still, I'll mention it and say to look up the diagrams to keep track of all the characters in the early episodes (...yeah, it's that type of show).

Anyway, this show is about a terminally ill man who takes on a secret identity or two as he plots to take revenge/bring justice (depending on who you ask) for the crimes of the past. This is part of the 'lying liar who lies' subgenre. It's much more serious and complicated overall than Mysterious Lotus Casebook despite the superficial similarities, but it does have its lighthearted moments.

Misc. shows that didn't make the list

I'll mention Signal (kdrama) and Kairos (kdrama) because they both have neat time travel mechanics, but with huge stipulations here. Signal is the objectively better one of these two and the male mc in Kairos is unbearable at times but at the same time Kairos has enough good points to keep me watching. The friend trio of female mc (they're just besties frfr) and the villain romance subplot especially. Signal had potential to be amazing, but for me, some of the time travel mechanics fell through and it was almost BBC Sherlockian at times with some of the 'profiling' deductions.

Signal's premise is that there's a walkie talkie that links the past and the present between a current day consultant profiler (with a distrust of the police despite now working for them) and a past police officer who is dead in the present day. It follows various cases between the past and the present that are interlocking with each other, with the overarching mysteries being present day profiler's backstory and past cop's death. I feel like this started out decently, went hit-and-miss, had a few episodes where it was absolutely amazing, and then lost steam somewhat, though the ending hit the main points.

Kairos' premise centres around a mobile phone. When a phone is disconnected, the number ends up being assigned to someone else. So, the two main characters, living a month apart in time, have the same number and thus can communicate with each other. The male mc in the future has recently found out that his wife and daughter have both died and the female mc's mother has gone missing. So they've both got a scenario they need the other person to help them with and as they change things, more new problems keep cropping up. It's a show where the premise is super interesting, but I personally found it a very frustrating watch, not least because of characters making decisions that were in-character, but incredibly stupid and *not* in the entertaining way.

Also, as I didn't include any BLs/GLs, I'll mention that I cannot in good conscience recommend Guardian (cdrama), but it's such fun trash and it has Shen Wei. It's a bit like shows like Torchwood and Buffy in that it's ostensibly modern era but there's magic (sorry, 'aliens') and a team that's meant to be keeping on top of it all led by Zhao Yunlan. He meets Shen Wei and then proceeds to *keep meeting him* at various crime scenes because Shen Wei sucks at this whole low-key deal.

On a similar note, Couple of Mirrors (cdrama) is a republican era GL. The two leads are well-written, but it's basically like two different shows mushed together (a soap and an assassin/cat-and-mouse chase). It has Yan Wei though! It's about a popular writer meeting a photographer (who is also an assassin) and them both discovering that the writer's husband really and truly sucks.

[nono-bunny]

Heya! Just wondering, since Netflix Geeked Week will probably show a trailer for the live-action Avatar on Thursday, I want to ask a few things:

Are you excited for it?

What do you think they'll keep, cut, and expand in this live-action of ATLA - Book One: Water (Season 1)?

Since Bryke are not on the project now, do you have a good feeling that this live-action could be a lot better than what they come up with at Avatar Studios?

(By the way, were these "Braving the Elements" episodes recent from your last posts? And were Bryke really acting like complete stooges in them? :O )

Hi, thank you for the lovely ask!

I've been completely ignoring the huge Geeked Week banner so I have no idea what's up with that or that it's possible we're getting a trailer soon, so that's cool information to have lol

