#I will probably not be able to speak

[ash-eats-film]

So I was just randomly scrolling through insta stories when I saw someone had added a post to their story of a horror com Jeffrey Combs was gonna be at so I looked into it cause it’s within a distance I’d be willing to drive, AND OH MY GOD LIKE ALMOST EVERYONE IVE EVER WANTED TO MEET IS GONNA BE THERE ALL OF THE REANIMATOR TRIO INCLUDED

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[hoofpeet]

Satyr/misc sheep guy design I like.... don't know what to do with this guy but I like the concept

[redrobin-detective]

I’ve never seen this talked about but I found this a truly interesting bit of Skull lore. When he was alive it was a good century before the Problem started and ghosts were generally thought as fanciful.

But Skull could clearly see them, enough to be able to ward them off while making the bone glass. It gives so much context as to how and why Skull ended up with Bickerstaff and possibly explains how he’s able to communicate in the modern day.

I think Skull had been another ‘once in a generation’ psychic talent like Marissa and Lucy had been. Hell, Marissa has proven that with enough talent one could see spirits pre-problem. Skull’s innate talent from when he was alive is the reason he’s able to talk to Lucy, another talented Listener. Does Skull even know how incredible it was to see spirits before it was a nation wide problem???

[fokron]

[legendary-cookies]

As much as I'm not wild about the fact the Devs are making another new Legend, I think it would be a fun concept if Timekeeper and Xylitol were like parallels because time and space

Not a ship though

I'm thinking more like annoyed co-worker and annoying co-worker lmao

[bookshelfdreams]

do it. gimme the Izzy straight-coded meta 👀

I feel like I need to preface this by saying that Actually, Izzy Is Straightcoded would be the inflammatory clickbait title I'd give this if it were written to draw traffic & ad revenue to my shitty website. So don't take that term too seriously.

There has been a lot of ink spilled about Izzy thinking he's in a story where one can only be subtextually queer. Some even by yours truly, but the more I think about it, the less sense it makes. What would be the purpose of queercoding Izzy?

In general, villains* aren't queercoded to show that men being attracted to other men is bad. It's often the outcome; but it's not why the trope exists. It exists because cishet people tend to be (and are encouraged to be) profoundly uncomfortable with gender nonconformity, and so, making a character gnc becomes a quick and easy way to make him appear twisted and untrustworthy. If he** can't even obey the fundamental rules of his own gender (rules that are inherent and unchangeable!) what other rules does he disobey?

Or: If a man is insufficiently masculine, he can't be trusted to have morals. The villain isn't gnc because that's an evil trait to have; rather, the gender nonconformity is a symptom of his evilness. Being evil is what enables him to embrace his feminine side, and embracing his feminine side is what others him and marks him as a villain.

This only really works when he's contrasted with a hero (or heroine) who is Doing Gender Correctly. The villain is foul to highlight how good the hero is. The Hero will be honest and straightforward, brave, physically powerful; the Queercoded Villain treacherous, cowardly, and physically weak. The hero is a Proper Man, a Good Person. The villain an Improper Man, and therefore, a Bad Person.

Of course ofmd fundamentally rejects this. The shorthand wouldn't work, because ofmd simply doesn't think effeminacy is creepy. It's uninterested in moralizing self-expression; it just lets people be how they are. There's a wide range of expressions of masculinity on this show, and none of it is inherently bad. People are allowed to be hypermasculine, flamboyant, and anything inbetween, can express their gender in whatever manner they want, and it's all fine - as long as they are authentic about it. Be however you are, but be yourself, and this is what Izzy fails at. The repression marks him as a villain. The strict adherence to what he thinks a Real Man Pirate ought to be like. He's very preoccupied with enforcing a traditional (and toxic) masculinity on himself and others. It's no coincidence the characters he antagonizes the most - Stede and Lucius - are also the most effeminate ones. And I know, I know anglophones have a much more casual relationship to twat and cunt, those don't nearly feel as uncomfortable for y'all as they do for me, so I don't want to assign too much significance here, but he is the only character who constantly uses this kind of language, and also the one who uses the most gender&sexuality based slurs (as far as I remember).

