About the headcanons--
Do you have any specific ones for like how he may be in a normal au? Like if he was in our world?
If not then please elaborate on any headcanons you want!:>
Okay, so, dealing with a normal AU is. Tricky, for a lack of a better word. It really depends on what's the story is about.
If I were to try a 'realistic' take on Sampo then I would have to reimagine a lot of things. From Masked Fool lore to how Belobog could be isolated and how the fragmentum could exist realistically.
If I were to give a concrete answer, I would probably start by saying that the Aeons exist, but instead of alive concepts, they are either powerful humans, a group of likeminded individuals or crazy single minded people because I don't think we can take the 'oh they are this world's religion' route since in the game they make decision that have consequences.
The Masked Fools, realistically, would be a crazy cult. Unlike a lot of people who headcannon, I don't think the Masked Fools collect orphans. I just don't think they would 'force' elation onto children, they should find it themselves. They don't force it because then it isn't fun, the antithesis of their belief.
I think Sampo in this AU would be an orphan, one that literally has no name. Parents dead since he was an infant, home village burned down, no background, no relatives. He was taken in by some government officials or whatever and lived his whole life in an orphanage (not Natasha's). No childhood memories due to trauma.
He probably found the Masked Fools when he left (ran away from) the orphanage. I can imagine a fifteen-seventeen year old Sampo who just ran away with a fresh new name stumbling across the World's End tavern, looking for shelter from the rain after being borderline homeless for a week or two (he has an apartment, he didn't leave completely unprepared! Okay?! It's just a bit... run down...).
Just imagine, young Sampo with no penny to his name listening to the stories of other Fools, deciding to join and making a lot of stupid decisions. After living life and maturing, he decides to takes some time off. Leave the Masked Fools and truly find himself. Find what the name 'Sampo Koski' means to him.
By chance he learns about Belobog, a city that is supposed to be dead due to heavy snow storms and a lost connection with no way of communicating with the outside world. He also learns that, contrary to popular belief, the city is not dead. There's people living, a whole civilization.
So he goes there, and the rest is history. I think the Belobog storyline can be played out basically the same (without the violence). The Stellaron can be some research gone wrong by lunatics (the antimatter legion or the followers of Destruction) and, out of despair Cocolia convinces herself that this thing will save them.
The Astral Express crew can be a respected 'vigilante' group that travels around and looks out for Stellarons. But I'm just spitballing here.
Like I said, it depends on what the story is about. Sampo is a very versatile character and it's very easy to take advantage of that. If you want to write a cheesy comedy about a boyfailure thief, you can!, if you want to write a complicated noir movie about people in power and hidden motives, you can! you just have to find a way for it to be cohesive and to understand how much lore from the story you want to use.
What I described is what I would do if someone told me to make a 'realistic hsr universe'. If I had to pick a genre, it would probably a comedy with a lot of social commentary, I think the premise fits the genre
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I'm thinking about the horror of the Doctor from the perspective of non-companions again, especially as it relates to people those companions know.
Rose? "Ran away" (not wrong) for "a year" (a week) with a "man" (alien) "twice her age" (approximately 50 times her age but yeah, he is Time Lord middle aged), and then gives absolutely no explanation for how or why that happened, except that she was "travelling".
Then when her mum does get an explanation (which, frankly, is only comforting because of the unfamiliarity of the alternative given. The devil you know.), Rose barely checks back in.
She almost dies for him. When she thinks he's dead, she's changed in a way her family doesn't know how to handle. Then she's gone for who knows how long and comes back with the Doctor wearing a new face.
When her original tenure as a companion ends, and Rose lives in Pete's World, she works for Torchwood/UNIT (they become the same organization). She volunteers for the Dimension Cannon. She explains to the alternate earth how to rig up a time machine.
She's changed in ways that no one else can really understand.
Amy? There's everything with River Song of course (though I'm still not there in my viewing), him running away with Amy the night before her and Rory's wedding, and also the connection between the Doctor and the Time Crack being the reason all of Amy's family's dead. Obvious stuff.
However he's also the strange man who broke into this child's house and made a mess of her life that she never got over, that promised to take her away from here, that she wrote about and drew and carved and made her friends dress up as.
And they sent her to psychiatrist after psychiatrist without any help. In their perspective, to work through what she imagined. In her perspective, to tell her that her reality wasn't real.
And then he comes back.
And to some extent, later, when he shows himself to everyone, isn't that more frightening? That the story your child told you, of the strange man she met as a child, of time travel, of nearly being stolen away, hadn't been a lie, or a misinterpretation, or an imagining?
And so he shows up at her wedding. And steals her away again.
Donna I feel like has the least horror until her final episode. I think exploring the in between section of her meeting the Doctor and finding him again would be interesting, but not exactly horror. More an exploration of how obsessive the companions can get about him, how it eats their whole lives with even one encounter, even as it makes them better people.
And then, obviously, the horror of having your mind altered and erased against your will by someone you trusted. For your own good, of course. Because he knows best. How could you know better than him? He's ancient. He's practically all knowing.
Shouldn't you be grateful?
(And he's forgiven.)
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