1. I honestly can't say I'm excited for the live action. The last Netflix live action for a beloved childhood franchise of mine was such a dumpster fire because they focused on being edgy and dark and abandoned the source material for the worse, so like? Past experience has made me extremely cautious in regards to live action adaptions coming from them. In general I am not a fan of this trend- the Disney ones are shit, and I only really find myself watching and enjoying the (sometimes shitty, but like, in a fun way) J-drama adaptions of old shoujo manga as I don't really fuck with any other genre nowadays. Anime has a long history with shitty adaptions for action shows, and as action is inherent to ATLA after all, even if it's not technically an anime, I know that's gonna be a hurdle they'll have to clear- just having good effects and fight scenes. It's not MY personal focus as I do find charm in shitty effects (I do like J-dramas after all!) but honestly that is probably what's gonna make or break the initial hype for the show imo. Rn I'm honestly just... So neutral about it to the point where it surprises me (I'm. Very much not a neutral person usually lol) and I think it's just a matter of like.... Being burned AND pleasantly surprised by ATLA stuff before so I'm kinda hedging my bets until I know which way it's gonna go for me. Honestly I can very realistically see me LOVING it, but the other option is that it's bad and that's kinda what I'm preparing for rn ig? I can't imagine I'll be too upset if it's just... Bad or unsatisfactory given that I already spend way too much energy on the shit the OG did wrong lol, if the LA follows suit with those I think I'll just kinda... Ignore it lol. Idk, A LOT of mixed feelings

2. I... Really can't even begin to imagine what they choose to do with the reduced time frame, but I know I for sure have my own thoughts on what I WISH they would! Mainly I want NO Kataang, if there's Kataang I'm not gonna even bother with it tbh unless it's completely one sided (which it was in the original, yet we still know how THAT turned out)... I obviously want endgame Zutara, but I'm not hard pressed on it tbh- it would be funny as fuck for it to happen after Bryke left over creative differences though! I REALLY want the Blue Spirit to stay, I really DON'T want The Great Divide (no way it's staying in though so we're probably safe on that front), and overall I kinda just? Want Aang to be more sympathetic- him being irresponsible in the original show only makes sense until a certain point, and I want an Aang that shows an ability to grow from early on. Aang's an awful, awful Avatar, and I truly want him NOT to be one here- honestly, a good way to get around some of his early issues would be to borrow a bit from Korra and twist his love for slacking off into an enthusiasm for all four cultures (rather than just their rideable animals), which I feel like he was CLOSE to having... But as usual with him it was all tell and no show- I wanna see him having friends in all four nations, I wanna see him being multi cultural even before he gets freezed, I wanna see him embrace all four bendings and cultures rather than fixating on air, I wanna see him fail and take responsibility... But I also still want to see him being a kid, because that's crucial, and while the original show never allowed him to grow up, I also don't want him to be immediately seen as and treated as wise and powerful- I want him to struggle with what it means being an Avatar who knows about it at such a young age, I want to see him meaningfully interact with his past incarnations, I want him to ACTUALLY find a balance! I think I maybe just... Want a whole new main character still named Aang tbh, because I DON'T like who he is in the original show, but I do like who he could've been! I REALLY don't want the show to be intentionally edgy- if it goes into any dark topics, they should be ones already raised in the original. I want some more light shed on how the North Pole and Pakku's sexism never went away, I want the show to acknowledge that the monks didn't go down without putting up a hell of a fight, I want to know what the fuck Zhao was doing to get promoted like that despite his constant failures on screen, I want to really dive deep into Aang and Bumi's relationship and maybe how Aang failed him on a personal level (he's literally the only one who would've missed Aang, not the Avatar for all this time) and how he mourned him for years, I want Aang to contend with and realize that he's in a war and how he's FOR SURE killed people and will have to again even before Koizilla (he kills so many people in The Northern Air Temple!!)... I could honestly kinda do with an abridged version of some of the Gaang's travels, like, a lot of them are neat but only matter tangentially or from a world/character building perspective and can be dropped/merged/replaced pretty safely tbh. For example, Haru doesn't really need to exist tbh, what Imprisoned does for Katara can and maybe even SHOULD change gears to focus more on her rather than this random guy who only ever shows up once more to get laughed at because he has a lame mustache. The Fortuneteller should be dropped or altered severely because its message doesn't hold up under scrutiny. Yue should be a bigger presence and be more of an established character. Jet should maybe get his role expanded. Suki should be more of a presence throughout. There are a lot of ways to make the first season better tbh, and also it NEEDS to change to fit with the new timeframe so? Yeah I hope they do a good job at separating the wheat from the chaff because god knows the original show did not know how to do that.

