there’s something to be said about the fact that janus is the most professional out of all the sides. i genuinely think that he’s the only side playing his part because it’s his job, and not because he has any personal feelings attached.
virgil showed signs of genuinely wanting to be accepted and loved by thomas and the other sides. logan definitely values thomas’s validation a lot and becomes sad when he doesn’t get that validation. remus.. might actually be the second most professional side. but since he seems to work under janus (janus sending him over to thomas and telling him what to do), i guess a lot of that professionalism comes from janus himself. remus isn’t as stupid as he seems obviously, but he doesn’t have a clear-cut agenda like janus does.
i just think it’s interesting to see a side who is only concerned with thomas’s well-being because it’s their job and they want to do a good job. even janus’s frustration at thomas not taking his advice and later his excitement about thomas acknowledging his points came off to me as someone dealing with their kinda shitty boss (no offense to c!thomas, i just imagine that’s how janus views him lol). of course, janus has some fun at his job but i mean, i would too if no one ever listened to me and i’m automatically labelled as the bad guy.
all of this is slowly beginning to change since janus seems to be getting closer to patton but i guess we’ll have to wait and see if they actually become friends or if they’re more like coworkers on friendly terms.
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i’ve been listening to/watching many (many, many) reactions to steven universe (because that’s what you do when you become newly obsessed with something. see what everyone else thinks about it and drive yourself mad) and it’s so interesting to see all the unique ways people tackle it and the common threads between them all.
there’s podcast recaps (pressure to over-analyze) vs youtube reactions (pressure to overreact). everyone knowing the show (yay) vs fans guiding newcomers (interesting) vs everybody being blind (often disastrous). don’t mind silly fun? they love the first season and amethyst’s character. told about how ~deep~ it gets and expecting only that? they love pearl and have to be dragged through the beginning. even how they chunk the episodes affects things—in watching episode-by-episode, people go the most mad as they try to squeeze meaning out of episodes they can’t yet appreciate until later (or are just. bad at analyses.). in chunks of two, people assume su will have much more horror after watching frybo and cat fingers back-to-back. and chunks of 5 are completely different too!
this only skims the surface. i can watch any episode of su and point out which jokes usually make people laugh, what people pick up on, and how their opinion of the situation reflects on whether they have mommy issues.
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for the writer ask
💭🚦💛 💌
💭 What inspires you and your writing?
this is a real marketing major-ass answer (from your local marketing major), but i love sharing knowledge and telling stories. writing’s one of those things that’s a bit of a compulsion for me—i’m always writing something. i took a five-year break from fiction writing before i stumbled ass-first into fanfic last year, but even in those years when i was focusing on my career, i was writing guides and trainings and a ton of other stuff—just not anything fun, lol.
writing is also so cathartic. sometimes i set out to tell a specific story, but at other times, a particular emotion gets me in a vice grip and i have to put it to words before it’ll go away. my stories tend to wind up as emotional dumping grounds as a result.
i don’t write things pulled directly from my own life, but there are bits and pieces of myself and things that have happened to me scattered throughout stuff i’ve written, and usually when i’m about 75% of the way through a piece, i’ll realize it’s absolutely related to something i’m currently going through. funny how art works that way, even when you don’t intend for it to.
and occasionally i just have a fire lit under my ass about an issue and i get so hot about it that i gotta compile my thoughts. looking at you, silver snow
🚦 What sort of endings do you prefer to write: ambiguous, bad, happily ever after, etc.?
look, i would love nothing more for them girls (pick whichever girls you please) to have a happy ending where they kiss and are stupid in love for the rest of forever. i love reading those kinds of stories. but in my heart of hearts, i love an ambiguous ending. i like when there are still questions after the story ends. i like thinking about where things could go or how the characters will go on after the events of the story. like, shared space could be read as having a happy ending, but i don’t really think it is. and with the victors; the vestiges, well. you’ll see :0)
come to think of it, i’m not sure i’ve ever written a happily-ever-after, but i don’t think i’ve ever written a 100% bad ending, either. i read too many bury-your-gays stories and watched too many sad european queer coming-of-age films in my youth to ever be happy putting that kinda thing out into the world. i want to write about love with all its ugliness, but not despair or hopelessness. i think what most appeals to me about an ambiguous ending is that lingering feeling of hope. it’s not the same as the kind you get from a happily-ever-after, and something about it speaks to me.
💛 What is the most impactful lesson you’ve learned about writing?
honestly? how to take criticism. i took a creative writing class in high school where we had to read our work out loud and then receive feedback on it from the other writers in the class, and that did a lot for me. going into that class, i’d already been writing for forever and had won some little local writing contests and such, so i was a wee bit of a pretentious douche. but i’d never gotten real critique before beyond, essentially, spelling and grammar checks. it humbled me lol. it made me grow so much as a writer, and i could see where i needed to improve or where my head was wedged way too far up my own ass for others to follow. it also helped me recognize strengths i didn’t know i had, and that was huge. it’s easy to get into a self-doubt spiral when making creative work, and good, constructive criticism can do so much to help avoid that.
to this day i love critique. i like knowing what worked or didn’t work so that i can continue to improve as a writer and do better next time. did my themes land? did something really work, but another part fall flat? i’d love to know!! i try to treat everything i write as practice for the next thing, and frankly that’s helped take some of the pressure off so i don’t go into total Perfectionist Mode.
i know critique is kind of a sensitive topic in fan spaces, but i think that’s because a lot of people have gotten unsolicited criticism that is purely critical and isn’t constructive. but getting good, constructive criticism will do so much to help a person grow as a writer. it’s scary, and sometimes it hurts! writing is very personal for most people, and it stings when things aren’t received the way you think they will be. but i know i’ve grown more from having my failures pointed out (and, very importantly, having the good things about those efforts acknowledged) than anything else.
💌 Is there a favorite trope you like to write?
actually Just answered this in another ask!
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Recently I was at a meet-up-thing for a-spec people and one of the older ones who organise these meet-ups said in the course of a conversation “well I’m ace and whatever sort of attraction I might feel every time a full moon aligns with the bloom of a special flower won’t shake my understanding of myself, I’m secure enough in who I am to not let that shatter my picture of myself” (that was a very loose quote but I think u get what she meant). And I just found it so funny cause she said it like it was a ridiculous thought to herself, that something small like that could impact herself so much because she’s obviously very at piece and secure with and in her asexuality and while I’m also quite sure of myself in that regard nowadays, there was a long period of time where a random maybe-attraction could definitely make myself question my whole sexuality all over again so that ridiculous thought was and in parts still is a reality to me. And I think this really beautifully shows how self-discovery is a process that we’re all taking at our own pace but that can “end” at some point where we can still be open to new feelings and realisations but where we can have found a way to self-identify that makes us be secure in who we are and where the path of self-discovery is less a daily shattering of our perception of ourselves and more a stable ground we can be free to make new experiences on.
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