All of this while being clearly, obviously queer himself! I do not feel like I need to explain this; his flustered reaction when Lucius asks him if he's ever been sketched speaks for itself. The fact that he meets Stede and immediately slices his shirt off of him, speaks for itself. And so on.

Izzy isn't straightcoded in the sense that the story wants us to believe he's exclusively attracted to women. Much like a queercoded villain doesn't need to be shown to be attracted to men (and can even be shown to be attracted exclusively to women!) to still be queercoded. He's straightcoded in the sense that he's a stand-in for restrictive and toxic gender roles that society enforces on people. He buys into the idea that there's a way of Doing Gender Wrong, and this is presented as a tragic character flaw. Something he has to overcome to be able to do the thing that actually marks a hero in this show: express himself authentically.

Part of why I found his death so moving is because it enables him to set right the toxicity he spread. His rehabilitation arc was about himself; about finally allowing himself to be, accepting love, accepting community. His death was about taking responsibility. About fully recognizing the hurt he caused. Looking death in the face enables him to finally abandon the last shreds of that toxicity, to apologize and be granted forgiveness. In the end, he was not beyond saving, and the harm he has done will be healed.

*Izzy is introduced as an antagonist to both Stede and the central romance of this romcom. I'm not gonna debate this; if you disagree, fine, but you clearly have such a fundamentally wrong different view of the show that it's pointless for us to try and convince each other.

**of course Queercoded Female Villains exist s well, but they are a whole different can of worms and less relevant to this discussion

[elvencantation]

i feel like i get literal psychic damage when i think about capitalism too long

[d0d0-b0i]

i think that at first belle would only hangout with sage out of wanting to piss off eggman, but tragically she is not immune to sages charm (of being a baby)

[spaciebabie]

AUTISM POG

[shima-draws]

Haha remember when I said Genshin was being homophobic by running Alhaitham and Kazuha at the same time. Ahaha.

First 10 pull on Kazuha’s banner. I get Kazuha. I go to pull on Alhaitham’s. Two pulls in I get Qiqi. (I am sad to be once again cockblocked by Qiqi.) Two pulls after THAT I pull Alhaitham. What the fuck. What the actual,,

I pulled THREE five stars within 60 wishes. How in the FUCK

I’m so sorry for ever doubting you Genshin I may have called you homophobic but you blessed me during this Pride Month

[thecoolsquirrel]

Happy Birthday Vil!!

[thefourchimes]

there's many scenes in encanto that hurts me very much and makes me want to scream

but one scene i would like to give way to for today, especially as a cool hue sisters enthusiast, is this scene:

mirabel and abuela argument, face to face, parallel with each other...

...and then we have isabela and luisa, backs hunched and eyes lowered, terrified...and standing on the side abuela overwhelmingly stands on

not because they agree with abuela, hell no, but because of their genuine fear of her disappointment

they had talked with mirabel. they were able to connect with her after so long of being apart for more than one reason. mirabel was able to help them break from the expectations and pressures for even just a little bit of time

but it's not easy at all to completely break away from what what was instilled in you for a long time

i know that after everything, they would absolutely be by mirabel's side, standing with her and standing up for her and for themselves, but...understandably, as seen from the symbolism of that scene, it's not easy to move past years of the fear of disappointment holding onto you tight, wouldn't easily stop how they were still so terrified in that very moment

and god. that hurts.

[fanfic-gremlin-ft-trauma]

i’m bored put the first fanfic that you read in the tags + the site you read it on and the fandom

[sciderman]

What are some things cable likes about peter?

nathan's type:

red mask ✅ tight suit ✅ kind of stupid ✅ filters sadness through the prism of humour ✅

bonuses peter parker has to offer

cute hair ✅ cute butt ✅ cute everything ✅

[puppyeared]

if escape rooms as team building exercises became popular im not sure if id be more excited or terrified