3. I'm honestly pretty confident in saying that Avatar Studios will never ever make anything good, or at the very least, anything that I'll like, but as to what the lack of Bryke means for the LA? Honestly, it's all up to the people working on it- Bryke being bullheaded and bad writers isn't exclusive to them, and if the staff is made up of writers that lean too heavily on the source material or drift too far from it that could honestly sink the whole show. Of course I'm happy they're not on board given their awful track record, but like... I know nothing about any of the people working on it in their stead, so a lack of Bryke doesn't necessarily equate to good writing (it certainly does leave out THEIR bad writing though!!)

Braving the Elements is soon gonna start reviewing the third season of ATLA, and it started in 2021 so everything there is very recent! And yeah, every time Bryke are on they prove themselves to be assholes all over again, they keep topping themselves somehow istg!

I feel that this isn't my most eloquent post but tbh I'm quite sick rn so this is the best I can do atm, hopefully I managed to answer properly anyway?

[the-power-of-stuff]

thoughts on the changes are to sukka in the live action?

Hi! Thank you so much for this ask! I love this ask, cuz after I watched "Warriors," I immediately went to a bunch of my mutuals screaming "GUYS I have SO MANY THOUGHTS" but I was reluctant to share beyond that group until you opened this door. <3

That said, I really have SO many thoughts. But I'll try to summarize for the purposes of this ask, and if you're interested in reading me rambling on in more detail for 2.5k words, I made a separate post about it here: https://www.tumblr.com/the-power-of-stuff/743357633226031104/the-live-action-sukka-manifesto-that-i-just

Spoilers below!

The more I sit with this episode, and the more I think back on the original, the more endeared I become to OG Sokka and Suki and their relationship from the animated show. I love sassy Suki. I love Sokka also being sassy but then showing us and Suki not only that he is very capable of growth and change, but how badly he desires those things for himself. His growth trajectory is not quite so broad in the live-action version, and thus his training with Suki is a bit less impactful story-wise.

That said, I did have a lot of fun with live-action Sukka. I'm not immune to the fan service they gave us, and I thought Suki's characterization was adorable. She's very different! I realized while writing the above-linked dissertation just how different. And I think her live-action personality fits for the changes that were made to the story and her environment—the fact that she's not a scrappy orphan, but rather the sheltered daughter of a fierce and protective fighter.

And I think I'm generally okay with this change because it made Sokka and Suki's interactions so delightful. There was so much awkward romantic tension, and it was the kind of stuff that Sukka shippers have been trying to squeeze into missing "Warriors of Kyoshi" scenes fic for the past 19 years (oof, that made me feel really old, sorry everyone).

I was disappointed that we didn't get to see Sokka in the Kyoshi Warrior uniform. Less disappointed than I would've been had I not seen the fight scenes in the trailer and noticed he was still in his regular clothes. I think that gave me time to set my expectations low. And actually, the thing I was most poised to be disappointed about was a thing that didn't happen. When I first saw the trailer, I noticed a moment where Suki steps in front of Sokka to block a fire blast, and I thought this was going to replace the moment where Sokka jumps in front of Suki to protect her from a fire blast.

And because I felt like that moment was so crucial for Sokka's character and his relationship with Suki, the idea that we weren't going to get it was more heartbreaking to me than the lack of Sokka in uniform. However...!

Lo and behold, they didn't take this moment away from us, and the instant I saw this on screen, all past transgressions were forgiven lol. Like, honestly, the relief I felt... And we still get to see him use a fan! Even if he's not in makeup.

I go into some more critical analysis in the link above, but overall, I enjoyed what we got from live-action Sukka because I'm a sucker for all the glances and touches and near-kisses. I'm a sucker for all the tenderness they showed to each other right before they went out and kicked firebender ass together. They feel different in a lot of ways from animated Sukka, but I thought it was an interesting interpretation!

And I have a lot of questions about what the changes to their interactions might mean for the future development of their relationship (for example, the fact that they've already had a proper first kiss, and what that means in terms of how Sokka will process his fear and guilt and his feelings for Suki after losing Yue). But I'm curious more than anything about how those things will be handled. And I think it'll be neat if we get to see it.

[fowlfics]

This year's @fandomtrumpshate browsing period is open!

One Piece has 18 offerings from 13 creators! You can see all of them RIGHT HERE or have a look at the sparknotes below!

Bidding runs from 5th March 2024 8 am EST, to 9th March 2024 8pm EST. You can help raise money for non-profit organizations - you can see the full list of those HERE!

For One Piece fanfiction:

Less than 5k:

CaptainSupernoodle (@scribble-dee-doo) - Charity specified (Middle East Children's Alliance *, Never Again Action *, Any/all listed environmental orgs) • Up to M rating •

ShadowSpires (@shadow-spires)- Any Charity • Up to M rating • "For One Piece I'm currently only up to Zou, so I want to focus before that. My main ships are ZoLu, LawLu, and ZoSanLu, with a focus on devotion/loyalty."

Between 5-10k

ladybug114 - Any Charity • Up to T rating • "I can write for either the anime or live action, with the caveat that I've seen about 250 episodes of the anime. I won't write anything that ships Luffy with anyone. I won't write any sexual content."

altokiwi (@altokiwi) - Charity specified (Bellingcat *, Life After Hate, Middle East Children's Alliance *, Never Again Action *, Any/all listed environmental orgs) • Up to M rating • "for pairings, I'm more familiar with Zoro/Sanji, Nami/Vivi, though, I'm super down on writing for almost any f/f ship or rarepairs as well. For gen fics, I'm more familiar with the Strawhats, the Vinsmokes, the Revolutionary Army and the Marines."

juurensha (@juurensha) - Any Charity • Up to M rating • "Zoro/Sanji, Luffy/Law, Robin/Franky, Nami/Tashigi, Zeff/Garp, Crocodile/Mr. 1, Crocodile/Mihawk, Shanks/Mihawk, Yamato/Hiyori"

Emily Fowl (that's me!) - Any Charity • Up to E rating • "I love exploring the themes of brotherhood between Ace, Sabo and Luffy. Additionally, I like making Ace meet Roger and/or Rouge, having Sabo recover his memories early or stretching Luffy's luffiness to its absolute limit. Other characters I'd be happy to write about as the main characters of the fic are the Strawhats, Nika, Law & Rosi, the OG Hearts (Bepo, Shachi, Penguin), Dragon, Roger, Uta, Crocodile & others (feel free to ask!)"

Thursday - Any Charity • Up to E rating • "Especially interested in: poly ships, lgbtq+ characters and identities (especially trans and non-binary characters), found family (or just family) dynamics. i especially love to explore how relationships change and i'm a big fan of queerplatonic and just platonic relationships in general!! i love to include the hurt/comfort trope a lot. i also really love to world-build and i enjoy doing non-traditional things for a lot of different dynamics."

Between 10-20k

Trinipedia - Any Charity • Up to E rating • "Luffy/Zoro, Helmeppo/Koby, Sanji/Zoro, Mihawk/Zoro, Luffy/Sanji

For One Piece fanart:

facethestrange - Any Charity • Up to E rating • "I'm offering colored digital art. Anything between 1-4 characters in one picture. The scope and style is going to be similar to the art in my AO3 profile, no matter how high the winning bid is. (To see representative examples of what you'll be getting, please only look at works from the last 1-2 years - some older ones are a very different style and lower quality.)"

PYRZQXYL - Three offerings; Two are both Any Charity • Up to M rating • Unwilling to address: hard 'no full frontal' rule, erotica otherwise v. negotiable; One is Any Charity, Up to T rating • All are: "PORTRAITURE(S) (up to a triptych) // ILLUSTRATION (of a scene, up to three (3) characters), fanfiction scenes (w. & only w. author's blessing)"

Arandin (@arandin-art) - Any Charity • Up to T rating • "For a book cover with a fully illustrated background 10$ must be added to the minimum amount. Each additional characters represent 5$. My favorite pairings: LuSan, ZoSan or LawSan... But I'm open to your ideas nonetheless."

For One Piece fan labor:

ShadowSpires (also in Section 1) - BETA • Any Charity • Up to E rating • 10-20k range • "For One Piece I'm currently only up to Zou, so I want to focus before that. My main ships are ZoLu, LawLu, and ZoSanLu, with a focus on devotion/loyalty. Open to most other things, though, including Crew Feels!"

altokiwi (also in Section 1) - CULTURE PICKING, SPECIALIST EXPERTISE, TRANSLATION • Charity specified (Bellingcat *, Life After Hate, Middle East Children's Alliance *, Never Again Action *, Any/all listed environmental orgs) • Up to E rating • "Depends how much the bidder contributes.. For translation - 1k words per $4 bid. Expertise and Culture - 1k words per $2 bid. Fan labor details: Culture picking - Mexican culture (everyday life, food, language, etc) Specialist expertise - Medical equipment/devices (particularly in a clinical setting). Engineering in general. Translation - Spanish <-> English. If the text is not your own, please make sure you have the author's permission! (or public blank permission works too)"

For One Piece fan audio & video:

ShadowSpires (also in Sections 1 & 3) - PODFIC • Any Charity • Up to T rating • Less than 5k • "For One Piece I'm currently only up to Zou, so I want to focus before that. My main ships are ZoLu, LawLu, and ZoSanLu, with a focus on devotion/loyalty. Open to most other things, though, including Crew Feels!"

Alistair_Nightly - PODFIC • Any Charity • Up to E rating • "Depends how much the bidder contributes. $10 - up to 10k words; $5 per 1k words after that, capped at 50k words. Stuff I'm especially interested in working with: - Found family - Soulmates - Friends to Lovers / Enemies to Lovers - AUs / Cross-overs / Collabs - Non-hetero relationships (I'm especially indulgent of boy-love & bara, but all flavors are welcome. including hetero) - Adventure stories - Horror/Thriller/Slasher - While I love good mimetic fiction, I am especially fond of speculative fiction"

aaronantium - VIDEO • Any Charity • Up to E rating • "Video details: I will make a music video with a song of your choosing. It can be multi-character, focused on a single character, or a shipping vid. I'll do a minimum of 1 minute and a maximum of 5 minutes (I can do a section of larger songs, but five minutes is the max length for the final vid). [For] One Piece I'm good to work with either live action/animated or both, but if it is a ship vid I don't want to do anything that is incestuous or underaged."

If you're interested in bidding for a One Piece offering, but can't find something you'd like among the ones listed above, don't fret! Plenty of creators picked "any fandom" on their offerings!

[artblock-tm]

Can I get the director's commentary on literally anything you want from Shadow Rift. You can do the whole book if you want. I wanna hear your thoughts

Okay okay okay SO! Grr Shadow Rift. Me and my complicated relationship with Shadow Rift………

For those who don’t know DP Lore, Shadow Rift was a fic originally posted to a different website by a different author. The author wanted to abandon it, but I really enjoyed it, so I reached out to them and asked if I could continue it. Shockingly, they agreed, but I had to follow the original idea for their story.

Writing (part of) og Shadow Rift really dipped my toes into fic writing, and was what initially drew in some of my oldest readers (hi Marci). However, after some years of improvement as a writer with the publication of Masked, I just… didn’t like the story anymore. So I reached out to the original author again for permission to rewrite it and they basically just gave me full control of Shadow Rift.

I won’t talk about it too much since they’ve asked to remain anonymous, but they weren’t satisfied with it either but didn’t have the spoons to finish it. And that’s what brought us to Shadow Rift THE REWRITE!

Now that I think about it… I wish I hadn’t deleted my SR planning doc as soon as the epilogue was published… oops.

ANYWAY. SR is quite different from the original, both in quality of writing and character. While the plot moved generally in the same direction, some lore things were changed and the characters actually had concrete ARCS! WOAH! INCREDIBLE!

Like Hat Kid had an arc that improved her view on the world, however subtly. Although you may argue that it was the return of her soul that did this, the soul was only the macguffin. Her developing relationship with Snatcher is what made her develop as well!

Speaking of Snatcher… ugh he was so fun to write. I loved his and Hattie’s dynamic of continually butting heads. I love the parallels that originally appear as foils… AND it was great to make Snatcher an actual character too! I got to fill him with transgender allegory! Happy pride!

However, the character that drew the most evil giggles from me as I planned how to screw over was none other than Elliot. Oh, Elliot, how I love putting you through the wringer. I also had so much fun giving him a new character arc… in the opposite direction of Snatcher’s.

While Snatcher’s perception of himself merges together and he comes to accept himself and Elliot as the same person, just with changes, Elliot comes to make a distinction between himself and Snatcher. Snatcher is okay with himself, including Elliot, but Elliot isn’t.

Snatcher to me is a lot of hard edges with a softer demeanor. Even though he’s soulless, that doesn’t make someone incapable of kindness (like Hattie thought).

But Elliot is the inverse. He’s all soft edges with a sharp pointed center. And, understandably, the events he’d been through- bodysharing, getting cursed, literally mind-merging with Snatcher for a hot minute- wore his patience thin. It doesn’t help that his fate, like Hattie’s, was swiftly approaching, only his was unavoidable.

It shouldn’t be selfish to want to live, but isn’t it tragic that his actions only ended up speeding the process of his and Hattie’s death? Hehe.

Those are my thoughts on the main characters, but there are some minor ones I’d like to comment on too.

I’m sure that many readers noticed that Karmin wasn’t originally part of AHiT! Yes, I used Shadow Rift as an excuse to write her more. And if you noticed that the arc with her was surprisingly open-ended, that was intentional! You see, I did it for thematic purposes. I’m not gonna hold your hand on this one though.

More importantly, though, Vanessa.

Urgh. Vanessa.

I’ve never been able to write her adequately (UNTIL RECENTLY!! I LISTENED TO MISS MISERYGUTS BY RIP AND EVERYTHING CLICKED!! EVERYONE SAY THANK YOU TO GRACEBETH3604 FOR INTRODUCING ME TO IT!!!), but I’ve had kind of a renaissance on Prince and Vanessa characterization recently. SR!Vanessa was a way for me to experiment with a Vanessa that regretted her actions.

But don’t get me wrong- she doesn’t regret them because she’s becoming a better person- she regretted her actions because they had consequences for her, too. She lost her prince and she came to grieve that loss, but not what she did.

(Also Elliot getting cursed was essentially a nod to Gracebeth3604 also. A!au my beloved. Makes me go insane)

For those people who know the original story, they’d know that the whole thing stayed in Subcon. I thought that was rather stale, so I had the setting move to Alpine, and then to Time’s End. That was fun :)

and ummmm I think I’ve run out of things to say! Sorry I started watching a movie in the middle of writing this and for so caught up in analyzing it that I forgot everything I meant to say

[styomi]

My impressions regarding OPLA

I've never been shy about naming One Piece as one of my favorite, if not the favorite, anime/manga of all times. It's comedy, story arcs, character building, world building, etc, all of this makes it a great piece of entertainment and simply a wonderful journey to go on. So, here are some of the things I really liked and those which I liked a little bit less in the OPLA. (which was still really great in my opinion!)

SPOILERS for OPLA and One Piece under the cut

What I enjoyed:

Sanji. Let me just kick this off by saying that LA Sanji does such a great job. From the casting to the subtle differences and normalization of his 'quirks', Sanji is such a great character in OPLA. He is the perfect foil and 'calming down' factor for the lackluster Strawhats gathered up until the Baratie arc. While his flirting in the og makes him a bit obnoxious for me, the toned down version of OPLA is just on point. Everything is executed perfectly. The vocabulary he uses, the cooking, the fighting, the flirting, I'm just in love with OPLA Sanji. His backstory packs a punch, as it always did, and it doesn't feel rushed or forced. The crying is also on point. The only thing which could've been improved on was his leaving of Baratie.

Sets. The visuals are perfection. Like, this was it. It was One Piece. The world was there, in live action. All the little cultural details added and portrayed were absolutely stunning. I could see exactly where the budget went. It was on. point. I have nothing to add. It's perfection.

Fight scenes. All of the fans of the og I've spoken to were slightly worried about the adaptation of typical shonen fights, abundant in OP, being presented in OPLA. Needless to say, they were a perfect balance of flashy and entertaining, without going over the top or running for too long. Even Kuro's style was adapted amazingly for the live action. Here, I only have to add that Zoro and Nami seemed to overshadow Luffy a bit when it came to fighting, and this was a tad of a pity. With a little bit more screen time for the theatrics at the beginning of OP (where everyone is shocked to find out that Luffy has eaten a Devil Fruit), the issue could've been solved.

The pacing. Another thing which typically turned away anime watchers from OP og was the sheer size of the massive franchise. OPLA solves this issue very well, condensing and separating flashbacks, including them at different moments in order to provide for a more watchable show. Simply, great.

Side characters. I could go on and on about the amazing casting and screen time awarded to the side characters in the OPLA. Let me just list some of them who impressed me: Koby, Helmeppo, Buggy, Kuro. They shined. Every single moment of them was pure perfection. I was particularly impressed with Koby's portrayal. I was also on board with the slight addition of horror to Kuro and the Syrup village arc. I was completely in love with how Buggy ate up every scene he was in, going from a terrifying villain to a funny antagonist who is in for the ride with the main crew. Helmeppo's showcasing was perfect. I'm just impressed. I was shook. No other comments regarding this. Simply on point.

The different point of view. It's no secret that the og focuses heavily on the Stawhats. Their stories and development take the majority of the show, which is amazing. Still, the addition of little details, for the og fans, was definitely a treat. If I were to name an example, Mihawk's decimation of Don Krieg is a highlight. Small scenes which were off-screen in the og, being added to the OPLA, were satisfying to watch.

In conclusion, there were a lot of things I adored about the OPLA, but these were the ones I really wanted to highlight.

What I didn't like:

Zoro. As someone who was a firm simp for Zoro from the beginning of the og, I was a little disappointed with the OPLA version of him. The switch from 'a strong dumbass' to 'angsty swordsman' was a little bit too much for me. Simply, it seemed more like a Sasuke interpretation of Zoro, than Zoro. Like it was Sasuke acting as Zoro, or something similar. This, in turn, changed his relationships with the rest of the crew. The most painful one for me was his relationship with Luffy. Og Zoro never really disrespected Luffy nor was he ever visibly annoyed with his captain. OPLA Zoro is just... annoyed. Which makes one think - why does he even join the crew? Not to say that I hated OPLA Zoro, there were really some amazing moments to him. All the fight scenes were great, especially the Mihawk duel one. His oath to Luffy was also amazing. However, the 'unspoken first mate who is the backbone of Strawhats' really became a 'angsty man with anger issues and obsession with alcohol', which is, sadly, a simplification of his character.

Garp. While I agree that the depth added to Garp in the live action was great, too much time was given to him. If the focus had been more on Koby and less on Garp, I would've enjoyed the live action more. Especially the build up of Luffy's confrontation with Garp was anticlimactic in the end, where there seems to be no point in the tension which had been made previously. Simply, his appearance at the end of Water 7 was much more impactful.

Nami's arc. Nami's arc is one of my favorites from the og. Her emotional journey from hating pirates to loving Luffy and trusting him was too flat in the OPLA. Og Arlong was terrifying. Og Bell-mère's story was heart wrenching. Og Nami's decision to go with Luffy was inspiring. This arc was a huge set up for later developments with fishmen and it was simply amazing. One of the many situations where I applauded Oda later on when he expanded on the universe seamlessly. In the OPLA, this is missing. While Arlong is still terrifying, he doesn't quite pack the punch he did in the og. Luffy doesn't struggle nearly enough to defeat him, which makes later development of the universe, with Arlong as a strong character, hard to believe. Bell-mère's death made me sob like a baby in the og. It just passed by me in the OPLA. Just.. whoosh. I didn't feel enough. The emotional stakes weren't high enough. The build up wasn't there. Still, the scenes with Nami and Luffy in that arc were on point. Though, I did miss the situation where Luffy walks away from hearing Nami's story. And, I was admittedly impressed with Usopp's first highlight fight, which was left in the OPLA. Altogether, while this arc should've been the crown jewel of the first season, I felt like it really wasn't. The Mihawk duel was a much better scene.

Stawhats. I liked all of them - individually. However, their dynamic as a crew felt a bit off-kilter. Nami and Zoro openly saying 'not a crew' to Luffy all the time didn't sit right with me. Them agreeing on not being a crew simply left a sour taste in my mouth. The core of my issues with Stawhat dynamics is probably due to the change in the Zoro-Luffy relationship, which is the most charismatic in the og. Sure, Zoro wants to smack Luffy half of the time, but he doesn't. Nami is the one who disciplines the reckless captain. Luffy is the one who brings them together. The sheer disrespect (yeah, quoting here the OPLA 'mutiny') is what made their dynamics odd. And then, Usopp and Sanji being fully on board and invested made it strange. It should've been Zoro who provides the example, not Usopp and Sanji. Zoro, though, is not the one to give the faith, but instead to give the annoyance. In the end, Luffy could've definitely been more selfish. Og Luffy is charismatic because we never know what to expect from him. He's captaining how he sees fit, without consulting anyone. And it works. Og Luffy is admired because he is so eccentric. OPLA Luffy lacks that. He is unsure of himself, which makes him hard to like. While he surely is Luffy and he does an amazing job with all the necessary scenes, he lacks that conviction. And, in the end, it's his passion and conviction which makes OP so lovable, in my opinion.

To conclude, with a little more addition to recklessness and that dynamic of 'Jesus what is he doing but oh well I'm joining because it's fun' Zoro would've been on point, which would've solved the Strawhats issues. A little more time dedicated to Nami's arc would've made it pack more of a punch. A little less time to Garp would've tickled us to know more, later on. This was all solvable.

Does this mean that OPLA is not a good show? No. It's a great show. It's certainly one of the more amazing live adaptations I've seen, second only to the Kenshin movies. It's watchable, for both new fans and old fans. It makes the old fans want to re-watch or re-read the og. It makes new fans want to watch and read the og. It is visually stunning. The casting is amazing. It gives depth where needed. It makes the show appealing to all genders, races and ages of audience members. However, there is room for improvement.

Long story short, I'll be eagerly waiting to see if the dynamic of Strawhats and the climactic fights of arcs and the emotional build up in them are improved upon in the later seasons. Hopefully, we will see more of Luffy's charisma in the later episodes.

What did you think of OPLA?